#and by everything I mean the main story for whatever it is we're getting

[monty-glasses-roxy]

Oh wait I have shit to do on the 25th oh no

[arthenaa]

blurred lines — mizu x f!reader

synopsis: your relationship with your roommate often threads the lines between friends and of something more.

content: fluff, suggestive themes, modern! au, roommate!mizu one jumping off a cliff joke mentioned, taigen, ringo, and akemi being great friends, mizu uses she/her pronouns, she/her pronouns for reader as well, mizu and you call each other bon/bonnie as an endearment, mizu is ur bf but not rlly your bf yk, mutual pining

song will be later mentioned in the story but listen to it while you're reading <3

It isn't to anyone's surprise that more often than not, people mistake you and Mizu as a couple. It's gotten bad to the point that it's already counted as an inside joke in your little group of five.

Taigen was the main culprit of the joke (as usual). He often lets his tongue run loose in the most random of situations. Whatever piques his interest, he always has something to say about it. You're not sure if it's because of Taigen's natural person magnet trait but surely, you think this is somehow his fault.

"I just want to say how adorable of a couple you two are!" A person from your year—someone you had met in passing during your Ethics class for sure—gushed as she sat down on the empty seat in front of you. You stare at her, mouth slightly agape in shock at the sudden intrusion, Akemi chortles from her seat while Mizu's starting to look like she's about to commit homicide. It was currently your free period, hoping for a time to relax and wait for your next class, you sure weren't expecting to be bombarded by a series of questions about your love life. You're hoping that both of your unwelcomed stares would drive this person away, but the gal continues off on a tangent. "Not to be like—a real gossipy person, but like, I heard from Sanchez that you guys were dating, and I had my suspicions back then during Ethics class but I just HAD to confirm it, y'know?"

You lock eyes with Akemi seated beside the girl as she hides her grin behind her drink. You're so going to wipe that smile off her face soon.

"I'm pretty sure that's none of your business," Mizu deadpans as she stares at her under her tinted glasses. She taps her index finger on the surface of the table, a telltale sign of her impatience. The girl remains oblivious.

"Oh, come on! We were groupmates last semester! I'm pretty sure we're already close enough to know stuff like this," She sends the both of you a wink to which you wince as Mizu stiffens beside you. You're sure it was taking a real toll on her to prevent her from committing a felony and so you've decided to step up.

"I-I'm sorry," You give her a sheepish smile, hand raised to provide a calm reassurance of not being hostile. "I'm sure you mean well and everything but we're really tired. Whatever you're thinking, it's a no."

You give her your best award-winning smile with the hopes that she'll leave you both alone. You see her slightly pull back, finally reading the room but she pauses at the last second as Mizu wraps an arm around your waist. You're not sure why the girl gives you a cheeky grin as she adjusts her bag on her shoulder but your resolve is soon starting to waver if she doesn't get her ass off your table.

"Alright, whatever you say," She coos, eyes squinting playfully as she gathers herself off your booth. "I'll leave you two lovebirds alone. See you around!"

The three of you watch as she makes her way out of the shop before your shoulders release the tension you've both been holding over the past few minutes. Akemi chuckles at your expressions

"Oh my god, If you hadn't done that I would've gone off the rails," Mizu groans as she rests her head on the table.

"You should've, to be honest, might make this whole debacle a lot more interesting than whatever you have with Y/N," Akemi snickers from her seat as Mizu sends her a glare. "Funniest thing I've seen all semester. Keep it up."

"You're full of shit," Mizu grumbles from her seat. Akemi flashes her her middle finger. You roll your eyes at their banter.

"I don't get what's the big deal," You cross your arms over your chest. "I mean people do the things me and Mizu do all the time."

Akemi gives you a blank stare. "I mean this in the best possible way but if I didn't love you and you said that to me, I would actually slap your face."

"I can slap your face for free, right now."

"Not now, Mizu," You nudged her knee in retaliation as the blue-eyed girl grumbled in response. "Also, bullshit. That's unfair."

Akemi rolls her eyes before slamming her drink down on the table. "That's unfair? You two are basically me and Taigen if Taigen grew the balls to actually court me instead of parading his biceps like a damn himbo. That honestly felt like I'd lost 20 years of my life. She's at your beck and call and even fucking ditches our hangouts just because you had a little cold. That's what's unfair."

You stare at her with furrowed eyebrows as she huffs and takes an angry sip of her drink. You slowly nod, trying to get a sense of her reasoning. Well, you and Mizu had developed a natural sense of service-giving to each other. After all, your deep friendship was only a resort of living together. Wouldn't anyone be that considerate to their best friends?

"I swear to God," Akemi places a hand in front of her mouth as she looks between the two of you. Mizu had already tuned her out, opting to hug you close by the waist and leaning her head on your shoulder as she took the time to rest. "I'm so close to throwing myself off the cliff figuratively and it's both of your fault."

You roll your eyes at her, crumpling a tissue paper before throwing it towards her. The gal dodges it with ease before scrunching her nose.

"You're overreacting."

"Sure," Akemi squints her eyes. "Whatever fits your story."

You're not sure when it started but somehow Akemi's words started to get to you. You knew, for sure, (you think?) that she was just bluffing. Your relationship with Mizu was yours and yours alone, anything between the two of you must be kept between the two of you only. It wasn't as if the comments of other people had affected you—you often tend to brush them off, treating some of them as either praises of your close bond or jokes due to their easygoing nature. You're not sure if it's because of Akemi's short-tempered personality that you've started to notice things too.

"Here," Mizu's voice startles you out of your focus. You turn your head to see the raven-haired gal, hair down and cozy in a black hoodie and sweatpants. You had been studying and getting things done at your uni's library as finals were nearing. The desk at your dorm and the familiarity of your room seemed to mess up with your productivity and so you decided to change venues. Mizu, being the good-hearted angel that she is, drops a cup of coffee beside you and a bag of your favorite food. She then tucks her hands into the pockets of her hoodie.

You look up at her with a pout, eyes softened. "You didn't have to."

Mizu pats your head before gingerly pulling the seat next to you. She sits down and leans her head on her arm perched on the table. "It's the least I could do. You're working hard."

You smile at her praise, glancing at the worksheets sprawled on your table. It wouldn't hurt to take a break, no?

Mizu gives you a raise of an eyebrow as you turn your body towards her, copying her form. Your lips pull into a small smile as you reach out to brush her loose locks. "It's way past your curfew. You should've just slept."

Mizu snorts. "You say that like I'm a child."

You reach out to pinch her cheek causing her to swat your hand away. Letting out a few giggles as she scrunches her nose at you. You would've continued to act normal afterward, there was nothing to freak out over but then Mizu started staring at you with that gaze of hers. Usually, you would either jokingly stare back or playfully ignore her but somehow this time, you're suddenly feeling a bit self-conscious. You let out a cough as you turn back toward your worksheets, unable to handle the intensity of her gaze.

Not sure if she noticed it or what, you make quick haste to get back on track with your studying. About 15 minutes in, you hear shifting beside you. Thinking that it's her cue to go, you turn toward her with curiosity but then your chair moves swiftly to her side. You let out a yelp as she moves your chair with one arm, closer toward her.

"Mizu—!" You squeak at the sudden movement as she lets out a few chuckles at your reaction. Soon enough, a deep flush bursts across your cheeks due to the sudden proximity. She's faced toward you, legs spread to accommodate your figure, and her other arm perched on the back of your chair.

You feel your heart speed up as she leans close and smiles. "Get back to studying, Bonnie."

You obediently follow her orders as you lower your head to get back to answering the worksheets in front of you. You hear Mizu chuckle beside you as you willed yourself to continue writing and ignore her very existence.

Heart? Speed up? What the fuck?

There's a moment of reprieve before you feel the sudden thump of Mizu's head against your shoulder.

"What's up?" You hum gingerly, your free hand moving up to gently pet her head. Mizu shifts her body close, the arm at the back of your chair pulling your shoulder and body to her.

"Do you want Italian or Chinese?" She asks out of the blue, eyes watching you write down equations and numerical formulas on your paper. Your heart softens as you feel her other hand envelope over your stomach, pulling you into a side hug.

There weren't many people around the library at this time of the night besides the occasional suffering computer science major seated at the far end of the library and the librarian herself. Mizu allows herself to be vulnerable within your care. You eye your worksheets, debating finishing them or giving your cute roommate dozing off on your shoulder attention.

Nah, fuck it.

You gently close your notes before cupping Mizu's cheek, softly pulling her up from your shoulder.

"Hm?" Mizu hums as she slowly blinks at you, face leaning towards your touch as you cup her face gingerly within your palms. You give her a soft smile, thumbs running softly across her cheeks.

"Ordering takeout might be a bit too much right now," You quietly whisper to her, eyes crinkling playfully. She lets out a few chuckles at your response. "Although, I recall having a waffle mixture back at our dorm and we still have your dad's waffle maker. What do you say?"

Her gaze darts over you face before she pulls away from your touch. You look at her curious as she scoots to the edge of her seat before pulling you into a hug. The raven-haired girl burrows her face on your neck, letting a loud sigh of relief as she encased you in her arms.

"Alright," She mumbles on the collar of your shirt, breath tickling your neck. You flush at her proximity, opting to rest your head gently against hers. Just as the two of you would continue to bask in each other's presence, a cough alerts the two of you to pull away.

Your eyes dart toward the culprit as the librarian raises her eyebrow toward the both of you.

"You can take your couple date elsewhere if you both have nothing better to do here." The old lady deadpans, fanning herself with her foldable fan. The both of you stare as she gives you one last judgmental look before walking away. Mizu wordlessly helps you pack up your stuff, leaving the library with you trailing behind with your ears flushed red.

"Listen," Taigen takes a deep breath before continuing. "We're only choosing your dorm because Akemi has their annual dorm parties, Our kitchen broke so Ringo can't cook, and we know Mizu is a loaded motherfucker, alright? It's absolutely not because we want to see your icky mundane domestic life."

Mizu leans against the doorframe, staring Taigen down as he finishes his piece. You, on the other hand, can only smile from your spot behind Mizu. It had been your scheduled movie night with friends and originally, it was Ringo and Taigen's turn to host but due to unfortunate circumstances, the duty of hosting befell on your shoulders again. Albeit, a bit rushed this time.

Akemi rolls her eyes beside Taigen before stepping up towards the doorway and pushing her way through Mizu's defense (Mizu let her in, she didn't do anything wrong). Ringo smiles gleefully from his spot beside Taigen before sliding his way inside and pulling you in a hug (again, Mizu let him in, he's the only person who can actually cook).

"Y/N!" Your tall bubbly-bear looking friend cheers as he swings you back and forth in his hug. You giggle as you return the gesture, slightly pulling away and patting his cheeks. Ringo grins. "I missed you!"

You playfully roll your eyes at him. "Oh come on Ringo, I saw you last week."

"Too long!" Ringo whines as he rests his head on top of yours. Your heart warms at Ringo's affections. Your dear friend was a walking talking incarnation of a life-sized teddy bear. The two of you continue to giggle at each other's presence, not noticing the pair of blue eyes trained on you.

"Oi, Ring," Mizu calls out from her position by the doorway, eyes pulled into a glare. Ringo stiffens beside you at her tone. You could only blink your eyes at her with a curious gaze. "Get your ass in the kitchen."

"On it!" Ringo makes no haste and eventually bolts to your dorm's kitchen. You place your hand on your hips as you stare at her with a raised eyebrow. Mizu only looks away before catching a sneaking Taigen trying to move his way inside. The raven-haired girl slams her hand on the doorframe preventing Taigen from entering.

"Where do you think you're going?" Mizu asks with a threatening glare. Her eyes squint as you watch Taigen sweatdrop.

"C'mon, man! I just want to fucking watch Ryan Gosling, can you let me in?!" Taigen whines, stomping his foot. Mizu's face stays blank, hand clutching the doorframe. Taigen resorts to plan B and looks up at you from his spot with the most disturbing try of puppy eyes. "Y/N, please I'll treat you all the fucking bobas you want just please pull your war freak of a wife away from me."

You chuckle as he clasps his hands together, ignoring Mizu's pointed glare. You knew that Mizu would let him in either way. After all Mizu says, and you quote, "It's like leaving a fucking dog outside with all that yapping."

Finally deciding to help Taigen, your eyes gaze at Mizu's back with a smile. "Bon, c'mon leave him be."

There's a pause of silence before Mizu eases up on the doorway and eventually side steps. Taigen lets out a noise of victory before making quick steps toward you and places a kiss on the side of your temple.

"This is why you're my favorite," Taigen crinkles his eyes playfully. You roll your eyes, slapping his arm.

"You said that to Akemi 3 days ago."

"The past is past, what matters is the pre—"

A loud smack on the head propels Taigen forward causing your eyes to widen. You turn to Mizu who looks at him with disgust.

"I let you in and you still yap like a dog. Do you want me to kick you out again?" Mizu stands next to you with a menacing glare. You watch in amusement as Taigen frowns, rubbing the back of his head.

"Goddamn, just fucking marry this emotionally constipated motherfucker please so that I may find peace," Taigen makes a pointed look towards you. "I hate that I'm always at the receiving end of your punches when Y/N doesn't give you a bit of her atten—AGH!"

You let out a few giggles as you watched Mizu try and kick him away from where the two of you were standing. The poor man cowers behind Akemi who elbows him off her figure as she tries to browse through you and Mizu's shared Netflix account.

Your eyes glance toward Mizu who grumbles under her breath before turning towards you.

"Never let him in our dorm ever again please." Mizu deadpans prompting soft laughs from your lips. You then watch as Mizu walks toward you, eyes squinting at the side of your temple before grabbing your face with one hand—cheeks smushed.

"Mijuuuu," You whine as she tilts your head to the side. You notice her gaze on where Taigen kissed you. Your eyebrows furrowed as Mizu reached you with the sleeve of her hoodie pulled over her fingers. She then makes harsh wiping movements on your temple causing you to groan.

"Ow." You sob playfully as she finishes her ministrations. Mizu then turns your head towards her, the corners of her lips slightly upturned as she squishes your face within her grasp.

"Cute." She mumbles before leaning down to place a chaste kiss on your forehead. Your heart thumps against your chest—eyes wide as a deep flush rises to your ears. Whether Mizu noticed it or not, she only pulled away and walked over to where Akemi and Taigen were—both too busy fighting each other for the remote (Akemi wants horror but Taigen insists on a Ryan Gosling marathon).

You stand still in the hallway, breath hitching as you try to calm yourself down.

Unfair.

There's a nagging thought at the back of your head that you think that you might've been a little bit too lenient with Mizu.

Your friendship and current situation as roommates didn't start off in a good footing. Having met Ringo and Mizu during freshman orientation, you had no choice but to stick close to them due to the unfamiliar environment. Ringo welcomed you with open arms while Mizu didn't care if you joined or not. Apparently, she didn't really care about Ringo or you.

It was safe to say that your first impression of your roommate with her ever-perpetual stone-cold glare had not been the best. After all, she had ignored you most of the time and tended to stray away from your group of three.

It was during that time that she had issues with her current roommate who always tried to bring people in as a one-night stand that the two of you decided on common ground.

You were out that night, going on a quick walk break from midterms when you saw Mizu complaining at the front desk. Still considering her your friend albeit a bit hesitant due to her off-putting nature, you hear Mizu complain to the landlord. You overheard her issues with her roommate and decided to offer your space up as your previous roommate had shifted courses, was transferred to a farther building, and therefore had to move to a closer dormitory. She seemed awkward but grateful enough to accept your offer.

Then things are where they are now. After knowing and living with each other for at least 2 years now, your closeness with Mizu didn't really bother you. It was nice being comfortable enough to just be authentic in front of somebody without the fear of getting judged. Mizu tends to be quite direct with her words and doesn't like to bluff around. That's what you kind of love and hate about her.

Love because she's upfront—what you see is what you get. She gives you thoughtful advice, the most rational between the two of you, mature and level headed enough to tell you the truth when nobody else would. Hate because sometimes she's too direct. Direct about your mistakes and wrongdoings but also direct about what she feels.

Like this instance.

"Mizu?" Your feet cladded socks thump loudly against the wooden floor, waddling your way toward your roommate who is busy mopping the living room.

"Yeah?" She calls out, hair tied in her usual bun as she continues to clean. She hears you enter the area, turning towards you with her hand outstretched. "Careful. Floor's wet."

"Yeah, yeah." You grab her hand, watching as she puts the mop away to the side. Finally having her undivided attention, you swing your hands back and forth as you come to say what you went for in the first place. "So y'know how Akemi got her internship at that company she really worked hard for?"

"Mmh."

"Then she was offered like a position right?"

"Mmh."

"So like, as a reward for her great performance, she got tickets for us to watch Laufey next week."

Mizu's eyebrows raised in recognition. "Really?"

You nod your head with enthusiasm, smile brimming from ear to ear. Mizu's eyes softened as she lets you continue.

"So I was wondering," You bite your bottom lip as your hand shifts to wrap around her index finger—still swaying it back and forth. "Can you help me find an outfit, please?"

Mizu hums as you peer at her with an excited grin. The raven-haired woman glances at her unfinished work before sighing.

"I suppose cleaning can wait." She responds before getting pulled in a hug.

"Thank you! Thank you!" You make careful tiptoes around her work as you walk back to your room.

It takes Mizu about 7 minutes to finally reach your room with a soft knock on your door. You tell her to come in as she gently opens the door to walk inside.

"Options?" Mizu sighs in relief as she plops down on the bed. You tell her your options and Mizu nods for you to try them on.

It takes a while for both of you to decide—eventually having to stick with two dresses. Finally trying the last dress on, you twirl in front of the mirror, examining the way you look before meeting Mizu's eyes on the reflection.

"That's the one," Mizu says with a soft tone. There's something about the way she eyes you up and down with a gentle look in her eyes paired with the soft tone of her deep voice. You pause, turning around to see her on the edge of your bed, arms resting on her knees—hands interlocked with her body leaned forward. Those hues of blue peer up at you with half-lidded eyes. Your cheeks heat up.

She breathes a heavy breath before motioning for you to come over with a come hither motion of her fingers. "C'mere."

You make slow steps toward her form, a couple of inches away from each other. You look down at her as she eyes you up, an unreadable look on her face before she suddenly stands up from her seat. Suddenly you're reminded of Mizu's height, albeit only a couple of inches taller than you, you still had to crane your neck at a distance as close as you were now. Suddenly the air seemed thick and constricting.

There's a sudden tension filling the air as the two of you only look into each other's eyes. You find yourself unable to blink as you admire her features. A mix of handsome and pretty—a face you've seen countless times and yet still be in awe of.

Just as the moment had started, Mizu suddenly ends it with a flick on your forehead causing you to blink.

"Hey!" You whine at the sudden gesture, hands reaching up to touch the spot she flicked at. Mizu smirks, chuckling.

"You blinked, I won."

You scoff at her. "Unfair."

She then fixes the fabric of your dress, making sure that the pleats and the flow is positioned nicely. Then the next few words stun you.

"You look really beautiful, Y/N." She says with such a genuine tone that it leaves you speechless. Seeing your reaction she lets out a few laughs then pinches your cheek. You let out a chuckle at the sound of her laughter.

"Favorite Laufey song?" You tilt your head in curiosity as you look up at her with a smile. Mizu softly blinks with a gentle smile.

"Serendipity."

Your hands slam against the wooden surface of the desk inside the library's discussion room. Three pairs of eyes—one filled with curiosity, one with indifference, and one with annoyance. You breathe heavily as you lock eyes with each one.

"I think I like Mizu."

Suddenly Taigen stands up from his seat and applauds you—Ringo, ever the sweetheart he is, smiles at you and waves his arms for a little celebration dance.

"Congratulations, Sherlock," Taigen smiles sarcastically. "If I had to watch the two of you in an eternal battle of who's the most oblivious, I would already have a degree in Bachelor of No Communication, Major in being a pussy and a minor in having mommy issues."

Akemi gives him a disgusted glare. "Can you shut the fuck up or is being a yapper your honest profession?"

"Alright," Taigen raises his hands. "Chill."

Akemi rolls her eyes before looking at you with her lips upturned. "Happy that you're finally realizing it, hun."

You groan as run your palms over your face. "That's the problem!"

"Why's that a problem?" Ringo asks innocently. You pull yours hands down with a huff.

"It's Mizu."

"So?" Akemi raises an eyebrow.

"Mizu's my best friend," You whine. "I can't risk it when I don't know if she feels the same."

"Be fucking for real right now." Akemi deadpans as she crosses her arms over her chest. "The damn woman looks at you as if you've just given her the stars and the moon. Y'know know how much I envy that?"

Taigen nudges Akemi beside him with a pout. Akemi glances at him with a sigh. "I was just making a point. You'd have to be dumb stupid to not notice anything at all, Y/N."

You purse your lips as you sheepishly look at Akemi like a child being punished.

"You did, didn't you?" Akemi squints her eyes with a smile. "Precisely why I favor you over that emotional catastrophe of a woman. I suggest taking the chance. It's not every day that you find someone that's a complete fit for you."

Akemi gives you a soft smile. You purse your lips as Taigen gives you a thumbs up.

"You can do it, Y/N." Ringo smiles at you from his seat. "If there's anything I know about Mizu, it's that she cares for you a lot more than you think."

You nod, encouraged by your friends' advice and reassurance. While Mizu's someone you didn't want to lose, you'd rather take the risk on giving her the love she deserves rather than keeping it buried within you.

Finally, your resolve is built and strengthened. It's just Mizu, it should be alright.

To put things simply, it had been 3 weeks since your talk with Taigen, Akemi, and Ringo.

The three have tried their very best to allow you to confess but somehow Mizu always has something to do or something keeps ruining the moment. Confessing in a cafe? Suddenly a random NPC interrupts. In the library? Librarian follows you everywhere with that judgmental gaze of hers after your previous altercation. Campus garden? Mizu's getting called for org duties. Your own dorm? Mizu's asleep.

You're at your wit's ends and while you can tell that all of this isnt intentionally done, you can still feel the frustration.

It's this night where you reach your final straw.

You had just gotten home after a day of requirements, finals, and activities. Mizu's schedule was moved a bit earlier causing the two of you to be quite busy due to the gap in the dates for your finals. When you're free, Mizu's taking an exam. When Mizu's got nothing to do, you're working your ass off in the library.

The finals season has completely ended and you're walking home with a fleeting mind and relieved sigh.

As you make the turn toward your dormitory, you notice a familiar head of black crouched over the sidewalk. Your eyebrows furrowed as you see Mizu busy with whatever caught her attention. Just as you reach at least a meter away from her, you see a fluffy white cat perk its head behind Mizu's figure, blue eyes sparkling with curiosity as it mews at your figure.

"Huh?" You hear Mizu hum before turning to face you. A look recognition passes her eyes. "Oh. You're home."

You fall silent as you continue to watch her pet the cat. You hear its purrs as it leans its head to Mizu's touch.

"I cooked hotpot upstairs," Mizu says, eyes still looking at you. Her hair is down, only pinned back by her glasses worn over her head. That little frail bang escapes with ease from it as she looks down to see the cat on its back, paws demanding a belly rub. She's wearing the black sweater you gave her with its sleeves rolled up to her arms.

Fuck. Why does she look so—

"I can tell you're spent," Mizu softly smiles at you. There's a slight breeze that gently ruffles her hair. "You did so well, Bonnie."

Then it's as if something snapped within you and there's nothing that could stop you from unleashing the pent up frustration of not getting a moment with her.

"Oh my god," Your gaze is unwavering as you stare at her figure. She raises an eyebrow at your response. "I'm so fucking in love with you."

Mizu stops her ministrations with the cat, figure tensing as the light breeze of the wind fills in the void. Your heart thumps as you breathe heavily, watching any sort of reaction for her shocked face.

Then it is as if you could hear a pin drop then a change in the atmosphere. Mizu is flushed deep red, eyes blinking as she stares at you with mouth agape.

Your eyebrows raise in amusement.

"Huh?"

"I love you." You repeat taking a step closer to her crouched form. She furrows her eyebrows, blush spreading up to her ears. Oh?

"I-I don't—"

You grin as you crouch in front of her, eyes trained on her shy features. "I said I love you."

"Y/N." Mizu grumbles as she tries to glare at you.

"What?" You shrug, smile brimming from ear to ear. The emotions on her face are clear as she stammers and stutters in front of you.

"That's not fair." She grits her teeth.

"What's not fair?" You tilt your head in amusement.

"I wanted to say it first." She mumbles as she looks down at the cat purring between the two of you.

You let out a soft laugh at her whining.

"Well, I'll pretend I didn't say anything and that I just walked back from school," Mizu eyes you in confusion as you stand back up and run a few meters away from her—back from where you previously stood. You clear your throat as you straightened yourself up. "Oh my god! Finals is so hard, if only there's a hot tall masculine woman to declare their love for me."

You end with a dramatic touch of the back of your hand against your forehead. Mizu chuckles, shaking her head before standing to her full height. She reaches you with ease, lips turned to a smile as her hands make their way to cup your face.

"You're an idiot," She grumbles with affection before pulling you in a kiss. There's no time wasted as you kiss back, clutching the fabric of her sweater as she tilts her head to deepen the kiss.

You squeak as you feel her tongue intertwine with yours. You feel yourself get lightheaded, melting in her touch as your arms wrap around her neck while hers takes hold of your waist. She pulls you closer with no distance left to break you apart. You whine as you feel her bite on your bottom lip, gently pulling it before pulling away. Heavy breaths are what fills the space between your bodies, eyes still trained on swollen red lips while want and need courses through your veins.

She lets out a grunt as she dives to taste more of you, pecking your lips once, twice—thrice before finally breaking off.

There's a moment of silence before hushed giggles errupted between the two of you—Mizu swaying your bodies as you both bask in each other's presence.

Hushed whispers, sweet nothings, wide smiles, and stolen kisses are all that's seen between two idiots in love. Before you can further enjoy your moment with Mizu, a loud meow interrupts your moment. The two of you look down at the cat licking its paw as it stares up at you both.

It swishes its tail back and forth, tilting its head before stretching. You and Mizu look at each other with a smile.

"You up for another roommate? Might be severely in love with you too." You tease as the cat leans its body against Mizu. Your girlfriend rolls her eyes. You giggle.

"Oh, shut up."

a/n:

you: *sees mizu w a cat* marry me

mizu: ?

projecting ken tendencies in taigen mb. akemi is a mood tbh.

[suiana]

✎ yandere! side character that's the hot guy everyone wants to pursue in the hit otome game 'last waltz'!!! too bad he's only a side character and not one of the love interests

✎ yandere! side character that rides a super cool motorcycle and has multiple piercings. fuck he's so hot- wait he plays the electric guitar too?! why's he only a side character and not a love interest?!

✎ yandere! side character that's... sentient?! huh he's the only love interest for you now?! you're not complaining though, he makes things super spicy 😈😈

✎ yandere! side character that is obsessed with you. that's why you get special treatment :3 he was supposed to be one of the love interests but he's a sentient being and changed the code to become a side character for everyone instead.

"hold on tight baby. we're gonna go fast."

he laughs as an angry man in an expensive car chases after the both of you. you see, you had somehow isekai'd into the world of 'last waltz', a hit otome game back in your world. and you were on a date with one of the boring love interests until the hot side character you loved whisked you off your feet and practically kidnapped you from the love interest.

it was a funny thing to see, a side character fighting with one of the love interests. but who were you kidding, this guy was practically meant to be one of the love interests! his story and everything was so well developed and he had the looks too! it's just funny that he's a side character... that's in love with you?!

back in your world he'd often pop up when he wasn't supposed to, going on dates with your virtual avatar and... some other spicy things. like removing your in game clothes while you were asleep and leaving you in shock when you entered the game again.

at first you thought it was just a glitch. but a glitch couldn't be like this, right?! literally creating new whole stories and events just with him?! with the other love interests not even having a chance with you?!

you tried sharing your experience with others online, but it never worked. it was like there was some unknown force stopping you from doing so... your phone suddenly running out of battery, the app glitching out... it was so weird that you just gave up.

and then you were suddenly isekai'd into the game?? nothing made sense anymore. so you just lived like the main character, going on dates with hot love interests, taking their money and relishing in their constant love and affection... until the side character popped up and began to replace the love interests.

whatever, he was your favourite character anyways. and you knew he knew it. I mean, why else would he be smirking as you leaned into his touch as he sped away from the angry love interest?

"they must love me... more than the boring love interest at least."

he seemed to be in his own thoughts as he laughed boisterously. you ignored him, simply resting your head against his broad shoulders as the constant honking from the other love interest slowly faded away.

hm. you wonder if the side character will be as rough as other times. after all, the route he seems to be taking... is to his house. and whenever you were at his house, it always ended up with you in his bed. naked.

oh well.

whatever, it was just a virtual world. you'd be out soon so it doesn't matter.

right?

[rebelwrites]

Only Over When We Are Sober

Jax Teller x Reader

Jax Teller Masterlist || Main Masterlist

Hello I know it has been a while 🥺 not sure if people still remember me but this song has been playing over and over in my mind along with this story. This isn’t me coming back to writing but this story was just hard to keep contained. Hope you enjoy ❤️

Jax stared at the ceiling, his head was spinning, the headache was starting to take over. It wasn’t the first time he woke up with a hangover, and just like all the times before the smell of your perfume was invading his senses.

He slowly started to open his eyes, letting himself adjust to the brightness of the dorm room, he always cursed himself for never fixing the blind. Reaching out he felt nothing but emptiness, it was the same feeling every time, it had become expected. Yet with each time it caused his chest to tighten, feeling his heart weigh heavy. Finally he propped himself up so he was leaning against the headboard before pulling a smoke to his lips. It was as if he was on autopilot, in a way he was, this was a routine he had gotten used to over the last six months.

Dropping his gaze he took a long drag of the cigarette, everywhere he looked there were reminders of you, the marks on the pillow case from you finally falling asleep with a full face of makeup on to the lonely hair tie that was currently sitting on the bedside table. He knew the two of you were a toxic mix but every weekend you both partook in the dance that had become so familiar. It had been over a year since you broke up but there was a pull, like moths to the flame you couldn’t stay away from each other.

The only time you stayed broken up was when you were both sober.

He knew you would have been long gone by now, it was always the same come morning. You would bolt from his dorm, ignoring everyone as you scurried out of the club house, retreating to the safety of your car. It was something he hated, you were the love of his life but for whatever reason the fire between the two of you burnt bright and strong and in turn caused you both to get burned.

“Thought you two had called it quits?” Gemma asked, appearing in the doorway holding a fresh mug of coffee for her son.

“Same old story,” the blonde shrugged, taking another drag of the cigarette, “we never believe it’s truly goodbye, always wanting closure. I guess that’s what you get when we have the same friends and run with the same crowds.”

Gemma could see the pain that her son felt, it was something that no matter how hard he tried to hide, his eyes told the whole story. Every Sunday morning the sparkle in his baby blue eyes had been extinguished when the harsh reality that the love of his life wasn’t his anymore came crashing down around him.

For the last month he had found himself looking forward to a Friday and Saturday night when the party would be in full swing. And tonight was no different.

He slipped onto the usual stool at the bar, lit a cigarette between his fingers and a bottle of whiskey sat in front of him, all whilst his eyes never moved from the clock behind the bar. With each second that passed he felt his heart rate double waiting for seven pm to strike.

Taking a deep breath you placed your hand on the cold metal door that led you down one path, the one that ended up with you tangled in Jax’s sheets even though you swear every week was the last. You just needed to move on but how could you when that boy was the only one to hold your heart.

Pushing the heavy door open, it felt like there was no one else in the room apart from you and Jax. Part of you hated that he still had such a hold over you.

Everything happened like it normally did, you’d ignore him at first, but that didn’t mean you couldn’t feel his gaze burning into your soul. You know that within the next hour you would be sharing shots and the dance would begin.

Soon enough you found yourself sliding onto the empty stool next to him, taking the lit cigarette from his fingers taking a long drag, before flipping over the shot glasses.

“I hate you, Teller,” you huffed, narrowing your eyes at him as you knocked the shot back.

“Ditto,” he hummed, holding his shot glass up in the air before following your actions, emptying the small glass before slamming it down on the bar top.

Three shots. That’s all it took for the “I hate you” turned into the “I miss you”.

Everyone thought it was over between the two of you, and for the most part it was but only when there wasn’t alcohol coursing through your veins.

“If this is love Jax then we are fucking bad at it,” you huffed, pouring two more shots of the amber liquid.

He half smiled, reaching out letting his hand settle on your bare thigh, his fingers slowly stroking your skin causing the hem of your dress to rise a little. Even now his touch still caused sparks to erupt across your skin, he left a fire in his wake and no one could compare to Jackson Teller.

Neither of you shared many words, both afraid that if you did speak then this unspoken agreement would end. You knew it probably should but you just couldn’t bring yourself to call quits on the man that held your heart in his hand and you knew you held his in yours.

The scowls quickly turned into soft smiles, touches started to linger, the sound of laughter cocooned the both of you and the level in the bottle was getting lower.

Everyone, including the crow eaters, knew to leave the two of you alone, as the clock ticked on the closer you and Jax got. You had moved from the bar to one of the booths and were now straddling him, both hands on the side of his face, fingers gently running through his beard.

No words were spoken, you were both getting lost in each other's eyes. The smirk on his face was growing, the feeling of his arms wrapped around the one person he would lay his life on the line for without a second thought. He took a deep breath, letting his gaze flick between your eyes and your lips, everything was in slow motion as you edged close to him, not stopping until your lips touched causing fireworks to ignite deep in both of your souls.

In one swift motion Jax adjusted his grip, pushing himself to his feet all whilst not pulling away from the kiss. Maneuvering his way through the clubhouse, he savored this moment because for the next two nights the world would feel right again with you in his arms.

Even though come Sunday morning, he knew the cycle would start all over again, because when it came to you and Jax it was only over when you were both sober.

@chibsytelford @bigcreatorwombatdreamer @pumpkin-spice-hate @talicat713 @band--psycho @little-diable @i-love-scott-mccall @fourthwallhateclub @withmyteeth @theysayitscrazy @rosieposie0624 @choochoo284 @meteora-fc @beeroses @princess76179 @darklydeliciousdesires @the-jer-bear @princess76179 @extraneousred @youflickedtooharddamnit @lmao-liz @babypink224221 @daddysgirl2857 @bravo-four-seal-team @garbinge @pedrohoe04 @littlekittymeow @nichia88-blog @zozebo

[ineffable-endearments]

When you (generic, universal) talk about theories about the end of Season 2 and Aziraphale going to Heaven, you often run up against either:

taking everything at face value to the point of ignoring that some details contradict one another

or

accidentally nullifying major emotional, plot, and character beats by implying that they Didn't Really Happen.

A lot of the differences in analyses, especially ones that I like (LOL), can be explained by the fact that we're analyzing a character who is experiencing massive cognitive dissonance and believes a number of contradictory things at once.

Nobody is wrong to point out Aziraphale's need to Belong to a Good Cause, which makes his acceptance of the Supreme Archangel position entirely in-character; nobody is wrong to point out Aziraphale's anxiety around the Metatron, which indicates that he may have been coerced.

Did Aziraphale go back to Heaven because he's afraid of what will happen if he keeps refusing, or because the Metatron made an implicit threat? Did he go back to Heaven because he's vulnerable to flattery and wants to feel important? Did he go back to Heaven because he thought it would be a way to be permanently safe with Crowley? Or did he go back because he missed belonging to something Good, something bigger than himself? All of the above. It's all of them.

Yes, even though it's incredibly dissonant to believe a system that he KNOWS is dangerous and coercive can accomplish true Goodness, that is in fact his belief.

Admittedly, this is no one I follow - just random comments I see around from people I don't know very well - but it seems like some people out there are assuming Aziraphale can't possibly be making any plans to do anything remotely intelligent, because this would mean that he is already aware that Heaven is bad and would therefore leave no room for character growth.

Except no, that's not necessarily what it means. In fact, the cognitive dissonance is the main thing he is going to have to resolve. Having that dissonance - the belief that Heaven's ideals are genuine, along with the understanding that Heaven is dangerous and needs to be carefully manipulated - is what will move his plot forward. Mindless obedience wouldn't progress his story any more than magic brainwashing coffee would, and it would be equally inconsistent with his story and motivations so far.

The dissonance is the point. And part of the dissonance is that he already knows Heaven is dangerous - he just hasn't accepted what that means yet. It would make sense for him to simultaneously try to work within Heaven's system and watch his own back.

Also, only partly related: Neil might write a story about how the worst people exploit the need to belong and to be Good. He might write a story about how we have to become our own greater good. He might write a story about how to rebuild after you discover your greater good is not so great or good after all. He is not going to write a story about how having any faith or trust in something objectively bigger and stronger than yourself makes you a stupid clown who is wrong about literally everything and shouldn't have even tried.

Let Aziraphale fuck up. He needs to and he will. Whatever plans he was making in that elevator won't actually succeed. But give him credit where it's due.

Edited to add: And you know what? When he fucks up, he's going to get through it. And then he's going to do the right thing. And he's going to get it right when it matters the most.

[pikahlua]

"A deuteragonist has a very different role in the MHA and that is a whole other post ."Can you please write this article? I am tired of Bakugo being constantly downplayed. There are very few people who understand his character and role in the story as well as you do.

Haha I mean hehe it's just hoho I never said fufu that Katsuki is the deuteragonist guffaw shucks haha I mean come on snort why are you putting words in my-

Katsuki Bakugou is the deuteragonist.

Katsuki Bakugou is the deuteragonist

Katsuki Bakugou is the deuteragonist

"Of course you would say that. You're a Katsuki Bakugou stan! You are invested in inflating his importance in the story because you love him." - some people, probably

No. If that were true, I would be arguing Katsuki Bakugou is the protagonist. But I'm not.

Because Katsuki Bakugou is the deuteragonist.

It's not that I love him and therefore assert that he's the deuteragonist. I love him because he's the deuteragonist (plus many other reasons). He is an archetypal familiar shounen hero made interesting in part by the fact that he is NOT the protagonist and deliberately written in the deuteragonist role/function, and I will go into visceral detail about this momentarily.

I promise you I don't go around in other fandoms arguing my favorite non-main character is the deuteragonist. I fully embrace whatever role it is they play in the story. YOU WILL SEE THE EVIDENCE OF THIS VERY SOON, FOR EVERY CHARACTER IN MHA.

What is a deuteragonist?

A deuteragonist is a story archetype. They are the second-most important character in a story (which is a vague as hell definition). They are often known as the "secondary main character."

That's it. Everything else one might say about a deuteragonist is just a sub-archetype.

A deuteragonist can be a sidekick, a love interest, a rival, an antagonist, or even a neutral party. They are often, not always, written as foil characters to the protagonist. They often, not always, provide a different and yet similar outlook to the protagonist's. Their utility in a story can be quite varied. Sometimes they support the protagonist, and sometimes they oppose the protagonist. Often, they are used to help the protagonist complete their character arc.

Sometimes, there can be more than one deuteragonist.

What the hell is a deuteragonist?

The problem is, the function of a deuteragonist can change just depending on the type of story we're talking about. A deuteragonist in an ancient Greek tragedy (theatre), where the term originally came from, won't necessarily function the same way as a deuteragonist in a 2-hour contemporary movie. Things get even more complicated when we're talking about a TV series, a book series, or a comic book series in which the cast becomes so large we're likely to see MULTIPLE deuteragonists.

My Hero Academia, like many long-running shounen manga, has an ensemble cast. Would you be surprised if I told you My Hero Academia not only has multiple deuteragonists, not only has multiple antagonists, but also has multiple protagonists? Because it does!

Sometimes people wanna divide MHA into three or four acts and make the claim that the deuteragonist changes from act to act. I say they aren't going far enough. MHA is divided into arcs, and each arc has its own protagonist and antagonist and sometimes even deuteragonist. This is a STAPLE of ensemble cast shounen manga, where often there will be so many characters they get grouped off into trios (or more) and one among them will be the group's designated protagonist.

Sure, in most MHA arcs, Izuku is the protagonist. But he's not always. Who is the protagonist of the Pro Hero (Endeavor vs Hood) arc? Who is the deuteragonist? It's not Izuku and Katsuki; it's Endeavor and Hawks! What about the protagonist in the My Villain Academia arc? Tomura. The Hero License Supplementary Course arc? Katsuki and Shouto (who can't seem to decide if they're co-protagonists or protagonist and deuteragonist and who is which). The Overhaul arc? Izuku is the protagonist and Mirio is the deuteragonist. Some arcs really play with these roles or make it unclear who is playing which role or if the role even exists.

What is a deuteragonist in My Hero Academia?

So if we have a bunch of protagonists, does that mean the most important one is the series' overarching protagonist and the one second in importance is the deuteragonist? It COULD be, but it's not necessarily true.

There aren't that many arcs where Izuku is not the protagonist. If we look at the number of arcs where someone else is the protagonist, following the above logic, we could end up with All Might or Endeavor as the deuteragonist. Maybe some people would earnestly make the argument Endeavor is the deuteragonist--I don't know, I haven't met those people I guess. The problem with this approach in my eyes is that it entirely discounts the deuteragonists of each arc. Would it not follow that the overarching deuteragonist is the character who has played the deuteragonist in the largest number of arcs? What if that character is different from the character who has played protagonist the second-most number of times? And this is to say nothing about if the protagonist or deuteragonist are the same as the antagonist in a given arc! It's difficult to weight any one character in this fashion particularly when you have an ensemble cast.

This is getting into the question of focus and screentime. How much should we weight this metric? Admittedly this one can also be complicated, especially when it comes to long stories with ensemble casts. The question is how much does screentime actually convey how much a character is the focus of a story, and does that necessarily translate to protagonist and deuteragonist? Because for many the question is: could the deuteragonist be an antagonist in MHA?

It just gets a little harder to argue someone besides Katuski Bakugou is the main deuteragonist the more Katsuki's screentime allocation looks something like this:

Okay, perhaps that exact size of gap is hyperbole. But there is a clear, measurable gap between Katsuki Bakugou and everyone else and I don't think anyone has ever disputed that. Please check out this post by @dekusheroacademia that has compiled some of these statistics (they also make some excellent points about evaluating the elements of a deuteragonist and how various characters fit or don't fit those characteristics).

Still, this is merely supporting evidence, not conclusive. I am well aware of the concept of a false protagonist, where someone appears to be the protagonist until later someone else is revealed to be the story's true protagonist. And while I've never seen a false deuteragonist where someone SEEMS to be the deuteragonist and is later revealed in a twist not to be (as opposed to the deuteragonist just merely changing NOT as a deliberate twist where expectations were set to be otherwise), that doesn't mean it can't happen.

Tangentially related, we could also potentially look at marketing as another piece of supporting evidence. It's not conclusive that just because Katsuki Bakugou is one of the most merchandised characters in the franchise that he is more important to the story than those who aren't, but it's still notable supporting evidence. After all, based on Horikoshi's marketing of his own story i.e. who he draws in which orientations on chapter and tankoban covers, or how he lists characters on character intro pages, we could easily come to the conclusion as casual readers that Izuku is the protagonist. There are many cases where one could conclude Katsuki is the deuteragonist based on such presentations alone. But again, I concede this is not conclusive.

So, if we set aside individual story arc roles, screentime, and marketing, what does that leave us with?

What is THE deuteragonist in My Hero Academia?

Even if we can determine Izuku Midoriya is THE protagonist of MHA based on things like the number of times he's protagonist in story arcs, his screentime, and marketing, I'll set those aside for the deuteragonist and see if there's something else that can help us here.

What element are we missing? The overall story.

Sure, we can break down the story into arcs and assign deuteragonists that way, but that's not getting us to THE deuteragonist. So let's start with the protagonist. How do we know Izuku Midoriya is the protagonist of MHA without considering the previous metrics? The way the story focuses on him. It is easy enough for anyone to recognize the characteristics of a protagonist in him from a functional perspective. He is a POV character. We hear his thoughts. He narrates the story. We see the story over the timeline of his character growth. His character arc coincides with the overall story themes.

I've talked many times about how My Hero Academia at its core is a story that explores the question: what is a hero? MANY characters explore this question, but the character who compiles these answers together and rounds them all out and grows and has his perspective change and exemplifies the moral is: Izuku Midoriya.

So let's go back to the functional elements of a deuteragonist. Remember those sub-archetypes? Well, in a shorter story with no ensemble cast, what do a sidekick, a love interest, a rival, an antagonist, and even a neutral party all have in common? They are defined by their relationship to the protagonist.

You see, in a story where all the characters interact with each other and converge on the major theme of the story, ALL characters are defined by their relationship to the protagonist. But in particular, the function of a deuteragonist is to supplement the story with what the protagonist needs FUNCTIONALLY. When is a sidekick the deuteragonist of a story? When the story focuses on the adventures of the protagonist and their sidekick. When is a love interest the deuteragonist of the story? When the story focuses on the developing relationship between the protagonist and the love interest (i.e. the romance genre). CAN a story with a love interest deuteragonist focus on their adventures and individual character development too? Yes, but sometimes the result is that the love interest is ALSO the sidekick...or the rival. When is the rival the deuteragonist? When the story focuses on the clash and growth between the rivals. When is the antagonist the deuteragonist? When the story focuses on the battle between them. NOTE that when I write this, I don't mean it focuses on the protagonist's adventure that culminates in them meeting the antagonist at the end for a battle. I am talking about when the BATTLE ITSELF is the main focus of the story. See stories like Silence of the Lambs or Death Note for a clearer example of what I mean, where the focus of each is on the psychological games the protagonist and antagonist play with each other. The point is, the story on a structural level, on a meta level, has to focus on these sorts of interactions to determine its deuteragonist.

Obviously this gets more complicated with a large story and an ensemble cast because you could have bits of the story where the structure changes and seems to focus on new things. That's why I pointed out that the more immediate protagonist and deuteragonist and antagonist often change in MHA depending on the story arc.

When I try to determine who is THE deuteragonist of the entire story, I have to look at the entire story. I have to ask myself what the story is about. So what is the story about? What is MHA about?

If you said MHA is about Izuku falling in love with Ochako, I'm sorry but you're wrong.

If you said MHA is about Izuku taking on All Might's mantle, I'm sorry but you're wrong.

If you said MHA is about Izuku defeating/saving Tomura, I'm sorry but you're wrong.

If you said MHA is about Izuku rekindling his friendship with Katsuki, I'm sorry but you're wrong.

MHA is about Izuku Midoriya (and most everyone else) learning what it means to be a hero.

It's in the fucking title. MY HERO ACADEMIA. The story is about Izuku's education (as it takes many forms) to learn what it means to be a hero.

So who is the deuteragonist in the story about Izuku Midoriya learning what it means to be a hero? The character who is second-most important in how Izuku Midoriya learns what it means to be a hero.

A lot of characters do teach Izuku Midoriya what it means to be a hero or at least some piece. But who is MOST IMPORTANT?

See, My Hero Academia is LONG. If we just focus on the parts of the story in which Izuku tries to learn from All Might or take on his mantle, we lose ARCS of the story. The same is true if we focus on his love life, or his rivalry with Katsuki, OR EVEN HIS BATTLE WITH TOMURA AND ALL FOR ONE. In the case of the latter, we're basically excluding HALF the story: the school arcs!

MHA is structured such that it alternates between what we colloquially refer to as "school arcs" and "villain arcs." And while exploring the question of "what is a villain?" is an important subset of the main theme, it is not the entire story. You can't just label all the school arcs as "filler" (because they're not) and chuck them out. Each story arc contributes to the lessons Izuku learns and the theme of the main story.

I can think of something every character teaches Izuku with respect to this theme. I can think of a lesson Izuku has taken away from every encounter and every story arc. But who ELSE is present in nearly every story arc? Who represents the foil to Izuku who allows us, the audience, to learn alongside them what it means to be a hero? Who learns the bits Izuku does not need to learn because he already exemplifies those answers in spades? Who represents the other half of the hero equation that Izuku is missing? Who has his own blanks filled in by Izuku himself? Who has played all the sub-archetypes of a deuteragonist for Izuku Midoriya, including antagonist, rival, sidekick, and even arguably love interest (replace with platonic interest for the rekindling friendship angle if you want so we don't have to go into that whole thing here please, I'm talking about the generic structural elements within a story more than anything)?

Izuku Midoriya cannot possibly have learned the fundamental lessons of what it means to be a hero without Katsuki Bakugou's character arc to supplement him. Katsuki Bakugou is an irremovable, integral player in demonstrating the theme of collectivism that informs the main story, not just for Izuku to learn it but for THE AUDIENCE to see it too. He is one half of "win to save, save to win." He is the standard shounen manga archetype who has to learn the value of teamwork/collectivism so that he can teach it to Izuku Midoriya and save him from himself. The story is structured in such a way that it resembles LESSONS for the characters to learn, and Katsuki's "education" in this respect is VITAL to the story, second in importance only to Izuku Midoriya's.

P.S. Is it actually taking away from Katsuki to call someone else THE deuteragonist?

Yes. I know some people don't want to have to say it that way, but it is. Based on a number of metrics, Katsuki Bakugou is most widely recognized as the deuteragonist. If there's a default answer to the question of who is the deuteragonist but you think the deuteragonist is someone else, then in order to be persuasive you must not only argue why you think your chosen character is the deuteragonist but why Katsuki Bakugou is NOT the deuteragonist. If you want to argue someone else is the deuteragonist, you are taking on that onus, that burden of proof. You have to disprove Katsuki Bakugou is the deuteragonist.

Are there other characters who fit the deuteragonist function at times? Yes! There are multiple deuteragonists! But if in spite of the multiple protagonists we're still able to call Izuku Midoriya THE protagonist of My Hero Academia, then we are absolutely able to call Katsuki Bakugou THE deuteragonist as well.

tl;dr MHA is about learning what it means to be a hero and Katsuki Bakugou's story is second-most important to that theme, which makes him the deuteragonist

[amourdivine]

୨ ♡ ୧︰ TAROT 101: developing your intuition.

Hello lovelies, welcome to the first post of my Tarot 101 series! After receiving a few questions, I decided to incorporate a series of tips and tutorials for other self-taught readers. Today, I'm answering a follower's asks sent in my DM's. I'm tackling it separately, so it makes more sense to other people to read it. PS: Since this is a major work in progress and I'm not an all-knowing, almighty entity, please provide feedback, comments or concerns you might have! Thank you.

☁️ ˚ NAVIGATE ༉ ‧

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How you develop your intuition and psychic abilities while reading tarot?

There is not one size fits all. While many readers recommend connecting to oneself, that's just the basis of it, really, but the main concept is to look at yourself, compassionately. Without the judgment of our everyday lives and the chaos of getting things right in the first attempt. You cannot be honest with yourself (or your intuition), if self-denial is the state you're living in. Or worse: if you view the truth as punishment.

It's always going to be a journey of discovery, and the first thing about spirituality is that you need to keep an open heart to the magic. Skepticism may get you far ahead in your career or financial matters, but when it comes to intuition, you can't grasp onto logic all the time.

With tarot, it's a little more practical: learn and lean into the cards. Notice I didn't say memorize, because many of us are busy enough with our everyday schedules. Just tap into them. Look at them. What does The Lovers remind you of? Maybe it takes you to the story about the Garden of Eden. Or- maybe it reminds you of your parents, their golden youth before marrying.

Again. No judgement. Let your stream of consciousness free. A huge part of reading tarot is allowing your imagination to run wild. Although the Devil card can symbolize obsession or addiction at first, take into account the spread, the topic. The context. What is your body telling you about the images you see?

We often underestimate the symbolism behind the cards. Without considering the traditional meanings,take one card out of your deck and just look at it. What colors are prominent? What do these colors represent in modern society? Do these people look happy? Are there any people at all? Where are they? Let your mind weave a story.

As a tarot reader, what you do on daily basis for intuition and tarot reading? What practices, book, or some kind of information which help you for tarot readings?

There are many things that have helped me, personally, but I'm going to mention some of the best practices I've seen, both for myself and for others.

› Stay creative. If it means drawing, writing, or painting, then stay creative. Find whatever little (or big) ways you can express your creativity. Remember you don't have to be "good". You can just be. Creativity exists in a lot of ways.

› Engage with other readers. Observe them. You can find a tarot reader that deeply resonates with you and watch how they read. Test if it works for you. Remember this is your practice, it's your sacred space, so you don't have to follow someone else's rules.

› Read, if and when you can. I personally recommend the book "History of Tarot" by Isabelle Nadolny, but not everyone can afford books or the time to read them. There are plenty of Youtube tutorials and free guidebooks on Biddy Tarot, for example. I also love Servant of The Fates' blog. They're both different and great, reliable sources.

› Start small. You can pull one card a day. Get a journal, write its meaning (or what it means to you) and record your progress. In a few months, when you return to it, you might find it surprising.

› Let yourself not know everything. No one does. Sometimes, you'll need to pause, go back to a guidebook and read the meaning all over again. Other times, you'll look at the spread and feel nothing. That's okay too. We're not meant to know all the answers.

Is meditation really important for reading tarot? Why? How much time do you spend daily for tarot readings and spiritual practices?

Since this is more of a personal matter, I'll be talking about myself. I don't meditate as often as most readers. Three times a month, maybe? I have a busy schedule and I can only meditate before bed, if I'm not too sleepy. Many people find that meditation makes them anxious or they're not able to fully let go. Other people find it that being in silence or taking a walk is more useful to them. Relaxation and meditation come in many, many forms. The important thing is to nurture your body and soul more than to adhere to rigid rules.

However, when it comes to saving time for readings or spiritual practices, I don't set rules for myself. It never works for me.

I let it flow. Sometimes, I go weeks on end without really consuming tarot content and I bond with my decks occasionally. And other times, I'm reading daily, journaling and trying to improve my skills. Since I have a billion other things to care for, I'm not always able to prioritize tarot as much as I'd like, but the important thing is to stay passionate, stay curious and get back to it. Better late than never.

When you're getting started, let yourself try. If you get it wrong, at least you'll be one step closer to getting it right.

amourdivine. 2021 - 2024 © do not copy, redistribute or edit my content.

[windienine]

the best game of 2024 was an hour-long visual novel demo, and i can't tell you how it ends

attack and dethrone god.

okay. oh my god. soul of sovereignty by ggdg (of lady of the shard & deltarune fame) is discounted for only a few more days, so i need to get this one out while the iron's hot.

so: i'm inviting you along on another journey. we're following a polite gentleman of the wizardly inclination (loïc) who is approached by a sickly woman in dire need (ysmé). all she requests, in her plea, is an escort to guide her to the nearby temple. his decision to support her may turn out to be the most important choice he ever makes.

... have you ever enjoyed the kind of narrative that traps two people with heavily contrasting motives and personalities together in an unbreakable contract? do you like stories of absolute devotion?

i could look at this shot forever ngl

... are you compelled by immersive speculative fantasy worlds where the use and study of magic heavily influences the rhythm of people's day-to-day lives?

(really intriguing magical linguistics system going on here)

... do you ever promise too much of yourself to others, sometimes, even when it's a bad idea?

... if it was possible -- if you could -- would you abandon your humanity for the power to change your world forever?

and, whatever you may feel in your heart about the above...

do you want to see behind the eyes of a hot trans girl as she bullshits her way into a truly volatile level of power and influence and gets everything she wants?

(+ her pet dilf lovely assistant)

if even one of these elicited a "yes," i think you'll love this story.

i'll go out of a limb:

i think, if you open up your heart, you'll find yourself falling for both of the leads. It's a game that really wants you to look at it from every angle, take it apart, and ask questions about loïc, ysmé, their stories, and what they believe to be true about the world and one another. subtext -- especially the charged subtext this story throws at you and hopes you'll piece together -- is a beautiful thing.

the number of talksprites in this demo is kind of staggering

the jrpg-inspired world of the mosaic and its surroundings is as vibrant as it is profoundly lonely, color folded into every facet of its character as you move through it. appropriately, it's really invested in a lot of questions that arise not just from high fantasy as a genre, but from the modern fantasy sensibilities of jrpgs and the interrogation of what divinity even means in a world where the gods are forces you can interact with and draw power from, however indirectly.

what can i even say? that gg and toby fox's collab score for the prelude is downright heavenly and made it onto my work playlist right alongside the deltarune ost the day it came out on bandcamp? that gg's art, especially their use of light, conveys every scene with vivid beauty?

i wouldn't be posting so much of it if i didn't want to eat every CG. oh my god. he's so pretty. it's not even fair

beyond all of that, i think the game's main resonance point with people is that gg's writing is genuinely thoughtful. they use art detail and deft character writing to convey everything about the leads, using the limited time you get with it to paint layers and layers of information on who these people are and why they make the decisions they do. soulsov's roughly an-hour-and-change of text, expressive talksprites, and lush CGs is infused with so much heart and so much horror and so much intrigue that it leaves you feeling like you're a part of this world, carried along for the ride right alongside the two leads. gg clearly really adores these two, and that level of passion makes everything loïc and ysmé do shine even brighter. in spite of (or perhaps because of) all their friction and flaws, they're easy to love.

(it's really fun to read aloud as a script, too! ysmé's a hoot.)

i hope you experience it with high expectations and an open heart. i don't think it will disappoint. it is, perhaps, just a little bit magical.

i hope you see it through to the end!

[unnecessarilygrandiose]

this is something important about heartstopper that i think needs to be said, to aspec people specifically:

please be kind to isaac and the aroace representation we'll get come thursday.

aroace rep is something we get very rarely, especially on the screen. i can think of exactly two shows with aroace characters, and one of them is heartstopper. so it's not unfair of us to hope that we each get to see our experience represented in isaac.

but like. that's simply not going to happen.

isaac is one character. he can only represent one kind of experience about what being aroace entails. and every single aspec person has had a different experience with realising their identity and coming to terms with it. everyone has a different relationship with the complexities of their sexuality and labels.

and y'know, it could be disappointing to expect something from a character you thought was representing you and see them be something very different. hell, i can bet anything that at least a few aspec people will be completely disillusioned with whatever we'll get.

but 'i didn't like this' doesn't automatically mean 'it was bad'. maybe it means that 'this didn't represent me, which was sad, but it did represent some people, and it was a cornerstone in aroace representation in mainstream media as a whole, which is good.'

(i mean, i'm not saying there's a zero chance it'll be objectively bad and harmful rep, but the chance of that is extremely low, since alice is aroace themself. also, loveless is an amazing book)

i feel compelled to say this because we know that it's going to be a while before isaac is comfortable with his identity, which can be upsetting to watch because the 'you can't be happy without romance and whole without sex' is pushed pretty hard onto us on a regular basis, and there's this sort of defensiveness where we kind of want any fictional aroace characters to be immediately accepting of themself because no, we're actually very happy and completely whole without those things, thank you very much. this was the main criticism of loveless by many aspec people— that it didn't represent them because georgia struggled so much with her identity.

but. just because you personally didn't have to face that (and good for you!) doesn't mean it's not a very real experience many aroace people go through every day.

just because our first mainstream media rep of being aroace isn't an easy, feel good story, doesn't mean it's not important.

be as disappointed with isaac as you want if he doesn't represent you—but please still be kind to him. if we're too harsh in our criticism, the creators who worked on this story might feel discouraged from creating more aroace characters and stories.

more aspec rep, especially aro and aroace rep, is important! more rep means more variety! it means a greater chance of all of us finding stories we love and resonate to! but if we don't get everything we want the first time, please let's not call it bad and demotivate the very people who can give us more.

[thegreatyin]

Your posts about Fallen London are slowly tempting me into playing it- do you have any tips to start or is it best to play it completely blind?

i have a few tips and tricks! mind you im far from a veteran and i basically got my hand held by tumblr for most of the game so take everything with a grain of salt. you can and should do whatever you want always. i don't personally play it blind, but you may get more enjoyment out of it if you do, and that's awesome and im super happy for you. this is what i can say from experience:

take your time with it. this is like. the numero uno fallen london tip. it's not a game where you rush to the end in a week. it's a game where you do 10-minute-intervals of a marathon to the end in maybe a few months if you know what you're doing. spending money on action refills usually isn't worth it when you can just mosey on through neathly life one storylet at a time. a vast majority of the game's content is completely free to everyone, and while the monthly subscription options are pretty neat and let you play some exclusive story stuff (that can be pretty fire- cricket anyone basically defined the scoundrel's entire character) none of it is required and 99% of the time you aren't missing out on anything by just taking your time and exploring the neath at your own pace.

you need to raise all of your skills eventually! this is, uh. something im horribly guilty of not following myself. you can (and probably should) pick at least two stats to focus on for your character (most of the time these will be your main ambition stats, aka the closest thing FL has to a main story questline) but eventually you Will be expected to have them all at around the 100 range, minimum. for certain Super Late-game Story Content, watchful 200 is mandatory to start it, so if you have trouble choosing i'd recommend leveling that bad boy first. don't neglect your other stats though!!! don't be like me. don't be like my poor poor neglected shadowy and dangerous. it's too late for me. save yourself.

friends are fun and free and you are legally mandated to exploit them for fun and profit. okay you really aren't mandated to exploit your FL friends list but you totally should anyway just for goofy sillies. to be less jokey about it, while fallen london is primarily a single-player gaming experience, the playerbase is super friendly and super open to helping each other out (especially new players!). go on reddit, ask around on tumblr, get yourself a few buddies and use them as resources to gain items and stats and menace reduction i mean. valued companions that im sure you will treasure forever and definitely not backstab to publish that inflammatory newspaper article you've been cooking up.

on a very loosely similar note, the fallen london wiki is your best friend. yes, we're following stardew rules with this one. this is the kind of game best optimally played with a wiki article or three open in the neighboring tabs so you can follow along and know what is what. there's tons of guides on basically every part of FL, and it's no shame at all to reach out to either it or the wider community if you get stuck or feel lost at something.

if an in-game storylet has bold text, it will never lie to you! except for when it does. but that's very very very rare. you can always trust the bold text. it is always your friend. i prommy. which brings us neatly into our next bulletpoint,

seeking the name is ill-advised because it's the only storyline that can permanently brick your account at its conclusion. don't worry, the ease at which you can avoid this is practically comical, and the game will Always give you multiple chances to opt-out if you somehow accidentally start it anyway. most people make a dedicated alt character entirely for the purpose of sacrificing them to the well of doom. unless you're playing with your eyes closed for multiple months straight, you'll never run into SMEN without deliberately chasing it, and if you somehow get to that point honestly man just ignore this entire bulletpoint and see how far the rabbithole goes. go on. it's friendly :)

batfucking is always the right answer to any problem ever

echoes/the game's standard currency should always be thought of as a method of gaining items rather than a strict hoard of video game dollars. money-making can be super difficult in the earlygame, but it gets exponentially easier as you go further on. you shouldn't be afraid to sell anything you don't need, though personally i'd recommend keeping an "insurance stock" of the most basic items just in case. this includes rostygold, moon-pearls, honey droplets, etc. by-and-large, these are the easiest items to get in a pinch, and it usually isn't worth buying them from the bazaar when you can otherwise get them naturally through other methods around london. once you've got a good lodgings setup and feel decently familiar with the earlygame zones and their options, you should aim to have at minimum 1,000 of these bad boys on hand at any given time, then feel free to sell any excess you make for some quick cash in a pinch.

menaces aren't as bad as you may think, but be wary of specifically suspicion! the four main menace qualities you'll encounter in the earlygame are nightmares, wounds, scandal, and suspicion. when one of these menace stacks reach 8, you'll automatically be trapped in a unique location corresponding to whatever menace you raised too high and will have to spend time working your way out. some (nightmares and wounds) tend to fly-by rather quickly, while others (scandal and suspicion) tend to take a bit longer to get out of. none of these mean the end of your playthrough or your character, and some quests even require you to visit certain menace-exclusive locations! there are tons of items and ways to reduce menaces and keep yourself out of Situations such as these, but suspicion in particular is probably the only menace you should avoid maxing At All Costs. when your suspicion gets too high and you get sent to its special menace zone too often, you build up a criminal record that makes it harder to reduce suspicion in the future. fortunately, suspicion is the only menace with this gimmick, and before this record gets too high it's just as easy to keep row as the rest of the lot. TLDR, death from wounds is easy to escape from, but avoiding the strongarm of the law is substantially more annoying and inconvenient.

or you could be like tumblr user @with-bells-upon, who's apparently avoided death at all costs and apparently hasn't died once in the entire several months they've been playing. i don't even know how they've gotten this far without doing that. it's kind of impressive, kind of funny. especially since their ambition is one the few requiring you to die to proceed. this isn't a piece of advice i just wanted to affectionately call them out because what the heck

speaking of ambitions, pick the ambition that's right for you! ambitions are the biggest overarching questline in the game, and their requirements and rewards span the entire neath and occasionally even beyond. all four ambitions are meant to be started early and last well into the mid and late game. outside of a certain special situation regarding the light fingers ambition (the only ambition that explicitly lies to you in-game when describing its premise) you can't change your ambition without spending money, so choose carefully and choose well. they're all (mostly) equally rewarding and equally fulfilling adventures that will define your player character and your journey through the neath. there's tons of advice and spoiler-free summaries of each ambition online, so i won't cover it all here. just do your research (or don't, if you prefer) and follow your heart. maybe playing the world's most high-stake poker game ever speaks to you. maybe you want to commit a murder. maybe you want to commit a murder in the name of justice and/or revenge. maybe you just want a really really big really really shiny rock. all can be found in the neath, and all shall (eventually) be well.

if you buy 400 lucky weasels you get a special achievement. i don't need to say more.

make up a guy. this is another legal mandate if you're a fallen london player. you have to make up your own little sicko victorian london guy and roleplay them while you play. trust me. it's fun. it's free. they're going to haunt you forever. the scoundrel got a nickname like 4 months ago and ever since my mind has never known peace.

and probably most important of all, fallen london might not be the game for you, and that's okay. it includes a lot of reading. and grinding. and i do mean a lot of reading and grinding. particularly the latter, which tends to throw people off the most out of anything. it's a very niche game for a very niche audience and getting into it can be an acquired taste at the best of times. but when you do get into it, it's some Really good writing and Really in-depth worldbuilding and the most fun you'll ever have imagining sicko victorian guys running around building train stations and railway tracks directly to hell. take your time, have fun, and most important of all, always look to love.

anyway yeah that's my fallen london tips and tricks list isn't it really short and comprehendible

[bumofthewild]

my really really long rant about endwalker

i'm not kidding this is really long. spoilers ahead of course, like immediately upon entry. sorry i sound so angry the whole time

unfortunately for me and for anyone reading this, endwalker is one of those cases where i like/d so much of what happens that the many weak moments make me more critical of the whole than i would be if it was just wholly bad like stormblood, bc it's a waste of potential. a lot of the time the moments i liked would even be happening simultaneously with the things i find so problematic: cheap storytelling decisions, cheap moments that only serve as fanservice or for shock value that only detract from a characters’ pre-existing complexity, poorly done rehashing of elements from shadowbringers, a lot of hollow pseudo-intellectual arguments, rushed and underdeveloped writing in one instance and then meandering wastes of time immediately after….these issues are so consistent that rather than try to break up endwalker's story based on these things, i will just try to run thru the whole thing chronologically and hope i don't get too repetitive. that's why this isn't an essay with some pretense of structure. i'll do my best.

what's crazy to me is i thought endwalker was going to be my second favourite expansion. this was despite not caring about its original main conflict--i thought fandaniel just wasn't a compelling or even interesting villain. he comes out of nowhere. and he's also asahi so that association is hard to break away from bc i find asahi silly. and he suffers from the same writing issues zenos does, where nearly every cutscene with them did little to develop their characters further from the baseline, only reiterated what i already know bc they literally never say anything else: zenos wants to fight wol, he's bored with everything life could possibly offer, fandaniel will ensure zenos can fight wol through his towers bc he no longer plays to the tune of his unsundered masters... even though what fandaniel was promising to cause were the final days i just didn't really care. in the wake of shadowbringers the final days are like a pretty big deal, but something about reviving a catastrophe i had just finished wrapping up--i thought, naively--made bringing them back seem really thoughtless. i don't really need to see anymore final days...like how much more do i need to understand how bad it was? i mean i think shb did a pretty good job????? of making the final days seem pretty fucking bad. why not come up with something new because this is endwalker and not shadowbringers haha? the only fresh thing about this new uncooler final days was the motivation behind them. fandaniel wanting to bring about the final days bc he wants to die and thinks everything should die with him vs emet-selch's unwillingness to die no matter what bc the final days took everything from him and he needs to bring it all back. still, recontextualising the final days from a past event into a present issue ruins them to me. whatever, i thought, there's no way we're letting the final days happen so what does this matter anyways. there's no way.

so yeah post-shb into ew was starting to lose me plot-wise. not the end of the world (LOL?) though bc the atmosphere in the beginning was so subtle and fresh and rich like dew in the morning that i was willing to look past it. going to old sharlayan i liked a lot. i liked going there not as a more typical homecoming for your friends but to instead uncover the sharlayan forum's cryptic behaviour. this kind of intrigue was what i really wanted after the grandness of shadowbringers and i really do think endwalker gave me that for a while. i liked the opening scene on the ship a lot bc it felt exciting and uncertain and new, especially talking to hydaelyn. i liked how she had become such an unstable variable after originally being the most anchoring presence in the entire game: learning she's a primal, whether she's actually “good” after listening to emet-selch’s explanation of her origins and actions in shb, and the fact that her appeals to her champions have been fewer and fewer… i thought her meeting with you at the very beginning of endwalker was cool and foreboding. i also really liked the emet-selch narration btw, i thought that was a fun choice. who better to guide you into the final stages of your adventure than the person who left you with that final, most important task. i wish this had been the only callback to his character at all. 

so a big part of why i like/d endwalker so much is all that atmosphere. and something i can't really put into words. it just felt cool and cohesive at the start. old sharlayan is one of my favourite locations now; i like that despite its rigidity and (to me farcical but w/e tangent) pursuit of rationality/knowledge, there's the quaint island charm and fresh winter sea and overgrown greenery and forest paths. i liked that the game enhanced the usual hubworld tour chore by having g’raha and krile follow you around to give you more personal anecdotes of the place, really gave it a more lived-in feeling, which really added to both them and the location. i also really liked all this charm and familiarity in tandem with the secret hostility of the place bc of the forum, having to sneak around and so on, sharlayan citizens not really recognising you somehow? but being very aware of a warrior of light threat to their way of life, even if i find that non-intervention way of life silly.

i also really liked labryinthos. it's a really creative place. i liked its uncanny false sky and controlled environment, and yet all the people scrambling about inside. and the music felt kind of magical like i had encountered another fairy area or something idk it all felt very whimsical. thavnair i really liked as well but i feel like my immediate impression of the place was kind of poisoned by the stereotypes, like the huge focus on trade and the first impression being undercutting foreign tourists but then i started to really enjoy the part where you run around with matsya and help him sell fish. i liked the mundanity and slow pace of that exercise bc it felt like a much more involved way of learning about thavnair and its current issues through conversations rather than the fetch quest slog, and this is one of the things i like a lot about the beginning of endwalker. the gameplay really improved i think bc they found more creative ways of having you interact with your surroundings, rather than having the usual running between npcs to fetch things for them or other chores. like rather than doing a string of quests and then being rewarded with development of the story, the gameplay simultaneously develops the story. like turning into frogs i thought was fun, testing nidhana’s aether lamp was fun, etc. it felt like they had better ideas about how to progress the in-between parts.

thavnair quickly started to upset me though bc it started to feel like the only relevance the location had was what they could give you for your military cause, that is, the scales. like alchemy is this place’s big highlight and its just the scales the scales the scales and the tower aughhhhhh!!!!!!! the tower!!!!!!!!!! i wish they had focused on something but i guess this is just to be expected with ffxiv...any interaction with a foreign ("foreign" as far as square enix eorzea is concerned) culture really boils down to how they might bolster your military efforts, the azim steppe for eg. so it felt like my concern for an individual (matsya) and the experience firsthand trying to help him with his day to day; the idea that every single person on earth is important and shouldn't be made to suffer, and helping that single person... was like overshadowed by something more focused on a “greater good", that is, the construction of the scales to defeat the towers to save the world ad infinitum. but if you played endwalker then you would know how this idea of only concerning oneself with a "greater good" and this diluting of the importance of an individual's life for the sake of this idealistic whole causes some problems for a certain someone..................so why didn't the game focus more on these themes? probably because at the end of the day it's a video game by square enix and you need a big boss to fight or something or bc this expansion is insanely unfocused i don't know. i feel like this concept about the importance of the small things that can add up to one life and how that one life is beautiful and important crops up with the significance of weeds despite its importance overall. i don't know if i think this is one of the main underlying themes of endwalker just poorly executed so as to not even be there or if i just wish it was one of its main themes. anyways i'm getting distracted, what i mean to say is thavnair gets dehumanised throughout the entire expansion in the most horrific ways possible so i guess this was just the start

moving on... i liked the part in garlemald a lot, which i didn't expect bc i don't expect this game to handle anything regarding imperialism well. i liked that the garlemald you finally experience, after it being one of your main enemies and this very proud nation, was just this dead quiet and ruined place. the quest where you follow that girl is another eg of how the gameplay was a bit more immersive, i think it helped me feel the loneliness and the danger of the place, that i could be a danger to this girl. that i really had to try if i wanted to help her. what i didn't like was alphinaud's and alisaie’s babying attitude towards the garleans? like ok yeah of course we’re gonna have patience and grace for GARLEMALD meanwhile lyse was losing her head at the ala mhigans whenever they disagreed with her. like sure arguing won't get anywhere but it felt like the twins were reckoning with children sometimes, it was so strange. but i did like that the game didn't shy away from making the garleans just unpleasant to be around at best, and an actual danger to you at worst. it's just better to me to make them harder to reconcile with so that there's no frustrating cheap shots at redemption but rather a good, sobering look at a society that's been totally and willingly misled. and i liked that alisaie's and alphinaud's attempts to help those garlean kids ended so badly, even though i'm not usually a fan of such cruel outcomes. it felt like we were seeing a garlemald not necessarily being punished for its actions more than we were seeing a place built on shitty ideals crumble bc of those ideals. i thought jullus was a good char and helped to carry that idea of disillusionment forward. i didn't care so much about sympathising with what he'd lost, but i did find it interesting how they contrast him with the legatus he's working under, who even while the place is in ruins is still more concerned with war than providing for the people relying on him. i don't think the part in garlemald is perfect by any means, like it doesn't do anything too brave, but ig it was a lot more subtle and complex in its storytelling than i expected. and it wasn't meaninglessly cruel. like i'm glad those shock collars put on the twins were only used to gauge jullus' emotional growth or something like him not wanting to activate them rather than them actually being fucking used which would have just made me close the game and not look back.

from here on is where i struggle to lock in for the rest of the story. starting with when zenos kidnaps you in the midst of the fighting at camp broken glass--i don't think i have ever been more immediately mentally locked out of a story. endwalker is darker than usual, trapping people in fleshy towers, two young girls lying dead on the ice, tentacles erupting out of tempered garlean soldiers... and so on. and while i don't personally like things that are overly dark or cruel, it's not that i think they're bad, just that with moments like that it's a lot better imo that a point is being made or they add something to the story, and that it doesn't feel soullessly random or disrespectful. unfortunately this stops being the case for the rest of the expansion..... like something about the weird eldritch feeling of fandaniel pulling you out of your body and putting you in a random soldier's was throwing me off immensely. it felt like i was playing a different game, like so disconcerting i found it distracting, because why would he not just do this to screw you over more often? i didn't understand them having access to such an unrestrained power. at the same time it was also just too wacky to really take seriously despite the apparent gravity of what was happening. zenos inside of my bunny girl's body??? i don't even understand why they did it? to piss you off?? the duty where you play as the imperial soldier was interesting i guess but i couldn’t understand what the meaning behind being made to struggle through that experience was... like didn't we just spend all that time sympathising with the garleans and wrap that section up already? why do i now need to sympathise with/experience firsthand what its like to be a garlean footsoldier? and it annoyed me because these parts felt emotionally rich, like stumbling across those garleans fighting that machine and trying to do your best to help them; dragging yourself across the ground to get to your friends before something bad happens to them, and running towards them before zenos hurts them while in your body--i thought all of that could've been really poignant if not for the actual situation being so silly?? they could have just kept some of those ideas, wol dragging themselves across the ground for eg--the extent to which they're willing to stop harm from reaching their friends (which reminds me of what vrtra says to you about the importance of protecting your friends the first time you meet him. but that was such a one-off moment that goes nowhere... i just wish ew would pick something, anything, to be a poignant message about love on planet earth if they want nihilism to be the main villain, and just stick to it)--and do something that felt a lot more relevant to the established story thus far? just felt totally pointless

what makes this worse is this ridiculous part is iirc right after fandaniel reveals that the entity tempering all of the garleans is varis reanimated as an ancient oh-so-important primal...?? like here's (what i thought was going to be) an actually important point in the story being sidelined for a moment that just goes absolutely nowhere. they certainly made it seem important for a moment, and i think this would've rounded off what was being said about garlemald well; the garleans are so taken in by the farce of their homeland that they think varis is calling them to reclaim their country over the radio, but all along what's actually causing their nation to fall apart is this monstrous version of their late emperor. the irony would've been interesting but they just do nothing with it... (i think desecrating a dead person's corpse by turning it into a monster is really weird btw, even weirder that they do it for no reason. whatever ew is weird.) i thought, considering that this plotline was being established from before endwalker started, that anima was going to take some time. not so. ffxiv would rather have you and zenos enact tropes from a disney channel movie. you merk that guy at the end of the tower of babil and from then on every important plot point the expansion could possibly have moves at fucking mach 567472838758745745

because why all of a sudden are you getting beamed up to the moon? and fighting ZODIARK? i was so confused when asahi i mean fandaniel was punching shit into that fuckgin allagan computer like fandaniel what the fuck are you talking about... i couldn't process anything that happened here. like i'll willingly put aside boring practicalities like why anyone can breathe on the moon, but not so much how fast this all happened and how out of nowhere--is this the reason fandaniel is also amon btw? so that he can use their allagan computers to do this? bc i honestly can’t find any other reason why him being amon is relevant when they revealed that in the tower of zot...like i dont get why that's important

and it doesn't get better after this is the sad thing to me. it doesn't pick itself back up. it is just extremely unfocused right until the endwalker. i was willing to move past getting rid of zodiark so quickly because it's not that i hold standard storytelling rules so dearly in my heart that i need the biggest final boss of the entire series to get a bit more gravitas. it actually ended up being a pretty interesting decision--dispatching the largest villain at the heart of the game being the catalyst for the biggest catastrophe you've ever heard of. like i like that wol gets played. but the entire mare lamentorum section that follows is disrespectful. this expansion suffers from some extreme tonal dissonance, bc how does wol learn that the final days are now upon them and then proceed to spend their time leisurely touring the moon rabbit facility to tell them that the clothes they’ve made for humans to wear isn’t fashionable? why on god's green earth does that matter at this current juncture? this part is one of the worst story-writing sinkholes in the expansion to me, bc why are the discrepancies between what the loporrits know of humanity vs what humanity is actually like something the story chooses to grapple with? we're building an ark to save humanity, and instead of approaching this in a contemplative or emotional way, the point of conflict they choose is logistics? in the expansion about nihilism? at best this conflict was overly realistic..... mostly it's just boring, and at worst the FINAL DAYS are now upon us, so why am i taste-testing carrots? how could the sharlayans, the most focused group of people on the entire planet, have been collaborating with the loporrits for decades and not even have one of the most basic aspects of staying alive squared away? i’m supposed to not only believe that nobody knew after all that time the lopporits think people only eat carrots, but also waste time on fixing this? whyyyyy would they even devote any time to this at all when there are so many more complicated and interesting ideas that they let flounder bc they rush through them at breakneck pace constantly? we just fucking killed zodiark! is this why they stick urianger up there to do all the fixing actually? to save time offscreen? maybe that's why they chose this asinine chunk of the story to start processing his character? though why they would choose to add more to a plate they can barely balance i don't know. i don’t even feel like getting into what they did with urianger bc it will just piss me off. i think only my love for rabbits and how i will never ever not find urianger precious were stopping me from putting a hex on square enix

the following section of the story is easily the worst part to me in the entire game. like i would rather replay stormblood multiple times in a row than ever sit through the final days coming to thavnair ever again. i've already said bringing back the final days would just be bad; a disservice to the time spent on it in shadowbringers. what more is there to say on that front? nothing. and the way ew utilises the final days tells me that the answer is nothing. it just wanted to unleash the violence of that event on the non-white area and spends an insane amount of time doing it. i can think of no other time in this game where there is so much wanton death and destruction for no useful storytelling reason other than to relish in the cheap shock of witnessing violence, violence they are unwilling to inflict on its white areas, because even in garlemald you only see the aftermath of what happens rather than being in the midst of it. it was actually making me feel fatigued. it was just so much of the same thing over and over with no real meaning to any of it. and that's not to say that meaning justifies suffering, but this is a game.....with a story... first and foremost? there needs to be some kind of reason to move the story forward? but nothing new or inspired is being said, just "the final days are really bad"

i’m actually not even sure where to begin so i’ll start with a glaring issue: i hate that people turn into abominations. people “randomly” turning into monsters just feels too unwieldy--how could there be any sense whatsoever that that situation is controllable? even learning that it's caused by feelings of despair is shit because emotions are so vague, how could there be any worthwhile attempt to control your emotions, let alone while watching your loved ones turn into/be eaten by monsters? this entire part felt so wildly out of hand/unpredictable to me that every single moment onward that wasn't more or less focused on maintaining this extremealy volatile situation felt like an unforgivable lack of priorities. it was extremely distracting to have it hovering over everything; everything else felt absolutely inconsequential in comparison. bc what the fuck do you mean people are randomly turning into monsters?? also the stakes were already really high just knowing the final days were coming, so raising them that much higher felt unnecessary to the point of it being hard to believe. and then bc you know there's no way any character important to wol is going to turn into a monster, subjecting commonfolk npcs to this just feels absurdly cruel, and also just made it obvious how much of a cheap scare it all was, bc it can't have any real narrative importance as a result of only happening to random npcs. it was all so blatantly fake-deep. there was no meaning behind them originally being people except for the useless horror of it--the scions still referred to them as monsters to be put down rather than as the people they used to be, just like any other monster in this game. dynamis was more of a retroactive explanation for why people turned into monsters, rather than people turning into monsters bolstering any understanding of dynamis. in shb the sin eaters had some method to them that made them more believable. you fight them throughout the story rather than them just being dropped on you midway through, they helped provide a picture of what kind of world the first was, they were emotional diving boards for characters like alisaie to develop personal goals and so on and so forth... the horror of the sin eaters had a narrative purpose. in endwalker it feels like they didn’t know what to do but wanted to replicate parts of shadowbringers, but didn't know why those parts worked so well bc they're too obsessed with trying to shock their audience. this part just sucked beyond description.

and it just continues to get worse. how can you be the one writing the parametres of a situation and you create something that's literally unmanageable, so that when its only manageable bc you need it to be, it's just so obviously shit writing? my sister described endwalker's writing as really contrived, like when they need something to happen (and that thing is often a really bad idea) they just shove it in there at the cost of keeping their characters in character, or having their story threads--both the interesting ones and the stupid ones--fall totally flat. she says they shortcut the writing. and it's true. for eg, the characters literally don't feel like themselves at times, or get utilised in really moronic ways. like when wol just watches the satrap die, another cheap scare btw he literally gets grabbed an eaten in a way my sis (i was ranting to her a lot about this game ok) described as straight from attack on titan. just gets grabbed and eaten. and this happens to him for such asinine reasons: 1. so that this random asf plot point of vrtra revealing himself as the true satrap can bear fruit. for some fucking reason. i struggle to understand why this is important at all but i guess it's yet another little sideplot that ew just can't seem to resist adding to its already towering plate at the plot buffet, like whatever is going on with urianger and moenbryda's parents/the loporrits, or zenos who now spends most of his time offscreen, or the twins and their father, etc, bc ew likes to waste time 2. so that g'raha (???????????????????????) out of fucking nowhere can have a big boy moment and direct the scions and the people of thavnair in their time of need. what on earth was that scene supposed to be? fanservice? a reminder that g'raha was a leader back in the first? which blows my mind bc mere moments before he had a scene i really enjoyed despite the circumstances, where after a man witnesses his son get turned into a beast and then stepped on by another beast because endwalker is literally jacking itself off to suffering and expects me to be doing the same... g’raha goes up to this man and stops him from panicking and turning into a monster himself. while i don't think any of this should be happening, i thought it was a nice take on his character to have a more sensitive moment in such a harrowing situation. i don't know, have a character demonstrate some emotional skills instead of the usual fighting ones. ofc all of this i thought mere moments before disaster. why was any of this necessary? literally why not just have the satrap, i don't know, take charge of his country when he's needed most, even if he's only been a figurehead the whole time? why let him go out so horribly when he obvious loves his people with his whole heart just so that vrtra can step in without any sort of conflict? i don't understand the focus on vrtra at all

and it actually just keeps getting worse.. the following part where you have to find matsya's friends at palaka's stand was awful. the friends have a newborn baby, so it's obvious that only that baby is surviving bc ew is convinced you don't know how harsh the world is yet. that must be why this part is so long? i'm repeating myself but so many other things that shouldn't be rushed get rushed, only for ew to devote a lot of time to sections like this where nothing changes or develops except for compounding how bad it all feels. i think it was at this point actually, that i realised endwalker actually had some underlying point it was trying to make. it would've been impossible not to realise bc of how heavy-handed it is. i'm not even going to try and paraphrase bc it was so random the way it was introduced i thought i had missed some lines of dialogue or something when it happened:

the suddenness of this felt like when a writer forsakes trying to show what a story is about and instead opts to speak to their audience directly through poorly disguised self-inserts. like i know things are bad right now guys, but the preaching tone of this is jarring. like maybe if you spent some time trying to develop your themes you wouldn't have to be doing this endwalker. i know you need your final villain to literally parrot these ideas for the rest of the game, but if this was supposed to be such a core point of the story why wait all the way until now to just beat me over the head with it? was watching a child be crushed underfoot supposed to make elderly man of palaka using the phrase "at journey's end" seem profound?

anyways then you go and try to save matsya’s friend (the mother bc the father has now died, of course). this leads us to another forced decision that doesn’t make any sense: alisaie and alphinaud fail to kill a single abomination--just the one solitary abomination that was stalking the poor woman--so that we can see it fling her into the water and her corpse dangling on the surface. in what fucking world do alisaie and alphinaud, who have single-handedly dispatched numerous abominations prior to reaching this point, fail to kill just one of them between the two of them in a way reminiscent of a cartoon, one being knocked into the other and them both falling over? how is that fucking possible? and then to somehow make things worse, because that's still possible, despite the fact that wol spends this entire segment in palaka’s stand being told by alisaie and alphinaud not to leave matsya alone because he can’t fend for himself, the twins suggest sending him back on his own to deliver the baby to palaka's stand? why??????????????????????????????

this is what i mean when i say the characters get used in the most bullshit ways for the most bullshit reasons. it's like the game needs as much suffering as possible to happen so that it can make a worthwhile point on this later on (spoiler: it doesn't) so it pulls shit like this. why would the twins, who we just watched try to spoonfeed the garleans cereleum straight from the tank, leave matsya on his own if not solely bc the story needs the doomerism of the Resolute Citizen to ring true? and this is also what i mean when i say the scions try to manage a disaster that is just not manageable, bc they for some reason believe that bc they've taken care of the abominations they saw in the area, that means the area is safe enough for matsya to go back on his own? like are we just suddenly pretending the nature of these creatures doesn't imply that anyone can turn into one at any moment? everyone is ALWAYS in danger? we're just going to mill around while matsya weathers the most potent fear of his life running back to the village on his own, with the baby of his friends who just died moments before, while we all know that extremely negative emotions cause people to turn into the monsters? why are we doing this after we just went to so much trouble keeping people safe (or failing to, really)? forget turning into monsters for a sec, why are we even letting him experience such painful emotions at all? anyways the fucking baby starts turning into a monster because this is endwalker.. but i will say that matsya running and chanting that little piece up there about how life is suffering to try and convince me it's true calm himself down was one of the cutscenes i liked the most from this entire part, maybe endwalker in general. it was another one of those emotionally poignant and well-executed moments that just suffers from how much i wish it was happening under totally different circumstances. i don't even remember why one of us doesn’t go with him, like i don't remember what we were busy doing bc it was that unimportant--no wait, i remember! we were waiting for matsya to reach the total end of his rope so that when all things seem lost, when those monsters obviously show up on his path back to the village out of nowhere like they've been doing the past painstaking quest after quest of this entire part, estinien and vrtra can get this really cool moment of jumping into save him! it all makes so much sense now. i've never seen estinien do anything really cool before like diving down from the sky with his lance, so i understand how this was a really important moment that the game needed to make happen. also how vrtra really needs to prove to the people he can be a good satrap bc ahewann just died and all. yeah, i totally get it. perfect. just great. 

what is the message behind despair turning you into a monster? we're about to get into it with meteion and try to convince her she's wrong--come out championing the idea that suffering is just one of the many aspects of life we need to accept, and yet we're going to preface that with a part where to feel despair is bad? you get punished if you do it? honestly?

whatever. elpis...we go here because we need to learn about the elpis flower. i'm thinking we're definitely just going to ask the watcher, right? like the guy on the moon who told us the name of the flower in the first place? and time is of the fucking essence here, so surely we just go back to the watcher and ask him what we need to know and come back? wrong. we're going back to the first. to talk to elidibus. i thought we killed elidibus? does nobody truly die in this game except for my favourite character? so wol gets sent back to the first, and there's this upbeat tonally dissonant little section where you catch up with some old friends like beq lugg and those kids you helped back in shb bc now is just the perfect time for pleasantries and remembering how good shadowbringers was. ew trying to relive shadowbringers was already something i was feeling out in thavnair fighting leagues of "terminus" creatures and not "forgiven" ones, and watching the carefully constructed horror and gravity of the final days get reduced to an average apocalyptic shitshow. so i can't say i appreciated this part. also people are indiscriminately turning into monsters. i can't help but have that hang over everything constantly until the end of the expansion.

anyways we go to the crystal tower and drag out elidibus even though i personally prefer when characters have their final moments and are properly laid to rest. like i hate to not only beat a dead horse but also reanimate said horse and then drag its corpse around. well fuck what i want. so elidibus willingly does this favour for us i guess and sends us to the past somehow with some useless warnings about how we won't be able to interact with our surroundings or change the past. i say useless because the former is just untrue, i'm not sure why he bothered to say it. the moment we step foot on elpis you get a nice gift of aether from emet-selch that renders you tangible and now you can proceed to live love laugh with him and hythlodaeus on elpis even though people are indiscriminately dying back home. and the latter warning, well. i don't know, that just seemed obvious. i'm kind of just a hater.

time to be positive again for a short moment, if you can believe it? emet-selch is one of my favourite characters. i enjoyed this new light cast on him...for a short while. i like his relationship with hythlodaeus and i really like hythlodaeus; i’m really fond of the faceless simulacrum version of him you meet in shb and i'm really fond of him now. learning about the unsundered world in person rather than through hearsay was interesting, and although i can't lie and say i don't think this all kind of felt like a huge tangent despite the important aspects of the plot that come out of it, i still like it. i guess it feels this way because a lot of big plot points have already been established, like the ark on the moon and the sharlayans' involvement and the final days, so this was all kind of too big to me to be coming this late into the story. it doesn't feel all that relevant to prior parts of the expansion either except for hermes, who has been poorly developed throughout, so okay, i get it. it's time to give one of the main villains some depth (i want you to guess if this is successful or not). hermes has a lot of qualities i really like. has a child, secretly nurturing a potent sadness, thinks differently from the world around him because at his core he’s too deeply empathetic…. even though i was still largely aware of the insanity happening back at home which i'm going to keep repeating, i still enjoyed elpis At The Start. the exposition of this part was easily better than its resolution. it was taking the time to develop hermes’ character so that you could see if the game was written well anyhow how he became the fandaniel of the present. i really liked his relationship with meteion too. it's getting hard to talk about what i like without simultaneously talking about what i don't like so i'm going back to criticising now, positivity over, sorry....

personally, i’d have been totally fine without any more development to emet-selch’s character. i think it was nice to see a fresh perspective on him and all, really rounds out who he is from what you know and what he talks about in shadowbringers. and i actually like a lot of the things he said throughout, not all of it, but a good amount of it was fun and sorely needed whenever hermes was being annoying, which was often. but there was a lot of times wehere i thought, i don't really need to be hanging out with emet-selch right now? i don't need my wol and emet-selch to be friends? considering who he is....? .............and what's going on back home? how many more moments showing how endearingly prickly he is do i need to see? like sure, i can enjoy this emet-selch fest in isolation of what's going on because me love emet-selch like it's not like i think these moments are bad or anything but i don't know, don't we have other things to be doing? i'm not diametrically opposed to fanservice, i like when things are kept fresh and lighthearted. but. well you know by now. about the people turning into monsters. i guess i just both enjoyed this part and wished it happened under different circumstances or in a different way or something, or maybe not at all, bc as things progress his character just gets more and more diluted.

i actually really liked meteion. i will say i’m really tired of non-human, overly childish girl children creature characters who become villains, because i think there's this concept where…idk how to say it? i wish i could find something that talks about this more... it's like the dehumanisation involved when non-binary characters or non-white characters are often not human (not that these things are done in the same way). but i feel like women or females ig are often the ones chosen to be non-human in this particular way...? like, when emotional labour is involved. or when it needs to be some taboo evil entity. it's like a guy and his part-animal female second lead or part-alien love interest or female-voiced ai system or android or abandoned girl he finds/rescues. it's kind of like the born sexy yesterday trope but without the blatant sexuality (i don't want to go on a tangent). quite often this weird quirky alien and playful girl child is a harbinger of destruction. take drakengard, for example, or fire emblem engage, or cc from code geass iirc, or veronica from fire emblem heroes.. there's apparently something about childishness and girlishness and innocence and corrupting that innocence or being fooled by that innocence that seems to incite fear of the unknown enough in people for villainous children to be a trope in general regardless of gender, but it was just something i was thinking about in regards to meteion's character, especially when she becomes evil. and this blurry line between her as a "being" with a consciousness and free well as GIVEN to her by hermes, and her as a "tool" to be used by him as well, doesn't really get addressed in any meaningful way at all. like sure, she doesn't need to eat but she can still enjoy candy apples and flowers, and can empathise bc often of her own volition she wants to cheer hermes up, but actually her ability to empathise is programmed; so let's send send her, this highly empathetic being (with consciousness and free will and tastes and personality) into the cold expanse of space for as long as it takes for hermes to find his answer, that's totally fine. why did he make it a girl? why couldn't they address the fact that the loneliest bastard in this entire game made himself a child? like i'm not saying there needs to be clear-cut definitions on what meteion is or why she or hermes take certain actions, but it feels like a lot of things regarding their characters are really complex and implied to be really deep, and then just don't go anywhere or are completely ignored or unexplained? and because these things are so present yet passed over, it leaves me genuinely confused about most of what happens on elpis and how these two specifically reach any of the conclusions they do once things start going south

like i thought what she and hermes were going to add to the story was going to be a lot more interesting and complex than what it turned out to be.....a banal mantra on the "mercy" of nihilism. i can barely reconcile what bothers hermes in the first place with what meteion concludes from her sisters' expeditions, like they almost feel irrelevant to each other. he's upset over man's lording over who deserves to live and the callousness of making and unmaking life. he feels sadder about the coming death of his friend than the average ancient, and doesn't want to accept meaningless platitudes about dying for the good of the star. ok, i agree with that. so he wants to know what meaning there is to life, if it can be so easily judged and discarded...? okay. so his answer is to....secretly create creatures without any of the rigourous testing they usually go through to prevent them from being dangerous, and then send them on a potentially dangerous and traumatising mission to answer his vague philosophical questions? like.......? so when she reports back traumatised and tells him every single society out there is suffering (which i just find so unbelievable btw), then the answer to his question must be that suffering is the meaning of life--which she figures bc she's an entelechy so i imagine she's highly susceptible to her emotional surroundings, and because his pseudo-intellectual question is so poorly framed (something only emet-selch points out in a throwaway line btw). and this alone spurs him on to allowing meteion to unmake their entire society in the most violent way conceivable? you literally tell him that the final days are coming as a result of his actions, but he's fine with it because he'd rather that than enact some policy changes at his workplace, or talking to someone? everyone seemed to listen and respect his decision when he suggested helping that creature learn to fly instead of just killing it, i'm sure he could've talked it out? isn't he in charge of the place? this entire section was so hard for me to follow bc i kept thinking something more complex was making everyone behave the way they were, when it was actually just totally senseless.

as an aside, i hate how they chose to make the way meteion reports information so cooly technological btw, it felt not only anachronistic but corny. i’m sure there's a better way to have her impartially report things without making her sound like she's reporting weather conditions on some distant planet in star trek. anyways, when you frantically search for meteion after she receives her transmission was another part that took up a lot of time for no reason. it just made everything feel so dire when i could barely understand why any of what was going on was such a big deal. and i’ll never be one to say that any bureau of anything should “detain” anyone, but why hermes was so frantic to prevent meteion from being brought to the convocation i just don't know. like he goes on the run with her so that he can hear the end of her report? is that really it? i just find it hypocritical that he doesn't want her to be sent to the convocation where they'll limit her free will or fucking whatever but he's totally fine with ordering the meteia into space? why am i being made to guess what the convocation is going to do to meteion when hermes is making it seem like such a big deal?? what fucking sense does that make? what on earth was he afraid of? their judgment? the convocation members deciding whether meteion is good for the star or not? could they not have just reasoned this out? aren’t they a "highly advanced" and "reasonable" society? like okay he sees through the veil of his utopian home but i just did not get a sense of how much it was bothering him at all, like i cannot stress enough how him going turbo feels like an insane jump from what his problems seemingly were. why did nobody stop to think this through or communicate to each other? is it because of the bullshit time paradox this game has trapped us in so that nothing we do will amount to anything anyways so we might as well make the most confused villain of all time be responsible for the biggest event in this game's history?

but it annoys me because meteion and hermes felt like such a waste of potential, maybe the biggest waste to me in the entire expansion. i was really intrigued by their wholesome relationship at the start, knowing that hermes was a main villain. and that he can't find connection or meaning in an otherwise "perfect" society, so he has to create it for himself and try to find it elsewhere, as far as the reaches of outer space... he wants to make what's hurting him stop hurting him. i like that he approaches such human desires with meteion despite her non-humanness, and that she can return those feelings to him. he wants to signify meteion’s return with a flower because they both like flowers… like those things we can’t put into words but share with others, moments, emotions, connections……..but nope. nihilism beam. it feels like the worst sort of retroactive writing ever. they didn't even think too hard about dynamis--this hugely important thing, except nobody has ever heard of it, aside from nidhana back at home? while members of the highest office in the most advanced society earth has ever had are left squinting.

and the entire section after you fight hermes just pissed me off. we kicked his ass so that we could stop him from inciting meteion any further, and yet we just let him hear her out anyways? he's yelling at you during the entire dungeon that he just wants the time to hear her out, we're chasing after him so that we can stop him from doing that, and then we just let him hear her out anyways? and then even when we do that she doesn’t even say anything different? she just goes right back to reporting on different worlds and how self-destructive they are and That's All She Really Proceeds To Say For The Rest Of The Expansion But Fucking Who Cares Anymore. so we let her repeat herself. this sends her into a spiral, because she's an entelechy who just got hit by a high frequency nihilism beam, but subjecting her to all that despair is only ever addressed by one of the scions in a throwaway line near the very end of the story in ultima thule... and then hermes...captures venat, emet-selch and hythlodaeus??? he captures two of the strongest characters in the game? did we not just kick hermes’ ass??? what is going on?

emet-selch: that's bullshit, and you know it's bullshit

hermes: *says more bullshit*

i really think hermes might be one of the worst villains in the game. it's a shame bc i think he's such an interesting character. i'm not sure why he started behaving like such an incel when he was right to be troubled by the things he was? why did they even bother have wol relate to him over experiencing sadness from loss if that just went totally nowhere? why does he behave so hypocritically? being saddened by loss leads to him setting the stage for the final days? him hating man's jurisdiction over other lives leads to him wiping emet-selch's and hythlodaeus' memories, and subjecting the entire planet to the worst test ever? he's not even morally grey or anything! just annoying! i saw someone say that it's even worse that he wants the ancients to prove that their life is meaningful to them, bc it's true, they do??? like isn't that what venat interrupts them from doing in the answers cutscene, calling back for that lost life? isn't that what you learn in shadowbringers? didn't an entire half of their population sacrifice themselves so that the other half could live? what the fuck else did they need to prove?

this part was pissing me off even more because i never even wanted hythlodaeus or emet-selch to learn about where wol came from or about the final days coming in the first place. i thought that was an awful writing decision. telling them just felt weirdly cruel to me considering elidibus explicitly told you there was nothing you could do to change it. maybe this is just my opinion, but why would anybody want to know that their planet is going to go up in flames and there is nothing they can do to stop it? telling venat i was like sure, she becomes hydaeyln so this makes a little more sense to me, but the other two…….? this is around when i was getting tired of the emet-selch cameo, because i don't really care to know what he thinks of his future self? i couldn't really understand what the point of any of that was? so it annoyed me even further that it amounts to nothing anyways when they get their minds conveniently erased. it felt like a fucking joke. why did we revive these characters, develop them, and then just treat them like tools...? like now that we're done using their powers and creation magicks--i thought, naively--we just toss them aside? like ohhhhh noooooo now they won't remember all the fun we had on elpis this is so sad......but at least before he got his memories wiped emet-selch, even though he definitely totally doesn't believe a fucking word i say, renews his shb vows to wol and leaves the future in my hands again? yeah, i totally wanted to hear him say that a second time. forget how deeply affecting and important a moment that was at the end of shadowbringers. i really needed to see him do that one more time in this shittier, more contrived context. that's really what i needed from endwalker. also i've been on reddit reading what people have to say about endwalker out of curiosity (ppl make a lot of good points that i haven't) and someone pointed out that moments before all this happens venat literally pulls memories from the aether around you so that we can watch hermes send the meteia to space. what on earth is stopping anyone from doing that for hermes, hythlodaeus, and emet-selch? but whatever, i already know the writing doesn't care how silly it is anymore. two of the strongest ancients get bound by a weakened hermes, only break out after the story conveniently needed meteion to start flying into space, and then venats lets her escape somehow even though doing so essentially dooms their entire planet. ok

so we’re back home and we have to go immediately help the thavnarians who are being punished for not being white again. the sharlayans were going to bring them to the teleporter to the moon in garlemald to start getting them on the moon, but oops, the final days have come to garlemald, so now we can't use the teleporter, so if you're thavnarian your life sucks. who saw that coming? absolute waste of time. so then we have to get rid of more beasts because we need to waste even more time doing something we already spent an agonising amount of time doing in thavnair. and then immediately after this we need to......wrap up yet another asinine plot thread endwalker is so obssesed with adding to it's already convoluted story: fourchenault excommunicating his children...? it seemed really important when he did this in post-shb, but materially nothing for alphinaud or alisaie really changed, everyone still gets into sharlayan no problem. ultimately i just didn’t really know why they chose to pursue this mini-plot at all because how many more pushes does alphinaud (i'm saying alphinaud bc he does not share that spotlight with alisaie lmfao) need to become resolute in his goals? he already does this throughout the series? they ruined arenvald's legs in post-shb so that alphinaud could become more resolute in his goals, why keep dedicating time to this? just keep juggling endwalker, just keep juggling. anyways we’re in garlemald, we calm the final days for now, zenos shows up out of nowhere to remind us he’s still in the game. and to be fair to him that was one of the most interesting cutscenes he’s had the whole time, and, get this--they have him randomly answer hermes' question? about the meaning of life? while talking to jullus? like jullus gets mad at him for not giving a fuck about causing what happened to garlemald, and zenos responds by saying: "ask any creature of this star and those above for answers, and they will tell you what suits their fancy. and they would be right to do so. what meaning there is to be found in the petty vicissitudes of your existence must be gleaned by you and you alone." like......? he just provides the answer right there in a conversation with jullus? did this expansion have any interest at all in putting any of its different parts in conversation with each other, or are we supposed to just try and build a good story like a puzzle, where the pieces, albeit interesting, don't actually fit together? weren't zenos and fandaniel working together at the beginning of the expansion? he should have just posed this question to zenos because the answer was apparently right fucking there, with the flattest character in the entire game, this whole time? whatever, i still liked this scene. alisaie putting a curse on zenos was very cool of her. so we're back in garlemald and....….tonal dissonance! puddingway shows up. cute scene where g’raha’s ears perk up also bc he's the one who hears the loporrits coming. just in case you forgot about g’raha, which is an oxymoron. and then maybe the second worst segment of endwalker...........we go back to labryinthos. 

now i love labryinthos. i thought it was interesting we only collected one aetheryte the first time we were there, and i was hoping the place would be as intriguing to me as it first was when we got back. admittedly learning that the sharlayans' secrecy only amounted to contributing to the moon project was kind of a let down, but i thought maybe there was still more to it. i mean, an ark to the moon? the abandonment of one's home planet? it's not like the ideas aren't there. let's go back to elpis for a second. one of the moments that really stood out to me during that part was a throwaway line that emet-selch says to wol after hermes starts freaking it:

he's right. i don't think hermes found society so truly beyond help that he couldn't turn to any one of his peers for help before devising such a reckless plan. but i'm not trying to rehash my issues with hermes, more that i think an interesting parallel could have been made, possibly, with the ark flying to the moon as currenlty the most viable solution to the final days problem? challenging this notion of just throwing it all away as a last resort? especially because it's so obvious to me that by the end of this expansion nobody is actually going into space to start a new life out there; trying to sort out living accomodations and acquaint the lopporits properly with earth is just a waste of time. so why not pose the underlying question of the entire expansion, about what makes life meaningful, to the last bastion of hope in the entire universe--the sole planet amongst millions of dead stars that still believes in itself? would it not just be free real estate to try and connect this story's multiple parts together by ...connecting this story's multiple parts together? the scions say repeatedly how much they'd prefer to protect their planet rather than leave it, and everyone on earth vouches for you because they don't want to leave, either. could they not have made a connection in some way between that ark and the meteia's voyage to outer space? could the writing not have turned around and asked the actual inhabtants of the planet of that we've helped and saved and laughed with and broken bread with or whatever the fuck what they think about the meaning of life, now that they have to leave that life behind? i guess fucking not??? i guess endwalker would rather only highlight civilians when they're being turned into abominations to drive home the same points about life = suffering constantly, and not the points about how despite the suffering life needs to be lived? because they don't actually seem to care about challenging meteion's nihilism when that can just be lazily solved by beating her up at the end. hermes could have been learning to love the world he was on, the smaller things that make it beautiful. because that's what he does, he creates this creature that is built to understand him, and it does and it shares these small joys with him. but nope, time to waste time doing fetch quests in labryinthos. find every single researcher who is obviously losing their mind with stress in labryinthos and give them their government-assigned lopporit while this hectic music with only one minute's worth of loop value plays in the background. go and deliver these papers with alisaie and alphinaud bc if you do a former friend of their father’s will tell them that their father actually loves them duh that’s why he disrespects them publicly every chance he gets. go follow one of the lopporits around while they sample fruits so that they can learn to make food other than carrots. go and watch urianger reconcile with moenbryda's parents even though she died all the way back in a realm reborn. fuck you. also everyone is still just a bad day away from turning into an abomination. just in case you forgot.

that shit where asahi shows up to take fandaniel away for the final time might be top three most bizarre scenes in all of final fantasy fourteen btw. i almost didn't want to mention it, but i need it on record how silly i thought that was. we are in the final stages of this expansion and it still can't stop wasting time. did we see ardbert's thoughts on elidibus using his body? no. but asahi was who they chose to get upset about this? ok.

i liked the trial against mother. you might have noticed i've had very little to say on venat this whole time. that might just have to be its own post or something if nobody is sick of me by now. but anything to do with working together with your friends to overcome a trial is good.

that's what i liked about ultima thule. at the same time, this is where the game finally just loses me forever. i think, somehow, even despite all the things i didn't like, the way the story is told i still enjoyed, even if what it was saying was often. bad. there's still a lot of moments i really liked despite it all. but after ultima thule i was just done. we get on the ark. great. i like that things don't go as planned because meteion intercepts our ship. but now meteion is finally here, which means it's finally time for me to reckon with the pseudo-intellectual nihilism she's been touting every chance she gets. it's hard for me to suspend my disbelief that every single society out in space wanted oblivion, but if that's what endwalker wants me to believe for the sake of its story making sense (oxymoron) then fine. ok. but that's all that's ever said. "life is suffering" "life is suffering" "the final days are really bad"

just the same pseudo-intellectual browbeating about how living just leads to constant strife and the most beautiful thing to do is to just end it all for everyone ever again. like sure, empath hears death cry repeatedly--i can see how meteion could change so permanently. i think that's fine. i doubt that's why she's so repetitive. i genuinely just 't think there's nothing anyone really had to say on this. and the thing is, we've heard this argument before? the idea that humanity is imperfect so they don't deserve to live? it will all amount to nothing, so why let it continue to exist? these are major points of conflict from shadowbringers because it's what emet-selch was always saying. the difference is that emet-selch is just an easily more interesting and fleshed out character whose arguments are largely more complicated, even if they're just as morally wrong. like it's extremely easy for me to answer whatever meteion is saying with a resounding no. and while i feel that emet-selch can also be easily disagreed with on what he believes, bc i do disagree--he at least introduces ideas that complicate the story and his own character. he challenges the scions on their hatred of primals--their god is a primal. he offers visions of a world where nobody has to struggle ever again, where strife doesn't exist, and so on and so forth. while that doesn’t justify his actions, nor do i think they should, i think he at least gives the characters something to think about. he throws their own actions back at them. why would the scions not want a world without suffering? when emet-selch asks alphinaud if he believes half of the sundered world would give up half of their number to save the other half, alphinaud is unable to answer because he knows that the answer is no. i don't think humanity should be tested, let alone with such an insane standard, but i at least think that the questions being asked in shadowbringers were interesting. there's a point to them. with meteion, all she basically says to the scions is that she’s going to fucking kill everyone they know and love in the worst way possible. nothing to chew on that wouldn't better be solved by just getting rid of the threat. i don't know why they even bother arguing with her ever. she doesn't even feel like a character to me in that last section of the game. and they keep trying to have her seem all scary by having her get really close to the screen or move around without warning which is all very silly to me. i at least did like how much of a threat she was, and the way thancred vanished, and then everyone finds themselves in that dark area in front of the ship wondering where he is while the ultima thule music plays for the first time, distantly and quietly. i actually really liked that part. i thought it was really moving. i wish it had stayed that way.

the first area of ultima thule was the best part imo. i liked the immense darkness and quiet and lack of wind and the foul air and  yet, green grass. i liked the strange horror of being the only person at first who could really see the dragons, and then learning that estinien can see them too. i liked how that was the segue for his sacrifice. having those "final" moments with a specific scion each time until that climactic moment that pushes the group forward i really liked. i liked that thancred was no longer with them but still with them, a presence over them keeping them safe from harm. i found that very touching. but i was actually really confused while going through ultima thule becuase of how they visually shows what happens, like while the swirling vortex each scion would stand in was cool, and then standing to face off against that dark bird, i think what those things actually represented i just did not really understand what was actually being done or going on. i think that might be because dynamis suffers a bit from being just too nebulous or underdeveloped. i don't mind how abstract of a concept it is, i mean aether is used to do all sorts of never-explained things all the time.. it's more like... if ultima thule is going to be a place ruled by emotions, with laws different from what the scions are used to, it's hard for me to see how they were able to really draw any conclusions about where they were or what to do. it actually kind of reminded me of the logic of jojo's bizarre adventure where an attack only overrules another attack not becuase of some fundamental power scale the reader understands, but bc of what araki feels like contriving to get the story moving the way he wants. and that's fine because it's jojo. but this is ffxiv, so in my mind ultima thule should have either remained abstract and they don't try to explain the rules of the place so much, or they should’ve just made what was going on less abstract if they were going to try to logic the place out

what i mean is: the scene where estinien argues with that dragon so that he can overcome its despair is really cool. i liked that he turned into a cool wind. i liked that your friends sacrificed themselves for the sake of their home, that the power of their hopes for wol to overcome this final challenge was the only way they could move forward in such a stagnant place, as well as the only way they could be protected by meteion's violence. but after estinien does it--and he admits that he doesn't know how, just that it was the right thing to do--it feels like the writing immediately tries to specify what's going on so that there's some easy way forward the scions just have to follow the rulebook for, so that they can get to meteion. when urianger takes wol and g'raha aside i was actually just so lost. i don't know what it was i wasn't getting. i still don't. like to kind of say that there’s always one "individual" in these fake worlds who is despairing more than the others that can be located if they just identify a certain set of behaviours... this kind of just waters down what the scions are doing and the magic of being at the universe's end or w/e to me. we use language because of our inability otherwise to really express the depth of emotions and sensations that exist in this world, not the other way around--trying to box in something so complex through things like processes and so on...so to try and narrow down this part kind of rung a bit hollow to me. it was somehow both overexplained and underexplained at the same time. this might seem kind of nitpicky but i guess it was just hard for me to enjoy ultima thule when i was genuinely confused almost the whole way throughout. and bc the ea and the omicrons were so goddamn annoying. trying to do this slapdash learning about their societies at the very end of the game was just like...? okay? why bother, all they really care about is dying anyways. and then that final dungeon, ew's final attempt at replicating the wins of shadowbringers (the amaurot dungeon) with meteion's voice over. like who cares now meteion, you are somehow still just repeating yourself. endwalker is almost at it's end girl, i get it. everyone wants to die.

where i actually started to get annoyed though was where y'shtola says in no uncertain terms not to use the retcon crystal hydaelyn gave you to call their spirits back. y'shtola, you shouldn't have bothered, because you know wol is going to do absolutely that. why even have her say it? there is no sense of risk whatsoever because that crystal is involved. i still liked the sacrificing, but maybe they should have framed it in a way where it wasn't obvious that the scions were going to be totally fine. ew literally didn't seem ballsy enough to kill all of the scions, and i don't think it should've either. but then it just makes this all very wishy-washy. and even worse was when wol used it to summon HYTHLODAEUS AND EMET-SELCH!!!!!!!!!!!!!!!!!!!!!! WHY!!!!!!!! WHYYYYYYYYYYYY?????????????? i was so annoyed. i'm still annoyed. back when their memories got wiped hythlodaeus was like oh yeah by the way emet did you know that in the aetherial sea you can get your memories back haha? and i was like okay cool so when they die they can get their memories back, whatever, still don't think me and emet-selch should've been live love laughing on elpis. i didn’t actually think this game would be so juvenile as to let you get to meet them once more with their memories fully intact. i don't know why ew has to dot every i and cross every t and sign off every single bit of intrigue with the biggest fucking full stop The End ever where emet-selch is concerned, holy fuck man. i hated this decision so much. your friends SACRIFICE THEMSELVES so that WOL can face meteion. they believe that at the very end of everything, hydaelyn believes that at the very end of everything, WOL is the one who can defeat meteion. they all put so much faith in you. and the first thing you do is summon emet-selch and hythlodaeus because what? because you just can't fucking help yourself? just shit all over the importance of carrying your friends’ beliefs in you. christ i hated that. i loved seeing the elpis flowers grow all over that fake sun. why couldn't that have been wol who grew them, wol's turn to use dynamis to overcome meteion's despair, flowers that represent the hopes every single person on earth has placed in them to see their star to safety? why? emet-selch there for what? to set in stone his position as the Tsundere once and for all? is that it? to have him renew his vows to wol for the millionth time just in case you forgot that he wants you to take up the mantle of their future? i wish they would go back to never making emet-selch palatable and less hostile to the warrior of light, it feels like such a disservice to the character he was in shadowbringers and to just their characters in general like i do not want to be canon friends with emet-selch! it's not necessary! it's fucking emet-selch! what's even worse is that for some reason while the flowers are growing, emet-selch is just point blank explaining what's going on. he literally says something like, "these flowers are the hopes of everyone meteion you're washed. by the way, if you didn't catch that, wol. you can summon your friends back now." immersion gone. any sense of playing a game that actually gives a fuck gone. so we call our friends back, only to send them away again with the teleporter because meteion is just too strong for us. to be fair i liked that decision, but why fake me out a second time having me think yes, finally wol is going to face meteion ON HER OWN. and then have ZENOS show up? i actually just stopped playing and went to bed. genuinelly just fuck me. who fucking cares anymore.

and then after you finally get meteion to stop being emo and she offers to reconcile with you by sending you safely back to your friends it's like, actually i can't even accept this meteoin. because i have to go fight zenos now. and then it's crazy to me that after you kick zenos' ass for like the millionth time, we're literally on the edge of the world so i'm finally expecting him to say something worth listening to, he opens his mouth and says "you know, wol, this whole time... i've been so bored... and the only thing that gives me joy is fighting you...” like. stuck record. the writers dragged him all the way out here to be a stuck fucking record

i like endwalker btw. kind of. like i know nobody who reads this is going to believe me but i really do. if it had just, well. i don't even know. there's too much wrong with it. it wastes too much time and just doesn't seem to be able to let go. how is it possible that an expansion can make me tired of callbacks to haurchefant being important to wol? i've never felt that before. like how many more flashbacks to his grave does one need to have to know that when wol is fighting for their world they're fighting for their friends too. but this game just cannot let things go. it NEEDS to make that joke about alphinaud gathering firewood four more times. it makes anything i appreciated the second or maybe even the third time just upset me. they can't let anything go, they have to wave it in front of me like it's a dog treat and i'm a dog. a fucking dog with blonde hair and blue eyes

[migmiy0221]

Hello, MigMiy.

I'm sorry to interrupt your day, but it is important: I'm asking you to not ship Billie with Barnaby.

I'm sure you mean well, so I'm telling you this with informative means.

Shipping a 15 year old AroAce character with a homoromantic and genderfluid 100+ old ghost is considered problematic.

For one thing it's a minor being shipped with a dead adult, which is many kinds of uncomfortable, to put it mildly.

And the other is, you're working with characters that reflect the personal lives of the devs, and they have expressed discomfort when it came to change their characters' identities for shipping purposes, ESPECIALLY when it comes to Billie, who reflects the main writer's childhood.

Some people in the fandom have pointed this out to another one in the fandom who did the same thing, some time ago, and they've recieved harassment from them. For your own safety, I'm asking you to not follow them, because they've been known to have caused drama for their deliberate pr0shipping.

I'm telling you this as a heads up, as it is important to keep the BBU fandom a safe place for everyone, yourself included. I hope this letter of mine has been informative: I don't want you to be involved in any kind of drama.

Please stay safe, ok? I wish you a good day.

I'm sorry but I will not be doing as you say.

I don't want to sound like a bitch for saying this but it's how I want to live as a person. Don't include me on the fandom if you want because I'm literally a quarter away from leaving because of this, and I don't want to ship other ships that you guys keep telling me to ship because I'm not that kind of person and I'm not a commoner.

Barnaby x Fantoccio makes me uncomfortable.

Elaine and some other fucking character when I'm not going to be doing for a bit because Elaine is one I'm still trying to get used to since I still fucking hate her

Arthur x Aristotle, I already shipped this one as seen in my story.

Any other ship I'm not going to hate, because it's a little bit understandable, but Barnaby and Fantoccio? No thank you. If I had the mind of a person that ships those two, I would still be uncomfortable with the thought of everything and "tree sap" up an owl's ass.

I'll try to explain this in a way with an example of real life people that are in the lgbtq+ community.

Imagine you are a parent who is not non-binary or any of that, and it's just normal. You have a kid and they come up to you and they say that they are non-binary. How would you react to that? Would you support them or would you rid them from your life? This is almost the exact situation that we're in right now. I keep trying to tell people like you that I'm not like you and nothing you can do can get me out.

Even if my mindset is not in the one that you wanted to be in, all you have to know is that I'll never be like you.

Another thing is I like to try out new things, cuz sometimes the regular ones don't seem right to me. Sometimes with new things I stick to them as of it was something I never done before and it will never get old for me.

Just so you know I don't fear people like you and I won't hear anything you want me to do. I don't fear whatever the future holds for me. I get just imagine how many people lose their lives everyday just because of people like you. Making them feel bad about who they came out to be as a person.

And I bet people like you don't even know what the words headcanon and AU means. Targeting a minor just for doing what they love is wrong on many levels. And just so you know my day is not going to get any better because of you. My day is getting worse every day and but I would like to keep it great so I can go back to school and just be normal for the year.

and if you bring this up to me again, then No More Mr "Nice Girl". And I'm done being a people pleaser, cuz sometimes I'll HAVE, not need, HAVE to please people over things that I fucking love and that's the last time I'm going to be doing that since I had to learn very hard that sometimes trying to fit in with people is not going to work if you want to figure out who you are as a person, so I'm not going to be a follower I'm going to be a leader. And don't try to feel sorry for me, because I already do for you.

Let me just try and be the leader/follower for a ship that needs more attention than that fucking Barntoccio bullshit.

Thanks to people like you, I get uncomfortable every time I hear "tree sap".

Sorry not sorry.

-A.S.

[ultimate-shipper-trash-blog]

The previous part:

Pt. 2 Pa:

Do you know what it feels like to be ripped from everything you love.

Lydia wanted nothing more than to be with her Pa during this insane moment. While she was happy to be reunited with her dad she missed the love she felt from her Pa.

She knew his love was unconditional but it took her some time. For three years after her dad's death she didn't see her Pa that often. Her Aunt Robin moved in and a little later her Aunt Nancy to the guest room in their house. They raised her those three years while her Pa was inconsolable.

----

She watched through the spaces in the stairs as her Pa cried on the couch. He looked so small in Robin's embrace. He was screeching terrible things at the top of his lungs.

"NO! NO MORE!"

Robin held him down, tears streaming down her face.

"No Eddie that's enough, you need to be there for Lydia."

"I saw him again Rob! He haunts my dreams, I see him in every corner of this godforsaken house. IT'S HIS NAME ON THE LEASE! I see him in my daughter OUR DAUGHTER Robin. She looks just like him. I...can't even look at my own daughter...oh god. Oh what have I done"

He broke off, cries getting softer.

"I've turned into everything I've hated"

"No Eddie that's not true there's still time."

That night she slept clinging to her Pa for the first time in forever. He was brushing his calloused fingers through her hair, whispering about how he would protect her.

And he did.

After that day he did everything in his power to prove himself to his daughter. To prove he could be who his love thought he could be.

----

Three years before

----

"Are you sure you're ok to be with her while I'm gone?" Steve asked worridly.

"Please Stevie it's not like I was worth much the first time around. Plus me and munchkin will be fine won't we bug?"

"Yeah! We'll be ok daddy we're having a sleepover tonight! Where are you going?"

Steve knelt down before her, looking into her eyes. "I'm going on a super secret mission...I'm not sure when I'll be back but just know I love you so much. Whatever happens know you two are the best things I've ever had in my life. You're everything I've ever wanted."

"Steve." Eddie said sharply "Don't talk like that. You have a plan that's been Wheeler approved plus Supergirl has no doubts you won't win. You'll be braiding hair with us before you know it." He looked serious but the worry was spotted in his features. He pulled Steve into him, holding his face with one hand and his waist with the other. "Just don't be cute ok? Don't be a hero." The familiar words meaning so much now.

"Eds...I'll do what has to be done. I meant everything I said, you're everything."

"I know you did sweetheart."

And their fate was sealed with a kiss.

-----

Author's note:

Hey guys! Please let me know if you like this story :) I live for interactions. The next part will bring us back to the main plot, I think I've done enough world building.

Tag:

@tinyplanet95

[marzipanandminutiae]

I just wanted to let you know that you're one of the main people that have changed my mind about corsets. I used to be one of the people that got mad about them, I remember getting really upset that they called a scoliosis brace a corset at some point because "why would they compare it to one of THOSE it's a MEDICAL and important BRACE, not some beauty torture device"

But you explanations and everything helped me understand them better and recognize them as a more neutral part of human history and not some feminine torture device.

That. Really means a lot to me; thank you so much.

This is one of the big reasons I hate being accused of lying and trying to cover up the "true evil nature" of corsets or whatever. It is much, much easier and more satisfying to believe that they're instruments of torture.

They came out of cultures where institutional misogyny was off the charts. We hear so much about what our ancestresses went through, as girls and then as women. We see what we're still going through. And every one- I mean EVERY -one of us knows what it's like to be pressured by society, school, parents, partners, bosses, etc. into dressing a certain way Because We're Girls/Women. I know I do; early 00s hypersexualization of teen/tween girls left some serious scars on me.

It is SO satisfying, after watching Elizabeth Swann shoved into an uncomfortable pair of stays to Dress Up Pretty for a formal event where some guy who's at least 10 years her senior awkwardly hits on her, to see her bludgeon an opponent and quip, "Try wearing a corset." Because we're all there in the audience thinking, try wearing control top pantyhose! Try wearing heels! Try wearing a full face of makeup! Try wearing anything you don't want to wear, that serves no material purpose to you (though it may to other women), but which you're told you have to don to be professional/attractive/whatever!

Because of our experiences as women, corset myths are easy and appealing!

It's just. They're not true. Corsets aren't stilettos, or pure shapewear. They can be and were sometimes used in uncomfortable or unwanted ways, but they have a practical, comfort-based purpose.

And accepting that can be jarring. The screen catharsis you've been relishing all your life is largely a distortion of the lives of women who came before you. You have, in a sense, been lied to.

It pissed me off. Other people have different reactions to it; denial is a big one. But we can't deny it. Not if we want to better understand those women of the past, and accurately represent their stories.

I'm very grateful that you took the time to read my posts, and proud of you for having an open mind.

[dnalt-d2]

So About the Crows...

There's something I've been thinking about for a while, and I think it's time to bring it back up

We had some lore for Phil recently, regarding the Ender King. And with that, lot of people have been thinking that the Ender King is the one responsible for the black concrete around everything. (Since according to Phil's Hardcore Lore, it seems like when the Ender King tries to steal things, he leaves behind empty space in the form of black concrete. Or that's at least been implied)

And I'll be honest, this does sound super cool, but I wasn't sure if this could be the case. Though I'll admit that it's for a meta reason. I just wasn't sure if the admins would play such a big plot point around a singular player's lore. It seemed like something that would affect too much to be centered around a single player. And I do still think that personally. That it would be cool if the Ender King was the one responsible for all the concrete, but it just doesn't seem too likely for story reasons. (Though I do wanna note that this doesn't mean NONE of the concrete is from the Ender King. The concrete surrounding the first mysterious message Phil got could easily be attributed to him, but we just can't be sure)

But like I said at the beginning, there IS something I wanted to bring up that happened a while ago

Did you know that there were crows on the server at one point?

That Phil found a one in the wild, a pretty long time ago, but left it because "Oh he can just go back for it." But he never found another one

No one has

Even Dapper, the notorious mob collector, has noted that crows don't show up on the island anymore

Phil recently revealed that he doesn't specifically plan his lore himself. That he makes some broad suggestions, and the admins are the ones doing the finer details surrounding it. When he saw the note from the Ender King, he didn't know that was going to happen. He had no clue it would be the Ender King talking to him. Which as someone else noted, means that the admins planning this know about Phil's Hardcore Lore

Which would obviously mean they know about the crows. About US

I always wondered why the admins disabled crows, thinking maybe there's some ability they have that's a little OP. But I looked it up, and it looks like the main ability they have is the ability to collect items, and even put them in containers. Which compared to a lot of the other mobs from this mod, is pretty tame. The only other thing they seem to do of note is destroy crops (Though I am getting this from the Wiki, which I have noticed can be pretty bare-bones, so for all I know, there really IS a hugely OP ability they can do)

Now I'm thinking they had a different reason to disable the crows. A LORE reason. To Phil, we, the crows, are canon. We exist, basically just following him around and talking to him. But there aren't any crows there. We're not there. And this, along with everything that happened with the Birdcage, has just served to isolate him, driving him further and further into his deteriorating mental state. Instead of the usual crows, he sees parrots, and hummingbirds, possibly to distract him from their absence

Now I obviously don't know how long they've been planning all this lore, but it's just super weird that they disabled them in the first place. Maybe they knew they were gonna do SOMETHING regarding Phil, but didn't know what, and just disabled them to prepare for whatever they might eventually plan. Regardless, the crows are gone

But I think one day, possibly sooner than we think, the crows will be back

(AND IT'S PROBABLY GONNA BE A HEAVY DAY IF PHIL'S LAST LORE DAY WAS ANYTHING TO INDICATE)

[aftokrator-official]

some Thoughts on chapter 13 now that i've finished:

I LOVE HOEDERER.... i already did but like. Really enjoyable to get his POV in this event and see more of his inner thoughts and motivations. I'm fond of characters who are so tired and worn down and jaded, but manage to hold onto some scrap of hope regardless, even against their own better judgment. A lot like Mlynar in that way, tbh.

regrettably this chapter sold me on hoederines a little. i'm CONFLICTED because i love wines so much, dammit. (and manhoe, but there's not as much of a conflict with my headcanons there.) But their relationship is so good regardless of whether you read it as romantic or platonic.

speaking of, Ines was a delight in this chapter. Love her role as the resident non-Sarkaz Sarkaz who is completely unaffected by whatever arcane bullshit is getting to Hoederer and W in any given moment, so she can yell at them to snap out of it and save all of their lives lmao. I love her deep loyalty and care for them that she expresses in everything but words. ugh ugh i love her

the little subplot with Vendela and the Sarkaz commander who tried to keep her safe was sweet and sad, I wish he'd gotten a unique sprite at least. I kind of want to see her meet Flamebringer now and her reaction to the friendship between him and Perfumer... I feel like there's some parallels there.

We're starting to see some payoff to the buildup with Siege in this arc, and I'm so glad! I've never really understood the hate her arc gets - I know it's partly that I'm biased, she was my first 6* so I'm rather fond of her, and I just really like the whole concept of the Glasgow Gang. And I think it doesn't help that ch12 was (imo) the weakest part of act 2 so far. But also, it was always really clear to me that we've been just... laying the groundwork with her up til now, I didn't really expect her to have big moments or turning points yet? Idk. i kind of want to write a whole post about her arc and my thoughts on it at some point. BUT, I really liked her in ch13, seeing her start to really come into her own and how all the events of act 2 up until now have shaped her decisions.

I'M REALLY SAD ABOUT GUARD ACTUALLY??? :( Tbh I have not really cared much about New!Reunion until this chapter, except for Talulah, but I'm finally getting invested. And Talulah's confrontation with Eblana was AMAZING. I've always seen her as a foil to Talulah - while Talulah started down her path with good intentions and ideals, Dublinn seems to have been like late-stage Reunion from the very start, because Eblana has always cared more about seeking power than about the oppression of the people around her. SO FUCKING SATISFYING to see Talulah, of all people, calling her out on that, and protecting Reunion from her. I really hope we get more of these two in future, and also more Reed in main story please please pleeeaseee.

This chapter was wonderfully cohesive with the themes of tradition and bloodlines vs forging a new path. Siege, Delphine and Horn, all beginning to break away from their inherited roles in Victoria's hegemony and fight on their own terms instead. The Kazdel flashbacks, the spacetime feranmut, and Hoederer's POV - a character who wants to see a better future for Kazdel, while still remembering and learning from its past. Nine, Guard and Talulah dealing with what Reunion means as a symbol, and figuring out what it should become. Shining and Nightingale, confronting the Confessarii and their own past. Even Vendela, having to let go of the life and traditions she'd grown up in, the townspeople clinging to familiarity and the hope that things would go back to normal to the point that it was literally going to kill them. The confrontation with the Sanguinarch was such a great culmination of all of this, with his fixation on blood purity and the glorious lost past of the Teekaz. And he's defeated by several people who all soundly reject his vision of what the Sarkaz "should" be - Amiya, the outblood King; Logos, who does have a "pure" bloodline by the Sanguinarch's standards but refuses to be defined by the role he inherited; Hoederer and W, two of the mixed-race "commoner" Sarkaz he's so contemptuous of (and Hoederer specifically rejecting the idea that the Sarkaz's destiny must always be soaked in blood); Ines, who isn't a Sarkaz at all, except she is, because her family is Sarkaz, and she's always going to be one of them. It was! So fucking good!