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#always wanted to draw this dream sequence out
Why I Think Carmy Will Quit The Bear In The End (and how this ties in with Sydney)
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***WARNING-SPOILERS FOR SEASON 1 & 3***
I believe that the show is trying to subvert expectations on what will occur with Carmy and his character arc. When watching Season 1, you expect that he will eventually get over his traumas by lifting up this new restaurant. He will find new friends and eventually become a better version of himself by cooking there. However, I think that Carmy will end up walking away from The Bear by the end of the show. 
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REPLICATING OLD TRAUMAS
Although changing The Beef to The Bear seems like a fresh start for Carmy, he gradually makes it into his old abusive workplace throughout Season 3. Instead of lifting up The Beef, he is forcing it to become The Bear. Although this seems like a good change at first, this is actually him replicating the environment of his old abusive workplace. Except this time, he has become David. 
At first, his outbursts seem reasonable. They seem like accidents, something that could be explained by the actions of others. But over the seasons, the abuse ramps up more and more. Even though he has become friends with all of these people in the past through The Beef, these relationships are being eroded away because of his increasing obsession with control in Season 3. For example, he insists on checking every meal that goes out just like his boss did in the past. He continuously refuses to trust the people around him, and lashes out to everyone. 
I think this is because he views David unconsciously as a role model for what a boss should be. Even though he resented him, he unintentionally absorbed the idea that David’s abuse was what made him a better cook. This is why he was so shaken up in Season 3 when he confronts David on his abuse, because he actually agrees with him. 
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Because of this toxic mindset, it has seeped into how he interacts with the people around him. He has failed to become better, because he has never been able to properly confront how he has been altered by his traumas. Carmy will not be able to improve under these circumstances, but instead become progressively worse as his past traumas influence how he is today. He needs space and time away from a kitchen in order to truly recognize the abuse that had been done to him. 
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2. THE BEAR IS MIKEY 
The Beef has always been deeply connected to Mikey in Carmy’s eyes. He wanted to work there because of Mikey, and always viewed it as a place where he could connect with his brother. But I theorize that The Bear may actually have become a proxy to Mikey to Carmy.
In Season 1, Episode 8, Carmy has a surreal dream sequence where he is hosting a cooking show. Within it, he starts to break down and starts to flash back into a memory of his brother. 
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It then cuts to a clip of a bear locked in a cage on a bridge (which may reference back to Mikey’s death on the bridge). The clip is overlaid with a line from Mikey, which is “I’m right here.” 
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This bear is one of the main inspirations behind the renaming of The Beef. It then flashes to the drawing of the restaurant, The Bear. 
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Later, he finds the note and the money from Mikey. This is what encouraged him to renovate The Beef into a new restaurant. I think that this represents him feeling like he can find Mikey again through The Bear. Although this is a positive influence on him at first, this grows increasingly more negative throughout the seasons. By feeling like Mikey is there within the restaurant, his grief was able to be comforted a bit. But this causes his relationship to The Bear to become more and more codependent. He has not actually confronted his grief over Mikey yet, but instead uses The Bear to try and soothe the pain. This causes him to choose The Bear against all else, including his girlfriend Claire. 
Even though he has improved by going to Alcoholics Anonymous meetings, he is only passively listening to the people around him instead of sharing more about himself. Although he did reach a breakthrough in Season 1 by sharing with the group about Mikey, his development has stagnated over time because he uses The Bear as a way to muffle his pain. To truly get over his grief, he has to move away from The Bear and face it without the presence of Mikey standing over him.
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3. CARMY AND COOKING
In Season 3, Episode 1, that is where we see Carmy experience the most joy out of cooking. 
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In the various apprenticeships that he goes through, he is free to experiment and do whatever he wants with it. Ultimately, I believe that Carmy will never thrive in a restaurant setting, even if he was the boss. He might have thought that his love of cooking was hampered because of his past abusive boss, but in reality it was because of the restaurant itself. The pressure of making a profit and earning recognition from reviews will destroy him in the end. This is mainly seen through his fixation on the flexibility of the menu in Season 3. In the first episode, he flashes back to what he enjoyed about cooking (which included experimentation and testing) which inspired him to make a new menu every day. He wants to recapture the joy that he felt in the past. However, this harms the restaurant by driving up the margins and causing chaos. The restaurant is not something that he enjoys, but instead an intense source of stress for him. Carmy indeed loves cooking, but needs to form a more healthy relationship to it. Just like how artists can get burnt out on monetizing their art, he is burnt out on monetizing his cooking skills. The restaurant will never be a good place for him to show his art, as it is a business that supports dozens of people. I think that ultimately, he will become Chef Terry, who retired from her restaurant because she couldn’t handle the stress anymore. 
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4. SYDNEY
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Sydney will be the one who inherits The Bear and truly makes it great. She is the one who really keeps The Bear together throughout Season 3, and has the clearest vision. She represents a new way forward, one unencumbered by Carmy. Sydney has already been framed as his protege throughout the seasons. And as her mentor, Carmy is destined to leave so that Sydney can ultimately prove herself. Carmy has become more of an antagonist throughout the season, while Sydney is slowly replacing his role as a protagonist. I predict that Sydney will accept the offer from Adam, but come back once Carmy can’t take it anymore. Then, she will show once and for all that she is capable of running the restaurant by herself.  Only then can there be a future for Carmy and Sydney going forward.
Right now, their relationship is tied to the The Bear. They have not really interacted outside of it. Only then can they form a real relationship and really connect to one another. Right now, their relationship is too centered around the restaurant for them to really fall in love with one another.
(Marrying into the Berzatto family WOULD ALSO MAKE HER A BEAR. Therefore, this could allow for The Bear to stay within the hands of a BEAR)
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partyrockin · 4 months
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"a million dreams for the world we're gonna make" - a million dreams, from the greatest showman
HEYYY GUYS I'M BACK !!! ap exams are finally over and i'm pretty sure i flunked ap physics but i sat down to draw stuff the day i finished after a whole lot of karaoke with my friends. i had a sketch of this going on but it has always been lying around unfinished so i really wanted to get this done for you guys last night
BUT HERE'S A NEZHA APPEARANCE i know a lot of you have been asking for him and multiple ppl have suggested that he be the critic from the movie, and you're right it totally suits him,,, bro can be a harsh but necessary critic. and i've always wanted to draw that specific scene of wukong lifting macaque in that a million dreams dance sequence. so here you go !! the critic isn't frequent in the movie but he's a necessary character so if you guys want to see more of nezha in this au just let me know !!
other stuff that i've been wanting to draw contain mei, sandy, etc. the rest of the crew as the performers and a lot more shadowpeach and spicynoodles (some asked for that specific scene where time slows as redson and mk's eyes meet with the trapeze performance thing so that'd be cool to include for the next part of this series) and i definitely do want to draw macaque in his trapeze artist at one point, he'd be gorgeous.
also let me know if you want to see any specific scene or characters from this au !! i'm not done cooking and i have so many things i want to draw for it but as you know i can't satisfy everybody... so i'm gonna need your help narrowing it all down. this movie is a piece of art and i'm so ready to combine it with lmk and actively draw until s5 comes out. so excited for this summer !!!
as always, thank youuu for reading this (if anybody does !!!!!)
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physics and english teacher love affair
pairing: ps5!peter parker x fem!reader
wc: 1.5k
warnings: none. squeaky clean, just happy fluff
summary: those two teachers that students are always interested in their relationship status.
A/N: guess this could be for any spidey, but i’m just really falling for ps5 peter and there’s like a hand full of fics for him. not fair!
masterlist / peter parker
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working at the same high school with your boyfriend is harder than it looks. the two of you try to stay professional during schooling hours, not needing the staff or students in your business. but hearing miles tell you and peter, “people are very invested in your interactions,” made both of you realize you weren’t very good at keeping a low profile.
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instance 1
“okay…jaime! your take on the dream sequence. what does it tell you?” looking to the male student near the back. he was dozing off a bit earlier so this was a wake-up call.
he floundered a bit, “uh, uh…the dream sequence…it’s a- a dream?” light giggles filled the classroom at the foolish answer.
a gentle sigh from your lips, “yes, jaime. but do you see any significance to our story?” being patient with him as he flipped through his book and packet, “uh…”
and before he could joke or stall, your door opened drawing all eyes to the popping in head. “sorry for interrupting,” peter apologized to the students then you. “
a wavering smile. “it’s fine. jaime,” the boy looked startled, “a few minutes to find an answer and then give me something. please.”
you looked over to peter again and waved him in. the door closed with a soft clink behind him, his steps thudded lightly against the linoleum tile. both of you exchanged delicate smiles as peter sat on the edge of your desk.
“what’s the occasion?” whispering low since his heightened hearing will pick you up. both of you tried to stay away from each other’s classrooms as much as possible, but the two of you were magnets, always attracted to each other.
peter shrugged, “nothing, just thought you would like to see me.” a playful tilt of his head.
a twitch of your lip, “and i thought we would only do that during our planning period.” subtly knocking your knuckles against his thigh. peter flashed a smile, “well, i also got you something, from our favorite bakery. if you want-“
“yes!” voice an excited yelp. the kids chattering came to a stop at your raised cry. you cleared your throat, “sorry. a few more minutes.” and they happily returned their gossip.
peter chuckled, “a little hurt you had more of a reaction for pastries than your awesome boyfriend.” you rolled your eyes, “well at work you’re my friendly co-worker.” “ew, gross.”
teeth biting into your bottom lip to stop a gleeful smile you made grabby hands for your treats. peter teasingly rolled his eyes while reaching into his backpack for your present. you had to hold your squeal in at the muffin and donut, mouth salivating at the sweet smell.
“i should head out. don’t want to stop your lesson.” making a move off your desk. you stopped him with a hand wrapped on his wrist, “wait, lean forward a bit.”
peter furrowed his brows as you urged him close, you ignored the dozen of eyes watching you both.
grabbing your lesson plan packet you covered both lower halves from curious eyes. “i love you. thank you for the sweets.” then blew peter an air kiss.
his cheeks pinked quickly and you cooed internally. peter sent a kiss back before swinging his bag onto his shoulders and waving goodbye to your students.
when he left the room you clapped your hands to signal order back. “okay, jaime. figure out an answer?”
“is mr. parker your boyfriend?” a girl, ashley, blurted out.
the class froze along with you. you took a moment to take stock of the abruptness before replying, “it’s rude to blurt out questions and second, no he isn’t.” heart cracking a little at the white lie, “but that’s none of your business, ashley.”
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instance 2
the day before christmas break peter decided to play the class home alone. kids either watching the movie, chatting with friends, playing card games from out of nowhere, or just napping away the last hour of the school day.
peter and miles were sat at his desk, talking about the latest on spider-man. miles was in the middle of talking about a gang bust from the other night when multiple students said, “hi, mrs. l/n.”
peter and miles stopped talking to see you enter the classroom, waving to a few students who had seen you earlier in the day.
you walk up to peter’s cluttered desk, “hi boys.” stealing his rolling stool so you can join them. in the dark peter loop his right arm behind your back before pulling you in close, lips spreading into wide love struck smiles.
“how’s my best girl?”
a content sigh, “so excited for a week off. can’t wait to do coupley holiday stuff and also celebrate hanukkah with you. miles,” turning to the junior, “any plans with your time off?”
miles talked about how he was gonna visit hailey’s family for the first time. “really nervous, don’t want to mess things up.”
“you won’t, they’ll love you.” washing away his worries as peter’s fingers drummed on your waist.
“your great with parents and plus you’ve gotten a lot better at your asl. earn you brownie points.” peter affectionately punched miles’s bicep.
“what was may’s first impression on you?” miles turned the conversation around.
you perked up as the memory flashes to mind. you glance at peter and he has a look on his face, already knowing what you’ll say.
“well may opened the door and as i was introducing myself she interrupted with “oh! you must be y/n. peter can’t keep your name out his mouth for longer than two minutes. i’ve timed it. that boy is deeply in love with you, just don’t tell him i’ve said that, he’ll be a blubbering mess.” and i didn’t tell him until he said i love you first.”
peter tucked his chin to his chest hiding away his flushed cheeks while miles covered his laughter.
you carded fingers through peter’s growing hair before leaving a peck on his cheek. “i’m gonna pack my things then come back. enjoy your break miles.”
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instance 3
“mr. parker and ms. l/n are definitely a thing.”
miles heard the charter from across the lunch room at the mention of your names. he tried to look distracted with his homework to keep listening in.
“and what’s your proof this time?” a boy asked the girl.
“well one, i saw them leaving together when i had to stay late to help mr. johnson. they were laughing and smiling in that love sick way. also could totally tell they wanted to hold hands when they kept bumping them. and second, i saw them at the subway station-“
“so you stalked them?” a girl interrupted the retelling.
the storyteller sighed, “no i just happen to take the subway, like most of new york does. anyway, i don’t take the same train as them but i walked past them and they were now holding hands and then…” taking a dramatic pause before almost squealing, “they kissed!”
a bunch of girls joined in the yells and a few boys were like “holy shit!” and others like “whatever.”
miles stopped listening and just smirked down at his homework ready to tell peter this news.
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instance 4 the final
you know the nosey students are gonna have a field day if they spot the new jewelry on your finger. a huge milestone has been made on a simple thursday during spring break.
“okay class. welcome back! if anyone wants to share a quick story about their break just raise your hand.” a couple shot up at lightning speed and then some more slowly.
you squint your eyes while humming, “emma. what did you do?” she went on a quick spiel about visiting her mother’s family in atlanta, also how she managed to snag tickets for a spa concert at the box office.
“girl i’m jealous. i wish i could see sza. okay… jaden! what’d you do?” he said he just stayed in the city and worked, hung out with his friends on his days off.
“already getting a taste of adult life. well i’m glad you made time to relax. uh final one is… ashley. how did you spend your break?”
“oh, nothing special. i just have a question for you and the new ring on your finger.” a sneaky smile appeared, exactly what you wanted. she’s been the most observant on your relationship.
“you may ask.” folding your hands so the stone reflected a bit of light.
“did mr. parker propose? is he your fiancé now?” and most of the girls in the room were practically vibrating in anticipation.
you smiled down the ring, fiddling with the band. you looked up and said calmly, “yes. mr. parker is my fiancé.”
and you could bet that peter heard all the commotion of your room from down the hall, already preparing for nosey teens to ask him a similar question.
both of you were just glad to proudly say the other was yours.
turns out working at the same high school as your fiancé isn’t gonna be so bad after all.
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lunarcloak · 3 months
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Blue Lock Chapter 266: Visual Storytelling
I did a similar post for Chapter 262 and people seemed to like it, and the poll I put up for a 266 interest check was overwhelmingly positive. So I'm back here!
Let's go.
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Kaiser Impact. Magnus-- yes, but at this point it looks like he's taking a shot in the dark. His eyes are completely white, it's in perfect contrast to the last times where his eyes go completely black, with white pupils.
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He's truly evolved, in the full sense of the word. The fact that the lines are thicker, darker, usually used for weight of movement-- as you can see in the shot panel-- are also being used for the face. It signifies weighted emotion, like he's really in a do or die moment right now. This means so much to him, and the fact that the face is DARKER than the actual shot itself means it's less about the technicality and more about the evolution it took him to get here.
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AND HERE IS THE MAGNUS. This is where it's about the technicality. You cannot see Kaiser's face anymore-- it's not as important in this frame. Here, your eyes are drawn to the impact of his shot. In fact, at first glance, you could quite literally miss the ball speeding past Rin. Why? Because after that impact frame, the ball is no longer in Kaiser's control. He can only control it until the point where he shoots.
Secondly, I draw your attention to the rose petals. We've already established that it is his aura, but not how they are, again, concentrated at the impact point. Not the ball. This is partly to emphasise the speed of movement itself, and partly to reinforce the previous point. And tertiary notes are of course, the expressions on Rin and Charles' face being of pure shock. They cannot react, not with the speed of this particular shot. Only Lorenzo has been able to stop it, anyway.
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He did in fact, make the air also his ally, but this is also the beginnings of the vine motif that follows the ball for the rest of this chapter. Notice how the air is curling around the ball, not in a streamline motion, but in the pattern of what will be vines later. It's already telling you that, while the ball spin is no longer in Kaiser's control, he's already done it. He's given it the impact of his shot. It's going to move exactly as he wants it to. (after this is Ness willing the ball to bend, which doesn't have any particular visual significance, but the boy deserves all the love <3)
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And here the vines are fully obvious. That ball is bending exactly as Kaiser willed it to. But this is the moment of truth for him-- he's not Michael Kaiser, the NG11 prodigy, as he's watching the ball. He's Michael, the little boy who had a worn out football, and a dream. (I will remind you here that the last chapter's final panel ended with him referring to the ball/himself as a "piece of shit" again-- as he continues to refer as such in this chapter. It's signifying how he's ripping himself back down to the bare, barren life of a small child with a will to get away from the terrible hand dealt to him.)
The petals are still there, of course. No roses without thorns, no vines without roses.
I'm very intrigued by the silhouette behind the ball here. I'm not able to place exactly what it is, but it looks exactly like a woman's silhouette. His mother, perhaps? I will admit I do not fully understand why that is there, it must be linked somehow, but if anyone has any ideas they'd like to add here then please feel free to do so!
That's why the last row of panels transitions into small Kaiser from the back of current Kaiser.
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This sequence isn't just to remind you of the beginnings of Michael Kaiser. But it's symbolic in that, look at the actual sequence of events. He kicks the ball at the wall, but it rebounds and hurts him instead. He gets angry, and he kicks it away again. But he takes a moment. And then he runs back to get the ball, and hugs it.
In the end, the ball will always be everything. He will miss, and he will get mad when he misses. But he will always-- ALWAYS-- pause. And think. And then, in the end, he goes back to the ball. Because the ball is his everything.
If you compare this to the sequence of this match's events for Kaiser, you will realise that it is a direct parallel. Albeit on a bigger scale-- the higher you are, the harder you fall. But that's the point. The fact that in the end he's going back to his roots. The beginnings of Michael Kaiser.
The next panel is, of course, his disgusting father. It's not really supposed to signify much by itself, but moreso leads up to the next panel. We already knew his father is abusive, but what we didn't know was the root of his dream and his ambition.
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Note how here the moon is full. The moon is used as a symbol for a lot of things in fiction, but here I interpret it as the peak of his ambition, partly because it reminded me of a football the first time I saw it. The heights of his dream. To reach it, would be to reach the moon.
Also note how he once again refers to the ball/himself as "piece of trash" here.
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Ugh. UGH. THE THINGS I WANT TO SAY ABOUT THIS PART. But I shall refrain. This is a visual storytelling analysis, not a character analysis.
His eyes are bright. Brightest we've ever seen them, actually. Because he's looking up at the moon, reaching out to it, reaching out to his dream. He's envisioning a world where he can get exactly what he wants and be happy. (Money, food, humanity, and the core of it all, love.)
The text "I want to be loved" is placed in a similarly 'dreamy' dialogue box. The kind that's used in shoujo backgrounds for the sake of "imagination". Very interestingly, it's placed directly on top of the path of the ball towards the goal. Even more interestingly, the vines aren't there at the beginning of this page's trajectory. They only start once we return to present time. Coincidence? I THINK NOT.
The flashbacks starts, and ends with the ball's trajectory. The vines, however, are solely for the present.
Also, remember how he's reaching out upwards in this panel? Yeah. Keep that in mind. You'll know why in two pages.
The goal page itself is not particularly filled with visual storytelling. Points which are mentioned there are already spread throughout this chapter: vines coating the ball as it finally lands in the goal. But I want to ask you to note that, the side of the page is dedicated to people who are watching Kaiser. Rooting for Kaiser. I doubt that is the kind of "love" he needs, but it's telling that part of the celebration of the goal comes from the numerous fans watching him around the world, waiting for him to show them Michael Kaiser the prodigal striker.
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Ah yes, the Kaisagi panel (I'm kidding). No, while this feels like total Kaisagi bait, it's also just... symbolic of their rivalry in general. Isagi has always looked up to Kaiser's football prowess. He's always known that Kaiser is incredible at what he does. He's marvelling at the fact that after everything, after all those failures, he pulled himself back up and scored an absolutely stunning goal. Note the colour of his eyes vs the dialogue. When they're entirely white-- evolution dependent- it's the fact that Kaiser scored a goal Isagi didn't. It's the incredible technicality of it (As someone who understands the physics behind it, yes, it is magnificient. Magnus-ificient? Heh.)
On the super star dialogue, however, it's just Isagi and his black hole gaze. The football player who has never shit on those above him, only ever looked up to them. Admired them, used them as role models for his own growth. He's calling Kaiser a superstar, because he is, but it's inspiring. He's frustrated, but he's also in awe. Those are the eyes of when he's just found someone new to understand and integrate into himself to become better. Of someone who's just found a new ideal to look up to.
Mmm. The vines and rose petals wrapping around Isagi, though? That is EXTREMELY Interesting. there's a lot of ways to interpret it. The fact that at that moment everyone was watching Kaiser's shot, under his control. Or maybe the fact that Kiyora passed to Kaiser and not to Isagi. Or maybe the fact that, in the end, the Emperor is always the emperor, and sliding the throne out from underneath him is simply not possible. It's the one shot Isagi can never actually copy, because Kaiser Impact has always been, well, Kaiser's. And so is the Magnus version. It's the one thing that Isagi will always, always stay below Kaiser on.
Kaiser's screaming, his eyes are still white. But they still have the pupil outline. It's his moment of pure evolution. He's achieved something he hadn't achieved previously. He's done something incredible. He's taken back his dignity and his power, reclaimed his identity as a star striker.
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And, finally, of course. We have to talk about this panel. NO vines. ONLY petals. He's not restricted by the thorns clasping onto him anymore, there's only the blue rose petals of the impossible feat. As @/bachibachis had pointed out on one of the chapter reblogs after it dropped. He's pulling his shirt down. To showcase his tattoo, yes. But it's the meaning BEHIND the tattoo. A blue rose. Impossible. But it's exactly what he's always aimed for, to achieve the impossible. This panel also showcases the crown on his hand, for similarly significant reasons.
His eyes are blank. Entirely. Now it's not about the evolution, but the emotion. The last time we saw them was when he was in a fit of anger at Isagi's goal. Now it's catharsis. At his achievement, at the goal, at the fact that he's living upto the tattoo on his neck, the name, everything he's built up for himself.
His hand is reaching upwards, to the sky. For the far away dream of money, food, humanity and love. He's achieved two of the three already. But now he's reclaiming his humanity. Maybe some day down the line, he'll reclaim his love too. Any of you yelling about Ness-- I get it, I do, but you have to understand that Kaiser doesn't see it that way. He's never seen it that way. It's complicated. We will simply have to wait and see.
As for the rest of this panel, well, it's framed as though there's quite literally light shining down from the heavens for this man. Kaiser has always had a lot of religious symbolism, and I'm not particularly qualified to talk about them just yet. But this ties in to all of that, and more. It's about the fact that stars really did align for all of this to happen here, now. The fact that this happened in the NEL, and not the World Cup. The fact that Kiyora passed to him, and not Isagi. The fact that he finally had Luck on his side, and it worked out. The fact that Rin and Charles weren't able to stop it, despite being star players themselves.
The stars aligned, the light shone down from the heavens, as the fallen Emperor rises up once again, reclaiming the throne that was always his. He screams up at the very heavens that had forsaken him, years ago, as they finally let him have the moment of increduilty he's wished to impose on the world. To achieve the impossible, is to be Michael Kaiser.
What a stunning, stunning chapter. Thank you, Yusuke Nomura. Thank you, Muneyuki Kaneshiro.
And thank you, for reading my take on this.
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waynes-multiverse · 5 months
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Plastic Hearts – Part 21
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Pairing: Director!Dean Winchester x Actress!Reader
Series Summary: Los Angeles, 1985. Y/N’s a young actress without any success, hopping from one failed audition to the next until one desperate mistake brings her to her breaking point. Dean Winchester, on the other hand, is a grade A asshole and washed-up director at the end of his career, known for his godawful slasher movies in the 70s and his love for blow, booze, and women. Lost in the toxic Hollywood life, their paths cross when one hopeless little wrestling show changes their trajectory.
Chapter Warnings: +18, language, smut (p in v, dirty talk, spanking), fluff, angst, comfort
Word Count: 7.6k
A/N: It's finally happening! Get the Office gifs ready 👀😂 It's so good to bring this series back after such an unexpectedly long time away. We've got five more chapters left, so let's make 'em count with as much drama and ridiculousness as possible, shall we? Ready? And action! 🎬
<< 20 || Spotify Playlist || Series Masterlist || Main Masterlist
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21. Rock You Like A Hurricane
Dean swallows the clot that has formed in the back of his throat as the first button of her white cotton blouse flies open. The air in the office feels dry, his mind hazy. Is he dreaming? Once again, he reminds himself to stop mixing booze and blow. It never ends well and barely ever helps.
Another step forward, another button, another swallow.
Y/N is a Fata Morgana, a mirage, slowly moving towards him through blurry lines and summer heat.
“Don’t you want me?”
The innocent lip bite that accompanies her question sends him downstairs, predestining him to burn in hellfire. He swallows again. Of course, he wants her. He always does.
The heels of his boots dig into the rotten floorboards as he pushes back on his office chair, enough to free his thighs from underneath the wooden desk and show off the bulging erection blooming in his jeans. It started to form as soon as she walked in and turned that damn lock behind her back.
The corners of her pink lips rise to a smile. She likes what she sees, and soon enough, she finds herself slotted between his bow legs with his greedy palms smoothing up her denim-clad thighs until they find a home on the juicy globes of her ass and squeeze tight. Green eyes darken as they wander up her frame before they meet two sparkling orbs that mirror his own lust back to him.
More buttons spring open, the blouse slipping off her shoulders and hitting the ground. A gray leotard becomes visible, two pointed peaks on luscious hills poking through the thin material, his mouth forming a ring around one of them, hot air igniting her skin and stealing her breath. Her arms weave around his neck, her head lolls back between her shoulder blades, her legs grow unsteady. Eyes close, fingers tangle in his hair and claw at his skin.
One large hand travels to the front, works the zipper of her jeans, and shimmies the denim fabric down two smooth thighs. His other arm snakes around her waist, holds her tight, and pulls her closer until she straddles his lap and lets their hips fuse into one.
Their eyes find each other. Gently, he brushes her hair out her face, tucks it behind her ears, strokes her flushed cheeks. She’s breathless and breathtaking, and then she dips her head and catches his lips, kissing him until he is, too.
“Wait, wait, wait…” He draws back in a drunk state of mind and gasps for air, hoping oxygen will help in clearing his head.
“What?” She pouts, her voice velvety soft and delirious.
“I just-… I have to ask you something first, make sure…” The air works wonders, the fog dissipates from his mind. Green eyes watch her closely. There’s something off, something wrong, something out of place. Y/N wouldn’t just stroll into his office and throw herself at him. As much as he enjoys this little dream sequence, it’s not who she is. “Why are you doing this? You’re not-, uhm…” He swallows harshly, his mind racing in circles. “You’re not fucking me, so I’ll stop being mad at you, right? ‘Cause that’s not what I want.”
God, the thought alone kills him. It’s his goddamn nightmare. What if he subconsciously manipulated her to do this? What if he’s taking advantage of her? What if he drove her so desperate that she sees this as her only option? What if she actually doesn’t want this?
But a gentle smile forms on her face instead. She pecks his lips, rests her forehead against his, and softly shakes her head. There’s amusement in her voice. “You already said you weren’t mad at me, remember?”
“Then why?”
Y/N shrugs and licks her ample lips. “I want to. I want you… You’re the best guy I know. I can’t think of anyone I’d want this with more,” she assures him with a sweet smile and caresses the scruff on his cheeks, her hips grinding against his crotch. “It’s just-…” She bites down on her lower lip, cutting off her sentence.
“What? Tell me, sweetheart.” He clutches her chin and draws her gaze to meet his eyes.
“Even with the show being over, I don’t want the girls to find out,” she confesses nervously.
Dean nods in understanding and gifts her a smile. “Lucky for you, I’m good at keeping secrets. Have I ever let you down in that regard?”
She thinks for a beat, then shakes her head and matches his smile. “No.”
“See?” He grins, showing his pearly white teeth, and pulls her lips back to his for a searing kiss that seals their deal.
His hands begin to roam the curves they’re holding, her hips rocking against his in a needy rhythm, desperately searching for more friction to scratch the unbearable itch he seems to cause.
“Need you so bad, need this cock so bad…” she whispers between kisses and ragged breaths.
“Yeah? You think you can get off like that?” Dean lifts his thigh a little higher, shoves it right against her clothed cunt to give her a bit more friction, and listens to her whimpers in satisfaction. “Show me how much you want this… want me, baby girl. Wanna know how desperate you are for this cock, Y/N. Work for it.” His challenge is accompanied by a little smirk, which soon disappears and becomes stuck in his throat when Y/N accepts with eager nods.
Shit, he really needs to stop underestimating her. That’s already been his first mistake when he met her.
Her arms lock tighter around his neck for more balance as she rubs her pussy against the rough denim that covers his thick thigh. Her breathing grows so labored that kissing becomes an impossibility, the need for air in her lungs greater than the need to stay connected. The strong arm slung around her waist helps her move while his other hand tweaks, pinches, and gropes her tit, prying the gray cotton of her leotard over one shoulder to free the flesh and expose her nipple to the cool office air and his hot breath. He feels a wet patch forming on his leg, sees the stain on his jeans from her arousal as he peeks down between them.
“Dean, I’m–…”
Y/N doesn’t have to say it out loud. He can see it on her face that she’s damn close. “Such a good girl. Cum for me, huh? Let me finally fill and stretch this nice pussy with my cock, baby. Been waiting for you,” he coos. “Bet you’re so tight, yeah? How long’s it been?” His tongue licks the hardened bud before he pops her tit in his mouth and sucks, bites, tears.
“Fuck!”
She explodes, his name falling from her lips in prayer as she trembles and quivers in his arms. Her mouth parts, sucks in as much air as she can to fuel her lungs. Her arms cling to him, fingers denting the skin on his broad shoulders.
“That’s my girl,” Dean praises her, smiling as he lets her ride out her orgasm. “So, so pretty when you come. I missed that face.”
“Dean, please… Need you inside me now,” she purrs against his lips, swallowing his groans as they connect.
“Yeah? You sure?”
“Uh-huh, please,” she begs breathily. “How d’you want me, boss?”
“What do you want, Y/N?” Hearing what a woman wants him to do to her or what she wants to do to him has always been one of the biggest turn-ons for him. “Tell me.”
“Want you to bend me over your desk, take me hard, punish me… Been a bad girl. Need you to punish me, please,” she whimpers and hungrily claims his lips, her nails digging into his jaw.
Now, Dean should probably be worried or at least stumped by her somewhat strange request. Not because it’s the craziest thing he’s ever heard a woman ask for in the bedroom, but because it’s not necessarily something Y/N would say. However, she’s also an actress, and he’s about 99.9% sure she’s playing a role and following a script in her head. And well, hey, he likes playing too, so who would he be to deny her wishes? He’s been dreaming about spanking her ass and punishing his favorite Russian villain for weeks at this point.
“I think we can arrange that, baby girl,” he promises, a saucy smirk plastered on his lips. “But first – need to see your face when I break you in, yeah?”
Y/N grins and nods against his lips, her hand reaching down between their heated bodies and unbuckling his belt, pulling it from its loops, metal clinking before the sound of a zipper follows. Lifting her ass from his lap, he helps her strive off the denim, pushing it down his legs till it pools by his ankles, only leaving a thin barrier of cotton between them.
“Condom?”
Dean nods and motions for her to stand up, so he can reach into the bottom drawer of his desk. As he fishes out a foil packet, Y/N discards her leotard, nothing but naked skin and flesh left for his eyes to devour. Removing his own pair of boxers, his long cock bounces against his stomach and stretches to his belly button, fully erect, head swollen, and leaking at the tip. He tears the foil with his teeth and rolls the latex down his aching length before his hands drag her back into his lap.
Her arms settle on his muscular shoulders, her lips find and bruise his as he lines himself up with her entrance and threads his dickhead through her dripping folds. Her cunt is pink and glistening, hot and wet as he slowly slides inside, lets her feel every inch that fills her tight hole to the brim, her small body sinking down on him till they’re inseparable.
A moan escapes them both when he’s fully sheathed in her heat, and Dean knows lasting long would border on a miracle. Her mouth falls open as he stretches her tight walls, her eyes seeking his and not daring to look anywhere else. Unsurprisingly, Y/N takes direction well. She remains connected to him – mind, body, and soul.
“Fuck, Dean,” she breathes and swallows at the sheer thickness inside of her, her eyes finally falling closed as their foreheads meet.
Dean caresses her cheek and softly pecks her hairline. He then shuts his eyes as well and just focuses on the feeling of her wrapped around him for a blissful heartbeat. This is all he ever wanted.
Her. Here.
“You good?” he checks, his fingers trailing soothingly up and down her spine as she relaxes her muscles and adjusts to his size.
A gentle smile twitches and tugs on her lips. “Yeah, I’m great… You feel great.”
“You know, if you keep giving me compliments like that, it’s gonna be hard for me to smack your perky ass purple and blue,” he chuckles and watches a grin form.
“I like to make things hard for you,” she sasses and kisses his lips, her pussy purposely gripping his throbbing dick.
“There’s my bad girl.” Dean can’t fight the smile on his face. “Alright, you ready?”
Dean doesn’t have to wait for an answer as her hips begin to lift and rock against him, calming like the Pacific waves and soothing like the lullabies his mother used to sing when he was sick as a child.
“M-more,” Y/N whines, the needy desperation haunting her vocal chords.
“Beg for it,” Dean whispers, nuzzling his nose against her ear with a smirk.
“Please… Please fuck me, boss,” she rasps her pleas. “Need it hard and fast.”
“Anything you want, sweetheart.” Dean catches her lips, the kiss scorching and lasting before his hands smooth up her bare thighs and grab her ass tight, lifting them both from the chair.
Swiftly, her soles hit the ground as he swirls her in his hold and bends her over his desk. Her tits press flush against the wood, his palms finding her hips as he pulls her closer to him, ass up until it brushes against his solid length. With his knees, he spreads her legs wide and easily slots between them. He palms both asscheeks, caresses the skin before he administers his first slap, the sound echoing through his quiet office with her whimper as he watches the juicy flesh ricochet, completely entranced.
“You got a safe word, Y/N?” Dean asks as he soothes the red spot on her cheek.
“Hmmm,” she muses and bites her lower lip, and he can see the mischief twinkling in her orbs. She giggles, “What about ‘camera guy’?”
His palm strikes the other globe, making her yelp and jolt on the spot.
“Ow, fuck!” Y/N’s moan drowns in a laugh. “Jesus, Dean, I was just kidding.”
The director chuckles, “Yeah, well, I wasn’t.” With one harsh and fast thrust, he drives his cock back into her tight cunt, causing her to slam forward, her hips bruising against the desk. Her fingers curl tightly around the edge, knuckles white as she keeps herself pinned in place. He leans forward, his chest pressing against her back as his warm breath fans against the shell of her ear, his blunt fingernails denting the skin on her hips. Smirking, he demands, “Safe word. Now.”
“Fuck, uhm…” Breathlessly, her mind spirals, his cock slowly dragging in and out of her and not stopping to give her even a second to ponder. “Squirrel?”
“Squirrel it is,” he agrees amusedly, straightening as he picks up his pace and drives in deeper, watching as his dick gets swallowed by her soaking cunt, his swollen shaft glistening with her slick. “Shit, baby girl… Wish you could see how well you take me. Your needy little pussy sucks my fat cock right in,” he groans, listening in delight as his balls slap against her ass with each roll of his hips.
“Maybe you can bring your camera next time, boss,” Y/N mewls her suggestion as she falls apart underneath him.
“Yeah? Would you like that, huh? Would you like to see how fucking desperate you are for me, sweetheart?”
“Uh-huh, would love that, boss. Wanna see how you fuck me and split me open,” she breathes hazily, her moans getting louder with each slam of his hips. “F-fuck, so close… Wanna come on your cock, please.”
“Oh, we can arrange that, sweetheart,” Dean chuckles, his breathing growing more labored as well as sweat starts to collect on his skin in sticky beads. He’s close, too, feels his cock throb and swell inside of her. His palm smacks her asscheek one last time. She cries out with pleasure as the sting burns her skin, her pussy clenching around his dick and gripping it tight.
But just as his hand sneaks to her front and finds the sensitive little nub, their ears both perk up as the big metal door of the gym flies open and a wave of female chatter floods inside.
“Oh, shit!” Y/N moans loudly at his last violent pound into her pussy before Dean’s palm covers her mouth and stops the rest from spilling out.
Pulling her up, her back straightens and presses flush against his body. He slows his thrusts but still pushes in deep enough to tickle her cervix and keeps the little circles on her clit alive, feeling her knees give in as her legs become putty. Her breathing is harsh and restricted against his palm, her lips straining and tightening to keep the screams inside.
“Ssh, ssh, ssh… you’re doing so, so good, baby,” Dean whispers his praises into her ear and chuckles as she clenches hard around his dick. “Don’t worry, sweetheart. Trust me, they won’t hear us over their blabbering,” he chuckles. “Relax, okay? Let loose… little more,” he orders her, feeling the tension in her muscles shift to her head as she bites down on his fingers to keep it locked inside. “There you go… Gonna need you to come quietly, and I’ll be right behind you, alright? Can you do that?” Y/N nods against his hand. “Good girl,” he coos and pecks her temple quickly.
And then, he draws out till only the tip remains inside her drenched channel before he roughly slams back in. His thrusts become relentless in both speed and force as he fucks her, her screams of pleasure only muffled by his palm and the harsh bite of her lip. Tears sting her eyes and stream down her cheeks, trickling onto his fingers at the intense pressure as her walls tighten. One more thrust, and they begin to flutter, her body convulsing as she falls over the cliff and milks his cock for all he’s got, pulling him over the edge with her.
A primal grunt rumbles in his chest and crawls out of his throat, his fingers leaving bruises on her hips behind as he spills hot ropes of his seed into the condom, his cock throbbing in rhythm with her twitching cunt. His hand falls from her mouth as she braces her palms on the wooden surface in front of her.
Deliriously, they both gasp for air, every breath jagged before the storm within them calms. Dean brushes her hair from her sweat-covered neck and lovingly kisses the salty skin on her shoulder blade, a blissful smile gracing his lips.
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The sun blinds her eyes as Y/N stands on the green, perfectly cut lawn of the Dusty Spur. The boys have called an emergency meeting at the motel this time, gathering all the women in front of the reception outside.
It’s been three days since she has fucked the director in his office. He was careful not to leave any marks on her throat behind or anywhere else where it might catch unwanted attention, no one batting eyelashes at the new bruises on her hips that joined some of the old ones from training.
Dean told her he wanted a repeat of their encounter, whispering the dirtiest and most sinful promises into her ear. However, they haven’t seen much of each other since then. Both of them have been quite busy after the news of their new time slot and impending cancelation broke. And while it certainly dampened the lighthearted mood in the gym for a day, hope was not entirely lost, though, and still thrived in everyone but Y/N and Jo.
Yet, the two of them played along with the illusion the show still could be saved for the sake of the team. She didn’t know why Jo was entertaining the farce, but Y/N did it for her friends and, well, Dean, who’d been pondering and working nonstop to try and figure out what went wrong in his well-oiled machinery.
Y/N hates that he blames himself, not having the guts to tell him it’s in reality all her fault. Even with his sunglasses on his freckle-dusted nose, she can see the bags under his green eyes from the lack of sleep in recent days and feels more guilt pooling in the pits of her stomach. She doesn’t want him to be mad at her again, which is why she’s glad she can use Billie’s new, harsh training regiment as a good excuse to avoid him.
“They gave a men’s wrestling show our slot! And you wanna know why, hm?” Cas throws his rhetorical question into the group. Y/N has never seen the producer so angry and swallows more shame down. “Truth is, they’re better! They fly higher and hit harder!
“They hit harder because they’re bigger. It’s physics,” Y/N points out and tries to keep her annoyance at bay. It’s a men’s world they’re living in, and she’s getting sick and tired of the comparisons.
“Oh, fuck physics, Y/N!” Cas yells, causing her to flinch at his tone. “I need you to take everything you got and push it all the way to the limit, okay?”
“I don’t know what else we can do. We’ve been training for hours almost every day. Sun up till sun down,” Donna says and sighs.
Maybe it’s not too late, and Y/N should request a private meeting with Dick at the network, try and smooth things over before they get any worse. Maybe a blowjob in the office is enough to get them their old slot back and save the show. Dean wouldn’t ever have to know, right?
Besides, would he even care? Maybe he’d be grateful. After all, she doesn’t have much worth beyond fucking someone if you asked anyone here.
“I don’t need to hear excuses. I need to hear results,” Cas huffs and places his hands on his squared-off hips, shaking his head.
“You want bigger moves? Fine, you’ll get ‘em,” Billie assures him with a biting fighter spirit.
Cas’ lips curve into an enthusiastic smile. “That’s what I wanna hear! Look, I know this is gonna be hard, but I believe in miracles, and we’re going to make this miracle happen!”
Jo heaves a sigh. “Right, so we break our bodies and wrestle harder and magically get our time slot back?” she asks wryly, but her sarcasm is sadly lost on Cas.
“Yes!” the producer agrees joyously. “Look, I have it from Richard Roman himself that this is what they’ve been missing.”
At that, Jo’s blaming eyes wander to Y/N as the two former friends share a look. Shamefully, Y/N averts her gaze to the green grass underneath her feet, and Jo clenches her jaw tightly and starts to grind her teeth. Ever since their heated conversation in the gym, things have went downhill between them. Nowadays, there are just judgmental looks and passive-aggressive comments passed between them.
“So you met with Richard Roman?” Jo turns her unresolved anger towards the guys.
Cas groans loudly and rolls his blue eyes back. “Jo, I’m sorry, okay? It was a guy thing. We had to storm the gates,” he explains.
“Yeah, don’t get back up on your feminist high horse, alright? We didn’t leave you out, okay?” Dean jumps to Cas’ defense and unsuccessfully smooths things over. “We just think your focus should be on performing this week, you know? You and Y/N have a big match coming up. The, uh, continuing tale of the bereaved mother and the insane Russian, right?”
Jo nods and clenches her jaw once more, biting back her surely fiery comments.
“Okay, enough talking! Let’s do it!” Cas announces eagerly and claps his palms together as the women scatter back to their rooms to get ready for today’s training.
“What time do you wanna rehearse today?” Y/N bitterly asks her blonde opponent, already expecting a bitchy answer.
“Oh, any time, really. I mean, we could rehearse all day and night. It won’t make a difference,” Jo replies in an annoyed tone as anticipated. “You of all people should know that.”
Y/N watches Jo leave, trying her hardest not to strangle her former friend. She gets it. She fucked up, but she still doesn’t agree with Jo. Would sleeping with Roman and sacrificing her dignity really have saved the show?
“Hey, everything alright?” Dean’s deep voice startles her. She was so preoccupied with killing Jo in her mind, she hasn’t even noticed the director sneak up on her. “I know Cas was a little intense today. Never seen the guy this riled up before. It’s like a puppy getting rabies.”
Y/N forces a chuckle from her throat and brushes him off. “Oh, uhm, yeah, wasn’t so bad. I get it.”
Dean’s brow creases, sensing something is off with her. Shit. She does not want the director to find out about what happened.
“You’re not mad at me, right? I know I’ve been a bit MIA the last few days. It’s just been crazy with everything going on,” he explains sincerely and shoots her a soft smile. “I meant to call you or at least talk to you. I hope you know that.”
“Yeah, no, like I said, I get it, Dean. Don’t worry about me, okay?” she assures him and compels another smile to her face before her curiosity takes over. “Did Roman really say our moves weren’t good enough?”
Her hope comes flooding back. Maybe it truly wasn’t her fault. Maybe the guy hits on so many actresses on a weekly basis that he doesn’t even care if one rejects him. Maybe it’s just all in her goddamn head, and it was just bad luck all around.
Dean shrugs and scratches the back of his neck. “Well, he didn’t say it exactly like that, but you girls are amazing. He’s gonna change his mind, and you’ll be back in your old slot in no time,” he promises her hopefully.
“Yeah, I guess so…” Fuck. It’s definitely about her.
“You sure you’re okay?” Dean checks again, noticing her absentminded behavior. Y/N’s usually chipper, eager, talkative, and hard to keep contained. She’s a warrior. The woman in front of him right now is the complete opposite, however. He almost doesn’t recognize her, and it worries him a little.
Is it him? Did he break her?
“Uh-huh, yeah, just tired, you know? Billie’s been riding us pretty hard this week,” Y/N excuses her strange mood with a half-truth, and Dean seems to buy it.
“Yeah, I bet.” He nods understandingly, chuckling. “Well, uhm, I’ve got some free time tonight. You wanna come over for dinner and I don’t know maybe… stay? You could ride me pretty hard, too,” he suggests, making her snort. “Admittedly, that sounded better in my head. Sorry.”
“No, uhm, I’d love to,” she replies honestly, giggling at his bashfulness. “But I’m pretty beat. Probably gonna fall into bed around seven like a dead person. Raincheck?”
Truthfully, there’s nothing she’d rather do than spend her nights (and days) with Dean, but the guilt in her belly is eating her alive. She can barely look him in the eyes. As of right now, though, she can see even more disappointment shimmering in his green orbs.
“Sure, yeah. Open invitation, sweetheart,” he says and acts as if her rejection doesn’t bother him. “But still, if all you wanna do is sleep, then you’re welcome to do that at my place as well. I do have the better mattress than the motel. Maybe a good night’s rest and a hot bath is all you need to recover, you know?”
Hot bath. The words make her skin crawl and take her right back to that horrible night where it all went wrong. How could she have been so stupid?
Y/N swallows the lump in her throat and fights for words. “Oh, uhm… I don’t, uh…”
“Hey, it’s okay, alright? No explanation needed, sweetheart,” Dean says and lets her off the hook. “Just wanted to offer, you know?”
“Thanks, another time.” Y/N forces one last smile to her lips.
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Dean hasn’t seen Y/N in a whole week. Well, that’s not entirely true. He sees her every day at training in the gym, rolling around with Jo in the ring. But he hasn’t seen her privately since their little naughty stint in his office.
By now, he’s sure she’s avoiding him for some reason, but he doesn’t have the guts nor the balls to ask her straight. He’s too afraid of her answer, scared she has changed her mind about them and their arrangement. He’d accept it, of course, but he still doesn’t want to find out if that’s the reason why she keeps her distance. It would most certainly break his heart.
A knock on his office door makes his head snap up with hope that it’s Y/N. Either she’s here for another booty call or to end it. He’s prepared for both. To his surprise, though, it’s Donna who’s stopping by for a visit.
“Dean? Can we talk?” the curvy blonde asks insecurely, concern etched into every crease of her face.
“Sure, uh, what’s up?” Dean knows Donna and Billie have given their all to train the girls over the last few weeks, and if production could afford it, he’d give them both a gigantic raise. Unfortunately, he can’t but hopes it’s the thought that still counts.
“It’s about Y/N and Jo,” she informs him, and his ears perk up at that.
He’s noticed some tension between those two as well, so he’s not as surprised as he should have been. But honestly, sometimes it’s hard to tell what those two are fighting about. If it’s something new or just the same old beef.
“Usually, they do a good job of keeping their weird friendship stuff out of the ring, but not in the last week. There’s something wrong with them,” Donna tells him.
No shit, Dean thinks. Those two having issues is not an entirely new thing.
“What d’you want me to do about it?” Dean asks. He knows Donna didn’t just stroll into his office to chat and gossip. She’s looking for direction. Like the rest of these women downstairs, the blonde expects him to solve their problems. In the end, that’s his job.
“Postpone the match,” Donna prompts, the worry deepening. “I don’t think they should fight. They’re not communicating properly. Someone’s gonna get hurt.”
Dean tries not laugh, but in reality, it’s just fucking funny. Do these women ever think things through? Y/N and Jo’s match is the main storyline, the two of them being the best fighters as well. If they’re not entering the ring, he might as well just throw in the towel now and quit. The show would never make it back on air.
“Donna, I can’t do that,” he tells her frustratedly and runs a palm over his face. “C’mon, don’t be so dramatic. It’s not like they’re gonna kill each other.”
“Dean–” Donna is about to interject when he stops her.
“Fine, all right? I’ll talk to her,” the director assures the blonde.
Donna’s brow shoots up. “Her?”
“Them. I’ll talk to them,” Dean corrects quickly and watches her leave his office, clearly dissatisfied with his solution.
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Dean hates West Hollywood like a mouse hates a cat. He can’t believe he fucking agreed to this thing in the first place. And the only reason he did agree was his stupid daughter, who’s not even here tonight because she’d rather spend time with her boyfriend than with her dad.
Fucking teenagers…
Honestly, Dean’s got no clue why he still came here without Claire. Maybe because he’s old-school and actually keeps his commitments, or maybe it’s because he’s got nothing better to do since neither his kid nor his not-girlfriend want to spend time with him. So, it was either getting drunk at home alone like he always does or do this.
As Dean enters the dark theater, he notices not a lot of seats are taken. Surprise, surprise! No one cares about him or his movies…
There’s a group of teenagers in the front row, though, who seem to be way to young to watch one of his films. But who is he to judge? He’s not their fucking parent. God knows he’s got his hands full with one teenager already.
He’s about to take a seat somewhere in the back when his green eyes spy a familiar head of hair. His heart skips a beat when he recognizes his favorite actress. Out of all the places in all the world, he’d never thought he’d meet her here.
“Hey,” he says as soon as he’s made it to her row. Her head darts up, but she doesn’t seem too surprised to see him here, which makes this coincidence even weirder. He assumed she strolled by this theater by accident and saw one of his movies was showing, deciding to check it out, which just so happens to flatter him and stroke his ego perfectly fine. “What are you doing here?”
Dammit. That sounded way too aggressive. He’s honestly happy she’s here; he just hasn’t expected it. Call it a ‘pleasant surprise.’
“Oh, uh, Claire invited me,” Y/N explains and gulps nervously. “But I can leave if you don’t want me here.”
Damn that kid. Of course, she meddled in his affair. Does she know he likes Y/N? Is it that obvious? Well, either way, someone’s getting a bigger allowance this week. Doesn’t he have the best kid?
“No, uh, stay. Please,” he says and sends Y/N his best smile. “Can I sit with you?”
Her face lights up. “Sure.”
Dean sits down on a red velvet seat next to her and feels like a goddamn teenager on a first date. His knees are shaking as he anxiously taps his boots on the sticky movie floor and drums his palms repeatedly on his thighs. Something inside of him urges him to hold her hand and interlace their fingers, or do one of those moves where he yawns and slings his arm around her shoulders.
In fact, he can barely concentrate on the movie until he takes her hand in his. But who cares? He wrote and directed this masterpiece, so it’s not like he’s missing out on anything important. He already knows the plot and every single shot.
Once their fingers touch, his heartbeat accelerates to light speed. She shoots him a look and raises her brow with a teasing smirk. He can catch it from his periphery but doesn’t dare to look straight at her. Instead, he awkwardly clears his throat and glues his green eyes stubbornly to the silver screen, pretending it’s not a big deal.
When did holding hands become such a fucking thrill? He’s not goddamn sixteen anymore, for crying out loud.
Y/N takes note of his uncomfortableness and focuses back on the movie but still gives his hand a small squeeze, telling him everything is all right. They remain exactly like this till the end credits roll across the screen.
And then, to his greatest surprise, there are cheers and claps from everyone in the theater. Y/N lets go of his hand to clap as well and bites her lip to hide a smile once she sees him blush furiously at the attention and admiration.
The group of teenagers then approaches him and stops by his row as a young, scrawny boy speaks up, “You’re a genius, Mr. Winchester.”
Mister?! How old do they think he is? Well, granted, he probably shot that movie before those kids were even born. Talk about feeling old.
“Your disorientation factor is truly masterful,” the boy continues. “Claire told us we’d love it.”
His brow shoots up in surprise. “Claire? How do you know my kid?”
“Oh, we’re all in AV club together,” the boy replies and gestures to his peers before they filter out of the theater.
“Huh.” Dean is gobsmacked, truly. For one, he didn’t even know Claire was in AV club. And secondly, he’s goddamn proud of her. Who knew the kid would take after her old man?
“See?” Y/N pokes his arm with her elbow, a big grin adorning her face. “You have a whole fan club of teenagers who adore your movie that they are, for sure, too young to see.”
Dean chuckles softly and wishes he could hide his reddening cheeks from her.
“I liked your movie, too,” she says then and watches his reaction closely.
“Oh, c’mon,” Dean tries to brush her off. She’s probably just saying it to appeal to his ego. He knows she’s not the biggest fan of his work. “Really?”
“Yeah!” Y/N says enthusiastically. “Those kids were right. It was disorienting. You were doing your own thing.” But then she catches her mistake and corrects herself, “Are. Sorry! You still are doing–”
Dean, however, shakes his head at her correction. “Nope, you’re right,” he admits and scoffs. “That was me twenty years ago. My hands all over everything like the biggest control freak, driving everybody nuts. I mean, my operator actually became so frustrated with me that he quit the first day and threw his camera at me. I had to shoot the rest of it myself.”
“You shot that?” Y/N’s eyebrows raise in surprise. “Wow.”
“Yeah, I did.” Dean sighs and pensively scratches his beard. Something’s been bothering him for a while now, and talking to Y/N usually helps him sort through his jumbled thoughts. After all, she’s his Alma. “You know, I’m accustomed to a certain level of failure. When a project usually goes wrong, I know exactly what happened. It’s just-… with our show… I have no idea what went wrong there. I don’t know why they shit-canned us. Not a fucking clue. None. It’s driving me insane.”
Y/N grows quiet next to him and fumbles with her fingers. She swallows deeply before she opens her mouth. “I have an idea. I know why,” she confesses.
The director’s brow furrows. As he looks at her, he recognizes her nervousness. It causes him to worry. “What d’you mean?”
“Richard Roman, the head of the network? He-, uhm, he invited me to dinner… at his hotel room,” Y/N begins, the uncomfortableness growing inside of her and expanding in her chest.
Dean, on the other hand, stays perfectly still and quiet. The calm before the storm, so to speak. Because as soon as she said those words, he could feel his heart stop and drop several feet into the depths of hell. There, he’s sure he’ll find some kind of weapon he can use to kill that motherfucker before he comes back topside. The director knows how that story ends before she has even finished it, and it makes him want to puke his guts out and burn this godforsaken city down.
“He came on to me. As in… he wanted to have sex with me,” Y/N continues and clarifies in case he didn’t catch on. She’s not entirely sure the director is getting the message since he hasn’t said a word yet. “But I left before anything could happen. Ran away, actually. Bolted right outta there.” Her little chuckle at the end is a futile attempt to lighten the mood.
“Are you fucking kidding me right now?” Dean’s furious, his nostrils flaring. He wants to punch and kill someone, but most of all Dickhead Roman himself.
“No, I’m not,” Y/N replies meekly. “I’m so sorry. Please don’t be mad at me.”
Bewildered, he frowns. “Mad?” That’s when he notices that she suddenly seems scared. Is she frightened… of him?!
“Maybe I can still fix it. Just call him and ask him if I can come by his office,” Y/N suggests, her voice laced with desperation. But not the good kind that usually turns him on. This time it’s just plain sad.
“To do what exactly?” Dean prompts grimly, already knowing her intentions. Over his dead body is she doing that!
“Well–”
“Fuck no!” Dean doesn’t even allow her to finish her sentence. In fact, he doesn’t want to hear it at all, or he might have to scratch his ears out afterward. God, he doesn’t even want to think about it. “You’re not fucking doing anything, alright?”
“But–”
“That stupid fucking son of a bitch,” Dean huffs and shakes his head. “What a goddamn prick!”
“So you’re not mad?” Y/N checks insecurely.
For a moment, Dean stops his rage to look at her, his heart almost breaking as he does. She deserves so much better in this life than all the shit she’s getting. How the fuck is any of this fair?
“At Dick cocksucking Roman, yeah. But not at you. Never at you, okay?” he emphasizes and sees her nod in relief. His heart shatters anew. How could she even think for a second he’d hold some sleazebag’s actions against her? But then his suspicions grow as he puzzles the pieces together. “When the fuck did this happen?”
“Uh, a little over a week ago,” Y/N answers quietly. “The night before they moved us to the nighttime slot.”
“That’s when you came to my office, and we–” Dean doesn’t finish his train of thought and cards a hand through his messy hair. Now, it makes sense. Her strange behavior, the inexplicable need for punishment, and everything in between.
‘You’re the best guy I know,’ he remembers her words. ‘I can’t think of anyone I’d want this with more.’
“Why didn’t you tell me sooner? Was that why you were avoiding me?”
A part of him feels unbelievably relieved. It’s not him but literally someone else’s fault. For once, he’s done nothing wrong. For once, he hasn’t ruined everything. But another part of him, the bigger one, just wants to rip Dickbag Roman’s throat out with his goddamn teeth. What a pathetic fucking loser…
Dean wishes he could beat the guy black and blue and leave him bleeding on the highway till a truck runs over him. He wishes he could cut off that guy’s dick and put it through a meat grinder. His mind can’t stop imagining the most gruesome ways to make that asshat suffer and die. In fact, he wishes Manson was still roaming Spawn Ranch and would send his Family over to that Roman’s mansion and leave Sharon Tate the fuck alone.
“I’m sorry. I guess I was scared you’d react like Jo.” Y/N gulps and averts her eyes to her trembling hands in her lap.
His brow knits, Donna’s warning words echoing through his mind. “Jo knows? What did she say?” But before Y/N can answer him, the director stops her again. “No, wait… I can take a fucking guess,” he mutters bitterly. The blonde bimbo probably told her to blow the guy in his goddamn office. Typical…
“Well, she’s not entirely wrong, you know,” Y/N mumbles and bites down on her lip without looking at him.
“What d’you mean?”
“All I’m good for is a fuck,” she says with a wry smile and wipes away a small tear. Dean’s heart twinges and hurts for her, but that pain is nothing compared to the cool blade of a knife he feels soon instead. “I mean, you of all people know that…”
Dean’s quiet for a moment and bites his nails as he ponders. His mind is a maze, and he knows he has to pick and choose his words carefully in order to get out of it.
“No, I actually don’t know that,” he states and catches her attention.
He tries his best not to sound angry or offended, even though he is a little. Hasn’t he been building her confidence for weeks now? Hasn’t he been instilling in her that she’s his favorite – and not just among the cast but on this planet in general? He figured she knew how much she truly means to him, but maybe he hasn’t been clear enough yet. He knows Y/N’s self-worth issues could fill every damn swimming pool in California, so maybe he shouldn’t expect a miracle so soon.
Mostly, he’s angry at Dicksuck Roman and Barbie for ruining all his hard work with one asshole move and a few bitchy words.
Dean wets his lips and lets out a sharp exhale through his nose before he looks at her. “Y/N, you’re the most amazing woman I’ve ever met in my entire life. You’re never just a quickie in the office to me. Do you understand that?”
She nods in slow reluctance. “I think so.”
“Good,” he says sternly. “Now believe it ‘cause it’s true.”
The green-eyed director cups her cheeks and pulls her to his lips, tongue meeting tongue in a searing kiss. The old seats creak when their weight shifts, Y/N leaning into his touch as she wrings for oxygen with heavy breaths. And where words fail, he tries his best to show her how he feels through his actions.
“Sorry,” Dean apologizes cheekily once he lets her get some air. “Couldn’t hold myself back any longer. That’s okay, right? We’re still on?”
Suddenly, it dawns on him that she might’ve still changed her mind about him. Has he just sexually harassed a woman right after she told him how she’s been sexually harassed by a superior? Jesus fucking Christ, he’s goddamn tone deaf, isn’t he?
To his luck, though, Y/N finds his stupidity amusing and giggles, placing another sweet kiss on his plump lips as she shakes her head. “We’re still on, boss,” she assures him and hears him heave a big sigh of relief.
“Awesome.” He grins from ear to ear and brushes a strand of rogue hair out of her face. “Are you and Jo okay? ‘Cause if you’re not, you gotta tell me. You wanna postpone the match?”
Now that Dean knows there’s no chance in hell the network’s going to let the show survive, he doesn’t even give a shit if the girls resort to doing the chicken dance in the ring or taking a dump on stage. No one truly gives a fuck anymore, least of all him. He never has.
The only thing he cares about is sitting right next to him.
Y/N, however, vehemently shakes her head. “No, we’re fine. I wanna fight. ‘Sides, I’m supposed to win this match, and I can’t wait to kick Jo’s bitchy ass.” She grins broadly.
“That’s my bad girl.” Dean smirks and pecks her lips. “You’re gonna stay over at my place tonight? Play a little Cold War in my bedroom?”
“Only if I can do my accent,” Y/N says, beaming.
The director playfully rolls his green eyes, even though he’s direly been waiting for that sort of role play. “Oh, you’ve got yourself a deal, Natasha.”
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22. Girls, Girls, Girls
Hope you enjoyed this one! We came back with a literal bang 😂 Next up we deal with more drama and a hospital stay 👀
Don't forget I re-did the tag lists after the break, so pick your new place (everything, specific character, or series) and put your username in there ❤️
TAGS:
Jensen: @alwaystiredandconfused @xlynnbbyx @lyarr24 @deans-spinster-witch @blackcherrywhiskey @deansbbyx @foxyjwls007 @ladysparkles78 @roseblue373 @zepskies @agalliasi @yvonneeeee @hobby27 @iamsapphine @globetrotter28 @mxltifxnd0m @lacilou @feyresqueen @suckitands33
Old Series Tags (only for this part): @jessjad​​ @mrsjenniferwinchester​​ @smellingofpoetry​​ @justrealizedimmascifygurl​​​​ @leigh70​​ @4getfulimaginator2022​​ @yeahmynameiscool06​​ @luci-wiggles​​​ @darkened-writer​ @mimaria420​​ @samanddeansannoyingsis​​ @sarasolros​​
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milkteasweetheart · 1 month
Text
『just like heaven, chapter 1, part 2』
this part contains riddle’s dream sequence. 
housewardens x reader
author’s note: i depict nrc as an actual college, so first years are 18, second years 19, etc.
summary: crowley has the bright idea of a bonding experience, specifically in the form of a dream potion.
characters: (riddle rosehearts), leona kingscholar, azul ashengrotto, jamil viper, vil schoenheit, idia shroud, malleus draconia / platonic mentions: dire crowley (ew), grim
genre: romance, fluff, smidge of angst
warnings: female reader, reader is yuu, reader is around ace and deuce’s height, sappy, marriage, mentions of potential children, some suggestive themes
「dream scene: rose colored reverie」
This Riddle looked strange. Well not really, he was just wearing a cutesy outfit with a red, fluffy cardigan and black corduroy pants. On top of it was a frilly apron. Was he taller?
The Dream Riddle took off Dream (Y/N)’s coat and hat with another chaste kiss, and the two  moved into the living room. Everything was a bit blurry except for her face. Huh. “Have you eaten, my love? I know you work too hard without taking breaks.” Dream (Y/N) caressed Riddle’s cheek. Azul was subtly rubbing his hands together like a cartoon villain, raising concern within everyone.
Idia is about to draw blood from the way he’s biting his cheek, trying to prevent laughter. Normie loser! How corny can a person’s dreams get?
「Idia: At least have a cool dream! LMFAO」 (He will admit this version of the prefect looks nice, but she always does- who said that.)
Dream Riddle nods. “I’m ready to go if you are. Where are we going this late, though?” He tilts his head. (Y/N) chuckles with a clearly enamoured expression. “It’s a surprise. I know you’ll like it.” And with a kiss on the tip of his nose, the scene changes with a disorienting distortion.
⋆⭒˚。⋆☾⋆⭒˚。⋆
They’re now standing on the outside of a cafe. Riddle considers curling up into a ball. There has to be a reason his beloved hedgehogs do it. The hedgehogs… that he and the prefect take care of…
Jamil feels pity for Riddle who is currently making a quiet impression of a red balloon being emptied of air. Thankfully his own dream won’t be as bad… at least he thinks so.
The cafe is beautiful, too perfect with checkered floors, lacy curtains and velvet couches. Dream (Y/N) is currently feeding Riddle a forkful of the most delectable looking strawberry tart with an adoring expression. The strawberries are so red and shining it hurts her eyes. She considers addressing this, but decides to have pity on Riddle who has gone through with sitting on the floor and hiding his head. Leona does the opposite.
“Hah. Feels like my teeth are going to rot in my mouth at this rate.” Leona is trying to goad Riddle into digging his grave deeper. Might as well make the most of this dumb experience, right? He is totally not trying to distract himself from the looming threat of his dream being revealed, which is coincidentally in the same genre. Riddle shakes with embarrassment. (Y/N) notes Malleus staring at her dream counterpart from his position before the cash register.
“Ah, I think it’s quite amusing- adorable. Dreams often reflect what their creator wants, and can’t get.” For a merfolk Azul is cattier than Leona. Vil is a bit too smug too. At least his dreams are sophisticated.
Idia notices Jamil and Malleus aren’t exactly invested in this story. Well, nothing interesting is currently happening, but he must push his introvertedness in the corner to save his life.
Jamil’s a bit scary, but won’t smite him out of existence like Malleus could. “Hey…” Idia flinches a bit when he turns to look at him. “Hm?” No backing down now, Idia. “This is like, super cringe right? This is probably the worst we’ll see, but the others one are gonna be boring as hell, right? Maybe we should figure out a way to get out?” Jamil thinks about it, and crushes Idia’s hope into dust. “I need a break from Scarabia anyway. I don’t mind it here.” He also has to see Azul’s inevitable doom.
「Idia: Just say you want me dead…」
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clanwarrior-tumbly · 1 year
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May I please have a Wally with a reader that is somehow sentient and aware with knowing they've somehow got stuck in this tv show and are heavely aware Wally has something to do with it?
So they're extra closed up about themselves, stay home a lot to avoid the puppets in overly social gathering (like they can handle two or three of them but not all at once as it's too overwhelming with happy shizzles and stuff), yet that doesn't mean they don't talk at all to them. They don't keep their mouth shut either when something's bothering them, like when they get annoyed when Wally stares too long at them and makes a comment about it or genuinely admit they dislike Home with how disturbing it seems to them.
Wally somehow doesn't mind as he's genuinely interested in them and wants to become their friend as best as possible, not for any reason with manipulation, just pure friendly business. But as the reader knows he's the main star of the show they're forced to play in, they know the camera follows him almost always, thus they avoid him like the plague which causes a cat and mouse play between you two. Wally trying to get closer to you with perhaps making paintings and gifts for you while you just casually dip out of there while somehow looking like you don't hate him.
(It would be even funnier if you somehow became the second favorite character of the show as you stand out a lot with your attitude and being the only human being there, perhaps even attracting teens to watch the show with your remarks at the puppets for a certain someone not even having a nose or eyebrows and your monotone voice singing and having no energy with dancing once you somehow get stuck in a song sequence with the others (kind of like red guy from dhmis)
Funny thing is, sadly for Wally, is that you get along well with Frank and Eddie as they're the more calm ones, Eddie still joyfull a lot, but more calmer than Julie and Howdy perhaps are.
So there's Wally, staring with the most confused and slight jealous eyes as he watches you joke around and actually smile with the duo/couple(?) while you always give him a frown that's somehow even deeper than Franks.
Sorry for the slight ramble and long explanation (I'm a fanfic writer myself), just wanted to give a summary of how I see it and wondering how you'd think this would work out.
Btw, reader doesn't hate Wally, they're just warry and uncomfortable with his stares and Home in general, and with the knowledge that's he's one of the reasons they're stuck here. They soften up to him a little eventually, like letting him hug them shortly or talking more casual with him, but no way he ever sees them entering his house.
This was so long I'm so sorry.
Anyway, have a great day/night!
Oh don't worry I think this is a great idea! I like how fleshed-out it is!
...........
You have only spent a week in the neighborhood...before realizing something was terribly, terribly wrong with the world surrounding you.
At first, this place seemed like nothing but sunshine and rainbows--full of fun, joy, color, and friendship. A place that one could only dream of living in all their life, free of worry or strife.
It felt comforting and safe, so when you started having these weird feelings that not everything was as it seemed..you figured you were just nervous about settling into a new place.
But when the folks here asked where you were from, you'd end up drawing a blank...starting to question where you really did come from. So you'd simply tell them you're just "out of town" and leave it at that, although you always sounded uncertain about it.
And there's something else that was especially peculiar: every activity the neighbors did almost always stopped at the end of the day. It seemed strange to you since there's plenty of things you could do. Like campfires or stargazing!
So one evening, you asked all of your neighbors why they rarely hung out during the night, and they had relatively normal responses: Eddie says it's tricky to deliver mail at nighttime; Howdy was too tired from working at the bugdega all day; Barnaby and Sally had to plan their next stunts, tricks, and plays; Julie and Frank wanted to get their "beauty sleep"; and Poppy needed to take care of things back at the barn.
All seemed to be perfectly reasonable answers...
Until you got to Wally.
He looked as though he was ready to respond...only to fall quiet and stare off into space, as though he was in another world. But the fact that his pupils seemed to dilate gave you the chills for some reason, and you calmly tried snapping him out of his trance.
Then he did, and quietly said something about Home "disliking" it whenever he stays out too late. And he bid you goodnight before leaving.
That exchange was the moment you realized something was very off about him beyond his staring habits. It's like he didn't know exactly what to say.
As if...it's such an unusual question for him, but normal to you.
And out of nowhere, the truth hit you like a truck:
This whole place was just one big TV show, with all of you trapped inside as the unwitting stars who were meant to follow certain "scripts" during your daily interactions.
You don't know how or why you knew that, but it became clearer when you constantly got the feeling that your movements were being watched.
You could sense eyes on you even when you were alone.
And sometimes you'd hear indistinguishable voices of adults and children alike while you slept, unable to discern whether they were merely in your dream or existed in reality. It must have been the former, considering none of the other neighbors said they heard anything.
To you, these people...these "viewers", sounded like they were in a faraway land--an unreachable place where you couldn't call out to them for answers no matter how hard you tried.
You knew nothing about them, but they knew everything about you.
Your character had become so fascinating to them from the moment you arrived in the humble neighborhood. You've actually become the second favorite almost instantly, given the uniqueness you've brought to the colorful cast as a human merely wearing an average-sized costume.
They've observed that your personality makes you relatable to young teens, attracting them to the show. Many of them got some chuckles out of your dry and semi-self aware humor (in that you'd joke about how Wally's missing his eyebrows and nose when everybody else has them). It was an immediate hit.
Even when you got pulled into some silly musical number with the rest of the gang, you just spoke in monotone and put lackluster energy into dancing when the camera panned over to you--much to the dismay of your "neighbors".
The viewers just couldn't get enough of you. They adored you.
And they can't stop watching.
You, on the other hand, weren't aware that you were so popular...and quite frankly, you didn't want to be. It terrified you.
So for a while, to protect your own sanity, you began attending less and less social events, not wanting to overwhelm yourself. You've declined invitations to Sally's and Barnaby's shows, which made you feel kinda bad..but you were just so fearful of everything at the time.
Were any of them aware of their circumstances, too?
You had no idea, and it would probably make you sound like a crazy person if you told them how you really felt.
The only other person to show any sort of "deviance" was...Wally himself.
You didn't know why, but you felt like he had something to do with the situation you're in. Especially given his odd response to you that evening and the fact that...he just apparently loved to stare so much, watching you just like the audience did.
It didn't help that whenever you talked to him or he tried approaching you, you got the chilling feeling that you were being perceived by the audience--as if somebody was holding a camera over your shoulder, wanting to capture every moment the "main character" spent with you.
You'd prefer to spend as little time in the spotlight as possible.
However, being anxious about this world didn't mean you weren't a bit mouthy towards other things you disliked. You were known for being blunt and sometimes a "realist", shrugging of whatever crocodile tears the others may give you just for the crime of being honest and true to yourself.
So yes...you'd always call out Wally if he was staring at you for a prolonged period of time, or if he tried persuading you to say hello to Home if you happened to pass by the sentient house.
Your response? Straight up "no thank you, it creeps me out and I don't like how its window-eye things are looking at me."
The audience may laugh, but it's the truth.
That building scares you.
Despite all of this, though...Wally didn't seem to bothered by it. He likened your sarcastic quips to Frank's, so that was never an issue with him. If anything, he was genuinely trying to help you feel right at home in the neighborhood, hoping to become a friend you could trust and rely on if you needed anything.
It'll just take you a bit more time to adjust, and that's alright!
Sure, maybe his stares were strange to you and Home was well...Home. He understood why those things might seem scary to a new neighbor.
But then again, that's how everybody else acted when he first met them, and now they were all good friends!
He's sure you'll fit right in and find true happiness here. So he made it his mission to befriend you without coming on too strongly, inviting you to quiet picnics and painting lessons, calling you on the phone, and even showing up at your doorstep with gifts.
He even made sure to tell his neighbors to give you space, though he was really hoping you'd stop being afraid of him the longer you spent around him alone.
But while you accepted his presents and showed up to his invites...you just couldn't let your guard down around him. You never looked happy or relaxed, and didn't stay long, usually cutting your time together short under the guise that you forgot to do something important and had to leave now.
Your latest excuse was that you forgot to "walk your fish" even though you owned no such pet. You were a terrible liar, but Wally believed you anyways.
He was a patient man, so he'll wait how ever long it took to befriend you.
...........
"Alright, Home..today I'm gonna gift [y/n] my finest work thus far! Do you think they'll like it?"
Pausing, Wally listened for the creaks of approval and squeaks of reassurances, smiling when he heard them, although Home noted something else.
"Haha..you're right. Silly me. It needs more time to dry..or else the paint will just smudge and make it a not-so-nice gift. Sorry, I'm just excited, is all.." He chuckled awkwardly.
After setting the canvas back on the easel, he wandered over to the window and peered outside, humming a small tune to himself as he rested his arms on the sill.
It took him all day and all night to paint the perfect picture of your favorite animal---which he learned about from an off-handed comment you made a few days ago. His memory was sharp, remembering all the details about the creature, and he believed you'll love what he created as a result!
Surely now you'll see that he's not all that bad. Otherwise he'd be lost on how to convince you.
However, he noticed a rather...surprising sight from across the street, one that even Home had to confirm was happening so he didn't think he was going crazy.
You were actually out and about, having a casual chat with Frank, asking how he got together with Eddie before bumping into said mailman on the sidewalk.
Wally couldn't make out what any of you three were discussing, but Eddie must have said something humorous, as it made Frank groan and hide his blushing face. And you just chuckled and shook your head, patting the latter's back sympathetically.
He felt his heart sink.
You were talking to the couple--joking around, smiling, and genuinely enjoying their company. As if you've known them all your life.
Yet anytime he's even near you in any capacity, he's met with frowns deeper than Frank's and constant excuses to get away from him. Like he was some kind of pest or scary monster.
He didn't understand what he was doing wrong.
Of course, he's happy you're getting along with some of the neighbors, no longer being so shut-in...but it hurt to know he's still stuck struggling, literally begging you to be his friend.
*creaaaak?*
"..no, Home. I'm not jealous. What gives you that idea?"
*...creeak.."
Swallowing the lump in his throat, Wally looked back at the easel, sighing. Part of him wanted to just throw the whole canvas out the window, but....he shook off the feeling, forcing a smile.
He wanted you to have it, even if you didn't like him that much.
So when he saw you finally parting ways with Eddie and Frank, he decided to head over to your house about an hour later, assuming you were gonna be there and needed to recharge from socializing.
He put on his best cardigan and made sure his hair was neat before heading out the door with the small canvas tucked under his arm, covered by a protective sheet. He wouldn't wanna spoil the surprise for you, after all..even if you anticipated it being yet another painting.
For some reason, the sky was grayer than usual today..meaning it's probably gonna rain on his parade.
But he didn't let that deter him.
After arriving to your house, he knocked three times, in a certain rhythm that you've distinctively recognized as him being at the door.
But he was surprised when you opened it right away. "Oh heya, Wally. What's up?"
"Ohh nothing much, neighbor." He chuckled. "May I..come in? I promise I won't stay long-"
"It's cool. It looks like it's gonna rain anyways. Wouldn't wanna ruin your "beautiful" hair now, huh?" With a coy smirk, you let him come inside the house, shutting the door behind you as you turned around to see what be brought you this time.
He looked shocked, almost, standing there like a fish out of water. You invited him in without hesitation...though he tried not getting his hopes up too high.
You're just trying to be polite. In a few minutes you're gonna kick him out for some silly reason.
Shifting your gaze away from his uncomfortable stare, you looked at the painting in his hands, tilting your head. "I guess that's for me.."
Nodding, Wally handed you the canvas, watching you remove the small sheet to see it was a painting of your favorite animal. Your eyes lit up, impressed by the amount of details that went into this one, before looking back up at him. "Wow, man..this is....awesome. How long did it take you?"
"Not very long!" He suddenly chirped, hands clasped together with excitement. "I just hope it fits nicely in your collection! A-Assuming....you...have one...that is..."
Bit by bit, his words began to fall flat with uncertainty, before he completely dropped the act, shoulders slumped.
Why did he bother trying anymore? What was the point?
You noticed his odd mood shift. "Wally? What's wrong?"
"..nothing, neighbor.." Sighing, he hung his head low, a cloud of doom and gloom manifesting over him as he shuffled towards the door. He felt like going back to Home and curling up in a corner somewhere. "I'll...see you later-"
"Wait."
"...hm?"
He stopped and looked over his shoulder, still feeling quite depressed but willing to listen to whatever you wanted to say.
You set the painting on a nearby table, approaching him with your heart constrained with guilt. "Look, Wally..I know you think I hate you or something, but...that's not true."
"It...isn't?" He blinked.
"I'm sorry if I gave you that impression. There's just been...a lot of my mind lately. Things I can't really talk about just yet..I-I don't know. It's hard to explain. But the point is...I really do wanna be your friend. I guess I'm just...a very "guarded" person if that makes sense."
Although Wally was staring at you yet again, you didn't break eye contact, wanting him to know you're being genuine here. "I don't open up easy, but I know you've...helped me a lot, and I appreciate that. I do keep your paintings and I do feel bad for being a jerk to you sometimes. So...think you can forgive me? I'll even allow this if you want."
When he saw you open your arms up to him, he was frozen for a few long moments, astonishment written all over his face.
He just...didn't know what to say. Not only did you actually like his company, but....
He was allowed to hug you??
"..c'mon, pal. My arms are kinda getting tired." You awkwardly smiled, although you blinked as he suddenly latched onto you, letting out a few sniffles.
He wanted to sob so badly, but knew that wouldn't be very "neighborly" of him.
Yet you heard how he sounded, and felt guilty for treating him as some bad guy...when really he didn't seem malicious at all. You wanted to believe he had good intentions.
Whether or not he also knew the truth behind this place...that didn't matter right now.
He just wanted to be your friend.
You'll never be happy if you kept being so afraid of him all the time. That wasn't any life to live, even if you're unsure of whether this was your only life or not.
But you let him hug you anyways, patting his back.
"Th-This is very nice of you, neighbor. I forgive you." He mumbled, cheek squished against your shoulder as he clung to you tightly, never wanting to let go-
"Thanks......okay, you can let go now."
"..o-oh! Right, sorry." Reluctantly, Wally let you go, rubbing his eyes before dusting off his cardigan, breathing a sigh of relief. "Whew! I'm glad we're on better terms now. But...if I may ask..what changed?"
"Ah, well..I was talking with Frank and Eddie earlier..and I asked them about you."
"Huh....?" He pointed to himself, raising an invisible eyebrow. "Me..?"
"Yeah. Since they're more chill than most of the people here, I feel like I can be myself around them." You explained. "Howdy and Julie are kinda too loud for me, so...yeah. Those guys pushed me to reach out to you and try to make this friendship work...instead of the other way around."
'So...that's what they were talking about..' He realized, though he beamed anyways, happy you took their advice.
"Well that's great! I think we'll become great friends, [y/n]!" Smiling, he offered his hand to you, and you shook it as a way of saying you're both willing to start over.
"I..think so, too, Wally." You smiled back, feeling this huge weight being lifted off your shoulders.
"So...do you wanna come visit Home when the weather clears?"
"...I'll pass. But I'll wave to 'em from afar if that's okay."
"It's fine by me, neighbor."
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I visited the WGA library to read Yellowjackets scripts and wanted to share some of my findings! (Pt. 3)
Here are my notes for 1x04! Quotation marks indicate direct lines from the script, whereas everything else is me paraphrasing.
Note: You can find an early version of 1x04 on Script Slug, but this must have been a very early version because many things are different. The notes I have here are not on that version of the script, rather they are on the final version of the script that ended up being used for the episode, so there will just be some new details and deleted scenes but no major plot differences between the script here and what we saw in the episode.
1x04 “Bear Down”
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A lot of this is going to be about Nat because this is kind of her episode!
•During Nat’s plane crash nightmare in the opening scene, the script says that Adult Nat briefly appears in the seat next to her father before being replaced by Teen Nat again. I thought this was interesting, I wonder what the writers are trying to say by having a flash of Adult Nat here, does it contribute to the whole “We’ve been here for years” line when Nat dies? A representation of how Nat is essentially stuck in this place even 25 years later?
But also, the dream is Teen Nat’s dream, not Adult Nat’s, so is this would mean the dream is prophetic in a sense because Nat is seeing her future self for a moment. Maybe that’s why they cut it out? Or was it just because Juliette wasn’t available for such a small scene?
•Also in the dream sequence, the rifle Nat sees on her lap is noted by the script to be the same one she eventually uses to hunt in the wilderness. Another prophetic piece to Nat’s dream.
All of that combined with Nat’s dad’s line of “It’s been waiting for us” shows that, even though Nat is the biggest skeptic in the wilderness, she is one of the first people the wilderness speaks to and gives prophetic visions to.
•Nat is said to be 14 years-old when her father dies. The script says she and Kevyn are 14 in that scene and the year is specified as 1993. I have always wondered how old she was supposed to be in that scene!
(But it’s worth noting that they might have aged her up a year in the final product because, in the script, the cassette she pops into her boom box when her and Kevyn enter her room is the album Where You Been by Dinosaur Jr., which came out in 1993. However, in the actual episode, Nat puts in the song “Feel the Pain” by Dinosaur Jr. instead, which came out in 1994. So this scene might actually be in 1994 in the final product despite what the script says.)
•Teen Kevyn Tan is absolutely hopelessly in love with Nat in the flashback scene. He’s described as “clearly nervous to be in the bedroom of his crush” and starts coloring his nails with Sharpie just to distract himself from his anxiety.
Then Nat pats the bed for him to sit next to her and Kevyn is “thrumming with hormones and anxiety.” When Nat takes Kevyn’s hand to start painting his nails, we get this description:
“For Kevyn, her gentle touch, her careful attention…he’s in heaven. And simultaneously deep inside the hell of his own desire. Should he kiss her? Would she hate that?”
Nat is described as “oblivious” to Kevyn’s feelings in this moment.
I think these descriptions help us understand how much Kevyn idealizes Natalie in his head. He has this unrealistic, romanticized view of her even 25 years later when they meet again as adults. He likes the idea of her, but when he actually sees her trauma (and sees her as an actual person) he distances himself.
•There are some…interesting descriptions of Shauna and Adam getting freaky in the script. This girl is scratching him hard enough to draw blood, choking him, putting her fingers in his mouth, etc. This shows how Shauna is using Adam to relive the adrenaline she felt in the wilderness.
•When Travis points the gun at Nat, the rest of the girls scatter and run away in fear, but Nat stays perfectly still, staring him down.
•While Taissa is talking to Diane about her political campaign and Diane asks her what “really happened out there,” Tai hears wolves howling in the distance. Poor Tai is more traumatized by Van’s wolf attack than Van is.
•When Kevyn and Nat meet for dinner as adults, they reminisce about breaking into the chem lab at school and stealing equipment to make bongs. My fun little headcanon is that Nat got caught during this incident and the principal put her on the soccer team to set her on the right path.
•Also in this scene, Kevyn notes that he last saw Nat “twenty-two years ago,” which means he and Nat were in contact for a year or two after the rescue. I’m thinking Nat probably stayed in Wiskayok for a year after they were rescued and just decided to cut all ties at some point and leave town, ghosting everyone she knew there.
There’s this line as well:
“Kevyn: You were my best friend and you just…
You fucking ghosted me.”
•There’s another deleted scene (which they did film and we actually got to briefly see it in the trailer for the episode but they took it out of the final product for some reason!) where Adult Nat is looking in the mirror after her date with Kevyn, having mixed feelings about her grief over Travis and her new feelings for Kevyn, and she sees her Teen self behind her in the mirror imitating her movements. A little trauma regression moment and I’m not sure why it was cut. I’m just salty because I love when Sophie Thatcher and Juliette Lewis are in a room together. But here’s a photo of it:
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•There’s an interesting part where Shauna finds Javi’s journal and looks through it. The journal has a bunch of drawings in it (wildlife sketches, comic book characters, etc.) that are described as really good; Javi’s talent as an artist is emphasized by the script.
I think this some subtle proof that the writers initially intended for Adam to be Adult Javi, with the obvious nod to the artist talent and I feel like the scripts for these early episodes highlight the closeness between Javi and Shauna in the wilderness more. The writers did confirm that they originally wanted Javi to be Adam, so I think you can see some details that support that in the scripts.
•Before Nat pulls the trigger on her dad, she feels “years of humiliation and thwarted rage” and she automatically “stiffens” when he steps towards her. Just a reminder of how much this man traumatized her!
•When Shauna butchers the deer for the first time, she is described as feeling a “thrill she’s never felt before.” This goes back to her sexual relationship with Adam in the adult timeline, that adrenaline from her role as the butcher that she misses and is trying to recreate.
•When Shauna returns home from her antics with Adam, Jeff asks, “How was book club?” and Shauna immediately vomits all over the floor🫢
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brainrotdotorg · 2 years
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man when writing the skills i really do have to make a conscious effort to not like... completely strip them of their surprisingly nuanced properties and just boil them down to easily digestible traits. electrochemistry horny. logic cold and calculating. inland empire daydreamy. composure calm and collected. endurance big and strong. because that's not the case!
when i looked on fayde to do research, almost all of them said something that surprised me. they interact with each other, reference each other, say and do shit that isn't just relegated to their personal field. interfacing makes a slight to harry about honor points. (749) the more brutal skills can have moments of tenderness- pain threshold laments how "Before you is a temple of pain that knew little tenderness in life." (547) even better is what comes through when they don't succeed-- shivers checks can fail, and it isn't always monumentally mysterious and graceful.
half-light isnt just angry. he's scared. he wants to protect harry, he wants to keep harry safe, at any cost, hes a cornered animal. but he also encourages harry to dance in the church. (318) empathy isnt gentle and demure; if you fail a check while talking to sylive, empathy will get it in his head that he is doing the right and caring thing by telling garte that she's "riding the cock carousel". esprit de corps isnt just a radar that plings every time something happens to an officer. there is a sentimentality to the way he speaks, about the precinct, about kim. even though each skill is there to serve a purpose, those purposes aren't as narrow as you may think. they are just as multifaceted and interesting as harry himself, in both success and failure.
i think there's no better example of how the skills are harry during the dream sequence. volition says he's sorry, that he's just as fucked up and full of shit as harry is, that he doesn't know what he's saying or doing. this pillar of morality and hope and goodness, admitting he's just another fragment of harry's splintered mind. reaction speed is heartbroken when dora doesnt accept the figurine. suggestion says he should be put in front of a firing squad.
theyre all parts of harry, and while making them more independent and unique from him is fun (i love to do it and do it all the time) they are all doing what they think is right for him, no matter the given situation. it's easy to just write rhetoric as a flat-out commie and be done with it or have savoir faire be an unequivocally smooth operator (and there's nothing wrong with it either) but I think if you want to write or draw stuff about the skills, do a little bit of digging in their lines. not only because its a treasure trove of content, but because it gives valuable insight into so many things- Harry's mind, how he sees the world, and how to develop these skills as independent characters, if thats your bag.
(and don't be afraid to get weird with it. to quote conceptualization: "You want something *experimental* -- intramuscular puppetry, hyperrealistic vapour-porn, meditation opera...")
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10. What's an AU that would be interesting to explore with your OC?
Needless I went off the rails with this one! LMAO
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This became an excuse to draw Celarthur/Merthur content in different scenarios & and outfits. And I had too much fun with the designs of each one.
Sun King & Moon Queen AU:
Basically, I was watching Lego Monkey Kid and this happened! I really wanted to do something that really got the essence of the show. If you watch the show you can really tell I kinda (or a lot) based it around the Lady Bone Demon & Sun Wukong. And of course some classic Chinese folklore...
It is a total rom-com scenario, with the Moon Queen betrothed to the Sun King... they but heads at first then slowly but surely fall in love.
Sleeping Beauty/ Fairy Tale AU:
This one was really made for young Sir Arthur & Celestine... I couldn't help it guys it was such a classic movie. Malfience icon (she's definitely be Morgan in this Au).
Especially when I was looking for dancing references I kept looking at the sleeping beauty reference dance sequence the most. (for a project to be revealed later still a secret) So I had to give a shoutout to that of course, love how it turned out!
Super Paper Mario Au:
I think this one is my favorite one I always got emotional for Count Bleck & Tippi's backstory. Their love story is quite similar to theirs....they just fit the characters so well.
In all honesty, if Sir Arthur didn't have Meta to ground him... then he definitely would have become like "Count Bleck." Oh but just like Tippi Celestine would still love and forgive Arthur anyways.
~
And here is an Au relevant to the plot of KBASW... I did wanna draw out more scenarios relevant to the plot of KBASW but then they kept leaking out to spoiler-ish territory.
Next Scenario Happy Ending Route. (Basically, Celestine & Arthur are running the GSA and this is a daily occurrence~)
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They still have to wait for...(Kirby is lost for a while and is found by Meta and of course baby imprints on him and he's still Meta's) They become this obnoxiously flirty-loving couple... MK's seen this since he was a kid so he's desensitized. They do get work done I promise ~ (LMAO)
@kirbyoctournament
Keep reading for spoiler content/ Special thanks
~
This is where Celestine finds a cure for her " broken warp star" situation. They basically gave Gala the same isolation treatment (because he was supposed to be the galaxy's savior~). But Celty (secretly visits him as often as she can to ensure he isn't lonely.
After this time Celestine finds Meta in the Fountain of Dreams (before anyone could find him). The Ancients were so preoccupied with Gala that they weren't even montioring the fountain.
Basically, no one knew that Meta Knight was born but Celestine & Arthur. He's raised in secret at the temple. (They make a cute little family together ~) And Celestine would set up secret little play dates for the both of them.
A few years passed and then BOOM!
They manage to catch Icarus in his crimes for "forcibly creating another astral from Void." (Kirby was always going to be made but he came out too early due to Icarus' involvement.)
Morpho still takes his life but they manage to trace it back to Uther... The people are now questioning the Acients in their decisions and soon fall out of power due to the controversy. To save face they crystalize Sir Uther... (HA) but that doesn't help them at all~
It was during this time that Celestine properly revealed herself as Merlyn... WHAT!? Another blunder blew up in their faces...and the people immediately began to rally behind her. The popularity of her good deeds as Merlyn is what gets her into the seat of power.
Leaving Celestine in charge of the GSA (finally left in the right hands!) And of course, she takes Arthur with her as her right-hand man and well I think the GSA would become more of a light-hearted place after that.
(Morgan leaves, she doesn't fit into this hippie-dippy-happy place but she's not evil per se... she kinda just travels around as she pleases and she does find her happiness being a wanderer.)
Nightmare is still a problem but Nightmare Enterprise is never created, so it's not as widespread. So it's managed and the galaxy is thriving under Celestine's control. And of course, Arthur & Celestine confess their feeling for each other yada yada yada....
And of course, Kirby defeats Nightmare and that's it~
Despite this happy ending Meta Knight never meets Jecra & Garlude as a result of this. Along with Kirby never going to Dreamland or meeting everyone; Fumu, the cappies, no nothing. And the need for Star Allies no longer exists.
~
More content on these two to come and guys let me know which Au scenario you like more (reblog, leave a comment... maybe I'll expand on it more fun content to come)
I also wanted to thank everyone for getting me through round two I hope you all continue the support for next week's voting poll ROUND THREE!
Thank you for riding this wave with me!
Hope you all have a wonderful day!
@lulu-chaos-incarnation I just also wanted to thank you for being such a loyal fan. I really appreciate you I know I went a little crazy on the AUs but I hope you enjoyed it nonetheless! :D
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masteraqua · 2 months
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okay i need to take a break from thinking about it but i still want to share what i've been working on for my kh3 reimagining—now officially named KH3 Retry! get it? re-tri? you get it
so i've been thinking a lot about the kh3 prologue. if you saw my recent complaints about it, then you'll know i find the original sequence to be sloppy and forgettable, resulting in an incredibly weak start to the story. and so in light of that, i'm throwing the whole thing out and starting from scratch.
keep reading to see what i have in mind! 👀
i'm still working out some details, but here's what i know so far:
a teenage xehanort is the central character of the prologue rather than sora. i always found it bizarre that the main antagonist barely appears in kh3 until the finale, and i intend to correct that by starting the game with him, allowing us to get a glimpse inside his head to better understand his motivations and perspective.
as a direct parallel to kh1, we begin with a dream sequence. however, instead of a station of awakening, xehanort finds himself atop a gigantic alba & ater game board floating in a void.
i love the way the board is used throughout the kh3 opening as both a physical stage and a framing device. i'm incorporating both of those angles, but i'm also taking it a step further by making it playable. the tiered structure of the tiles would lend themselves well to teaching physics controls, don't you think?
the height of the tiles will change as the tutorial progresses, depending on what's being taught; walking/running, jumping, climbing, dodging, etc. maybe they'll form stairs or a labyrinth or even a pit if the situation calls for it.
here's some concept art! no i did not draw the board accurately, but you get the idea. baby nort for scale
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after completing the mobility tutorials, the ground will begin to shake and towering chess pieces will fall from the sky to fill the board, nearly crushing xehanort in the process. this will lead into the questionnaire that influences the level progression system.
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as this is xehanort's dream, the dream weapons this time around will be represented by chess pieces. i need to flesh this part out more, but the basic idea behind it is that everything in life is a strategy game to xehanort; move the right pieces to the right places and you'll win. so you choose which piece to play
here's a low-effort mockup of the pieces that can definitely be improved later
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as xehanort traverses the board, setting up his strategy, he will see visions playing out around him of events that have yet to pass—events he will one day be responsible for. this ties in to all the pieces that are now on the board, since they represent different characters. this also has the added function of reminding the player of the story up to this point.
there are several cool shots from the kh3 opening to use as reference here. it's a shame they go by so quickly
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after the questionnaire, there will be combat tutorials and probably a boss fight at the end, à la darkside and twilight thorn. i haven't thought it through yet, but i wouldn't dream of leaving out a big monster set piece battle. maybe he's fighting a representation of his own darkness? or somebody else's...
it might be interesting if he's using the gazing eye keyblade during this part, because he doesn't actually have it at this point in his life. i think that'd be very ominous from his perspective.
after taking down whatever metaphysical monster has been conjured by his psyche, the dream will end on a triumphant but foreboding note. altogether i think this sequence would take about 15-20 minutes.
but we're not done yet! continuing the parallel to kh1, xehanort awakes in scala ad caelum. he's sitting by the window in the classroom, game board by his side. he gives it an inquisitive look, still thinking about his dream.
i'm still contemplating what happens next, but the gist is this: playable scala. we should get a proper introduction to the world and be able to interact with the environment in order to learn more about what xehanort's life is like here. i think this is important in the pursuit of humanizing him.
there will probably be some minor objectives to complete, something small, maybe a fetch quest. would it be too on the nose to have a mock fight against eraqus with a score counter?
i have some ideas for how to incorporate story elements from dark road, but i need to think about them more.
this section doesn't need to take longer than 20-25 minutes, i think; it just needs to be enough to get a sense for the world. it's very important to me that it isn't as time-consuming as the kh2 prologue.
the last shot will have the camera follow xehanort's gaze up to the sky, followed by the title card.
speaking of which!!! i made a logo :)
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yuseirra · 22 days
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Hi there, lovely artist! Do you watch the oshi no ko anime? I ask because I wondered if you are excited to see their depiction of Hikaru, because you make such lovely art of him (it's a depiction I quite like :)). It made me wonder if you have some kind of expectations for the anime.
I'm personally very excited to see Hikaru animated and voice acted :D
Hello anon~ thanks for calling me lovely!♥ I love getting complimented!
Oh! I watched the first 2 eps of the second season, then I decided to put off watching it for a while (I can always buy it in our local OTT platform, they have it there!) because the manga... ;v; is already making my head spin so much already. I can only focus on one thing at a time... It was SO good though!!// I remember how the first episode started with stage-play, which was very impressive. The opening animation sequence is amazing too! I'd like to binge it all at once later.
Hmm...about expectations, I personally consider the current arc to be great in terms of depicting Aqua's psychology. It was peak in terms of helping us understand his character, so I appreciate that a lot. We get to see all his pains and trauma and the struggles he had, and it was so powerful. I'm sure the anime would be touching on those currently, if they do a great job with that (along with Akane's rivalry with Kana and how they shine on stage in different ways) I feel I'd be happy with it! Also that scene with Melt. I'm sure that one's been animated because I saw a thumbnail of it on youtube. I'm also looking forward to the aqukana date. That's one of the few peaceful, cute moments we have. I'm sure I'd watch that part the moment it comes out because I'm curious how that's going to be acted out.. and I need to see some happy moments in onk for once. Stuff's been depressing in the manga lately and I feel sorry for a lot of characters;;
OH... thank you!// I'm so happy to hear you like my depiction of him!!/// That gives me strength. Yeah, I'm excited too, because we never saw his color palettes yet, haven't we!! It's going to be all over the internet once it's out, won't it...I'm a little worried if I got it way off.. but I'm prepared to take what they give us! The anime team does the series justice. I trust they will come up with something good. I just mentioned I'd watch the aqukana dating scene as it comes out.. well, that scene with hikaru's also a scene I want to watch (and I NEED to in order to get his color schemes right in the future 'cause I draw! o<-<)
I really want him to get a bright color palette, because his name has to do with both "god" and "light"... or the god of light if combined.. I SERIOUSLY believe he HAS to do with amenouzume, the entertainment god's husband!! That god conveniently is said to have a "shining body" and is called the god of the bright lights!!!! There is no way that has nothing do do with him!! I don't really picture him with dark eyes, I feel golden eyes would really suit him because that gives off the "light" imagery and it'd make sense. It'd also be able to make his black star eyes really stand out as he has them.. and I feel he'd make a good contrast with Ai if he's colored a bit brighter than Aqua or Ruby. purple and yellow contrast each other very well! So I'm crossing my fingers for that to happen. Same here, I'm really curious how he'd sound like, and I'm happily awaiting to see his depiction in the anime. Since I drew a lot of things about him already, I'd be a bit embarrassed if happened to get his colors off... but?? It's the colors I really want. So I won't regret having colored him that way. We can all dream, right!
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I drew them upon having received your ask!
it'd be really nice if he has these bright colors that contrasts Ai's dark purple. Saying this again because I really want that to happen ;v;)9999
I get chatty, I hope you can feel my excitement! :) This series makes me both so nervous and excited... I guess it will be like that for awhile.
Let's keep having fun together! I appreciate your ask and I hope you have a fun weekend!
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wonderful-magician · 2 months
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My rewrite of starlight express except it's just a detailed song list
Disclaimer: this is just for fun! And also some mentions of the race 4 crash and the stuff surrounding it. Along with characters like greaseball and Electra in not so pretty lights. Though I believe they both improve as people and are good people after the show!
You can completely ignore this post! If I sound a bit negative at all just know that starlight express is literally my favorite thing in the world right now and I would give every character a smooch on the forehead.
Basically I have my dream song list that has no rules. No time constraints just fully compliant to my AU. Mostly inspired by Broadway, the Vegas pre-recorded races, 2015 Bochum and original London. All horribly mashed together with glitter glue. (⁠✿⁠^⁠‿⁠^⁠) Except instead of just showing off my dream song list. I'm also going to explain how each song played out in a setting that one could call a movie or tv show. I was originally going to draw every song but that's simply an exhausting sounding idea when I've already started a project for drawing every character.. anyway, to my ranting!
No control sequence
My Starlight express doesn't take place in a child's imagination. Instead of a full control sequence. We just get AI control announcing the national race!
Rolling stock
Rolling stock takes place early in the morning. Rusty wakes up early to watch the diesels get pumped and ready in the early hours. As rusty still has some time before he needs to grab the coaches for the busy day. And he somberly watches the big strong diesels.. greaseball is mostly hidden by the shadows but looks absolutely awesome! Featuring his great shades even though it's dark out.
Call me rusty/new intro song
Rusty no longer gets mocked immediately by the diesels. Instead rusty skates off to wake up and grab the coaches. The disgruntled and unprepared coaches whine and warn rusty about the day as they know his plans to race. Call me rusty is a great intro song for rusty and it wouldn't mind the original being used. Though truly I feel like rusty just deserves a good I want song that's more clear about his desire to win the races to prove the power of steam! ( His wish is to win! Not get pearl. )
Lotta locomotion
The introduction for the girls. They sing a lotta locomotion while rusty pulls them to the main yard but keeps taking detours. Trying to show off his skills yet the girls keep mentioning that he's simply not a popular engine nor is he very attractive to most train standards. Though pearl is silent and somber whenever it's brought up ( she likes him )
Shortened he whistled at me, new lyrics
Once they reach the yard. Rusty rushes off to get the freight and leaves the coaches in the main yard alone. Pearl gets in an argument with Buffy and Ashley. As she defends rusty from their criticism. And Dinah just shakes her head. Pearl sings an improved solo about her desire for an engine to whistle at her. ( Implying it's rusty. )
Freight
Pearls solo is suddenly interrupted by a loud horn. As the freight train is pulled in by rusty. The girls mock the freight trucks and the trucks mock the coaches. Though they have a friendly relationship even if they mock each other. Insert the introductionsss. Once freight ends. They start to rally for the noon race.
National engines
Standard national introductions. Not much to say.
AC/DC
Electra and the components show up fashionably late for the races. Electra is introduced as powerful and show stopping like always. A superstar that wasn't even expected to appear. Electra's hypnotizing powers are shown more clearly. As he magnetizes and influences pearl. And she's amazed by him. To Rusty's distaste.
Pumping Iron
Electra is suddenly interrupted by greaseball. Who had been watching from afar since the nationals. greaseball attracts Dinah and pearl, all the components, and CB and flat-top. Greaseball is shown to be the leader of the diesels and the strongest in the yard.
Coda freight
Electra and greaseball start to tussle as they are both strong engines desiring attention and leadership. And they challenge each other to the race. Rusty interrupts them and they mock him. Before they start the march.
Pearl you're honored
Everybody needs a partner. Pearl is invited by Electra ( purse.. ) to race. Pearl originally refuses but purse gets Electra himself to make an appearance. And his magnetism begins.
rewrite of make up my heart
The song is remade to be both a pearl solo. And somewhat a gag song. For pearl is shown having a dilemma. Wanting to race with rusty but she is being hypnotized to race with Electra slowly as the song continues. Everytime she turns to face the two boys they are behaving. And Electra looks favorable, rusty looks rather lame. But when she turns- Electra is mocking rusty and pushing him around with purse. The other components come out and pearl decides to race with Electra. Rusty is heartbroken.
Race 1
There's me
Dinah is upset with greaseball cheating during race 1. ( Not realizing that CB was the main one actively cheating for GB. She's just mad that GB hit a national. ) she cries and takes a break from GB. And is comforted by CB who is upset to see his closest friend crying. The song is more comedy focused. Putting emphasis on the silly ways CB tries to help Dinah. Which cheers her up.
Poppas blues
CB helps Dinah back to the coaches. And we follow him and rusty return to the main yard. Where poppa has appeared to endorse rusty for wanting to race. And sings his song while the freight dance. By the end of it. He realizes that rusty is upset. And finds out that rusty is super upset and hurt from being mocked and left. Poppa decides to race in Rusty's place ( to Rusty's dismay. ) and races with Belle the sleeping car...
Belle the sleeping car
Belle is shown sleeping and poppa wakes her up. She sings her song. ( Rusty has some less than stellar words to say. Even though she's implied to be his adoptive mother of sorts. ) And she goes off with poppa to race.
Crazy and engine of love tidbit
Rusty approaches pearl again. Begging her to race with him instead so that poppa and Belle don't race. She calls him crazy and the song starts. As he tries to court her back ( with a lil bit of engine of love. ) She gets close to saying yes but is pulled away by the other coaches.
Starlight express
Rusty, defeated after being rejected and mocked so much during the day. Sings starlight express as the day ends. And he falls asleep knowing the next day will have the next race. ( And he's worried about poppa, and pearl. )
Race 2
The OLC rap/silver dollar
After poppa Is injured from the race but places first place. They debate if rusty can replace him in the lineup. As they debate. The grand prize is revealed. ( And the people who want it most. Are hinted. ) Rusty couples up with CB, who supports his ability to race throughout the rap.
Rewritten pearl twirl
Greaseball and Electra get in a tussle. GB bonks Electra on the head and his magnetism ceases. Pearl gets mad at Electra and moves to go to rusty. Before she's stopped by greaseball. He flirts with her and she's receptive ( who wouldn't be. ) Dinah is heartbroken by greaseball but he claims it's just some fun and it'll only be for the race. And pearl doesn't say anything to Dinah
Uncoupled
Dinah sings a sadder version of uncoupled. ( I hate it when she's treated like comedy relief! ) as she's upset that she feels betrayed by her boyfriend and her best friend. And she sings of her feelings of low worth.
Girls rolling stock
Ashley and buffy come over to comfort Dinah after they see her crying. They're both mad that greaseball treated her in such a way. ( It's also implied that Buffy and Ashley are a couple. ) and they mention some boundaries that need to be set. Before cheering her up with a song.
Dinah you're honored
Purse collects Dinah to race with Electra. ( Who was still upset about losing pearl ) And she doesn't put up a fight.
wide smile
CB is shown alone. Before he's trailing GB. And speaking to Electra through his radio. Before assuring greaseball that he's still working with him. Before skating off to Electra. And sharing his plans to crash Rusty and steal the silver dollar to Electra. Electra is shocked and allured by the plan. And trusts CB even as CB sings of his crimes. The components are distrustful of CB.
Race 3
Right place right time
The Rockies come in to explain to rusty that the system is broken. And that he'll never win because the rich and the popular control who wins and who loses. and rusty simply has no chance in ever winning against somebody like Electra or greaseball. As rusty is still reeling from being injured and betrayed by CB.
Starlight sequence
Rusty is defeated after the Rockies finish their song. And he sits down in pain from his injuries and his mental exhaustion. He screams for the starlight express and is visited by them. They inform him that he doesn't need help. and simply needs to believe in himself and do what he needs to. As the tides are in his favor.
Dustin/Dinah's disco
Dustin also had seen the starlight express. And is found by rusty. The two confide in each other for being mocked by the others. And they partner up for the last race. / Dinah rejects and yells at Electra for being a jerk. And a whiny brat. Electra is hurt ( despite it being deserved as he won't stop talking about getting second place. And deserving to get first. ) couples with CB. ( To the components dismay )
Race 4
One rock and roll too many
After the horrific crash that occurred during race 4. CB, Electra and greaseball are utterly miserable. Nearly shutting down as their bodies are wired together somewhat and broken. CB is the weakest. But they sing their song in sadness. And the silver dollar is yanked from CB after he passed out.
Only he snippit
Back to pearl. Pearl is shown singing a few lyrics from only he as she is alone. And reflecting over what happened during the races and before.
Only you
The duet between Rusty and Pearl. Pearl declares she will try her best to not let others stop her from staying with rusty. And rusty declares he'll protect her. Smooch smooch ( I LOVE THEM )
Ending dialogue
Poppa is stern with CB. And gives the silver dollar to rusty. The components are harsh to their master and teach him a few words. And Dinah makes up with GB. Saying they need to set each other's boundaries more. But she still loves him ( and he still loves her. Smooch. ) and he apologizes for cheating and messing around.
Light at the end of the tunnel
Honestly this song gives me major during the credits so just imagine a bumping credits scroll lmao. Even better? One of those 2010 animated movie dancing credits shdhdbdb
OKKK IF YOU HAVE ANY QUESTIONS ASK ME I LOVE TALKING (⁠θ⁠‿⁠θ⁠) this was fun to write. I REALLY LOVE TALKING I might make more posts like this but I'm unsure
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aihoshiino · 4 months
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chapter 150 thoughts!
Chapters Since The 143 Kiss Happened And Went Entirely Unacknowledged And Unaddressed Count: 7…. ttttttechnically? they don't actually mention that the kiss happened, so i'm counting it…
ladies, gentlemen and those who know better, our long national nightmare is finally over
after… literally I've lost count of how long it's been since we had some proper Aqua introspection, our landmark chapter 150 is almost entirely dedicated to putting us back in Aqua's head (quite literally!) and sort of catching up with him. Some things about Aqua that have been mostly only communicated through showing over telling are explicitly told in text and i'm ngl, there's one or two things where seeing textual confirmation of them got me barking like a fucking dog. Overall, while the pacing of the start of this arc has been bit clunky and this chapter itself isn't free of that either, it actually feels like things are moving and meaningful characterization is happening which after the Movie Arc is a bit of a luxury lol.
As usual, I want to gush about Mengo's art before I touch on anything else. Setting the majority of this chapter in a dream sequence allowed her to do some incredibly fun things with the staging and imagery here. Aqua in that eerie void with his feet drenched in blood… Aqua and Gorou still stuck in that hallway where Ai died, while Ruby has managed to take steps to leave… It's so fucking good.
There were some absolutely top tier Kanas this chapter, too… her little baby tantrum in flashback and that gorgeous final page of her… But I'm getting ahead of myself.
While I described this chapter up top as being communicating things about Aqua, it very much feels to me like it's also serving as closure for Gorou, both in the sense of him as a person and resolving the posthumous arc that he's been going on as part of Aqua. This chapter at last draws a clear and explicit distinction between the two, that Aqua is no longer Gorou, even if he might have been built on the foundation of his identity. Gorou is even described as a 'role' that Aqua has been compelled to play that Gorou himself is now urging him to step down from - he is offering to relinquish Aqua's future back to him… if that's what Aqua wants.
This was how I'd initially read the relationship back in my 143 review - that 'Aqua Hoshino' created from Gorou, his core values and driving ideals, but 18+ years of living a whole new life in a whole new social role, meeting people and having experiences Gorou would never have and literally having a different body and brain in the process have made him different and the sum total of those differences is the person we call Aqua Hoshino. This chapter seems to lean into this interpretation, casting them as a pair of briefly intersecting lines that once crossed but have now diverged onto their own paths.
I also just really liked the dynamic that they were shown to have this chapter. Whenever we've seen this conflict externalized in the past, Gorou has always been this frightening, overwhelming presence whose existence actively prevents Aqua from having any kind of happiness or peace. Here, though, they have a much less adversarial energy, which is a really nice reflection of Aqua being able to gradually start pulling himself out of the shit he's been stuck in. Gorou almost feels fatherly or big brotherly here, not just in how he behaves in regards to Sarina-as-Ruby, but for Aqua, too.
But……….. okay, I'll stop dodging around the elephant in the room now lol
After over 25 chapters of very deliberately avoiding putting us in his headspace, 150 finally puts the ball in Aqua's court vis-a-vis the AquRuby tension and he answers in a way I think would be pretty hard to walk back: That Ruby is his precious sister and that's it. That her feelings for him are the result of her projecting Gorou onto him, chasing a ghost that is fading from this world and that she does not actually love him. Whoof.
This was another thing where seeing it in text felt pretty great. I'd caught pretty early on that there was a weird divide in the way the story was handling the AquRuby dynamic - namely, that there wasn't an AquRuby dynamic and all the supposed ship development of it was largely happening in retrospect, beefing up the intensity of the GRSR relationship and having Ruby express her feelings to Gorou-through-Aqua. When the idea of Aqua and Ruby romance was floated, by contrast, it was always treated like a gag. With the Movie arc being as much of a mess as it was, it was hard to work out what the intentionality of that was (if there was any to begin with) but this seems to make it about as clear as it can be: neither Gorou or Aqua have any had any feelings of that sort of Sarina-through-Ruby and neither of them want to pursue romance with them.
Once again tapping into my powers of Claire-voyance, I already know a lot of people are trying to insist that this is Aqua lying to himself or 'settling' and that he does secretly want a relationship with Ruby for reals! but that really isn't how it comes across to me in the art. He's calm, speaks straightforwardly and without hesitation and makes his point pretty clear. We know how it looks when OnK character lie to themselves and this isn't really it. It would also just be strange for that to be the case when this is a scene about Aqua starting to consider the idea of moving past the things that hurt him and live out his future with someone.
And who that someone is… seems to be coming into focus, but I don't think we'll be getting there quite yet.
I will say that for as much as I liked this as a chapter and as a goodbye for Gorou… it kind of doesn't really make a lot of sense as a resolution for his guilt lol. This chapter frames things in such a way that centers his guilt on Sarina and that seeing her live her life as Ruby has given him some catharsis over it. This is a sweet idea but… that's, uh, not how this was framed anytime prior! When we've seen Gorou intrude on Aqua's happiness before, his self hate and his guilt all center on Ai's death and his inability to save her. The last time we saw him in this capacity in 95, that's what he was saying with his whole chest: that he deserves to suffer as punishment for Ai's suffering, Ai's death. I'm sure that knowing Sarina is living on as Ruby was very cathartic but… it has nothing to do with Ai! Why is this being framed as narratively resolved in this way?
Like… if I chew on it a bit, I can make it make sense: since chapter 1, Gorou has been pretty open about projecting Sarina onto Ai, processing his grief that way and imagining her living vicariously through Ai's success. The idea of Ruby doing the same by continuing Ai's legacy and keeping her radiance alive being the thing that gives him release over Ai's death is interesting and I can understand it emotionally, it just feels like a weird unexplained leap for the narrative to make. I was talking to a friend about it, trying to work it out by externalizing it, and they theorized that this was always the intended endpoint of Gorou's posthumous arc but that the story had drifted in the middle section and Akasaka hadn't quite realigned them. This makes a lot of sense to me and I wouldn't be surprised if it was the case.
I will say that it really bugs me. I've already talked about the ways Ai's importance to the twins as their mother has been gradually downplayed and diluted as the Movie Arc has gone on. In my original post, I attributed this to Akasaka trying to amp up the intensity of the GRSR -> AQRB relationship in a soap opera-y sort of way, but given that this chapter seems to shut down AquRuby, I don't really know if that's the case. In general, Ai has been treated as sort of narratively 'resolved' as of 137, as if that chapter was the capstone to her posthumous character arc and while that might be the case for Ruby… I really don't think it is for Aqua!
It's possible that this is intentional. Aqua still has a shitton of work to do on unfucking his relationship with Ai and the ways his view of her, as implied by the Movie Arc, is warped by his grief. I could see this final stretch of the story being primarily about that - after all, this chapter is about confronting Aqua with the binary choice of revenge or love. In a lot of ways, this has always been what he's struggling with but putting the ball this firmly in his court establishes Ai's death entirely as his own trauma that he has to work through on his own. After all, Aqua might have confronted Gorou in this chapter, but there's a certain someone we also saw in chapter 95 that Aqua hasn't dealt with yet…
I'm talking about Kana, obviously! (ducks thrown tomatoes)
I don't have a ton to say about the AQKN romance setup in this chapter other than… yeah, I kinda saw this coming! It's interesting to see Gorou, the representation of Aqua's guilt and self destruction, be the one to so directly confront him and push him towards trying to find some happiness with her. Aqua quietly noting that he knows the things he likes about Kana and he knows that moving on with her makes a lot of sense - but what makes this especially interesting is the way it mirrors Kana's own reflection on her relationship with Aqua at the end of the chapter.
I like that a lot of the AQKN moments the two reflect on are just… mundane, everyday instances of the two of them stumbling through life together. I've seen a lot of people say AQKN is 'boring' or 'flat' because it lacks the drama of AQAK or AQRB but honestly, I feel like this is what makes it work (when it does work) - their relationship, whatever form it takes, is a safe and quiet space where they can just exist outside the drama and transactional utility of so many of their other relationships.
That said, while those montages mirror each other, what makes them interesting is their divergence point. Kana decides to commit to choosing 'love', with that absolutely gorgeous full page panel, but Gorou hands the knife - the symbol of the violence that blighted Aqua's life - back to him and makes it clear that love or revenge, the choice is now entirely in Aqua's hands. We don't see what he chooses, but… if Oshi no Ko really is a story with a happy ending, I think it's a foregone conclusion. And that makes me really happy.
Not that it's happening anytime soon, lol. I'll be very shocked if Kana's confession doesn't result in a rejection from Aqua, at least at this point in time - there's too much else going on in the story for this to be the right place for Aqua to commit to Kana. She's still an idol, after all and Kamiki is still around. The bets I'm placing right now are that AQKN are going to get their resolution, whatever form it takes, at the Dome concert during or after Kana's graduation.
As for their date… Call me cynical, but I also don't see it going particularly well. After all…
Aren't we forgetting somebody?
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candle-lamp · 2 months
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Rereading SBG and writing what I notice: Episode 11-20:
- more Tyler being skeptical
- Ben really doesn’t like Tyler at first
- Ben drawing the phantom
- Ben getting creeped out by the photo, apparently always being creeped out by the supernatural 
- Aiden is really friendly to Logan
- Logan sleeping on the couch
- pretzel Ashlyn
- the weird dream sequence when they enter the phantom realm (I wonder if everyone else had a dream or if it was just Ash?)
- Tyler slamming the door in Aiden’s face
- Taylor worrying about their roommates
- phantoms can open doors
- Aiden wielding a spray bottle
- Ben worrying about Ashlyn
- Ben holding Aiden back from fighting more phantoms
- the gang is all running around in socks/barefoot
- Tyler comforting Taylor
- Aiden is the only one not shaking after the first encounter
- Aiden noticed Ashlyn’s arm
- when Ashlyn is calling out Tyler, Aiden stops smiling
- Aiden “go off queen” Clark
- Ashlyn tapping her foot
- Ben has first aid experience from patching Aiden up after "skateboard tricks, rock climbing, hiking, jumping off tall places"
- Ben blushing when complimented
- Ashlyn restraining herself from hitting Tyler
- we get to see Logan and Ashlyn's lockscreens (Logan: astronaut helmet with flowers, Ashlyn: ballet shoes)
- everyone getting sick after shifting back
- more Ashlyn foot tapping
- the group discussed going to Savannah several times previously
- ladybugs next to Ben (reference to canvas version)
- Tyler stomping off, turning around, and grabbing Taylor
- Ashlyn acknowledging Tyler's point about doing outside activities
- Aiden wanting to know where Ash's ballet studio is at in case of emergencies
- The Banners sharing popcorn
- Ashlyn's parents flipping her over the couch to interrogate her
- Ben also crouching down when Aiden comes around the couch
- Ashlyn's parents playing cards with Aiden and Ben
- props to Ash's mom for getting her hair up dang, if she was in the phantom realm Ashlyn wouldn't have needed to cut it
- clothes pile in the twins' room
- Logan's grandpa calling him "son"
- his grandma noticing when he started being anxious
- he was previously in an astronomy club but quit
- Logan can easily lie and deflect, which is probably why his grandparents didn't do anything about him being bullied
- Aiden/Ben (unclear whose room) has a minifridge
- Logan has small succulents in his room
- the panel of Taylor and Tyler (you know the one)
- Ash foot tapping, also I feel like I should've mentioned this before but she has freckles literally everywhere
- once something is interacting with in the shadow dimension, any changes in the human realm don't affect it, which includes the gang's bodies bc "injuries that happen here can be felt but not shown in our world and vice versa". does this mean their aging is going to be much slower in the shadow dimension?
- also (from what I gathered) time does seem to pass in the shadow dimension even when they aren't there bc the phantoms will move, how much time is another question
- Taylor and Tyler hide together, Aiden and Logan are together, and Ashlyn and Ben are both alone
- Ashlyn where are your shoes
- freaky ass phantom at the end of ch 20
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