#always says things get better but now things actually getting better!

[magniloquent-raven]

Day 4: Supportive Boyfriends

and for my next (LATE, SO LATE) @bucktommypositivityweek contribution. KITTEN FIC.

(read on ao3)

**

The 118 doesn't have a baby box.

In fact there aren't any in the state of California at all. Buck looked it up, after Maddie's postpartum episode. When half his family was missing and there wasn't much he could do besides wait and... think about things.

So he thought about safe haven laws. Read up on the training seminars for first responders who want to be better equipped to deal with hand-offs. Read a bunch of other stuff he sort of wishes he hadn't. Spent the next week haunted by articles about abandoned children.

He considered talking to Bobby about it. Only partly to ask him if they should get a box for the firehouse. Partly because Buck wasn't sure how he felt about the whole thing, and Bobby always seemed to have answers. But he never worked up the nerve to broach the subject.

And now. Bobby's not captain anymore, and Buck really can't imagine Gerrard giving a shit about any of this.

So, they don't have a box. But.

Well, this isn't a human baby. It's not like the same rules apply.

Buck has to wonder if wires got crossed somewhere, because. Someone left a kitten. Outside the firehouse.

Buck was just going to grab something—he can't remember what—from his Jeep, when he spotted an unlabelled cardboard box on the pavement, up against the side of the building. His first thought was bomb.

Until it meowed at him. A tiny, high-pitched peep of a meow.

Kind of scared the shit out of him, if he's being honest.

There's only one. All alone in the box. A poofy grey thing wriggling around half buried in an off-white towel. Like a very ambitious dust bunny with big round blue eyes and skinny legs. It wobbles slowly over a fold in the towel with all the effort of someone scaling a mountain.

Buck crouches next to the box, and pokes a finger inside.

"Hey, buddy," he murmurs, holding very still while the kitten inches towards his hand and squeaks. It's unclear whether there are teeth in that little maw. That means it's really young, right? Too young to be left alone for very long.

Shit, how is he going to explain this to Gerrard? He's still got, like, 12 hours left on his shift, but someone has to feed this thing. How long can kittens go without food?

Oh, it does have teeth. Really teeny ones. They're ineffectively poking his knuckle.

Buck fishes his phone out of his jacket—with the hand that isn't currently being drooled on—intending to go to Google for answers. How to figure out how old a kitten is. How often do kittens need to be fed. Do cats get separation anxiety. He has a million questions.

Only he doesn't pull up his browser. He calls Tommy.

It's a whim. Barely a seed of an idea. But when he unlocked his phone the first thing he saw was their text history (he'd been complaining about Gerrard off-and-on all morning, and Tommy had been sending random updates about all the chores he'd been getting done—his last message was a picture of a mop with no context) and he just thought... Tommy will know what to do. Not in so many words, more a feeling. Comfort and certainty, just from seeing Tommy's picture in a little bubble at the top of his screen.

"Evan?" Tommy answers almost immediately, and there's a subtle undercurrent of worry in his tone. Buck winces. Right, calling out of the blue while he's at work would look. Bad.

"I'm okay!" He says quickly, all in one breath. Then pauses. The kitten squints up at him, meowing again, long and loud. Its whole fluffy face scrunches with the effort.

"...What was that?"

"Uh. That would be why I called, actually."

—

Gerrard is less of an obstacle than Buck feared he'd be. Because he's holed up in his office doing paperwork when Buck sneaks in with the kitten, and Buck's decided he has no intention of letting him know the cat was ever here.

Tommy promised he'd come get her.

Buck didn't even really ask, and wasn't planning on asking. Didn't have any plan whatsoever, in fact. He just wanted to know if Tommy knew anything about taking care of kittens, and suddenly Tommy's voluntarily sacrificing the rest of his day off to scope out vets and pet supply stores and whatever else Buck's helpless little friend might need.

He hung up hours ago and his insides still feel warm and goopy about it. He can't stop thinking about the gentle fondness that softened Tommy's voice after Buck explained the situation. Buck would wrap himself up in it like a blanket if he could.

Tommy's getting so kissed when he shows up.

In the meantime, Buck's sitting upstairs, working his way through the dozen or so tabs he opened up after googling kitten care.

He thinks the one he found might be around three weeks old (ears not quite unfurled, can't sheathe claws yet, legs unsteady but mobile). And possibly a girl. She did not care for being picked up and turned over, and the indignant squirming made it difficult to tell what's going on down there. But he's almost certain he's right.

She was shrieking up a storm about it, and he was worried if he took any longer she'd alert Gerrard. (She didn't. She did, however, draw the attention of about half the firehouse.)

"You are disgustingly cute," Chimney coos, scratching under her chin with the tip of one finger. She's lifted her head as high as she can and her eyes are squinted happily. Buck can hear her purring from across the room. "Yes you are. Hen, can you get a picture of this?"

Hen pulls out her phone. "Sure... why?" She asks, leaning over his shoulder to snap a picture and eye him with mild suspicion.

"Jee. She'll wanna see when I tell her about my day."

Her expression softens to a smile. "I'll text it to you." She taps her screen a couple times. "Just had to make sure you weren't planning on calendar campaigning again."

Chimney grins. "Nah, my calendar days are behind me. The only person who gets shirtless pictures of me now is my wife."

"Gross," Buck says without conviction. He narrows his eyes at the site he's scrolling through, swiping away a Join Our Mailing List! popup. "You guys don't think she's cold do you? Are her ears warm? It's only, like, 70 today and we don't know how long she was out there."

Hen and Chim exchange glances, and then, disturbingly in sync, look from the cat to Buck. Chim gives her ear a perfunctory poke, which she does not appreciate as much as chin scritches, "She's fine, man."

Hen waves a hand at Buck when he opens his mouth again, "We're medical professionals. And in my medically professional opinion. She's fine."

"Okay, but—"

"Hey guys, look who stopped b—uhhh. Is that a cat?" Eddie slows to a stop at the top of the stairs, blinking at the kitten on the couch. "When did we get a cat?"

"Couple hours ago," Buck says, still frowning at Hen and Chimney. "Where have you been?"

"I found him polishing the engine."

Buck shoots out of his seat. "Tommy!"

He only half-hears Eddie muttering, "Favouritism," as he scuttles around the chair to meet Tommy halfway between the stairs and the sitting area. Tommy has just enough time to smile—and it warms Buck, like it always does, with a spark caught in his chest for safekeeping—and say hi before Buck's on him, palms clapped on either side of his face, smushing their lips together.

He makes a bit of a show of it, dramatically swooping in, because he knows the big smacking MWAH will make Tommy laugh, and he likes the way that feels rumbling against his chest.

Buck taps their noses together. "Hey," he says, savouring the mirth sparkling in Tommy's eyes for a second before kissing him again, properly this time.

His brain goes sort of fuzzy when Tommy's palm cups the back of his neck.

Someone in the distance wolf-whistles.

When they finally come up for air Tommy asks, "What was that for?" a little breathlessly, which is doing things to Buck.

"Mmn...y'know. For being you."

Tommy raises his eyebrows, kiss-reddened lips curling fondly. "Okay."

"Hey, Tommy. Good to see you," Chim calls in a very pointed way.

Right, public setting. Workplace. Friends watching. Buck exhales slowly, and tries to think about anything other than how much he wants to bite that bit of clavicle peeking out of the collar of Tommy's shirt. Like the fact that Tommy's hands are warm, and he's sort of rubbing his fingertips over the short stubbly bits of hair on the back of Buck's head, and Buck's lips are still tingling a little, and—no wait, not that either.

Tommy pulls away first, which is probably for the best, but also very sad. The corner of his mouth twitches like he can see Buck thinking it. He curls his index finger and gently taps Buck's chin with the knuckle before he turns to the group.

"Howie," he says, not even pretending to be contrite in the face of Chim's mock-judgement. "Hen."

"Tommy." Hen fails to contain her smirk.

Some time during all the kissing, Eddie moved over to the couch. He's sat next to the kitten, watching her attempt to groom her paw with all the grace of a toddler who's only a little bit sure they know how to hold a brush. She keeps starting and stopping at random intervals, sometimes licking the cushion beside her, sometimes sticking her tongue out at thin air.

She's so cute it makes Buck's chest hurt. It's a little much while he's still loopy from making out with his boyfriend.

Then Tommy goes and crouches next to the couch so he can get eye-level with the kitten while she sniffs his hand, talking to her all calm and soft with smile-lines crinkling his cheeks, and. Buck might need to lie down for a bit. Like, on top of Tommy, preferably.

The kitten seems to like him too, and he really can't blame her when she crawls up Tommy's sleeve to perch on his shoulder.

She looks so much smaller cuddled up on Tommy. He reaches up to steady her, and she's almost entirely obscured by his hand.

God, is it wrong that he's getting a little hot under the collar about that? He just looks so strong and competent and at the same time, like, gentle. Buck knows how it feels to be touched tenderly by those hands, and apparently just seeing it happen does not affect him any less. In fact it's only added dimensions to his desires.

"I should probably get going," Tommy says, bringing Buck back down to Earth with a resounding splat.

He opens his mouth to protest, then closes it. He's right. The last thing Buck wants is for Tommy to have another run-in with Gerrard, and they don't know how long the old bastard's gonna be occupied.

"Mhm, run while you still can," Chimney pipes up. "Before our dear old captain smells an opportunity to ruin someone's day."

"He does seem to have a sixth sense for that," Eddie adds sullenly. Buck makes a note to ask him what that was about. Later.

"I'll walk you out," Buck says, trying not to sound like a pouting child. He's fairly certain he fails, because Tommy laces their fingers together and gives his hand a comforting squeeze.

He says his goodbyes, the whole time being careful not to dislodge the kitten while she crawls across his shoulders.

Buck goes through the list of kitten care basics he memorized as they make their way to the parking lot. It's...more than he thought it was, honestly. It starts to feel overwhelming as he goes on, and on, and on. He's running out of time to get it all out, and he feels like it's just now sinking in his huge this responsibility that he's dumping in Tommy's lap is.

"You're sure you don't mind taking her?" The question bursts out of Buck before they make it to Tommy's car. "W-we didn't really, I mean. We talked about it over the phone, but..."

"Yeah, now that I've seen her she does seem like a real handful."

The kitten yawns, and curls up into a tiny grey ball in the crook of Tommy's neck.

Well. Alright.

"It's just, t-they need a lot of attention when they're that young, and I kinda just, just dropped this on you."

"Evan." Tommy gives him a look. "Are you worried that you baby-trapped me?"

Okay, when he puts it like that. Maybe a little bit. But also now he's having complicated yearning feelings that he really should not be having this early in the relationship.

Buck's pretty sure he looks like a deer in the headlights right now, because Tommy's doing his damnedest to pretend he isn't laughing at him.

He tugs Buck's hand, leading him the rest of the way to his car.

The backseat is full of cat stuff. Containers of milk-replacement powders, and a shiny plastic litter box, and toys, so many toys, baggies of fake mice and feathery things, just. So much stuff. Piles of it.

"I called up a friend who used to foster kittens. She had a lot of advice. And then I got a little carried away."

"I, uh. See that," Buck laughs breathlessly.

"Over the phone, you sounded like this meant a lot to you? And I think I got really attached to the idea of...this. Taking care of her for you. With you." He sounds hesitant, like he's trying not to say too much, and Buck can't stand it—

"I love you so much," he says in a rush.

"Well, good," Tommy purses his lips around a smile, eyes bright and crinkled at the corners. He reaches up to his shoulder, like he's absent-mindedly checking to see if the kitten's still there. "Wouldn't want her to grow up in a broken home."

Buck huffs a laugh.

"And I love you too."

[fairyhaos]

◈ love of my life // yoon jeonghan

jeonghan x gn!reader, 2k+ words

tags: technically requested by lots of people bc everyone wants jeonghan fluff, childhood friends to lovers, fluff, crack, mutual pining, almost-confessions

warnings: light swearing

summary: in which your relationship with jeonghan isn't exactly platonic and isn't exactly romantic... but rather, it's a secret third thing.

It has to be at least two in the morning when Jeonghan's ringtone blares throughout his bedroom, and he rolls over with a groan, grappling blindly at his nightstand before finding his phone and pressing it against his cheek. 

“Who is this and what do you want?”

“Jeonghan, let's go on a date.”

He recognises your voice in an instant, even in his half-asleep state, and he huffs a laugh, flopping back against the pillows and rubbing his eyes. 

“Gee, at least ask me when it's not ass o'clock in the morning, won't you?”

“No, no, this only works if you get up right now,” you say. “Come on, Jeonghan, just go on a date with me. Right at this very moment.”

Jeonghan rubs his eyes, before taking his phone away from his cheek and peering at the screen so he can read the time. “See, you’re not presenting a very good argument,” he says, once he’s put the phone against his ear again. It’s almost three in the morning. What are you thinking? “I don’t wanna date you that much.”

You make a sad sound on the other end of the phone. “What will it take to get you out of the house?”

“Wire me an obscene amount of money right now and I’ll think about it.”

There’s a pause.

“No. Best I can offer is a pretty please.”

Jeonghan can’t help smiling at your dry tone, and he rubs his eyes once again with a yawn. “Fine. I guess I can’t expect anything better from you, anyway.” He can almost see you biting your lip in annoyance, wanting to quip something witty back at him but also wanting to keep quiet so he’ll actually come. 

“You know me so well.”

“Yes I do,” Jeonghan teases, and groggily hauls himself out of bed. “I’ll be ready in ten. Where do you want me to go?”

“Don’t worry, princess, I’ll pick you up,” you say, suddenly sounding excited. “Just wait for me and I’ll come over to take you out.”

Jeonghan raises an eyebrow. “Is that a threat?”

You laugh, bright and happy, like it’s not four in the morning and you’ve asked your best friend to go on a date with you. Jeonghan can’t help but smile again, even as he grapples blindly through his dark room to find some clothes.

“Don’t worry. It’s a promise.”

───────────── 🌘

Jeonghan is, admittedly, more than a little confused when you just take him to the nearest playground.

Sure, maybe this entire thing is weird—you calling him up during ridiculous hours of the morning to “go on a date” is definitely not something you’ve done before—but that’s just the kind of friendship he and you have. 

It’s like how, last year, he spent an entire month calling you increasingly ridiculous pet names, ranging from “beloved” to “honey butter snuggles bunny bear”, and purposefully took you out to public cafes and restaurants to test them out for everyone to see and hear, preventing you from punching him as hard as he probably deserved. 

So this is, like, nothing new. Just a funny and silly thing the two of you do, because you've known each other for the whole of your lives, and when it comes to the way your relationship works, the lines separating “platonic” and “romantic” have always been curiously nonexistent. 

It doesn’t mean anything. It’s never meant to mean anything.

But sometimes, sometimes, it feels like it should.

“I think I’m going to end up alone forever,” you say abruptly, and Jeonghan looks over at you in surprise. You’re sitting on the swings next to him, dragging yourself back and forth as you look up at the sky. There’s nothing to see up there, with the clouds obscuring any moonlight, so it's obvious that you're just looking away so he can't see your face. 

It's so quiet; Jeonghan didn't realise that the world could be this quiet at 2 in the morning, and it makes your words echo extra loud into the abyss, before they're swallowed by the darkness. 

Jeonghan shrugs. “Maybe you will.”

Instantly, you're leaning over to swat him on the arm, and he laughs. 

“Asshole,” you say, but there's no venom in your voice, even as you level him with a glare. “You're really no help. I'm trying to unload all my deepest fears for you, here, practically begging you to reassure me, and yet all you can do is be mean.”

“You said one thing,” Jeonghan points out. “I don't think that counts as unloading all your deepest fears.”

“Yeah, well, maybe it's my only deepest fear.”

“Why are you unloading your deepest fear on me?” Jeonghan asks, kicking his legs out in front of him. “We're on a date. Our first date, mind you, so this hardly seems appropriate.”

“Asshole,” you say again, but like before, the word has no bite. You glance over at him, before realising that he's looking at you, and then quickly raise your gaze to the sky. “I'm being serious about this, you know.”

Jeonghan says nothing for a long moment. Watches the way the pale light from a nearby lamppost gives you an unearthly, almost otherworldly glow. 

“I'm being serious too,” he decides to say, looking up at the cloudy sky with you. “You shouldn't be saying that stuff on a first date. Kinda makes it sound like you don't think things will work out between us, you know?”

You huff a confused laugh, looking over at him again. “Jeonghan, wha—?”

“And maybe you will end up alone,” he carries on, thoughtfully, as if he's talking to himself, forgetting that you're sitting there too. “But maybe you won't. I think you probably won't. And even if you do, it's fine, because I'll still be with you.”

It's a painfully vulnerable thing to say, made doubly so by the quietness of the night. Like a love confession, almost. Except it's not, because he's not in love with you. 

He isn't. 

“That's really sweet,” you say, almost begrudgingly, as if it pains you to admit that Jeonghan actually said something nice, and he laughs. “Though wrong. If you’re with me, then I'm not alone, am I?”

“Oh, I see. When you said alone, you meant in general. I thought you meant, like, romantically.”

“Well, maybe. But maybe I also meant overall,” you shrug. “I didn't think you'd want to spend the rest of your life with me.”

Jeonghan swallows, tilts back on the swings, head still raised to look at the sky. “I want to spend every life with you.”

You look away from the sky at his words, turning to face him in surprise. The echoes of what he’d just said were already fading away, muffled and pressed into the velvet dark of the night, but the surprisingly soft air that followed in its wake still remained.

 Now, he's the one avoiding your gaze, keeping his eyes firmly locked on the shapeless, misty blur of clouds above him so he doesn’t have to look at you. Out of the corner of his eye, he can see you tilt your head, and smile. 

“Oh, look at you, you sap,” you say, bright and teasing. “Face it, you like being with me. Oh! I bet you're in love with me, seeing as how you agreed to date me and everything! Isn't that right, Jeonghan? You love me.”

Jeonghan pulls a face, and you burst into laughter, so ridiculously loud and happy even though it's two in the morning and the whole playground is silent, the sound of your happiness ringing against the cool air of the night. He can't help but look at you then, exasperated and fond, shaking his head as you grip the swing chains and sway back and forth, still giggling to yourself. 

He sniffs, feigning annoyance as he leans to the side, making a dramatic show of pulling his swing away from you. 

“This isn't a real date. I could never date you.” He scrunches his face in faux disgust for good measure, and you laugh again, rolling your eyes. 

“Yeah, yeah, whatever. And yet you still came out when I called, didn't you?” you tease, smiling widely, and Jeonghan has to admit that you're right. He's here because you asked him to be here. He’s here for you.

Hm. This was getting weirdly soul-baringly truthful for what he’d thought would be a silly little hangout in the middle of the night.

“Next time you call me at 2am, I’m blocking you forever,” he says dryly, giving you an exaggerated look of disdain just so he can revel in the laugh that it pulls out of you.

“No you won’t,” you say cheerily. “Because you looove me.”

“Um, lies.”

“No lies. You literally love me so much.”

“I don’t.”

“You do.”

“No, I don’t.”

“You do. You do, you do, you do, you’re actually genuinely in love with me and there’s nothing you can do to deny it, because it’s so obvious that I’m literally the love of your l—”

Jeonghan makes a clicking sound with his tongue and leans over to shove your arm, causing you to swing to the side as you cackle with delight at his reaction. He glares at you, again, sighing with exasperation as you continue to laugh.

“Yes, yes, I love you, just as much as you love me. Now if we’re not actually doing anything of importance, then can I go home?”

“What?” you say indignantly. “Of course not! If I can’t sleep, then that means you’re not allowed to sleep either.”

“I knew it. You called me out here because you couldn’t fall asleep.”

“Duh. Now come and push my swing, will you?”

Jeonghan rolls his eyes and stands up from his swing, groaning and holding his knees like he’s some kind of grumpy grandpa. You laugh, mocking him for his bad joints as he walks around to stand behind you, and he snarks back something ridiculously funny and rippling with light, twisting through the cool air.

And then his hand presses against the small of your back, soft and yet sure, and suddenly all you can focus on is that gentle, feathery point of contact that connects you to him.

Your laughter subsides as he begins to gently push your swing, and you move up, and down, and up, and down, the fleeting warmth of his hand an intermittent pressure against your back. He doesn’t say a word. Everything is quiet, in your head. Like his touch alone could silence any worries that still floated around in your brain.

It’s one of the things you adore most about Jeonghan. He makes you feel safe.

“For the record, by the way,” you say, voice quiet, “I really do love you.”

There’s no noise but the metallic creak of the swing, sounding weirdly small in the yawning abyss of the dark. Jeonghan’s hand is still steady as he pushes you, again and again.

“As a friend?” he asks, eventually.

You can’t see him, and maybe that’s for the best. His voice is tinged with a colour, an emotion, that you can’t quite name, warm and cool and fleeting and present all at once.

Yet more silence greets his words. You continue swinging, and he continues helping.

It’s hard to know what he means by that. As a friend, in a hopeful way? As a friend, in a meaningful way? Or as a friend, in a way that could maybe, maybe, signal that he thinks, or wishes, that you mean... something else.

More.

These things are difficult to tell, when it comes to Jeonghan. Who wears his heart on his sleeve and yet also hides it away where no one can see.

“Yeah,” you say, after it has been far too long since he’d asked, but it’s clear that you were both waiting for your answer anyway. The word leaves you as a sigh, threadbare and thin. “As a friend.”

Jeonghan huffs a soft laugh. Maybe because he believes you, or maybe because he doesn’t. You’re not too sure.

“Okay,” he murmurs, pale as moonlight. “In which case, I love you too.”

fics tags: @jeonginssa @weird-bookworm @minhui896 @slytherinshua @haowrld @belladaises @moonlitskiiies @mirxzii @zozojella @kawennote09 @a-wandering-stay @abibliolife @doublasting @wonranghaeee @icyminghao @sweet-like-caramel @your-yxnnie @odxrilove @kyeomyun @crackedpumpkin @jeonride @kellesvt @eightlightstar @onlyyjeonghan @aaniag @starshuas @raevyng @isabellah29 @hrts4hanniehae @mcu-incorrect @dokyeomkyeom @suraandsugar @haodore @tulsa24 @melodicrabbit

[f0point5]

I think I have sent this same request some time ago but I still would like you to write something about Emilia and Max hanging out with Victoria’s children and maybe thinking about their own future kids. But really anything with Max and Emilia would be great!

I don’t think I’ve ever seen this one, but tumblr eats asks sometimes 🤷‍♀️ but it’s too cute so here you go! I am keeping these short but I hope you still enjoy it!

✨Set during summer break 2024✨

I’m having his baby (…) no, I’m not

You take a sip of your rosé as Victoria comes to stand beside you. You’re lurking in the doorway of the lounge, watching Max sitting on the couch with his baby niece in his arms. He’s bobbing her in a gentle motion, his hands looking huge around her tiny, swaddled body.

“God, I remember when we used to say our kids would get married,” Vic says beside you, and you laugh.

You did say that. As little kids you would wish to be sisters, and somehow the only way you could think to make that happen would be for your children to marry each other. Like in that Flintstones movie you used to love. You’d draw pictures of the two of you sitting on the porch of a large house, watching your children get married.

Now you wonder if your mums thought the same, during those summers in Italy, as they watched you all play. They swear now that they did, that the mother’s intuition told them you and Max were tied together by some invisible chord that chafed on both your wrists. “A mother always knows,” Sophie said to you when she saw you last, “you will know, too”.

“And now that would be illegal and dangerous for our grandkids,” you say, shaking your head. “Crazy,”

“I like it better this way,” Victoria says, putting her arm around your shoulder and squeezing you into a hug.

“Me, too,” you agree, your eyes fixed on Max and Hailey. He’s whispering to her in Dutch, her eyes fluttering closed every few seconds as she yawns in his face, which only makes him smile. He’s utterly mesmerised by her. And you’re mesmerised by him.

I swear I can actually feel my ovaries right now.

“He’s so good with kids,” Vic says. “Even with Jaye I remember he was so gentle,”

“Yeah,” you agree, only half hearing her as you take another sip.

“Gives you baby fever, huh?”

You choke on your wine. Was that Victoria or your subconscious talking?

Vic, are you in here? No, of course she’s not in here. She’s just being nosey. Act natural.

“Are you okay?” Max asks from the couch. You look over at him as you wipe your mouth, coughing once as you nod. Even as he looks at you in concern, he never stops the gentle bouncing motion of the baby in his arms.

You go to answer, but Vic beats you to it, blunt as ever. “I was just saying, you will be having one of your own soon, yeah?” She smiles, nodding at Hailey.

If Max is panicking as much as you, he doesn’t show it, just shrugging. “I mean, ye-“ You can feel your eyes widen, and he stops when he sees your face. He tries again. “May-“ he frowns at you, silently begging for help. “No?” You nod gently, and Max turns to Victoria. “No.”

She looks at you in mild disbelief. “No?”

“No,” you emphasise to both Verstappens.

You love them dearly but genetics are a crazy thing - they both share a chronic disregard for timing. They want it all, and they want it now, in any order, all order be damned.

“You’re not getting any younger,” Victoria says, nudging you.

“That is just rude,” you tell her, and she just smiles unapologetically.

“Oh, come on,” she implores, reaching up to wind her finger around a lock of your hair, “a little baby with Max’s eyes and your hair?”

“And both of our tempers,” you say with a chuckle. “Can you imagine that? Besides, we can barely make cereal, and you want us to raise a baby?”

You look at Max for support, but he’s no longer paying attention. He’s looking down at his niece like he’s holding water.

Maybe a baby can live on cereal, if her dad looks at her like that.

“I’m going to go put Hailey down for her nap,” Vic says, jerking you from your thoughts.

She goes over to take a sleepy Hailey from Max’s arms, and he looks loathe to let her go. She looks so much bigger when held by her mother, and her so much more fragile.

“When I get back, we can start on dinner. I’m going to make cereal,” Vic teases in a whisper, winking at you as she passes.

Max snorts with laughter, and you shoot Vic a glare as she starts to hum, shuffling her way out of the lounge towards the bedroom.

You join Max on the couch, falling onto it beside him with a heavy sigh.

“So glad I’m an only child,” you say, rolling your eyes. When Max doesn’t respond, you glance over at him to find him staring at his hands. You nudge him gently. “What?”

“You do,” he starts, leaning back as he turns to you. “Want kids, someday, don’t you?With me. I mean…you don’t think I’ll be, like…”

“No,” you answer quickly, when you understand what he’s getting at.

You silently curse yourself for that joke about tempers. For ever making him think that’s something you worry about. You know there’s a heaviness in Max, in both of you. You know that he is so much more than his father’s son. But you also know that the weight on his shoulders will keep him crooked until he can see that for himself. You hope knowing you see it will be enough for now.

“I want your baby, Max. Someday. There’s no one else I would ever do this with besides you and not just because I love you, but because I know you’ll be an amazing dad,” you tell him honestly, and even that small platitude seems to relax his shoulders. “But can we at least get to one year of baby making activities before we start painting a nursery?”

Max nods, letting out a husk of a laugh. “I’m shit at painting anyway,” he says, looking at you from under those eyelashes that you secretly envy.

Maybe she’ll inherit those, too.

“Free practice?” You offer with a smirk, holding your hand for his.

Max looks at your outstretched palm for a moment before taking your hand in his. “Free practice,” he agrees, using his grip on your hand to pull you forward so that your chest is pressed against his. “I’m looking forward to FP2 later,”

[auroratumbles]

first of all, do NOT in any way harass nor send hate to anyone mentioned in this post. this is simply to raise awareness about it all!!

user @/ceneid (formerly) was a popular person in the genshin writing community who lied about their age, identity, faked an ed, and was just mainly a shitty person in general.

all the information on this post comes from an anonymous source

the blogs that were owned by elise are:

ceneid

hikoiaa

umiloa

ha-yami

scarasgfreal

symphxony

fionvancia

fixnaie

a quote from my source:

"for context, elise ran a total of 4-5 accounts, with her very first blog being ceneid that was also mutuals with you - they’re the same person. elise had multiple accounts where she claimed she was different ages and it was fairly obvious it was her due to the fact that she didn’t bother to change her typing style or themes, one of the blogs claimed she was 18, a few of my friends and i ended up noticing she had a terrible tendency to say things like “oh i haven’t eaten in 20 hours! should i eat? oh nvm” and such which led to everyone being concerned, these were EXTREMELY frequent, and she’d speak about self harm - randomly putting it in a casual conversation without warning.

she also asked for my location at some point, and overall i eventually grew tired of it and blocked her. later on, someone i know made a callout post on her and it ended in shambles, elise continued to try to get them to take the post down but to no avail until elise deactivated ceneid and started the hikoiaa blog. the person who made the post found out it was her and the cycle continued, until elise ended up admitting everyone and apologized to everyone per the person’s request.

after elise did that, the person deactivated their blog thinking elise had changed for the better - and i even interacted with her too because i thought the same thing. unfortunately, we were all wrong and found out elise owned the @/symphxony blog where she says she’s 17. multiple things have it away that it was her such as coincidentally posting the same things, following the exact same people, and elise also bypassed someone’s boundaries by interacting with them through the blog as a way to become friends with them despite the person telling her to not interact with her directly.

elise made excuses when i confronted her and told her to stop, and she played it off as coincidences like she did before when the owner of the call out post tried to talk things out with her. i have people who can vouch for everything im saying, as well as some screenshots that would unfortunately not fit into this ask because there’s too many of them, she also has this strange obsession with following and interacting with people that i follow and interact with in any shape or form, this has happened almost 7 times now as well. she’s constantly made blogs to follow me on despite me telling her to NEVER contact me again. this stopped a few days ago when she blocked me."

screenshots provided were

another quote:

"elise’s stories never made sense, they were always exaggerated and/or made her seem smarter than she actually was - this was a small bit of the proof that she was lying about her age at the end when she claimed to be 16. she linked a few tiktoks on her blog, revealing her account in the process that studied 7th grade science"

she was called out by someone else on tumblr initially, but that post was lost to the depths. she lied about having a joint blog with someone when it was really just her. to save her own skin, she dmed them.

when that blog blocked her, she made a 'burner account' to talk to them even more.

another blog named 'scarasgfreal' was made. they were 𝜗𝜚 anon and 🦢 anon. the blog was made a few days after the incident mentioned above.

the blog confronted elise.

part 2 of this post

[i-love-ptv]

You Know Me..𐙚⭑

Pairing: Steve Harrington x Fem!Reader

Based on the prompt: “no, i’m not going to give you a bite because i know you’re not going to like it. then you’re going to ask me how the hell i like it, and i don’t want to listen to that right now.”

Wc: 915

No warnings! Just fluff tbh! :]

An: This is a random blurb I made today at 6am lololol

buttttt NEW CHARACTER UNLOCKED!!! It’s fall, and i’m missing stranger things rn 😣

ALSO!! I don’t know who made the prompt, since I got it from Pinterest, but if y’all know, tell me!!

Not proofread, i’m tired

feedback is ALWAYS appreciated mls <333

You truly think that you’re being discreet. Taking subtle glances at your boyfriend, and more specifically, what he’s eating.

Steve’s mom has this special tuna casserole recipe, and she made it on the off-chance she’s actually home.

Just looking at it makes your stomach turn a bit, it takes you back to the dinner you had at Steve’s house when he first introduced you to his parents.

You can’t remember what his mother made, but what you do remember is how after Steve dropped you off at your house with a kiss, you were in and out of the bathroom all night.

You blame it on the fact that you may have a sensitive stomach, it’s not uncommon!

But, a part of you felt bad, she put her time and effort into making a meal for you. She doesn’t even really do that for Steve himself.

So you couldn’t just reject it, besides, your mother always told you to ‘try everything first!’.

So now, that’s exactly what you were going to do.

Steve had only come back to your shared home with one plate, so you had to think strategically.

Maybe you could distract him, tell him something’s wrong with the bathroom sink. Yeah! That’ll work!

“No, I’m not going to give you a bite because I know you’re not going to like it. Then you’re going to ask me how the hell I like it, and I don’t want to listen to that right now.” Steve’s sentence catches you off guard.

You whip your head towards him, staring at him like a deer in headlights.

“..What do’ya mean, honey?”

“No, don’t give me that look. Baby, I know you, and I know you aren’t the biggest fan of my mom’s cooking. I’m not either.”

You jump up at this, nearly falling off the couch, which makes Steve grab your waist with his free hand. He tries to get you to sit back down, rather than kneel on the couch.

“What? I love your mom’s food!” You practically yelled, your voice picking up in pitch.

Steve gives you a look, in both disbelief and amusement.

“Sweetheart, you don’t have to lie to me. D’you remember the 4th of July?”

You cringe at the memory of that day.

Steve’s family, meaning his parents, two aunts, an uncle, his grand-parents, and like four cousins - two of which, were kids - had came together for the 4th of July.

Steve, of course, invited you. He figured it would be better for him to bring you so you could meet his family, and so that he didn’t have to be alone.

The company was great, you loved talking and getting to know everyone, especially his grandmother.

But when it was time to eat, you were a bit….Hesitant, to say the least.

Steve’s dad worked the grill, and to be honest, you didn’t think it was going to be all that good, but it was!

But your dinner was spoiled by Steve’s mom’s watery macaroni and cheese, her oddly sweet potato salad, and her rock-hard rolls of bread.

But you refused to cause a scene, so you shoved all your thoughts down, and ate.

…Which resulted in you barking at Steve, telling him to drive home faster so you could use the bathroom.

You shiver at the thought of how you spent the rest of the night, in and out of the bathroom.

“Yeah, but, I think it was cause I ate too much!” You stammer, before continuing. “I’m all good now, though! Let me try some!”

You try to reach over to the plate, which is being tilted away from you by Steve’s right hand.

Your hands are resting on the brunette’s shoulders, while your body leans in the direction of the food.

“Baby, please. You don’t have to eat my mom’s cooking, I know it’s not good. Please save us both the trouble.” Steve sighs, you know he’s not mad at you.

He’s actually anything but.

He admires how you’re pushing down your feelings, only to uplift his and his mother’s. But he doesn’t want you to think that you’re required to do so.

After another 5-ish minutes of you blabbering on about how you ‘want to try her hard work’ and Steve arguing back, you slouch back onto the couch with a huff.

“I know y’wanna be nice, baby. But you don’t have to.” Steve softy coos, while rubbing your stomach.

“I know I don’t have to, but I want to Steve.”

Steve hums at you, and moves your legs from his lap as he stands up.

You track his body, as he walks into the kitchen, scrapes his plate, then sits it in the sink.

Steve goes back to the couch, picks you up, and then lays you on top of him once he’s comfortable laying down. He puts a blanket onto the two of you, and then rubs your back.

Steve leaves a firm, but sweet kiss on your forehead. “My sweet girl, always so nice to everyone, huh?”

You giggle softly, your eyes growing heavy at the feeling of him drawing shapes on your back.

The last thing you remember is him briefly reaching over you, and using the tv remote to turn down the volume.

Steve doesn’t know how he got so lucky with you, but he’ll spend the rest of his life thanking any, and every god for you.

And you’ll never be able to lie to him.

Cause he knows you.

────♡────

[crazylittlejester]

What are your hair headcanons for the chain? I personally think Wild, Wars and Legend have the longest hair but thats just because I think Legend's hat is full of hair he just pretends isnt there so he doesnt havd to brush it(warriors is going to kill him when he realizes)

Oooooh nice!!

I think Wild’s is definitely the longest, no contest. And I don’t think it’s THICK, it’s just dense. Like, the individual strands are rather fine, and his hair is soft and silky but he’s got a LOT of it. It’s definitely waist length, and has a slight natural wave to it, and he’s a natural dirty blonde. He’s experimented with temporary dyes because he got bored though. Also he does a lot with his hair and he takes really good care of it! It’s not HIS fault he wiped out and fell in a bush and got a bunch of sticks in it 😔

Second longest for me is Time, whose hair to me goes about two inches past his collar bone. He’s a warmer toned blond, and the color is completely natural, he doesn’t do much to his hair. I hc he has bad sensory issues and his hair can sometimes really bother his neck, but if he cut it short he’d never make it through growing it out again so when it bothers him he ties it up off his neck. Any hairstyles he does don’t have a WHOLE lot of thought put into them, but Malon and Wars have done pretty things with his hair before and he enjoyed it. He just can’t do that for himself. I also hc his hair is very thick and naturally wavy and Wars is constantly one toe over the line crossing into GENUINE jealously because Time does NOTHING and his hair just looks incredible and it hurts Wars to know that if he out just a Little effort into it it would look even better

Legend’s is about the same length as Time’s but most of it is always tied up and/or shoved into his hat. He’s naturally strawberry blond, and his hair is thick but pretty straight. It would hold a curl if he did curl it though, and he’s (of course) dyed it a few times in his life

We all know Four’s fuckass /pos bob. What an absolute legend I love his haircut. I hc his hair is very thin and fine, but it has that really pretty silky quality to it? It’s the type of stick straight hair that won’t curl even if you spray it to death and say a prayer. Its a cooler toned blond and it’s a lighter color than any of the other naturally blond Links

Hyrule to me has very dark 3c hair and if he pulls on it to straighten it out then he for sure beats Time for second place, but where his hair actually like falls to is right at his shoulders. Like it just rests at his shoulders. He had to learn to take care of it before he let it get that long because it was just kinda hard for a 10 yo kid to care for when he was so on his own, but he’s got the hang of it now and he’s really happy with how it looks. He doesn’t often do too much with it in terms of styling but sometimes he’ll braid it because it is kinda annoying to have to pick sticks out of it when he and Wild take a tumble and both walk back to camp FULL of sticks and then Warriors has to help the both of them

Sky’s hair to me has natural loose curls and is a fairly dark, slightly red toned brown. It’s very thick and just brushes his shoulders. It’s long enough that he can tie it back if he wants to, but he usually doesn’t because its so thick his arms will get sore from spending so much time trying to tie it back in a way that doesn’t look absolutely atrocious because theres just so MUCH of it and its hard to handle

Warriors’s is similar to Sky’s in length, and it’s naturally very thick, dark and curly, but he straightens and bleaches it to death. His roots are a very dark brown, but he does his best to cover that up. He also tries very hard to keep his hair as nice as possible and do what he can to prevent further damage. It’s curlier than Sky’s is naturally, but when it starts to curl up again it because of humidity or because he didn’t straighten it very successfully it looks a bit similar

Wind is a different styling technique away from a bowl cut. His hair is curly as fuck, not QUITE as curly as Hyrule’s is but definitely close, and his hair is naturally brown but has been highlighted and appears very blond. His roots are clearly brown, but not as dark as Warriors’s. His hair is very thick and hard to manage and Wars taught him how to care for it properly so after the journey when he’s more confident in how it looks, he lets it grow out past his shoulders. I hc Wars helped him LOVE his hair

Twilight is out here fighting demons but the demons are him. His hair is thick as hell AND dense as fuck, and it’s a bit wavy. It doesn’t listen to him, ever. He can’t so much as PART it differently because it’s gonna do what it’s gonna do. His hair was naturally a reddish brown, not a super dark color but definitely brown, but since the transformation he has a constantly dark roots no matter HOW much his hair seems to grow out, and his hair still has a red tone to it but he thinks it looks darker. It also takes him forever to wash his scalp because his hair refuses to let the water in anywhere and he gets a bit annoyed. Length wise you CAN see the back of his neck a bit, and it was definitely cut like, around his head in the sense that it’s not just layered with the intention of it hanging down long. the hair coming from the top of his head which is the longest part of his haircut are like 6 inches long MAX

[pparacxosm]

wounded in

(blue-eyed son part 2: electric boogaloo !!!! ; (hate to be that gal but you may have to read the first bit for context); homeless era!patrick zweig x jaded businesswoman!reader; nonlinear narrative; tw office job; tw coworkers; tw mcdonald’s; the sound of music stuff is for myself; i fucking love sound of music; and i fucking love cats (the animal not the musical, though that's lovely too) so there’s that; pushing a patrick zweig can’t spell agenda; tw new england maybe; i gave new rochelle a better rap this time; kiss scene kindaaaa ??..? ; tashi coaching patrick after new rochelle is canon to me; tw descriptions of emojis; what if i told you there’s a part 3; then what)

You hold in a bout of laughter when Patrick brings the drinks to the table.

His hair is longer than the last time you saw him, which wasn’t that long ago, in scale. In bones, in feels like a while.

Dear old New Rochelle. Far enough out that the city is a twinkle on the horizon like a cluster of stars, far enough that there are some actual stars above you, now. It’s odd to see him in New England. It’s odd to see him in jeans. But then it’s September.

There are new lines on his face already. He’s aging quicker now, as if to make a point.

Drinks are on me,

Is the first thing Patrick told you, when you walked in in a juniper parka. Scanned the room, picked out his booth.

Is this the part where you tell me you’ve opened a savings account? you said, trying to seem completely blasé about it. It would have been childish to be thrilled by such meagre chivalry at twentyeight. I feel like I should pay, you’re in my city.

Yeah, but you’ve hosted me enough for now.

That’s what you are, half the time. A host to him.

A museum. Thumbing through a rolodex of all the different shades of blue his eyes could go in one humid night.

You pass on more nights out than you accede to. You got a cat. You’re getting LASIK soon. But what it really looks like is that you’re wearing glasses to show that time has passed.

“What’re you smiling about?” Patrick asks, placing the foamy mug of beer in front of you.

You wipe discreetly under your eyes, spreading the mascara smudge. “Just thinking about how my aweinspiring generosity has rescued you from the misery of total squalor.”

Patrick chuckles. “Well, they say to pay it forward.” He sounds pleased as he lifts his own mug with a wink.

You look out the window. There’s a film of dust on it. There’s dust on the faux-chintz curtains too.

You start to wonder if that’s what he really thinks. That this is him going forward.

Patrick picks up the plastic menu. “We ordering sidedishes or do we want a full dinner? What’s good in Wellesley?”

You try to laugh, though the noise has the distinct tender hue of a sob. But you’re sure you feel mostly fine. “What are you doing here?”

“Hm?”

“What are you doing in Wellesley?”

Patrick looks up at you with bright, twinkling eyes. “Challenger in Boston. Thought it’d be a waste not to come see you.”

You clench your jaw to prevent more runny mascara. It’s stupid. You don’t much like waste either. But you’re not going to weep in front of Patrick like a child.

“You hungry?”

You nod, picking up your own menu, hiding your face behind it.

His hand reaches suddenly across the table, trying to touch yours. You pull away, but make it look like you didn’t.

“Bet you had a hard time leaving Tobes for the night,” he says, trying to lift the mood.

“Um yeah. A little. I like to imagine what she gets up to when I’m away.”

“My sister had a cat, when we were young. My sister was, like, seventeen, and I was eight, so pretty big gap.”

Because he has to clarify those sorts of things. Because you don’t know he has a sister. You don’t know anything.

You find it hard to picture him pinned down in any humane way. It’s always his beautiful leg (now sheathed in denim) writhing in a bear trap. Always his papery wings unfurled and pinned against a picture frame like a butterfly. Something metamorphosed. Something capable of a great change, and that must be tortured for it.

“She found the cat in an alleyway. She called it Patrick.”

You lift your eyes. You feel it bubbling in you like magma, the urge to coo. You feel all soft these days. And maybe that’s just open heart season, and the passage of time. But you see a vivid meridian in your life, and it falls right along the night you met this guy. And this back half is all soft, so you sort of want to blame him.

You swallow.

“Well, that’s sweet.”

Patrick lowers the menu. “Nope,” he shakes his head, that huge smirk on his face, like his name is on every ticket of the raffle, like he’s cheating at something. “Let me tell you what she used to do. She used to put the fucker in, like, a blanket, right? And she’d lift it up like a sack, with him inside, and he’d obviously start clawing and making all of these noises—“

He makes the noises. Just starts whipping his head around and making kitten growls, imitating this cat with his name. You get the sense that this is one of those anecdotes that explains a lot about a person.

“—And she’d come into my room, in, like, the middle of the night—this is real psycho shit—and she’d lift my covers and drop the cat. And the shit would fucking claw at me and bite me, just—“

He’s doing the noises again. And now he’s clawing at the air with his hands.

He stops, and the way he closes his mouth around his grin makes his teeth look like they’re trying to escape past his lips. But it looks sort of lovely.

“When the fuck died, Saskia texted me. She was like, oh, he loved you so much, you should’ve said goodbye.” He pauses, widens his eyes, looks at you with the pointed intimacy of sharing in this ludicrousness.

You roll your eyes. But you catch yourself smiling. You like the idea of him being mauled like that, skin deep. You get the sense that life has done to him a lot of that—those growls and scratches. And that sounds a little fucked. But what you like about it is how he seems so unmoved now, by this psycho shit. This flailing animal, this torture device. Pinning him down. He's laughing.

You try to imagine him as a child, but the proportions are all comically bizarre, in your mind’s eye.

“Pork chops,” you say, throwing the menu aside. “I feel like stuffing my face.”

Patrick gets three sausage egg McMuffins on the way to the New Rochelle Country Club—and fries, and a hash, and a soda—and he’s eating the second by the time you pull out of the drivethru.

There is a compelling sense of chaos to how he drives. Like, he’s so bad at driving. Three different people honk at him in a dozenminute window. And you feel content knowing that whatever had had your heart thumping last night has not shrivelled and died with the morningtime. Though now it’s maybe a partial distress for your safety. But you get the sense that, maybe, this is actually the person you are now. The woman who sleeps beside a rugged stranger and buys him breakfast and doesn’t care how he speaks with his mouth open while he’s eating the fries. Doesn’t care about the writhing mire of half chewed potato on his tongue. The way his lips gleam pink with salt.

“I need to listen to really specific music to, like, get in the zone? If you don’t mind?”

He sounds so uncharacteristically shy, for brief a moment. You have to lean forward and look to see he isn’t joking. He isn't.

“Uh— yeah, of course. It’s your car.”

He slides a Sound of Music soundtrack disc into the mouth of the dashboard.

You laugh so hard you fold over.

He’s got one hand on the wheel, and shifts is his seat, peeling the unfamiliarly clean skin of his thighs off the leather before sitting back down. He’s tearing into his third breakfast sandwich with a reckless abandon reserved for death row. He laughs around the bite, glancing, bemused, between you and the road, and, ultimately, spending more time looking at you.

“What?” he laughs around a halfmasticated mouthful. “What?”

There are tears sluicing down your face. You can’t breathe. You think you can, and then you start laughing again, and you can’t.

“How do you solve a problem like Maria?” Patrick hums cheerily as he noshes. It’s a gross and wonderful noise, the food moving between his teeth, circumventing Hammerstein.

You think the large coke is probably no performance enhancer, not only because he all but tumbles out of the car when it’s hardly halfway parked (poorly, you’ll add).

“Fuck, need to piss,” he says frenetically.

When you know the notes to sing…, carols Julie Andrews.

You’re still laughing. Crying. Your tummy fluttering painfully.

Patrick makes you order dessert too, since you’re celebrating.

Celebrating what? you had to ask, though, at the time, you were wearing an impish, knowing, frankly celebratory sort of smile.

Patrick feigned great offense. He said, I’m fucking here, aren’t I?

He wants you to have sundaes together. You spill some ice cream on your skirt. He finds that funny. He’s always got this weasel smile, like he’s constantly ready for amusement. He’s shaved, at some point between now and then. The hairs on his face are sparser. The skin on his face looks milky and organic like a crinite litchifruit.

The frumpy diner was his idea too.

He’s spent some time on the veritable extremes of the economic spectrum—that’s what life tends to be for him; veritable extremes, scratching him meanly—and now he just wants to play at being the average wage earner.

“You really are welcome to stay with me, if you’d like.”

Patrick looks at you like he’d rather shoot himself.

You sort of marvel at his sense of pride, as if it were a rare stone, swallowing light and spewing it out at all angles. The Sociology course you took in uni had a whole two modules on personal pride. It is one of the few emotions that are unique to humans.

Patrick—for his weasel smile and beastly hunger and feline anti—is remarkably proficient in being human. In the real, visceral parts of it. In wielding his emotions like kaleidoscope hues. Dancing freely in confinement.

“When are you leaving?”

“Don’t worry about that. If you have time for breakfast tomorrow, we can—”

“Mm, not tomorrow, I don’t think. But I have no plans this weekend.”

You say it with this weird, bright intonation, like you’re jesting. Which—a lot of things feel like a bit of a joke these days. But he seems to understand you well enough. Delivers a curt, unspurned nod, and even a smile. Not the weasley, chronicling one. The wolfish one that makes his eyes crinkle up.

“Come here then,” he says.

Patrick leans in for a hug. You can’t avoid it. He enfolds you in a fascinatingly soft, burning embrace. He still smells sort of musky and acrid. Like even though he can shower regularly now, he maybe doesn’t as often as he should. But you find a gross comfort that. This pleasantly fetid, human man. His cologne smells like a wine cellar.

He says, “It’s nice to see you again.”

Something churns in your belly. Maybe the pork chops. Maybe the ice cream. This whole fucking day. You accidentally deleted some files and IT spent five hours trying to help you unsheathe them from oblivion. You felt like a failure. And now you’re here and,

“Fuck, you’re still so cool.”

You push away from him with a forceful laugh.

You used to be able to tell your sister all kinds of things. But, lately, you haven’t been able to talk to anyone about anything.

Working so many years for a soulless corporate hive mind has turned you into an expert at short, polite, and meaningless feedback that only varies with inflection.

“Right”, “Sure”, “Got it”, “Whatever you think is best”, “Already on it”.

Half the time you sound illiterate. The other half, you sound like you could have written Prozac Nation.

When your sister asks, how was New Rochelle? she expects you to say something annoyingly vague and ominous in your cool, collected adjunct’s voice, like: Everything is under control.

But, instead, you say, “Do you and Mark still go to mass? I really want to start giving more of myself away.” And you’re wearing this smile that’s utterly sincere.

That’s what spooks your sister.

Of course, you want to tell her more. Because your sister married a Herman Melville character; one of those grizzly, stinky, sacerdotal men who don’t want to work but don’t want to lose either. You know your tale of Linklateresque, serendipitous connection would render her mesmerised and marginally jealous.

But, soft and charitable as you may now be, you keep it all to yourself.

Patrick is still in Massachusetts a fortnight later. You say you’d have loved to come and see him play, but you’re really busy, and he says not to sweat it. Insists really. Maybe even begs. Do not sweat it.

You text him, presumably a day or two afterwards, and ask how it went.

Smahsed it!, he texts, and garlands the (misspelled) notion with eight sunglassfaced emojis. You counted. Dibner? he texts.

Then, a moment later,

*dinner?

You get to see your first New Rochelle sunrise.

You slink out of bed with toothfairy softness, even though Patrick is sleeping the sleep of death—with a deep, miserable snore like a resounding dirge to prove it—beside you. Your pillow wall, in the night, had collapsed like Berlin in 89.

You step outside. You check your phone, first, but you do go outside. You do believe in fresh air in the mornings, even if you don’t have the fortitude for mindfulness and journaling.

The parking lot is a vast open soul. Regretfully resigned and stunningly silent.

The sky looks like a bleeding mouth, but the hard grey edges around it don’t seem to care. The concrete enterprises and litter splay do not want anything to do with this bruise. A tart, sort of sewery smell makes your eyes water.

Cars drive by too fast. 

You think, in some faraway capacity, you can hear the soft, rhythmic thunk of tennis balls hitting asphalt. But it’s only your heart.

You hear things. You see things.

You don’t want to sound like some haunted Victorian heiress with a mystical past, but you do.

In the break room, mostly.

So you hadn’t noticed before. Your coworker, Sam, goes fucking wild for tennis. Sam’s slobbering lewd and voracious over tennis. It’s hard to witness. In fact, you feel dirty witnessing this. You should call HR. Sam’s in the break room doing an onanistic oneman scene play about tennis.

Or maybe he just kind of likes it.

And you hadn’t noticed it before.

There’s a lot, for your part, that you were content not noticing around the office.

But now every errant tenniscentric commentary makes your hands feel sore and weightless without the presence of a gun.

“No, you don’t get it, Deirdre, this is like if LeBron played a game at some random Y, and got dunked on by this fuckin’ nobody, and then just… quit the game.” He sounds tumid with bewilderment. “Just fuckin’ dipped!” Sam’s incredulous. “Forever!”

“LeBron…?”

“Fuck, Deirdre, you’re killing me.”

You slot the mouth of your bottle beneath the spout of the water cooler. You close your eyes—zombieleaden, uneven on the tiles; it’s only 10—and listen to the halting trickle, trickle… stream. The plastic goes cold against your palm as the water rises.

“All because of some… fuckin’,” Sam snaps his fingers, “Fuck, I forget the name.”

Peter Zeppelin, your mind supplies dryly.

It is then that Sam chooses to notice you. Points his finger. Wide smile. “Oh-ho, here’s trouble!” says Sam.

Sam and you have had enough one on one conversations for you to list on your one free hand, and you wouldn’t be spoiled for digits. But, all the same,

“Here’s trouble!” Sam announces, “Big shot boss babe, huh? Back from kickin’ rear in New Rochelle. I know you’re glad to be back.”

You don’t say anything. You feign responsiveness, flash a stilted smile. But you don’t say anything. Because what would you say?

Outside the men’s bathroom of the New Rochelle Country Club, you fidget awkwardly, standing against a wall and trying to look inconspicuous. Patrick’s duffel sits at your heels like a staunch hound.

Your gaze meanders around the venue with an idle sense of inquiry.

You’d expected a certain echelon of grandiosity, anyway. And the country club is nice—you feel silly casting any judgement at all—if a little outdated. All glossy wood-panelling and pea green outdoor carpet.

You can see yourself, warped and bleary, upon the polished floor. The bar flourishes a glassy sheen and cloistered amber rows of lavish whiskeys.

Through glass windows, golf splays unfurl, ceaseless viridescence, beset on all sides by sharpcornered hedges.

People mill about with the air of the lookedafter, and polo shirts as white as the maw of God.

Which is nice—it’s all nice—and all, but your chest seems to enwreathe a stark state of dread. You feel the sort of nausea that would rack you as a child. Floating in the curtains at your dance recitals, like an anxious little poltergeist.

When Patrick emerges from the loo, he is whistling. Fluting finely the swooping tune of ‘Sixteen Going on Seventeen’.

“You certainly seem unburdened,” you murmur, gaze shadowing him as he draws near. You know you sound unconvinced. For his part, he looks undeterred.

Slings his bag over his shoulder like it is floatable, even as you know it bears the poundage of half a man’s life.

He grins, flashing a canine.

To you, he has just eaten his weight in greasy, leaden carbcloth, and proceeded to piss for twelve minutes straight.

But Patrick seems imbued by morningshine.

He throws a heavy arm around you, squeezes your shoulder. Says, “Look alive!” Says, “I’ve had a good night’s sleep, a hot shower, the breakfast of champions, and I’m about to get paid!”

You wince a bit at his volume, and also because he seems to be emanating a bit of that morningshine. Not to speak of the heat. Searing from his very bones.

If nothing else you admire his buoyancy. In that way, the warmth—even as the sun blooms above you—is a fascinating comfort.

Like something to be shared.

You say yes to dinner.

You keep having dinner. He keeps taking you out for dinner, and to decent places, too, places you haven’t even been to around here.

You’re sitting across from him. You’re eating, as one does. He’s regarding you with something like awe. Though you wouldn’t know it, because he regards, too, his plate, when the waiter rests it before him, with a sort of comical reverence. Even though you’re pretty sure he’s not starving, anymore.

But hunger’s not always about those sorts of things, you suppose. Maybe he's just still hungry.

He’s winning a lot. Must be, if he’s taking you out all the time, and—hey—maybe you can get him to sign something for Sam. That’d be nice of you.

Patrick watches you eat.

You try not to stare back at him. As long as you keep chewing, you won’t have to ask why he’s still here.

“That’s a nice shirt,” he says after a long silence.

You smile. “Thank you.”

He doesn’t text you for months, many months, after New Rochelle. You’d given him your number, because you wanted to put the ball in his court, and—fuck—here’s hoping you didn’t say that.

But you can’t recall.

It’s been months.

So, when you do get the text, you’re pleased to see it’s aptly contrite.

ypu probably think I’msn idiot, it reads, and it’s late at night and you’re already in bed, stewing over NYT Connections.

You eye the ID. Maybe: Patrick Zweig, but that’s implied—so many implicit little shards—because not a lot of people are so tortured by the prospect of your opinion on them so as to text you at 1 AM. So.

Define idiot, you text back.

dictionary defenition is Patrick Rupert Zweih. There’s prpbably even a lil picture of me next to it.

A few moments.

A bad one.

Ten or eleven emojis of abject terror.

You consider this—not a bad picture of him (though he doesn’t quite strike you as wildly photogenic anyway), just... This Whole Wound—and tap the side of your phonecase in tentative thought.

Your full name is Patrick Rupert Zweig? Tough.

Like ypu didnt already look me up.

You blink. Whoa—okay.

Not a humble idiot, I see, you type.

You don’t know where you get the balls. There’s a sweeping litany of long, gorgeous miles between your bed and New Rochelle, but maybe he can smell you thinking as much because,

Im in MA next week

In the registration room, a man with a binder asks his name, and Patrick sheathes his canine in a way that makes him look conspiratorial and bemused. You suppose it’s become an inside joke.

The ATP official seems to gleam with recognition when Patrick does give his name—his real name—and he says, “Oh wow, that is you!”

You can’t see his face from this angle, but you can envisage the way his moue has settled in confusion.

Apparently, the ATP official was a line judge at the Junior US Open back in 06.

You try to think back to what you were doing in 2006. Probably populating your microcosm in The Sims. Trapping little imitations of those who had scorned you in swimming pools to drown.

“You were really something back then, huh?” says the ATP official.

Your eyes flicker to Patrick’s profile. He doesn’t quite know how to respond to that.

The official hands Patrick a packet. There’s a little map of the facility in there, in case he gets lost. His first match is against one Gonzalez, on court seven.

Patrick says, marginally halting, “Hey, so, is there any chance of an advance payment on the prize money.”

The official blinks.

“Because I know I’m guaranteed a minimum of four hundred dollars even if I get knocked out today—“

You frown a bit at that. The official frowns a lot at that.

“Well,” he says, “Generally we don’t give out winnings until a player makes his way through the tournament…”

A beat.

Then,

“You could always just lose today. Then we’d have to cut you a check this evening.”

Patrick hardens to bone. You hope he has another lifeaffirming piss in him. He doesn’t meet your eyes when he turns to leave, but flicks you a glance that seems to ask that you spare him the judgement.

You leave New Rochelle today. Good as the night’s sleep may have been, he knows better than anyone that life’s loveliest things are fleeting.

So—fine—you don’t begrudge him. Instead,

“He seems hopeful,” you say wryly.

“Must’ve been thrown off by my pretty caddie,” he says dismissively. Maybe a little bristled.

The warmup courts, deep blue plane, shimmer in the sunheat.

Patrick takes the asphalt, flicks his racket around by its handgrip as though refamiliarising himself with the palmfeel for the first time in a while. Which—well—doesn’t give you confidence, at risk of contesting Julie Andrews.

He practices his serve. Starts to work the ball up and down the court. Hits a few forehands, a few backhands.

Then,

“He was lying,” he yells to the bleachers.

The bleachers are mostly empty. A few errant loiterers. Bored spectators who have finished their lunch earlier than their friends. What have you.

He’s looking at you, though. With a staggering precision from so far away.

“What?”

“That guy. He was lying. Or… bigging it up. Or whatever. I wasn’t really something, I was just decent.”

He strikes a ball over the net. You can see, from here, the vibration ricochet through the racketstrings with a shudder that has you expecting music to flutter out.

You lean back in your seat, sort of sliding down against the glossy plastic, a tremor of induced electric tickling your bum through your jeans. You cross your arms.

“That’s kind of bullshit,” you call out.

He spares you a glance, sort of doubletakes, and you can see the corner of his mouth tremble with intrigue.

He takes another ball from the basket. Tosses it up. You watch the neon starsphere spin fleetingly in the air before being walloped to oblivion. And what do you know of tennis? But you do think his serve is a thing of beauty. Beauty measured in power and precision, sure (he hits the ball straight and hard and fast and low, just barely clearing the net), but you can also see the way his muscles work beneath his skin. Which—you know.

Patrick walks to the fence that partitions the courts from the stands. He leans over, rests his arms on the palisade, and looks at you.

“This was the whole problem,” he tells you, “Everyone was always telling me how good I was. And it got to my head. And now I’m here.”

It’s a shabby imitation of humility. What it really is, is an attempt to scale down the apogee, so the fall seems less mythic. So the years seem less unkind.

“I didn’t come here to watch you sulk just because some guy was nice to you.”

Patrick grins. His cheeks are flushed with heat, and there are little spots of sweat on the hollows where his skin and bones meet. But he seems to know not to exert himself fully right now.

“You think I’m sulking?”

“I think you seem pretty torn up for a guy who’s going to play a thirty minute match, and walk away a few hundred dollars richer.”

He makes a noise like you’ve wounded him, but he seems elated.

“A few hundred dollars?” he says, raising his brows. “So you’ve lost your faith in me.”

“I have some,” you allow, and you’re not surprised to find that you really do. “Just don’t choke.”

Patrick wears the smile of a newly crowned Miss Universe. He looks touched that you’re being so frank.

“I won’t,” he says, with a sense of finality and what you feel is an incongruous tenderness. “I’m pretty good at dealing with pressure. My parents always used to take me to work with them and tell employees to come to me at random intervals with madeup highstakes scenarios. Like, pretending to have a breakdown, and saying they needed me to help them out and make the final decision. Some of them could cry on command.”

You try and fail to hide a look on your face that divulges how demented you think that anecdote is. But you try to find something neutral to say.

“Well, maybe you’re lucky,” you tell him. “I was horrifically nervous as a child.”

“Not anymore?” he asks, swinging his racket idly, and you get the sense he’s actually very interested in how you will answer.

So it’s hard not to answer him honestly.

“I don’t know,” you say finally, and you look away from his eyes, and instead at the sky. You’re alarmed to find they are precisely the same tincture of aegean. “Mostly not. But if I have to give a presentation or speak up in a meeting, I have to take one of those beta blockers, you know? Propranolol?”

You are stricken, at odd moments, in New Rochelle, in Massachusetts.

You get the sense that he’s trying to be cavalier. But, at the same time, there’s this unmistakable fragility about him. Like it wouldn’t take much to knock him down.

You are stricken by how he’s managed to maintain this cocksure swagger for so long. With such a brittle, aching core.

How easily it all might’ve been shaken by the wrong person, and the wrong word.

You love the smell of your dear kitty’s head right after a bath. The fluff of dandelions and baby bird. You love toweling her, taking her little paws in your hand and prying the toes open.

Toby pretends not to like being fussed over, but she doesn’t put up much of a fight. In fact, most nights, she falls asleep in your arms.

When he pays you the visit, Ms Tobes is breathing evenly in your arms, your thumb caressing the organtender slope of her silky head.

You open the door, and great weeping gales have been jostling your windows all evening. But he is in shorts.

Patrick’s been in New England for nearly a month.

There’s an odd sort of look on his face, and an unlit cigarette behind his ear.

Hands in his pockets, he leans against the door frame, staring down at you. You feel a remarkable heat radiating from the downy flesh of his bare legs.

He doesn’t seem confident, nor does he seem unperturbed. He seems… pensive and maybe even penitent, but he wears it with a fascinating poise. There’s still something wounded and vulnerable about the way of his shoulders, the slant of his mouth. It's the softness that kills you, anyway, you think incoherently. 

You peer up at him, dubious, through the briar of your lashes. He looks down at Toby, at the sweep of your finger over her head. You do not know if it is he or Toby who purrs.

When he speaks, he is whispering very softly, though there’s a frayed, low seep of his voice in his throat. It feels revoltingly intimate.

“When Patrick died,” he says, “The cat. I felt so shitty. I had this weird feeling of—like—I don’t know. Shittiness. Because of how Sassy said what she said. You should’ve said goodbye. What am I supposed to do with that, y’know?”

You swallow. The hallway is so vacant and noiseless you can hear the plush shuffle of his running shoes against the carpet. Dutifully beyond the boundary of your home, even though he’s been here quite a few times now.

“Patr—“ you croak.

“I’m not in Massachusetts for a game,” he tells you, shrugging hopelessly and almost smiling. But failing to. Which you register. “There’s no challenger in Boston. There’s just you. In Wellesley. All these… fucking ponds everywhere. Private schools. Bunch of rich little assholes who need a tennis coach, I bet. All these res—fuck. You know,” he shifts, taking the cigarette from his ear and gesturing with it between the two of you, “We’ve been out, like, twenty times, since I’ve been here, and there’s still, like, fifty restaurants we haven’t been to.”

You stare up at him. Your palms, where they cradle Toby, grow damp. The throbbing organ of your heart takes up residence in your throat. There’s a sad sort of clanging from the clock in the hall.

You lift one trembling finger to your lips.

Please, don’t say anything else, you beg with your eyes. Please, not in front of Toby.

Patrick’s eyes glint ruefully. Almost ominously. He seems insulted by your gesture, but he understands. He always understands. He never holds anything against anyone.

“No need for that,” he says very quietly. “I come in peace.”

He moves closer, breaking the enclave where the carpet of the hall meets the vinyl of your floor, until he is inches away.

A head taller, yet shrinking, as if you were seeing him from across a room.

He smells very good today. He smells like spice and bergamot and the laundered fabric of his navy blue halfzip. You sort of miss the musk. Of course you think of New Rochelle. You think of Bob Dylan and Hello Kitty and thermostats. Fucking Sally.

You lift your chin.

“I’m not asking you to—“

Patrick leans forward, his nose touching your nose.

“I’m gonna do the tennis,” he speaks the words into your mouth, voice like gravel melting in the sun.

You part your lips. A part of you hates him, hates how he’s insinuated himself in your life without warning. Another part, however, is asleep and betrays you.

He shushes you, though you’re sure you haven’t said anything. It’s just that you’re crying now. Completely still and silent. Weeping like the dead, because the dead weep, too.

He shakes his head, his nose brushing over yours, says shhh like you’re a cat, and, even then, Toby only stirs between your fingers.

“It’ll be good,” he says, and you’ve heard him sound convincing. You know that right now he sounds… something else. And he’s still shaking his head as he whispers, “It’ll be good, I’ll be good. I have a coach, I’m not done, I love the tennis.”

You look up at him. Lick your lips, which, when you’re so close, also means sort of licking his. Sort of licking into him. You want to say, fuck your tennis and fuck you too, but you also want to fuck him and you want to fuck his tennis, too.

You think of New Rochelle.

Patrick’s hand meanders upward toward Toby, and, if his cigarette was lit, you’d see sweeping coils of smoke floating heavenward.

It isn’t lit, but still.

You catch him quickly. You hold him by the wrist.

His skin is nauseatingly warm.

“You love it?” You sound unimpressed now. Your mouth moves over and around and against his as you speak.

“I do.”

“You love it, you love the tennis?” You’re sort of spitting it at him, and he tastes it.

And he thinks of Patrick the cat, how he lay there and was mauled. Pinned down. He thinks he’d let you draw blood, now, if you really wanted to.

“Tennis doesn’t love you.”

“Do you?”

There is time enough for you to answer. But when a sound is finally made it is only Toby, who mewls.

Patrick smiles. You feel the seam of his lips touch your lower teeth. “Didn’t think so.”

He straightens, his lips swiping your nose on his way up. He gently removes his arm from your grasp, your nails scraping is skin.

You exhale sharply. You feel stung.

Poor Toby, caught between your beating hearts. Patrick steps away. He places the cigarette between his lips, and then you do not stop him from touching Tobes. He strokes her gently.

“You got a lighter?” he asks around the cig.

There are three aflame candles in your home right now. He can smell the vanilla. You shake your head. He smiles again. Toby purrs. Patrick’s fingers touch yours between the heather fur.

You feel a strange ignition in your bones.

The game begins.

Everything is quick and violent.

You don’t know if tennis is actually quick and violent, or if that’s just him.

You are astounded by just how much a man can sweat. You are spellbound by the visceral implication of being drenched in one’s own exertion.

Gonzalez is younger. A little bit more thrilled to be here. And he’s got the kind of easy, quick thoroughness that means he probably practices with a ball machine at home, but not a lot of real experience.

Patrick makes brutal work of him.

There is a certain way his muscles tense through his forearm and the pulse travels up his bicep when he strikes the ball. His shirt rises as he twists to send it flying over the net. There is so much laboured breath and dripping skin.

He has you sit exactly where you sat during warmups.

Between sets, he extends his arm, taut and sweatsoused, and points to you with the scratched edge of his racket, one eye closed like he’s mapping trajectory. And he does sort of have this bloodhungry precision in his gaze, like a marksman.

You feel it in your neck, the ache of your focus, how your eyes water for lack of blinking as you swivel your head side to side. You do not close your mouth once.

He hits the ball again, and then again. Each with an almost startling accuracy. Each with a deep and fleshsatisfying thwack that makes your very ear canals thrum with the sort of pain that has you expecting the warmth of dripping crimson on your shoulders.

But it’s not just the force that strikes you. It’s that precision. That bulletgleam precision.

He seems to know, with a profound, animalic certainty, exactly where to place each shot.

At times, they will land exactly where the last landed.

And by the time his adversary cottons on, he has set his hungry eyes upon another target.

It’s beautiful.

You start to wonder if you have ever—ever—looked so fucking beautiful doing any single thing in your life. This strange and beautiful violence. Refined and delicate violence. He is violent and graceful.

Patrick groans when he hits the ball. Makes a guttural sound, a pained sort of sound, like he loses something of himself with each forceful departure.

The sun beams down, and you see his beautiful legs flex aglow with the beautiful gleam of his abject labour.

You think, fuck—

New Rochelle is beautiful.

“You know, I could have gone pro.”

Sam leans back in his Herman Miller chair. Takes a deep quaff of his coffee before pointing to Deirdre with his mug.

“You played for two years in middle school,” Deirdre deadpans, her gaze unmoving from her monitor as she populates a spreadsheet with who the fuck knows.

“This is huge, D,” says Sam, unhurt, “This is like if Jamal Mashburn started coaching the fuckin’ nobody that demolished LeBron at the Y.”

Deirdre seems to have forgotten this analogy, which, for her part, Sam first made months ago now.

“But also if Mashburn was married to Lebron,” adds Sam.

Your computer screen casts depressing polygons across your glasses. You slide your AirPods in. You don’t want to know where Bob Dylan will appear on your Spotify Wrapped.

I met one man who was wounded in love. I met another man who was wounded in hatred. And it’s a hard, it’s a hard— It’s a hard, it’s a hard—

It’s a hard rain’s a-gonna fall.

[thegamingcatmom]

BIRB MAMA LET´S GO 🐦‍⬛

(I can´t get over how adorable/goofy she looks here. How am I supposed to fear any of that?)

If Mother Miranda were to take an interest in you outside the whole vessel thing, it would include:

(Yall know the drill by now: Don´t like my dark and twisted stuff, don´t read my dark and twisted stuff. 🖤)

having to listen to her ranting and gossiping about her "children"

sometimes, it´s straight up just death threats

she´s scary when she gets like that

especially because she tends to breathe down your neck to calm herself (your scent is quite helpful)

having to listen to her feverish prayers when it comes to Eva

Eva is a big topic in general

helping her in her lab

which basically means cleaning up her mess (and she is rather messy, it has to be said)

we´re talking mountains of papers as well as mountains of bodies

ofc she´s gonna make sure to snuff out every last bit of life before she lets you near her failed experiments

she won´t take any risks when it comes to you

as for the papers-

...it´s a mess

and it´s very scary (and very unfair) when she gets all hissy and murderous over you trying to do your "job" and clean up her mess just because, out of the millions of papers, there´s one that she still needs

"How dare you throw that away?!"

"Well, how tf am I supposed to know?!"

...you think to yourself because there´s no way you´re gonna say that to her face (you quite like breathing, tyvm)

Eva

whenever she has one of her downright terrifying smash-things-against-the-wall "tantrums" (as you like to call them not to her face) she gets all purry and touchy-feely after

probs her way of apologizing (cause there ain´t no way she´s gonna use them words)

you hate that it´s working

despite being a mass murderer/mold monster smt who doesn´t require eating or using any stuff that humans usually would (like toilets), she does appreciate you cooking and cleaning for her

things she tasked you with ofc

she quite...enjoys the sight

(smt about that domestic view just...does things to her)

(you force-wearing an apron drives her wild)

Eva

preening

she does have feathers, after all

and those need lots of TLC 💋

makes you clean her mask too

or her rings

anything, really

in return, you may wear it

(honestly? totally worth it)

we won´t talk about the fact she´s doing it more for herself (just like pretty much everything else) because seeing you wearing what is hers just...yknow?

but also to demonstrate just how good it feels to be bad

"Hm... What do you think, little bird? Do you like it? I certainly do..."

Eva

forces you to attend meetings with her so she can show you off

and also because it almost always gives her a reason to rip into her "children" because that bunch just doesn´t know how to behave around you

especially the tall one who keeps throwing you looks that make it seem like she wants nothing more than for you to drop dead

you kinda share that sentiment

anywhere would be better than here

...she´s scary

something Miranda takes note of as well

one look is all that is needed to put the tall one in her place

in moments like this, you truly appreciate your roommate´s/abductor´s murderous side

when you´ve been especially good for a (long) while (no escape attempts, no talking back, no disobeying her whatsoever) she indulges your childish urges to see her transform into different animals

she will deny any and all accusations of smiling at that, down to her very last breath

(she could be persuaded though...)

Eva

one day, you´ll probs have to go from cleaning that mess to making it

which means actively helping MM with her experiments

cutting someone open etc.

there´s no way out of it, let´s be honest

it´s her livelihood, ofc she wants to share that with you

(isn´t she just precious?)

spying on the villagers for her

(she will find out when you´ve been lying, so don´t even think about it)

Eva

(This actually got way less dark and twisted than I anticipated. Gotta work on that, LMAO.)

Basically, my HC for Miranda includes her getting an absolute kick out of anything family/domestic life. She goes absolutely nuts when it comes to her daughter, so I imagine this would count for a significant other as well. She gets obsessed to the point of no return, and she´ll fight tooth and nail to keep them with her always.

I could go on, and on, and on, and on, and-

But, alas, it is rather late and, unlike some mold monster smt, I do need my sleep. ;3

I might do more posts like that cause I have thoughts. 😩🤌

CYA THERE! 🫶

[spirits-n-giggles]

Must.... conclude.... Beetlejuice story.... after.... 2nd.... movie....

Go on this journey with me

(slightly edited for a better flow.)

Picture it:

A few years goes by....

Astrid and Lydia had become inceperable after their Halloween from hell and live together, but she eventually talks about wanting to experience dorm life for her first year of college. Lydia is happy for her daughter but is now afraid of being alone, not entirely sure what might happen with so many dreams that always plagued her sleep since the resurgence of ☆he who shall not be named☆ - and I want them to use that line as much as they used "keepin' it real."

The house on the hill will become internationally known as the notorious "Lydia Deets' Haunted Arthouse", she didn't have a show anymore, but that didn't stop her reputation from growing exponentially after the Halloween fiasco. People wanna buy this property for millions of dollars, but Lydia will be too afraid of whatever might happen to anyone, should they ever meet the demon from her nightmares, so she keeps the house by using some of Delia's fame funds to keep the home in their name - something Delia would HATE lol - but Lydia doesn't wanna actually be in the house.

Betelgeuse is stuck in the underworld, trying to hide from a revived Delores that continues to terrorize the afterlife, only now she is destroying the place. If the Sandworm can't kill Betelgeuse, how tf is it gonna kill Delores? Wolf Jackson is of course on the case, but things are getting out of hand. This makes Betlegeuse a prime target for anyone with a soul that might wanna rat him out. And there are PLENTY who wanna rat him out. Trying to find a way out or a way to kill the broad, he has to get creative as he stays in hiding. And where is the perfect place to hide? In a certain model town in a certain model home.

Rory will be undead and use his winning personality to act like he worships the ground Delores walks on so she doesn't suck out his soul. She will say she wants Betelgeuse and wants to kill Lydia. He is cool with that and says he will help her achive that goal. He will then become her lacky and tell her how pretty and perfect she is to keep the target off his back. He will be terrified of her but this will gradually make her love Rory and this can cause some potential fun for future scenes.

Lydia has nightmares that always involve Betlegeuse, even some can involve them going on wacky cartoon adventures from the show, but they'll be creepy and dark and stop-motion because Burton. She tries therapy, but it will end up being a bust. It's hard finding the right therapist with someone as much truama as her. OH MY GOD HAVE MICHAEL KEATON PLAY THIS CHARACTER!!!!! (Nice little nod to movie 2) It will freak her tf out thinking she's seeing Betlegeuse everywhere!

This will cause her to become a shut-in after getting rich off the royalties of selling her personal story - a melodrama of love and the loss of two parents after a lifetime of hauntings from their psychic daughter. She sells this story to various people who want to write it into something. She will end up reading raving reviews about a live theater production of her story called "Ghost House" or "Scared Sheetless" after a graphic novel that was released or some shit. Supernatural levels of meta. Might as well! :D

After a particular dream that ruffles Lydia awake in her own apartment, (the dream at the end of movie 2 maybe?) something strange will happen to the house on the hill, causing Lydia to go back and figure it out. Astrid will hear of this and not want her mom to be there alone and goes with her to help solve the mystery. Lydia thinks she knows what (or who) it is and doesn't want Astrid to come along, but she does anyway.

Hiding there in the model, Betelgeuse will see that she and her daughter have returned, thinking she's finally come to her senses and come back to him lol. Betelgeuse gets desperate for Lydia's attention in the best way he knows how - dreams. They've got a psychic connection, and he's done it plenty of times, but now it's for business as well as pleasure.

It would be some kind of earthquake that shakes the hill. Being careful and walking around whatever damage was mysteriously done, some locals say its another haunting and they want to tear the large house down and make something new. Aatrid can hear these comments and relay them to her mom. This will start making Lydia curious about the history of the hill this house was built on, especially since it's so close to the graveyard (the same place Betlegeuse was buried in the model in movie 1)

So she goes on a hunt in the small town, expands it a little, maybe even find the Mainlands old shop? This can parallel with expanding the afterlife while Betlegeuse is trying to find allies. Betelgeuse tries to round up anyone he knows that he can trust - literally anyone from the past - gotta bring Catherine O'Hara and Gena Davis back, right? Stop motion her in as a ripple in dimensional shifts or something and just use her voice. Richard would help as a thanks for helping his kid in the past, and I KNOW we can get Bob back if we tried.

Lydia can end up learning about some of Betlegeuse's history - finds a picture of an eerily familiar couple - but all this place knows is that they were just two of the MANY that were tossed in mass graves on this land centuries back but they don't know details other than they came from Italy. She will make it a mission to go to their original resting place to try to get more info. She's rich. She can do that. (Their love story was in Italy, right?)

Getting to Italy, Lydia learns the urban legend of a murder suicide of some nutorious bad couple who was known for terrorizing the nights in their hellrsising escepades, but after they were dead and buried, the two lovers corpses, along with many other discarded corpses of dead evil people, were moved out of their original land and brought to a new land to be buried there - getting rid of unwanted individuals so they could bring in the industrial revolution. There will be several names, but two will stand out along with a picture -- Delores and another name that's crossed out. Make it Lawrence, lol. Isn't that Betlegeuse's name in the cartoon?

"Betlegeuse?" Lydia whispers.

“Mom!”

“S-sorry."

Astrid tags along with her mother, happy to travel and hunt creepy shit again. Her dad would be proud. This time she won't meet a boy but maybe a girl who was also doing her own research for school. Jeremy was technically her first experience with a boy, and it's possible to stray away from reminders of bad experiences and kids experiment at this age anyway. It will be a cute goth girl who is a fan of Lydia's old show and is one of the first girls Astrid's age to ever actually be nice to her. A nice connection. This could also be a ploy to pull Lydia back into BJs world again, too - yay twists! She can maybe be an illegal ghost girl looking for help from Lydia because she thinks the paranormal human can help everyone in the afterlife.

Underworld is in chaos, and here is a rift between worlds after so many souls had been taken from the afterlife. There's no more order, reality is breaking, and the only way to get everything back in order is to destroy the soul sucker and release the souls she has absorbed. The more she absorbs, the more power she gets.

They get home, and another shift happens between worlds, and with so much death in the afterlife, it's causing serious problems in the real world and Astrid has an idea to maybe call someone for help. Lydia shuts it down, but more rifts and earthquakes happen. She will have another dream of him trying to get her to call his name. And maybe she can awaken in a living nightmare caused by the rift between worlds, and they are both almost killed (by a sandworm, why tf not!!!) before calling Betlegeuse for help.

Get real 'out there' and put those practical affects to good use and let the shenegins begin! As much as I love watching Betelgeuse try to marry Lydia, there is no attempt at marriage this time. There's too much to do. "I just saved your life, now you can help me save mine and finally kill that soul sucking witch for good.”

“No games. No tricks.” Lydia warns.

“I'm not the trickster in this relationship babe,” he wickedly grins, “but we can get back to that after we save our asses. You're coming with me.” Have him turn into a tour guide as he shows off different aspects of the afterlife thays falling apart before the three of them eventually have to run from people who have allied themselves with Delores to find Betelgeuse.

Imagine the reunion of seeing Rory with Delores. Imagine crazy shit that can magically appear to help end the story. Hell, have the goth girl Astrid meets to come back and redeem herself at the end. I dunno. She can appear and admit to being Delores daughter (before meeting Betelgeuse) and thats why she was at the same place Lydia and Astrid went in Italy to find answers- she was too.

This relationship can parallel Lydia and Astrid's positive one- have Delores sacrifice her daughter to start her sacrificial rite for power, and her daughter never forgive her (I swear I am just pulling this out of my ass) have the girl hold vengence for her mom and she can give Lydia the dagger that her mother Delores killed her with that still has the young girl's cursed blood on it. She says to use it to kill Delores, but Betelgeuse is the only one strong enough who can get close enough to do it.

With so much chaos and so many souls taken, anything can happen in the underworld, and chaos ensues. Maybe even break in to see glimpses of the afterlife, perhaps they see a glimpse of hell and see how Jeremy is being tortured (it will be a silly Tim Burton way). They can see part of the great beyond maybe wave at Delia (and the back of Charls’ head) too?

They finally meet Delores and she will say she is over Betelgeuse, happy with her new pet Rory. It's a shock for Lydia to see Rory there but isn't surprised to see him so desperate to fawn after Delores. Satisfied with the new power she’s gained, Delores prefers to keep Betelgeuse alive to torture him.

Lydia will give Betelgeuse the dagger so he can pop her like a bubble and all the souls she's consumed will escape and go back to their soul holders. But why waste energy killing Betelgeuse when Delores can just use him? She is able to levitate him up but Lydia, Astrid, and the goth girl work together to pull him back down. - this is where the goth girl can suddenly enter for the final fight!

Seeing her daughter makes her angry, and seeing her help her foes pisses her off. Delores grows in size to show her strength, and ordering Rory to take care of those little girls. Little goth girl and Astrid go after Rory and Lydia will get a plan -

"Oh... you're not into him anymore, huh? So... you wouldn't care if I did this?" And Lydia pulls that fucker in to kiss him. (This feels very Phantom of the Opera coded.....) Just a peck is enough for Delores to RAGE and she goes full attack mode. She goes after Lydia and Beletgeuse steps in front of her and kills Delores with whatever magical shit her dead vengeful goth daughter supplied, lol. (And I'm talking full jack sparrow stabbing the kraken slow mode scene) Epic as shit!!! Delores daughter will then rest in peace.

Astrid will then ask herself, “Now why the hell can't I connect with humans like I can with ghosts?”

“Family trait, unfortunately.” Lydia says feeling Beletgeuse's breath literally go down her neck with his close proximity. "At least they didn't try to suck you into marrying them."

End it with Lydia being recruited by Wolf Jackson to find those who have been lost in the real world or something. Make it to where she and Betelgeuse have to work together to keep the plane between the living and the dead closed with her as the keeper of the house.

Have the house be the main character in the end!!!!

Betelgeuse will turn to Lydia and say, "So, you're not the marrying type, eh? I'm fine with that-" He'll try to pull her in for another kiss, but she'll push him away.

"Nooo! No-" He lets her shove him to the floor, "I just knew something like that would save your ass. That's what you asked for right? Now we’re even." He quickly jumps back up. "I know jealousy when I see it.”

"You sure do." he inches closer to her, but she crosses her arms looking away, seemingly uninterested.

"Betelgeuse...”

"I can wait, honey. I know you want me." He flexes as he slowly walks away with pride. "No one can resist ‘the juice’ once they've had a taste." He winks.

Astrid groans for her mother, but Lydia just looks to him like she always does.

"Betelgeuse..."

"You will be the one to kiss me again, babes." He holds his arms out in his iconic way. "I got all the time in the world." He thinks this is the end.

"Betelgeuse."

Hmmm.... he doesn't disappear?

But he does give a wicked smile.

Turns out when killing the spirit of the soul sucking witch, the souls did escape, but her power had to be absorbed by someone, and Betelgeuse didn't... really... need.... help with obtaining more power, did he?

Would he be like demi-god state now? Why the hell not? Give me an Astarion evil ending kind of transformation. Give me love and deepspace realness. (google those). Go the whole nine and make him HOT AND SCARY in the end. Michael Keaton is attractive. It's doable! Antihero status! Make it wild! Demigod!!!!

Imagine THAT being interested in you, Lydia. I don't think you'd say no.

End it with his new form levitating and him saying that that iconic voice and green glowing eyes. "It's Showtime."

Throw in a musical number somewhere, a little justice for Bob and you have a lovely story.

There. Done.

I don't think a 3rd will be made, and if there is one, I don't think it would be this ^ stupid! Lol

[white-fox-1415]

Perfect

Pairing: Bradley Bradshaw x military!reader

Summary: Bradley’s feeling a bit insecure but you know just how to cheer him up

Warnings: none?, Bradley is a bit insecure, reader is implied to be a bit insecure too, mentions of sex but no actual smut

After a long day of dealing with all the idiots on base, you were happy to finally go home and see Bradley. You walked through the front door, dropping your bag and keys in the dining room and called for him.

“Bradley?” There was no answer so you made your way down the hall, thinking he may be in the shower to wash off the stench of the hot summer day. You didn’t hear the shower and the bathroom light is off so you kept walking until you reached the bedroom door, finally getting a glimpse of your boyfriend.

He was shirtless, standing in front of a full length mirror that was propped up in the corner of his room, examining his face, running his fingers along his scars. He touched the one on his shoulder, then his neck, then his cheek, then finally his chin, leaning in closer and turning his head to get a better look. A slight frown decorated his lips as he examined himself.

You snuck up behind him and wrapped your arms around his waist, resting you chin on his shoulder “Hey there, Hot Stuff” you hum, placing a light kiss to his neck. “Hey” he returned, not his playful, usual self. A heavy silence hung in the air for a long moment before you finally spoke up “You look perfect, y’know? Wouldn’t change a damn thing about you.” You tell him softly, tightening your hold on his waist “You think?” He asks. ���Most gorgeous man I’ve ever met.” You assure as you begin his kiss his shoulder, right where his scar is.

You pepper kisses up his neck and his hands sit atop yours, rubbing at the smooth skin under his fingertips. “‘You got nothin to be insecure ‘bout.’” You say, nipping at his jaw “That’s what you always tell me, right?”

“Hm, yea” he hums, relaxing into your touch “you really don’t. You’re perfect hon.”

“So are you.” you whisper, kissing his cheek. “Now, you gonna show me how perfect I am, or do I gotta get the job done myself?” You tease. And with that, Bradley turns around and kisses you, his hands finding your hips as he backs you up towards the bed “Oh I’ll show you how perfect you are” he says against your lips. “Let’s get this off, huh” he says, pulling at your uniform.

***

“I love you.” Bradley murmurs into the top of your head “Love you too, pretty boy.” you murmur back into his chest. His arms were wrapped securely around you as you laid against him, bare legs tangled together under the covers.

“Post-coital shower?” You ask, propping your chin up on his sternum to look up at him. Bradley laughs at the way you worded it, running his fingers through your hair “Yea, post-coital shower.” He repeats then rolls you over, kissing you on the lips before pulling the both of you up. “Just be ready for round two~” he grins and pulls you into him, walking you both to the bathroom.

[allieslittlewritings]

*not my gif <3

Spencer Reid x daughter!reader

Sick Day

Summary: Reader has a cold and Spencer takes care of her

Warnings: Mild sickness, none that I know of

Word Count: ~1.1k

Dread filled your stomach when you woke up and felt the annoyingly familiar feeling of a sore throat and blocked nose.

You tiredly looked at the time on your phone and saw that you were almost late for school.

Begrudgingly, you got out of bed and started to get ready, doing your best to ignore your worsening sickness.

You heard your dad knock on your door and mentally prepared yourself to pretend to be fine.

Spencer was always incredibly attentive when you were sick, sometimes overly so.

Usually it was comforting and nice, but right now you just needed to get ready so you wouldn't be late for school.

You didn't fully register that you hadn't actually said anything yet.

"Sweetheart? Can I come in?" Spencer asked.

"Yes." You prayed he couldn't hear the difference in your voice from your stuffy nose.

He opened your door and entered your room, a plate of food in hand, "I know you're almost late but I made you some breakfast."

He put the plate down on your desk and noticed your frazzled behavior.

Your bed was still unmade. A few random items of clothing were thrown here and there, presumably from when you got dressed, and he noticed the frantic way you tried to make sure you had everything you needed.

"Are you okay? Did you oversleep?"

"Uh, yeah, apparently." You grabbed your hairbrush and started trying to make your hair look more presentable.

It was apparently one of those days where your hair would just not comply.

Spencer saw your breathing get heavier, a tell-tale sign that you were getting frustrated.

"Your hair looks fine," he remarked.

"Fine isn't good enough," you grumbled in response.

Your preoccupation with your hair meant you didn't see the way his eyes narrowed as he studied you a little closer.

It was nearly impossible for you to hide things from him, with his mixture of parental instincts and profiling skills.

"Are you sure you're okay?" It was honestly kind of a trick question, he could tell you weren't.

You swallowed less often than usual, an indication of a sore throat. Your breathing was quiet, and less frequent. And he could in fact hear the tiny change in your voice. He saw the way you paused to think about every little thing, like everything you did took a lot of effort.

You also showed no indication of being about to eat the food he brought you, your tastebuds tended to get weird when you were sick.

"I'm fine." A harshness you rarely displayed was evident in your tone of voice.

"Sweetie, I can tell you're sick," Spencer finally said.

"I'm not sick," you insisted.

"Yes, you are," he said more sternly.

"Why didn't you just tell me, sweetheart?" he asked gentler.

"Why would it matter?" You started heading to the door but your dad stopped you by lightly holding your shoulder.

"You can't go to school if you're sick, you need to rest."

"I'll be fine, just let me go." You shrugged his hand off of your shoulder in annoyance.

"Baby, I'm serious. If you force yourself to go out and sit through hours of school, you'll make your health worse, and you could get other kids sick."

You frustratedly looked at him. "I'm fine," you repeated.

"Come on, odds are you already know everything your teachers would say. And it's Friday, you'll probably be better by Monday."

He wasn't wrong.

But you had it so ingrained in your head that you couldn't miss a day of school. You couldn't honestly explain why.

Spencer was well aware of that thinking pattern of yours, but your health and wellbeing would always matter more.

He noticed you pondering it in your head.

"I don't have work today," he reminded you. "We can have a nice, relaxed day together, it'll be fun."

"Okay," you finally agreed.

Spencer breathed a sigh of relief. "I'm gonna call the school quickly to let them know you're not going."

Hearing that phrase left a bad taste in your mouth, but you also felt a weight lift from your shoulders knowing you could just rest.

You put your backpack down and got changed into comfier clothes again.

Spencer came back to your room after calling your school.

"I can make you something else to eat if you don't want to eat that." Spencer gestured to your still untouched plate.

You looked over at the food. "I don't want to be wasteful." You looked back at your dad with a twinge of guilt in your expression.

"You won't be, I'll eat it," Spencer assured you.

You nodded your head, not wanting to talk more because of your sore throat.

Spencer picked up the plate from your desk and started exiting your room, with you following behind him.

He made you food that was more appealing to your taste buds at the time and then you both settled comfortably on the couch.

Spencer grabbed a blanket for you and some tissues for your nose.

He let you pick a movie to watch. Unsurprisingly, it was the same one you always wanted to watch.

He didn't mind. Although it wasn't exactly his favorite movie, it was yours. Which automatically meant he loved it, too.

It made him happy to see the awe in your eyes everytime you watched it. The way you quietly mouthed the lines to yourself.

Spencer took your empty plate to the kitchen and came back with some medicine and a glass of water for you.

You quickly drank it and then turned on your favorite show.

While you watched your show, Spencer made your favorite kind of soup. Also the only type of soup he knew how to make.

You ate in silence, except for a few chuckles every now and then at the series you were watching.

Spencer read for a while after you both finished eating, seeing as he'd already watched every episode of your favorite show at least twice, and could recite almost all of them word for word.

You finished the last episode of the season you were on and just sat in silence for a minute.

The sun set and Spencer turned on a few lights before going back to his book.

"Dad?" You said quietly.

"Mhm?" Spencer hummed in response, turning a page.

"Can you read to me, please?"

A soft smile graced Spencer's face, "Of course I can. Anything specific you want me to read?"

You sat up slowly and shook your head.

Spencer held one of his arms open and waited for you to lay down on his chest.

He gently stroked your arm and pulled the blanket further up your body.

Although you didn't care much about the topic of his book, hearing his voice was soothing.

"Dad?" You interrupted him after a bit.

"Yes, sweetheart?"

"Thank you for taking care of me," you mumbled sleepily.

"You're welcome, sweetheart. That's what I'm here for."

"I love you," you said quietly, cuddling into him further.

"I love you, too."

Your tired eyes finally shut and you fell asleep.

Spencer let you sleep for a while before eventually picking you up and putting you in your bed.

Sick days weren't so terrible when you got to spend them with your dad.

fin. ♡

[ninjagobythenumbers]

Bechdel Testing Ninjago

So, a little while ago I did the Bechdel test on Ninjago because I've always seen the show as sort of an interesting case study in how women are portrayed in cartoons. Of course, I'm aware the Bechdel test originated as a joke and something passing the Bechdel test doesn't make it feminist/not. Rather, or for me at least, it's an indication of how deficient female representation can be at an aggregate scale. As a way to analyze Ninjago, I feel it works as it shows how female representation over the course of the show. If you're interested I'll now discuss my thoughts on how the analysis went season by season. DISCLAIMER: I did this for fun.

The pilot was easy. Nya's the only one, so test failed across the board. The first episode that passed the test was when Jay's parents came to visit. Yay Edna! Mystake does show up in episode 7 but, I don't count it as she has not yet been named. 12&13 had a kid's mom in a bus which I decided was enough cus hey, Mom's a name she uses.

Here's where we really get going. Patty Keys, their real estate agent continues to show up through seabound as a background character, which is pretty cool imo. Episode 5, Mystake finally gets named. Episode 6 was huge for my chart as it's the introduction of Misako. You'd think episode 7 is when her and Nya talked but that's actually when Nya and Gayle had a lil convo. From then on I spent the episodes just staring at the Nya and Misako thinking "talk to her talk to her talk to her." Fortunately, when they did speak, Nya and Misako would be discuss like science, maps, and fate of the world so I never ran into a problem with rule 3. That is, until Rebooted.

The good news is Pixal's here so it'll be years before we fail rule 1 again. The bad news is we've got a love triangle so goodbye rule 3. Nya actually talked to her student, Sally, and Pixal quite often but it was so often about Jay or Cole so I would just be scouring the episode for a single exchange where they talked about anything else. During the Tournament, Nya, Pixal, Skylor, and Misako were all in different groupings and it was rare that Tox or Camille would say something so no rule 2/3 successes until late season.

The good news is, the love triangle is over so we're back to rule 2 usually meaning rule 3. The bad news is, Pixal's in Zane's head so we're back to hoping Misako and Nya say something to eachother. Nya usually shared her scenes with Wu, Ronin, and Jay during these seasons so chances were few and far between. However, unlike the first few seasons where the default was male, we're now getting some female henchmen (Bansha and Dogshank) so that made things easier.

Thank you for being in Day of the Departed Edna Walker. Early Hands of Time was tough because Nya, Misako, and Commander Macchia were rarely in the same scenes. In the latter half of the season though, we thankfully see the return of Pixal. Maya also helped us with some wins.

What a breath of fresh air. Thanks to Harumi & Ultraviolet's introduction, Pixal's return, Mystake's upgrade to a reoccuring character, and Nya & Misako's continued support, failing even rule 3 is pretty rare during the Oni Trilogy. We run into some complications during Hunted because though we have Skylor and the aforementioned characters in Ninjago and Faith & Jet Jack in the First Realm, sometimes people don't talk to eachother. And that's ok. Overall, smooth sailing.

Ah??!? What happened. Worry not. I realized this was, in part, because the Oni Trilogy had 20 minutes worth of chances for women to speak to eachother, these were only 10 minute episodes. So, for the sake of comparable units of analysis, I considered each pair of episodes to be 1 episode. I'll show both charts until DR.

It looks a little better, but it's still not at Oni Trilogy levels. Still, I'd be curious to see what the test would look like if I dissected the earlier episodes into 10 minute chunks because it's probably not a great sign if 10 v 20 minutes makes such a big difference. Ok, proceeding. The Fire Chapter was usually pretty successful because Pixal, Aspheera, or Nya would usually end up talking at one point or another. Gayle even helped at one point. The Ice chapter usually achieved successes through Nya talking to Sorla. In one episode, I counted the Preminent's roars as conversation with Pixal. The Ice Chapter had quite a few failures largely because, as in previous seasons, all the women were split up.

Despite the fact that Nya was one of the longest lived ninja, Prime Empire has total failures at levels not seen since before season 2. This is largely because for the most part, Pixal and Nya are never in the same episode. Racer 7 helps but she was only there for a bit. I should point out that I feel like the 10 minute era is really when Pixal starts feeling like part of the team to me. She's always part of homebase meetings and always plays a key part in missions. Alas, if she's not in episodes with Nya, that's not going to show up on my chart. It's a reminder of the fact this test doesn't show substance.

Master of the Mountain is similar to the other seasons of its era. The fact the 10 minute era tended to show its plots episode by episode (ex: Ep 3 = Plot A, Ep 4 = Plot B, Ep 5 = Plot C) rather than all in one really takes a toll on the test. For the most part, Nya and Vania were our only chances for success and it was rare they'd share an episode. We also had the rare rule 3 failure with the Queen of the Munce episode. Thanks Jay. The Island only had Nya until they found Misako, so it was struggling even more.

It feels right to see all green when it's a Nya season. In the beginning of Seabound, they put Nya, Pixal, and Maya on a boat together and by jove it made things easy. Late season was a bit trickier because Nya was on her own journey. Crystalized had Skylor, Pixal and some ressurected villains saving the day. Late Crystalized is the way it is because it had so, so many different groupings. I have a chart based on groupings and this season was such a challenge.

I really felt the difference with Dragons Rising. I mean, you can see the difference, but it was even more clear when doing my data collection because it was just so easy. Rather than grabbing at scraps of dialogue like I had to do in early seasons, there was often a wealth of more meaningful conversation between female characters to choose from. As with the Oni Trilogy, a female villain with a female henchman makes things easy because they scheme together. We also had Nya and Sora on a joint quest. Funnily enough, there is a rare rule 3 failure because Sora and Kreel only talked about Kreel's friend in one episode. Episode 17 had the classic split up issue and actually would've failed entirely if not for Agent Underwood, which is actually a great example of my next point. You can really tell how male is no longer the default because not only is there the introduction of all the fantastic new female main characters, but also there's plenty of random female characters scattered throughout. I haven't seen DRS2P2 yet but I expect it'll be more of the same. I should mention I also made a chart with the reverse (two named men in an episode who talk about eachother about something besides a woman). Only three episodes fail in any capacity. (Say thank you to the Akita, Pixal, and Harumi solo episodes). If you read this whole thing, thank you. I had a lot of fun doing it. Let me know if there's any other charts I can do!

[speedofsoundsketches]

I personally believe if Idw wrote Maria that way and they said "we're just expanding on the character " fans would throw a fit. Dont get me wrong, the Sonic Ova will always remain superior to whatever American Sonic story product comes out. But cant help there seems to be a lot of forced hype over a short manga that's just mostly okay with a lot of flaws.

I can only speak for myself but part of my major problem with IDW is that the attempts to “expand on the characters” are usually by making them speak out loud their thematic modus operandi instead of allowing things to be said on a subtextual level. It’s why Sonic expositioning on his “le principles” sounds insanely forced because he’s never done something like that in the games or at least, never required an essay worth of words to do that. In the games, this is done by letting characters speak through actions first and punctuating that with clear, concise statements during peak moments of clarity. Sonic simply saying “What you see is what you get! I’m just a guy who loves adventure!” after going through an entire game of him showing us this about him is more convincing than long prose on why he thinks everyone should live exactly like he does in a holier-than-thou manner. (Which is such an antithesis of Sonic’s character in the games, he is far more humble and intuitive than ppl might expect.)

The manga did imo a better job of not only writing Shadow than he is in IDW but it was all largely game compliant. Nothing in it really contradicted anything already done in the games in terms of characterization. It just feels like “more of the same” but now we get to see some of the sad, bittersweet and touching sincere friendship between Shadow and Maria, plus the foundation of all the tense internal conflict and insecurities Shadow will have to face and eventually make peace with. Plus my goodness, the RANGE of emotions he has and that he’s not some completely unreachable hardass but has complicated and deep emotions. Plus the action in it? Ooooo stunning. Him knocking out soldiers and stopping a bullet all while tying it with emotional internal declarations he was struggling with and determining that he does still have purpose even if curing Maria failed is so PALPABLE. STANDING OVATION.

His beautiful thoughts on Maria and what she means to him after she dashes away all his fears that she sees him as a tainted experimental animal like the other scientists did when facing their doom like bruh I’m in tears. It’s so well interwoven with the outward kinetic battle and leaves enough room for that which is left unsaid. Shadow speaks through his actions more than words but his thoughts and feelings just heighten the emotional peaks in this short story.

It’s not perfect but this is literally all I’d ever want. Contrary to popular belief, I’m not actually that difficult to please. Just write characters as they are in the games and I’m happy!

[tismtron]

“What would they be like if they had a boyfriend?”

Warnings: angst, mentions of smut, use of words faggot, homophobia, situationships, most of these headcanons are unhealthy asf.

Reader: male AMAB

Pete Dinunzio

•Pete would keep your relationship very down low. It’s nothing like shame or internalized homophobia in his case, it’s to protect himself and you from the club.

•will the club beat the shit out of you for being gay, no?..will the deprecate and degrade you about it until your six feet under because their insecure teenage boys? Yes of course. And Pete knows this.

•Behind closed doors and out of the public eye he’s tender and loving. Binged horror movies with you even if you can handle them or not, thinking that you would get so scared of the movie, you’ll cling onto him as he embraces you type of trope.

•will bring you things from he was hanging out with the club like a cat bringing its owner what it found. In both cases being small dead animals and you gotta explain to this man why you don’t want nor can keep roadkill in your bedroom.

•If he’s shorter than you he would get a complex and always try to prove to you that he’s the macho man of the relationship eve if you told him that you don’t think any less of him because of his height. Although bringing up his height at all brings fuel to the fire. When just the two of y’all go on dates he will rap his hand around your waist while you’re watching a slasher at the movies.

•this guy is inexperienced in relationships like the rest of the virgin club and tries to get advice from horror flicks.

•He calls people faggot derogatory while infact being one of the himself.

•Pete does genuinely love you but he wants to be sure that you’re safe from the club.

Jerry Stokes

•Jerry is a sweetheart but the club find out sooner or later cause for one; Jerry is a bad liar, and two they snoop on each other if one of them misses a meeting. And when they say Jerry holding hands with a boy they didn’t know what to think.

•Jerry is neurodivergent. You know this. You’re aware of his vocal stims, hyper fixation on fantasy, and stims with his hands and body when gets worked up or excited about something.

•when you come over he’s over the moon the see you, but he has to hide you from his parents aswell cause I think his parents are more conservative.

•sometimes when the two of you make out or get intimate he vocally stims and he got so embarrassed but you said he was ok.

•the club clowns on him about it when they found out saying things like. “Now we see why you like fantasy you fucking fairy.” And calling him a fag when he tries to be the voice of reason to their dumb ideas.

•He doesn’t let you near the club because he doesn’t want you to think less of him or he’s friends to dog on you like they do to him.

•please let him rant on for hours about his fantasy games and movies and he’ll love you forever.

Bill Dicky

•Internalized Homophobia in the most incel way possible. He will date you but degrade you to push himself up on his ego. Will not do any pda or nickmaes in public, almost as if you two aren’t dating at all.

•But behind closed doors it’s very different. He’s never had a partner, so he can take what he can get, but got thrown in a loop when you were a guy. If he really likes you he’ll be more closer to you by standing next to you and talking to you more than others.

•Bill is a very insecure man. So when you started dating him he used you as reassurance that he’s a good person, and if you point out something he did that’s clearly wrong he will get so defensive.

•His mom knows about your relationship and is surprisingly okay with it. His younger sister actually thinks you would help Bill get better in some way or at least more tolerable to be around.

•he whimpers (WHO SAID THAT)

Josh Levvy

•Josh like the rest keeps your relationship more private. Mostly out of shame of being gay himself than you.

•His parents are Jewish and very religious. Josh is more willing to show you to his parents than his friends. His mom calls you a Sheigtez and Josh would fight for you and stand up for a you against his mom whether you want him to or not.

•The most odd conversations with Josh will mean the world to him. Y’all can be talking about nothing and Josh would cherish the moment.

•For his short temper he has a very low self esteem. The fact anyone is dating him makes him question why him of all people.

•will talk your ear off about Star Wars,Star trek, DC, you name it. And when he shows you his collection and lets you touch them you know your in deep with him.

[dairy-farmer]

I've got this Brutim/Brudick idea I wonder if you've written before. So we all know how Bruce could be invasive and controlling to his kid's personal life. At one point he crossed Tim's boundary, boy is offended and Dick is all in to backing Tim up against Bruce. Dick has been there done that, more than happy to fight for Tim's freedom, as Dick has been secretly frustrated in Tim's stead since the younger was outrageously lenient and forgiving with Bruce, and yet Bruce still fucked it up.

The kick in this is what if Bruce actually pulled back? Like they managed to hit him where it hurts and he eventually gave in, agreeing to all their terms? Tim then gets to move out, "taking a break" from being his Robin, and Bruce must remove all his means to spy on children without their knowledge and consent. Dick doubted Bruce will follow through with it any longer than a week, but he's happy enough that Tim finally got to move out from Wayne manor.

Things went smoothly for them, they found no hidden camera, no tracker, no uninvited drone nor interception in their communication during solo mission, warning them of possible threats. Bruce didn't even get to know where Tim lives now! In the beginning, he will have to go through Dick first if he called on the phone and wanted to talk with Tim. Dick has this schadenfreude as he waits and sees when Bruce will snap, so he will have even more justification to keep Tim away. Dick kind of tries to fix his own trauma from his past with Bruce through Tim like that.

But weeks turned into months and Bruce hasn't folded. At one point, Tim randomly utters that he missed Bruce while hanging out at Dick's place. And as a good brother, what else can Dick do but suggesting them paying a visit? The boy's face brightened up more than when Dick showed him his new apartment.

So together they gave Bruce's a head-up and drove back to Wayne manor. The way Tim jumped to embrace Bruce gave Dick an itch inside. They had a family dinner, where Bruce gracefully received whatever of their life updates that they are willing to reveal to him (Tim did it more enthusiastically than Dick). Right when Dick slyly commented that Bruce seems to do better, the man also sheepishedly admitted that he has been getting therapies. He worked with this psychiatrist, picked up that hobby...hey, there's that countryside farm he came twice a month just to pet the animals! Tim wow and ah at all the new experience Bruce shared, while Dick just sat there in shock. All the years before Dick has begged Bruce to seek help and it never got through. When Bruce caught words that Dick was getting therapies himself, all the man had to say is that's a waste of time and Dick has risked leaving a trace of sensitive files behind his back. Though the delayed anger didn't hit him until Dick returned to Bludhaven again.

On Tim's side, he didn't tell Dick how he has been anxious since the communication shutdown with Bruce. Back then he can always rely on Bruce watching out for him, filling in for him what he ought to miss. He's still doing fine on his own, that's true; but whenever he walks home alone at night, or when he's about to sleep, this anxiety will creep up with the knowledge that Bruce or his tools as the extension is no longer watching after him. Whenever Dick came over as they agreed to search for possible tracker and chip, only to find nothing, Tim would bite his lips and hide his disappointment. Dick doesn't know Tim searched his apartment and his computer almost everyday by himself; on occasion where Tim passed out of drunkeness or exhaustion, he would even search his body the next day for biotracker! He always knows before Dick that Bruce really pulled back.

Tim also made the extra effort to "spy" on Bruce, naturally without Dick's knowing. He started with asking Alfred on the phone how Bruce's doing, nothing too strange. Then he started listening in Oracle's network, while carefully covering his trace. It's basic detective works really, it didnt take long for Tim to get in on every new things Bruce picked up to get better as he has promised. And however Bruce has wronged him before, Tim felt like he then has the heart to forgive Bruce.

Though it surprised Tim that during the visit, Bruce didn't take the offer of him moving back in. Bruce said he was right that both of them need space, and encouraged Tim to take the time for self-exploration like Bruce does now. Tim has no other choice but to agree, like how he has no other choices but left some of his "tools" back in the cave and the manor before he left. More than to spy on Bruce, Tim starts to leave behind clues and holes in his privacy for Bruce to find. His new address on a piece of paper he meant to give Alfred, but forgot on the coffee table. An "undeleted" pathway in the Batcomputer that linked to all the camera in Tim's new home. Records of Red Robin and Nightwing's communication lines that somehow got picked up by Oracle's intranet. Tim even submitted the wrong email address in his new period tracker app, so Bruce will accidentally receive a pop-up on Tim's ovulation as well! I just like the idea of Tim trying to make Bruce relapse into his old pattern of obsession, while Dick is fighting with his inner monster on the side.

That's all I have for now, have a great day! 🐑

!!!!! dick being so angry with bruce and funnelling his anger through using tim as a proxy stand in for all the hurt and anger he's felt towards bruce because of his invasiveness and refusal to stop, respect boundaries, or get help. dick thinking he's punishing bruce and getting back at him by using tim only for bruce to actually TRY to get better, to actually seek out therapy and TRY to improve for tim's sake. and dick being so conflicted about it because he's wanted bruce to do those things FOR yeaRS but he never did, not until he took tim away from him.

and tim, it wasn't even his idea to close bruce out. he'd always taken a sort of comfort from all that bruce did and so him deciding to try and make bruce break by giving him all these ways to invade his privacy, trying to stop him from getting better and to relapse.

tim sabotaging the thing dick has wanted for years, dick being angry that bruce is doing the thing he's wanted for years but he's doing it for tim and bruce trying to be better but struggling, now even harder because tim is trying to get him to slip up because he misses him.

[jazeswhbhaven]

With the whole Leviathan thing. I think is just his archetype is really popular with Japan.

Seeing another game that has a similar to what Leviathan is, and seeing the popularity of that characters type. It seems like, hard wall that has been build up and it takes time to get their walls to broke.

Plus, there's this unknown factor where you think that they are being an Asshole, but they actually have a reason behind their action.

One example I know is with the Character from Ikemen Prince, Chevalier is describe as (this is from the wiki)

True to his title, Chevalier is as ruthless and merciless as a cruel beast and is quick to cut down his enemies no matter who they are. He is indifferent to to almost everyone and doesn't spend much time interacting with people, and usually prefers to be alone. However, in his route after meeting the MC he somehow changes and began to get use to feeling certain emotions such as love, which he views as something unnecessary in the past.

Reading his route, you would imagine that people would not like him, however

2nd voting

Most of the voting, Chevalier always take 1st place.

Often times it just culture differences and people/majority have a preferences. We really can't do anything about it.

For me, often I like least popular characters or the most popular character cause I'm drawn to what I like, and with Chevalier and Leviathan they scratched a certain type I love.

And with MC, its a porn game. MC will be written as a blank slate with the motivation of being horny cause no reasonable person would act like this if you were surrounded with horny and feral devils that speak their mind with no filter or no restrained of their urges.

Like, if we put real life logic with some of the behavior, some of them will be questionable. But this is fictional game with their own logic. The game will do some kinky stuff that people like in their fiction.

Anyway, I wanted to share my 2 cent on Leviathan. I've have my problem with his character. And that fine, if he was just all nice with MC after the contract, that would have been too ooc for him.

Honestly, I like how his dynamic with MC in the main story now (ie. Chapter 6)

I'm glad you put this into words/visuals, because a lot of things I tend to say are usually said better by others. I recognize the character you mentioned because I did play a little bit of Ikemen Prince myself! When it comes to types, I can for sure agree that for myself, anyone with his or Levi's type is not my first pick. I also agree this could very well be cultural differences that come into play as well.

Though I do understand the why for Levi. Childhood robbed from him, experiments, other screwy things. I'd have walls too. In the comics though I see the other side of him that isn't so combative and that's why it's that love/hate thing I've got going on for him as a whole.

I'm unsure if anything I said may indicate that I'm taking his personality to heart, I'd like to clarify that I do not take it deeply that he's this way, it's more of empty rants lol he's nothing more than pixels with a smart mouth.

The way they have MC/Levi's dynamic for Chapter 6 has me satisfied too, I will not be bothered if they keep that up for the future chapters we get.