#analyzing fandom

[smallmartiniolive]

Thinking abt how Jurassic Park is like obviously abt chaos and the evils of mindless capitalism that destroys what it touches for a profit but also it’s abt the people you know? This is coming from the movie standpoint bc the book didn’t really check off the right boxes for me but the movies are just so inherently abt people and connection! To me

I’m gonna just give my thoughts abt mainly dinot3 bc they are something. So special. To me.

Imagine you’re Alan Grant, in love w dinosaurs and being in the field, ur at the top of your game and it doesn’t even matter as long as you get to study what you love. Then, unexpectedly! You get to share this passion and love w another person and part of you doesn’t understand why it works but that’s ok as long you get to dig up dinosaurs and be with her, Dr. Sattler (understandable

Imagine being Dr. Sattler and always chasing after something and wanting more. You find the love of your life and he doesn’t hold you back at all, he’s perfect! You both thrive in your own lanes! You get on a helicopter to who knows where and you meet this exciting new guy, you don’t love him, not like Grant but he’s exciting and new and you feel like he sees you for something you’re not even sure you see yourself

Imagine you’re Ian Malcolm and you’re made aware of people trying to remake dinosaurs and you know it’s impossible but you also know that life finds a way so you go along. You flirt w some paleontologists, have fun, berate the senselessness of the actions around you. I mean what else is there to do. Then, you get a life altering injury that’s gonna bug you forever and the last person you see is a person you hoped you got to save, who is risking his life to save children (I.e. Grant) and then suddenly you’re waking up to the face that saves you (I.e. Sattler).

And through that all, nobody comes out ok! There’s nightmares and injuries and assumedly they’re quarantined in a Costan Rican hospital till everything’s sorted and people are good to go. Alan and Ellie always find each other, planets in orbit etc, and of course Lex and Tim are connected to Alan after everything. The kids cling to them and they protect them, but also they at least have each other and are stronger for it, but it also makes them aware of how awful it would be to be alone right now- Ian Malcolm. So they all spend time together drifting in and out of hospital rooms (most commonly Ian’s bc he can’t move around much) and after all that they’re connected by shared experiences and the knowledge they can’t share. Pandora’s box and all that but they all end up woven together.

They separate but I’m sure it’s apparent that Malcolm ends up alone, not wanting to rely on anyone, especially not his ex-wives and kids cause that would be unfair and even in pain he’s still trying to protect other people. So they end up together again, how could they not? Malcolm needs help, they all do but that’s a touchy topic and it’s easier to focus on what they can see. Alan and Ellie and Ian finish up at the dig and Alan just wants everything to be the same so he can forget and Ian needs the change, but Ellie? She’s not really sure and it leaves her unsteady.

All at the same time you have Malcolm writing his book bc the truth was always what was most important to him, like Alan to dinosaurs. Alan doesn’t want him to ruin his life, and Ellie wants to support him but doesn’t know how but they coexist.

Ian gets better. He leaves w/ Sara a woman he met shortly after the hospital and whom he seems inexplicably fond of having witty banter with. He leaves so that when he publishes his book it doesn’t come down on them, he leaves because Ian Malcolm has never been one to want to settle down and he’s afraid of becoming complacent, that if he stops moving he’ll lose something critical (he’s shark-like, Ian).

And then the digs over and Alan’s ready to throw himself back into another, but Ellie simply isn’t. She gets a teaching position in another state, and Alan doesn’t ask her to stay but by god he wants to (just like he wanted to w Ian although he never had the chance bc he was gone so much quicker) and it’s the biggest mistake he ever makes.

Ellie leaves. Ian reconnects w his kids, reminded by Alan and Ellie how important family is and that hiding only does them a disservice. Alan digs.

They still stay relatively close, stuck in orbit even though they’re separated, they message and mail and spontaneously stop by when they’re in town (Ian). There’s distance but it’s not uncrossable, they’re still there for each other. They still call and those calls never go unanswered, no matter how late.

Ian goes to Isla Sorna and it’s shoved in his face that he’s changed, whether he wanted to or not. He wants something more stable, of course he still wants independence but he also wants to come home to *something* (he misses what he had w Alan and Ellie but he’s trying to avoid that iceberg). Alan and Ellie find out and it’s the beginning of an end, they fly out immediately and check in w him, and stay a few days. But. But Ian didn’t tell them, didn’t tell them abt something so critical to the three of them.

They grow a lil farther apart.

Alan goes back to work. Ian mutually splits w Sara (word is she and Nick have something weird going on when they aren’t traveling the world for respective careers)

Ellie marries Mark, the guy she met while teaching. He made her laugh and was a lil plain but she liked it (reminded her of Alan). Although Mark is different, he brings up kids on the third date and he’s everything she needs right now, he’s stable and kind and his job travels w him so she never has to worry which would take precedence (her or the job). He loves her for her or what she is right now and there’s something in the back of her mind but she loves him and they build a life together.

Ian meets a woman he can settle down with, an intellectual and a perfect mix of Ellie and Alan (although he doesn’t know it) and he settles down too, finally ready for that build-a-family lifestyle that he’s started to want. They have two kids (canon compliant due to the five kids comment in Dominion) probably around Ellie’s kids age, they probably have play dates. Alan doesn’t come around too much but he mails occasionally or helps set up furniture, but he’s undeniably pulling away.

Alan who couldn’t just ask people to stay, is alone and he’s become increasingly aware because of his new grad student. Billy Brennan is a mirror, he’s everything Alan was (admittedly more flirtatious tho) and Alan can’t do anything but nurture it because he wouldn’t even know how to change (because god knows he wants to). So he pulls away and focuses on work and at least w Billy he’s not alone and maybe maybe he can help him get on a better track (his version of accepting defeat)

Of course he doesn’t stop seeing Ellie or visiting w Ian over mail or the occasional spontaneous visit (couldn’t bring himself to) but he pulls away still. During play dates, Ian sneaks looks at Ellie’s calendar and will conveniently tell Alan when Marks out on business ( bc I refuse to believe Alan didn’t visit Ellie even tho Mark first meets him when Charlie is 2 so I believe he snuck on in cus it makes sense you know). Alan loves Ellie’s kids more than himself and probably bought Charlie his dinosaur toys (Ellie groans abt his taste but she knew it would happen and loves him anyway).

And then Alan, who has never really been alone but has isolated himself to that point, gets a chance to see dinosaurs again (he says it’s for the money but dinosaurs are what’s always made sense to him). He gets lost. He’s got no way out. He calls Ellie bc she’s always been his beacon of light, saving grace, Hail Mary etc etc. (Also him bringing Ian up to Eric bc that man has never been normal about *either* of them).

Ellie meets him at the hospital (maybe w Ian who knows) and Alan is made increasingly aware (between yelling and crying and thank gods) that he’s not alone he’ll never be alone as long as they’re around.

And after that they’re sort of ok. They have regular visits and there’s distance but they settle, they try. They bitch abt Jurassic World together and how all the kids they’ve collected are doing. One of Ian’s eldest going into paleontology bc she met Alan Grant at the age of 15 and it altered how she thought academically and Ian is exhausted. Ian and Ellie’s partners don’t really understand it but they also know not to interfere (even if sometimes frantic calls wake them up in the middle of the night).

Alan stays in his ways (hoping for a change but not seeking one).

Ian and his wife have a tiff bc she accused him of loving her bc he loves Alan and Ellie at least at first (still does in a different and perhaps more powerful way than her?) and he can’t lie bc it’s all the truth with him. He says it’s not fair to her to not know that Alan and Ellie are just his people, you get it. She doesn’t, not really, it only ever made sense to the three of them. They divorce but it’s amicable.

Ellie and Mark have been on the rocks for a little, they’re relationship has always been a bit boring but that was never a real problem. However, she wants to go out and do more field work (writing books was great but she’s ready for a change bc the world turns quick but she’s always moved faster). He wants to have an at home life and one thing spirals to another. She chose him bc he’d never need to choose between anything and she wouldn’t either, they could both have everything and he’s a great guy, but. But now she needs a change and once again she’s left in a situation where someone can’t bend for her, so she breaks it. They divorce and it’s heartbreaking, they love each other, but Ellie has always needed some flexibility (she calls Alan and Ian later on and they drop plans to have dinner together, she doesn’t bring up the break up but she does note how they changed things for *her*, it’s nice maybe they changed)

Maybe they’ve all changed a lil you know? Ian travels, lectures, makes connections, and visits w the people he loves. Ellie writes paper after amazing paper after amazing book between field work. Alan digs. They communicate in academic papers and books that they send each other, their love notes are annotations that feel a lil too raw so they’re kept private. Every new paper and book and interview fuels the three of them forward and keeps them in orbit. Despite everything.

Then, Ian is hired by Biosyn (Ellie encourages it a bit bc she doesn’t trust them, Alan discourages it for the same reason). And then they’re back, they are SO back. They come together to fight against what they’ve always had to fight against, it’s a lil exhausting but they have each other. Through it all it’s always them. Every single time. Alan and Ellie meet and see each other like they don’t see anyone else. It’s a little unfair to Ian because they’re prepared and his entire world gets flipped for a second when he sees them (it’s ok he recovers pretty quick). They fall in step, into old conversations and patterns.

And between taking down Biosyn and avoiding dinosaurs they all kind of fall in love, not again bc it’s always been that way for them but it’s just so so apparent. They can’t give each other up and everytime they look at each other there’s comfort and understanding without words. It was easier to deny a part but now they are here and it’s just so. Perfect

Ellie tells Alan she needs to go, she’s always been too fast for this world, Alan tells her he’ll stay which is the best love declaration she could have asked for.

Ian says he needs to tell the truth, he’s always had to, and they say “we’ll be with the you, we will tell the truth with you.” You know and that’s their love declaration, Thats them asking him to stay, to be with them.

And at the end of it all, Alan says in the end he’d just rather not be lonely again, and Ian and Ellie look at him like he’s absurd bc of course he’s stuck w them now. It’s always been them even if they didn’t realize it

OH MY GOD LOOOOONG POST IM SORRY IM NOT NORMAL AT ALL HAHA. Dinot3 is something I’m not normal about because look at their stories!! Look at how through everything they fit together!! They are in Montana somewhere rn having a beer and laughing abt something silly one of them did and talking abt their collective kiddos.

TLDR; just my thoughts on DINOT3 and just their canon timeline and how it’s always been those three.

[maidenvault]

Not “Only my reading of canon is correct” or “Interpretations are subjective and all valid” but a secret third thing, “More than one interpretation can be valid but there’s a reason your English teacher had you cite quotes and examples in your papers, you have to have a strong argument that your interpretation is actually supported by the text or it is just wrong and I’m fine with telling you it’s wrong, actually.”

[secretmellowblog]

People who try to analyze what happened on Tumblr on November 5th, 2020, often really overstate how much it was actually “about” Supernatural. As someone who has never been in the supernatural fandom ever but dID join in on the hysterical destielposting—it was really more about the stress of the pandemic and the 2020 presidential election.

The two biggest Youtubers I’ve seen try to dissect “what happened that November 5th” in video essays both weren’t American—- and I think that explains why they both tried to explain the hysteria primarily via analyzing the Supernatural fandom/the original show, rather than through the lens of the election. And while those videos are cool, valid, informational, and make lots of really well-considered interesting points— I can tell you that me and almost all my mutuals had literally no knowledge or interest in the fact that “oh supernatural had made nods at the ship in the past but the creators were adamant that I wouldn’t be canon” or etc etc etc etc. the first time I learned about any of that context was way later, watching videos where people claimed that fandom history context (that I did not know anything about) was the actual reason for the hysteria.

But the reality is that people latched on to the Destiel stuff because it was a piece of big useless inane zero-stakes fandom news in a time when we were desperately waiting for serious high stakes election news. We were latching onto a “positive “ piece of inane stupid fandom news in a time of great stress, with all the desperation of a drowning man who latches onto whatever piece of wood will keep him afloat.

The core of the hysteria was that Americans (who make up a huge chunk of tumblr’s userbase) were currently glued to their laptops watching the live presidential election vote counts come in. These vote counts were taking an extended amount of time due to the pandemic causing high numbers of mail-in ballots, resulting in a constant state of Election Day Stress for multiple days straight.

This was also during the height of the Pandemic. People had predicted Trump’s presidency would be bad; no one had predicted it would be this apocalyptically bad. No one had predicted pandemics and lockdowns and hospitals overflowing with bodybags. remember Trump spreading Covid lies and conspiracies?? There were so many Qanon conspiracies about democrats being Satanic child traffickers who had to be put to death, and coup threats were mounting from the right wing side. It seemed like this election was a choice between ‘centrist democrat’ and “apocalyptic right wing conspiracy theory authoritarianism,” in the midst of pandemic conditions that people feared would never ever improve— and it seemed like a close election.

Another major point was that Trump voters were more likely to be antimaskers/Covid deniers, while Biden voters were more likely to take the pandemic seriously— so Biden voters were more likely to send in mail-in ballots instead of risking the in-person voting crowds, which meant their ballots would take much longer to count. And so, in many state electoral vote counts, it would initially seem like Trump was very far in the lead— only for Biden to slooooowly build up an agonizingly small lead as the mail in ballots came in, and then defeat Trump at the very end.

So you’re just watching these news sites giving live election updates, refreshing the page every 2 minutes to see if you’re going to live under a spineless centrist democrat or a literal Qanon Dictatorship. And then you go on tumblr to distract yourself, and there’s more election posting, and more agonizing over the votes, and more stress and despair—-

And then it’s been days and we’re right at the crucial tipping point where it’s anyone’s game and the next few hours will determine whether Trump will win, so you need to keep your eye on the vote count, because the next hours will determine the future of the pandemic and your country and your plans for your entire life—

And then stupid Destiel becomes canon! And it becomes canon in the silliest way possible!

If Destiel had become canon at any other time, it would have been a big goofy tumblr celebration? But we wouldn’t have gotten the insane explosion of hysterical interaction.

The entire core of it was the contrast between the inane meaningless stupidity of fandom news vs the actual stressful election news you wanted to hear! It really is best conveyed in that meme where Castiel says “I love you” and Dean indifferently responds with a piece of important election news.

It’s about the contrast between the low-stakes inanity of fandom and the massive life-destroying stakes of a terrifying election. There really was no reason it had be Supernatural specifically, except that Supernatural was a thing everyone knew basic things about from dashboard osmosis— it could’ve been any other equally huge silly fandom ship news about a ship everyone *knew of* but might not necessarily be invested in (ex. Stucky becoming canon, Johnlock becoming canon, Kirk/Spock becoming more canon somehow, etc etc etc.)

I think it’s true that people who weren’t paying agonizingly close attention to the American election news got swept up in it, and that non American Supernatural fans also were extremely excited for purely fandom reasons — but the entire reason it blew up to an unprecedented degree was because of that core of stressed out terrified Americans glued to their computers watching election results and suddenly receiving stupid fandom news instead, and deciding to just hysterically parodically hyper-celebrate this absurd useless zero-stakes news.

I think it was also all elevated by the fact that, as I said before, this happened at the crucial “tipping point” of the election where the next few hours would determine the winner. The fact that Biden began to slowly develop a lead in the hours after made it feel, hysterically, as if the hours after Destiel became canon was somehow the turning point where he began to win; so celebrating Destiel felt like celebrating that slow turn towards victory.

The tl,dr is that it’s so important to Remember the Fifth of November …..in preparation the inevitable hysteria that will happen in the presidential election on November 5th of next year. XD. Personally I’m rooting for Johnlock or Frodo/Sam to somehow become canon in the eleventh hour right before the democrats win

[witless-winion1]

“Father?”

Obviously, the first time Odysseus heard his son say that in ICHBW, he thinks it’s the sweetest sound he’s heard yet in this world. He treasures being called father of Telemachus, and more so from his son’s own lips.

As he settles back into home, however, he slowly starts to mourn what his son calls him. Penelope tells him Telemachus used to call her mommy, then Mom. He still calls her Mom. And he’s Father.

He tries to scold himself, to be thankful that his son is comfortable with him; they’re growing closer, Odysseus is showing his son how to carve and talking about his many adventures in the 20 years away from home (the least traumatic ones, anyway), and Telemachus is talking to him about Ithaca and how training with Athena is going, etc etc., but he’s always Father.

and he mourns that he missed the younger years where he would have been called daddy and Dad. He wants to be a Dad, not a Father.

He’s minding his business around the castle, thinking about whether Athena would like a carved mask or patch for her scarred eye as a gift, when he hears his son’s now familiar, memorized voice call him.

“Hey, Dad!”

He turns his head to see Telemachus, smiling (albeit a bit nervously) and waving for him to come over, pointing out at a bright pair of birds that are building a nest together. (Penelope definitely didn’t tell him that she’d heard Odysseus making miniature puppy eyes every time he called her Mom and Odysseus Father. Of course not.)

Telemachus nearly panics when Odysseus starts crying, figuring that he had some sort of trauma connected to birds (let’s be honest, what doesn’t he have PTSD with), and Odysseus just gives him a big ol bear hug, sniffling and muttering that he loves him.

Telemachus never calls him Father again.

[idolomantises]

I find Sarcastic Chorus's video on why he's quitting Helluva Boss really interesting but I'm kind of baffled by the number of people straight up not understanding his reasoning for quitting. I think it's interesting how both his video and the online reaction to it is basically the consequences of modern fandoms treating art like its something to mindlessly consume and not worth analyzing and critiqing, or else you're consuming it "wrong".

Like his argument isn't that he hates the show or that he was forcing himself to criticize the show, in fact one of his main problems was that he couldn't be MORE honest in his reviews because of how fans would react to it. The problem was that when your job is to analyze a show, and it has way too many problems to ignore, and you're dealing with a hyper-sensitive fanbase that's hostile to criticism, you end up feeling exhausted or flat out disinterested in reviewing it.

I actually find it really concerning that fans are coping so hard with him quitting that they're framing it like its his problem because he was "looking for problems on purpose" when it was pretty obvious that it genuinely makes him kind of miserable trying to pick apart the show's issues. I remember when he was SO confident that Hazbin Hotel would be amazing and "prove the haters wrong" only for him to acknowledge that it was a complete mess. I'm honestly more confused by the fans who watch a reviewer and then get mad when he... reviews things. It's not even that they disagree with him, but the audacity to even point out very noticeable flaws in the product is enough to set them off and accuse him of being a clout chaser and a hater. Like do you want to see a review or did you just want to watch someone lie to you and blindly praise a series for 30 minutes, because i find it really odd that so many fans are insistent that he should've done the latter.

I also got pretty annoyed by this insistence that he wouldn't have turned on this show if he didnt criticize it and "turned his brain off" instead which is the same stupid excuse people gave for Hazbin's sloppy writing. and I just find that just... baffling? Hazbin Hotel and Helluva Boss, as extremely flawed as they are, are clearly shows made with the clear intention of being taken seriously. Ffs the crew calls Helluva Boss "queer Bojack Horseman". Helluva Boss tackles topics like abuse, trauma, classism, racism, toxic relationships and redemption and Hazbin Hotel tackles themes like sexual trauma and abuse, redemption and religious oppression. But the problem is that both shows do it so poorly that people genuinely think that it's meant to be slop content that you're just supposed to turn your brain off and listen to.

I'm not going to forget when these fans were treating Helluva Boss's season 1 like peak queer representation and writing and insistent that Angel Dust was this amazingly well written gay male character that people only hated because he was messy and imperfect. Honestly kind of funny that I was chastised for saying that Angel Dust is just a sex joke only for the show, the crew, the merch, and even the damn playbill reduce him to just that. Slapping on trauma (especially knowing that its more of a fetish than a genuine exploration on male sexual abuse) doesn't really negate the fact that Angel Dust is poorly written. Side note: his fans are way too unhinged and aggressive, its getting very weird.

So its funny to me that now that Helluva Boss season 2 completely nose dived and Hazbin Hotel is a sloppy mess that feels more geared for children than adults, that now people are being told they're not allowed to analyze these shows or even pay attention to their problems, and are treated like idiots for doing so.

I think the problem is that I kind of think fans also notice the lowered quality of writing in both shows. because why aren't people actually defending the writing and character progression? instead of "Sarcastic Chorus is wrong because his criticism is incorrect and misses these points" its "Sarcastic Chorus is wrong because he should have shut his brain off and treated these shows like its cocomelon for adults"

[pinep-ne]

If one more person misconstrues Arthur's journal entry about how he should have married Abigail as genuine romantic attraction I will actually lose it. OBVIOUSLY IT WAS TO SUPPORT HER AND JACK AND FILL THE ROLE JOHN RAN FROM!!! Marriage for the sake of convenience and support is nothing new folks. It was not lust nor love. I personally don't even think Arthur had anything with Abigail at any point. They were just two troubled souls that had leant on each other in a desperate situation. Y'all are stirring a hollow pot talking about how John would've felt reading that entry. He probably didn't even give a damn because he knew well Arthur's insistence on giving Abby and her boy at least some semblance of stability.

​

[risetherivermoon]

i dont really like it when people dumb down Curly's characterization to just the guy enabling Jimmy. I get that that makes it easier to not like him, so that's why a lot of people do that, because they feel guilty about sympathizing with someone who's done smth fucked up like that, but i really don't think it's giving Curly the justice he deserves.

regardless of if you like him as a person or not, Curly is still a victim and he suffered greatly at Jimmy's hand. Just because he did something fucked up doesn't make him a 'monster' (sorry because i saw someone say that he looks like a monster post-crash and thats sticking with me because why TF are we saying disabled burn victims look like LITERAL MONSTERS- yall use some common sense I BEG)

Dumbing down characters is what fandom does best, but i think it particularly irks me in Mouthwashing because of the nature of the story. Jimmy already thinks of the rest of the crew poorly and doesn't see them for how they really are, we don't need to be doing that too.

I also feel like people don't really recognize the fact Jimmy manipulates and abuses Curly too, even before the crash. What Curly did was fucked up but for the love, don't dumb him down to just this one thing he did.

[buggachat]

honestly just in general it's very exhausting to try to analyze media that is literally meant to be analyzed, only for the replies to be filled with people arguing not against your analysis, but against the premise that the media can be analyzed at all.

i don't even know what to say about it without starting to really betray my frustration, so i'll just settle with— just don't engage with analysis posts? I'm serious. if you're typing a response to a media analysis post, reread what you've written and ask yourself "is this comment/response against the very concept of analyzing the media at all?" and if the answer is yes then delete it all and go sit in the shame corner. throw your curtains away if you want to so bad and stop telling me that I'm not allowed to hum and haw at the fact mine are blue

[mintaikkcorpse]

Bcuz I'm the little bastard people refer to when they complain about how "the only thing fandoms care about these days is shipping 😒", here's an idea

Black Sapphire's mic is alive and emotes. Idk if it's mimicking his hidden emotions or if it's its own thing, but I'm just going to assume it's like a combination of both.

I think everyone is ignoring the possibility this has when it comes to Sapphire and Silverbell. Imagine Sapphire flirting snd being all suave while his mic is just being obvious and making heart eyes. Imagine Sapphire just normally greeting Silverbell when he sees him, but the staff is going all looney toons, "AWOOGA! HUMMINA HUMMINA HUMMINA" on him. Imagine Silverbell complimenting Sapphire and Sapphire graciously taking it, while the mic is just

DO YOU SEE MY VISION?????

[dia-souls]

Diabolik Lovers Cute and Sweet Confessions (Based on DF and LE Games and CDs) part1

(❤️ fluff moments, cute confession, OOC, ... ❤️)

Shu to Yui: I...lose all meaning in life when you’re not with me. From here on out, I’ll protect both you and my family with my own two hands. To live alongside my precious family, and the woman I love. Komori Yui. I...love you. (DF Vampire.End)

Shu talking about Yui: Forcing her way into my heart, she’s a meddlesome, bothersome, and precious woman. Until she takes her final breath, I’ll continue to love her. (Zero CD track.04)

Shu talking about Yui: I’m well aware. Even so, I don’t plan on letting her go. If I fall into misfortune, I’ll simply drag her along with me, no matter how deep we may drop. (Zero CD track.04)

Reiji to Yui: My beloved Yui... No matter what kind of destiny lies ahead of us, we will always be together. Forever, and ever. (DF Vampire.End)

Reiji to Yui: Please make a promise. Vow that you will entrust your future to me, and me only. I love you. (BB CD track.05)

Reiji to Yui: The flowers right here are in full bloom right now. It is a beautiful garden. Let us pluck one of them. I am sure it will look lovely in your hair. (Daylight CD track.05)

Ayato to Yui: You’re right here in front of me. That’s why I want to touch you. Want to embrace you. Don’t want to let you go. Want you by my side... I love you Yui. No matter what becomes of the world, let’s be together. That’s simply how I feel. (DF Vampire.End)

Ayato to Yui: Don’t ever let go again, understood? …Well, I’m not lettin’ you even if you tried. Haha…I’ll love you and only you…forever. (BB CD track.05)

Ayato to Yui: I love you. More than anyone else in this world. I won’t let you go until death parts us. ...No, scratch that. Even if one of us dies, I’m not givin’ you up. (LE Vampire.End)

Kanato to Yui: Yui-san I’ll live on for your sake. So please be there by my side. Stay with me forever, and ever. This love is eternal... (DF Vampire.End)

Kanato to Yui: Your place to be is by my side. Likewise, you are the only person I wish to keep my by side. I won’t hand you over to anyone! (Zero CD track.04)

Kanato to Yui: You...were always the one holding me in your arms, while I failed to do anything for you. I was always on the receiving end, making demands...Even if it may be too late, is there really nothing I can do for you right now? For your sake, I will... (Daylight CD track.04)

Kanato to Yui: Honestly, the fact I’m able to hold your hand again like this...It feels like a miracle to me. I truly...truly am so relieved. I think I finally realize how valuable you and your life are. ー And what it means to have to part one day. ...As well as that it is something unavoidable. (Daylight CD track.05)

Laito to Yui: My life has been worth it, simply because I was able to meet you. ...Thank you. Even if I have been nothing but a marionette my whole life, my love for you is genuine. It’s such a trivial matter, when I consider I could have lost you. (DF Vampire.End)

Laito to Yui: Thank god...To think that for the longest time...I believed that I did not need something precious...or special to me...Yet right now, I can’t even phantom a life without you...That’s a huge change of heart...for me personally. So, please? From here on out, till forever. Or till your life comes to an end is fine as well... Stay with me, okay? (BB CD track.04)

Laito to Yui: You truly are a strange girl. You are probably the only one...who can rouse my emotions this much. It hurts. Very much so...I want you to love me from the bottom of your heart. (PS CD track.04)

Subaru to Yui: Thanks to you, I was able to change. I found something I wish to protect. All I want is for my precious family to smile. Because I realized there is no greater joy which exists in life. Thank you. (DF Vampire.End)

Subaru to Yui: I was able to break through the darkness, and overcome my own cruel fate.I’m never lettin’ you go again. Yui I will love you forever. (DF Vampire.End)

Subaru to Yui: No matter what the future holds for us, I’ll protect you so don’t ever leave my side again...Okay? I love you. (BB CD track.05)

Ruki to Yui: I didn’t think we’d one day tie the knot under the blue sky like this. ...I wonder if this warmth in my chest is what one would call ‘happiness’? ...I would have never gotten the chance to experience this feeling if I hadn’t met you. ...So thank you. ( DF Vampire.End)

Ruki to Yui: It’s because you’re here. You’re the one who makes the sky, and the whole world seem that much more beautiful. You are the one making me feel so fulfilled inside. You were my joy, my luck...and my hope. I doubt that will ever change. We will live and pass away together. That’s how I truly feel. I love you Yui. (DF Vampire.End)

Ruki to Yui: Let’s be together and love each other. Just like we vowed on this ring. Until the bitter end. (Daylight CD track.04)

Ruki to Yui: No need to be scared. I’m right here with you. Even if I were to leave, it would only be for a short while. Once you open your eyes, I’ll be there in front of you again. No matter where you find yourself waking up. I will come to see you at once. So...Don’t worry about a thing, and rest in peace. (Daylight CD track.05)

Kou to Yui: You’re so beautiful! I almost want to show you off to the whole world and brag about how you’re MY bride! Thank you so much for choosing me...I will treasure you for life. (DF Vampire.End)

Kou to Yui: Even if death tries to separate us...I won’t give up on you so easily again. I will vow my eternal love to you. Until the very last second. I love you Yui. (DF Vampire.End)

Kou to Yui: Please…Smile? …So I can burn the image of your smile...in my mind forever. (Daylight CD track.01)

Yuma to Yui: Try holding my hand. It’s warm, right? Hehe...It’s the same temperature as yers now, right? (DF Vampire.End)

Yuma to Yui: Still...Don’t ya think it’s ironic? I once survived a fire, yet here I am once again, surrounded by flames. ...I’ll love ya forever, and ever...Yui. (DF Manservant.End)

Yuma to Yui: Take a look. The sun has appeared in the sky. Right now, we’re the very first people on this earth to witness the sunrise. (Daylight CD track.05)

Azusa to Yui: I will never let you go again...I love you, Eve...Let’s savor these moments we spend together from here on out, okay...? (DF Vampire.End)

Azusa to Yui: I’m so happy to be able to live here together with you in this Paradise. A Paradise for just the two of us, where nobody will get in our way, or disagree with our relationship. Now it can be just the two of us, for eternity. (DF Vampire.End)

Azusa to Yui: If you were to become a flower…I promise I will continue to treasure you, just as much as I do right now…I’ll tell you how pretty you are every day, and give you water. And every time the petals move…I’ll think of it as you smiling. (Daylight CD track.05)

Carla to Yui: I promise that I shall forever protect you...as well as our child inside your belly, to show my thanks for granting me with such warm feelings. (LE Vampire.End)

Carla to Yui: I thought happiness was something I would never get to experience. But I believe that I have finally come to somewhat understand what it means. (LE Vampire.End)

Carla talking about Yui: To think she would seem so fleeting, in such a fragile physical state. Even so, she continued to strongly express her feelings for me. My irreplaceable partner. (Daylight CD track.05)

Shin to Yui: You are all I need. There is nothing else I want. ...Be with me forever, okay? (DF Vampire.End)

Shin to Yui: I-I’m begging you…!! Don’t leave me…! …Ugh…Why? …Just when…I finally saw the light thanks to you…This just can’t be, right? (Daylight CD track.05)

Shin to Yui: Right now I realize that being able to submit to others when needed is a sign of strength as well. It does not matter if this other person belongs to another race, or if they’re the enemy of us Founders. …I refuse to give up. Not until the bitter end. No way in hell! This is my chance…to show you how strong I truly am! (Daylight CD track.05)

Kino to Yui: You taught me many important things...Such as how to love someone...and trust others. Thank you so much, truly. (LE Vampire.End)

Kino to Yui: At this Promised Land, I want to live together forever. With you, the person more dear to me than anything or anyone else in this world. I love you Yui. (LE Vampire.End)

Kino to Yui: I honestly didn’t think there would ever come a day where I get to speak these words but...Let me say them. I love you Yui. More than anyone, or anything else. You are precious to me...even more so than my own life. (LE Heaven.03)

Kino to Yui: Hehe, I can’t believe just hearing you say my name…fills me with so much joy. If only I had realized this sooner. (Daylight CD track.05)

[itsahotminuteinbetween]

two of many sunspot doodles because my brain decided to latch onto him for some reason

sunspot is by @venomous-qwille ofc! (Feel free to ignore the tag sorry!)

[rederiss]

Jeremy’s praise kink is funny and all until you realize one thing: He doesn’t often get praised.

Atleast, not in the way Jean does it. Since everything happened his freshman year, he’s been talked down on, people used Knox as an insult towards him. He even looks down on himself. Jeremy doesn’t even talk about himself often because he has such an inferiority complex. He gives himself away because that’s all he thinks he’s good at/that’s all he feels he can control. So, when he gets praises, it probably hits him in a way, and it doesn’t always have to be sexual. I think for Jeremy, it is because that’s the only way he connects the praise.

Jeremy desperately wants words of affirmation. He desperately wants to be affirmed that he is good but when he doesn’t get it, it probably leads him to believe he isn’t. So, when it does happen, many feelings probably spurs within him. His avoidant ass doesn’t tell us, but after rereading those scenes, I sorta got that vibe (but just you know, I am on the ace spectrum… somewhere… so a lot of this is purely through that lens. I can totally see it as a kink).

Much like how a touch starved individual desperately wants someone to hug them, he desperately wants someone to affirm him

[mythals-whore]

"The worst kind of person is someone who makes you feel bad, dumb, or stupid for feeling excited about something." -Taylor Swift

I've been putting these thoughts together for a while now, but while there's discussion going on today about so-called 'toxic positivity' as well as some of the other Veilguard critical takes, I'm finally going to write it down.

I liked The Veilguard. A lot. And I'm not going to qualify that with some statement about the things that could have been done better or even about the development hell it went through. Because "I liked The Veilguard" is a complete sentence, and in fact maybe I'll start saying it more, just like that. (:

Something about me is that I like Taylor Swift (I'm making a point) and I have liked Taylor Swift since I was eleven. And for 90% of that time, people have laughed at me for it, or told me that she isn't even a good singer or that she dates too much or that her music is immature. My own sister brings up how much she hates Taylor Swift constantly without prompt. And guess what?

I don't care.

I Do Not Care.

That may be your opinion. And believe it or not, that's fine!

It is, however, very weird when I am asked my favorite artist and I say Taylor Swift and people feel compelled to tell me how much they hate her/her music/that she's not talented. And then I am expected to argue and somehow try to justify why I like her/what her music means to me/why i connect with it.

Spoiler Alert: it never ever matters what I say.

And it's actually fine if you don't like the same things I like!! What's weird is to come into a space where people are talking about how much they like The Thing and you feel compelled to tell them they're wrong!

And admittedly, it's a little funny to me that the same Veilguard critics who say that DATV is "too black & white" also can't seem to see that they're doing the very thing they're critiquing!! "I am good and smart for disliking this game and you are bad and stupid for liking it" is just a silly opinion to have on a video game and some of them say it with their whole chest.

So if you're a Veilguard critic and you're coming into the replies/reblogs of VG Positive posts just to talk about how we're stupid and wrong that's really odd!! And then, when we participate in the discourse you created, you call it 'toxic positivity'! It's almost like you're starting a fight you know we can't win because you're unwilling to change your opinion and you just want us to feel bad about ours!!! Which is, in my opinion, a strange way to spend your time.

In conclusion: You're weird for that, knock it off.

[edwinisms]

you know. I think the reasons it feels so literally narratively wrong when people refer to charles as being straight (such as in interviews where his love life comes up and so on) are that A) he’s never deemed outright straight in the show, so it’s just an assumption that he must be straight by default (which is silly in a show like this), and B) what he says following edwin’s confession. I know I’m biased, but even when I try to look at it as neutrally as possible, the way he reacts in general and the specific words he uses just don’t sound right when you imagine them being said by a Totally Definitely Straight guy.

first of all if you actually listen to it instead of absorbing the scene superficially it’s not particularly a rejection at all, and the actors have stated that themselves– it’s not him saying no, it’s him saying “I can’t give you an answer right now, but I will eventually”. that’s not an interpretation, that’s literally just the truth of what he said (and again, the actors agree). can you imagine a straight guy saying that, or possibly even more damning, “we have literally forever to figure out the rest [“the rest” meaning anything that goes beyond the kind of love charles already solidly has for him]”.

imagine you’re a straight man who’s unwaveringly confident in his orientation and your gay best friend confesses his feelings for you. you would not respond with the implication there is a “the rest” to figure out. since the main, obvious obstacle would be your solid lack of attraction to men, that’d probably be essential to your response– it wouldn’t be a “I can’t say–“ it’d be a “I can’t be–“. and on top of all that, I feel like the whole thing would have to sound far more apologetic– “I’m sorry, I love you and that’ll never change, but I just can’t love you the way that you love me.” something like that, right?

tldr: this is a rare instance in television where assuming a character is straight by default makes Less sense than the alternative. and charles’ choice of words in the confession overtly suggest that he is, at the very least, unsure of his orientation.

[wardensantoineandevka]

I do have to admit that, like, all of the many posts trying to frame C3 as a radical work speaking truth to power and challenging status quo with direct references to queer theory and leftist political critiques come across to me as having the same energy as fandom criticizing Steven Universe and She-Ra through a postcolonial lens

[msp9]

I LOVE THEM SM😭😭😭