#and almost none of the plot has anything to do with canon

[cryptids-lobelia-garden]

I’m currently thinking about a time traveler Whumpee (we’ll call him V) who did very VERY bad things in the past (like, nearly world ending bad things) and has joined a time protecting organization to try to fix it

(Btw this is Pokémon except I don’t really know much about canon bc I’m still working on getting all the games played and I’m also adding tons of my own stuff, just absolutely making tons of shit up, also most of the Pokémon understand human speech and some can speak it sort of vibe. Also if you know who this is about no you don’t, there’s only like 1 canon character in here)

Anyway, V didn’t know what he was doing at the time, but he almost broke spacetime and almost everyone at the organization hates him over it- in fact, pretty much everyone wants him dead over it, because he single-handedly created a MASSIVE problem that they’ve spent a LONG time trying to fix. The only reason he’s alive is one (1) member of management saw his skills in research and stuff and was like “hey wait stop we should offer him a position in tracking down other time criminals”

So he’s left scared and pretty much fending for himself here, and the guy he’s put under (E) takes him under his wing.

But here’s the thing: there’s a couple people at this organization who DON’T want to hurt V. But V doesn’t know this bc E is playing into his fears to keep him kind of isolated, telling him everyone else here is out to get him, yadda yadda, and then he’s turning around and telling everyone else V is still not a great person

And V wants to fix things, he really does, and he’s trying REALLY HARD to fix things but everyone still looks at him like he’s a criminal and he doesn’t know why because he’s helped stop a LOT of bad things now, but the people that WERE kind to him avoid him by now and the rest still hate him and E’s treatment of him is getting worse

V is smart though, and he eventually figures it out. But by the time he does, nobody will ever believe him, because everyone thinks he’s a manipulator. A liar.

And that’s when things get worse. Because E knows he can get away with just about anything now.

Thinking about E getting a little careless with how he hurts V. Usually he keeps things where they’ll be hidden, but one day, something incriminating is just a little too visible, and management brings V in to talk and he doesn’t want to because he knows these people aren’t going to believe him bc E is pretty high up in the agency and he doesn’t want to make things worse for himself, but it’s the one person on management that likes him (we’ll call him A) and A eventually convinces V to show him the scars

And A is like “…oh shit. Who did this?” And V decides to tell the truth because there’s no point lying at this point, the word liar is etched into his skin a thousand times over, A’s not going to believe a single word, right? Besides, it’s not like E will hear about this.

Well, A listens and E gets fired and V gets put in his rank bc V’s actually one of the best members of the team he was put on, much to his surprise. And things get better, and people start getting used to V and he even gets a few friends

But one day while V is out on a job stopping a time loop or something E is there and he like almost dies

And the agency realizes E wasn’t supposed to be in that time loop. E found a way to travel through time without the agency’s tech.

So once V heals up, he gets sent after E, because E’s been capturing legendaries and stuff from a bunch of different times and just fucking shit up and yeah it’s a whole thing

V goes to a specific time and ends up meeting one of the people who stopped him (C) and C is really suspicious of him at first but when V explains the situation C is like “..oh” and decides to help him out and they team up

Well, V finds E and it starts a big fight and E throws C off a cliff and almost kills V but C is OT human and he survived and climbed his way back up and just straight up kills E (accidentally on purpose) and he rushes V to the hospital

And V’s just. So done at this point, with the agency and with time travel and with everything so he’s like “can I just stay with you I won’t cause any trouble” and C’s like “yeah sure” and they live together domestically now and it’s cute

……anyway uh. Yeh. This started as me trying to figure out how exactly I could write a redemption arc for V and it turned into a (realizing everyone hates him/realizing why/hating himself over it/letting himself be hurt over it/realizing that’s Not Good but not having anywhere to go/finally making it out/trying to actually fix everything/managing to fix things/being tired of being hurt and finally finding peace) arc, and. God.

Currently I have three different hyperfixations going, and it’s Pokémon, Adventure Time, and Epithet Erased is sitting on the back burner but has never really left (speaking of epithet erased Giovanni Potage is really REALLY gender). So. Help.

Btw uh. Like. Are people going to judge me if I? Start talking about who the specific characters I’m talking about are?? Haha I know probably no, I’m just Worried. Uuuuhh anyway yeah that’s the entire plot for a thing I want to write at some point when I finish another thing I’m already writing so uh. Yay

[erosiism]

GAP MOE | YANDERE DUKE X M!READER

prompt: in which the reader is isekai’d to a novel where he’s supposed to be cannon fodder, but his supposed murderous husband is sweet, doting, and loving. the worst case of gap moe.

character(s): duke (altair), you

warnings(s): none [except the chance that i might have used the term wrongly lol still an enjoyable read, i promise]

note(s): male reader, second person, present tense, not beta read, will probably have a part two

other(s): alternative title: help, i got transmigrated as cannon fodder and now i am the murderous duke’s husband | meaning of gap moe: affection born of inconsistency between different aspects of the character

So, you’ve been isekai’d to a novel. A novel where the Grand Duke is supposed to kill you. He hits every cliche: Altair Ornaria is red eyed, black haired, and he has the smoldering, sharp kind of beauty that you only see in Dukes. The Northern Duke, to be exact.

The situation isn’t looking good. As far as you know, you’ve been isekai’d into a novel called The Villianess’s Revenge, where you are a plot point. Canon fodder. Where you’re the background character who happens to die in an event that the main character will shine. And specifically: you’ll die by your husband’s hands.

You like to think that you could’ve avoided your fate, but it’s bad, because you woke up to wedding preparations—the first time you open your eyes in a foreign world, there’s a burst of chatter and activity in a luxurious room, and you see white everywhere. Memories of your past life whizz past you in a frantic blur and your head is still muddled: oh, right. You got hit by a truck. Memories of the novel follows, and you can only blink as you realize the stupid coincidence that you share the same name as the character you had possessed.

Your fate remains: you’re  getting married.

To the Grand Duke of…the Northern Kingdom.

Admittedly, you don’t know how to feel. There’s the obvious fear that you’ll be walking right to death’s door, but again, you don’t exactly die during the wedding. You only die months after that. So you don’t really need to worry about anything yet right? The Duke will be cold towards you, but it doesn’t matter: he’s a stranger to you, too, and you plan on kissing him for as little as you can.

 And, you think, it certainly didn’t help it that the Grand Duke is devastatingly handsome. You can see his looks working its spell on you—you can see yourself simpering, your eyes going wide eyed. You’re trying to steel yourself. You’re trying to make yourself immune to Altair’s beauty. 

Fast forward: you’re walking down the aisle, aghast at the sight of your weeping mother and your crying father who just look so proud of you. They seem like decent parents, which is…strange. So—

—Oh. The [Name] in the original story did have three lines of description. One, that he was a spoiled brat, pampered by his parents, and two, he has a fucking crush on the Grand Duke. Hence a strategic alliance placed confidently for [Name] to get his wish.

…Asshole, you think. The veil is covering your face and you’re dressed in a white suit adorned with flowers. You can feel your throat dry up, all the moistness leaving your lips and instead churning down your throat. You wrinkle your nose, before you try to swallow down profanities. The music behind you almost seems taunting.

You stop in front of the groom.

Standing there in all his resplendent glory is none other than your soon to be husband, whose face is unreadable. You can’t see him, only smudges and smears. After all, the veil is covering his face—but gloom settles in you.

He’s going to be disappointed, you think glumly. His face seems vaguely familiar, probably because you do know how he looks, tangentially, but your thoughts are a hot mess right now. You can’t find the power within you to place a finger on it: so instead of bothering over it, you stand in front of the Duke in trepidation.

The Duke slowly lifts up the veil — gently and slowly, and you can swear emotion flits across his face as he gazes at you. You blink owlishly at him, at a loss of words. This is their first time meeting, and you two are about to lock lips. Or perhaps lock lips is an exaggeration—it will be nothing but a useless peck. But thankfully, though indiscernible, his face not one of disappointment.

Almost..fond? You think, then there is belated horror: wait, what? 

You ignore that. And then when your thoughts subside, you realize how ridiculously hot he is. 

“[Name],” he whispers, Altair, the cold, heartless, murderer of a Duke whispers, and your breath catches in your throat. It’s not even the expression on his face that knocks the wind out of your chest: it’s the way he calls out your name. Carefully, like he’s savoring the taste of the name on his tongue, like deja vu. But then again, perhaps it helps that you have read this scene. And the scene, though very—different—is unfolding in front of your very eyes.

This is your murderer, you think, don’t look at his face, [Name]!

You start to lower your head meekly, but Altair tips your head back up.

“How,” there is a teasing tone to his voice—teasing, like this is so funny to him—“how, do you expect me to kiss you?”

Your jaw drops. Then it closes. You are well aware of the blush around your cheeks that has betrayed you. 

.

.

What?

.

.

Seriously, is he programmed wrong? Why is Altair OOC? You coined enough fanfiction terms to label everything wrong with this. There’s a proper term for this, but you can’t seem to remember it. You do notice the way that Altair glowers at everyone else, before his expression smoothens when he faces you.

You close your eyes to give out a sigh. You forget this is a marriage. So you forget what happens when you get married.

A kiss.

You startle when you feel lips—firm but soft at the same time, pressing against your own. It’s tender, sweet, loving, and you practically melt against it. When you break away, the taste of Altair’s—your husband’s lips still linger on your own.

This defies all the rumors about the Duke, who supposedly was a cold hearted bastard who killed his advisors for speaking out of turn. No, this man is tender and gentle, and his delicate touch is nothing short of sweet. 

Before you can retort, or before your lagging brain can even comprehend this—the guests burst into cheers. You just feel numb as Altair guides you slowly down the aisle, ready to board the carriage into the manor. Mansion. Whatever. Your new home.

Your…

Altair presses a kiss to your forehead before he whispers in your ear. “I cannot wait for our wedding night, Y/n.”

You freeze.

The term starts to arise in your head.

Gap Moe, you think, this is fucking gap moe.

likes/reblogs would be so appreciated! and so will comments :) don’t mind me haha im tryna figure tumblr’s algorithm out which might explain my varied content || this oneshot will probably have a part two or three because there’s actually a reason behind everything. I’ll see how this does first

[sissytobitch10seconds]

I think it's kind of interesting that Viktor is overshadowed by his siblings both in the canon and fanon.

In season one I could understand it. Despite Viktor being the main character that literally drives the entire plot, everyone focuses on the other characters. People make fun of Luther for talking about the moon all the time. Everyone is almost creepily obsessed with Klaus and the Vietnam fling that he had. No one really talks about Allison, but her story is primarily linked with Viktor's since she's trying to heal their relationship (fandom misogyny too). I think that there's a decent amount of talk around Five since he's such a fascinating character. There's quite a lot of talking about Diego too, since he loses Eudora and spends a lot of time trying to take care of Klaus. But no one really talks about Viktor and the amount of shit that he goes through in s1. All the siblings other than Allison completely abandon him too, and Allison only wants the idea of a 'sister' that she's built up in her head since she lost her husband and daughter.

In season two, it makes even less sense to not talk about what Viktor has done. He has a queer love story with Sissy and we get to see way more development and chemistry for, Klaus and Dave had a montage and some sad lines from Klaus as opposed to an entire arc through ten episodes, but no one really does anything with it. Allison gets basically no attention for the same fandom misogyny issues as before. Five gets some attention because of the fact that he's exhausted and still dealing with the Commission (his fight scenes are amazing). Diego gets the same treatment as Luther did but a little more deserving because the plan to save JFK was stupid. Luther gets totally sidelined and ignored too, but people really hated him in S1 so I'm not surprised. Klaus gets all the attention again even though his plot outside of Ben possessing him is honestly really boring and makes me so uncomfortable.

Season three is where Viktor should have gotten the most attention. If we're considering the fact that the TUA fandom has a very queer audience, then they should be super excited and celebrating the fact that Viktor is trans. Not only that, but he's also working his ass off so that he can fix things for Allison and get her back to a timeline where her daughter exists or back to the sixties. I think a lot of people ignore that, giving Five more credit than he deserves for trying to fix the world when Viktor was doing that until Harlan showed up and he wanted to handle that first. A lot of attention during the debut went again to Klaus, which was actually warranted this time since he was plot relevant by showing us things about Reggie and discovering his powers. Diego got more attention since he was parenting Stan and fighting with Lila, which was nice. Five got some meme attention but nothing serious and Luther got a little bit of genuine love. But mostly people just posted the conversation where Viktor comes out to his family and continued to ignore him.

Now Season four is out and no one cares about Viktor. He stands up to Reginald and says all of the things that he needs to say, he fights like Hell to try and save Ben from the Durango and get him someplace stable, he owns a bar and got fucking KIDNAPPED. No one is talking about him, all people are doing is complaining about fivela and the ending.

Viktor moved to Nova Scotia probably to get better trans healthcare, but also because none of his siblings care about him. My man is a tiny trans man that got kidnapped and ransomed off the street and they couldn't care less about him when they show up, Five is taking notes about the room they're in instead of checking to make sure that his childhood best friend is okay. Luther may have made him best man at his wedding, but it was just because Viktor had only just come out and all the other siblings were non options (never been close with Five, butted heads with Diego who didn't even want the wedding to happen, not their Ben, and Klaus was officiating) which was the same reason Lila was Sloane's maid of honor. Diego and Viktor barely spare two words at each other despite their closeness in the comics. Lila and Allison say something briefly to him before they also fuck off further into the plot.

Viktor isn't liked by his family despite them trying to include him in it when it's convenient for them, and he's also disliked by the fandom. I went into the TUA tag and about half of the top twenty posts were about someone else with him tacked on as an afterthought.

[kradogsrats]

Schrödinger's King in the Bird Box

Time for a return to the single topic that most torments me in this entire franchise canon: is Harrow in the goddamn bird or not?

Except not really. I'm not going to go over the evidence again. I've done it before. Almost everyone has done it before. It has only gotten stronger. At the absolute minimum, an attempt was made to put Harrow in the bird. That's not really disputable. I admit it. It's over.

This is actually the second time that I've struggled with narrative cognitive dissonance regarding a real core factor of this show (like not "what's the deal with Archdragon reproduction," but something that is clearly supposed to be thought about with the intent that it will eventually make sense), and eventually managed to rotate it so hard in my mind that the way I wanted to see it slipped out of my grasp and I saw it the way it's actually intended. Ironically, I think I may have been thinking about the Ocean arcanum at the time.

Anyway, what previously always bothered me about this question was mainly two things:

It would have a devastating impact on Ezran's character development if Harrow reappeared during s1-s3, but the timeskip and arc of s4-s5 made it so it would also be deeply weird for him to reappear before the show ends.

If Harrow is in Pip's body, both Viren and Pip's subsequent behavior, as well as how Pip is treated by the narrative on a meta level, make absolutely no fucking sense.

But... if Viren doesn't know whether the spell was successful or not? If we are meant to not know whether the spell was successful or not, because it's not going to get resolved in the show itself?

If we accept that the earliest point with any chance of the hooks for this plot being set is late s7—because yes, Aaron Ehasz would do an exact beat-for-beat repeat of Zuko and his mom—that both puts Ezran far enough in his growth for it not to be threatened by the "real" king returning, and keeps Harrow out of the loop for long enough that it doesn't really make sense for him to do anything but step down from the throne in favor of Ezran, anyway. As for Viren and Pip's behavior, if the show isn't going to advance that plot much further during its runtime, there's no reason for us to be constantly reminded of it. The setup has been made, and they can just let it stew because it's not actually relevant.

That being said, Viren's behavior actually does make a lot of sense if "is Harrow in the goddamn bird or not" is a question that is also tormenting him. To that end, I'll be doing some digging here on the nature and context of the body-switching spell, Pip/Harrow's behavior post-swap, and what the hell is going on in the Harrow section of Viren's dark magic dream.

The Spell is Made Up (Unlike All Those Real Spells)

First of all, I think there's been some long-term incorrect assumptions made about the body-switching spell. It's not a known spell: this is Claudia and Viren essentially flying by the seat of their pants... but we rarely stop to think about how that contextualizes the rest of the discussion around it.

The initial plan is to find the assassins and ambush them before nightfall. As Soren points out and Viren himself confirms: if they fail, the assassins will be unstoppable under the full moon and Harrow is as good as dead. Claudia decides to put her mind to that problem, so naturally she stops to flirt with Callum in the library and gets the inspiration for the spell from something he says.

(Fun fact: none of that happens in the novelization. Zero amount.)

She brings the idea to Viren, and they develop the spell from there. It's not really clear if Claudia actually knows whether something like that would be possible, but Viren does know that transferring the essence of a person can be done—he's got a nice little coin collection that proves it.

As for the snake, there's no way Viren "acquired" a two-headed soulfang serpent because he has a book somewhere on how to use a rare, malformed specimen of a dangerous Xadian creature to switch people between bodies. He probably thought "that's weird, but could be useful," or maybe whoever sold it to him just had a great sales pitch. A non-trivial amount of success at dark magic is in having access to rarer and more powerful reagents than your competition.

Anyway, what this means is that Viren has absolutely no idea what success looks like for this spell, particularly when using it on subjects of different species. When he describes it to Harrow, he is 110% talking out of his ass. He sounds like he knows exactly what the spell will do and how, and I think a lot of us kind of fell for that. He needs to sound confident, because if he admitted that he doesn't know if it will even work, with a possible failure condition of "snake eats your soul," well... a) Harrow rightfully wouldn't go for it, and b) he'd look incompetent, which is the worst thing ever.

When he goes to Harrow's room, he casts the spell... but did it work? I think that whatever it did, it did it in a way that Viren can't tell whether it worked or not. Maybe both Harrow and Pip passed out. Maybe Viren just didn't want to hang around for the aftermath—in the novelization, when he exits the room and runs into Callum, his eyes are still black from spellcasting.

Activities of Dr. Pip Harrow, Ph.D.

Probably the thing that has always bothered me the most about the entire Harrow-Pip theory is that yes, literally everything in the lead-up and immediate aftermath of the assassination points to that being exactly what happened... and then the narrative lens of the show completely drops the rope. Pip doesn't even appear in the novelization until Viren's pre-coronation scene, which is funny given his looming presence over half the scenes with Harrow in the show.

Pip appears exactly twice after the assassination—once in s1 and once in s2—otherwise he goes completely ignored. He's not in the background of Viren's office, or the throne room, or Harrow's bedroom. No one ever mentions him ever again. Ezran never mentions him again, in the show or in any supplementary materials. You'd think the boy who can talk to animals might have some interest in his dead dad's beloved pet... but who knows, maybe Pip has always been an asshole and Ezran's actually like "thank goodness I never have to speak to that dude again."

Anyway, in all of Pip's appearances, he behaves like... a bird. A trained bird—Harrow can rely on him not just fucking off—but he doesn't demonstrate human-like intelligence the way Bait does. That being said, Bait is essentially a main-cast character (at least as much as, say, Corvus... maybe even Soren) while Pip is a plot device, and even then it takes until well into the first arc for Bait to show the kind of complex reasoning and initiative that separates him from an unusually smart dog. Pip's human is also a stressed-out king, rather than a rambunctious ten-year-old, so he's probably a bit more sedate overall. I would personally bet, given the way the show has progressed with regard to Xadian creatures, that Pip is as intelligent as Bait.

The point of that is: even if Harrow's consciousness is occupying Pip's body, he's not really doing anything with it. He's pissy, sure:

But is that Harrow's pissy-ness or Pip's? Even if Pip is only as intelligent as a trainable bird, that's plenty intelligent enough for both grieving/confusion that their human is gone and holding a grudge against obvious assholes. Viren cages him, but is that because he flipped out and got bite-y? And was it Harrow flipping out, or Pip? Or is he caged just because Viren's of the general attitude that animals belong in cages? Those who fail tests of love... We just don't know.

A lot of us also, to circle back to assumptions about the spell, have tended to think of a body swap between Harrow and Pip resulting in Harrow flailing his arms around wildly and screeching... but again, we know literally nothing about this spell, nor do we actually know anything about Harrow's behavior after Viren leaves his room. Maybe his body sat catatonic on the bed until Runaan came in and shot him. Maybe Pip, being intelligent, was able to maintain the facade—once everyone's in the heat of battle, it would be hard to notice even significant deviations from normal behavior. Even if "Harrow" appeared to fight only halfheartedly, or give up entirely... well, he hasn't been the same since he lost Sarai. Maybe the spell only partially worked, and only half of his soul is inside Pip, with minimal or no influence over the bird body's behavior.

Viren does appear to take some precautions in case Harrow is alive inside Pip. The cage, for one... but he also has nearly all subsequent important conversations outside of his office. Like I said earlier, Pip's cage isn't rendered in the background of any scene, but since he escapes from Viren's office I'm assuming that's where he's been. Even if Pip was just out of frame in every scene in Viren's office post-assassination through end of s2, the only things he's seen are... Viren eating butterflies, and the conversation between Viren and Claudia about the mirror and her side mission to bring the egg back at all costs. He doesn't know about Soren's instructions to murder the boys. He knows about the mirror and Viren's obsession with it (which he could have known before), but he doesn't know about Aaravos. He may know that Viren stole his seal but only if Viren was stupid enough to stamp the letters with it in front of him (which... look, he could be). The only things he's really learned are that a) his sons are alive, and b) Viren lied to him and the egg is alive.

Now, realistically, if we were meant to hang on to the is-Harrow-in-the-bird plot thread because it's going to be significant within the scope of the show... I'd be expecting to see at least one cut to Pip glowering at some point during all these machinations. If it weren't for the mirror and Aaravos, I'd expect Viren to be yelling all his monologuing at Pip, too. But the show does none of that. Instead, the next time we see Pip, we see him peace-ing out of the show for at minimum the next three seasons, and possibly the remaining two, as well. If Harrow's in there... why? Did he go to find Callum and Ezran himself? It's not actually clear that he knows Ezran can understand animals, so it would be reasonable for him to think Viren is his only chance at ever not being a bird again. Maybe he thinks that chance is gone with Viren's arrest and would rather not spend the rest of his life in a cage. Maybe he really isn't in control of the body.

Back to Viren, though: since Pip refuses to demonstrate any behavior that could be taken as distinctly Harrow's, Viren actually has no idea at any point whether Harrow's in there or not. He doesn't know if Harrow lived. He doesn't know if he succeeded or failed. It's a constant reminder that he's almost, but not quite, in control. Almost, but not quite, good enough to achieve what he wants.

It probably drives him absolutely insane.

Did You Think You Were Somehow Getting Out of This Without Me Mentioning Kpp'Ar?

Just kidding, it's finally time to talk about Viren's dream. We've gone two entire seasons and a two-year timeskip without any mention of Harrow or Pip (though those maniacs dropped the fucking snake basket on us as an incidental but obvious prop early in s4), and then suddenly we get punched in the face by Viren's subconscious.

First, though, I do actually need to point something out in the scene with Kpp'Ar. Bear with me, I promise this is relevant.

Viren sealed Kpp'Ar's soul in a coin 12-ish years ago, and the coin has been sitting collecting dust in his secret dungeon for... some amount of that time. Now he opens the door and finds Kpp'Ar standing there, free—and I will note that I don't believe Viren actually knows how to free people from the coins, or whether it can even be done. His reaction is surprise, followed by suspicion and wariness:

When he encounters Harrow—dead—his reaction is horrified shock, which is fair since the last time he entered the room that way there was no surprise body chilling out waiting for him in it:

Then, when Harrow speaks to him, suddenly alive and unharmed, he drops straight into relief:

Some of this is undoubtedly due to the differences between Viren's relationship with Kpp'Ar and his relationship with Harrow. With Kpp'Ar, after that initial moment of confusion, he's absolutely determined to not show a single hint of ignorance or weakness—this is a trick, or a test, and a passing grade in "light verbal sparring with the mentor you're pretty sure you remember betraying" is a thing that is both normal to want and possible to achieve. For Harrow, who he wants so desperately to call him brother, who he walked into this very room ready to die for, before everything went horribly awry—he not only immediately and willingly goes to his knees, he literally prostrates himself.

... I'll give everyone a moment to get all the innuendo and suggestiveness out of their systems, because that's not the point. This time.

What is the point is that Viren's reaction to Harrow isn't disbelief, but relief. Hope. Kpp'Ar is supposed to be in a coin, and Viren immediately questions how he got out. Harrow is supposed to be dead but Viren doesn't give a second thought to how he's not. Fortunately, Harrow helpfully explains:

Fun fact: back in s1, we don't actually see Viren actually taking action against the assassins. We don't even see evidence that he re-entered the room at all—it's only Soren and Claudia who participate in Runaan's capture.

I haven't actually touched a lot on the complex shit going on for Viren, emotionally, throughout all of this—I mentioned it's was probably driving Viren insane over the course of the first two seasons, but let me elaborate. If Viren successfully switched Harrow and Pip, that means Harrow survived... but he expressed his feelings on the proposal in no uncertain terms, and there's a good chance he will literally never forgive Viren. I don't think Viren thought far enough ahead to consider how to get Harrow into a human body again, but I do think he's dragging his feet on it a little because if he can work things to his advantage—unite the Pentarchy against Xadia and follow through on the war Harrow was avoiding—he'll prove to Harrow that he was right all along. Any chance of that flies out the window with Pip at the end of s2.

If the body-switching spell failed, it means Viren essentially killed Harrow himself. That's the reality I think he grows more and more resigned to over the course of s1 and s2, when Pip remains unresponsive. He had no choice but to take the best chance at saving someone he loved—but this time, instead of saving Harrow, he murdered him.

In the dream, Harrow has not only survived, but credits Viren with his survival. He doesn't just dismiss Viren's show of remorse, but makes his own apology to Viren. He calls Viren brother. After an impossibly long nightmare, everything is okay. All is forgiven. Maybe there was nothing to forgive, in the first place. Maybe Viren was right all along.

Then it all turns sinister with the callback to the coin incantation, and we have a sharp return to reality:

The cinematography here treats Pip a lot more like how I would expect him to be treated in s1/s2 if we were meant to know he was actually Harrow. There's focus actually on him, instead of just other characters' reaction to him. He "speaks"—as I noted in another post—in raspy sounds very unlike his songbird chirps from s1. This is absolutely Harrow as Viren actually left him—even if he's not dead, he's in a warped prison of dark magic, a perverse mockery of himself.

Oh wait.

Harrow-who-is-both-human-and-alive was never an option, and what we've got now is mirror images of Harrow-the-dead-human and Harrow-the-live-bird, and they're going to do to Viren what he did to them.

Now, it's not that none of this makes sense if Viren knows for sure that Harrow is in the bird... but it makes a lot less sense and has less emotional resonance. If Viren knows Harrow survived as Pip, he'd be more likely to question Harrow's human form than his survival—the way he does with Kpp'Ar. He might be more guarded, expecting hostility—which, I will note, is what he gets when Pip enters the scene. Instead, because until now he believed that he actually killed Harrow in his attempt to save him, he's so relieved to see Harrow alive that for that one moment he loses all pride and is ready to beg for forgiveness at Harrow's feet.

Since legitimately none of this makes sense if Viren didn't at least attempt to put Harrow in the bird, we're left with Harrow maybe or maybe not alive, Viren having maybe or maybe not been the one to actually kill him (gonna be a fun one with the Runaan context), and a plotline that is definitely not going to be resolved in the remaining two seasons of the show. I'd be kind of surprised if they even did any more setup for it (like Callum/Ezran finding out it's a possibility, or even a hint drop like Runaan being all "it was fucking weird, he just sat there" or something) outside of future supplemental media.

Conclusion

Either Harrow is alive and in the bird, with the future intent being to do a spinoff story The Search-style, or we're in for a huge bummer of a "actually, it was Viren all along who killed Harrow, therefore Runaan is a good guy and we can all be one happy family" pile of absolute bullshit. Yes, they said Harrow's dead. Harrow's body is dead, we knew that all along. There's a note in the artbook that Viren was actually going to rip the shroud off at Harrow's funeral in order to publicly prove it's his body, because that is an extremely normal thing to do.

The show just treats it extremely weirdly because, even as the only person with any chance of knowing, Viren is in the same uncertain boat as the rest of us. (Actually more uncertain than the rest of us, since he's not genre-aware.) Also it's another chance to torment Viren emotionally, and they'd never pass that up.

Thanks for coming to my absolutely ridiculous TED Talk on this topic, I hope this screenshot now does as much psychic damage to you as it does to me:

[writershapeholeonthedoor]

My favorite ships ranked!

There's a huge chance this list will change once every two days at the very least, but let's do it!

1. SUPERCORP

Literally my favorite ship ever. They're just perfect for each other in every possible way. Their love languages complement each other perfectly, they can rely on each other, and they work together like the best team in the world. Lena needs love and Kara knows how to offer it without asking for anything in exchange. She will take whatever Lena is willing to give her and be happy about it. But Kara still needs someone that will look at her and see who she really is, no judgment, and someone who she will be comfortable being herself - Kara Zor El - with.

Speaking of fanfic, I think it’s safe to say these fandom has some very talented authors who gave us very well written works. They can also work in every possible scenario, so that's a huge bonus.

Favorite scene: "Supergirl might have saved the city, but, Kara Danvers, you're my hero."

2. SHOOT

Shoot is THAT couple that should have ended up together, but didn’t. I don't hold a grudge on it, though, because Root's death made sense to the show's ongoing plot. I can't say they would be perfect like Supercorp because Shaw has some emotional problems and Root is just also in love with a artificial intelligence or whatever, but they would work. Shaw would try - for Root - and Root would love every part that Shaw allows her to see.

Favorite scene: "You can't live with me and I can't live without you."

3. WAYHAUGHT

Do I even have to say anything? Our most perfect CANON couple. They were perfect from start to finish. The way Nicole absolutely adored Waverly, almost like a worship even, but wasn’t afraid to stand tall on her ideas and opinions. The way Waverly acted like Nicole hung the moon and stars in the sky just for her, and how we know she would be able to do anything to keep Nicole happy. They're that couple that make everyone's teeth rotten with how sweet they are.

Favorite scene: "You guys make The Notebook look bleak."

4. CABENSON

One of my favorite gay ships, so it has a special place in my heart. In the early seasons, it's pretty clear, at least for me, that Alex and Olivia could have something going on. I believe they were both shoving it away because none of them was ready to get seriously involved with anyone and they knew that whatever they decided to have would be too special to be treated lightly. Unfortunately, time was cut short for them when Alex got pulled away for WitSec.

I do think they will forever be each other's "almost", or "what if", but they're long past that now. They changed too much and they did it separately. If they were together, they would have changed around each other and, possibly, be able to work those differences to stay together. But now I don't think they would be able to keep a relationship. It's a bit sad, but it's also a very good portrait of reality.

Favorite scene: "You like being back on court, don't you?"

5. BISHOVA

I'm new to this ship, but I already love it. They remind me a lot of Shoot, actually. We just know that Yelena needs to find someone who would love her with no restrictions and that she deserves to find love. And Kate needs someone able to ground her, but also someone who allows her to be as silly as she wants, someone that will always have her back, doesn't matter how insane her plans might be. They have chemistry too. Also, I can see them getting together with no drama at all, or maybe something they can easily solve, and then being together for the rest of their lives to the point that they can't even remember a time they didn’t know each other. We didn’t get to see them that much, sadly, but I keep my hopes up for more scenes of them in the future.

Favorite scene: "You have one fork?"

6. FLEURMIONE

Okay, two intelligent and beautiful women together? Sign me in! I've been in Harry Potter's fandom for many, many, years now and, after giving it too much thought, I can safely say that Fleur would be the perfect match for Hermione. She would challenge Hermione, they would have endless discussions about any and every subject, they would have enough books together to fill up a library, and they would make each other want to be better every day. I also see Fleur being a bit sarcastic and Hermione keeps rolling her eyes at her at least fifteen times a day.

Fleur is constantly curious about the muggle world, always eager to learn anything Hermione is willing to show her. She would have a great relationship with Hermione's parents, mostly because she thinks they're one of the most genius people on the planet because they know how to fix people's teeth. Meanwhile, Gabrielle would loooove to talk with Hermione, especially when they get together to embarrass Fleur.

Favorite scene: You know, the totally canon one when Fleur asked Hermione to the Yule Ball.

7. LOU MILLER X DEBBIE OCEAN

Heist wives? Yes, please.

We don't even need to pretend. These two were totally banging throughout the whole movie. The headcanon is that they used to date, then Debbie made some stupid decisions, met the wrong people, they broke up for a while and then Debbie got locked up. I believe Lou was so angry with her for both being stupid and for ruining what they had because she wanted to get more money than they actually needed, that she didn’t even visit Debbie in prison.

While there, Debbie had enough time to realize how much of an idiot she had been, so it's up to her to win Lou back. Meanwhile, Lou knows that she's screwed the second she sees Debbies smile again. She just can't help but orbit around her.

Also, they're the Moms, no doubt about that.

Favorite scene: "Baby, I don’t have a diamond yet."

8. DANSEN

The only reason they’re all the way down here is because I hate CW, but I actually love them more than half of my family. They’re married, they’re moms, they’re in love, they’re perfect. Someone as caring as Kelly needed someone to make her go crazy like Alex, while Alex deserved someone that would understand her no matter what. Honestly, I just love them.

Favorite scene: THE PROPOSAL

9. CAROLNAT

Is there any chance this could happen? No.

Do I still dream about it? Constantly.

It's just one of those couples where things would just work. My biggest headcanon for them is that they would be constantly laughing and having fun. Always joking and playing around with each other. Natasha would crave physical touch and Carol would be happy just to be around her at all. Carol would finally find a reason to stay on Earth without feeling guilty about it and Natasha would one thousand percent make a retirement party for her.

Also, they would protect each other so fiercely that no one would even dare to warm any of them.

Favorite scene: The one where Natasha ends up on top of Carol in the training room. Totally canon, trust me.

10. GLORBIA

Might sounds crazy, but hear me out.

Barbie is literally Gloria's dream Barbie, and Gloria is the reason Barbie is alive. Once Barbie becomes human, I can totally see Gloria falling for her without even noticing it, while Barbie takes a while to realize what are those things she's feeling. I do believe Sasha would have a strong part in bringing them together. She would be the one to explain to Barbie what a crush is and what being in love should feel like, and then she would have to give her mom a gentle push to acknowledge her own feelings.

After that, fluff all the way. Gloria would be the most patient person in the world while she sees Barbie navigating human life, just happy to have whatever Barbie is comfortable giving her. Meanwhile, Barbie keeps getting surprised by how strong her feelings can be every time she even looks at Gloria.

Favorite scene: Not a scene per se. Instead, I'm bringing that Tumblr post that says "Ken only has a great day when Barbie looks at him. Gloria always has a great day when she looks at Barbie."

Bonus

11. GAY BELLA

Quite literally, any lesbian ship from Twilight. My favorite one is Rosella, but Bella x Tanya is a close second. Bellice is also a very strong candidate, not to mention Bella x Kate. And, oh, did I hear someone say Bella x Irina or was it Bella x Leah? Honestly, just give me lesbian Bella and I will be happy.

12. ROJARIAS

One of the hottest couples that exist.

Thank you for coming to my TED talk.

[sunnysunsins]

Since recently everything here has been taken over by dipshits who lack media literacy, i will come back here to say - RWBY is a good show. It is good. It has good story and good writing and good characters. Does it have stumbles and limitations? Of course, like everything else ever created. Is it the real reason yall are dedicating your lives to religiously following and picking apart every detail to find something, anything, to hate on and make it your whole personality? Nah.

Yall are just pissy your hc wasn't canon. And i'm only half-joking.

Yall are just stuck in the expectation of "cute girls in school fighting monsters and baddies", which it hasn't been for almost a decade. Let Beacon fucking die already, it was the most boring part of the story anyway. If you like it so much, watch.. idk, high guardian spice. Or maybe my hero academia, it has godawful writing too with your favorite Adam-like and Ironwood-like archetypes you adore so much.

And if you didn't click off already in hissy rage, and want to challenge me on the writing point:

Yall are complaining about pacing, characterization lacking, skipped development, insert some other reason, how "show went to shit after volume 3". Well, newsflash, look back at volume 1. REALLY look at it, without your nostalgia boner.

How, in what actually can fit into 3.5 full-length episodes, it skips a whole semester with only a few moments shown in like 3-8 minutes. Notice how Ruby and Pyrrha interacted like 2 times in 3 volumes total. Ruby and Penny? Yeah, they barely interacted too. Ren hasn't talked to rwby girls at all aside from ensemble scenes.

Too many characters in later volumes? Honey, 1-3 had SO many pointless grunts and you ate them up. The whole Vytal festival was filled with them.

Can you tell me the plot of volume 2 from the top of your head? Yeah, me neither. If i think maybe i can remember there was a mecha fight, a dance and a train, but beyond that what was the point of that entire volume again?

Your favorite, pedestalled, volume 3, most of which is fighty-fighty filler and the only stuff you actually remember when jizzing your pants about it is last 3 episodes.

Most character interactions and development happened after Beacon arc. Most actual plot and bigger story happened after it too. Yall are stuck circlejerking to *filler*, setup, which only purpose was to show the status quo to later destroy it and start to show the real picture.

Do you know why v4 and 5 feel so empty and missing something? Sure, juggling multiple plots gave it's pacing issues too, but it felt empty because there were no side characters to fill out the world and make it feel alive. V5 cast was so tiny it felt like nobody interacted at all. Because there were none of those "extras" yall hate on so much. The extras make the world feel real. Which is why Atlas feels alive when Mistral wasn't.

The most complaints about later volumes are chucked down to lack of media literacy and nuanced reading of situations and characters. Translated for your easier understanding: the writing was too nuanced for your "cute girls go fighty fighty brrr" brain to comprehend. Sometimes things require you to put the situation into character perspectives. Sometimes their decisions are made under stress + personality + influence of events and interactions. But i guess yall don't want to think, yall just want to watch "girl go brrr killy killy monster"

I can continue writing down all these other points, but i'm hungry and should get up so i won't. Bottom text: RWBY is a good show with good story and good writing and good characters. It has struggles and fumbles like every other piece of media. But for some reason, because it's indie, it's held to a much higher standard and everyone feels entitled to pick apart every detail of it to make themselves feel justified for feeling sad over their dead headcanons, even though they'd never do the same picking for big production popular series with much *much* worse writing than even the worst of RWBY's fumbles.

If you made it this far and are a member of rwde, congratulations, you still have a reasonable bone or few. Most others i guess clicked off at first point and blocked me after sending me some kinda death threat, idk, i haven't posted this yet after all.

So yeah, feel free to leave your takes and death threats below, i'll happily discuss further later

[boyfridged]

Regarding Jason's pre-crisis characterization, would you say that he really is just a carbon copy of Dick or did he eventually grow into his own character in the span of his run time? Also, would you recommend it to a Jason fan to read about his pre-crisis days?

i don't think pre-crisis jay has ever been a carbon copy of dick actually! i know it's a popular opinion but frankly speaking, i think people who say that either have not read his pre-crisis run at all or have not cared enough to understand the story.

the fact that pre-crisis jason’s origin and background (in major ways, but not 1:1, that’s also a misconception) mirrors that of dick was not “lazy writing” and it’s not some sign of the general silliness and carelessness of the editorial of the times. it was very much a conscious, well-thought-through decision.

let me break this down (so that it doesn't become another essay):

to make it clear before i get into anything else: jay's background being so similar to that of dick is actually a way to set up a story about their differences. despite sharing so much experience, there are some key variables in both their origins and personalities that the writers clearly wanted to bring readers' attention to. i will circle back to it later.

i reckon a lot of dc fans who never actually got to read these issues have this misconception that the death of the pre-crisis todds was an exact parallel to that of the flying graysons. however, jason’s parents do not die in a way that dick’s parents do; in fact, joseph and trina todd die while aiding dick in an investigation after he requested their help (this is also why dick later says that he would take care of jason have bruce not offered; he feels guilty for their demise.) this is a deeply fascinating concept tbh, because the todds are like collateral damage to vigilantism; sacrificial lambs, and dick is responsible for it, leaving another orphan on the scene. it's a full cycle!

it was also a smart way for jason to enter the narrative this way because it gave him a link to his predecessor. unlike post-crisis, jason’s first contact is dick, which makes sense, because it’s a story about robin (as a disclaimer: the way post-crisis alters it is also sensible for the plot it tries to convey; but these are two various storylines, approached from a much different angle!)

and pre-crisis jay is a very much different character from dick since day one. dick projects on him vehemently, giving him the robin mantle (once jay tries out different identities btw), which jason accepts as a gesture of love but also dreads. he struggles with the concept of vigilantism from the start, while everyone around him assumes that this is simply the way things go because his circumstances are so similar to that of both dick and bruce. he has a seriously tough time trying to reconcile with the concept of dual identities. he questions bruce's motives and actions a lot more than both dick in his early days and post-crisis jason. he stares numbly at the wall after his first patrol. he voices his concerns.

here i also want to say, that while i absolutely do think everyone should read these stories, and there are some storylines that can be incorporated into post-crisis jay canon, it doesn't hurt to consider which of them do not fit into it at all.

post-crisis and pre-crisis jay have completely different backgrounds, and since pre-crisis jay has been brought up in a rather safe and stable environment, as i mentioned, he's much more confident in questioning bruce. on the contrary, post-crisis jay seems to be so delighted to be having an adult at all that his faith in batman is almost absolute (for most of his robin run at least.)

as i said, pre-crisis jay is also much more aware of the duality of the vigilante life. as a former performer, he says that it feels disappointing to know that none of the people whom he helps will know his name, and he is used to having an audience (he is aware that it is a selfish sentiment.) this is not a thing that post-crisis jay considers at all.

i also imagine that post-crisis jay would never tell bruce the (famous) words that he would be perfectly happy to be just his son and not his sidekick (which he does pre-crisis); not because the truth is different but because he doesn't fully comprehend that it's an option. post-crisis robin jay's compartmentalisation is barely existent if at all; bruce "gave him" robin even before he took him in, so the roles of a son & sidekick are almost one and the same for him, which is why i'd say the events of a death in the family occur at all (he "failed" as robin -> he runs away to find another parent).

and well. pre-crisis jay actually has friends. his world does not begin and end with his role as gotham's protector and hope. speaking of which, he also does not possess the same passionate relationship with gotham as post-crisis jay does.

there are of course many traits they share – i'd say they both have even more sympathy for criminals and an even stronger of belief in rehabilitation than bruce does. they are also both, in a way, a victim of the cycle in the family and projection – bruce (and pre-crisis, dick) assume that the way of dealing with grief is to go out into combat, which is not necessarily true for them. but ironically, i think, it's post-crisis jay who remains more innocent and is easy-going in the way he initially settles into the role.

ultimately, i think all batfamily fans should read pre-crisis robin jay's run because it's perhaps the only run that takes adoption and the topic of legacies seriously. and it's before the editorial and writers decided that batman having a child was lame, and that robin's role was just CA, so bruce is truly parenting. while pre-crisis bruce is much more of a sweetheart than post-crisis bruce is, so it may not all seem "realistic" for contemporary characterisation, it still gives a good idea of what a plotline about bruce being a parent could and should look like. i'm not going to lie to you, post-crisis jay's run feels seriously loveless compared with pre-crisis. pre-crisis, there's plenty of family tensions, and at times it appears that no one in this damn family understands each other, and yet there's so much fondness and care and desperate declarations of belonging. pre-crisis jay's story is genuinely, from the very beginning, a story about a child whose parents die entangled in a vigilante's investigation and who is thrown into a family of vigilantes, projected onto from all sides, and who tries to fill in shoes he never truly asked for in the first place. but dear god is there tenderness there. is there self-awareness and a serious attempt to conceive what taking over a mantle of a sidekick means. yeah. much more than it is in post-crisis.

[danmei-confessions]

I truly think SVSSS deserves a revision more than any of MXTX's other novels.

I love the novel, yes, but it is poorly written. MXTX rushed the chapters after Bbingqiu's reunion due to using VIP lock for the first time and it makes the writing distinctly worse. I understand that she was young while writing it, which is the whole reason why it deserves a revision. The novel could have so much more potential than it currently does and it's no wonder that it's her least popular when even fans of her other novels choose to not read it due to being uninterested.

So much more story could be added, or just minor details. For example, we barely know anything about the 12 peaks all together, and unless you make up facts, there's practically nothing on their peak lords too. I see complaints about the SVSSS wiki being empty regarding the peak lords and I hate to say it, but that's NOT due to the moderators but rather pure lack of content. Hell, most of the facts that do existed were only in the light novel and not in the web novel at all. There's such little information it's really not shocking that the fandom runs on head-canons. In all 100 chapters of her novel, half of it in slightly plot, while the other is SQQ being... SQQ.

I have so many thoughts on the potential SVSSS has:

Despite it being mentioned that there are 'plenty of minor sects' we only hear the name of one.

Despite sects like Tian Yi or Zhao Hua being a part of the main 4, we know almost nothing about them, how they run, or their disciples/sect lead (literally the only named Tian Yi disciples are the 3 nuns). We also don't know their locations, what locations they control, or their history

The past events of SVSSS (before SY transmigrated) are so messy. Theres only 2 timelines I've found here on tumblr and even those are so different from each other. Theres no clear years compared to TGCF or MDZS and its so frustrating. This also leaves characters practically age-less (other than like. Binghe) unlike her other characters.

Almost none of the side-characters grow development with anyone other than Shen Qingqiu. I say 'almost' but I can not name any off the top of my head. There are characters that have/had such interesting relationships that were completely thrown out the window For The Plot. This is so.... disappointing, considering other character's relationships make up the plot! It's not only the MC!

Everything being rushed is heartbreaking, and with a re-write I think arcs such as the Holy Mausoleum, Jin Lan, Borderlands, etc could become SO much more interesting. Alongside that, the Mai Gu Ridge situation was blown off so fast?? Like, it was mentioned that the Endless Abyss was breaking through CCM, then just never mentioned again...

Power Scaling. Fights. Actual fights between people who aren't LGQ or LBH. We only really got NYY/LPM, MBJ/his uncle, and TLJ/LBH. Most of those were ALSO rushed.

The System's appearance was reduced LARGELY in the later chapters-almost like MXTX forgot about them. The whole first 2 volumes include The System so much, and its unique! functions! all for it to be disregarded and those functions to never be used other than the jade necklace.

Actually going into the wonderous world of PIDW that is claimed to have interesting weapons (only Xin Mo was shown), locations, plants (only Qingsi and that one thats too long for me to feel like typing shown), and creatures (only rly ZZL and Madam Meiyin shown).

That's all I really have right now. I'm not trying to be an anti of MXTX's other novels. I just think that SVSSS has so much potential that she could have brought out if she had chosen to revise it. I love TGCF and MDZS very much, they have great scaling, brought-out potential, and relationships that SVSSS so could have.

I do want to exclaim that out of all her 3 novels SVSSS has been my favorite for years. I genuinely feel upset that it was not the one picked despite how obvious it is that it has barely any NEW content. Or at the least, confirmed facts. In her QNA's most of the questions are purely MDZS/TGCF while there's maybe 2 SVSSS ones. Those few questions answered by her are literally lifelines for some fans. (Such as heights and Moshang) The novel could become popular just if the criticisms/potential of it were actually addressed. I'm not saying that casually but I am very sure of it as MXTX is a freakishly great writer and she COULD take the novel to the same heights as TGCF/MDZS if she truly wanted to.

.

[death-munchkin]

I have come to the conclusion that there is a very very large overlap in the people who assume that Astarion is "secretly uncomfortable" with a polyam relationship with Halsin and people who a) have zero social awareness, or b) are polyphobic, or c) both. Astarion is not uncomfortable with polyamory, he is uncomfortable participating in sex. Those are two very different things. Astarion is insecure about his ability to be a 'fulfilling' partner to Tav due to his aversion to sex, and that is a perfectly natural fear almost everyone who's ever been repulsed by or reluctant to participate in sex can attest to. My fellow Ace and/or sex repulsed people you should know well how scary it can be to not feel sure that your partner is satisfied. Astarion at no point sounds sad about the proposal, with the exception when specifically asking if it's because he hasn't been putting out enough recently (Note, Astarion and Tav would not have had sex at this point for a wee while), and if Tav reassures him that he is special to them just the way he is, he is genuinely happy.

"But he doesn't enjoy having sex with the Drow twins." My dear sweet child, he explicitly says he's not ready for that yet. At no point does he pretend to be okay with it only to secretly not be. He clearly and firmly says he is not okay with it, and you only get the narration about him seeming empty if you pressure him into it. This does not happen with Halsin. I repeat. This does not happen with Halsin! Astarion never, I repeat NEVER says anything akin to "not being sure" or "I don't know", or "I'm not ready for this" in regards to Halsin's proposition, while he CLEARLY says that about the Drow twins.

Why, you may then ask, is he uncomfortable with the Drow twins but not Halsin? Well, for one, the Drow twins are sex workers. And while in this house we 100% respect love and support all sex workers, they were unfortunately likely targets during his thrall days, and they almost certainly open up some wounds he's not ready to explore yet. Secondly, with the Drow twins he is pressured to participate. Again, Astarion is uncomfortable participating in sex, not with polyamory as a whole. Astarion would be uncomfortable being pressured into basic vanilla christian one on one sex with Tav just as much as he would be uncomfortable being pressured into sex with the Drow twins. That has nothing to do with polyamory. He would not be and is not uncomfortable with Tav having sex with, kissing or flirting with Halsin, as long as he is at no point forced to or pressured to physically participate himself.

Consider why every other character who is against a relationship with Halsin explicitly says so (for those of you who compare Astarion to Karlach, Karlach does explicitly say she is against it.) Consider how every single time Astarion is against something, with the exception of some events in Act 1, he explicitly says so. Consider how Astarion literally does bring up something that concerns him in that very conversation, and clearly states his concerns regarding his own sexual availability, but at no point even hints at being uncomfortable with Tav's romantic/sexual interests. And perhaps consider why you are so intent on having characters be "secretly against polyamory".

Because I will die on the hill that Astarion is a sex repulsed polyam sexual (possibly mono-romantic) pan gremlin of a man. edit to clarify: This post is about people who are insistent on that assumption, as in, refuse to accept that they may be mistaken, or that their assumption is exactly that, an assumption with no direct proof to support it. I don't mind people who headcanon, you live your life I'll live mine, I mind people who assume he's secretly against it, and then state that as fact and canon when it simply isn't, it's a headcanon, an assumption, a plot you would like to believe, NOT something established by direct canon evidence. If you prefer to read him as uncomfortable, that's fine and none of my business. If you prefer to read him as secretly strictly monogamous and either too insecure to speak up or doesn't realize it himself, that's fine and none of my business. Hell, if you draw fanart about it and write a whole ass 100 million word fanfic creating a whole new alternate universe which becomes more popular than the game itself, it's still fine and none of my business. But the second you speak your opinion and assert that it's fact, I have just as much a right to speak my opinion and tell you you're wrong.

[girl-of-ink]

Puzzlefic Recs

These Days We Celebrate / Reconfiguration by Phoebeus

Original synopsis: “Originally a series of canon-compliant stories spanning the six month gap between the defeat of Pegasus and the arrival of Otogi, it now includes a branch-off story that changes the climax of the Millennium World arc and explores what would have happened if Atem had gotten his own body a month prior to leaving for Egypt. [Manga-canon, Puzzleshipping]”

Type: Series of oneshots + one multichap longfic

Word count: 300k+ altogether

Rating: G/T/E

Warnings: None

Status: Complete

Times read: 3 times for the whole series, at least 5 or 6 for Reconfiguration specifically

Standout characters/aspects: Yuugi's mom & Honda

Notes: The holy grail. The puzzle fic to end all puzzle fics. Nothing beats it. It aligns almost 98% with my personal headcanons, & the small things we disagree on are contextualized in a way that makes sense in the story. Yuugi's mom is iconic in this story, & my own interpretations of her lean heavily on her portrayal in this series.

Haunted House Sweet Home by InkFlavored

Original synopsis: “Yugi doesn't believe in ghosts. He never has and, up until now, he thought he never would. But when he moves into his new apartment, things start disappearing, doors start slamming, and an ancient crown has it out for him. He's forced to face reality: he's living in a haunted house. But will he be ‘living’ there for long?”

Type: Multichap longfic

Word count: 150k+

Rating: T

Warnings: Mention of eventual major character death, brief mention of eventual Yuugi/Atem/fem OC in final chapter

Status: Complete

Times read: Probably 3ish

Standout characters/aspects: Feriha (fem OC) has a very small part, but she is integrated in a well-thought-out manner & quite likable.

Notes: This fic takes a lot of normal aspects of ygo like “cursed object” and “troubled king” and gives them a new spin! Bonus points for writing an OC villain who works as well as Hazim does.

Egyptology Exercises / All This We Do in the Name of Ma’at by Nedjemet

Original synopsis: “My attempt at redoing Yu-Gi-Oh with a focus on character development, magic, and historical accuracy instead of card games. While this is technically a series, "All This We Do in the Name of Ma'at" functions as a standalone story. All of the other stories are just in-universe follow ups to show what the characters got up to after the story was over. These shorts largely function as stand alones, too, since Ma'at follows cannon very closely in the important ways. All of the stories are ordered loosely in terms of when they occured. You can read them in any order.

All of the Egyptology is heavily researched and I did my best to get it right. If something is off and you have a source, please send it my way!

All of the stuff in modern Japan has minimal research done and is more for flavor than anything else. I'm going for anime-level accuracy with that, not realism.”

Type: Multichap longfic + a couple of shorter multichap fics + bonus work diving into the Egyptology research used in the fics

Word count: 200k+ altogether

Rating: T/M/E

Warnings: None

Status: Complete

Times read: Twice for All This We Do in the Name of Ma’at, probably 5-6 times for the two sequel fics

Standout characters/aspects: Nedjemet’s research on the Egyptology aspects is very impressive

Notes: Really good! The main fic is quite plot & research heavy tho, so I find myself revisiting the two shorter follow-up fics more often. More fluff than substance for me.

The Last Puzzle by Tenderwulf

Original synopsis: “11 years after the Ceremonial Duel, Atem and Bakura inexplicably find themselves back in Domino. When they meet their previous hosts, they realize how much things have changed: Yuugi, the now world-renowned King of Games, is going through a marriage crisis, Ryou is struggling to balance studies, work, and his brittle mental health, and Malik... well, Malik is living his best life—and his own yami is nowhere to be seen.

They soon realize they all have to work together in order to solve the mystery of the yamis’ return: some to make sure that they stay, and some to make sure that they don't.”

Type: Multichap longfic

Word count: 300k+

Rating: T

Warnings: Graphic depictions of violence

Status: Ongoing

Other ships: Tendershipping [Bakura Ryou/Yami Bakura], past Peachshipping [Mazaki Anzu/Mutou Yuugi]

Times read: 1

Standout characters/aspects: Yami Bakura’s character development is stellar.

Notes: Very good, altho I confess that I’m slightly more interested in the puzzle storyline than the tender story (which happens to be the main plot lol). Very much worth reading.

Keep the Light Shining by Clydeside

Original synopsis: “Yugi's new job as a lighthouse keeper sounds simple enough... until he realizes he's not entirely alone on the remote island: a dark spirit haunts Crawford Sound.

It lingers like a shadow in the night.

It watches, and it waits.

The past keepers warned of an inescapable terror, but as the days turn into weeks, Yugi begins to think it's not the ghost he ought to fear.”

Type: Multichap longfic

Word count: 50k+

Rating: M

Warnings: Major character death (Atem is already a ghost)

Status: Complete

Times read: 3

Standout characters/aspects: Worldbuilding!!!! This story is so gorgeously atmospheric

Notes: Please please please read Keep the Light Shining, it’s so good. The horror aspects combined with the romance and mystery aspects are so well-balanced.

Lineament by Zuzeca

Original synopsis: “Once seven, now three. A broken Pendant, a crumbling empire, and tugging at the seams of reality, hints of a sinister power returning. His faith in destiny strained past breaking, newly-crowned-and-deposed Pharaoh Set makes the questionable decision to try and solve the Millennium Puzzle with magic. As it goes with magic, his efforts are rewarded…but not quite in the way he expected.”

Type: Multichap longfic

Word count: 50k+

Rating: M

Warnings: Major character death (Ghost Atem again)

Status: Complete

Other ships: Logicshipping [Priestess Isis/Priest Seto]

Times read: 3

Standout characters/aspects: Set & Isis are very interesting & well-developed characters here.

Notes: Really interesting twist on the whole series. Somewhat of a time travel fic, but in a much more satisfying and less cheesy way than most.

Snake Charmer by InkFlavored

Original synopsis: “Prompts: ‘Wow, my pet snake looks so cute this morning and I’d be even happier if I actually had a pet snake.’ & ‘You curse under your breath in a foreign language and I know I shouldn’t be turned on but I totally am.’

Type: Oneshot

Word count: 20k+

Rating: T

Warnings: None

Status: Complete

Times read: 5

Standout characters/aspects: Osiris the snake is an icon

Notes: 100% fluff. Cute snake. Utterly delightful.

Cut Off / Whiskey, No Chaser by InkFlavored

Original synopsis: “Few people choose a day during the week to drink away their problems at a bar downtown. Most people wait until the weekend, content to simmer with their issues until Friday. Others do it at home with friends, and without worrying about how they're supposed to get home in time for work in the morning. All in all, it's rare that someone walks into a bar on a weeknight at ten-thirty to start drinking.

But that's exactly what happened to Atem.”

Type: Two multichap longfics

Word count: 100k+ combined

Rating: T

Warnings: None

Status: Complete

Other ships: Past rivalshipping [Mutou Yuugi/Kaiba Seto]

Times read: 2

Standout characters/aspects: Great way of showing how Atem becomes part of the friend group

Notes: It’s cute! Not InkFlavored’s best work, but all of their stuff is worth reading.

Macchiato Incommunicado by InkFlavored

Original synopsis: “Prompt: ‘my favorite coffee shop is closed for the day so i have to find somewhere else where i can get my overly-advanced pretentious order and i found the place where you work and now i never use the other place anymore because even though you always serve my drink with a “what the fuck has normal coffee ever done to you”-sigh you're really cute and i'd like to go out with you.’

Type: Oneshot

Word count: 15k+

Rating: T

Warnings: None

Status: Complete

Times read: 3

Standout characters/aspects: Points to everyone else in this fic for putting up with Yuugi & Atem’s stupid bullshit.

Notes: Pretty good interpretation of the dreaded miscommunication plot and the cliché coffee shop AU.

The First Leaves That Fall by Clydeside

Original synopsis: “When Yugi arrives in Yubari to settle the last of his grandfather’s affairs, he finds a mountain village in quiet decline. Most people have left for the city, buildings are crumbling, and nature grows dense and wild against its outskirts.

But among those who remain, superstition abounds, and they all offer the same advice:

Stay out of the forest.

Yugi, however, is intrigued. By the puzzle of its shifting paths. The riddle of a wind that speaks, if he listens.

And, perhaps most of all, by the stranger who always shows him the way out before dark.

Or: Yugi falls hard for the local cryptid. Not everyone is cool about it.”

Type: Multichapter longfic

Word count: 40k+

Rating: T

Warnings: None

Status: Ongoing

Times read: 1

Standout characters/aspects: Honda & Miho are really great friends, and bonus points for local Shinto priest Bakura, who is as ominous and strange as ever.

Notes: I love this fic!!!! Again, Clyde is the best at writing spooky & atmospheric stories. I can’t wait to see what really happened in Yubari to make the nature spirits (including Atem) so angry.

Chained to You by SajiSpellhart

Original synopsis: “Taking place after the events of Season Zero, all the shadow games happened but Yugi never found out he was possessed by the spirit of the puzzle. Now he's an adult, living on his own, and he starts to notice strange and spooky things happening around his apartment. When he sees his own shadow moving Yugi begins to suspect his new place is haunted. But is this shadow spirit malicious or... kinda sweet?

Yami does a bunch of stupidly sweet domestic shit for Yugi to help take care of him. Expect romance, fluff, self-care, and Puzzleshipping shenanigans.”

Type: Multichapter longfic

Word count: 100k+

Rating: T

Warnings: None

Status: Ongoing

Times read: 1

Standout characters/aspects: Yami is incredibly cute in this fic.

Notes: Really interesting AU where Yuugi never finds out about Atem as a high schooler, and so Season 0-esque shenanigans continue into adulthood.

He Has a Heartbeat by Kaibbage

Original synopsis: “Atem is back, and this time he's living and tangible. As such, Yugi cannot stop touching him - and vice versa.”

Type: Oneshot

Word count: 3k

Rating: E

Warnings: None

Status: Complete

Times read: 10 at least

Standout characters/aspects: 

Notes: So cute!!! One of the best Atem Comes Back oneshots out there. Very sweet short little PWP.

Superimposed / Bird Rock Lambchop (Bird Bigger Bird) by Toffeecape

Original synopsis: “Yugi wants his other self to have nice things.”

Type: Series of oneshots + short multichaptered fics

Word count: 70k+ combined

Rating: E/M

Warnings: Some installments mention major character death (but with the caveat that the characters cross over to the Egyptian afterlife), most have no warnings

Status: Complete

Times read: Superimposed probably like 5 times, whole series twice

Standout characters/aspects: Love Yuugi’s urge to provide for Atem, very sweet. I also love the chapter of Like a Stone into a Pond that focuses on Yuugi’s mom’s relationship with Atem.

Notes: This series is sort of YMMV for me. To be entirely honest, the smut gets a little too weird for me in a lot of installments, so I don’t revisit it too often, but the first installment is definitely my favorite, and I love seeing the intimacy between Yuugi & Atem grow while they’re still sharing a body. The 4th installment is my other favorite, as it focuses less on smut and more on character interactions.

Phantom Limb by Killdoll

Original synopsis: “In the hospital after the fire where Yuugi reassembled the Millennium Puzzle, Yuugi and his Other Self have a heart-to-heart.

(Puzzleshipping, set during anime canon, attempted ghost cuddling.)”

Type: Oneshot

Word count: 3k

Rating: T

Warnings: None

Status: Complete

Times read: 5+

Standout characters/aspects: Really great characterization

Notes: Very sweet examination of the aftermath of (the anime version of) the fire.

Pieces of Puzzleshipping by Phoebeus

Original synopsis: “Originally this was where all of my tumblr prompts and random ficlets would come to live, but it's quickly become home to all of my random puzzleshipping fluff, instead. We shall acknowledge it as such until at least one other ship invades!”

Type: Oneshot collection

Word count: 17k+ combined

Rating: E

Warnings: Author Chose Not to Use Archive Warnings (I don’t remember anything too triggering in these oneshots besides a safeword use that is immediately respected in chapter 10)

Status: Complete

Times read: 2-3

Standout characters/aspects: To be honest, I don’t remember these individual oneshots all that well, but I love all of Phoebeus’ work.

Notes: Bite-sized and enjoyable fluff!

Getting Rivalzoned (and Learning to Live with It) by Oogenesis

Original synopsis: “Finding out that your best and closest and most infuriatingly attractive rival has come back to life is one thing.

Finding out that he and his former vessel have eyes only for each other - well, that's quite a different matter.”

Type: Short multichapter

Word count: 8k

Rating: T

Warnings: None

Status: Unfinished (seems to be abandoned, but I recall the last chapter working fairly well as an ending, so it’s not too infuriating)

Other Ships: onesided Prideshipping [Atem/Kaiba Seto]

Times read: 3ish

Standout characters/aspects: Just so incredibly funny. 

Notes: This is my ideal prideship scenario. Sorry, Kaiba.

Visiting Hours by Oogenesis

Original synopsis: “Kaiba, at Atem's insistence, finally brings Yugi along on one of his visits to the afterlife, and promptly regrets it.”

Type: Oneshot

Word count: 1.5k

Rating: T

Warnings: None (possible major character death as Atem has already crossed over to the afterlife)

Status: Complete

Other Ships: One-sided prideshipping [Atem/Kaiba Seto]

Times read: 5ish at least

Standout characters/aspects: Same as the previous fic, just so funny to see Kaiba so deeply jealous while being completely ignored.

Notes: Love how excited to see each other Yuugi & Atem are.

Ours, Not Mine by MagiMevi

Original synopsis: “The spirit found such ease and amusement in simply perusing Yugi's daily memories, and Yugi no longer wanted to just share them with him. He wanted to make them with him – he wanted the spirit to create new memories – he didn't want to just amuse the spirit with the passing fibres of his life – he just – he wanted -

Don't worry about it, partner.”

Type: Oneshot

Word count: 5k

Rating: T

Warnings: None 

Status: Complete

Times read: 2-3

Standout characters/aspects: Great exploration of Yuugi’s character

Notes: Yuugi scheming like hell to try to get Atem to live & enjoy himself while in the puzzle is one of my favorite tropes, 10/10.

Take Him (Cut Him Out in Little Stars) by InkFlavored

Original synopsis: “Most people think of light and silence as comforting things. To Yugi, they're anything but. Atem's mind is tearing itself to pieces and no one understands.

PuzzleJune 2019 (Week 3: Light)”

Type: Oneshot

Word count: 5k

Rating: G

Warnings: Creator Chose Not to Use Archive Warnings (Major character death canon to the end of the manga)

Status: Complete

Times read: 5+

Standout characters/aspects: I love Atem’s talk with Akhenamkhanen.

Notes: Definitely one of the most influential Atem comes back fics to my own work! It’s fabulous, 10/10.

The Seldom Seen by Clydeside

Original synopsis: “Yugi’s soul has gone missing after reassembling the Millennium Puzzle in the fire, leaving the Other Yugi to fill his place.

As he tries to hide the truth from Yugi’s friends and family, he searches for his partner and the scattered pieces of his soul. But without Yugi at his side, he is losing control of the Puzzle’s power over the shadow realm… and the creature it contains.”

Type: Mid-length multichapter

Word count: 45k

Rating: T

Warnings: Major character death (albeit tagged as “only sort of permanent”)

Status: Complete

Times read: 3

Standout characters/aspects: Angst!

Notes: I love any fic that examines Atem’s relationships (or lack thereof) with Yuugi’s friends and family. 

Jolly Sailor Bold / Shellfish Tendencies by Kudalyn

Original synopsis: “‘The seas sing for those who are lost, and for those who find as well.’

Atem is a siren/merman and Yugi is a ghost haunting a sunken ship Atem comes across. Atem is intrigued by the ghost, hangs around enough that they start to get to know each other, getting attached, and falling for each other over time. But Yugi’s memories start to fade, as ghosts don’t get to stay forever on the living plane, and Atem has to deal with this loss.

My entry for the YGO Big Bang 2018!

Content Warning of character death and mourning, with reward at the end if you stick through it ;)”

Type: Series of two oneshots

Word count: 15k+ combined

Rating: M

Warnings: Major character death (sort of temporary? It’s complicated lol)

Status: Complete

Times read: 3ish

Standout characters/aspects: Honestly really interesting implications about the origins of mermaids……….

Notes: Super fun twist on a mermaid AU.

Untitled Puzzleshipping Doujinshi by Kaluda

Original synopsis: “This is a doujin I made in 2019 that I decided to post here as well. Inspired by the end of the Dark Side of Dimensions film.”

Type: Short comic

Word count: N/A?

Rating: Unrated (I would say G)

Warnings: None (Major character death canon to manga/anime)

Status: Complete

Times read: 3ish

Standout characters/aspects: Such cute art!!!!!! 

Notes: Rare comic example, but it’s posted on ao3, so I’m counting it as a fic. It’s really very sweet & short, go check it out!

Angle of Approach by InkFlavored

Original synopsis: “Definition: (in golf) the angle at which the club head strikes the ball. This affects the trajectory the ball will travel and spin. 

The only thing Atem hates more than his family’s annual summer vacation is the “family” part. A whole three months away from home, away from friends, and away from freedom. This year, he’s nearly resigned himself to the worst trip he’s ever been on, surrounded by people he couldn’t care less about.

Then he meets Yugi, and decides to make his own fun.”

Type: Multichap longfic

Word count: 130k+

Rating: E

Warnings: No archive warnings apply, general warning for emotional and slight physical abuse by parents, and definitely warning for workplace sexual harassment

Status: Ongoing (Unfinished? Abandoned??? I sure hope not)

Times read: 2

Standout characters/aspects: Yugi is phenomenal in this AU. I’m obsessed with him.

Notes: I love this fic!!!! I usually don’t like fics where Atem is an asshole, but apparently it’s fine if he’s a bottom lmao. Anyway I love seeing Atem very very slowly become a better person against his will, and I’m really hoping Ink_Flavored is still working on this fic. It’s one of my favorite ongoing works.

Dress Up Game by InkFlavored

Original synopsis: “The Mutou family, including the newly resurrected Atem, get invited to a wedding. Neither Yugi nor Atem have anything to wear to the event, but it’s not a big deal. All they have to do is go shopping to pick something out. How bad could it possibly be?”

Type: Two chapter fic

Word count: 25k+

Rating: T

Warnings: None

Status: Complete

Times read: 3

Standout characters/aspects: Really great attention to detail about Japanese culture. Taught me a lot about traditional Japanese weddings!

Notes: This fic is so cute! Really nice fic that focuses on Atem living life after coming back from the dead.

Await Red to Become Anthracite by Zigur_zig_ah

Original synopsis: “Yuugi, security guard un-extraordinaire, leads a particularly mundane life. He sits in front of a monitor for eight hours a cycle, pretends to concern himself with the safety of five-hundred and thirty-nine Roman coins of no value whatsoever, and occasionally, when work is especially slow, occupies the unenviable position of Duel Monsters champion of the known universe.

But something stalks the perpetual darkness of Proxima-b. A horror from beyond the grave, loosed in a moment of carelessness, has set its hollow, empty sights on Yuugi - and Yuugi, try as he might, can't seem to stay away from it.”

Type: Medium length multichapter fic

Word count: 30k

Rating: M

Warnings: Creator Chose Not to Use Archive Warnings 

Status: Complete

Times read: 1

Standout characters/aspects: Really fun combination of futuristic sci-fi, horror, canon, and ancient Egypt?

Notes: A bit less romance-y than plot-centered, but the way the story unfolds is really fascinating.

Hindsight by Cloudsmachinations

Original synopsis: “Yugi needs to wear glasses. Atem needs to calm the hell down.”

Type: Oneshot

Word count: 2.5k

Rating: T

Warnings: None 

Status: Complete

Times read: 3ish

Standout characters/aspects: I love an Atem that is down bad

Notes: So cute tbh

[mauveberries]

Hiya!

You mentioned you don't read Tomarry in another post. Because I'm super curious (but no pressure or judgment over here), may I ask why not? Why do you read Harrymort only? Why makes you prefer Harrymort so much that you'd ignore Tomarry altogether?

Also, what makes a fic Tomarry vs Harrymort for you? Because I can think of a lot of fics that I consider Harrymort where they switch the name from Voldemort to Tom and even switch his appearance sometimes. (Like anything Maeglin_Yedi writes or Of Your Making by purplewitch156)

I personally love both with all their various tropes, I read both, and I write both. However, in my case, my energy and focus is devoted to my long Tomarry time travel fic rather than my much shorter Harrymort arranged marriage fic.

This is all just genuine curiosity from me with no judgment attached. I wonder what keeps you away from Tomarry, yet what draws you to Harrymort. I find it fascinating. So curious! Haha! xD Anyhoo, if you answer, thanks for humoring me and I send you good vibes so that you may have a lovely day. <3

hiiiii ahh thank you for this ask!! it's so nice that you're actually curious about this. ❤ this may be a bit rambly, so bear with me, yeah?

one of the reasons why i don't read tomarry is because personally, i think that they are just not compatible. no matter what. tom riddle is an ambitious young man with a horrifically cruel streak. he is not afraid to take advantage and manipulate the people around him. he treasures loyalty above almost anything else, and likes when those around him fear him. harry has.. none of those.

i know that the point of enemies to lovers is to somehow make this compatible and to somehow make them fall in love with each other, but i can't see tom being attracted to... any of harry's character enough to get together with him. why would he do that when there are people willing to listen to him already? it's illogical in my opinion. and i know the whole dynamic is 'oh, harry's defiant towards me, what a brave, intriguing guy, i need to see what he's up to.' but the truth of the matter is, i think tom would just plainly dislike that. i know people think tom would like a challenge, and i agree, he does, but i just don't think that would expand towards trying to win people's feelings. he wouldn't care.

the context of tomarry is usually always time travelling and i stand by the fact that i think tom wouldn't think too much of harry. probably because if harry tried anything, tom would easily get harry expelled/killed. he would win easily. back in the 1940's harry wouldn't have enough plot armour to survive through everything. if tom can frame hagrid, he can frame harry, too, and dumbledore might be the only who cares enough to try and override an expulsion but obviously, dippet wouldn't have it. and then if harry's expelled, (which he most likely will be) tom wouldn't spare him a second thought. and i know that in canon, tom does, in fact, spare harry a second thought, but i think that's because he's already voldemort and he's paranoid. if he's young, and he comes across the prophecy, he would just kill harry, it's really not that deep, i promise you. if tom spared a second thought to plan a murder, 100% he would succeed and dumbledore can't say anything because he stayed silent when myrtle died too. it's not drarry where they're trying to hurt each other. this is tomarry where tom will kill harry if need be, and succeed because suddenly harry has no plot armour. it's not the same.

tom riddle isn't as incompetant as voldemort.

ALSO, just wanted to add that in COS, that is not the real tom riddle. that is a corrupted horcrux. obviously, it's going to sound deranged and obsessive after having been stuck in a diary for 50 years. i don't like it when tom is portrayed overly obsessive because people mistake him for the diary horcrux. i do think he was obsessive to a degree, but only towards something that benefits him, not people.

i just don't think harry is special enough to stand out to tom riddle. harry's duelling skills are mediocre, his studies are mediocre and his looks are average. i know in many tomarry fics, harry tries to get tom's attention and succeeds, but i don't think that's realistic because many other people are also always trying to get tom's attention 😭.

and i know many tomarry fics use the fact that harry seems to be the only one who dislikes tom and because of that, he takes notice of harry, but i strongly disagree with that. tom is assumed to be muggleborn/half-blood. back in 1940's, blood supremacy ran rampant. of course there will be purebloods who will never like tom! (prpbably walburga and orion) and tom knows this. he's not going to pay attention to every single person who dislikes him, he's not abraxas malfoy.

the only way i can see harry getting tom's attention is through speaking pareseltongue. and then, after tom hears him speak parseltongue, he spirals. he desperately searches through every single geneology book and when he realises that harry isn't related to him, tom would kill him, because he's supposed to be the heir of slytherin, no one else, and now he is paranoid, because if not his relative, then who is harry? 🙁 so harry is fed to the basilisk. no fawkes and sword of gryffindor to save him now, since he's in slytherin, right?

i genuinely don't think tom would be interested in harry romantically. not when he already has a simpering crowd which worships him. as much as you want to say tom would think them beneath him, that is literally not true, he valued the lestranges for their loyalty. he gifted his notebook to the malfoys for safekeeping. he trusted bella enough to place a piece of his soul in her vault. he obviously appreciated them. what he doesn't appreciate, is being disrespected by someone he sees as wayyyy below his league.

but this is not to say that i have never given a tomarry fic a chance. i have read about 6 to 7 long fics and i figured that i did not like the dynamic at all. obviously the authors can write whatever makes them happy, this is not a them problem at all, this is a me problem. so i just stopped reading tomarry all together.

also, i feel like people characterize tom riddle softer than he actually is, and this makes tom and harry's dynamic more... levelled and i don't like that. even if tom riddle hasn't turned in voldemort yet, i need them to have some kind of imbalance with the scales tipped on tom's side. overall, the usual tomarry is kind of a nothingburger ship to me and it just ends up being murderous drarry.

the point of the hp series is that voldemort is the main, whimsical, mysterious main villian and i don't like that tomarry obliterates this dynamic.

also, i'm not a huge fan of timetravel because the ages mashing up is something i dislike. like, if harry travels back in time, then usually only ron and hermione come with him. it's fun, but i like it when everything is in its canonical place, you know?

you probably know my stance on same age aus at this point 😆.

now, moving onto why i like harrymort muchh more. as you could probably already tell, i love the doomed, dead-dovey aspect of this ship. the psychological horror aspect is really good, too. i adore the age difference and the grave power imbalance. i love that for this ship to happen, harry's morals have to be completely obliterated. i loooove post-war era, i love the potential for forced proximity. everything is just soooo good. the prophecy? epic. the power imbalance? count me in. with harrymort, there is usually a rigid structure i like, like there is no way harry can overpower voldemort in any way whatsoever. (personally, i don't think harry can overpower even tom riddle.) (i know most people don't like this, so now i avoid harrymort fics as well 😭) but yeah.

i really really dislike it when harry calls voldemort 'tom.' if voldemort hates it when even mighty dumbledore who knows almost everything about him calls him tom, how can he like it when someone who 'killed' him, and someone who is practically a stranger calls him that? no way. just.. no. if harry wants to get together with him, he better respect that.

as for voldemort's appearance, i like it when he looks like an older tom riddle. (snake-face is a joke to me 😭😭) it's more poignant when voldemort looks like tom riddle, there are more themes to explore through that, instead of evil = ugly. good = handsome. snake-faced voldemort is horrendously shallow to me.

oh, and i love love love the trope where after the war, harry becomes terribly depressed and he dreams about tom/voldemort, like, ohhh i love that trope so much. there are just so many interesting things to explore in harrymort that tomarry just doesn't have room for. in other words, tomarry is lowkey tame.

what makes a fic tomarry is when voldemort is younger, he's still inexperienced. (borgin's and burkes era, hogwarts era, wool's era) and harrymort is during the first war/second war/time during his travels era.

i hope my answer makes sense, i know you're writing a tomarry timetravel fic and i hope that i have not offended you 😭😭 i'm sure whatever you churn out will be absolutely amazing. people can and are allowed to have different interpretation of tomarry from me, and i completely respect that. people can and should write whatever they enjoy :)) i hope you enjoy writing your fic, i really admire how dedicated you are to writing!!

but yeah, i think i'll stop here before i descend into incoherent rambling yeah?

thank you for this ask!! ❤❤

[cookinguptales]

some feelings about wwdits under a cut, for negativity

WWDITS... I don't know. I don't think I've found the writing entirely fulfilling for a while now. s4 had its problems, but s5 was... let's just say not nearly as funny or cohesive as I would've liked, and the characterization has been... wandering, to put it kindly. Seeing it end now feels a little less like losing my favorite show and a little more like stopping it before things really start to spiral.

I remember someone asked me once post-s3 what (if anything) would make me stop watching the show, and I said Guillermo leaving for good or the characters becoming less supernatural. (i.e. Nandor becoming human for good or something.) I really hate shows where the characters become "normal" as a happy ending, so that's really my nightmare scenario. I'm not exaggerating when I say I think I'd literally rather the characters die than lose the spark that makes them interesting.

Honestly, I feel like that's probably a lot of what's made it hard for me to move forward with writing fic for wwdits after the s5 finale. It felt not only OOC for Guillermo but just... such a boring direction to take it. I feel like there were so many ways they could have made non-vampire Guillermo interesting and IC and they just. did not do that. Instead they ignored a lot of previous canon in order to cancel out an entire season while also trying to make us believe that Guillermo choosing humanity is a happy and fulfilling ending for anyone.

And when you look at characters like Laszlo... like they keep giving him plot lines that go absolutely nowhere. The poignancy of his adventures in fatherhood and his depression over losing his child were basically nowhere to be seen in s5. (I kept expecting them to tie it back to his loss over Baby Colin, like he was making Guillermo his new project because he wasn't coping well with losing his son, but they never really went there.) And then they have him doing all of these experiments in s5 that don't really amount to anything other than making it canon that he can't even remember what happened in s1.

(Or... the writers can't, at least...)

I don't know. When none of the plot lines they write are given weight, it's hard for me to give them weight. If none of the characters' choices matter because they'll just be reset anyway, why do I care about their choices? If entire plot lines are just going to go absolutely nowhere (when they're given endings at all) why should I get invested in them?

They set up a lot of interesting themes about found family, the supernatural world as a haven for those who are queer or otherwise socially othered, etc. and then had Guillermo outright choose the human world and his human family over the found family they'd been setting up for five seasons. Having Guillermo be okay with killing vampires but not humans (which... again, makes no sense with his behavior towards humans in the past, but I digress) basically explicitly tells us that he sees vampire life as lesser than human life and like ????? then how are we supposed to interpret the relationships and themes you've spent all this time building???

When you have Guillermo coming out as being gay and also wanting to be a vampire in the same breath and then have him reject that world, when you give these interviews talking about how making Guillermo and Nandor have [gay] sex would lessen their relationship... I don't know! It almost feels like they can't even keep track of their own themes and really do not care if they shit on the audience that's loyally followed them even through some really questionable writing decisions!

I guess at this point, I only worry that they really do see becoming human and leaving the supernatural world as being a happy ending for all these characters. Are they going to make the other vampires human, too? Are they going to have Guillermo leave for good and choose the human world?

Like it's literally my nightmare scenario. lmao.

I guess I just feel like I've been cutting wwdits a lot of slack because I assumed that the writers were going somewhere really interesting with these seemingly incomprehensible choices, but now that I've realized that they're really just... not great writing choices...

It'll be easier to let go, I guess. I don't have nearly the same emotional connection to this show that I did even six months ago, much less a year and a half ago. If you told me even a year ago that my reaction to my favorite show's cancellation would be "...oh..." I wouldn't have believed you. But. I guess here we are.

I keep trying to make myself feel the same love for this show that I did during the first three, three and a half seasons, and I'm just not sure I can do it. I've been going around in circles over this for months now, but I just feel kind of hollow when I reach for the joy that this show used to inspire in me. And now that I know it's ending soon, I guess my mind is just kind of going "well, I guess it'll all be over with soon, one way or another, and I'll finally be able to choose a way to feel about it all."

I think... honestly, I think the only way I can be happy writing fic going forward is if I write fic that actively ignores a lot of the canon developments. It's literally too fucking difficult to eke out coherent characterization from what they've been putting out lately, and maybe it would feel more fun and less like homework if I just stopped trying.

I really, really hope that the last season of this show is beautiful and gorgeous and funny and makes me remember exactly what I love about it just in time to mourn it forever. I hope that I will happily be able to write fics incorporating every ounce of canon and feel fulfilled by that. But... honestly speaking, at this point I'm just hoping that the last season doesn't actively piss me off. lmao

¯\_(ツ)_/¯

[chaoticdelinqueerwithglitter]

Snippet of 5th division Takemichi!

This is just a little drabble, like a snippet on a story that for know I only have notes about but I'll write someday. I just have 2 oneshots and one chapter to finish for starting with the wips that are just pages of notes for now, yuhu!

(promising this to myself)

I read a fic a few months ago with this idea and well, it was hilarious and I started thinking in what type of AU this could work, one trying to also save everyone and go to the plot of the different arcs. Did I say before thatt Tokyo Revengers is my Roman Empire? I wasn't joking. The other wip I have is time-leaper Manila Izana going through tenjiku arc. Fix it fics that, like canon, will be heavy on the angst but with happy ending (yes, me, doing happy endings, I know but did I say it will be heavy on the angst? Because the Izana one... He needs to learn a lot, oopsie)

For understanding the drabble, a few basics:

It's based on an AU where Takemichi jumps to the day when he met Mikey after shaking hands with him in Bonten. And let's pretend our dear Michi actually catched up Sanzu's name and was thinking in something more than Mikey for a second, okay?

Things happened and after saving Draken he asked to be put in the 5th division because reasons (Sanzu, knowing that Mucho is a traitor, knowing that well, he knows a lot about conspiracies that will happen in Toman so maybe this is not such a bad idea even if he's scared of his captain and vice-captain, right?)

A lot of things will happened for get to this point, but after some months of Sanzu knowing about Takemichi being a time-leaper, he finally opens up with the truth about tl0 (yes, he's a little shit and doesn't say anything for months but he has trusting issues, okay? Let him alone xD). Obviously, there will be chapters with Sanzu's POV, for plot reasons (not because I love writting his mental breakdowns, nops).

So... I think that's it. Ah, this conversation is happening in some point of Tenjiku arc, I'm still deciding what to do with this arc, but Takemichi changed enough things. So Mucho goes to Tenjiku alone and now Sanzu is the captain of the 5th division. With Takemichi as a vice-captain, poor crybaby.

Warnings: NONE! I almost don't believe it myself, but this is just comfort. Because it's a small scene that came to my mind and made me smile and I'm having a soft day, so I thought, why not write it?

(he's so pretty and I'm so normal about it, yeps)

At this point, Takemichi already learned a few things about his captain and how to tell the subtle changes on his expressions. He was sure Sanzu hided even more under the mask, but it wasn't that easy to see him without it. So he could see that the other boy was more absent, that his eyes weren't really looking at anything. And Takemichi had a hunch about the reason, he was just trying to find a way to talk about it without getting punch. Or worse, to be honest sometimes he still find the scarred boy a little too unpredictable.

“You know, some days when I wake up, I'm not even sure what time line is it. And I'm always afraid to discover the truth, to discover I fucked up and went back to Manila. Or Bonten.”

Some days, he still feels Mikey's body getting cold on his hands. Or see him getting pale with Emma doing the same. Dead inside in the hospital, the same empty eyes Takemichi saw in that abandoned bowling-alley. But that's an image the other doesn't need, the scarred boy has his own nightmares with Mikey on it. Absolute void in those darks eyes, more than he's able to imagine.

Sanzu gives him a weird look that already feels like a victory, he's looking at him. That's something, right?

“For what you said, I'm sure that Bonten wasn't that bad.” The pinkette snickers. “But, yeah... I get what you mean. It's like anything feels...real.”

The last part is almost like a whisper, like he was afraid of confessing it.

“Exactly.” The blonde smiles brightly, he knows he shouldn't be this easy to read, but he can't really avoid it. “It feels nice to have some one to talk about it that actually understands. With the rest of people that known before, I was always afraid they'll start thinking I was going crazy for saying this type of stuff.”

Aquamarine pair of eyes wide with the last words, like he suddenly understood what his vice-captain was trying to do. What he did, actually.

“I still hate you. Don't start thinking we're friends or some shit like that.”

It sounds almost like a bark, but Takemichi knows better after the last months. So he just laughs, happy with being able to cross another one of his captain walls. He promised to both of them, that he'll save him too.

And he will. Because this time, he'll save everyone. This time, he actually understands what is happening with Mikey.

So he'll save everyones asses, even the ones that don't want to be saved. Specially that ones.

[bcbdrums]

I suffered through it so you don't have to

You can skip the Soul Eater NOT anime. Especially if you've read the Soul Eater manga. If you have read the manga, this anime will make you mad. ***Spoilers for Soul Eater NOT manga, anime, and Soul Eater manga in this post.*** I'm keeping this post vague though because frankly this anime isn't worth very many words. I may have had more positives until the last two episodes but well... No, not after those. If you want to experience NOT, then manga only. Really... I insist.

Things it did well: Overall, it followed its manga's story. Also they had the original Soul Eater voice actors for the canon characters except for Naigus.

Things that were neutral/acceptable: It re-ordered many, nay, most manga scenes, changed a few details, and added a little bit of extra stuff here and there that helped transitions and establishing settings the like, and moved the story forward faster. Nothing terribly wrong with that. None of it was necessary though, so trying to keep manga-canon and now anime-changes straight in one's head was confusing.

They briefly bring up "soul protect" which never came up in the manga, and is an important universe mechanic so it should have been mentioned.

They tried to add a few things to make some moments more emotional/relatable, and in most cases, up until the end it worked decently. But when they needed things to start to get serious and they began changing actual plot things...no, it did not help.

Things that start to go bad: Until about the last three episodes, almost every episode began with some sort of dream sequence (not in the manga; new stuff). This often involved under-aged nudity. None of these dream sequences were needed or valuable. Also, the show was full of under-aged nudity. To the point that the final episode had more under-aged nudity than it had battle against the villain.

Skipping manga scenes that were irrelevant was okay, but some scenes that would have added to the story were left out. And replaced with absolute trash. They had chances to fix some manga missteps, such as Naigus having no emotions over her partner's death, but they didn't.

Basically, almost anything that deviated from the manga in terms of actual plot was a bad decision. We did not need Meme randomly stabbing Sid with an arrow. All the creepy weird stuff with Meme and Shaula was grossly unnecessary. I could go on but... I don't want to remember all of it.

Things that are unforgiveable: The wings thing...from the Soul Eater manga. That is ALL I'm gonna say. That's too upsetting to even discuss. But if you really want me to? Ohhhh I will explain why that was the worst thing they could have possibly done. Ohkubo, if you wanted it in there so bad you should have made an accurate anime for Soul Eater. Not ruin something extremely important by throwing it in NOT in a way that literally cannot make sense with universe mechanics (so why is this even a discussion? it shouldn't be!) and completely undermines any value the thing has in Soul Eater

The final battle? Lasted all of a minute (after much unnecessary nude preamble), they moved it to the academy for no reason instead of having it at the dorm like in the manga, they eliminated Clay and Akane, and...they also eliminated a lot of the actual fighting scenes overall. And I do mean A LOT. They eliminated Lord Death's moment which was the only way to give any possible validity to the girls defeating Shaula, which even then is reaching.

Conclusion: Skip this anime. It took a cute and okay-ish manga and made it bad. It took a thin plot and made it thinner. None of the characters and their development in the first ten episodes mattered in the final two, those were so poorly done. They just used nudity to be edgy in the end and it did not work. The actually good plot points from the manga were undermined by changes and bad execution in the anime.

It's just... It's so bad. Those last two episodes. I can't fathom why they did what they did. EXCEPT... In terms of cutting out most of the battles, I think a lot of it was to avoid complicated animation scenes. Something I've noticed throughout is that, frankly, if it's not the hot girls...the animation is just bad. Stein for example, especially in episode 11, is dreadful. Anatomy went out the window there. And most weapon transformations throughout the show were done so that the weapon came from/vanished to somewhere off-screen and walked back in so they didn't have to animate the transformation actually happening.

And as for the plot changes in the last two episodes... There's no explanation. I think they had to change the plot since they chose to save money on animation. Without those animated battles, there wasn't anything else. So they had to add more stuff.

Oh yeah, and we didn't need the unnecessary boob-anchor weapon on Meme. Didn't see any of the other mind-controlled characters with a boob-anchor weapon...

And the show ends on two boob jokes. Literally, the last lines.

Skip this anime.

Time to purge it from memory with actual Soul Eater, which is brilliant (both canons).

[danvillecheese]

why do u think act ur age is fucked

[cracks knuckles] alright. essay time. you asked for it.

I’ve done a similar response to this before here and mentioned something else about it here but I’ll go over it again since those posts are both from a while ago. also bear in mind I haven’t seen aya recently bc I don’t like it. okay let’s get into it

[also im gonna preface this saying maybe i sound very pessimistic but im ranting and its just gonna sound like im complaining because i am. i mean no real malice by the way. im simply a person with a blog.]

first off. they don’t use the show don’t tell as well as they could. in the what might have been montage, sure, they showed potential scenarios and how phineas felt (very briefly) when isa stopped visiting his backyard but it just feels so rushed. I get that they only had like 11 minutes to show it but idk there has to be another way to write it. or just not have it at all idk its just from a writing point of view the whole episode feels rushed and out of place from everything else continuity-wise. why not use little easter eggs planted in the show beforehand? operation crumbcake? pharmacists? meapless in seattle? god theres so many episodes with evidence that phineas liked her back even if he didnt know. just. continuity!!!!

second. why did their friends not try something sooner. it’s not like they didn’t know. like phineas seems to be okay with saying “i wish! i am so in the friend zone there” in front of his friends (that quote alone makes me lose my shit but that’s a whole other point) so clearly they knew about phineas. and isabella also wasn’t quiet about it (source: pnf s1-4). they had like four years of high school to do something and they planned it the day isa left for college? nah its just the least realistic thing ever for me. also them being 18 is like yeah okay maybe the slow burn was worth it and theyre way more grown up (i love a good slowburn) but ohhhhhh my god SURELY their friends were getting sick of them dancing around each other. just me?

third. and I’m sorry to ash simpson but oh my god I hate the character designs like They Would Not Fucking Look Like That. it almost feels like it completely disregards their arcs during the original summer. like yeah child chub disappears over ur teen years but sometimes it stays a little longer! make phineas less twiggy!! make isa look more like her mother! (am i about to redesign them again? whoops)

four. and i know this is no fault of dan and swampy but the show was about to end anyways and yet the entire friend group was paired off into hetero ships?? get fucking real. none of those kids are straight. realistically, i know it was a different time and gay marriage wasnt even legal in the us yet so it wasnt all that common to have queer romance on screen let alone on disney channel but like i said, the show was about to end. what were the disney channel execs gonna do? cancel it? lmao

five. "I am so in the friend zone there." "we are guys. we do not talk about our feelings." WHAT!!! i cant believe this shit is real. these lines of dialogue are canon. what the hell. what kind of message does that even send to younger, impressionable viewers? if ur a 10 year old boy watching that (ok fine maybe that isnt gonna stick with you forever but listen) and you go 'oh its okay to just bottle everything up and not tell my friends about my feelings about anything ever' that is insane! thats not how things should go!! like i get the whole "im so in the friend zone" and yes, this also has to do with the era but like if they wanted to be a more progressive cartoon that kids look up to and enjoy maybe they just. shouldn't have put that whole conversation in.

i barely have any problems with the b plot. in fact id watch the episode just for the kazoo solo. because that plot lines up with the continuity. i can totally see heinz having bowling night with perry and carl and monogram every week! i can totally see perry and monogram retired! and carl running owca and getting payed for it! that all checks out! that one makes sense and works with the canon! if they got that plot so right how did they get the a plot so wrong?

i can answer this question: fanservice. its an awful word, i know. act your age is a fanservicey episode which is why i think it crashed and burned. mml season 2 is rooted in the same issue: doof is very present and takes away from the original plot of the show. like, the one he wasnt even in until the last episode of s1. slightly getting off topic but it is the crux of the issue. fanservice doesnt make for good storytelling. even if it brings in the big bucks. at its core, telling the story the way it should be told is the best one. even if it pisses people off. a good portion of the viewers will still appreciate whatever ending the creators come up with. and no, im not saying phinbella shouldn't have become canon, in fact i really like the ship and all their dynamics, i just think they went about it the wrong way.

as someone who's written and published fic about them getting together in different universes (granted, they were from when i was younger so its mildly terrible. take them with a grain of salt) there are a lot of other ways to tell that story canonically. honestly, i think the best way of doing it was to keep it ambiguous. dont tell that story. let the viewers pick their own ending for phineas and isabella. maybe they dont get together after all. who knows!

thanks for the ask! hope you had fun getting lectured <3

[vampiricmechanic]

My review of “Furiosa: A Mad Max Saga”

rating: hard to say but somewhere between ★★★ and ★★★★ (while both at the same time)

text below — includes spoilers!!

Such a hard movie for me to rate. This is going to be long but I’ll fang it as much as I can – fasten your belts.

When I watched this movie at the cinema, I walked out of the room a little overwhelmed, little disappointed, a little happy regardless but mostly trying to sort my thoughts and weigh them in a way that pointed a direction towards like or dislike for it. I’m not sure if I made any progress, but I was able to crank out some coherent sentences that, at least, verbalize the mess inside my head.

I said to my friend – “I feel like I gotta watch this movie three times to be able to opine.” Today I rewatched it with no pretensions, but – if anything – I feel like I rusted the chrome finish of it all by doing so. It’s not bad, yet it’s not good. It is, in all of its pomposity, furiously okay.

I knew it wasn’t going to be Fury Road – by Valhalla, I didn’t want it to be – but I wanted it to look like Fury Road. A little seedling, yet to turn into a ripe peach when set behind its predecessor. The visuals are duller, and while I’m not sure what was attainable filming in a different country, you’ll take the toll of not catching the public’s eye. Humans, we’re like magpies (or crows), there’s no way around it. The hot-blue sky and even hotter orange sand are almost like missing characters.

The way Furiosa loses her arm — I was (in all of my know-it-allness) so sure that, the reason it happened was because she had tried to run away a couple times too many, making someone take away her map. Still, the canon alternative leans so much more into the very nature of Mad Max narratives — bad things will happen no matter how hard we try to avoid them, how far we run from them. The act of not only having to do it herself to live, but also knowing she'd have to trust her memory from now on, is such a clever and heartbreaking choice.

Plot holes can be extrapolated to be worn-out patches or vice-versa, potential for fan additions, creative liberty or overall diversity in interpretations, but I can’t help but yearn for more story – clarification – in some bits. Did no one notice how Furiosa went missing? And no one recognized this little, so thought war-boy, popping up from chains and car gears? When she came back as road warrior Furiosa, I connected the dots that Jack convinced Joe to let her stay as a road warrior, “she’s too good at what she does to be lowered into breeding stock.” Or something of this nature. Charlize’s headcanon of a proven barren Furiosa, bitterly recycled as Praetorian sounded more realistic, but that’s at least one less trauma on her back.

But fear not, not everything is mediocre!

Anya is magnificent, but she feels like a different font of the character – and fair enough! Tom is captivating, Jack is so easy to crush on, every interaction between him and Furi feels like a warm hand clasp. Organic Mechanic, The People Eater, Kalashnikov – even if briefly – maintain their brilliance. Joe feels like Joe but younger, like he’s growing out his evil glare, blunt-blow personality and whatever-it-takes mindset; all that’ll unwillingly soften as he’s past his peak, aged and tired. Scrotus is nowhere as cruel and distressingly unstable as I expected, which is as unfortunate as it isn’t – he’s a fun little guy. Rictus has a surprising twist, and more intellect than I assumed. I’ll take it as his mental capacity being wavering and hard to measure.

Dementus is his own thing. He’s a confident failure, a powerful mess, a character playing a character. He’s so immersed in his idea of greatness he began believing it, no matter how pathetic life proves him to be – and he’ll only come to his senses too late, but regretting none of it. That’s a character I’d read a second chapter of comics about.

Cars, cars, cars. They don’t feel as grand, no longer a key object – and again, fair enough! The War Rig was so many things beyond a truck, but there’s no need for such thing again. For the CGI, I silently winced less than I thought I would, but a couple times too many. Dealbreaker? No.

The blurt out between Furiosa and Dementus in the end, oh, grandiose. Quite literal while maintaining some poeticism, time-old lesson about revenge.

There were many more things I planned on writing down, many of which I talked about so much after watching that my brain made sure to wear away and discard so I could shut up – or alternatively, attain some ability to be briefer. The rest of it I considered irrelevant while my brain revved and fingers burned rubber on the keyboard.

Every time I try to ponder this movie fully, I start out excited, get upset midway through and finish it contently and glad George is still so in love with his own creation, as he should be. In the end, Furiosa: A Mad Max Saga isn’t as shine as Fury Road, and as much as I don’t use one as a standard to the other, comparison is unavoidable – just don’t let it be thing that ruins the experience for you. It is an unpolished V8, a movie I wanted, thought we didn’t need, and wouldn’t trade back.

Witnessed! Risen from the ashes of this world into the gates of my Mad Max hyperfixation.

———

NOTE: PLEASE take into consideration this is my opinion and i'm NOT seeking beef. you have every right to disagree, just keep things civil.