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#am i reading too much into it? probably but it also makes sense with what we know about him and his mother
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There was this one art a little while ago about the family stuck in a situation where they're forced to play ISAT in some post game scenerio. I keep having many thoughts, but here's some about them figuring out who Loop is:
1) They all BAFFLED by how Loop usually talks. They all thought Loop was this shy little star person. Immediately, they get hit with "have you tried not dying~~~~" into "I think you deserve help" and do not know what to think.
2) Odile is in charge of the controller. Mainly bc no one else wants to control Siffrin and they all have equal amount of video game experience aka none, so Odile is being practical about it. This has the side effect that Odile gets to be all investigative. Odile makes it her MISSION to find stuff out about Loop.
3) Siffrin has complicated feelings about them finding out about Loop??? Like okay they HATE their family has to see all this, ESPECIALLY THAT THEY CAN SEE HIS THOUGHTS!!!! But. Loop. Siffrin hasn't told his family the truth. It's not his story to tell. But. If they figure it out...? In a way that proves Loop wrong, right? That they can recognize them. Maybe it takes a bit because Loop looks different is and actively trying to be different from Siffrin. But. Maybe...? Either way they encourage Odile to talk to Loop. If this is a simulation... if this is real in some way even... yeah he wants to talk to Loop.
Anyway here's a list on how they find out one by one:
Odile: She catches the little stuff. She notes the royal We, the fact that Loop alludes to having an old body by accident, the casual familiarity in some places. All of that. She is also the first to note their eyes being different shades. However, Odile doesn't make the connection 100%, not until Isabeau. Well.
Isabeau: He gets some of the weird stuff Loop says but not as many as Odile. HE finds Loops side comments weirder. He sees Loop's reactions and they're a bit. Uncanny.... and then he has another realization, Loop and Siffrin have the same eyes. When Isabeau notes this, it all clicks for Odile.
Mirabelle: Okay, so. You cannot tell me that Mirabelle has not read fantasy stories with weird guide characters. She has to have!!!! So at first, she's not even looking for who Loop is. And tbh? She has the best read on Loop's personality otherwise. Sassy, but clearly caring. A bit of a shit, but serious when needed. And mainly, she appreciates Loop Being There when the rest of them couldn't. That being said, the moment where the "have you wondered who I am" happens. And suddenly Mirabelle Is Thinking Of the Possibilties. And then the ME option pops up!!!! Odile was already about to pick it but Mirabelle YELLS to pick that one!!!!! Uh. Shortly after that they all have a conversation about how yeah, Loop is VERY likely Siffrin. Mirabelle justifies herself with tropes. Of course!!! Of course they're Siffrin!!! If they're anyone they have to be Siffrin. Siffrin got transformed and became the guide they needed!!!! It Just Makes Sense.
Bonnie: ....Tbh doesn't really figure it out on their own? But also. Loop. Feels like Frin. Not exactly like Frin. But they're Frin enough to be trusted so who cares. It takes awhile for them to really get it too because... it's weird. Also they're the one to really ask why there would be two Frins??? Duh??? And why would Frin become Loop???
Anyway, basically, after picking "Me?" They pretty much are all on the same page. They got that it was wishcraft. They got Loop is Siffrin somehow. I think Odile might figure out that "hey, uh if Loop is the guide then what happens when Loop doesn't have a guide" and Mirabelle probably says "wait Siffrin didn't you say to me once that without Loop you wouldn't have made it?"
Meanwhile Siffrin is a mix of sad and very emotionally touched. Because. Yeah. Even when trying to actively hide, their family recognized them.
Notably, Siffrin gets them to twohats (Siffrin remembers that they understood Loop most after showing them the coin. So yes, the family does get to see Siffrin's "I will forget everything I love" moment. Goes as well as you expect. Lots of hugs and the reassurance that they will bug Siffrin until the end of their days so he can't forget him so HA!)
But yeah. Siffrin really wants to make sure they can get little simulation Siffrin to realize Loop is Siffrin as well. Because if there is any chance of this being real and that they're guiding a Siffrin in another reality, then they want to make sure they can get Loop to know just how much they did. How much they helped and changed Siffrin's fate for the better.
To note: I'd imagine in this scenario, Odile wouldn't go do any of the side stuff. At least not too much of it. There wouldn't be as much exploration either. Siffrin likely would be very underleveled as a result.
So perhaps in this scenario? Imagine if you will that while the Siffrin watching definitely defeated Loop, the simulation Siffrin loses.
And Siffrin finds out that... no. No! Of course Loop couldn't kill him. Of course they wouldn't. There is a catharsis to that realization.
(After they finish the game, either a) prologue playthrough time or b) they're freed and the group IMMEDIATELY try to figure out a way to find Loop bc uh??? Even if they weren't Siffrin, they want to find them. But like. Two Frins. Two Frins they know are different but who cares, no matter who Loop chooses to be, Loop Is Family Too).
Anyway, family plays isat featuring the Loop Saga.
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nohoperadio · 2 days
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The first thing I do every morning is make myself a tea. This simple ritual already involves me in a small degree of introspection and reflection, because it means I have to choose a mug to drink from, and I seem to have decided (without remembering how this decision came about) that it's important that the mug I choose should represent the mood I'm hoping to bring to the oncoming day. It's usually immediately obvious which mug is correct each morning, although sometimes there's some wavering and considering.
I'm going to introduce you to my four main mugs and the energy I superstitiously attribute to each of them. For whatever it's worth, I am aware that mug energy is not actually a real thing. And yet--
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We'll start with this Mario power star mug because it has the simplest and most obvious meaning. This is, naturally, the mug of needing more energy than usual, or more energy than I expect to have available, usually because there's some demanding task(s) I need to get done. I say energy, sometimes resilience is more accurate, I'll be drawn to this mug whenever I have some unavoidable and unpleasant experience in store even if it's not strictly speaking one that requires actual work from me. Not much more to say than that; everyone knows what a power star is.
This might be the mug I've used the most times even if it's not the one I use most days, because days that call for the power star mug are disproportionately likely to be several-cups-of-tea days, for obvious reasons.
The black outline of the main star and the little black star images that decorate the mug have largely rubbed away over time, but not the yellow luckily. There's also a black outline picture of Mario on the side opposite the handle which has also mostly faded now. That's alright.
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British birds. This mug, I suppose because the numbering (which as far as I can see is totally meaningless) and the pronunciation guides give it a vaguely academic air, has associations with the life of the mind--which is far too grandly put for how I usually use it but that's the closest phrase I can think of right now. By far the most common use of this mug is simply "I have a day off and I would like to spend most of it reading". But it's also my choice for days when I particularly want to practice a skill or give some time to trying anything creative (which might be as modest as finding a new recipe to try (I realize "modest" does not always aptly describe trying new recipes but you see I would only ever choose easy ones)). Occasionally the thing I want to do is quite literally to go and find some birds to watch, which may give an indication of how loose this category is.
It's similar in a way to the power star mug in that it usually signals that there's something "productive" to be done, but it's the kind of productive thing I expect to enjoy, and the kind that's a little bit higher up on the Maslow's. If I had to sum up this mug's ethos in one sentence it would be something like: "please try to spend today in such a way that you won't go to bed feeling like you've wasted it".
You might have noticed that the pronunciation guides this mug offers for each bird are completely pointless, because in most cases they simply repeat the bird's name, spelled exactly the same way, just with some hyphens in between the syllables. British birds have pretty easy to pronounce names it turns out! All I can think of is that this mug must be part of a series and some of the other mugs in the series feature the kinds of things where a pronunciation guide would actually make sense, and they didn't want to change the format for this one. I love this mug very much.
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Feline Fine... a little more nebulous, this one. It has a very distinct meaning to me but am I up to the task of describing it, I wonder? I'll start by saying it's the mug most associated with social life. Probably the most illustrative use-case for this mug is, I'm going to be hanging out with some people that day and I want it to go well, I want to have a nice time, never a guarantee even if the people are good because of my severe social anxiety--but I would never use this for the sort of grim social obligation I fully expect to hate every second of, that's a power star day for sure. This is a mug that leans optimistic.
But it's not exclusively about social stuff. It's about... well I think it's not a coincidence that I contrasted it with the power star mug just now. This is the mug that hopes that the coming day will not feel task-shaped. This is the mug of liveliness, desire, spontaneity, music--the cat is clearly sleeping, but I always see it as the cat dancing somehow, when I'm not really looking at it? This is the mug that wants to have a good day and intends to adjudicate that based on feeling rather than on a to-do list or any other external measure. This is... it's the mug of feline fine, you know?
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Orange mug is a calm mug first and foremost, which means it does not have calm associations, because you're not going to bust out your calm mug when you're feeling calm. Orange mug comes out on days when I feel fragile. Orange mug comes out on let's just get through today days. Orange mug is a way of signalling to myself, hey, I'm not going to ask much of you today, don't worry; contra British birds mug, the message here is: "don't worry too much about whether we waste today". You know. It's a mug for those orange mug kind of days.
And sometimes it's a mug for, like, still that, but a less extreme form of that. Probably I can add that caveat to all of these mug descriptions. I'm probably describing the most exaggerated form of their various vibes for ease of expression, but most days aren't the extreme form of the type of day they are, right?
I think the orange of orange mug is a very nice orange. I like orange in general but this one is particularly elegant. Most shades of orange could not convey orange mug calm nearly as well.
You might notice orange mug has a largeish chip in the outer rim; it's not very clear at this angle but you can see it at the top left there. That's alright.
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If you have any hot drink-based spiritual exercises you spontaneously invented I'd be delighted to hear about them.
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netherworldpost · 2 days
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Once more social media companies are starting down the path of "hm, what if we roll in a feature... everyone will hate..." so I am again reposting my very basic in progress to being polished HOW TO MAKE A ZINE post
I will expand it when the blog launches and I don't know when the blog launches, but this will get you started. Or at least closer.
...and now...
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... a ramble...
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For Netherworld Post Office:
I'm going to stay where I am on various platforms
Continue building our "Let's Stay in Touch Occasionally" mailing list
I'm fleshing out a blog that is 2/3rds "slice of life stories of monsters living in paradise stories and comics," 2/3rds "Here is how and what to mail, how to make it fun and vibrant, cheaply" and 2/3rds ramble. Also discount math advisories.
The blog will be on a WordPress site. Free, no subscriptions necessary, open to read.
I'm working on a $2/month (USA postage included, global shipping a bit extra but not much) zine. Full color, 8 pages, decorated envelope, discussing Halloween, mail, and Halloween mail.
Spoiler if you're working on a zine and scrambling "how can that zine be $2?!" we lose about $0.05 - $0.10/zine and this is an acceptable loss. Marketing costs money. The strategy is people will subscribe to the zine and then once or twice a year say "oh wait I need a birthday card, I should get it from Netherworld Post" and that 1-2x year order will cover the loss + add profit to our coffers.
This point is made because I'm not seeking to start a pricing war on zines.
I AM seeking to make something fun and enjoyable and as affordable as possible so as many people as possible will say "huh that's neat."
When the blog goes live and the page about how to make a zine goes live, I'll go into the numbers on how I am making it and offer ideas and tips on how You as a Maker of Things For Sale can make one
I'll also offer tips and ideas on how You as a Maker of Things Not Necessarily For Sale can make it too, it's not exclusively for art shops.
There are no zine laws.
The split is purely "do you care about shaving $0.24 per outbound envelope because you're going to send lots or not"
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Here is my reality:
As a person, I enjoy Tumblr. As a business, it's been very good to us.
Our Instagram isn't going anywhere. I'm preparing for the eventual bleed of people using it. Maybe it'll affect us, maybe it won't.
This is NOT a doom-and-gloom EVERYTHING IS DYING post. I'm not nearly online enough or smart enough to offer thoughts beyond general vibes and feelings.
I am saying "enough people have commented enough times they enjoy my business ramblings that I want to share what I know/am doing because I strongly feel a diversification of outlets helps more folk make more art and more folks making more art means there is more art and I'm going to enjoy it."
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It takes at least a year -- far more likely a few years -- to build up a sizable social media following.
Sizable = "posting on Platform is more valuable to meeting our goals than Doing Something Else"
You can throw money at the problem (ads and/or hiring a consultant and/or an agency). This will scale you up far faster because they'll build the shortcuts do the research and the yadda yadda.
The reason Netherworld Post Office is able to offer very inexpensive, very high quality greeting cards, at a very low shipping price is because we are largely focusing on "What can we do in-house? How can we get smarter, more clever with our very limited resources?"
We just wrapped up Phase 01 and are about to head into Phase 02 on this plan. It's working well.
Slowly
An agreeable pace but well.
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The new app-of-the-day, Cara.
Will it be great? No clue!
Will we post there? Probably not!
Why am I offering this part to the news above? I don't want to gate-keep information I have! Recurring theme to my rambles :)
There is a significant chance that someone who says "It makes sense for my personal goals to make Cara" and then that's great.
The key to building a shop or ongoing project is realizing:
There are many paths available
You have to figure out what path is right for you
It will be a unique combination exclusive to you -- elements can be shared but ultimately every path is going to have it's own unique aspects
This path will change over time
You have to tinker constantly
That's part of the fun :)
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Final Link List Now That I Am Done Talking Above Image is My Producer's Reaction When I Finish Talking
Netherworld Post Office shop
Netherworld Post Office Let's Occasionally Stay in Touch email signup
Netherworld Post Office first draft writeup on how to make zines, a tumblr post, because I love zines
Netherworld Post Office final disclaimer for reasons: Your art path is your own, it will look unique to you, it will share elements with many other folks but at the very core? It is unique to you :) All above is shared purely in hopes of giving back to the small art shop community that helped get me to where I am
Cheers everyone
I hope we all make it :)
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lifblogs · 3 days
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20 Questions for Fic Writers
Tagged by: @just-here-with-my-thoughts (I feel so honored, thank you! And I really am dying to read Welcome to the Outpost.)
These answers will probably involve a range of fandoms.
1. How many works do you have on AO3?
647.
2. What’s your total AO3 word count?
1,850,510
3. What fandoms do you write for?
Primarily The Bad Batch now, maybe Clone Wars here and there. My fandom writing migrates. Used to be Doctor Who, then Supernatural, then The Clone Wars, and Rebels.
4. What are your top 5 fics by kudos?
Apparently my top 5 are fics I don’t even care about anymore. *sigh* Not providing links because of how meh I am about these.
1. Morningstar (Chilling Adventures of Sabrina),
2. Take Me Home (I actually didn’t realize this was in my top 5), it’s a Supernatural fic),
3. Take Me to Church (Supernatural),
4. Deal (I believe this is an Avatar: The Last Airbender crack fic based off of incorrect quotes), and
5. Ineffable (Good Omens).
5. Do you respond to comments?
Most definitely!
6. What is the fic you wrote with the angstiest ending?
Definitely either Bleeding Reality, or In the Dark.
7. What’s the fic you wrote with the happiest ending?
Definitely May I Have This Dance? Oh, how I adore that fic. I wrote it based on art I love so much, and the artist even let me put their art in the fic!!
8. Do you get hate on fics?
Used to years ago, so now I still feel dread in the pit of my stomach when I get an AO3 comment email. The dread thankfully doesn’t show up all the time now.
9. Do you write smut? If so, what kind?
Oh, hell yeah, I do! Not sure about what kind. It’s just, I don’t know, smut.
10. Do you write crossovers? What’s the craziest one you’ve written?
I do not.
11. Which fic are you proud of but wish had gotten a bigger response from your readers?
Maybe The World Goes Cold? But I am maybe releasing chapters too slowly, so I guess it makes sense the response isn’t as big.
12. Have you ever had a fic translated?
I think I’ve had a couple translated into Russian.
13. Have you ever co-written a fic before?
I tried to do so with my brother a couple of times, but we never finished them. I don’t think either of us really understand how the co-writing process works.
14. What’s your all-time favorite ship?
Tbh, I always feel the most when I think about or see anything involving Whoufflé/Whouffaldi from Doctor Who. They were my OTP from 2013 to 2016. Might still be the case!
15. What’s a WIP you want to finish but doubt you ever will?
You know, I had ones I did want to finish, but now, I’m not even sure I want to.
Still, I guess Blackout, and Three Birds, One Stone held a lot of my attention for a few years. But with the fic content now being triggering for me, and with a brain injury, I feel as if I may have moved on.
16. What are your writing strengths?
I have been told my descriptions are incredibly visceral, and I might agree. I’ve been on the edge of my seat or emotional more than a few times during my editing process. I also like to consider the fact that I’m writing at all a strength given I have a brain injury that gives me memory problems and aphasia.
17. What are your writing weaknesses?
Well, I’d say say the memory problems and aphasia cause some weaknesses. I have caught a couple weirdly-worded errors and it’s slightly embarrassing. Does Omega shredding my outline multiple times count as a weakness? lol I suppose another weakess is spelling and forgetting words and struggling to find the right words. I often have to look things up. But as far as things like description, dialogue… I’m not sure I struggle there.
18. Thoughts on writing dialogue in another language?
I’d take a crack at French! I used to be able to read and write in French very easily.
19. First fandom you wrote for?
The Lord of the Rings. I was 8.
20. Favorite fic you’ve written?
Probably Brother, Hold Me Up, and it’s still going!
Tagging: @evilwriter37, @envydean, @cascigarette, and @clownery-and-fuckery
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addicted-to-the-knife · 4 months
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thinking about how when Jeremy was being a little shit, Corey sat there, processing and deciding on how to respond appropriately, before eventually settling on the stern, "Okay, five minutes, and then you're going to bed", which is most definitely word for word what his mother has been telling him since childhood whenever he was 'acting up'.
and thinking about how he probably always hoped to never be like his mother, and how he was thinking about another way to discipline Jeremy and have some authority over him without being like her, only to end up doing what he's known to be on the receiving end of so intimately his entire life.
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tales-of-sweets · 1 year
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Zagi's Tragic Need For Validation
I don't think that Zagi became obsessed with Yuri the moment he met him or that an interesting fight alone was what motivated him to chase Yuri the ends of the earth. I believe he was out for Yuri's blood, yes, but not for blood's sake but instead because of what it symbolized... This is a headcanon/interpretation that I've probably talked about a million times before, but I'm thinking about it again! Since it chronologically references the events of the game and includes sources/examples it's pretty lengthy so I'll put it under the cut!
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The first time he meets Yuri he's on a job and, while it seems to be the first worthwhile fight he's had in a long while, he leaves willingly when he's called to retreat (well, willing in the sense that this is the only time we ever see him retreat mid-battle while he's still in perfect fighting condition).
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The next time we see him he's on yet another job, eager to kill "something", his choice of words even with Yuri right in front of him and they seem to recognize each other.
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Zagi doesn't actually seem to acquire any fixation on Yuri at all until after the second battle, specifically after he's defeated... and Yuri compliments him. Even after what we can clearly see Zagi believes is a failure on his part (worth noting that in the official translation he says "...I-I retreated..." instead of "...I-I'm finished..." even though they both convey a similar feeling.)
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From this point forward, we never see him taking another job or working with Leviathan's Claw. Hunting down Yuri appears to have become his full time fixation. Zagi to me seems like an incredibly lonely man. He is isolated by his own abilities and his inability to relate to others in a meaningful way. He has reached a level of skill that few can comprehend, let alone match (things that are corroborated by this skit here:
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He takes pleasure in killing and victory but has not known the rush nor the bond of a fair fight in so long. For all of his hooting and hollering about wanting to kill Yuri, I don't think that's exactly what he was truly getting out of this whole thing. I don't think that's actually what he was chasing. That was the first time he'd found someone on his level and that was the only time Yuri ever complimented him so to me it seems like what he's really chasing is that same high of validation. A connection. He wanted Yuri to come at him with full force, to find joy in their fights as he did, to connect with him... but he only got that the one time. All future instances involved Yuri dismaying at his presence, swatting him off like a pest, fighting him only to remove him as an obstacle. So many of his lines feel like validation seeking, not only in the form of wanting friendship, but more in the way of just wanting to be recognized period. For example:
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He tried to make himself stronger, augmented himself, taunted him, but there was always some bigger issue that held Yuri's attention, something greater than him. To me, that played a huge role in why, in the end, he had to make himself Yuri's priority even if it meant destroying himself in the process. While the whole "you can't break the seal without my arm" bit is a little contentious (poor wording? an outright lie? mistranslation?), the truth of the matter is that, in a last ditch effort, he made himself Yuri's number 1 priority. He was now an important part of his quest, not just an annoyance to be brushed aside. Yuri had to take him seriously now.
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And when, at last, he was defeated, he thought maybe then Yuri had seen his value and worth, that at last their fight had resonated with him.
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Of course we all know how that ended. While I have many issues with the way this ending was handled, I think we get some interesting insight from it that I believe lends some credence to this interpretation:
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I think it's worth nothing that almost everyone expresses some sort of sympathy and understanding towards Zagi in the end, except for Yuri. While it is a very valid and plausible interpretation to think that Yuri still doesn't care even after his death, I personally choose to consider the fact that Yuri, as we have seen time and time again, is not very upfront with his emotions and is not always the quickest to admit when he's wrong. I think he could see the tragedy of the situation, I think he could recognize that he really hadn't understood Zagi's intentions, and it's my personal theory that that's precisely why he took a more forgiving approach when confronting Duke in the end. I cannot, in any way, fault Yuri for not stopping to befriend the guy who, for all intents and purposes, seemed intent on killing him. But I also can't help but see the tragedy of the situation from Zagi's perspective. Raven states that something changed after Zagi met them. While it's hard to imagine him as an upstanding citizen or pleasant person to begin with, he probably wasn't always like this.
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Raven lends a little more insight too, one of the skits following his demise:
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Yuri, Duke, the Don (not shown in the screenshot, though Raven does reference him and Belius), they were held together by the bonds they shared with people who understood them. I think there could have been a chance for Zagi to have turned things around, not let his obsession with Yuri consume him to this degree. Hell, I don't even think it's improbable that he could have become an ally, put his energy into something more productive (as Yuri put it several times over). I don't think Zagi was always doomed to this fate, I think he just met the wrong person at the wrong time.
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rmu-vincent · 3 months
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Dear Mr. Edgeworth,
I recall from one of your previous postings that you are particularly fond of cats, and am interested in your opinions on other animals commonly kept for human companionship. What are your thoughts on dogs? Horses? Rodents? Birds and reptiles?
I would assume that last one would have interesting twofold connotations given your status as a law student, due to these creatures' association with the legal profession - the epithet of "legal eagle" on the positive side, and all the jokes about snakes and crocodilians' show of professional courtesy on the negative. As an enthusiast of all things reptile related, I feel it is a reputation undeserved by these misunderstood, scaly creatures... as well as those aspiring to take on careers in law, very important for society...
But I digress. Lastly, I would also take it that, for rather obvious reasons, you don't really like fish, the way they remind you of a certain someone...
Regards, Seraphine. Again, may you excel in your studies, and no slanderous jokes come your way.
Dear Ms Seraphine,
Thank you for the kind words and inspiring thoughts.
Despite, as you noted correctly, being fascinated by cats, I am not that fond of most domestic animals, and my liking for cats is simply an amusing exception. However, there are still some species that I could call charming and interesting in ways different from keeping them as pets.
The first animal that came to mind was a graceful black panther. Ever since I was a kid, I thought of panthers as majestic, powerful guardians, trustworthy leaders, and dangerous vigilantes. They might not represent justice in the traditional sense of court cases and hour-long debates, but if one crosses their road, they should be wary of seeing their eyes shine in the dark when the night falls.
On the other hand, I could never resist swift, elegant antelopes' beauty. As someone who has always strived for success and improvement, their efortless endurance and resilience resonated with me; antelopes are in a constant state of action, awareness, and searching for new paths, opportunities. For me, they are a symbol of motivation and energy.
As my final point, I would like to mention swans. Even though they are often depicted as an embodiment of love, from swan figurines being placed on wedding cakes to towel swans on hotel beds, these birds have always struck me as an exquisite representation of change. On another note, the concept of a swan song has captivated me ever since I learned what the expression meant. It is impossible to deny that I spent hours considering what my swan song could possibly be, and to tell the truth, I still think about it from time to time.
Unfortunately, I do not have a strong stance on reptiles. They are the most beautiful when admired from afar, and their quiet deadliness amazes me; snakes in particular have been painted as villains since the beginning of time, so despite me condemning the demonization of reptiles, I understand why people have those... preconcieved notions about them.
Keeping rodents and other smaller animals as pets does not make much sense to me. For me, it would be impossible to love something that is barely capable of communicating its needs. These fluff balls always seemed closer to decor than to actual companions.
As for fish, I would not say that a certain someone you mentioned has enough influence over me to make me actively dislike fish. Marine species look magnificent in acquariums when the interior is done right, and personally, I do not mind fish... served with a tasteful side dish, that is.
Best regards,
Vincent Edgeworth
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Note
you seem to have a wide taste in books !! what are some books that you would recommend ??
Hmmm I wonder. I have the feeling I just read the same couple of books over and over, and at times only different iterations of the same story, like in that line by Borges ("the various intonations of a few metaphors").
I find recommending books without knowing anything at all about the person asking rather difficult. What I'd suggest to one may differ greatly from what I'd recommend to someone else. I'll give a list of some of my favourite books that I think are enjoyable in general:
— Thoughts by Pascal
— Cain: a mystery by Lord Byron
— The Iliad by Homer
— Crime and Punishment by Dostoievsky
— Othello by Shakespeare
— Pedro Páramo by Juan Rulfo
— Cyrano de Bergerac by Edmond Rostand
— The fragments of the Presocratics
— La Regenta by Leopoldo Alas, Clarín
— Tractatus Logico-philosophicus by Wittgenstein
— East of Eden by John Steinbeck
— Vita nova by Dante
— Contributions to the Founding of the Theory of Transfinite Numbers by Georg Cantor
— Caligula by Albert Camus
— North and South by Elizabeth Gaskell
— Peter Pan by J. M. Barrie
— Some essays by Russell. I personally love Mysticism and Logic
— Metamorphoses by Ovid
Poetry is perhaps harder to recommend because at times it translates horribly, but in general I love Baudelaire, Rimbaud, Lorca, Juan Ramón Jiménez, Rilke, Byron, Quevedo, Góngora, Lope de Vega, Horace, Catullus, Ovid, Tennyson, Maiakovsky, Garcilaso de la Vega, Oliverio Girondo, Vicente Huidobro, Emily Brontë, T. S. Eliot, Luis Cernuda and Edgar Allan Poe, to name a few.
#I talk too much#I wanted to say The tragic sense of life by Unamuno and Philosophy and Poetry by María Zambrano#but I thought maybe they'd be hard to find in translation. They're both approachable texts of philosophy beautifully written though#Unamuno's essay Vida de Don Quijote y Sancho (translated as Our Lord Don Quixote in English according to Wikipedia?) is also beautiful#I adore Schopenhauer and Nietzsche but I'm not sure I'd recommend them to anyone. Probably you can't go wrong with Kierkegaard though#I know what some of these books look like (like Wittgenstein's Tractatus or Cantor's Foundations)#but I swear they're approachable without specific academic background. The last line of Wittgenstein's Tractatus is one of my favourite#lines ever in the history of anything‚ philosophy or literature‚ but to be as hitting as it is you need to reach it at the end of the book#I think despite what it looks like both Cantor and especially Wittgenstein have an aesthetic intent in their writing#Wittgenstein in particular reminds me of Kierkegaard and Rilke and also of Unamuno and Zambrano. And of course Schopenhauer et al.#The Tractatus is very similar in my opinion to Huidobro's Altazor which is just amazing but I don't know how it would translate#These books I like in form and not just in content (although form is content like I think happens in Wittgenstein's Tractatus)#so when possible I'd read them in their original languages.I myself can't read German and know but very little of Russian and Ancient Greek#and a bit of Latin so I must be missing a lot of those. Nonetheless they're great in what I can get through translation#Perhaps you'd have the chance of enjoying them in full#If you can't read Russian I am actually quite specific with the translation of Crime and Punishment haha There's a concept#Razumikhin develops through the book at several points and often translators aren't consister with the word which makes the readers lose#the view of this development. And I happen to think the development works alongside the narrative of Svidrigailov#and also with what happens towards the end with Porfiry and Raskolnikov so I think it's important#In English there are several translations that maintain the coherence such as the one by Pevear and Volokhonsky#(the only one I can remember right now but I could check the rest). Garnett's translation is everywhere but that one doesn't do it#Hmmm Pedro Páramo in English takes some liberties and La Regenta isn't as funny which is what happens with Wuthering Heights#and The three musketeers in translation even when the translations are more accurate#I haven't recommended Wuthering Heights because I take you've read it but that's my favourite book#And I haven't recommended Pandora Hearts because that's a manga and you asked for books but it does some very interesting things#that I think are in line with many of the books listed here (as I said‚ I basically like the same few things retold over and over haha)#There are many books I am itching to recommend but that I can't do freely without some knowledge of the person asking#Like Steinbeck's arthurian novel or idk Gone with the wind#I hope this list is enjoyable enough. I'm not sure if I've been able to avoid being too partial#I suppose one has to bear the conditions of their existence and can't ever entirely get rid of themselves haha
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wifegideonnav · 1 year
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homestuck is getting SAD and i don’t WANT THIS i want to read about shitty children lovingly bullying each other i don’t want to watch them sobbing over each other’s corpses :/
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princekirijo · 11 months
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Finally getting round to reading the Scarlet Pimpernel (free eBooks my beloved) and while I am really enjoying the story and everything is pretty easy to follow, the sheer royalist tones the book has is a lot
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yawn-emoji · 2 years
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#who i was march 24 2022 and who i am now are completely different people. i remember crying in caffe reggio to zay sun and adiba because#my dad was in the hospital and we didnt know why and we werent even there to support him and my mom because we had travelled to nyc that#morning. and the whole trip was overshadowed by this sense of grief and fear and horror at what was unfolding back at home while i was#trying to pretend everything was okay and that i was fine. i never cry in public but i cried on the q train while visiting my coworker who#lives in manhattan and then i sobbed in a xi’an famous foods location in manhattan w my brothers because the cheapest and earliest train#home was that night and i had no idea what to do w myself#and when we got home finally we all knew what the diagnosis was but nobody wanted to say it not even the doctors. i dont think anyone used#the actual word cancer to us for months. they cloaked it in such technical terms so as to make it easier to swallow but it was still like.#an elephant in the room yk? nobody told us the stage either but it was a stage iv glioblastoma and i remember going on r/glioblastoma and#just crying reading all the posts abt how difficult this disease is. most projections were six months to a year and a half. a lot of people#even chose not to get treatment because of the high probability that it would make no difference to the prognosis. i have no idea whether we#made the right choice going w chemo or not honestly. only time will tell i guess. inshaAllah this will prove to have been the right choice#idk what im even trying to say now. i just dont reflect a lot on where i was when this started because it’s… almost too painful. i have#given up so much for my dad at this point and i still feel like it’s not enough but also i’ve been trapped by this sickness and i’ve given#up my life to it and idk how to rebuild myself from here. i need to move on w my life but what if these are the last moments w him and i#take those for granted by not staying home to take care of him and spend time w him. again idk what im trying to say here i just have no#idea how we got to this place. it still feels like some insane fever dream that i will suddenly awaken from#seeing pictures of my dad even from 2021 is the hardest thing. i have no idea what happened to that bright funny charismatic loving man. he#is literally a shell of himself at this point and i hate it. it actually turns my stomach sometimes because it all is so wrong#none of this was supposed to happen he was supposed to retire peacefully somewhere tropical in a couple years not get diagnosed w cancer#journal#illness tw
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hawkinslibrary · 2 years
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anon !!! this is hours later than i meant for it to be, but here's my rambling essay-length response to your ask from earlier !!!!!!!! fair warning, i am just... so stupid and don't know how to properly get my thoughts across so it's a whole Mess 😬
your last text post is so real!! i really don't get the main character death obssesion either. it's honestly funny in a way because st is pretty much the only show that doesn't kill protagonists, and if they do they're brought back, yet there's more main character death talk in this fandom than anyone can take. it's like people just can't accept the duffers ain't about that life??!  
first, i want to clarify that, to me, the main characters have always been joyce, hopper, nancy, jonathan, steve, mike, el, lucas, will, and dustin, with the addition of max in s2 and robin in s3. this is the main group that we follow, these are our protagonists, and everyone else is just secondary, regardless of whether the actor appears in the main credits or not  
now, my post was definitely more aimed at all the talk i've seen about how there has to be a main character death before the show is over. people acting like it’s a given. i personally just really really don't want any of them to die and hate thinking about the possibility lmao
we don’t know how it’s going to end, or what the final season will be like, how dire things will be. they could absolutely switch gears and start killing mains left and right. i feel like waiting until the final season is exactly what so many other shows do anyway, right? so i get the concern, and it makes me a little wary, too. but that’s exactly it – so many other shows do it. it's weird, it’s tired, it’s unnecessary. and, really, the duffers are out here right now saying how much they regret killing chrissy off and she was only in the one episode. so like... imagine them actually trying to kill off one of the mains  
they can’t please everyone, but i do think ultimately they’ll want to try to do right by as many fans of the show as possible, you know? the wrong kind of ending can ruin a show forever. people love these characters and at the end of it all, i think most of us just want to see them thriving  
(and it’s not like will or el or hopper (or brenner) were ever actually dead. they just made the other characters believe they were, and each time there’s been pretty immediate hints that they weren’t gone for good -- the whole situation with will’s body + him talking to joyce through the lights, hopper leaving the eggos for el, no body for hopper + ‘the american’ in the russian prison, no body for brenner – and this show doesn’t shy away from showing bodies. when a character is dead, they want us to know it and feel it) 
even the cast, millie and noah talking about how it's so big someone *has* to die, right? THEY LITERALLY DON'T. yes, it's a big battle and there should be losses but there is no reason for that to be main characters. like you said, is that unrealistic (and maybe a little ridiculous)?? well, yeah, but so is the show. realism has never been a priority in st. the show is literally a sappy sci-fi horror. and not killing protagonists is part of their formula, just like separating everyone into groups and then bringing them together in the finale is  
i think millie and noah were just joking when they said to start killing everyone, even their own characters, off. like, yeah, the cast is pretty big right now and a ton of characters were added for this season specifically, but they’ve all had their own roles to play and barely exist outside of those parts. chrissy, fred, patrick, they were all brought on just to be killed off – probably the same to be said for more new characters by the end of this season. and i think millie even said something about the duffers being afraid of or even just refusing to kill main characters. but why is killing main characters such a normal thing now? why do we have to expect for characters we love to die horribly for like... no reason?  
i've said it before, but this show absolutely is unrealistic and ridiculous AND cheesy. but it’s rooted in inspiration and references to 80s media, which is also something that i tend to think of as unrealistic and ridiculous and cheesy, so i mean it in the best way possible. it does its job. it's sappy and nostalgic, has an intense focus on love and family and friendship, while also playing on like... every major genre and trope from the era that they can fit into however many episodes and however many hours. i think some people take pieces of it way more seriously than the creators ever intended. they want it to be good, obviously, but also they’re huge nerds and they just want to have fun with it 
i'm absolutely worried about some of the more side characters this season, and i know losing any of them is going to hurt, too. they're very good at making you care about a secondary character only to rip them away from you. but if this was just any other show, we would’ve probably already seriously lost a main character or two  
i've seen people actually criticize this a lot because "it takes away from scenes like the end of dear billy because i know max won't die" and i guess that's valid criticism in some ways but i think people forget that that's literally just NOT the point of that scene. like, if they wanted you to be afraid max would actually like die, you would be. they've had every chance to kill main characters before. they could have killed nancy at the end of ep7 but they didn't. they're not even TRYING to get people scared for her, actually. that's why she's in the teaser and a bunch of bts and why they're not being suspenseful about her fate at all. st doesn't kill main characters. because they. don't. want. to. and they don't want people to be scared of that either, otherwise they'd be a lot more hush hush about stuff. this is something that has been true since s01.
again, why does it even matter? if you know that she isn’t going to die? death isn’t the only possible ending, and it’s not the only consequence, and she’s still very much in danger. there are still so many things that can happen, things that can go wrong, without having to make things so Final. i'm sorry if it starts feeling repetitive that main characters Aren’t being killed off ? but again, why are we just so accepting that that’s a normal response lol  
people around these characters have been dying since s1. like directly or indirectly, because of their involvement with the main characters, because of something the main characters have done. that's messed up enough ! we should be worried about everyone who isn’t listed above that’s ever interacted with one of the mains before even thinking to worry about them. it's a part of that endless suffering i mentioned. guilt, trauma, angst, suffering, only to die in the end anyway... it's just miserable 
they "kill" el and immediately add a scene of hopper taking eggos to the woods. they "kill" hopper and immediately add "the american". st makes fans suffer by putting their main characters through hell, but they don't kill them. that's actually something i love about the show. and some people may find that ridiculous or an error (and yeah, dead loved ones coming back again and again is anything but realistic) but it's very much intentional and has been since day 1 and changing that at the last second would be a huge mistake. one i don't think they'd ever make. (and that's not even talking about how death would ruin most character arcs and make their whole story pointless). anyway, i'm with you with hating the death obssesion around here!! they're so not going there, though, i'm fairly certain we're right 💙 
again, we're talking about the people who have said they immediately regretted killing characters who've only appeared in one episode. people who said they would leave the show if certain characters were killed off. people who write lines like: "she saves your life because of friendship", which, yes, was said incredulously, but should actually be considered a blueprint of the show. one memory of her mother saying she loved her was enough for el to beat henry in that first fight. it's a show literally about underdogs persevering against all odds ("chances of success..." "never tell me the odds")
and just...
killing certain characters would make other seasons of the show completely pointless, others would cause major major major backlash, others have already 'died' AND done the 'sacrifice themselves for everyone else' thing so doing it again but actually dying this time would be stupid, others would completely kill the nostalgia/rewatchability factor, and some would just be cruel. this covers the entire major cast
this is just my thought process on it anyway haha. like, they still could definitely kill someone, but i just think it’d be a bad idea. there's many more interesting and less final ways to go about it idk 
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jonnywaistcoat · 3 months
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Hey, Horrormaster Sims. I have a wildly different question that barely relates to TMA (Sorry about that) but its about your own process. Please, if you could, can you tell me how your first drafts made you feel? I'm on the fence about writing my own thing (not a podcast, and again, not Magnus related, though I have a million little aus for that delightful tragedy you wrote, thank you for that!) But I'm discouraged by the collective notion that first drafts are always terrible, because there's no ... examples I can solidly use to help the dumb anxiety beast in my brain that tells me everyone who is in any way popular popped out a golden turd and not, well, you know. One of my friends said 'Oh I bet Jonathan Sims's first draft was nothing like what he wanted' and I got the bright idea to just. Send you an ask, since you're trapped on this hellsite like I am. Anyway, thanks for reading this (if you do) and if you'd rather ask it privately, I am cool with that. Alternatively, you're a hella busy man with Protocol (you and Alex are making me rabid, i hope you know) and you can just ignore this! Cheers, man, and good words.
To my mind all writing advice, especially stuff that's dispensed as truisms (like "first drafts are always garbage") are only useful inasmuch as such advice prompts you to pay attention to how you write best: what helps your workflow, what inspires you, what keeps you going through the rough bits. There are as many different ways to write (and write well) as there are people who write and so always consider this sort of thing a jumping off point to try out or keep in mind as you gradually figure out your own ways of writing.
On first drafts specifically, I think the wisdom "all first drafts are bad" is a bit of unhelpful oversimplification of the fact that, deadlines notwithstanding, no piece of writing goes out until you decide its ready, so don't get too hung up on your first draft of a thing, because a lot of writers find it much easier to edit a complete work than to try and redraft as they go. It's also important to not let perfectionism or the fact your initial draft isn't coming out exactly how you want stop you from actually finishing the thing, as it's always better to have something decent and done than to have something perfect and abandoned.
But the idea of a "first draft" is also kind of a fluid one. The "first draft" you submit to someone who's commissioned you will probably be one you've already done a bunch of tweaks and edits to, as opposed to the "first draft" you pump out in a frenzy in an over-caffeinated weekend. For my part, my first drafts tend to end up a bit more polished than most, because I'm in the habit of reading my sentences out loud as I write them (a habit picked up from years of audio writing) so I'll often write and re-write a particular sentence or paragraph a few times to get the rhythm right before moving to the next one. This means my first drafts tend to take longer, but are a bit less messy. I'm also a big-time planner and pretty good at sticking to the structures I lay out so, again, tend to front load a lot of stuff so I get a better but slower first draft.
At the end of the day, though, the important thing is to get in your head about it in a good way (How do I write best? what helps me make writing I enjoy and value? What keeps me motivated?) and not in a bad way (What if it's not good enough? What if everyone hates it? What if it doesn't make sense?) so that you actually get it done.
As for how my first drafts made me feel? Terrible, every one of 'em No idea if that's reflective of their quality, though, tbh - I hate reading my own writing until I've had a chance to forget it's mine (I can only ever see the flaws). I suppose there's theoretically a none-zero chance they were pure fragments of True Art and creative perfection, but Alex's editing notes make that seem unlikely.
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hoshigray · 1 year
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Alright, y'all, here's the plan: you're not quite aware of what Toji does for work, yet you keep quiet. But one night, the man comes home bleeding, and you can't keep your worries to yourself anymore. However, for your protection, Toji isn't ready to reveal his assassin business to you. And, in the heat of the moment, ends up saying something that hurts you instead...
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A/n: (Reuploaded bc I forgot smthn) This prompt was picked from a poll to celebrate the 300+ followers milestone (pssst tysm for 450+ you lovelies :D) two weeks back. Truthfully, I don't think this is my best work after proofreading, but I did my best. Probably bc 1) it's longer than I intended, and 2) I procrastinated waaaaay too much with this. I don't even think I made sense halfway through, lol, but fuck it, we ball. Anyways, like last time, there is art drawn by me (@hoshigaby) but it'll be found deep in the fic :33
I hope you enjoy the ride and reblogs + replies are much appreciated!! Also, don't be alarmed that Y/n in the drawing looks of a dark complexion, feel free to use your imagination if it doesn't suit you. But do not edit it; be an adult and ignore it if it's not your taste.
Cw: Toji x fem!reader - arguing/yelling - fingering (fem! receiving) - mating press - Daddy kink - first Toji is sour, then he's sweet bc he's whipped for you :) - clitoral play (pressing down and a pinch) - praise - breast fondling + nipple play - pet names (angel, baby, darlin', honey, kid, mama/ma, princess, sweetheart/sweetie) - Megumi mean-mugging his father while Tsumiki and Shiu Kong tell him to do better lol - mentions of blood and stab wound; isn't fully healed so reopens.
Wc: 5.8k
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"Uhh, are you sleeping on the couch?"
"Yes. Yes, I am."
"...Why??"
You scrunch your brow at your phone, looking at the two people you're talking to through the screen. "I know you're not about to get on my case over where I'm sleeping."
On the L-shaped couch lay you, cuddled up with a fluffy blanket and memory foam pillow, one hand holding your phone while another wrapped around a stuffed plushy. You were on a video call with your best friends: Utahime and Mei Mei.
Utahime, lying on her bed with a face mask, replied to you. "Oh, I'm definitely getting on your case because it's supposed to be the other way around!"
"True, but I like the couch anyways." You puff at the woman who's not satisfied with your answer. "Plus, I'm on the L-part of the couch, so it's practically like a bed!"
Your other friend, Mei Mei, chuckles at her screen. Icy blue hair pulled up in a bun with reading glasses positioned atop her forehead, probably counting her tips on her desk like she always does before bed. "My my, this is the fourth night this week. What did your man say to make you this upset?"
Memories of what happened before come back to you, and so does the exhausting irritation you've been trying to keep at bay.
It was a quiet night like this one as the rain fell hard on the silent streets. You've just put Tsumiki and Megumi to sleep and waited in the living room, watching a movie to pass the time. It was pretty late into the night when you heard the door open as drowsiness settled in. Nevertheless, you got up to greet the man you'd been waiting for coming from the entrance, but you weren't prepared for the sight that instantly woke you up.
Toji Fushiguro, groaning and leaning against the wall with his black jean jacket drenched from the rain. A hand was clenched on the left side of his torso, deep red tarnishing his plain white shirt. He was heaving in an attempt to even his breathing, but when he caught a glimpse of you standing before him, he was quick to try and play it off with a worn-out grin. "Hey, baby." His familiar deep voice was strained in subtle agony.
Worry bubbles within, and you rush towards him. "Oh my God, Toji, what happened!?" You remind yourself to not be too loud as the children are still asleep, so you rely on whisper yellings while walking him up to your shared bedroom.
Even in the room, Toji doesn't explain himself. Just silent hushes and cajoles that he's alright. "I'm fine, honey. Just tell me where's the first aid box." Pointing at the bathroom cabinet, you watch him leave your side to grab the kit. The crimson spilling from him is caused by a stab wound he reveals when he sits on the bathtub, lifting his shirt. You can feel your eyes water, imagining the pain he's going through when he hisses from putting on rubbing alcohol on the gash.
The words you want to say feel so forbidden. Your fingers fidget amongst themselves with the irregular beat of your chest. Don't say it, Y/n. Keep your mouth shut. Don't—
"Is this from work?"
Green eyes shoot back in your direction, and you immediately feel yourself sinking into a pool of regret.
Talk of Toji's occupation wasn't something you brought up much. Even at the beginning of your relationship, he didn't indulge in any insights about what he does, so you eventually quit after a few failed attempts. However, with all the nights he's come home while you sleep or the new scars you point out yet are brushed off, your anxiousness for him keeps festering. And seeing him with his own blood on his hands made you wonder how many nights he has pulled off doing such without your knowledge.
Toji's eyes go back to his wound. "Don't worry 'bout it." The stern tone of his voice has your blood turn cold. He didn't want to entertain this, especially in the wee hours of the night.
And yet you still persist. "No, Toji, I'm serious." You can see him glare at you through the raven bangs shading his forehead. A warning. But it doesn't stop you. "I'm getting worried about you."
From there was when the argument came. Every point you've made to him was shut down at once. His cold responses pierced you. Usually, you'd do what you can to avoid this type of confrontation. But now, it hurts even more when he doesn't cooperate with you, your concerns disregarded like rubbish.
"Damn it, Y/n!" Toji barks at you, seething through the physical pain as a fist bangs hard on the bathroom cabinet. "Why's it so hard for you to stay out of this?"
"Well, if you would tell me things instead of pushing me out the way, then maybe I wouldn't have to!" At this point, you're fighting the tears from falling. Your face hot with frustration, but you still speak. "Toji, I've done so much for you and the kids, and I—"
"No one told you to do—"
"Yet I STILL do!" It's your turn to yell. "I care about you deeply, same with Tsumiki and Megumi. I don't ask for much, Toji. But I want you to open your life to me just a little, even when you're hurt like this!"
His emerald eyes remain rigid despite your pleas to him. And what he said next had you still to the core. You can recall the beat of your heart corrupting your senses while the tears stride down.
"If you were goin' to be a thorn on my side like this, I wouldn't have let you be in it in the first place."
"He said WHAT!!??" Utahime shrieks after you retell the situation to your friends.
You nod your head. "I just looked at him, and he looked at me. Then I turned, picked my pillow up, and headed downstairs to this couch."
To say the dark-haired woman was livid was an understatement. "And tell me WHY this fucker isn't the one sleeping on this couch, again??"
"Even if I did tell him to sleep on the couch, he probably would say something like, 'Tch, why should I? I pay bills for this damn house,' and yadda, yadda." This is true, apart from the man being injured, so having him move would've been immoral. "Plus, I just really wanted to get outta the room, so I went ahead and moved myself out."
"So? You pay bills too, what the hell!? Good God, Y/n," Utahime shakes her head. "You sure we can't pummel this dude?"
"Yes, I'm sure. Besides, I'm getting used to ignoring him when I see him around the house. But, oh my God, guys, his kids," the phone panned down to the plush toy and the pink, fluffy blanket. "Miki saw me sleeping here the other morning and gave me this blanket. And Gumi — he's such a sweetie. He gave me his favorite froggy toy to sleep with to scare off his dad from 'bothering me in my dreams.' "
"Hmm, how adorable." Mei Mei comments. "Funny how such darlings can come from a guy like that."
Utahime nods rapidly and throws in her opinion. "Listen, Y/n, you shouldn't think you outta be in every part of that man's life. Even so, he should at least know how to compromise. I mean, come on, you take care of him, the kids, the house, and go to work with us. All of that just for you to sleep on a couch!?"
"You're not gonna let this couch thing go, aren't you?" The pale blue-haired woman chuckles again, and Utahime sighs. "But she's right, Y/n. It takes a certain kind of person to have the patience to do what you do in a relationship with a single father and two children. I'm sure Utahime would've left with all her hair out."
The dark-haired one gets up from her bed and takes her device with her, heading to the bathroom to finish her skin care. "Now, why am I the one used as an example?"
"Because you're the most vocal about a relationship that isn't yours." A sly smile is painted on Mei Mei's face after she hears a 'hmph!' from the other as Utahime removes the mask and washes her face. "My point is that you like this man — love him even. But that love shouldn't cost you to be so emotionally drained. Perhaps he understands this, except it wasn't the perfect moment for you two to express yourselves. Maybe talk to him when you two stop the silent treatment."
All you do is hum aimlessly, too wrapped in what your friend said to give a proper response. Then you yawn, your body signaling you to finally rest. "I'll sleep on that thought. Night, girlies~~" You wave and send kisses to the other two. They do the same as you leave the video call, placing the phone on the coffee table and snuggling up with the blanket and plush toy.
You try to distract yourself by thinking of what you'll do tomorrow. You gotta get up and make breakfast for Tsumiki and Megumi before waking them up, then head to the station and take the bus to work. Maybe you can finally try that new café close by with Mei Mei and Utahime for lunch. And when you return home, you should whip up something fun for the kids to eat.
Perhaps, make something for Toji since he sometimes forgets to feed himself when you're not around. Or if he's leaving for work, wish him a safe trip back home like always. And...if he's down for it...you can find the right time......to talk...about......
⋆⁺。˚⋆˙‧₊✩₊‧˙⋆˚。⁺⋆
The moment you closed your eyes, it felt as though you were sleeping on your own bed again. When you turn to your side, your body descends into the feeling of cold sheets beneath you. It was pretty comfy! Plus, the blanket—
Wait...Sheets?
Your eyes slowly open to the sight of bedsheets underneath you. Navigating out of the sleepy stupor, you make out parts of your surroundings to know that you're not in the living room anymore. You slowly rise up to face the door of the bedroom. Your shared bedroom.
A sudden cough alerts you, forced as if to grab your attention. A chill crawls up your spine. Oh God, no. You turn to the side to see the man accompanying his side of the bed. And there he was, Toji, lying on his side with his head resting on a hand, looking dead at you. His raven hair looked damp from a recent shower, sporting only a grey wifebeater and dark sweatpants.
"Hey," is all he says to you. No smirk and no nickname followed with the greeting. Just a simple address to you with his green eyes softly watching yours. You almost fall into their inviting spell the more you look at them.
Nonetheless, it's not compelling enough since you remember he's the man you fought with four days ago — the same man you weren't prepared to see right now. You quickly turn away from him and lift the comforter to exit the room. However, Toji grabbed your wrist before your feet could touch the floor, his grip too strong for you to pull away from him.
You avoid eye contact with him, your back facing him. "Toji, let me go. I'm going to sleep."
"Then sleep."
"On the couch, Toji." You try and pull again. Nothing.
"Fuck that, just sleep here. I didn't carry you up here for nothin'."
You shake your head as you exhale through your nose. Of course, he carried me here. "Whatever happened to you not wanting me to be a part of your life?"
The words that left your lips surprised you and the grip around your wrist tightens. You didn't mean to say them, but it was the truth because they were his own words. Or did you?
Still facing away from Toji, you're unable to see his reaction. Oh shit, is he angry? Is he going to let me go after that?
"Darlin', please..." His deep voice hushed for only you to hear. "I just really need you with me here. Just for tonight...." His hold lessens, leaving you to decide whether you should stay.
The silence is uncomfortable for both of you — especially for Toji, who has you where he wants you to be, where you're supposed to be. As seconds pass when he doesn't hear from you, the nervousness that used to exist before your relationship rises back into the pit of his stomach. And his soul drops down when you remove your wrist from his hand.
Though, to his surprise, your hand lifts the comforter up while your legs move back on top of the mattress. You lay back down with a sigh, your back still facing Toji. "Did you give Miki back her blanket?"
Toji exhales quietly, situating himself back on his side of the bed. "Yeah, and Megumi with his toy."
You hum, and the silence fills the room once more.
Toji looks at nothing but your figure next to him, watching the rise and fall of your shoulder as you breathe silently, your face nestled comfortably on the pillow. To think it's been half a week since he last saw you in this room is hard to believe.
That night when you left him really stuck with him. The image of your face covered in tears was all he envisioned, the same with you grabbing your pillow and exiting the room. After tending his stab wound, he went down to talk it out. Yet when Toji saw you sleeping soundly on the couch with dried tears painting your pretty face, he didn't dare wake you up and just went to bed.
And it was worse the following days. Not only did he have you avoiding him at every chance, but he had to deal with the judgmental looks of his children. Never in his life has he seen Megumi give him glares that meant business. If looks could kill, Toji would be finished. And Tsumiki, his sweet little girl, now pesters him about being nice to Y/n, saying he should think about their feelings and apologize.
But what about his feelings? Does no one understand that he was just trying to keep you out of business that you didn't need to fret over? He's very aware that his job is not a normal one. It's dangerous, and anyone around him can get hurt or worse. Hence, keeping you away from this part of his life keeps you and his family safe. If not knowing he's an assassin keeps you from harm's way, why change that.
At least...that's what he thought, not what he said.
Even Shiu Kong, his handler, had something to say after telling him what had happened during lunch today. "Wow. I knew you were trash, but I didn't know you were that dumb, too." The man snickers when Toji shoves a middle finger his way. Shiu lights another cigarette after discarding the one he finishes. "Well, how were they supposed to know you were watching out for them? If someone you love comes to your front door bloody and sick, whose safety are you worrying about?"
Toji says nothing to that, letting the other man resume speaking some sense into him after taking a long sig from his cigarette.
"Look. I can't promise that this angel of yours wants to stay with you after what you said. That's all up to them. But until they decide that, I hope your dumbass realizes when someone sticks with you literally through blood and pain, that's someone who cares for you to the Moon and back. Not saying you should tell them what you do, but a nice word or two of comfort is all they need. If you're not that big of an idiot, reconcile and let them know you care about them."
"...Reconcile and let them know you care about them..."
If there's one thing that Toji has trouble with, it's knowing how to use his words. It was a tiny problem in the earlier stages of your relationship, but as time flew, you could guess how much the tall man cherishes you by his actions rather than words.
The older man knows that you know he loves you. But now, when he's pushed into a position where words are necessary to portray his real feelings for you, he feels stumped.
"If you were goin' to be a thorn on my side like this, I wouldn't have let you be in it in the first place."
Toji grimaces at his own words replaying in his head. Why the fuck did I say that?
"Whatever happened to you not wanting me to be a part of your life?"
Your words ring in his mind. Why did I fuckin' say that for? What the hell is wrong with me? What did—
"Toji?"
He returns to reality, eyes moving back to your still silhouette.
"I know you're still awake, so I'm gonna ask this." Toji braces himself for whatever your soft voice muttered. "Whatever job you're doing, is it a dangerous one?"
Shit. The dreaded talk is here, and Toji cannot escape it.
"Yeah."
"Are you good at your job?"
"It's the only thing I'm good at."
You nod your head aimlessly to his answer. Then you turn around to face the anxious older man. The moonlight peaking through the window blinds illuminates your face beautifully while Toji's breathing slows.
"I don't think that's true," you continue to answer. "You're good at being a father to Tsumiki and Megumi. Not the best, but a decent one nonetheless. You're also good at caring for me; letting me live with you and your family proves that. And lastly," Toji gulps with a dry throat.
"You're good at loving. You say you're lousy at it, but there's love in everything you do for me. It's there when you look at me whenever you think I'm unaware. Or when you silently grab my hand when in crowded areas. Or," a small chuckle exits from you. "When you carry me up from downstairs to the bedroom."
Toji's jade eyes lock in with yours, waiting for you to avert your gaze away from him. But you don't. You keep looking at him. You keep spoiling him. This type of recognition is something Toji never thought he deserved, so you giving it to him so effortlessly makes his growing guilt eat him alive.
"I care about you so much, Toji." You shift closer to Toji and bring a hand to his cheek, causing the man to lift his brows. Your face is only a few inches away from his. "What happened yesterday really scared me. All I could think about was the wound and all the scars you have. Where they all came from and how deep they are. Or......you never coming back."
"Baby..." Toji absently refers to you with a sweet name, placing his big hand on top of yours on his cheek. He lets you finish.
"I know you can't guarantee coming back to me unscathed, but I just want you to promise me something: please let me know you'll be okay. When you're gone, I can only hope you make it back home safely. So, just promise to not get yourself killed." A sheepish smile is used to ease the serious tone. "Even if I'm not in your life, I'm sure Tsumiki and Megumi would be pretty upset to not have you around."
Toji scoffs. "Trust me, I'm sure they'd leave me the moment you step out the door." That makes you laugh, and it has the man swooning hearing it. His hand moves to your cheek, and you allow him to stroke it with a thumb. "And I wouldn't blame 'em. Havin' such a beautiful and loving angel slip through my fingers?"
"Toji..."
"I'm sorry for what I said and scarin' you like that. If you aren't here with me, as part of my life and all, then I don't think I can't make a promise like that. You're too good fr' me, and I'm sorry if I didn't seem to appreciate you until now."
And you know he's genuine with his plea, his green eyes gauging your reaction to see if he's worth another chance. All you do is sigh and lift yourself up, wipe his wet bangs from his forehead, and kiss it. "Not the best apology, but I accept it."
He drones, relishing the feeling of your lips on him again. "So, are we cool, kid?"
"Yeah," you peer down at him with a smile, and he does the same. "We're cool. However, if you ever yell at me again, don't be surprised when I pack my bags."
"Oh yeah?" Toji raises a brow. "I'll be careful, then."
"You better." Hushed chuckles are shared to comfort the silence, enjoying the closeness between you two that felt like forever to have again. Just the two of you with you giggling above him and the light from the window cascading an ethereal glow to your features. Your teeth shied behind pretty lips, lips he wanted to kiss.
And you catch him looking. You notice him wanting you, needing you. Just as much as you need him. You slowly lean down to his face, planting your soft lips on his rigid pair.
Toji's surprised by the action for a moment, but he moans into your mouth and pulls you into him closer. The kiss starts off nice and slow yet quickly changes to one filled with passion and desire. Teeth clashing, tongues exchanging, sweet moans paired with aroused groans.
As you two are lost in each other's lips, Toji carefully maneuvers you on your back with him on top of you. Your legs find purchase around his waist as he rocks into your core, rocking your hips together in a steady rhythm by the second.
His hand snakes down to your lower region, fingers brushing past your pajamas and onto your panty-covered vulva. The intrusion has you breaking the kiss with heavy breaths filling the silent, moonlit room. He busses your chin down to your neck as shaky mewls slip out your mouth.
"Haaah, Toji, we shouldn't. It's late—Hmmm..." Your whimpers don't stop him from pulling your pajamas and undergarments off.
"It's okay, sweetheart, lemme make it up to you." He says in-between kisses on your clavicle, pulling up your shirt to reveal your bare chest. His free hand fondles a breast before his mouth goes for the other. "Let Daddy take care of you..."
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The sudden combination of his thick fingers intruding between your nether folds and his mouth sucking and licking your sensitive nipple has you whining in bliss, your hand gripping his wet raven hair resulting in a satisfied groan from the older man. Toji missed this — missed you — close to him, under him on this bed.
One finger plays with your wet chasm for a few moments before it's inserted inside. A shriek is let out as your cunt adjusts to the digit. "Mmmph! Oh God, Daddy, your fingers...Ahhh!"
A soft 'pop' leaves from Toji's mouth when pulled back from sucking on your nipple, his tongue lapping around the sensitive nob. "What's that, mama? My fingers feelin' good?" You nod rapidly, but that's not the answer Toji's looking for, so he bites on your nipple gingerly yet hard enough for you to jolt. "Daddy wants your words, angel."
"Yesss, yes, your fingers feel soo good," You mewl to him, and Toji chuckles dangerously low while rewarding you with another digit in your slick-coated hole. His abrupt middle finger joins his forefinger in attacking your velvety walls, and your voice shifts higher in ecstasy.
The sounds of Toji's tongue licking around your nipple coincide with the squelches between his fingers and your gushy slit. Your brain starts to short-circuit.
"Ahh! Ahhh! Daddy, I can feel—I'm gonna," Toji's fingers pick up the pace. You're so close to release, you can feel it.
"Gonna be good and cum on Daddy's fingers, right, baby?"
"Mhmmm, I wanna co—Oh, Jesus, I wanna come. Hoooooh..."
"Then go ahead, princess. Mess 'em up." Toji comes up to kiss your forehead as his fingers go irrationally fast, and a thumb sneaks to press down on your unattended clit. With a choked cry, you spasm and cream on his thick digits. He watches you finish, loving the image of your head pushed back on pillows and your body arching towards him.
He dismisses himself from you once you're done, licking his fingers of your essence and taking off his wifebeater and pants. The image of his free cock has you biting your lower lip in anticipation as you discard your shirt to the bedroom floor as well. When you look at Toji, you notice the bandaged patch on his left side. He sees you glimpsing, quick to ease your concerns. "I'll be fine, darlin'. Won't go too crazy." Looking at his scarred body in a new light, you nod and follow his lead.
Toji carries your legs up to move to the right of his shoulder, situating you two into a mating press. His dick aligns with your glossy cunt. Precum meets slick and lubricates the two sexes pushing into each other. Toji coaxes you. "Too tense, ma. Relax fr' me." You prepare yourself with even breaths, and the man pushes into you with each exhale.
The head of his cock enters, a cry departs from your lips, and Toji hisses with the tightness of your slit. His hips go slow, making sure your walls accommodate every vein and dent of his dick as it ventures deep within you. Hits to your G-spot have you babbling incoherent prayers, gripping the sheets under you.
When his cockhead finally meets your cervix, you sob his name in rapture. Toji smirks, dialing the pace of his thrusts up. "Mmmm, Christ, yr' tight pussy. So fuckin' perfect fr' me."
Every stroke prompts a euphoric moan from you, drool escaping your lips as your mind turns into putty. The noises of his pelvis smacking on your ass feel so wrong to hear, yet you can't help but grip around Toji's girthy length. It gets worse when he presses his entire body weight on you, forcing you to take his cock and abusing your tender cervix with every deep rut.
As for Toji, he's enjoying seeing you writhe and pant under his bow. The corner of your eyes sprinkled with tears, your mouth wailing in euphoric chants, the way your cunt clamps around his dick when he grinds his hips deep onto your come-covered folds. He can never get enough of this, enough of you, driving him so fucking crazy.
"Daddyyy, I'm gonna—Ahhaaaa!!" Toji's now going at an erratic cadence, his cock churning your insides as his heavy balls slapping your folds being the only things you can listen to. Your whines get higher and higher while chasing your climax. "Cu-cumming, I'm gonna cumm—Ohhh!!"
"Hnngh! Oh, shit, fuck, fuck. Me too, kid, me too," Toji groans into your ear. God, his deep voice makes your brain mush. "Oooooh, want me to fill you up, mama?"
Your head nods frantically, tears now staining your face. "Yessss, please, Daddy!! I want it!" Toji hears your pleas and smashes his mouth into yours, moans swapped between lips with tongues daubed in saliva. A hand is moved down to your clit, pinching the spot between Toji's forefinger and thumb. And your pussy tightens around his cock one last time before you peak onto him.
The fluttery spasms of your walls clenching around Toji have him finish in three deep strokes, spurting his seed inside you before he relaxes his heaving body on yours. The kiss breaks with you two huffing and panting, the final moments of your high finally depleting out of your nude bodies.
His green eyes take in your dazed expression, calloused fingers wiping your tears away. "How's that for an apology?"
"You pervy old man," You chuckle to yourself, so out of breath. "You're more of a man of action anyway, so you pulled through. "
"Hehe, I'll take it." He cups your jaw with his big hand, your eyes locked in with his. "I love you so fuckin' much, baby. Sorry for ever making you think otherwise."
You blink once. Twice. Your hands come up to his face, and a finger swipes away black bangs stuck to his sweaty forehead. "I love you too, Toji. I would've left your ass if you weren't."
Toji smiles and leans in to kiss your swollen lips with his scared ones; however, a sharp pain stops him, prompting the big man to yell out. Worried, you try to assess what's wrong. Then you see it: the blood-stained bandage on his left side.
A gasp catches his attention, and Toji turns to what you're gawking at. His body freezes, seeing the trail of blood exit from his reopened wound.
"Ahhhh shit..."
⋆⁺。˚⋆˙‧₊✩₊‧˙⋆˚。⁺⋆
"Well, well, well," Utahime smirks at you through the screen. "I see you're not on the couch anymore."
You smile sheepishly as you lie on the pillows and headboard of your shared bed. Tsumiki and Megumi huddle beside you, napping blissfully around your presence under Tsumiki's pink blanket.
"Yeah, we made up last night." To avoid disturbing the children, you reply in whispers.
Mei Mei hums. "I see that. I assume you two had a nice talk about it?" You open your mouth, but no words come out. The two women quirk up a brow.
"Oh? I take it that there was more than just talking." Utahime chimes in, her smile going ear to ear while your eyes avoid the screen. "No wonder we didn't see you at work today. The dick so good it saved your relationship, huh?" She laughs at you hushing her up for using crude language while the children sleep. "Well, happy you two figured it out. But don't think I won't come over there and beat his ass the next time I see you on that couch."
"I second that," Mei Mei agrees. "But Uta can do the beatdown; I'm more interested in what he has in his wallet."
"Not much, I'll tell you that." you correct your friend. "I'm the one who takes care of his finances for safe-keeping."
"Well, that makes things easier for me."
The three of you laugh through your devices. Then you hear heavy footsteps drawing closer from the stairs. "Oop, he's back now. I'll talk to you guys later!" You hurriedly wave and kiss your friends goodbye before ending the video call. The bedroom door opens, and there he is.
Toji flashes a quick smile at you before it vanishes once he sees his kids nestled around you. "I was hopin' to get some alone time with you."
You giggle as you brush Tsumik's hair away from her pretty face. "You're back early. Is your wound okay now?"
"Hmph, yeah, thanks to you pushin' me out the way and grabbin' for the first aid kit." Toji pokes fun at you for the event from last night, where you immediately pushed the brawny man off of you and ran for the tools necessary to treat his open injury the moment you saw blood. You chuckle and watch the tall man climb into bed. "Doc said it should fully heal within a week or two. Why the squirts here?"
"They were happy to find me back in the room for a nap, so they joined me and kept me company." Megumi snuggles close to you for warmth, and you pick him up to your chest.
"Well, they're takin' my spot."
"I don't think they care."
Toji pinches your nose for your snarky remark, and you wriggle out of his fingers with quiet chuckles. His hand then cups your face and pulls you to face him, his emerald eyes softly gazing into you.
"You know I love the hell outta you, right?" His deep voice sounds sweet to the ears. You purr into his hand. "And I hope you know I'm the same for you." He nods. You smile.
He hesitates for a split second, but Toji leans close to kiss your tender lips. Only for a tiny hand to come smacking him in the face, halting him from further movement. To the shock of you both, Megumi was back awake, sending a mean look at his father.
Toji groans in annoyance. "What was that for, brat?"
"For making Y/n sad." Megumi keeps his hold on you secure as he and Toji mean-mug each other. Queuing Tsumiki from her slumber, defending you from her father. "Apologize or stay away!" The little girl warns the older man.
You're quick to break up the mini-fight amongst the Fushiguros. "Alright, kids, no need to worry about me. Your dad already apologized to me by promising to take us out for dinner tonight." Childish faces beam in delight while Toji shifts to instant puzzlement. "Now go get ready and put on your shoes!" Tsumiki and Megumi do just that, rushing out of your shared room and to their own.
When you can't hear the pitter-patter of little feet anymore, you feel big strong arms haul you into Toji's embrace, attacking you with tickles. You try to squirm your way out, but it's no use when he uses his body to cage you in. "Who told you to make promises on my name, huh? You tryna be bratty with me, kid?" He grins at your ticklish suffering.
"Then don't you—Oh God, stop!" It's difficult finishing your statement while fighting back laughter and screams. "Don't you ever yell at me again!"
He stops tickling you, thank God. You catch your breath as Toji looks at you under him with a proud smile. "I don't plan on it, sweetie. Now c'mere."
Toji finally has his lips placed on your soft ones, and you happily return the favor by wrapping your arms around his neck to pepper him with delicate kisses. But the romantic atmosphere vanishes when the children come and dogpile on Toji after hearing your ticklish screams, forcing the older Fushiguro off of you to deal with his kids with tickles of their own.
Observing the children laugh and squirm under Toji's merciless fingers, a soft smile adorns your face watching the domestic display before you and thinking how lucky you are to witness such a thing. Well, that's before all three of them turn to you and bring you another ticklish horror.
And despite the torture, your screams and giggles are filled with pure joy and contentment, and you wouldn't have it any other way.
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natalchartnurtures · 25 days
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PAC: Energy Check~ for wherever you are right now
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This was completely unplanned but frankly spirit doesn't give a fuck about my plans. So if this found you, here are some messages you probably need right now-
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pile 1: Ooh.. as I was preparing to start your reading, I saw 11:11 as the Chariot card showed up for you. This. Tells me that you are pretty strongly connected to your divine path right now, which simply means that you're doing something that's keeping you in alignment, sweet pile one! Good job! Keep going down this road because you WILL stumble upon amazing experiences and people! This message is coming through quite strongly. Now, isn't that lovely? Hehe.
Here's the thing, though.. Although you're actually IN alignment with your greatest timeline and life, you seem to be completely UNAWARE of the fact! You might be going through the necessary purging emotionally and/or mentally as a result of this alignment since the "old stuff" has no more room in your new vibration anymore. So, you've probably had to go through some intense endings and/or tower moments in life lately and THIS has left you feeling really, really sad. Maybe even depressed. For some of you, if that's the case, please seek help, sweet soul. It doesn't have to be therapy but even as simple as talking to a trusted loved one, you know? Or even journaling about it could help if you're into it. It seems like you could use a new perspective on the things you're going through right now. I'm sensing that you might be feeling emotionally numb right now too, but that's because you've been doing a lot of emotional processing lately AND IT'S ALL PAYING OFF. I just need you to know that. You just can't see it right now because you're slap dead in the middle of the storm, and I'm looking at it from a bird's eye view, you know?
While you're purging old stuff, I also see you making your way through an old core belief - "I gotta work hard to be deserving of anything because I inherently don't" Or something along those lines. You may have started purging this belief as a result of life showing you that it's simply not something worth keeping alive inside you. Maybe recently, you caught yourself overworking yourself to death only to receive very little in return (in any area of your life - relationships included) and this experience helped you wake up to this unhelpful belief of yours. You're unlearning this belief as we speak. It's not easy though, but I CAN assure you, you're acing it.
If you find yourself worrying too much about anything and everything or simply feeling a general fear, just know that it's a normal reaction to having things uprooted in your life. Life, right now, is asking you to do your best to focus on what's right in front of you because if you do this, the future is guaranteed to sort itself out. I promise.
I love you so much, pile 1. I see all your hard work and am rooting for you SO hard, bro. Love and light.
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Pile 2: Seems like to me that y'all have been STUCK in a particular pattern for a while now, maybe years? For some of you folks reading? Let me spell it out for you what this pattern looks like to me - an imbalance of the mind and heart. Too much mind and too little heart. Maybe none at all.
I can't seem to tap into the root of this imbalance, maybe because it's different for each of you reading, OR maybe it's not relevant to us right now because you can simply begin to address this imbalance as you see it in your day-to-day. But I sense that you're really good at addressing things, so once you're conscious of this pattern going on subtly in the background, running your life, you can really do something about this. This pattern may show up as you struggling with feeling fear, and this is blocking you off to one very important thing fear is here to show us, and that is how to support ourselves. If we are afraid of something we desire and have a healthy relationship with fear, we go for the desire while caretaking our fear. I read a quote the other day, it said "Do that thing you love but if you find that you're scared, then go do it scared." The point I'm trying to make is, fear isn't going to go away on its own, it's you who will simply expand your ability to hold space for it AND your desires equally. When you figure out how to do this, magic will happen in your life. You'll find that your unwillingness to caretake your fear only gave you more things to be afraid of (because, hello, Law Of Attraction *lol*), BUT you'll also find that when you radically start taking responsibility for your fear(s), you'll be able to act from a wiser space and be your full badass self. You'll find that there are so many things you CAN do and so much life you CAN live. Everything you've wanted to start doing in life will start to happen almost seamlessly. It WILL surprise you big time. You're currently making your way through an important part of your healing, and that is to hold yourself in all your glory. To hold all parts of yourself, even the ones that are scared shitless. Once you've integrated this segment of your healing, SO many doors will unlock for you. Sweet soul, you have no clue of JUST HOW MANY. And this… is probably because you manifest with your heart primarily (meaning you feel things deeply and so you unknowingly tap into the frequency of what you want easily) and your fear is keeping you stuck in your head, which means you're only 40% of the full You right now, PRIOR the healing of c. You might even feel it sometimes. You might feel like you're only a shell of a person (been there myself, you're not alone in this!). Listen to that feeling. Your truth lies in there. You're meant to be the 100% you, and I see that you're already halfway there!
I love you so much, pile 2, sending you so much light and love. Hope you find the resources you need to make it through to your new life where you live in more love than fear.
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Pile 3: Man… y'all been fighting for your lives, huh? I see that you may be in the midst of a lot of divinely evoked darkness? Lol, I literally heard that - divinely evoked darkness. Maybe you're going through a dark night of the soul, perhaps? Whatever your're going through though, it seems like you've been hanging on for dear life.
Some good news for you- no matter the circumstances you're in right now (be it good, bad, or terrible), you've been doing all the work necessary to keep your head above water and have been diligently nurturing your own light, positivity, and essence. THAT'S incredible resilience, sweet pile 3, and I'm really proud of you! It's not easy to keep an open heart through bad times, and that's such a grand achievement in my eyes. UGH, BEAUTIFUL.
Your energy SCREAMS transition period vibes. You seem to be neither in your "old" timeline nor in the new one yet. You're sorta hanging in the middle right now. I see the Hanged Man in the third eye as I tell you this. Feels like you're in the void right now, and things just seem… bleh. Boring. Colorless. This is probably because you're already done with the ugly part of the process, "the divine shakeups", the loss, and the purge. Think… the bland but peaceful feeling you feel after having an intense ugly crying session, you know? Yeah, you're energetically there right now. You'll probably be here for a while longer because you've let go of MAJOR stuff, pile 3. Did you let go of people recently, maybe? Or that old bad habit, perhaps? That was the purge, so to speak. And now you're in the aftermath of it all, the uncomfortable but necessary calm.
-Side note: You might've struggled to embody your divine feminine earlier, but the timeline you're entering right now is the exact opposite of that. You might be attracted towards things that will help you nurture your own divine feminine right now. Give into it. Nurture patience, stillness, and compassion for self. It will HOPEFULLY speed up the void period if you consciously take part in it, you know?-
You're quite emotionally intelligent, and it has guided you throughout the whole process, and it also seems like it ain't your first rodeo in the process of proverbial death and rebirth. Good on you because you're doing a real good job keeping your calm through venturing into the unknown. You know what? You remind me of Elsa from Frozen, taking on the unknown like it belongs to her. You are such a queen, omg.
Yep, all that's left to do now is celebrate yourself, pile 3! Try your best to embrace this period, the void, and you'll be on your way to your next happy adventure! Love and light, sweet soul. Thanks for sharing your energy with me today.
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obae-me · 1 year
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Human Things that Confuse the Non-Humans
I've seen a lot of headcanons on my feed recently that are all about demonic traits and things that seem to scare or facinate MC, but what about the opposite? So I was wondering what sort of typical human things might either unsettle the non-humans, confuse them, or enchant them in some way.
Most of these are based off of personal heasdcanons I already have, so it's very self indulgent.
If ya'll have any other ideas, feel free to share, I'd love to hear them.
Also not proof read cuz I'm writing this at like 5 am due to sleep issues.
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Circadian Rythem. I've always wanted to bring up how I headcanon that the Devildom doesn't even follow a 24 hour schedule, since the 24 hour thing is entirely based around the sun, and since they don't have a sun, it makes sense that days would follow some other set rule (I always think that Devildom days are much much longer, hence why MC is caught so many times in canon just taking naps wherever even when Belphie is not around), but that's a headcanon for another time. Anyways, I think the fact that Humans almost need to follow a certain sleeping schedule would totally confuse the demons. Demons only really sleep to stay at their strongest, it's not as vital to them. And the fact that humans can die if they don't get the proper sleep? Totally freaks them out. If MC ever pulls an all-nighter, they all think they're one foot in the grave. Having Solomon and MC getting naturally sleepy more often than the non-humans do might seem pretty adorable at times though.
The fact that human hair does indeed shed. I don't personally think demon or angelic hair would, I feel like hair is something they can change at will within reason (There is a chat with Mammon about him getting his haircut, but he said he was going to change it, so I like to think he made it grow back instantly and cut it like normal again). So I like to think that MC or Solomon leaving strands of hair behind is shocking, because the non-humans only ever associated that trait with animals, but they also find it weirdly cute in a way. The demons and angels do try to ask to comb or brush Solomon's and/or MC's hair from time to time. They feel like they're helping.
Being able to roll (curl? Fold?) your tongue. I think it would be hilarious if despite the millions of other things demons and angels can do, none of them can roll their tongues. And then they get confused too when they discover that not every human can do it either, just certain ones. Solomon can do it and treats it like a party trick.
Allergies. I don't know if it's said in Canon anywhere that demons and angels can have allergies...I hope not because (as much as it sucks) it would make sense for it to just be a human thing. Just the concept entirely would have the non-human's heads spin. What do you mean certain things can just have your body essentially attack itself? And it's different for every human? It can be quite literally anything? (The non-humans would absolutely have a heart attack if they knew about mine)
Human mimicry. I think we as humans just have a natural instinct to mimic or repeat certain things. It's a lot more noticeable with internet culture and memes and references and things, but I think a very human thing to do is repeat or mock things we come into contact with. For example, if we hear an animal noise, we try to repeat it like we're talking to it. If we see something in a weird position, we might try to pose like it, etc. We try to relate to things, which is why personification is so prominent in everything we do. (Like how some of us tell wobbily objects to stay or loud machines to shut up) The non-humans think this is very cute. They don't really do that. The closest thing they might relate to is a current trend, but those pass by rather quickly. Mammon probably thinks we're almost like a bunch of crows.
Emotional control/suppression. Hear me out. It's well known in canon that the brothers blow up easily. They'll fight someone over miniscule things. Even Lucifer, who says he prides himself on his control, loses his temper quite often. And Mammon, while seemingly the best at controlling anger, is very open about all his other emotions. The only two demons that clearly have the best control overall are Barbatos and Diavolo who are the two most powerful demons in the Devildom. It probably takes so much energy and power to keep themselves in check. We hardly ever see that dark aura around them if at all in the game, which seems to give the two this unspoken common respect. As for angels, it was already mentioned once that the angels do have magical methods forcibly controlling emotions, and despite that, I'm sure it takes ages of training and practice to get to the level of "patient perfection" they're supposed to exhibit. Now, humans aren't perfect, and of course, there's a lot of nuance to this like mental illness I won't get into, but generally speaking, we quickly learn how to regulate our emotions or how to supress them for society's sake. At the very least, when we get angry we dont suddenly get surrounded by a dark shadow or shift into a different form. And I like to think this terrifies the non-humans to a degree. They don't know when humans are angry or upset until it's blatantly obvious. They already are off-put by Solomon because they never really know what he's up to. And what if it's not even because he's doing "weird" things, what if it's just because he seems to be so calm all the time and no one knows how to read him? None of them know how to read human body language. There's no aura to see, no puffed up wings, no glowing eyes, no whipping tails. Humans can just...stand there, sometimes with a blank expression, sometimes just staring. It can give even the stronger willed beings the creeps. Bonus points if MC is great at masking too. You mean humans can just...take extreme emotions and tuck them away for later? I'm sure that's an absolutely wild concept. Most of the non-humans are just not capable of that kind of control. Albeit its not always the healthiest option, but just the fact that humans have the willpower to just sometimes choose or force themselves not to feel at all is Barbatos level intimidating.
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