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#and almost never the asks (sorry)
skunkes · 2 months
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#a doodley#i had to make this blue so tumblr would stop hiding it from the dash#anyway no caption this happened 2 hrs ago#im happy abt my surgery but it and other things this year keep beinging conversations like these up#and i cant handle it at all.#everything my dad tells me just makes me feel worse and not bc its anything bad but bc I Feel Bad#like the conversation then continued to him being like no dont cry im just saying i wpuld have wanted to#quit my job decades ago and set aside money so I wouldnt be struggling as much now but that didnt happen#and i just dont want that to happen to you guys :)#so we have to support u so that your life is what u want it to be#and i cried even more bc what do u mean. thats so sad. ur a person and u were a child and baby once and ur gonna die#and you always almost cry when u talk about your mom who passed away decades ago#and your brothers that passed away#recently and im going to be your age and still sobbing bc i miss my dad. just like i have been prematurely crying about since i was 7#the other day my dad asked my mom if i cried a lot when i was a baby/kid and my mom said no and then my dad#said that when i Did cry it was so severe he thought i would ''drown in my own tears''#bc i could never stop. like. thats still true today. ive been crying on and off since then#i think i mentioned he's just been telling me stories about his life lately and it further fuels this. i get so sad. im sorry your life was#like this. i dont want to die i dont want you to die im sad im sorry im sorry#im scared. im never going to see you again. how horrible. how horrible#i cant enjoy my day today bc every day is a day closer and i get sad
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the-kipsabian · 6 months
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saw a take so fucking rancid on twitter i almost deleted the entire app from my phone jesus fucking christ
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first of all ao3 is an archive site. this is like going to the library and saying "oh i dont like this" on every piece of media you find that you dislike and thinking they should be stamped with some sort of a marker just cause you didnt like it
you can always click back and leave. fic writers owe you nothing to explain themselves and their creations. if they have mistagged or miscategorized fics, then i understand, however there are report tools for that instead of yelling at the artist tbh
im not saying free works arent necessarily above criticism. but this is just. fucking wild. its common courtesy to just enjoy stuff (or fucking leave if you dont, the back button is free) and if the artist specifically asks for critiques, then give one - constructive that is, shitting all over someones work is not proper criticism, mind you
i just find it fucking wild people are treating art and archive sites as social media these days like this and everything needs to be policed and ~catered to the algorithm~ like. no. ao3 doesnt have an algorithm. you should be able to fucking tell what you like and what you dont like and steer away from that kind of content and let people fucking be with their art. they dont owe you anything (except trigger warnings i'd argue, but i know some people disagree with that as well for some reason), and imagine how much more energy you'd have if you only engaged with things you liked and spent time looking at instead of going to places where you dont enjoy yourself. let alone spending time telling other people you dont enjoy what they enjoy. what a fucking life
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heartorbit · 10 months
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a mob of emus for an artstyle game on twt! ^_^
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inoreuct · 7 months
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more sanji drinking angst plis,,, 🙏🏼😁
y’know, it’s normal when zoro drinks. he has an iron liver and a sky-high tolerance. he get mildly tipsy with the amount of alcohol sufficient to kill a regular man.
when sanji drinks, though, it’s usually… not very good.
they’re in the galley, have been since dinner. zoro’s drowsy and full and slumped over the table with his chin in his hand as he watches sanji scrub at the dishes until they squeak, divested of his suit jacket and shirtsleeves rolled up to the elbow, and the cook looks haggard. they’ve all been expecting it, really, what with Whole Cake being a fucking doozy— but sanji’s been holding it together perfectly. big smiles and neatly-pressed suits and coiffed hair and all.
zoro knows him well enough to know that he’s due to break at some point. still, tonight is the first time he’s seen sanji like this; like he’d just decided to say fuck it all and throw pretence to the wind. maybe it had been thanks to the emptiness of the galley, save the both of them. maybe sanji had considered it safe because zoro was in no place to judge.
but when sanji had picked up that bottle of rum, he hadn’t put it down until there was nothing left.
zoro had let him drink. the cook hadn’t even been smoking any more than usual— hadn’t had a single hair out of place, no sign of the pressure except the strain at the edges of his smile. everybody had been walking on eggshells for the past few days and sanji had just kept going like nothing was wrong, which zoro knows means quite a lot is wrong, because sanji’s a self-sacrificial bastard who wouldn’t be able to ask for help if his life depended on it.
didn’t mean it hadn’t hurt, though. he’s felt like he couldn’t breathe, the whole of last week; it doesn’t feel right seeing the cook with a bottle between his lips instead of a cigarette, liquor wetting the corners of his mouth instead of smoke. it makes part of zoro tighten into a dead knot. on one hand, it’s an unspoken show of trust— deliberately left alone so as to not draw attention to it, but one all the same. sanji would never let himself go in front of anyone else like this. maybe a few months earlier he’d think the cook just didn’t care enough for his opinion and get all offended, but now?
sanji knows he’s here. he’s never unaware of his surroundings, and especially now after… everything. he’s believing that zoro won’t judge him, and he won’t. he doesn’t. but enough is enough, and sanji’s grip on the edge of the plate is tight enough to turn his knuckles white.
it’s almost a relief in a really twisted way. zoro’s been hovering by the sidelines, sleeping with one eye open and waiting for sanji to crack just so he can catch all the pieces before the cook falls apart completely, and it seems like this is it.
his chair scrapes against the floor as he stands. “alright, let’s get you to bed.”
“no.” sanji doesn’t stop scrubbing. he doesn’t even bother looking up. “why?”
zoro scoffs. “because you’re fucking drunk, cook. you’ve been washing that plate for five minutes.”
“well maybe it’s just not fucking clean, yeah?” sanji spits, quiet vitriol leadening his words even with his head bowed, and his breathing is jerky as zoro walks forward.
“oi.” it doesn’t come out harshly, exactly, but he needs sanji to know that he isn’t fucking around with this. “What the hell’s going on?”
“i don’t know.”
“what do you mean you don’t—”
“i don’t know!”
zoro lurches back at the outburst as the cook whips around, seething within the span of a second, plate dropped carelessly into the water in the sink. he hears it thunk when it hits the bottom.
“i don’t know, alright?” sanji laughs, eyes wild. “nothing’s wrong. everything’s wrong. everything is fucking perfect and i feel like i’m fucking dying inside.” his voice cracks right before he takes a visible breath and turns sharply, dipping his hand under the water to grab the plate and sponge again.
zoro watches his shoulders tremble. every movement of his now is precise and carefully calculated; he’s moving like a fucking robot and zoro hates it. hates the way his spine looks rigid enough to snap with a touch. hates the way his face is a placid mask, still water with a storm roiling beneath. zoro doesn’t know how to approach this other than with barbed words and concern thinly veiled as confrontation. he doesn’t know what to do other than be here because it’s better than not being here at all.
sanji’s hands have been scrubbed pink and raw. “get out, mosshead.”
“no.”
the cook’s cuticles are peeling, his fingertips pruned. he never lets either of them get this bad. “i said get out—”
“and I said no.” zoro crosses his arms. he counts three seconds of silence before sanji snaps.
“god, for once could you fucking listen?!” the cook snarls, rounding on zoro like a cornered animal and waving his arms. “i don’t want to talk to you right now! i do not want you here! so please, fuck off and— put me down, you piece of shit!” sanji borderline screams, struggling and wiggling over zoro’s shoulder as he’s hauled up and marched out of the galley.
zoro winces as the toe of a steel-capped oxford jams into his ribs, digging in deeper as sanji grunts with the effort. he doesn’t know where he’s going but they end up outside the infirmary, and he shoulders the door open before depositing sanji on the bed without preamble. “stay,” he grunts, ignoring the noises of outrage and turning to go get water.
“you can’t tell me what to do,” sanji spits from behind him, cheeks red from more than just anger as he pushes himself unsteadily to his feet. he either doesn’t realise that he’s listing to the side or he doesn’t care.
“sit down or I’ll make you.”
the cook barks a laugh that snaps in the air like a neck in rope. “try! i fucking dare you, marimo, you—”
zoro tackles him down and he screeches like a trapped cat, trying to escape even as the swordsman pins his legs and shoves his shoulders down into the bunk. “you are drunk. stop it.”
“why?” sanji shouts in his face. the cook is straining against him, all wild eyes and bared teeth, shoulders jerking with a sardonic laugh. “don’t wanna fight anymore?”
“no. i don’t.” the air is suddenly too quiet, too heavy, with something zoro doesn’t know if he should name. he watches as the cook’s face falls and twists into something sullen as he tries one last time to jerk his way out of zoro’s hold. “not like this.”
their ship rocks gently as zoro slowly eases off, shifting his weight back and sitting on the edge of the mattress with a soundless, weary sigh. there’s still a stubborn set to sanji’s chin even as he lays there on his back, unmoving from where zoro put him— leave it to him to be contrary for the sake of being contrary. the swordsman takes a deep breath to suppress an eye roll and opens his mouth to say something—
“it hurts.”
zoro stills, turning so he can see sanji better. “what hurts, cook?”
“everything.”
the blond is staring at the ceiling, unblinking and unreadable. the fabric of his slacks is riding up and zoro swallows down the urge to curl a hand around his pale ankle for comfort. he tells himself he doesn’t know where the urge to soothe came from, but he knows, he knows— this melancholy is something that sanji buries so deep, none of them catch even a glimpse of it on a normal day. his face is a blank slate, his usual fire banked, and he looks so drained. an cracked shell of himself running on empty. “i don’t want to feel it. i don’t want to feel anything,” he continues, softly enough that zoro has to strain to hear, leaning in instinctively. 
glossy blue eyes flick over. golden hair scrunches against the off-white sheets as sanji turns his face towards him and whispers, “doesn’t that make me exactly like them?”
no. zoro swallows, at the same time both too wet and too dry, feeling a little like he’s been gutted with a dull knife. he says a mental to hell with it and slowly shifts his hand to wrap his fingers around sanji’s ankle, just a gentle grip, his thumb resting beneath the notch of bone. he can hear the soft sounds of the waves outside as it melds with sanji’s breathing, as he opens his mouth and comes up dry for things to say. “…get some sleep, curls.”
“can’t.” sanji purses his lips, shrugging a shoulder as he looks away like it’s no big deal. “can’t sleep. not well, at least. not since…”
zoro feels his own heart thud against his ribs as his gaze slips over sanji’s face, the redness rimming his eyes and the dark circles beneath. “i’m sleeping with you tonight,” he decides. 
the cook makes an aborted noise of indignation before apparently deciding that it isn’t worth the effort. “we can’t fit two people in a bed.”
zoro shrugs, unaffected in the face of the venomous look sanji shoots him. “we can try.”
sanji mutters something to the ceiling under his breath. the swordsman pretends not to hear it.
they end up crammed onto the infirmary bed, sanji squashed against the wall and zoro almost falling off. the blond wiggles around in discomfort for five minutes before sitting bolt upright with a hissed curse and undoing his dress shirt in a frenzy; zoro stifles a laugh as he balls it up and hurls it at the desk across the room before flopping back down with a loud huff. 
the cook scrunches himself up, spine pressed against the wall and one knee pulled up between them to maintain the distance, pointed at zoro’s gut as a subtle threat. “i’m not gonna bite you, y’know,” zoro grumbles. here he is doing this out of goodwill and this is how he’s treated. 
“i wouldn’t put it past you,” sanji snips in reply. “also, you stink.”
“no i don’t. i just showered.”
“irrelevant.”
“priss.”
“moron.”
“spoiled.”
“i have standards, you sentient piece of kelp.”
“you—” zoro grits out, before he stalls. somehow, throughout this whole exchange, they’d inched closer and closer together and now sanji’s shoulder is digging into his breastbone, his breath warm across zoro’s cheek even as a brush of his skin above the loose, low front of zoro’s shirt feels completely opposite. “why’re you so fuckin’ cold?” he mutters, briskly rubbing at sanji’s upper arms before the cook bats him away with a startled hiss.
“don’t—” he cuts off and huffs a harsh breath, sneering in the dark as he digs for the right word, “—coddle me.”
“why not?” zoro shoots back. the words are out of his mouth faster than he can process, but it’s too late to take them back. “give me one good reason and i’ll stop. just one.” 
the quiet that falls into place after that is broken by the sound of sanji’s swallow and nothing else. it’s nearly pitch-black; they’d put out the lamp on the wall and the infirmary has no windows. if zoro strains his eye he can see sanji’s outline curled close to his own front, golden hair darkened to honey and arms wrapped around himself.
he recalls how it had felt to have fine bones beneath his hand. how the cook hadn’t kicked him off. 
the hand he rests on sanji side is tentative. barely-there pressure, a ghost of a touch with enough space for sanji to back away. he settles his palm down more firmly after a few seconds, tracking his thumb up and down the bumps of sanji’s ribs, and he barely stops his breath from catching when the cook wiggles away from the wall and presses his spine into zoro’s hand. 
sanji’s looking at him. he can see the occasional flutter of long lashes, feel the weight of the cook’s attention like sanji’s preparing to say something, but it never comes. a soft breath slips from his lips before zoro feels a hand curl around his waist, fingers curling into his shirt. 
“sanji.”
the cook heaves a long-suffering sigh. it doesn’t hide how he’s affected by zoro using his real name; zoro can read him too well for that. knows him too well for that. “what.”
zoro readjusts, fingertips pressing into the small of sanji’s back to pull him closer, and wonder of wonders, the cook lets him. “you’re nothing like them.” 
he pretends he doesn’t feel sanji’s arm tighten around him after a few seconds. he notices that his shirt’s damp right before he falls asleep, right where sanji has his face buried in his shoulder.
he doesn’t mention any of it.
*
the next morning is… interesting.
zoro had woken to an empty bed, with the sheets just barely warm and hazy recollections of a lithe body tucked to his side, a leg thrown over his and soft hair under his chin. he stretches and ambles down to the galley, scratching at his stomach beneath his shirt as he yawns, and right on cue— sanji’s disdainful little tongue click reaches his ears, and he smiles. everything’s back to normal, then. 
there’s more of the usual; luffy getting yelled at to leave the eggs alone, i don’t care if you’re hungry, they are raw, and nami and robin being handed their special little tiny cups of coffee and tea respectively. the rest of the crew filters in, and zoro people-watches from his spot on the ratty corner couch before he eventually gets up and slides into his seat at the table. 
but when sanji takes his spot beside him, it feels different. the cook’s made onigiri for breakfast, the plate set down just a little closer to zoro’s side than usual before he sits, and zoro pauses with his chopsticks in the air as an ankle bumps into his. 
not roughly, or painfully, nowhere near, no. just a reminder. a small nudge that could say any possible number of things, but from the way sanji’s gaze meets his before darting away, he’d guess it’s the thank you that their cook always has so much trouble saying. it’s never a lack of gratitude— more of a refusal to acknowledge that he needed help in the first place, that he accepted it, but zoro will take what he can get.
the circles under sanji’s eyes aren’t quite so dark anymore.
zoro knocks back. he feels the rasp of his boot laces against the heel of sanji’s patent leather oxford, and neither of them pull away. the swordsman presses his lips together and takes a big bite to hide his smile, failing momentarily when sanji immediately starts berating his abysmal table manners, marimo, honestly, if you choke i will leave you to die, and yeah, sure. back to normal.
he catches sanji’s eye again, sky-cornflower-ocean blue, and he wonders what sanji could be seeing in his to make his face soften like that.
normal, and maybe a little something new. 
(he isn’t quite sure what to do the following night. sanji’s already in his own bunk when he slips in for a quick few hours of shut-eye, but it isn’t long before he feels someone climbing in with him, and he just knows instinctively without even needing to open his eye. they’ve got limbs hanging out here and there but they fit reasonably well and zoro wakes with sanji’s sleep shirt tucked in his fist and his thin blanket pulled up around his shoulders.
it goes on like this night after night to the point where their crew knows, he thinks. even if zoro discounts the fact that most of them share a bunkroom, they’ve still got to know something’s up; sanji glows like sunlight reflecting off the ocean now, real smiles and laughs that have him tossing his head back and holding his stomach, eyes in sapphire half-moons. robin brings it up offhandedly one day and zoro hums that proper sleep’s doing their cook good— she gives him that look that she does, and he turns away with a smile that he hides in his arm.
the first time sanji finds him in the crow’s nest, he’s still asleep when zoro’s watch ends. the cook’s stretched out on the bench above as zoro sits on the floor, hand draped down against zoro’s collarbone, his face so peaceful that zoro can’t— fuck, he can’t wake him.
and it can’t be comfortable lying on his own arm like that; zoro sits down and carefully pushes him up until sanji’s leaning on his shoulder, that sharp nose tucked under his jaw, and drifts asleep.)
(he stirs awake before sanji’s gone. his eye flutters open to find the cook mid-yawn, working out a crick in his neck and bathed in early-morning light, warm and golden. the cook realises he’s watching and freezes, shoulders going tense and stiff—
he deflates a little when zoro blinks at him, sleep-warm and bleary. “gotta make breakfast, marimo,” he murmurs, reaching out after a moment’s hesitation.
the hand that cups zoro’s cheek is gently callused and somehow familiar. he turns into it like a flower to the sun and breathes in something that he never even realised he’d gotten used to, olive oil and shoe polish and orange blossom pomade. “i know,” he replies, pressing the words into sanji’s palm, and a thumb drags across his cheekbone.
“need anything before i go?” sanji asks, and they both know it’s half a joke. what could he possibly give zoro in here? a dumbbell sandwich?
that other half, though— it’s far too serious. a cold plunge of water through zoro’s muddled early-morning brain. he knows what he wants, but zoro also knows that patience is a virtue for a reason.
the cook already has a hard enough time letting people in. zoro doesn’t want to push. the hand against his cheek is enough for him, even if it is all sanji could ever want, and so he slips the blond a wry grin. “onigiri?”
“you— ugh, fine.” sanji huffs. “anything else?”
zoro frowns, growing increasingly convinced that this is some sort of trap. these are unprecedented levels of generosity. “…protein shake?”
it takes all of two seconds before sanji puts his face into his hands, taking a deep breath before zoro hears something about having to do everything myself, don’t i? the cook plants his hands on his hips, tapping his foot with one brow arched. “of all the people in the world,” he mutters through his teeth, advancing on zoro with enough of a menacing air that the swordsman leans back into the backrest, “of course it had to be you.”
“me what?” zoro says warily, eyeing sanji up and down, and opens his mouth to continue before a fist grips his collar and there’s a brush of contact at his temple— a kiss, he realises, before all the thoughts drain out of his fucking brain.)
(he’s still reeling when he stumbles his way to breakfast. still wide-eyed as he washes the plates, for once, without complaint. it’s when it’s just the two of them, when zoro twists around to ask a question that he hasn’t yet phrased, that arms lock around his waist and sanji’s forehead presses to his nape.
they’re quiet for a long, long while. “you remind me that i’m not like them, y’know,” sanji breathes, barely loud enough to be heard.
zoro turns in his hold, hands dripping all over the floor, fuck, the cook’ll make him clean that up later, he knows and he isn’t even mad about it. “what do you mean, curls?”
sanji leans into him, all sharp edges and bony joints softened by lean muscle and zoro’s fondness, fingers long and thin and laced together over zoro’s hip. “i’m pretty damn sure they’ve never felt like this.”)
(not much changes after that. franky does make them a bigger bunk to share, though, and they fight perhaps even more fiercely now; afternoons are spent toying with each other across the deck, pushing their limits, pushing each other higher until nami yells at them to stop making a racket. zoro doesn’t pretend that he can’t tell when sanji needs a little more contact, keeping him close when perfectly filed nails dig into his shirt. sanji takes care of them all like he always does, and he lets zoro take care of him— most of the time, at least. it’s still a toss-up on whether he’ll explode or break down whenever anyone tries to help him, but with zoro it’s either both in succession or neither.
sometimes he picks a fight and then cries afterwards. others, he concedes to being wrapped in a ratty old blanket and tucked into zoro’s chest where he can hide from the world.
he sleeps through every night now, though. he’s fiery and sharp-tongued and bright-eyed and when he’s had a bit too much to drink he just gets loud, fooling around with their captain and cackling with nami in a corner of the galley between conspiratorial whispers, but zoro can’t deny him anything even though he’s fairly sure they’re plotting his downfall.
he wouldn’t have it any other way.)
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deoidesign · 2 months
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Hi, how did you learn to draw Steve's physique?
Ohh what a complicated thing to answer...
When it comes to how I learned to draw anything, it's hard to say anything too specific since it's always a culmination of many years of assorted study and practice... but I can try to do my best to explain some of the biggest things that helped me learn, some tips I keep in mind, and maybe at least some places to start/delve further.
(just a little disclaimer it's not like my drawings here are going to be 100% medically accurate.. they're just to illustrate concepts!)
The main thing about learning various physiques is understanding anatomy. Which feels obvious, but I don't mean proportions; these are important, but perhaps more important is understanding the skeleton and how it moves and learning where muscles connect to bones and where fat grows on the body. When you understand how these function on a more mechanical level, depicting form and movement in a way that feels natural comes in tow.
For instance, understanding things like the pronation and supination of the radius and ulna, as well as the fact that muscles can ONLY contract or relax, will help you understand a bit better which muscles will be flexed and which will not while someone moves. It's inherent to the positioning based on the structural makeup of the body... It's not like you NEED to memorize all the muscles and bones, of course, but understanding and gaining at least a passive familiarity with the concepts really helps.
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In tandem with this concept is the way parts of the body flow into eachother. Muscles ALWAYS come in groups because they can only contract. Whatever muscle is there to lift something, there is a muscle on the other side to pull that bone back down. What this results in is a series of straight edges next to curves, which gives us a lot of really lovely "s curves" and dents and folds and so on and so forth just naturally occurring.
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I would suggest at least learning the "bony landmarks", which are bones (usually) visible on the surface of the body. things like the iliac crest, the great trochanter, the 7th vertabrae, the acromion process... These can be used to help you understand the parts of the body as angles and relationships, rather than trying to remember lengths and sizes, which vary immensely... (since you asked about steve, he can be our model... also study these on your own don't just take my word for it haha, these are the ones I personally keep in mind)
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I've done the same thing with body hair... learning where it grows and in which directions... It helps me make up variations without needing reference, because I have a set of rules I can follow.
The biggest thing that helped me understand all this on a much deeper level was my ecorche course. I sculpted this guy. We started by sculpting the entire skeleton to understand the bones, and then we added muscles on top. Not every single muscle, of course, but the "artistic muscles" AKA the ones which directly affect the surface of the body. Doing this let us see where muscles connect, because we would make a shape, put it on the bone where it actually goes, and then you get to see how other muscles overlap that.
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This helped me, perhaps, more than anything else. But I also didn't just start with this course, I had been drawing for years before I even took it. I had been in school for years before I took it. Not that I think it wouldn't be helpful to someone just starting out, but I do think that the more you know going in, the better an in-depth course like this will help you and stick with you. Classes are also expensive, though so I'm not really like... recommending you pay potentially thousands of dollars to take one... But it did help me a lot, personally.
I also, of course, have done many figure, gesture, and master studies...
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These just help you quickly gain a stronger understanding of generalized anatomy, and gives you real life examples of and practice with of how people move and balance.
What all this does when combined, is gives me a very solid ability to depict movement and form in a way that feels relatively natural from my subconscious without the need for reference.
The rest of how I've learned to draw his physique is honestly mostly just stylization. I understand the body, and this is how I am depicting it for his level of musculature.
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And as I move into depicting him in other ways, either moving in comics or in animation, realistically rendered, or extra stylized, these concepts inform every step of that process for me! When he keeps the same/similar relationships between parts, he gets to still look like himself.
It ALSO really helps when putting clothes on, because the way cloth falls and bunches and lifts is all directly related to the form it is on... So the more you understand that form, the more you can depict clothing and movement in a way that feels natural.
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This is all, of course, true when I draw anyone, you asked about Steve so I'm trying to mostly show with him! But because I'm just drawing from raw information of general anatomy rather than trying to study one body type at a time, it allows a lot more "give," I think!
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Like, here's most of the cast from TTA so far... actually, they're not as varied as I thought they were nevermind LMAO ignore this part
But, it also makes monster and alien design much easier! It's a lot easier to come up with non-human anatomy when I understand human anatomy, because I can manipulate the knowledge I have...
There is infinite more to study in the world of anatomy... The complexity of the human body goes extremely deep. For our purposes as artists, we need only depict a fraction of it, but more information rarely hurts the process.
I'm sure there's something in here that's wrong on a technical level, I'm mostly going off of memory. But that's kind of my point - I understand enough generally and conceptually that when I am missing something and need to find reference for it, I understand what I'm looking at. It's much easier than trying to learn AND draw at the same time.
I hope even one thing in here helped you! Sorry it's so long.
#asks#somewhereinasgard#anatomy#art tips#anatomy tips#don't like... take my word as gospel OF COURSE#I am sure there's like one thing or more in here that's like. genuinely wrong#but whatever#anyways. I love steve LMFAO#I was thinking about zagan a lot too in this one tbh LMAOOOO cause he's got a similar body type#and when I just did that action animation of him#and people were like how the fuck did you do this so fast#I sort of have been realizing all this knowledge I have about anatomy#and how much easier it makes my life pretty much every single step of the way.#those action poses did not need reference.#I almost never need reference for drawing people#unless its like... realism. but I mean in my comics or animations#when the arm is coming towards the camera I know what's going on in the arm and what the form of it ACTUALLY is so I can properly draw it#there's no guesswork. I know what I'm doing.#which makes it so that when I'm depicting someone like flipping all around or whatever#I just know what the body looks like. how it moves. how it balances. etc.#I would say it comes naturally to me but it doesnt.#it is subconscious at this point#but it is very extremely studied#not a damn bit of this came out of nowhere LOL#ok anyways this was a really fun ask#I got extremely carried away I am so sorry#this is like my biggest artistic passion I LOVE anatomy SO much#I love drawing muscles#I love the technical feelings that happens in my brain when I draw an arm moving and figure out how the muscles are engaged
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drawnfamiliarfaces · 9 months
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How do the girls get along
Pretty great actually!
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Jenny and Kim are very good/close friends, since they met relatively early compared to others (they actually met each other first out of everyone, then others at one point and another) and had a shared adventure sometime after the ends of their respective shows (wink wonk).
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But, their first meeting was not actually very um, positive. There was some conflict, but after it was resolved both of them gained a very solid friend for life!
Jenny, was glad to meet someone else (beside Brad) who treated her like a person/normal teenager (instead of an 8th wonder of the world or a freaky robot) and not to mention she got a fellow superheroine girl friend! After Misty, she kind of missed having someone like that to kick butt with (considering that like, 70% of her friends are dudes) or just hang out.
Kim was fascinated by Jenny, not because she is a robot (tho she does think its pretty cool) but because it kind of gave her a contrast to her own life in a weird way? Like, Kim was a normal teenager who got into superheroing on accident and just went with it, while Jenny was created with a goal of being Earth's defender but rebeled to have some sort of normal life. And now they both live those weird semi-normal lives, that led them to meeting each other.
Jun is around 5-6 years their junior and while they met each other much later on, when Jun was a little older (like not 11-12 age of the show), she still kind of looked up to them and both Jenny and Kim felt an instant kinship with the girl.
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Before she met Jenny and Kim, Jun only knew a couple other guys as fellow heroes/magical protectors (guess who ;D lol), and while she had plenty of female role models (Ama/Jasmine being the most prominent) and friends, she kind of enjoyed meeting some cool older superheroines to bond with! It also helped that despite the age difference, both Jenny and Kim never looked down at her when it came to superheroing/fighting, but respected her abilities and expertise (considering that Jun was practically an apprentice to her Ama since at least 8-9ish of age, when her powers first awakened, she has a lot of experience).
They both are kind of like cool older cousins to her, who travel a lot for their work and come visit to hang out often and tell/share stories about their adventures. Their and her lines of work while similar, also run in completely different circles (human/interplanetary vs magical/supernatural), so its always a treat to hear about the things they do.
(And yes sometimes she feels jealous about the fact that both of them get to travel all over the world, and despite the developments, more often than not she has to stay town locked and limit her excursions to magical realms.)
Silly thing, but Jun absolutely adores Jenny, for one simple fact that she can travel to space just like that (she and Danny, fellow astronaut/space fans, share that, despite the fact that Danny kinda can travel to space just like that too.)
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camelspit · 2 months
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hey. psst. you should draw redheks
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voted most ineffective study session ever
@skylilac
@callas-pancake-tree
@sillyguy-supreme
@steal-nightmares-leave-dreams
@neverseen-nevermore
@abubble125
@purplesoup-lad-le
@gay-otlc
@thefoxysnake
@keeper-of-the-lost-dadwin
@ravs6709
@corruption-exe
@kamikothe1and0nly
@that-glasses-dog
@presidentroarie
@even-if-in-another-time
@nyxpixels
@slozhnos
@katniss-elizabeth-chase
@sofia-not-sophie
@moontoastt
@lemon-girl-in-devil-town
@three-bunnies-in-a-trenchcoat
@purpleunicycle
@just-a-honey-badger
@loverofallthingssmart
@antisocialdork
@tamsong
@cutebisexualmess
@tastetherainbow290
@gayupstraight
@myfairkatiecat
@famousinfamous
@kale-of-the-forbidden-cities
@oroshka
@tw-5
@squishmallow36
@iggydancebreak
@cosmxc-ars3hol3
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determinate-negation · 5 months
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how do you have hope? I heard one of the speeches during nyc protests saying "liberate yourselves by voting for Claudia" like we're losing the plot and idk but I feel like Americans are simultaneously not caring enough, while also centering themselves in some of the stupidest fucking ways (ie brown university students)
i mean that was probably psl so take it with a grain of salt
always read the history of political struggles, class dynamics, and revolutions, and the words and experiences of revolutionaries or nothing will ever make sense
thats as much as i can say on tumblr. in the words of mao, cast away illusions and prepare for struggle
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crystallizsch · 4 months
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Okay obviously Yuusha is shipped with Jamil because baby idiots /aff
But I can’t remember… is Yuuna shipped with anyone?
Does our favorite floofy-haired silly have a ship or are they just focused on their platonic soulmates Tweedle Dee, Tweedle Dum, and Tweedle Dumber (Ace, Deuce, and Grim - who is who? You decide! 🤣)?
HI HI YES yuusha and jamil, my baby idiots, i cant separate them ever 😔💖
also,,, i finally have an excuse to share this silly shitpost i had from a while ago that i didn't know when to post ---
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(this is a joke) (and im pretty sure this joke has been said and done before LMAO)
okay so to actually answer your question: as of now, the main "ship" yuuna has is with tweedle dee (ace), tweedle dum (deuce), and tweedle dumber (grim) as their platonic soulmates 😤💖
when yuuna was my only yuu oc, i used to ship them with riddle (unrequited -> platonic) and leona (platonic)
and jamil (romantic) but shhhh that's some old and forbidden lore (lowkey i was insane for all that)
although i'm kinda thinking about bringing back that unrequited-crush-from-riddle plotline ---
(im going to have a short-ish ramble about it below if anyone is interested hfjdsajfklds)
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i'm so mean to riddle aaagh bc i thought it’d be interesting if i had riddle have an unrequited crush on yuuna :,D
bc i like the idea of riddle being like "hey i insulted you and was Not A Good Person and Almost Killed You, but for some reason you're still willing to be kind to me and be friends with me" to yuuna
cue attempts at "courting" yuuna -- with riddle reading books, looking up stuff, asking for advice, etc.
he invites yuuna on a "date" without it being explicitly stated that it's a date; yuuna just thinks they're hanging out
come the confession and yuuna is just like "oh :D?" "i'm sorry i only see you as a friend"
but it’s okay they both get over it and they see each other as genuine friends now :]
anyways have some old art of them :3
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also also i’m still debating on whether or not i want ace be another unfortunate unrequited crush
bc there's like a scenario i imagined where riddle sees ace making the same look he was making towards yuuna when he had a crush on them and then ace denying it
(this thought process is all inspired by the ghost bride event bc ACE IN THAT EVENT OMGGG)
sigh
i dont talk about ace much either but honestly i have a soft spot for him too 🥺
like the way he cares So Much (in his own being-a-little-shit way) and is just overall really genuine and protective of his friends
ahgklsjfldjsl
alright i'll end it here --
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rxj-the-punk · 2 months
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Help I made myself sad. (spoiler below the cut)
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vicsy · 1 month
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something something something about how max’s hair is completely brown now…when daniel closes his eyes all he sees is blonde
ohhh. ohh anon. you should not have gone there.... but I am glad you did. this is also something very up @mysticalbreadcollective 's alley since blonde Max is on her daily agenda BUT
anon. idk what floats your boat but let me take you somewhere rancid under the cut (let the record show that I am a maxiel truther but my god do I enjoy making them suffer with other people)
it's current season and maxiel aren't together due to Reasons with capital R of course. Daniel's "i can't fuck my teammate i am not into guys or am I but maybe that's just Max oh no you can't be with Max" and Max's general understanding of his own worth and needs. they can't escape the tension, the lingering touches, the double entendre running through their relationship like a river in flood. one step forward, two steps back etc etc
so things aren't going exactly as planned for Daniel and, naturally, he's fighting the pull towards Max and the best next thing his brain chooses to do is find someone to hook up with, get it out of his system. since his dick is very much attuned to Max after years of imagining that's its gonna find itself parked in Max's ass (which never happened), Daniel's looking for someone particular to scratch the itch and, apparently, to spite the fate, his choice falls to YOU GUESSED IT – Liam.
very convenient, since they're both gunning for the same thing. exploring some healthy alternatives to their impromptu rivalry or whatever the media says. Daniel's pretty charming and Liam's easy. done and done.
and it's bad. capital "b" Bad. the sex comes pretty fast and Daniel's checking all of his boxes - rookie, blonde, tiny waist, looks at him with wide eyes etc etc and Liam is surprisingly down to fuck cause maybe that is also convenient for him, too. but he's mean about it. He's heard legends about Big Dick Ric and the dick is very big but the prowess? lacking. he says that to Daniel's face after, like, the third time it happens. which should be incredibly insulting but–
Daniel's pining and trying to trick himself which works exactly for three seconds but Liam isn't what he wants. wrong kind of blonde hair that Daniel's gripping tight while he fucks Liam from the back, never face to face, because that would prompt Daniel to THINK and RUMINATE and he doesn't want that. he wants Max the way he sees him when he closes his eyes but it's gone when he opens them and finishes another underwhelming sexcapade. it's never the right color, it's never the right person' it's always a bad time.
"do you think I'm not getting what you're doing here?" Liam says to him one day, grinning meanly, and Daniel truly doesn't know the answer to that question. he's hella confused himself. Liam seems to get off on the situation more than when he's riding Daniel's dick, so he calls Daniel Danny in the garage and he suddenly glues himself to Daniel's side, which is. weird. manipulative? Daniel's plan to get over himself backfires when he sees Liam talking to Max one day and Max's easy smile slowly dissipates as Liam's yapping but Daniel can't hear a word.
he doesn't really need to. he knows Liam cashed in on Daniel's sorry excuse of a reason to hook up. all Daniel can do is add to the history of horrendous decisions he's made in his life and live with the knowledge that he's probably never going to wake up next to Max's mostly-not-blonde hair getting in his face where they're tangled in bed, that Daniel's dabbled in something he should not have touched with a ten foot pole, that he'd tarnished all of his chanced, basically set them on fire when max had been there and never turning him down all the way.
Daniel got some, Liam got some. after all, it's Max who, unfairly, walks out it hurt the most, because of Daniel's choice, because of him thinking he was chasing something else while in reality he was running. and Daniel never fucking stopped.
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Text
Day 15
We are set to arrive on Fendaar in two cycles. As we are currently stuck on the SIIR Noxos, I have concluded that the passages of time that I am free of duties would be best spent continuing to observe the human. The human, on the other hand, seemed to have different plans in that matter, as it took me an unusually long amount of time to locate her.
As I eventually found her, she seemed to be working on one of the control panels in the main control room, so I may excuse her absence with duties she had to attend to. As she saw me, although, she seemed rather…excited (this is obviously mere speculation, as the study of the Terran so far has provided far too little evidence to prove such theories)?
As she rolled out from under the control board and sighted me, her face once again split into a wide opening revealing her horrifying amount of teeth.
"Hey! Dude!", she said, raising to her full height and stepping towards me, still baring her teeth, although I did not recoil, as I did not want to seem impolite. She raised her arms, each pointing into a different direction, away from their connection to the human's body.
"Human Quinn. How are you?"
"Me? I‘m fine, the whole 'wandering around in space' thing just made me throw up, I honestly don‘t know why they insisted on keeping me there for two whole days."
The ends of her fingers, studded with claw-like (rather short and rounded instead of sharp, perhaps they were not meant to function as claws at all, or perhaps the beings on Terra were far different from what I knew, and therefore a shape like this was far more useful to hunt) protuberances, scraped over the back of the connection between her head and her upper body. If I interpreted her facial expression correctly, she seemed to be thinking.
"Maybe I got a light concussion too, I’m not entirely sure. But it's improbable, because I’m fine now."
I decided to focus on one piece of information at a time. "Well, this "throwing up" can certainly not be a healthy nor normal process, otherwise, it would not seem so violently painful and involuntary, would it?"
"Well it‘s not…unnatural, it‘s just something that can happen. And about health, it‘s not unhealthy, it usually helps us to get rid of stuff that is bad for our bodies!", she eludicated, moving one of her arms in a rather random manner.
"The scientists have concluded that this fluid is highly acidic. If this 'stuff' is so harmful to you, wouldn‘t it just dissolve in this fluid before being able to cause any further harm?"
Quinn seemed to think about that. 
"Well, just because it gets dissolved, doesn‘t mean it‘s gone, you know? It's still in our bodies, and we have to get rid of it somehow. And if it needs to be fast, we throw up. Honestly, I‘d definitely explain this further to you, but Biology‘s never really been my strongest subject, ya know what I mean?"
I did not, in fact, know what she meant, but I decided against questioning her further.
After a pause the Terran spoke up again: "So, this planet we're landing on..." "Fendaar.", I clarified. "Right. So, this planet that we‘re going to, it‘s a desert, right?" "That is correct." "So, is it a sand, an ice or, I guess you could also count rock desert? 'Cuz on my planet, we‘ve got all of those types."
"Fendaar‘s ecosystem is mostly made up out of sandlike landscapes with rather scarce vegetation and biodiversity. Most of the planets in system 36-54 have rather extreme temperature ranges, and Fendaar is no exception.", I eludicated.
"Alright, cool.", she spoke, rolling back under the underside of the control panel she had been working on previously. She seemed to be sitting, or rather lying, on a piece of metal with four small wheels attached to it, allowing her to move it around.
"Your planet.", I initiated. 
"Yeah?", she responded, while continuing her work on the wiring.
"Am I assuming correctly that your planet has a far bigger biodiversity?"
"Oh, yeah.", there was a small spring in her voice, as if she had let out air in the middle of speaking. "Big biodiversity. We‘ve got deserts and rainforests, coral reefs and permafrost - although perhaps not for that long anymore - mountain ranges and all that stuff."
"Interesting.", I supplied, for lack of a better response. If Terra had such differences in temperature and landscapes, it was a logical conclusion that the humans had evolved to survive under such circumstances.
"Yeah."
It was unusually quiet for some time. That was, until Quinn rolled out from the underside of the control panels.
"Alright, I‘m done." She took a deep breath before opening her mouth once again. Then, all of a sudden, the muscles of her face started contracting as if she was plagued by an invisible pain. Her eyes squeezed shut and she let out horrifying noise, holding an arm angled in front of her nose and mouth. The noise itself was not particularly loud or long, but I recoiled either way, as a measure of safety. I could not be certain if this gesture was meant to harm me, after all.
Quinn‘s arm sank down again as her other hand rubbed at her nose. She huffed, a sound far less threatening than the one she had produced a moment ago. One of the hair patches above her visual organs raised itself, prompting the question to arise if human hair was controlled by muscles or if it had a mind of its own, although this was a question that could be further investigated later. One of the corners of her mouth raised, revealing the seemingly sharpest teeth in her mouth.
"I guess dust is an inter-galactic thing, huh?"
I did not respond. Her face muscles contracted, causing the skin above her visual organs to crease.
"Hey, you okay? You‘re looking a little spooked over there."
"Human, I do not wish to cause you discomfort, but, if I may ask, what was the purpose of the noise you just uttered?"
She did not respond for a moment, blinking with both of her eyes as she stared at me. It was quite unsettling, considering her previous explanation, that most humans preferred not being stared at. 
"I…sneezed?" The creases in the skin above her eyes deepened.
My front pliers uttered another rattling sound. "What is this 'sneezing'? What purpose does it serve?" I admit, I was quite curious. Terrans seemed much more complex than I had previously assumed.
She paused, seemingly to think of an answer. "Well, it‘s like…if something is bothering us at or in out nose, like dust, for example, it‘s kind of the natural response to that. To keep things out of our bodies that don‘t belong there."
"Human bodies seem to require a lot of defense mechanisms.", I commented.
She raised and lowered the connection of her arms to her upper body, baring her teeth once again while raising herself to her full height, using one of her arms as support.
"Y’know, it’s surprisingly hard to explain something you’re so used to to someone who’s never heard of it. I guess I still have to work on the whole 'awareness that I‘m around aliens' thing. S‘ kind of surreal."
She patted off her clothing, as if to remove non-existent filth once again. I had noticed the past few cycles that most of her clothing seemed to consist of several, usually differently-coloured, pieces of fabric. 
Her clothes usually covered her body from the connection between her arms and torso to the connection between her legs and, presumably, her feet. Her feet were usually also covered, although I could not determine the purpose it was supposed to serve in the environment we are currently in, although the theory that the conditions on Earth are vastly different compared to the ones on the SIIR Noxos is gaining more probability, based on the Terran's narrations.
The human seemed to evaluate a question she wanted to ask (this is, of course, a mere speculation based on previous observations: her face muscles were contracted to form a crease over her visual organs, which could so far most likely be interpreted as confusion, thoughtfulness or discomfort; her head was both slightly raised and tilted to one side at the same time, a gesture that was most likely supposed to convey an ongoing thought process).
Although, before she could utter a noise, V-7 informed us of a request from the Vitrichl to gather for a matter of importance.
The purpose of his summoning was to divide the crew into several smaller groups that were to be assigned with different tasks to fulfill once we sucessfully landed on Fendaar.
I was grouped with the Terran, which was unsurprising, as well as Tkzt, a member of the species that is widely known across the galaxies as Ctzas (it is to note that the Ctzas have not evolved any form of written language and communicate exclusively through clicking and chittering sounds. The written forms of, for example, names of this species, are written by other species to produce approximately the same sound as the Ctzas make when recited verbally).
Tkzt, as a member of the unit controlling supply chains and keeping a list of the stock of the SIIR Noxos, would make a helpful addition in our task of seeking out the nearest settlement in order to stock up on supplies.
After all matters of importance were settled, the crew dissipated, continuing their respective tasks. The Terran was ordered to stay and to assist the Vitrichl in another matter, which is the reason I did not cross paths with the human again for the rest of this cycle.
Despite this, I am positive that accompanying the human on an foreign planet will give me a further insight into the species' mannerisms and interaction manners with foreign species, which will prove to be helpful further on in studying the human.
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zu-is-here · 2 years
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You know, you're version of the studioverse should be called the Zu-dio verse
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It's always Sunny in Zudio
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ilynpilled · 1 year
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why must everything that the text clearly states atp be misconstrued like i really dont get it he has plenty of flaws in that relationship but we, and cersei, know that he was ready to kill robert for just the disrespect of the cheating if cersei said the word. he doesnt concern himself with the personal consequences, he is reckless, detached from a lot of things, and can close his eyes at the future if he doesn’t want to acknowledge it. also the concern over the “shame” and ned type judgement feels so overestimated to me atp. he never regrets aerys, he is mad at how he is perceived (but again, notably doesnt try to rectify it by telling the truth for a lot of complex reasons), but he would never take it back. if he believes its the right thing to do, and is not overdosing on copium trying to juggle vows he cares about, he will do it, reputation be damned. though he has selfish concerns regarding being viewed as good, the internal matters so much more than the external: see weirwood dream: who actually shows up? what makes the fire go out? “it was not him. it was never him”, see the trebuchet fiasco, see the choice in adwd. why shouldnt we take cersei at face value when she implies that if jaime knew about the physical abuse he would have killed him? he loves and cares about cersei to an insane degree, even if he can be selfish toxic and unhealthy too. not to mention he would be glad to kill robert anyway lol. i really find it very very difficult to imagine that he wouldnt have killed him based on almost every single part of his characterization.
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onesidedradiostatic · 7 months
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the real way to antagonise alastor would be to point out that he and vox actually have quite a few commonalities -- both like being the centre of attention, both up-and-comers of their respective days who got a Lot of power very quickly through similar mediums, both do news broadcasts as ways of gaining/keeping power, both use smiles to cover up insecurities and control the room (although vox is an amateur at this compared to can't-stop-smiling-even-whilst-having-a-breakdown-alastor, not that that's... a great thing on alastor's side), fundamentally entertainers/presenters at heart who need to be the most impressive presence in any space they're in or they'll die (uh... double-die). thinking about vox trying to prove they're not so different, and alastor's eye twitching type duet
honestly though alastor could just easily bite back by saying he's just a cheap copy of him ALSFMLGLSK and he does have the excuse of having come first too. I do not think vox would be successful if he himself tried to point it out to antagonise alastor (and I'm not sure if he himself even would want to admit being similar to alastor). now if say, lucifer tried to say vox and alastor were the same THEN I think alastor would be offended
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miscgallery · 12 days
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[Day 4: AU] a close call!
(bonus doodles and context under cut)
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peaky are sort-of "robin hood" characters who are rich themselves, but don secret identities to target corrupt politicians, government officials, and billionaires when the law fails to punish them. most of what they do is dig up dirt on their chosen target and bring it to light for the general public.
one of their targets had invited esora (current ceo of the shimizu group) to a mansion party. they decided that this would be a good opportunity to gather more intel and do a little snooping around the mansion.
esora attends the party proper with yuka as her "bodyguard". things are going well until the power goes out and a gun is shot. the room immediately dissolves into a panic, and yuka scoops esora up before making an emergency exit through one of the massive windows. kyoko and shinobu throw out a rope ladder and yuka grabs it at the last second before they make their escape.
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