#and again I've never done that before

[running-in-the-dark]

we're probably going to buy a vacuum cleaner sometime soon. I haven't started looking into it yet because it seems very overwhelming. I have never bought a vacuum cleaner before (we've been using a pretty old and not good one that was my dad's) and I have no idea how to find one that is good and lasts a long time. I sort of know what I want/find important but I don't know how to go from that to finding an actual product.

with things for my hobbies or anything like that I'd usually look for opinions on Reddit and Youtube, so I guess maybe that's what I'll do first?

[cowardlykrow]

Quick, find him the closest meteor-

[cor-lapis]

welcome back to the yearly 'clown on dainsleif (affectionate)' hour !!!

previous quest summaries

[disorganised-bagel]

is this anything

[crabsnpersimmons]

This one goes out to all the slow burn enjoyers, the dense Y/Ns, and the soft robo jesters that suffer in silence!

Inspired by @bamsara's “Solar Lunacy” fic.

If you feel like reading my ramblings and want to experience more heartbreak for fictional jester blorbos, check under the cut where I detail all the planning behind the frames!

so i heard this song for the first time in a while and the opening lyrics immediately made me think of moon, so i was daydreaming some scenes and then i decided to thumbnail some ideas:

and it all went downhill from there as everything became a metaphor and a parallel to each other, which i will now go into detail on!

you thought the animatic itself was sad?

*writing muse laughs maniacally* IT'S ALL A METAPHOR

Frame 1. "turn down the lights" We start with a back view on Moon. The lights are out, the Moon is out, but we do not see his face. The music and the greyscale atmosphere are enough to establish the weight of the moment and the weight on Moon’s mind.

Frame 2. "turn down the bed" We cut to a shot of Moon's body, kneeling on the ground of the daycare, like a padded cell. Moon’s hands are twitching with the effects of the glitch, with purple sparks coming from his hands. We still do not see his face.

Frame 3. "turn down these voices inside my head" Cut to an extreme close up on the dark half of Moon’s face. Now we see his face, but only a portion of it. His left eye is wide open, red and glitching out. The voices in his head can refer to the glitch but also his repressed feelings. Or maybe it could be Sun's voice in their shared headspace.

Frame 4. "lay down with me" Y/N's hand enters the frame from the upper right corner, lowering down to meet Moon where he kneels on the ground. Only a corner of Moon's face appears on the bottom left corner of the frame, his starry nightcap beginning to cover his glitched left eye.

Frame 5. "tell me no lies" An full shot of Moon on the floor and Y/N standing in front of him with their hand stretched towards him. A light spills out from behind Y/N, creating a boundary between them.

Now we see more of Moon. It is only when Y/N enters the frame—enters his world—that Moon’s body is shown in its entirely. When Y/N is here, he is no longer fragmented. He is whole.

Frame 6. "just hold me close" pspspspsps Playfully, Moon extends his own hand, beckoning Y/N to come closer, to join him. His right hand crossed over his body as he uses the playful gesture to hide his true feelings—to put distance between him and Y/N. His hat continues to cover his glitching left eye. He doesn’t want to worry Y/N.

Frame 7. "don't patronize" In response, Y/N’s hand pats Moon on the head, returning his playfulness. Moon looks surprised by the action. Moon, notably, does not lower his hand—perhaps he has forgotten it or perhaps his invitation is still open.

Frames 8-9. "don't patronize me" Moon rotates his faceplate so Y/N’s hand is touching the side of his faceplate, a more intimate gesture than a head pat. However, his hat is in the way. At this angle, his starry nightcap fully covers his glitchy eye and the dark side of his face, hiding his defect and acting as a veil between him and Y/N. A self-imposed boundary. So close, yet thinly separated. It's better this way. It's safer this way.

The lyrics are broken up by Y/N's arm, both to illustrate how the song is sung ("patronize" is drawn out and "me" is briefly added in before the chorus starts) but also to show how Y/N interrupts Moon's resolve, highlighting the irony between the visuals and the lyrics. Demanding not to be patronized, yet Moon happily accepts this play at intimacy. Don't patronize me, I am weak for it.

This is also the only instance where the red light of Moon's eyes glow and tint the surfaces around it. Visually, it makes it look like Moon is blushing (heavily inspired by @restinsodaroni's art). But also, in this moment of honesty, Moon's intrinsic light spills out, colouring the greyscale world. In this brief moment of honesty, Moon touches the world with his own colours, his own light.

(and this is also where i forgot to clean up the shading on Y/N's arm, but it's okay it doesn't need to be perfect it simply needs to be. And Moon will still love Y/N even if they are a continuity error.)

Frame 10. "'cause I can't make you love me if you don't" A parallel to a frame 4, Y/N retrieves their hand away and immediately Moon is reduced to the corner of his faceplate in the frame. Only now his glitched eye is fully covered by his hat.

The lyrics here (and in the next frame) in particular grow lighter to emphasize Moon's diminishing resolve and agency.

From here on out, the lyrics here are broken up, carrying on this theme of fragmentation. Y/N is pulling away, Moon is breaking up, the words are breaking up. Everything is coming apart.

Frame 11. "you can't make your heart feel something it won't" Y/N turns to leave. The lyrics, broken up as before, highlight the irony of the situation. Y/N, a human, can’t feel something they simply don’t feel. Whereas, Moon, the machine, feels something his code never intended him to feel.

Frame 12. "here in the dark in these final hours" Another full shot that parallels frame 5, as Y/N steps towards the light and Moon leans forward into the space Y/N once occupied. Y/N is leaving—that which makes him whole is leaving. And he is only capable of making it to the boundary where the light cuts into the darkness. The "final hours" suggest it might be the end of Y/N’s shift, or perhaps this scene takes place right before the glitch takes over—the final hours that Y/N has with the true Moon. Either way, time is running out—and only Moon knows it.

There is a contrasting display of body language here. Moon is on the floor leaning towards Y/N with his hand still left out. Whereas Y/N is turned away, walking away, and has already slipped their hand away and into their pocket. Y/N is closed off while Moon is limply open. Y/N is actively moving while Moon is on the floor, waiting, hoping, for that which he lacks the agency to reach for himself.

Frame 13. "I will lay down my heart" A close up on Moon’s hand, rising up again, perhaps to beckon Y/N back once more. This is a slight parallel to Y/N's hand reaching out to Moon. While Y/N can freely reach out and touch Moon, Moon cannot. He can't enter the light and more importantly he can't risk potentially harming his relationship with Y/N—be it through the glitch or by his feelings. He can only lay down his heart—put aside his feelings or hope that someone will pick up his pieces and make him whole.

Frame 14. "and I'll feel the power" Still on a close up on Moon’s hand, now clenched in slightly. This initially was going to have the glitch effects. However, I felt it more meaningful for it to be left without. Leave it up for interpretation why Moon pauses his hand. What is the power that he alone feels and stays his hand?

Frame 15. "but you won't, no, you won't" A parallel to frame 1, a view of on Moon's back with his hand stretched out towards the light, and Y/N walking into the light spilling through the open daycare door.

The placement of the lyrics suggest two different “you won’t”—Y/N who won’t realize Moon’s feelings, and Moon who won’t dare speak them into reality.

Another note on the parallel to frame 1, this time we also see Y/N's back, but it is notably different from our view of Moon's back. With Moon, we literally see inside him through the hole for his loop. However, Y/N is shrouded in shadow, just a solid, obscure silhouette against the bright light of a world Moon—and Sun for that matter—are closed off from. We don’t see into Y/N, just as the Daycare Attendant doesn't have any vantage point of Y/N's life beyond their time at the PizzaPlex. (The unfortunate reality of a being a character made for the purpose of being a vessel for the reader.)

Frame 16. "'cause I can't make you love me" We finally cut to face Moon head-on, frozen in place with his hand stretched out, unable to cross the boundary into the light. His eyes have gone dark. Where we began by seeing bits and parts of Moon, and never seeing his full face—now we, the viewer, see the full Moon, open and vulnerable—unbeknownst to Y/N.

Frame 17. "if you don't" But in the dark, behind closed doors, there is no one to perceive him—no one to receive him. The light dwindles as the daycare doors are closed. Moon stays frozen where he kneels. It is no longer the glitch that plagues him, but a far deeper dread.

But a lone streak of light peaks through the gap in the daycare doors. Perhaps that is just enough. A silver lining. A frail hope. A single, ethereal thread out of darkness and into light.

Thanks for reading and watching!

We'll be back to our regularly scheduled fun and games shortly!

[altruistic-meme]

soukoku and text posts 🖤🖤

bonus:

[speakofcompersion]

TAEMIN - 'Eternal' Track List ♥︎

[amelia-yap]

AUEGH

[son1c]

i sketched a boscage maze shadow to complete my set. this version of shadow takes several... creative liberties... with boscage maze, but i think it works? maybe? let me explain.

so, i like the idea that boscage maze is the result of a science experiment catastrophe. the fallout of the accident mutated all life on earth, creating mega fauna (such as thorn rose’s giant flicky), and killer plants. i’m talking humongous venus flytraps that capture and consume people, vines with minds of their own, etc. obviously, this made earth extremely hostile to regular humans... so they left.

the survivors of the catastrophe boarded the ark and left for space. they had plans to return-- but at the current time, it was simply too dangerous to do so. and they needed to make something that would be able to combat the violent mega fauna. enter... shadow. aka halcyon, as he’s called in this au. halcyon has the ability to drain shard energy, thus un-mutating the corrupted plants and animals, and returning them to their natural state.

unfortunately, the people on the ark thought that the world was still too dangerous for him to return to shortly after his creation, so they put him on ice, waiting for a better time to start their restoration project. before that, though, halcyon grew up hearing all kinds of stories about the way earth used to be... a beautiful paradise, a safe haven in a vast, uncaring universe. his best friend on the ark, maria, also instilled in him one wish: save earth. so that’s what he intends to do.

his bitter enemy is thorn rose, whose goal is to protect the horrible mega fauna. but she just doesn’t understand the harm it’s doing to what was once a peaceful planet. and how could she? she never knew what it used to be.

[kirby-the-gorb]

[0507-worms]

triage/cat gifset

[kitkatsgalore]

you have my soul, you have my heart ♡

[randomloserlover]

Oh no!! You've been poisoned by Pillow!!

post update: She has legs now

[bambiraptorx]

Felt like illustrating some dialogue from chapter 10 of my fic. I don't really know how lighting works but I think it turned out pretty cool

[muninnhuginn]

Writers tag game

Prompt: share some writing

Thanks for the tag, @miyamiwu!

So, I'll be honest, I don't actually have any WIPs I'm intending to do anything with, but I have some oldish abandoned stuff I managed to relocate. It's back from 2021 so in my Untamed era and this bit was specifically set during Fatal Journey*:

Nie Huaisang woke blearily, cold seeping into his clothes from the floor. It was dark and it took several seconds to remember where he was. He could hear the muffled sounds of clanging and voices. As he lifted his head off the ground, they slowly resolved themselves into the clash of swords and yelling. [...] He didn't know what to do. What would his brother do? Xichen-ge? San-ge? He had his flute with him– he could try Cleansing. This was what it was for, right? Before he could doubt himself further, he started playing, pouring all the qi he could muster into the tune. He'd practised for hours the night before, long after San-ge had left, but despite that, he hadn't truly thought then that he'd need to play so soon. Was that so naïve of him? As he watched, Da-ge began to slow in his movements and Nie Huaisang felt himself start to relax. He kept his lips to the flute, trying not to let his relief fool him into making mistakes. Still, he knew he only had to play a little longer and then they could all escape. Him, his brother, his cousin. They could flee far away from the darkness that haunted these halls. And then Nie Zonghui's head hit the floor. He stopped playing.

And then I had this other bit:

He'd messed up. He must have played a wrong note. Maybe he'd misremembered the entire thing? And now Nie Zonghui was dead and his brother - what looked like his brother - was stood, Baxia dripping blood to the floor. [...] The sword was pointed at him. He tried to hold himself steady as he looked down the blade. Tried to blink away the tears that kept escaping without his permission. He could tell he was failing, unable to stop the trembling, but he forced himself to meet the eyes at the other end of the sword. He couldn't die here. He refused to die here. After all, he was the only family his brother had left.

*(it was meant to be part of a short time travel fic where post-canon characters went back not long before NMJ died. It would've had flashbacks to Fatal Journey interspersed with the "present" up until the point at which future NHS tipped off past NHS about the poisoned music. I actually got as far as figuring out where I wanted all the characters to be at the end of it, but I ran out of motivation pretty quickly so there's only this WIP stuff and the intro part written in the end.)

Ahh not sure who to tag when it comes to writing stuff. I know @roseofcards90 and @floofiestboy write some stuff? And anyone else who sees this who writes, feel free to consider yourself tagged ^^

[quentinfiletmignon]

RAMMSTEIN • 12.05.24 • LETŇANY AIRPORT, PRAGUE