#and connect its timeline so decisively to the main show

[b-a-l-a-n-c-3]

Introducing my Pokemon AU: Subzero! It’s pretty much my replacement for the Indigo Disk (though it takes place directly after The Way Home, into The Teal Mask and then the regular Indigo Disk timeline).

After reading my story rambles, let me know if y’all want more of this AU!

The main thing about this AU is that some parts of the story were done differently. For one, the AI professor was NOT sent back in time, but rather heavily damaged from both the heavy amount of terastal energy consuming them and them fighting the Paradise Protection Protocol. So while they are decommissioned for the time being, the MC (in this AU being Florian) and the rest of the main crew start to work together to try and learn more about the paradox pokemon, and how all this started (since it wasn’t really answered at the end of the adventure and I feel like Arven would want some more closure). 

This leads into their maintenance of Area Zero, as they would monitor its energy levels and activity, with Florian being the one venturing into the crater to keep the paradox mons in check, in which he would discover Iron Leaves. This freaks out the group, as they didn’t think any more paradox mons would appear once the machine shut down, so now they’re even more desperate for answers.

During all of this, they are using the lighthouse lab as a makeshift headquarters (sometimes sleeping there, but they still stay in their dorms), and one day while Arven was cleaning, he discovers an offline Magearna in its ball form. The crew manage to wake it up, and it starts to repeat the phrase, “Teal Mask, Indigo Disk”. This leads to the crew, now calling themselves “The Subzero Squad” (courtesy of Nemona, no one else agreed to it lol), researching and learning some of the lore about Kitakami, the Ogre, and, hidden away deep in the Pokemon League database, Penny finds some documents hinting at their possession of an Indigo Disk…

This then kicks off the Teal Mask storyline, as Florian uses the school trip as a way to research further into the Ogre. The only other major change to this storyline is that Florian manages to meet up with Ogerpon a short while after Kieran shows him the den, and talks to it about helping him and his friends back in Paldea. Ogerpon is hesitant and distant at first, but as the regular story progresses she trusts Florian more and decides to help him (This is why Florian had to take Ogerpon, otherwise he would have just left her in Kitakami to enjoy her happier life).

Directly after returning home, Florian immediately enters the crater with Ogerpon to try and find a connection between her masks and the machine. Finding nothing initially, he returns to the lab to meet up with the rest of the crew when the Teal Mask reacts to the terastal husk of the AI professor, waking him temporarily. After his initial shock, he manages to tell the kids that the mask is important to Area Zero, but the Indigo Disk is key to stopping paradox pokemon from appearing in Area Zero and truly saving Paldea…before he shuts down once more.

Knowing what they know now, the group makes a hard decision: Nemona and Penny need to infiltrate the Pokemon League to find the Indigo Disk, as the documents Penny found hint at it being in their possession. This leads to a week or two of the two girls getting super close to the League members, Geeta especially, and Nemona is the one to find the disk’s location. She has to lie to Geeta however (which she REALLY doesn’t wanna do but y’know peer pressure and uh yeah the fate of the whole region) to get her out of her office so that she can slip in to steal the disk.

Once she’s got the disk, she makes it back to the group, whom descend back into the depths to try and find where the disk goes, and then the regular Indigo Disk storyline starts to play out (without Kieran, Carmine, and Ms. Briar). They battle the Stellar-type mons, make it to the center, and out comes Terapagos in its normal form. They try to catch it, but it breaks out of every ball they put it in. In a fit of desperation, Florian chucks his bag at it, and Terapagos likes it and climbs inside! So with their ‘caught’ mysterious pokemon, they exit the under depths and begin the search for answers with this strange pokemon…

And that’s about it! Sorry I know this was a lot but I wasn’t really happy with the ending of the DLC (was still good tho!) and wanted to retcon it a bit to make more logical sense based off of the characters and what happened to each of them. I’ll try to flesh out this AU more as I go forward, so some parts of the story may change. This is just the basic timeline of events. There’s a whole Treasures of Ruin arc I didn’t even START to go into lol.

[jedineedlove]

LMK VS Legend

The Guardians of Knowledge

I know that in the show these two are just call the guardians of knowledge,but after an interesting find I THINK I know who that actually are and if this is true it might make season 5 more interesting or not be effected based on the shows perspective, hope you enjoy.

LMK:

In the show these two dont get much screen time they are not given names either. They act as both guardians and keepers of knowledge. They have the physical and vibe of a celestial being. But they actually seem to be more librarians they say that knowledge is for everyone you just need a card. (Hilarious)

Their home the cloud seeming to be a magical /technological connected place out in a desert it’s very hard to tell its location the cloud glitch and the place has a lot of sand around.

These two look like giants but don’t have the size they have the coloring of demons but no horn or fangs but they could be hiding it. They wear what seems to be celestial armor but Azure wore some two along with Peng and Tusk. so there demos that wore them if they worked for the celestial realm.

Legend:

Who, I think these two are actually interesting I think they are Qiānlǐyǎn (Thousand-Mile Eyes), and Shùnfēng’ěr (Wind-Following Ears).

Does this seem similar to anyone?

It's very similar to the door of the cloud. Two brothers in a special pose holding golden weapons and wearing golden clothes, One is red while the other is green. "One is usually depicted as a green demon with large all-seeing eyes. He keeps a weather eye on the horizon, scouring the sea for sailors in need of the sea goddess’s assistance." that is the main physcill description of each of them. They don't wear the right headband but that could be explained because the image of the statue is from Taiwan, not China The two are normally depicted wearing "flowing clothing or open armor to show off their muscular physiques. Apart from their divine sashes, they are commonly shown wearing golden armbands, bracelets, and/or anklets, as well as a tiger skin at the waist." These traits appear to be consistent with all other examples I've seen. Some of these missing parts could been the show's decision. Remember I'm just speculation not stating.

Qianliyan is a Chinese sea and door god. He usually appears with Shunfeng'er as a guardian of the temples of the sea goddess Mazu. Qianliyan's sharp vision is employed to help protect sailors at night and during fog and other inclement weather.[12] In some accounts, he is capable of seeing everything in the world. Qianliyan typically appears as a green-skinned demon shielding his eyes from the sun's glare.

Shùnfēng’ěrThe god's role in helping sailors distinguish favorable winds also prompts the translations "Fair-Wind Ears"[3] and "Favorable-Wind Ears" In some accounts, he is capable of hearing everything in the world, no matter how quietly spoken, and was therefore also worshipped as a witness and guarantor of oaths and contracts. Shunfeng'er typically appears as a red- or brown-skinned demon cupping a hand to one of his ears.

Both demons depicted in art have a hand raised to a part of their heads or faces which is also similar to the Guardians of Knowledge Door mural.

History:

The brothers "Thousand-Miles Eye in the disguise of a lovely girl, lures men into a cave and then devours them. When With-the-Wind Ear sees this, he starts a fight with Thousand-Miles Eye, but in the end the two monsters pledge to become sworn brothers. Guanyin, seated on Mount Potala, orders the Dragon’s Daughter to tell Mazu to subdue the monsters. With the heavenly warriors helping her, she was able to defeat the two. After that, the two become her loyal servants. First, they help Mazu fight a man-eating lion, and subdue the Evil Dragon Monster Later down the timeline of their legend they would reach the JTTW.

JTTW:

That's right these two were in the JTTW you might have recognized their names in the being for t eJTTW readers if you remember them great for those who don't they were the ones that announced Wukong or just Stone Monkey at the time of birth they were sent by the Jade Emperor to find out why his place got set on fire from two laser beams. They are depicted as personifications of the Jade Emperor himselfs' own hearing and sight. That was why I was saying it would maybe be entering in season 5 if the Jade Emperor is gone and they are a part of him does that mean that they're gone?

But then again the show might not have gone that route they have changed a lot of the mythology of the original novel. They could have changed that as well I could not see the Jade Emperor personification of two of his senses living on the mortal plane and as kind-loving librarians or ones that play video games.

Notes:

That along with their origins and roles originally based around the sea why in a Desert and Why Librarians, I could see the show editors taking more of the JTTW versions and seeing the beings that personified ears and eyes they must be involved in knowledge right. They can see and hear everything in the world they must be knowledge-based beings.

Also, everyone else in the show so far has some sort of JTTW connection somewhere. The two must follow that formula.

But if I'm right then these two were literally the first ones to see newly hatched Wukong. So many questions.

Thank you

Hope you enjoyed :)

PS: how I thought of this well I was watching VR gameplay of

The Pirate Queen: A Forgotten Legend

And I saw the red and green statues of the two demons and thought "WAIT............ Hold up.........deja vu ......is that you?!"

[lucianalight]

A Glorious Culmination

Let's talk about that perfect ending with its beautiful scenes and epic soundtrack, shall we? Here's all the reasons why I loved it:

The ending answered the question "what makes a Loki, Loki?"

"Authority, independence, style". Sure, but that's not all of it. And it's not the real answer.

So who is Loki? A villain? A loser? What defines Loki?

There are many characteristics that define Loki but one of the main ones that truly sets him apart imo is that he is a catalyst for change. Loki when faced with options he doesn't like, or a problem that looks like doesn't have a solution, makes a new way, creates a new solution, chooses an option that didn't exist before.

He has the power to destroy, like the mythological tale of Ragnarok.

And to give life. Like how the Ragnarok he brings, means the beginning of a new cycle in Norse mythology.

-"Yeah it was the best character development. Loki went from wanting a throne to..."

Let me stop you there.

Loki went from not wanting a throne but thinking he must have it to be considered worthy and an equal to Thor, to taking a throne despite not wanting it, because it was the right thing to do.

The fact that Loki sacrificed himself once again for the people he loved and cared about, wasn't a new character development. In the movies Loki risks and sacrifices himself every time when it matters. For Thor, for Asgard, for the world. The only development here was that this time he sacrificed himself for every universe there is.

And his sacrifice wasn't treated as sth he deserved by the narrative because of every terrible things he'd done. On the contrary the narrative acknowledges that this is the last thing Loki deserves. That he is paying for others' mistakes and wrongs. He spends centuries to save the timelines. He spends a long time trying to stop Sylvie without harming her. And when everything seems lost, he makes a decision to save everyone but himself, he creates a different path. He faces his deepest fear, to not hurt the people he loves.

If there is any character development, it's for the narrative and the audience that finally recognized who Loki actually is.

The Symbolism

I have to say my first reaction to the new Loki costume was:" This is the worst Loki costume ever :))))" also me two days later: "I'm gonna set it as my wallpaper." But I loved the symbolism. The biggest horns Loki's ever worn to show the weight of the crown. His cape that was connected to timelines, to show the burden of a throne. The simplicity in his clothes in contrast with his other outfits. Because this wasn't about the recognition Loki always wanted and deserved. This was about the responsibility Loki decided to literally put on his shoulders and feeling the gravity of it.

His shoes though :)))) I mean

Either let him be bare footed or give him boots you cowards :D

The Parallels

The fact that how the ending parallels the first Thor movie and everything came back full circle.

How Thor and Loki destroyed sth at the cost of themselves losing the people they cared about.

Loki doing sth not because of a desperation for acceptance, not because he thought it was sth someone else wanted.

Knowing if he chose the easier way, no one could have fault him for it because it seemed there was no other way.

He did it because he knew it was the right thing to do, because he knew who he wanted to be.

Loki not giving up, not letting go, not falling down from a broken bridge, but ascending, holding on as he fixes what's broken.

He holds and carries the whole universe on his back. It's not only a beautiful Atlassian tragedy, but also parallels Norse mythology in more than one way. Yggdrasil, the tree of life in Norse mythology, the one that Loki holds in his hands in the finale, wasn't the only parallel in the ending.

There's a subtle and beautiful nod to Norse mythology. The tale of Loki being bound till Ragnarok. The myth that says when Loki gets freed, the end of the world begins.

What a marvelous tragedy. And what a glorious culmination.

It's not all tragic though

Loki now is literally the most powerful and heroic character in MCU. He's holding the universe in his hands and keeping it alive. You can't top that.

And it makes his portrayal in the recent movies in which he was unfairly underpowered, even more ridiculous than before and that makes me happy :D

There is also a possibility to see Loki again and I'm not talking about the other variants. Marvel now has the best dues ex machina through Loki. He might be able to appear in any universe as an illusion to warn about dangers or help the characters. He might figure out a way to keep the tree alive without being there himself. That way he can find Thor in the sacred timeline. Or maybe the Loki who survived Thanos and is still in the sacred timeline finds Thor. Maybe there's still hope for a good reconciliation and a good story for Asgardian siblings.

So to sump up this was an epic, symbolic, beautiful and tragic ending. And yet hopeful. I loved it💚

[bogkeep]

sorry i'm still SSSS blogging today. i meant to draw but instead i reread adventure 2 and. hm

like, it starts out fun, you have characters interactions and dreamsharing and interesting locations and new outfits and hotakainen backstory!!!! that's the stuff i think fondly of when i think of adventure 2. it sets up for an emotional throughline for the hotakainens that would be so so tasty to follow and explore, especially considering what happened to tuuri in the last adventure!!!

but then... nah. when tuuribird shows up, something that should've had a BIG impact, especially on lalli - there's almost no reaction among any of the characters. it's just "oh okay." and like, i get that the whole deal with the finns is that they aren't very open about feelings but come on. come on!!!!!!

i think that is the point in the comic where things start to feel off for me. it SHOULD be exciting, you have connected all the characters and you're digging into the main plot and not just fighting small fry along the way, but........ ?????????

it's also around that time where minna starts working on the infamous bunny comic, and some of the author comments from that period of time made me wince. the whole ssss reading vibe gets Weird!! it's really hard for me to extract the experience of reading the Comic from the experience of witnessing its creator getting converted and baptized in frozen lakes and following a higher calling to create a comic whose message is frankly rather stupid!!! also i don't read the comment sections but clearly shit went down in some of them, maybe because minna said some awful stuff in her streams??? i don't know!!!!!! i don't really need to know!!!!

and then the comic just gets boring and drags on forever. look, the worldbuilding and the monsters are cool, and the art is always lovely, but the true joy of ssss for me has always been the characters. and then they don't really... do or say very much with each other for the rest of the story. like they're following the plot beats, but so much of the comic us just monster fights, beasts fighting each other, the plot HAPPENS but there's no emotion tied to it. the most egregious example is when lalli and onni have the spirits of tuuri and ensi with them, and they have a conversation - and we don't see ANY of that. it happens off screen. we get NOTHING. there's ZERO emotional reward. the characters are for all intents and purposes unchanged. there has been no arc or change in their dynamics. WHAT ARE WE DOING HERE!!!!!

it feels like the beats of the story were all planned out, but not fleshed out at all, and when minna got this far she no longer cared about these characters, or like telling this story served any purpose. the potential is there! it's easy to imagine another timeline where this story is rich in character interacton and growth. instead we get a hollow shallow shell of a comic. welp!

i so badly want to admire minna's decision to end the comic "properly", but i really feel like it might've been better to have just abandoned it when her priorities shifted. it's so sad to see the characters getting neglected like dolls in a dusty toybox. it really breaks my heart that she doesn't believe ssss has any value beyond "empty entertainment" when it meant so much to so many. SIGH

people who couldn't be bothered to finish reading adventure 2 are right actually. there's nothing there.

[kaledya]

Oh Kaledya, 😭

Holy shit !

I almost strangled myself seeing Lolicia drawing by you again ! She is so pretty in your style, my baby, *ugly cry*. I will try to draw her as you did ! It will be fun ! Thank you for the gift! Really. I will put it on the characters glossary at the beginning of the fanfic ! I really love the shape of her eyes you did and the hairstyles ! Everything. Thank you!

And I will answer here for the previous post :

Thank you again for Lolicia compliments ! I want to draw her with Constantine or Serenity but I'm so scared to not draw them good. Perhaps with time ! I will give you a gift back !

_

I'm glad you having fun with the "characters interactions chapters" ! Its fun to write too even if a bit challenging because they all have different personality and I try to make it great for all. Also Alastor and Lolicia dialogue was nice and I love the 1920s slang !

And yes Monet, as you described her, would hate that Charlie said the Clown Pageant is less popular ahah

_

And yes, also I have a question for the timelines !

For me, it was like this from what you told on YouTube posts for the storyline :

  - Charlie's bonding activities   - then Lucifer comes to see the Hotel   - Lucifer breaks his silence and talk to Michael   - Charlie goes to Heaven and meet the 6 Archangels with the songs inspired by epic (heaven arc)   - Charlie after the trial need to make proof that the hotel works - Azrael say the hotel is not touched by the Extermination   - Then the Greatest Song, Man (Greatest show man mini arc)   - Meeting with the Overlords (introduction of the Vees)

Because the Vees are main villains in SS AU, right?

  - Alastor "reunion" with Serinity after she takes his defence on the meeting   - Alastor VS Vox (like stayed gone)   - And somewhere Angel Dust business with Valentino and Charlie show her authority.   - [...]

This is how I plan it, but if you preferred i can change it and do the greatest show man arc before the heaven arc ?

You can choose ! Because I'm not sure if I understand right.

_

Thank you and you are a wonderful artist and creator ! 🌸🌟 Thank you again for the gift (screaming)

Sorry the message was way too long

Have a great day as always- marquisev

First of all, I'm so glad you liked my fanart! Seriously, drawing Lolicia was a pleasure!🌟❤️

And I'm so glad to hear that you want to draw Serenity and Constantine, and don't worry.I will Love how you draw them in any way . Also, I really liked your drawing style, the art you put in the fanfic were really great.

I seriously think you have a beautiful talent!❤️

This was the plan I had in mind.

But I am not a writer and I think you will make the best decision and this is your story, you can write it however you want, you don't even have to ask me❤️

The plan I have in mind:

In my AU, I generally left the issues related to Heaven until later (season 2).

In my mind, the first season is about the members of the hotel forming bonds and starting to support each other.It included character development of characters like Angel and Husk. That's why the greatest showdemon arc happened at the beginning of the first season and the team was starting to work with each other and really get to know each other.As the season progresses,

the Overlord meeting

(Alastor knows who Misfortune is. In his past, Alastor tried to hunt Serenity like other overlords, but Serenity ended it with a conversation instead of a fight.They have no friendship. Serenity revealed her identity after arriving at the hotel in the 2nd season

(The reason for this was that Season 2 was generally related to the backgrounds of the characters, and since Serenity was directly connected to Alastor's background, I put her in that section)

Alastor's fight with Vox, Angel's confrontation with Val, Mentioning the past of Husk and Angel (This part takes place in the scene where Angel and Husk are discussing their problems before the song Loser Baby)

Constantine is also a character from Season 1. After the Greatest Showdemon arc (Not exactly after that arc, but I didn't know exactly which events to put. After the team members and the hotel have seriously improved) when the hotel makes serious progress, Charlie invites her brother to the hotel to show her progress. (Charlie and Lucifer's relationship is seriously bad in this AU, so Charlie doesn't try to reach her father,she thinks "he won't listen to me anyway)

And Constantine, who saw sinners improving in a truly strange way He gets the proof he wants And after this thing, he personally goes to his Father and says these words to Lucifer after a serious conversation.

"I will not repeat myself again, father. Consider this as a warning from your son. Either you put your pride aside and go to your daughter and listen to her ideas and plans. or As a result of the decision you made, not only will you lose your daughter whom you love dearly, but you will also not have a son. Make your choice father, you don't have much time. Until then, I hope you have fun in your eternal loneliness."

After this conversation, Lucifer comes to the hotel and confronts Charlie. listens to her ideas.

I don't have a full timeline, but in general, all the events I write about happen before the heaven arc.I wanted Charlie to go to heaven with as much evidence as possible and to gain self-confidence and become more of a leader in the meantime.

If I were to write in summary form. (I don't write in the form of a timeline, just events)

Season 1

-Charlie's meeting with Adam

-Team bonding

-Greatest show demon arc (this is included in the team's bonding tool)

-Overlord meeting

-Vox and AI fight

-Angel getting rid of Val

-Constantinen's arrival at the hotel.

(There may be a lot different arcs in this season, I really don't know, most things are still WIP)

SEASON 1 in general A season where the Vees are the main enemies.

Season 2 (The main enemy in this season may be Roo, but I don't know)

-Serenity comes to the hotel

-Lucifer comes to the hotel

-Charlie goes to heaven alone.

-she meets all the true archangels one by one and finally tries to convince Azrael.

So yes, these are what I have in mind, but my thoughts are generally WIP.As I said, this is your story and I'm not a good writer, so it would probably be better if you decide the plot yourself! 🌟❤️

--

If this is the way you planned, you can use this plan too! This is your story, you can write it however you want🌟

---

Thank YOU SO much🌟

And it's really nothing, drawing Lolicia was a real pleasure❤️❤️

Have a great day too!

[fractualized]

Joker In the Lonely City

(or: hey now that I’ve written this can I sustain focus on anything else)

Obviously, Catwoman: Lonely City revolves around Selina Kyle, not the Joker, but thanks to Cliff Chiang's writing and my personal fixations, Joker is who I am compelled to write about. As the book's title tells you, the overall story is about loneliness and the ability to find connection with others, and I appreciate that Chiang extends that theme from the lead character to the side characters, including Harvey, Croc, Eddie, Ivy, and yes, even the awful terrible paragon of evil, Joker.

[WARNING: discussions of suicide and suicidal ideation below the cut, as well as spoilers]

I don't mean to imply that Joker gets a full arc in Lonely City; he only appears in two flashback scenes. However, we see loneliness in him as well, starting in Issue #2. On the big screen in Gotham Square, Joker announces the culmination of his ongoing social media campaign, which has been encouraging people to be their worst selves. He deems that evening Fool's Night, and before he unleashes his followers on their fellow citizens, he reaches out to them with a show of empathy:

Ah, that familiar villain tactic: manipulating people with the truth about themselves. Many of us want to be free from shame and judgment, but Joker's taken the anger and bitterness that accompany those feelings and convinced his fools to shuck off all of society's norms and rules to commit wanton violence. Part of the manipulation is professing that he's felt their same pain, and when he puts on his smile and dons the role of villain, he's erasing his vulnerability.

The way I've seen other writers portray Joker, they would take that empathy as nothing but a flat-out lie. And for the most part, that's not wrong. Outside of his own machinations, Joker wouldn't give any of his followers the time of day, and he certainly doesn't give a shit about the victims of the chaos he's created. He's not a good person! So why reflect further on Joker's inner self? What are you looking for, digging around in that rot?

Thankfully, Chiang is willing to see what's buried in there, as shown in Lonely City #4. When we return to Fool's Night in that issue, the reader may not realize something is off right away. It's a familiar scene: Joker presenting Batman with an impossible choice.

The way that last panel is framed, cuing that this is the first time Joker's used Bruce's real name, is one of several indicators that Lonely City is a universe unto itself, outside the main comics timeline. It also indicates that Fool's Night is a significant event for Joker. You don't just reveal you know your nemesis's secret identity all willy-nilly. Where's the showmanship in that?

But that's not what I'm referring to when I say something is off. What I mean is that there's no dialogue about the dynamite strapped around Joker's torso and the timer ticking down in his boutonnière.

Maybe it's supposed to be an incentive for Bruce to make a decision quickly? The signal can't appear if it's blown up, after all. But we get no extra information about the explosive cummerbund; after this single page, the story goes back to the present, and when we return to the flashback, we've skipped ahead in the action.

We learn that Joker has played a horrible trick. It appears that Bruce tried removing the cables that would electrocute Gordon, so that when the signal turned on, the Commissioner would be safe and the fools in the street would stop— but those cables were fake, and the signal is charred and smoking, its broken glass on the blacktop. Gordon's body sags in its bindings. And then, well...

Joker mocks Bruce for missing his joke, for operating by the parameters Joker set, because Bruce still doesn't see that there are no real rules to follow. Joker says what he's said to Batman time and time again over the course of twenty years— "it's all one big joke"— and Batman still doesn't get it. Two decades of this, and Batman can't give up on rules, control, an inherent value to life, and Joker didn't give up either— until now. In his last words, he admits that the meaninglessness he's thrived on has left him intolerably empty. The smile and the laughter have never erased his vulnerability, just hidden it away.

And so Joker commits murder-suicide. The explosion does not seem like an accident or afterthought. It seems like part of the plan. Joker drew Bruce to the rooftop, arranged Gordon's death knowing that Bruce would retaliate, and grabbed onto Bruce to keep him in the blast zone. Joker never points out the belt bomb as something else to disable, even though it's clearly there. He never taunts that Batman will save his life like so many times before. Instead, with one second left, Joker holds Bruce close and exposes his vulnerability, in a way I'm not sure we've seen from him since The Killing Joke, not voluntarily.

Taking Bruce down with him aligns with how Joker sees their relationship. A recent post by @gigachad-joker​ with a contribution from @distort-opia​ gives a good overview. Joker sees himself and Batman as inextricably intertwined, as the only real people in the world. When Batman is gone, Joker is portrayed as adrift. When Batman reappears, Joker feels compelled to return.

But Joker knows that his own absence would not affect Bruce in the same way. Batman's priority is always Gotham City. If Joker were to kill himself alone, ultimately Batman would go on without him, and that's not a thought Joker can stand. The two of them are locked in a violent philosophical battle that is supposed to end in a grand finale that rocks the city. If Joker is going to bring the curtain down on that fight, he's not going to take his bow alone.

That's why Joker fits into Lonely City's motif. The only meaningful connection Joker has made is his adversarial relationship with Batman. Once the apathy of the universe is no longer a source of strength but a reason for despair, Joker has nothing to fall back on. He still believes nothing matters, so he can't align himself with Batman, and he's rendered himself incapable of connecting with anyone else. Unlike the other rogues in the story, Joker has no hope of moving on and building a new life. He only sees an end.

But that can’t be what Bruce sees, can it? What the hell is Bruce thinking when he attacks Joker on that roof? Again, Joker is not hiding the suicide belt or the timer. The timer audibly beeps, and Bruce cannot miss how few seconds are left. Maybe he thinks this bomb is fake, like the cables and the bang-flag gun. Joker's declared many times that he prefers Batman alive so they can keep playing their game. Yet in that last moment, when Joker reveals the game is over, Bruce's expression looks laughably unconcerned.

But then, desensitized people often seem unconcerned. Not only is Gordon most likely dead, but recently Bruce also lost Alfred. The reader first learns that Alfred passed in his sleep shortly after full remission of cancer, but Issue #4 reveals that the cure was the "Orpheus" Bruce mentions in his last words to Selina. In the hopes of saving Alfred, Bruce combined the Lazarus Pit solution with Bane's venom, and found the two substances cancelled out each other's adverse effects— but the Orpheus Pit's miraculous restoration is brief, and after a week Alfred died anyway.

After all the incredible challenges Bruce overcame, after all the skills he learned and honed to become unbeatable, no matter his efforts, he couldn't save Alfred.

Like Joker, Bruce is tired. We see it before Fool's Night begins:

It's hard to say if Bruce is ever in a good place mentally, but he clearly has loss on his mind, even the loss of things that haven't happened:

Bruce absolutely still wants to fight for Gotham. We know this because when he lays dying in the blast zone, he begs Selina to get him to the Orpheus Pit. It will only give him a few days, but he'll use any time he has to save the city. His dedication is unending.

But it can falter, and Bruce has had moments of self-destruction. So when he knows Joker has a bomb and still goes after him with his fists, when Joker clings to him with that grave expression and Bruce doesn't even look panicked, it seems like for a moment, just a moment, Bruce thought about the peace of letting it all end.

Wouldn't Joker have been pleased to know that for once they were simpatico?

[zaenaris]

⚠️Manga spoilers ahead⚠️

I love that the anime decided to show Koko less snarky and sweeter when talking with Inupi (kudos to Natsuki Hanae, Koko’s seiyuu, and the anime directors of course) especially since we manga readers now have context about their relationship.

While reading the manga while it was published weekly,  Wakui on one hand probably wanted to make the readers understand there was something going on with InuKoko, hinting about their infamous “promise”, making Inupi ask Koko twice in less than 24 hours (in universe) what Koko wanted to do and getting twice the same answer: “I’m sticking with you”.

On the other, he probably didn’t want to show too much, letting thing ambiguous. After all,  at this point in the story, people really have no reason to be super connected to Koko and Inupi, they’re just the “mini bosses” and antagonists of this arc and besides the more gentle interactions between each other and maybe Inupi’s consideration of Chifuyu’s strengh (showing he respects him as an opponent) we don’t really see the real them and their positive sides; sure after the episode we have some more context on Inupi’s past, his desire to recreate the BLACK DRAGON, but we still don’t know why. Because he was promised the leadership before going to reform school when the previous gen was destroyed? We learn later that’s not exactly the case, reasons are deeper.  

This arc is a prelude to their second and more emotionally intense flashback that we will see in Tenjiku. The incredible thing about Inupi and Koko is that, while they’re not the protagonist, they acquire importance in time, but their subplot, while tangles in the main plot through Inupi’s bonds to the first generation of BLACK DRAGON, is just theirs.

The “resolution” (which is really the first step to rebuild their relationship, but at still they got that and, considering how badly many characters have been treated in the last arc, in retrospective, is way more than I could have expected) is in the last arc of the manga and, considering how I dislike the reset that, if we consider the final timeline, undoes all the character development we have, giving us people we don’t know nothing about,  it’s still a kind of satisfying resolution, if we consider the TL we follow in the past and the characters we know. 

Sure, I still believe Wakui could have being bolder about their relationship, which is heavy implied to be romantic other than very tormented (and that’s why it’s interesting), but probably given the mainstream success of the manga, that wasn’t possible in order not to make people lose their shit (and Kodansha its money ofc)

But back to the anime depiction, now manga readers know and care for Koko and Inupi, know their past, why the acted the way they did, and why they had those façades in the BD arc. 

It’s a good directing decision to let us see better and sooner their gentler side when they interact with each other, especially Koko’s (his little run to reach Inupi is so cute💛)

Both these characters have been deeply misunderstood while the manga was published and they still are, but with the whole context, I see things are slowly getting better. That said, everyone is entitled to their opinions, many things are still ambiguous but other things have been clarified.

[cardentist]

I haven’t been in the star trek fandom for very long (I’ve only just started binging the series in the last couple months), so it’s been pretty surprising to find out just how negative the perception of the reboot movies are.

this isn’t coming from the perspective of someone who grew up with the series, so it hit different for me than it might for people with a different relationship to TOS, but I thought it was genuinely clever and Respectful with how it was handled.

To quote leonard nimoy: “Well the alternative timeline gives them license to escape from canon concerns. I can’t see people saying ‘they shouldn’t do that because…’ or ‘that doesn’t tie in to such and such’ because it is a different time and place. Am I right about that?” [Link]

the entire Premise is that the original series happened as it was presented in TOS, but an event late in Spock’s life caused the creation of a parallel universe in which everyone’s lives were significantly altered through two key changes to the timeline. this gives them the freedom to Both revel in fanservice And explore different facets of the characters and their relationships. 

the destruction of vulcan Vastly impacts the characters and the plot moving forward, and its a detail that a lot of people take issue with. but the emotional impact of sarek admitting Directly to spock that there is value in his humanity, that his feelings Aren’t wrong, that sarek married amanda because he Loved her cannot be understated. you can read all of these things into sarek as he was in the original series, but he Never had an open conversation about these things with spock. this creates a Believable and Rewarding change in their relationship, where we get to see a different facet of them Because of the changes made. and that’s exactly the appeal. showing us pieces of these characters that we never got in TOS that are nevertheless undeniably Them.

everyone is Different yes, but they’re also fundamentally the same people at their core and that matters.

kirk’s personality obviously takes the biggest change, with him experiencing trauma at a young age, losing his father, and having an implied abusive father figure after that point. he has a harsher personality in reaction to harsher conditions, he’s spikier and harder to love. but he’s also still fundamentally a Good person whose willing to risk everything to help people. he still has what made kirk prime a good captain and a good friend.

I’m not gonna say that it’s the most nuanced story in the world, but it explores a version of kirk that was born from even Less fortunate circumstances than kirk prime, exploring a kirk brimming with potential who learned to bite back after he was kicked down. exploring those themes of trauma and loss, of insecurity and growth, and coming to the conclusion that Fundamentally He Is Capable Of Good isn’t a Bad thing. you don’t have to like it, but his growth into a better person is The Point. they deepened his flaws (all of which were present in a less exaggerated form in TOS) To Show That Growth.

and then of course there’s his relationship with spock.

people are totally justified in not liking that they had a rough start to their relationship, I usually don’t like to see that kind of thing in reboots or hollywood adaptations either, but the way people talk about it is just unfair.

Yes kirk and spock and bones have a very strong relationship in TOS, they also already know each other by the time the show starts. to look at them having to learn to get to know and trust each other when they first meet and say that it’s Bad because they were already full on ride or die for each other in the og series is silly. TOS kirk and spock had to meet and fall in love with each other too, it didn’t just happen over night kings.

secondly, the entire point of the first movie is that Even With reality itself being altered to pull them apart they are fundamentally compatible people that are Bound to each other. they meet each other on bad terms because of circumstances outside of their control, and yet they’re still pulled into each other’s orbit and find the other slotting into place next to them as if they always belonged. one of the first things that spock prime says in the movie is “I am and always will be your friend,” spock and jim are Meant for each other and the movie goes out of its way to explain that. which is what makes it so Weird to see people complaining about how they don’t like each other.

it’s a Different relationship, but it’s absolutely no less steeped in yearning or queer subtext. 

speaking of queer subtext ! some people are Very unhappy with spock’s relationship with uhura.

first thing I wanna say is that making the argument that they’re doing anything that the original series hasn’t done is just, completely untrue. kirk has fallen in love with more girls in the og series than he knew what to do with, leonard nimoy was a heartthrob in his time (and he deserves it, awooga) and spock reflects that ! Spock usually turns the women who come onto him down (or when he doesn’t it’s because a plant has literally altered his mind), but there are exceptions to even that. all of three of the main boys have plenty of romance subplots, it happens. if that takes the possibility of them being queer off the table for you (which it shouldn’t, m-spec people exist) then I’m sorry to say that TOS is not exempt.

now, I can understand why Specifically This Relationship could rub people the wrong way or being disappointed that they didn’t outright depict kirk and spock as having a relationship (if not in the first movie then in the following ones after they’ve gotten to know each other), but even in that context the way I’ve seen people talk about it comes off as insensitive.

no, the relationship did not come out of nowhere. they considered having spock and uhura date each other in the original show (and you can see signs of this in the earlier episodes, where uhura very obviously flirts with him and they spend time together in their down time) before they decided against it, and spock was originally going to kiss uhura until shatner insisted that he wanted to do it (because it was the first interracial kiss on tv). [Link 1, Link 2, Link 3]

nichelle nichols was asked about this exact thing (spock and uhura’s relationship in the movie), you can read the interview in full here [Link] but I’d like to highlight this paragraph in particular:

“Now, go back to my participation in Star Trek as Uhura and Leonard (Nimoy) as Spock. There was always a connection between Uhura and Spock. It was the early 60’s, so you couldn’t do what you can do now, but if you will remember, Uhura related to Spock. When she saw the captain lost in space out there in her mirror, it was Spock who consoled her when she went screaming out of her room. When Spock needed an expert to help save the ship, you remember that Uhura put something together and related back to him the famous words, “I don’t know if I can do this. I’m afraid.” And Uhura was the only one who could do a spoof on Spock. Remember the song (in “Charlie X”)? Those were the hints, as far as I’m concerned.”

the film makers looked at the fact there were Hints for uhura and spock, that they were Interested in exploring an interracial couple for the first time (both before and immediately after interracial couples won the right to legally get married) but Couldn’t because of the circumstances of the times and decided to Make that depiction. you don’t have to Like their relationship just because of that fact, but it’s Incredibly reductive to play down it’s significance as just a No Homo cop out. explicitly queer relationships are not the only progressive or culturally important relationships in fiction.

moreover, if you can’t imagine polyamory in the communist utopian future that’s on you.

moreover, this perception that this was a soulless cash grab is just, unfounded.

leonard nimoy returned to the role as spock for the first time in 16 years (since 1991) and this was Entirely because of the respect they had for nimoy, spock as a character, and the franchise as a whole. 

Lets look at some quotes from nimoy in interviews regarding the film:

Leonard Nimoy: When I first read the script (...) I immediately contacted J.J. and said “I think it is terrific…I think you guys have done a wonderful job. There is still work to be done, but it is very clear that you and your writers know what you are doing and you know how to do this movie and know what it should be about….and I am very interested.” Then as time went by we worked things out with Paramount, but the most important things were J.J. and the script. (...) I am very pleased about that and I am very comfortable with where this is going. I think the writers have done a terrific job. They have a real sense of the characters and the heart of Star Trek and what it is really all about.

(...)

TrekMovie.com: Now in the case of the new movie you have been retired from acting for years. What was it about this one that made you want to act again and go through the make up again? What was it that made you say ‘I really want to do this?’

Leonard Nimoy: You are right, this is a special situation. First it is Star Trek and so I have to pay attention. I owe that to Star Trek. Second place is that it is J.J. Abrams who I think very highly of, he is a very talented guy. Then came the script and it was very clear that I could make a contribution here. The Spock character that I am playing, the original Spock character, is essential and important to the script. So on the basis of those three elements it was easy to make the decision. So those three things: Star Trek, J.J. Abrams, and an interesting Spock role.

[Link]

Praising the cast playing younger versions of characters from the original 1960s TV series, he [Leonard Nimoy] said: “Let me take the opportunity to say this. Everybody at this table [the cast] are very, very talented and intelligent people.”

“They found their own way to bring that talent and intelligence to this movie, and I think it shows. (...)  When Karl Urban introduced himself as Leonard McCoy and shook hands with Chris Pine, I burst into tears. That performance of his is so moving, so touching and so powerful as Doctor McCoy, that I think D. Kelley would be smiling, and maybe in tears as well.”

“The makers of this film reawakened the passion in me that I had when we made the original film and series. I was put back in touch with what I cared about and liked about Star Trek, and why I enjoyed being involved with Star Trek. So, it was an easy way to come on home.”

“[In this Star Trek] they said things and showed me things, and demonstrated the sensibility that I felt very comfortable with, and I think that shows in the movie. I like it.”

[Link 1, Link 2]

again, you don’t have to like it just because leonard nimoy did, you don’t have to Agree. but the idea that nobody working on the film Cared is provably false. near everyone working on the project was already a fan of the series or were excited to be involved and did their homework. it’s genuinely a Miracle just how much of a labor of love this was, and in my opinion you can feel that through the movie itself. I’d highly recommend looking into interviews and behind the scenes details about the movies. they had a respect not just for the source material, but for leonard nimoy as a person.

there’s definitely more I Could say about this, but it’s 4 am now so I’m gonna shelve it jklfdsa

that said! it’s Fine to not like the movie, not everything is going to be suited to everyone’s taste, but the specific criticisms I’ve seen feel very off base

[nabrizoya]

honestly would LOVE to hear your thoughts on the nikolai duology because i really only see blanket praise or blanket hate for it whereas I see a lot of wasted potential. Bardugo's actual writing was beautiful as ever for the most part, but the choice of the plot/beats feels baffling to me. I love Nina, but her parts felt so separate from the rest of the book until the very end, and even that felt off. I liked the first 2/3 of KoS enough, dealing with the monster, political tensions, 1/2

and even the cult of the starless saint was at least interesting because dealing with people trying to rewrite the narrative of their greatest enemy (who hurt these young leaders in deeply PERSONAL ways) was really compelling (making him literally come back was. a choice) but I feel like somewhere in the last third, KoS went in a wholly differeent direction, and RoW has this vibe of feeling like she definitely wrote it after reading the show scripts or even seeing some footage. idk. 2/2

I will try to be brief (1/12)

Hey anon! Thank you so much for asking this even though it took 38756588247834 years to answer this I’m so sorry !! The Nikolai duology was good—wonderful too maybe because of the myriad of themes and topics it discussed and explored, all in addition to how beloved these characters are. For me, it’s the end of KoS as it is for you, and the entirety of RoW in particular that irk me the most.

I have very little issue with KoS, and I agree with everything you’ve said. The political tensions, the sort of urgency in trying to secure a country at the cost of personal reservations, preparing for a war that seems unforgivably near the door, etc. was all thrilling. After all, it is the first installment in the duology, and it’s supposed to set the course for the upcoming books.

KoS managed to introduce the stakes and the circumstances, lay the rails for what the characters will face and what it might mean to a vast set of entities connected to the events. And it’s hardly out of sense to expect Rule of Wolves to pick up where the previous book left off and carry forward the themes and plot points introduced in the first book.

Except, RoW failed spectacularly in that aspect.

Rule of Wolves: the second book, and the supposed finale to the Grishaverse and the Nikolai duology; it fails to continue the other number of threads that KoS set up for it, effectively compromising the characters, their characterizations, the themes and other political tensions and stakes. The due importance that should be given to the heavy set of topics that get brought up in the povs are not through, nor are the small details that Leigh added to the conversations evolve into something worth talking about, which are the actual points that could have been given some more page time to explore than just making them facts or points of nostalgia for the characters.

If you take a step back and analyze the whole timeline, events, characterization, objectives of the arcs and the plot points etc. etc., all the way from Crooked Kingdom to Rule of Wolves, there’s so much that is left out and tied in, quite haphazardly, which leads me to believe that Leigh wanted to attempt writing a duology that is more plot-driven than it is character driven. And we know that Leigh writes character driven stories brilliantly, and SoC, CK and TLoT are testament to the same. Heck, even TGT has more consistency than whatever TND has.

So, objectively? Plot possibilities? Characterization? Potential? Personal goals? Addressing the very serious themes it brought up, in little or major light, but give no proper elaboration about them?

The lost potential readily compromised the characterizations of many characters, and it all amounted to their arcs being very underwhelming.

I’m dividing this into four parts and here’s the basic outline.

Writing and Plotting

The Plot, Possibilities and Potential.

Characters, Characterization, Character Potential.

Remedy (what I think would've worked better to tie this all up)

This can get very looong, so be forewarned.

I. Writing & Plotting

Now, Leigh Bardugo’s writing is exceptional, no doubt. The sentences are short and flowy, and convey the tone, psyche, environment and the setting and its effects on the pov character marvellously. It's also immersive. It’s the same in Rule of Wolves, except, a little or a lot weaker.

The two main parts of this is that one, that Leigh slightly overdid showing a lot more than telling, and two, that the RoW (and perhaps KoS too), was more plot driven than character driven, the latter of which is actually Leigh’s strength.

In Rule of Wolves, Leigh’s writing seemed very choppy and snappish. The descriptions were lacking, or maybe that’s just me wishing for more internal conflict and dilemma, and going back and forth in one's own head for a bit. It felt like she showed more than she told.

Example being how Zoya ‘snaps’, ‘drawls’, ‘scoffs’, or ‘scowls’ less, and even if that’s supposed to be show Zoya beginning to be a little less unpleasant than she usually is, the tone in those chapters was not strong enough to distinguish how and why the character was acting a certain way. Nor pinpoint an explanation on what brought that change about. (And there were many instances like this with many other characters), which resulted in the characters themselves feeling so off to me.

Leigh’s characters are important to the story. They carry tremendous weight and actively contribute to the plot. Except, by focusing a lot more on the plot, some parts of these characters’ relevance was not up to the mark. It is greatly due to how weak the plotting and pacing of the book was, tbh, more than just her writing.

Consider: Mayu Kir Kaat. She is integral to the story, but she is thrust into responsibilities, and that doesn’t give us much time to see her as a person, and then as a person with a duty, like we see with most other characters. Whatever parts of her we did see were very circumstantial and timed, which is probably the reason why not many we’re unable to appreciate Mayu as much as we should. (Maybe fandom racism also plays a part, so, well,,,).

Like, we know from Six of Crows and with The Language of Thorns, how great care went into describing the characters’ state of mind, which further heavily influenced their choices and decisions. This time though, I think she wanted it to be more plot driven, hence the whole crowded feeling of the book and general worry about oh my god too much is happening, how will all this be solved and all that.

And this, I think, greatly hampered Leigh's writing, leading to unsettling and rather unsatisfying character arcs. Not to mention that there was quite little space given for the characters to develop or let them grow in a satisfying way which touches on most of the elements and themes that get brought up with regard to their powers and potential,,, and when it was indeed brought up, it was all in vain since they were never followed through.

That's one of the biggest problems for me in RoW: Plot points brought up in KoS were not brought forward in RoW.

II. The Plot, Possibilities and Potential.

Phew. Truly buckle up because this train has too many coaches. And to discuss them all, let’s keep the starting point as Crooked Kingdom.

a) Parem

Now, by the end of Crooked Kingdom, we know some important things about the parem.

It's dangerous asf for the Grisha who have to sacrifice their will and capabilities for a short time superpower high that they didn’t even ask for

Which means they are more often than not forced to consume the drug

Shu Han is the creator of the Parem and are also creating a new kind of soldiers called Khergud (who additionally require Ruthenium, but we’ll talk abt that later)

Fjerda snatched the formula after kidnapping Bo Yul-Bayur, keeping him away in the Ice Court and in their possession, and used the Parem to further their own heedlessly heinous agenda

I think it’s easy to understand how KoS started off on the right track, considering that Kuwei Yul Bo is mentioned, the antidote and jurda is brought up and so come the political tensions alongside it (what with the impending war, the demon, the lack of funds in the coffers and security and peace for the country alongside safety for the Grisha).

The point is, parem is a character of its own. CK was its inception, and its fate was decreed along with its lifespan and its doom. Ideally, by the end of RoW, parem should have been vanquished while addressing its nature as a deadly drug, the addiction and aftermath, and the key person who will guide the plot: Kuwei Yul Bo.

Parem is a political tool that pitted countries against each other, making one another their allies or enemies. (Though parem is not the only one factor). Ravka doesn’t yet know about Kerch’s neutrality. The Shu made their move to assassinate in the end, just as Fjerda cleared the air about their goals.

Point is, parem is weapon, a new kind of warfare that keeps getting alluded to in KoS. The first book gave a glimpse of how the Shu and Fjerda are using parem, thereby exploiting, prejudicing etc. the Grisha in their countries. Khergud whose humanity is washed away with parem + ruthenium, and the Fjerdan Grisha (are targeted) drugged and exploited while be subjected to torture, training and imminent death, parametres of these outcomes being severely gendered.

Ravka too wanted to weaponize it and create a usable strain that would still give the Grisha their powers but at a minimal cost, until Nikolai’s conversation with Grigori convinces him out of it and to use only the antidote for the Grisha.

And when are the contents of this conversation brought up again?

Never.

Another aspect of parem (that the conversation also covers) is this: that what was once merzost, parem is its strange cousin. Parem parallels breaking the bounds of Grisha norms unnaturally, while merzost takes it a step further to break the bounds of nature itself, which comes with a heavy price. They're both the same with little differences. Amplifiers are in tune with this discussion, hence the conversation between Zoya and Nikolai about how, and whether or not the abomination in him, the parem, and the amplifiers are tied together. This gets brought up again in the conversation with Grigori.

Parem parallels the superpowers, something that Zoya too manages to achieve once the corruption of the amplifier business is resolved, which makes her realize how in tune with nature the Grisha must be, and how limited the Grisha powers until then had been. And why the amplifiers were a corrupted piece of magic.

Zoya was supposed to be the conduit in that sense that she reversed the Grisha norms and understood the importance and nature of small science. This is alongisde parem getting abolished or resolved in the least, be given a redressal.

Yet instead in RoW, we barely see any of Zoya’s powers, nor even her experimentation and hunger for power which would give her protection. We don't see how she begins to realize that while power was indeed protection, it was also a responsibility. Not clearly, anyway.

So like, not only is this entire discussion thrown away in Rule of Wolves, but no matters are resolved either. Parem did not reach its end like it was supposed to. Merzost with regard to parem would have been an excellent thing to address, with or without the Darkling being present, because the blight is there. But that doesn’t happen.

What happens instead? We get one chapter of Grisha getting the antidote during the face off at the start of the book, the women in Fjerda are not brought up again and instead we jump to Shu Han. Kuwei is also conveniently forgotten because hey, the Zemeni are here so it’s all sorted!

RoW could have (should have actually) sought to address both the political and medical (?) aftermath and implications. Maybe it did succeed in showing the political side of it, with regard to Mayu, Ehri, Makhi and Tamar’s storylines. But that’s only in Shu Han, whose state of affairs we had NO idea of until RoW. No idea, so much that it was completely out of the blue.

And what we did know (get to know about in KoS) is Fjerda and the affairs there remained… unsolved.

(...sorry).

b) Grisha Powers

Re: From the conversation between Nikolai and Grigori, and Juris and Zoya, about how parem and the amplifiers are parallel to each other in terms of being abominations, a corruption of Grisha powers. Now the theory of it is not entirely explained, but we do know that the parem and whatever Zoya learnt from Juris was meant to move along in the same direction.

But we don't see another mention of it, except maybe we could dig a little deeper and realize that it all adds up because Zoya is the Grisha Queen of Ravka, Summoner, Soldier, Saint, all of it rushed and unnecessarily magical in a war so dire and realistic in RoW.

Welp.

c) Spy business

Just… genuinely what even was Nina up to in RoW? A spy, sure, but only to garner information on the pretender?

Why couldn’t there have been two responsibilities for her to uncover: the lies or truths about the pretender while the Apparat causes hindrances, and Nina trying to seek out more documents of the locations and labs where the Grisha women are being tormented and the other Grisha being weaponized? It could have been a leverage to discredit Fjerda in front of everybody in the Os Kervo scene. Imagine if Nina whipped out the documents of Grisha labs and brought the truth of the exploitation and killing and kidnapping etc. in front of the convention of all nations. All of it together would have upped the political tensions by quite the notch.

Even then, there’s a possibility that it wouldn’t matter either because the Grisha aren’t exactly valuable to all the nations. But killing and exploiting is still wrong so maybe it might have worked? Or see, even if it wouldn’t have, the slow and sluggish realization of Mila’s identity by Brum, and alongside writing it as a tragedy where Nina’s efforts seem to have gone to waste, or where Nina is telling Zoya about not accounting for Prince Rasmus’ word and she informs her about the documents she has snatched? Something could have been done here?

The point is, KoS focused on Fjerda and its unraveling, and it wasn’t continued with and through in Rule of Wolves. Instead it sought to find the problem in a whole new country, Shu Han, and fixed it within the same book leaving the other country as it is.

d) Ruthenium and the Blight

Ruthenium, the metal that is an alloy of regular metal and Grisha made steel, could have been utilized more significantly in the books.

I mention it in association with the blight because while on one hand it is true that the blight is an area full of nothingness, ruthenium as a metal could have been utilized to show the effects of rushed industrialization that is leading to the ground losing its essence. This is supposed to be advanced warfare after all. Besides, Makhi loses someone very dear to her. Perhaps ruthenium is more dangerous in Shu Han because the Shu use it to create the khergud, so the constant manufacturing of it has been leading to the metal leeching the lands of their fertility, along with the blight.

And so also to broker peace, Ravka could have provided aid in some ways. :

1) The Darkling sacrificed himself, as a result of which the blight vanishes. While the blight took away her niece, the possibility of a blight persisting despite the ending of RoW could be attributed to ruthenium.

2) Ravka could provide the reversing effect to the alloy of ruthenium and metal using Grisha and otkazt’sya engineering and ingenuity to replenish the lands.

All in addition to whatever will be Shu Han’s policies to bring lushness to their lands.

e) Women and War:

Holy fucking Shit, where do I start with this?

Whatever we saw in Fjerda was haunting, and we see it from Nina’s chapters. There’s literally no resolution for it, nor is it ever brought up again, at all. In Zoya’s chapters, we see through her eyes the brunt that Grisha faced with the war, and in a country that has refused to recognize Grisha as the citizens and considers them expendable.

Add to it her own narrative of how the women are never mentioned, let alone the ones that she has lost or has known to suffer, at the hands of the war, at the Darkling's torture and powers. The description of these women suffering, often being forgotten and thrown aside as mere casualties… where or when was it ever going to be brought up again?

Like, switching between such horrifying things happening in Fjerda to whatever was happening with Zoya and Nikolai and Isaak is such a contrast, horrifyingly demeaning and insulting, even more so when it failed to align with the importance of parem and offer a solution to both these problems.

Now switch to Rule of Wolves, where the Tavgahard women immolate themselves on Queen Makhi’s orders. Not only is that such a cheap and insensitive thing to do, it gets treated a simple fucking plot point in the book, and it barely gets addressed afterwards. Women in Asia have a vastly complex and complicated history with fire, and this is a serious criticism that culturally affects readers in personal ways. And what gets done about it? Fine, Zoya feels baaaad, sorry oops why would the women do that?!?!?

Where is the adequate sensitivity to the topic? Where is the continuation of the pain Zoya feels for many people, despite them being the enemy? How does she honour them? Where is all that dilemma and pain? Why does she not think of them or just get a line or two to talk about them?

Where is the due importance for this suffering given? Structurally and culturally?

f) Soldier, Summoner, Saint / Yaromir the Great

We never really get any explanation for why Zoya deserves to be the Queen, and why she is the best. But we do get to see why Nikolai isn’t the one supposed to be on the throne, and it’s not just because of his parentage but also because of his failings and doubts and the need for acceptance with the secrets he carried.

Here's the thing though; it’s not just about her showing mercy. It’s very subtle, and in good sense, should actually have been given a little bit more importance that be loosely brought up at random times.

Keeping aside the fact that Zoya is representative of Ravka—a woman, a Grisha, a Suli girl who changed the course of war and who knew what it was like living in poverty, being as an underprivileged person of the society in addition to the trauma from then and the state of living at her aunt’s place—which is meant to be covertly apparent, the other reason tracks back to Yaromir the First, who with the help of Sankt Feliks of the Apple Boughs—the one who raised the thornwood—lead Ravka at that time into the age of peace.

The Darkling testified that in his POVs, that while Feliks and Yaromir worked in tandem for Ravka, Aleksander worked for safeguarding the Grisha. In one sense, Zoya is supposed to reflect that moment in history in the present moment, except she is Queen and Sankta, and Grisha, all three at once.

It is brought up in one of the Darkling’s POVs and once in the conversation with Yuri in KoS. Other than that, we never actually get any more hints of this explanation in the text, which is the reason why the entire ending felt so so rushed, and like a fever dream, that even if it was a plot twist, it was kinda very baseless when it should have been more ohhhhh sort of a thing.

g) The Starless Cult and Saint Worship

This cult had immense potential to blossom into many things, some of which were indeed touched upon in KoS when Zoya says that she saw a bit of herself in Yuri, and brings up time and again how easily she’d been led and had not been aware enough of what’s right and wrong, just as she supposes Yuri is too. And to some extent, there is truth there, because in the Lives of Saints, we do see why Yrui comes about to hail the Darkling and how it parallels Zoya’s, of being helpless and ten being saved by a different power/ their own power, respectively.

That’s where it forks, that Zoya is older and realizes the path that Yuri has chosen and understands that it won't happen until he realizes it himself because the Darkling’s crimes are so obvious.

Even then, there’s still more potential: This cult could have been the mirror that would make Zoya reflect on the questionable methods of the Darkling, and the ways in which she might be mirroring them, despite or not it is the necessity because of the war. How she is training soldiers too, just as the Darkling did, and while the need to take children away from their homes just as soon as they were discovered Grisha was abolished, it was war, and they needed soldiers.

So like, there’s quite a big narrative going on here, how mere children are pushed into one path of becoming a soldier and the whole system that was that the Darkling followed to train the Grisha and all of that. All of this in addition to the juxtaposition to the Grisha being seen as elite despite them being hunted, and the people who are not Grisha frowning upon them. This is also the work of the Darkling, which actually paves the way to see how there can be a world where the Grisha are not feared or seen as abnormal, despite or not they are given a Saint-like narrative.

This cult could also have been the segue to discussing Yuri and his brainwashing, and the sort of cult-ish behaviour of believing in something firm when you couldn’t believe in yourself, or not seeing the magnitude of the crimes of their supposed Saint, alongside always staying focused on becoming a soldier only and never actually thinking beyond what is told.

Some of these are very subtle and some are brought up, but never given too much of an explanation.

Genya brings up another good point in the funeral chapter, about how Fjerda seemingly taking into the whole Saints thing could mean that if the Darkling moved there, he could very well sprawl his influence there to bring in supporters. Which leads to another discussion that gets brought up towards the end of the book: about Nina telling about the Ravkan Saints to Hanne and therefore to the Fjerdans,,, which doesn’t exactly sit right with me. It’s still a very nascent topic, and I think SoC3 will explore this path of faith and personal beliefs etc. but leaving it just there, while talking so much about Saints in both the countries,,, don’t exactly know how to put it into thoughts here.

But regardless, the cult of the Starless had different potential to talk of (blind) worshipping of an ideal without critically examining why the person must be put on the pedestal in the first place (and if it is simply power, then there is actually a narrative right there, which RoW gets right, about the people valuing the power still, as a result of which the monarchy still persists at the end of RoW. Even then, there’s more discussion awaiting there).

Not sure if any of this makes sense, but I’ll leave it at this here for now.

edit: 05/07/2021 | I think what I was trying to say here is that we do not have any kind of narrative evidence to seeing how and why it seems right that the Fjerdans will worship Ravkan Saints; is it merely because they are all Grisha? Or is it because of the segue explore this path of faith and personal beliefs and all of that, of the talk of the monastery and the Grisha there being of all identities, that a monastery is in Shu Han, that it has Djel's sacred Ash tree so far away from Fjerda... much to think about.

III. Characters, Characterization, Character Potential.

Mostly going to be about Nina and Zoya, but I’ll bunch up the rest of them at the end.

a) Nina

*head in hands*

I severely mourned how poorly Zoya was written in RoW, but then I realized that more than Zoya, it’s Nina whose potential was severely undermined and wasted. On one hand, I’m glad she uses her powers and quick thinking,observation and her own tactics to analyze the population and opt for the best way to make them see the truth she wants to show them (eg: making Leoni and Adrik and Zoya saints and also showing that the Grisha are the children of Djel via people’s belief to Joran and Rasmus’s mother).

But then, it’s like you said; her parts were so offbeat and outpaced and completely disjointed, when in fact, Nina is the thread that ties all the characters, their plotlines and potential, together. Nina is connected to Zoya and Hanne, two equally important characters and main characters of the duology. Whatever scope Nina has, they are greatly in parallel to Zoya and Hanne. And it’s all literally there, in the text! What a waste.

Though keeping aside these parallels, Nina’s own journey from Ketterdam to Ravka to Fjerda, while is spoken about, doesn’t touch some other parts that I see potential in. Or this is just meta.

Nina has grief not just from Matthias’ death but also from the loss of her powers as Heartrender. So much of the Second Army was built on being a soldier, and perhaps the Darkling was not outright disdainful of racial differences in his army, yet he still stripped every part of the children away until they weren’t children anymore in his view. They’re all soldiers… (albeit his soldiers, preparing them to do his bidding because hey, give and take right?). Nina was a soldier, and she is a soldier still under Zoya’s role as a General, but an ‘other’ of a soldier. That’s her only identity, and the loss of her powers means that she’s a different kind of soldier.

I imagine that this entire time, some small part of Nina longed for normalcy, or whatever settled as normal for a life like hers. In the sense that she wants to go back, but what is back and where exactly did she want to go back to? What was the before and after and where did things go wrong or change? There’s tragedy in the realization that whatever you were before what you became is not a place you can return to, and that’s a different kind of loss that she has to bear, and all by herself. She has powers over the dead now, a strange power she learns to grow to, but all the places she has been, all the lives she has led and people she had been, everything might seem like they’ve all been locked away in some strange place leaving her barren and indisposable.

She’s off to Fjerda as someone she isn’t, figuratively and literally. In KoS, Nina brings up many times how odd she feels as Mila and in some capacity longs to be Nina Zenik again. This ties in with the previous point of returning to somewhere, but where?, but is also a segue towards body dysmorphia, the thing that Nina and Hanne’s storylines parallel and connect too with in a small way. It’s a great line to follow to discuss what her discomfort with her body means to herself while it means something entirely different to Hanne, who is also not entirely comfortable being who they are. (This discomfort further which leads to gender dysphoria, while for Nina, it will be about learning to accept her powers. I’ll add on to this in a bit,).

I'm mourning the lost potential of that experience being a parallel to Hanne’s own feelings, of a discussion between people being uncomfortable with their bodies, something that can mean multitudes to each person and on their own accord.

In parallel to Zoya, I like to draw it from the fact about Nina wanting to go back to who she was, while Zoya actively tries to lock her past away and drown it somewhere or throw it to the storm, never to hear of it again. She has no identity other than being a soldier, and that’s enough for Zoya, because who she was before she was a soldier is not pleasant. But moving from being just another expendable shell of soldier under the Darkling’s rule, Zoya becomes the one third of the Triumvirate, and then the King’s general, all of which bring self-awareness of Zoya’s capabilities and challenges that are bound to excite her. But all of these also compel Zoya to be many other people to others as she slowly grows to realize that power is not just protection but also a responsibility, and it will inadvertently mean confronting her past of her lost identity, realizing the how of the Darkling, and how harmful it was. As Genya puts it perfectly in Rule of Wolves, that they were all taken away when they were young kids, not even barely children, and then thrust into responsibilities that didn’t allow them to be anything else other than what the Darkling told them to be.

Back to Nina; a few other great parts about Nina’s arc could have been about her connection to languages, as language being a mode of strengthening identity, in addition to growing to her powers. In RoW, there’s this line that goes ‘how sweet it was to speak her language [Ravkan] again’, and the feeling of homesickness. Like, Nina is trying to connect to Ravka through what she knows best—language, and then stories. In that, Nina realizes a part of her identity, which could also act as a segue to Zoya reclaiming her own heritage and ethnicity. Not only that but Zoya and Nina’s stories are literally so intertwined that it’s hard not to see how their choices and line of thought affect one another’s arcs, in the grief they have and how they choose to treat it, and also show why Zoya is particularly protective of Nina (and keeps wishing that she doesn’t become the monster Zoya had become, in the sense that Nina is more mature in handling her grief than Zoya was and the entire mercy plotline ties Nina, Zoya and even Genya together. More meta, haH).

And that’s why the ending doesn’t make sense. Even though the part about her not being comfortable as Mila is not brought up many times in the continuing chapters (and that’s why perhaps naming Nina’s discomfort as body dysmorphia may be wrong), there’s still the part of Nina readily accepting to be who she was a Mila and remain in Fjerda that seems iffy to me. Especially when Nina and Hanne literally a few chapters ago think about running away (it may be just another alternative they might be fantasizing about, but I think it still means that they both want to be their true selves without hiding any parts of it away). So her staying as Mila… well, it doesn’t exactly add up.

I’d also add the part of Nina’s story mirroring Leoni’s, and how she is from Novyi Zem and being a part of the Second Army meant that she had little to no connection with her past, her culture etc. But maybe that’s just wishful thinking on my part that Leigh went for that arc.

edit: 05/07/2021 | I don't agree with my point anymore about Nina not having the kind of ending I assumed she might have, considering that it is very well possible for Nina to treat her identity as Mila as a fresh start, as a Grisha with a command over the the dead and begin a new normal that is suited for her. You can read more here.

b) Zoya

For one, white passing Zoya is not canon to me. I simply pretend I do not see it.

See, her race was handled very badly. Making her half-Suli was supposed to show the struggles and the trauma that the ridiculing of her identity by other people has caused to her. Except, not enough time nor text is given to thoroughly discuss it. Not to forget how problematic of a narrative in itself it is to make Zoya white passing.

It would have made more sense to make her dark skinned and predominantly Suli-looking than whatever yt bs she was put through. Her not being white-passing would have led to conversations about tokenization, or people caring little about her and not giving her any respect because she is Suli. Or being called beautiful to the face and praised just for it or a harmless tumble in their point of view.

So like, instead of making the ‘mistake’ of seeking for acceptance, seeking appreciation and love, from her mother at first and then the Darkling, Zoya instead makes herself someone to be feared, if respect was not what she deserved. The iciness is a part of her and has always been, but all of it soon became a shield, an armour that she vowed to harden her heart with. Just the sheer impact of this narrative and her reluctance, and seeing Nikolai love her for beyond who she thinks she is… if all of this was canon, I’m pretty sure I’d have built a shrine for this duology.

Let’s now talk about her grief, and...

…

Okay it’s not for me to point fingers at how Leigh chose to write about grief because there’s no one way or one proper approach to go through that pain, and if that’s how she chose to write about grief for Zoya, fine! But I really wish we’d have gotten a little more into her head to see how the trauma has affected her thoughts and how she struggles against why and what exactly it is that Juris wants her to do. That enough time and text was dedicated to Zoya’s feelings and the mayhem it caused her, as a result of which the dragon’s eye took its cue and made things more unbearable to her because she was the only one to bear them all.

Like, I feel like Zoya was overwhelmed throughout the book and in between she had some skyhigh responsibilities to discharge and it’s all so inconsistent and poorly woven,,, it completely dissolved her character from KoS and made it 10000000x more miserable for me to read her POVs. And honestly, what even were her assignments that the Kirkus review mentioned? Never an inch of text in RoW is given to decipher her complications of her mind, the muddled sense of hopelessness and fear that grips her time and again. Why overwhelm her so much that you fail to do her mental state and capacity any justice?

I’m not going to be harsh about how much David’s death bothered me-- no actually fuck that; what’s the point? Fine, he died. All because you wanted to make his death a plot device to make Zoya reconcile with loss and deal with it? Where was Genya’s grief? Literally no point of having a death in the book at all, and it didn’t even achieve anything. (I’m still trying to wrap my head around why David’s death was important and maybe if I find some straws, I’ll consider…)

There were so many other ways around it; could have brought back Lada and killed her off, or have the Darkling piss her off so badly or just. Something. Instead of whatever happened with David. I think this is too harsh and insensitive of me to say about Leigh, but still… there’s a myriad of other ways to have gone about it. Helping Zoya deal with her grief with Nikolai at her side, to understand that the rage that was fueled from her loneliness, like it had been in the past, could now be a weight that Nikolai was willing to carry with her… Helping someone with their grief, staying and choosing is also a love language you know?

So in that regard, I won’t regret saying how flat the garden scene was to me. Zoya’s lines, though tinged with grief, were so out of what I would expect KoS Zoya to say. Maybe it’s also because of how bitter I was reading about David's death, despite that part being spoiled for me.

The cost shouldn’t have been David’s death, especially not when his death too wasn’t properly handled at all, and Genya’s grief was never spared a second thought beyond bringing Titanium.

+

Now let’s talk about how Out of Character Zoya was throughout the book. Her punchy attitude was missing, and even if she was warming up to her friends, we see little of the iciness she continues to retain. Another part of this is about exploring her relationships, particularly with Nikolai and her growing feelings for him. I wish we’d have seen them grapple with more of their confusion and propriety, if only for the yearning™. Besides, no matter how cute their scenes were, they were mostly (like maybe some. 70%) awful to read them, simply because it felt so odd to see Zoya be so open with Nikolai, all of a sudden.

A part of this definitely has to be the fact that we don’t know just how much time has passed between the end of KoS and the start of RoW, and we never, never see any description of they regarded their feelings for each other and how they understood it themselves. I don’t actually know how exactly I can put this into words in a manner that will make sense, but the only scenes where I appreciated Zoyalai were in the Ketterdam chapters, ONLY. The rest was… bleh lmao. Their scenes were so cute and brilliant, and if only we’d seen more of the internal conflict and had given some more time for them to practically approach their feelings but still end up in the puddle of it. If only.

Their scenes apart were the good ones, because that’s where we finally see Nikolai feeling the loss, no matter how temporary (on the verge of being permanent since it’s the war), of not having Zoya with him, of not being there with Zoya because who else would it be if it wasn’t her? Zoyalai had good scenes but they barely lived up to the mark lol. Their feelings are never thoroughly explored, nor their mental capacities.

While we’re talking about Zoyalai, let’s also talk about how lame it was for Zoya to say that Nikolai was the golden spirited hero all along, from the very start, when canonically we know Zoya had little to do with him in the earlier books, that she may have only been physically attracted to him and never saw him as more than just some guy with a responsibility to manage, and had sooooooo much distrust about him. And that it was only in the next few years of working with him and alongside did she grow to recognize his efforts and relish in the hope that he was building for Ravka, inadvertently making Zoya hopeful too.

Nope. Instead, we’ll just throw in some destiny bs that he was the one all along rather than show that the beauty of their relationship did not stem what they perceived of each other, but was instead built on strong respect and admiration for one another and their capabilities. 100% destroyed their relationship for me.

+

Some good parts about Zoya’s arc in RoW was how she acknowledged her past mistakes, and the nuance that was touched upon in seeing sense in becoming a soldier from the start, that offered her a chance to be anything other than a bride. That some part of her was grateful for the Darkling for teaching her how to fight, while still keeping Genya’s words in mind about how they were mere kids, children who had only one path to traverse because the Darkling (who wanted their acceptance and loyalty) nor the Kings of the country let the Grisha be anything else other than pawns of the war. That she recognizes her mistakes as a teen and how self centred she was, that her being snotty had at times cost some peoples’ lives too. And she doesn’t take the blame all up on herself, because it’s not hers alone to bear. Super good.

Also, the way Zoya comes to view power as responsibility instead of merely as protection was something cool to read about. It’s not clear in the books, but Zoya actively tried to not be the Darkling while still continuing to build an army for the war out of necessity, and actually sharing some parts of the dream that the Darkling had for the Grisha. I can’t articulate this so perfectly, but the point is, Zoya trying to avoid becoming a tyrant like the Darkling was an active process that she was constantly trying to change, and where Zoya could not recognize her own feelings and inherent thoughts about warfare that in some ways did mirror the Darkling’s, by the end of book, Zoya is much more self-aware and conscious of herself and her power than she was at the start of the book. And this was well done.

+

Now, what is up with YA and making people turn into giants or animals lol wtf. Why couldn’t we have seen Zoya use her dragon powers in a way that symbolizes the conditions of her dragon amplifier and the power of the knowledge she obtained from Juris? She is a Saint, and we’ve seen that their powers allowed them to cause ‘miracles’ and such, as we see at the start of KoS and at the end.

Why couldn’t we have seen Zoya dabble with her newfound powers and completely lose her shit in anger during the wae, only to rein back in mercy, just as someone from Fjerda begs for forgiveness since they see her then as a Saint? Adrik and Leoni used their powers in Fjerda, so having Zoya bring about a conundrum of all orders and do something about it would also have been cool, wouldn’t it? In the funeral scene we see her turn water into ice, thereby making a path for Genya. Why couldn’t we have had more exploration of the importance of the dragon’s eye and the general nausea of being overly empathetic every. damn. time? Why didn’t we get to see her powers? Why couldn’t we have seen her fail in them and realize that the reason she was not perfect was because she was trying to be strong on her own and was not relying on others and joint effort?

Her turning into a dragon was genuinely the most baffling part bc here’s a war that’s so serious and dire with metals and bombs, and then here’s this magic that will solve all of it entirely. Like I’m not saying it was bad, (I am actually saying just that) but I also don’t know what I am saying, except that the ending felt like a fever dream.

…?

Not sure if I’ve managed to convey it properly, but well. Zoya felt out of character throughout RoW, and that the only place I saw KoS Zoya was in the final Os Kervo scene where Zoya finally agrees to be the queen.

c) Nikolai

Nikolai’s arc was very satisfying and brilliant to read about in RoW. In KoS, he seemed very much like a passive character, one of the reasons why his stunt with the Shu in RoW was appreciable, no matter how ill-timed of a plot turn it was. His journey throughout this book was also introspective to see why others deemed him unfit as the King, and even if they were his enemies who thought that in want to dispose him from the throne, Nikolai realizes that him being on the throne is not of much value and that this book was entirely about him seeing his privilege and making decisions to counter and correct the mistakes he’s made. That was nice. Oh, also his father not being an antagonist was a pleasant surprise.

I don’t have many complaints about him, except perhaps wanting some more internal conflict and elaboration about his feelings for Zoya. Them being apart was where it was satisfying, and then in the Ketterdam chapters. His arc could have been better in KoS, but that’s to blame the plot for the characterization.

d) Hanne

Now, from the very start, their arc was super good and it only got better and better until… the ending. Except it’s so odd that Hanne, a poc, has to now live as white person, while feeling comfortable in their transmasc identity. Icky, no? That you need to eliminate one part of your identity in order to feel safe and comfortable about another? Add to this the whole white-passing Zoya thing,,, doesn't exactly send off the right message.

Together with Nina, the ending seems uncharacteristic for both of them. Them coming to accept their powers and knowing to use their powers on their own accord was brilliant, though the entire husband business felt very,,, eh to me, even if it did make sense. The ending about their name and their new identity was too vague.

e) Genya, Leoni and Adrik, Kuwei, Mayu,

Genya is the one who faced the most disservice along with David. While there were exceptional parts to both of their plotlines, it's still sad that even if David's death was necessary, we don't get to see the entirety of her grief and the possible anger, and that her kindness is simply used as the justification for lack of portrayal of grief.

It really did take me by surprise, mostly because I wasn't a fan of the original Shadow and Bone book, but seeing David's conscience and self-awareness, along with Genya's (and Zoya thinking of how she wouldn't let any harm come to them, which shows a bit of her development towards her character development), was plenty refreshing. David and Genya were genuinely the highlights of the book and to kill David off was just. doesn't sit right with me.

Leoni and Adrik deserved more page time. They’re saints and immensely capable (no wonder they’re now the Triumvirate), but a few more pages for them to shine would not only have been nice, but also a necessity.

And now, Kuwei...

....

I mean,,, parem should have been the plot, alongside the entire weaponry and the discussion of making a city killer. But uh… that didn’t happen.

There's not much I have to say about Mayu, Tamar and Ehri, except that their plot was superb, only very badly timed.

There's more to talk about them in the remedy tho.

IV. Remedy

Here’s the deal. Before KoS release, there should have been a Nina novella.

Nina is a very important character. All of her potential, alongside many other parts of her personality--from dealing with grief, to accustoming to her powers, to growing stronger--there could be so much to do with her as a protagonist, alongside another character: Mayu.

A whole book dedicated to Nina in Fjerda with Hanne? Brilliant. Show Stopping. Mind blowing. It gives SO much page time to explore not just Nina and Mayu, Hanne, but also Zoya, Leoni and Inej. All together.

How?

Nina’s plotline carries the entire medical effects of the use of parem, just as Mayu’s will carry the pain she feels about her brother being a part of the khergud program. The novella will give ample time to flesh them out as characters and protagonists, each dealing with plot problems and problems of their own--like the loss of ones powers and newfound responsibilities, and the shared loss of a beloved person in parallel, even if neither Nina or Mayu interact on page.

Fjerda and Shu Han could be tied together with one chapter as a POV from Zoya (or maybe two), who, along with the Triumvirate and Nikolai, are completely at loss with the political scenario in the country, and are debating over what should be the course of action. Zoya receives news from the scouts, and missives from Nina, and Tamar takes care of the information she garners from the rest of the network, including Shu Han.

Like, the entire surprise of finding a Zoya POV, from a character whom until CK we’ve known as cold hearted and stern and not giving a fuck about anything or anyone, be humanized in that one chapter, thereby building up the anticipation for her arc,,, the very potential,,, *chef's kiss*.

And by the end of book, we could have an POV--or maybe a cameo if not a POV--of Inej meeting Nina on one of her travels of slave hunting. Inej could help take care that the women that Nina has rescued (as Nina does in KoS) reach the Ravkan shorelines safely. But, for a price.

The entire parallels between Leoni and Hanne and Nina could be set up, while also building up the narrative for the Saints’ plotline with Adrik's, Leoni's and Nina’s powers (like it was at the end of KoS). KoS and RoW would thereby continue it by tackling the weaponization and the antidote, Sainthood and the rest of the politics of it all.

Coming to Shu Han: one key aspect that I’d love to have explored would be the importance of art, during or despite the war. Of how war or pain chips away culture, while detailing on the ill effects of it from the commoners' perspectives, from the soldiers etc. Art is integral to Shu Han and could be portrayed by Mayu’s pain finding balm in poetry, of seeing glimpses of Ehri poring over poetry also mayri ftw, of politics that Makhi is weaving against Ravka, etc.

Or also add some more length to Zoya’s POV and explore a bit of Tamar and Tolya and Kuwei’s interactions and perspective added to it, of missing a home that they seemed to not know, or know; of discussing culture and differences on the basis of where they’re from (maybe the twins are from the borders, while Kuwei grew up near the capital or somewhere distant from the borders etc.), all while directly pointing at Zoya’s heritage and how it ebbs at her conscience, no matter how much she wants to bury it.

POTENTIAL !!!

Like,,, Nina novella would have been too powerful. It would have been perfect. I think I’d excuse bringing back the Darkling too if this was the case. (Or maybe not).

But welp.

Hey, thanks for reading! Not sure if you could make it this far, but if you have, you honestly deserve a medal for sitting through this all. I can’t imagine how tiring it must be to read through this, considering it seemed to take it more than month to compile this there’s also me procrastinating on it too so i’,mbhbdhshfsdn

Drop an ask if you want to talk more about this!

Sincerely, thank you!!!

[korra-the-red-lion]

Legends of Tomorrow and the Zarlie Incident: Is it happening again?

As many fans of DC’s Legends of Tomorrow are aware, during season 4 and 5 of the series, the ship “Zarlie”, a pairing of Zari Tomaz and Charlie, became quite popular during this time, especially during season 4.

Zari was a fan favourite character who was introduced in season 3. Throughout the season, Zari kept mostly to herself until she began to warm up to the others on the Waverider. Due to Zari’s closed off nature, she never had a LI in season 3. There were jokes about it, of course. Zari was very attractive to one Mr. Jonah Hex, and honestly. who wasn’t from the Waverider, haha? We’re told them as viewers that Zari is attracted to men. Sounds good.

Then s4 rolls around and Charlie gets introduced to the crew. Charlie takes an instant liking to Zari, affectionately calling her ‘Z.’ Maisie previously played Amaya on the previous two seasons, who was quite close with Zari as a friend, so it only makes sense that there is some chemistry between the two actors since they’ve been friends for awhile now. I wasn’t surprised when people starting shipping the two of them, thus the ship ‘Zarlie’ was born. What I wasn’t expecting was the writers to play into it. They had some pretty close scenes, and by close I mean there wasn’t enough room for two hands between their faces. And Zari made a comment about Charlie picking Amaya’s form because she was hot, implying that she thought Amaya was attractive. Thus the infamous scene happened:

No denial from Zari, just her usual annoyed look she got whenever Charlie started picking at her. Thus, the Bi Zari headcannon was born and mostly accepted by everyone in the LoT fandom. Of course, with Avalance and I believe Constangreen at this time, many people doubted it would become canon. And unfortunately, shortly after, Nate and Zari began dating, which felt sudden to me personally, and Steelhacker was born.

However, Steelhacker canon did not stop Zarlie from continuing. If anything, the writers only added more fuel to the fire so fans could have discussions. This is where I started to get annoyed, because why continue to bait the pair if you have no intention of making it canon? It felt a little dirty to me, even as I enjoyed the banter and chemistry between the two of them. Oh well, I thought at the time, it’s just shipping for fun now.

Season 4 ends with Zari being replaced by Zari Tarazi, or Zari 2.0 if you will. People still shipped Zarlie, though it was mostly from Zari 1.0. Fans were a little put off when Charlie said she slept with Behrad, but it also called attention to the fact that Behrad technically replaced Zari from the original timeline, meaning that Charlie wanted sleep with Zari, yes? Very confusing, but in a weird way, it was almost like they canonized the ship further.

Maisie had been on record several times acknowledging the chemistry between the two, and how much she wished they could have explore that more. Then of course, the news of the filmed but deleted kiss broke out and everyone from the Zarlie fandom lost their mind. There was a kiss, so in some strange way, Zarlie is canon, but only behind the scenes. From a show that does have amazing queer characters and content came a strangely bizarre queerbait that is now semi-canon, but only because the news of the kiss came to light, otherwise it would be another ship lost at sea, dragging people down with it as it lured them with its content. That should be the end of it, right?

Wrong.

Season 6 came out this season with Astra, the villain being manipulated by the Fates in season 5, being elevated to main cast. Joining her was newcomer Esperanza “Spooner” Cruz. Some people were hesitant because Astra was a bit of a polarizing character in s5, with reason. And of course, with any new character coming in, people are worried on how they will fit into the show. However, Spooner easily became a character that people enjoyed, and she somehow grounded the show, due to her very emotional character arc.

Spooner and Astra didn’t interact much until the animated sequence, when Astra turned her into a fork, much to the fans delight. Spooner actually encouraged Astra and after that, the two slowly became friends. They could have some snarky yet fun back and forth conversations and remarks to another, and the two actors played off each other well. They also connected from their lost mothers, Spooner who thought her mother had been taken by aliens and Astra who lost her mother to hell. They had a sort of emotional vulnerability between them that only they could understand.

Then the bowling episode came out and I think this is when the ship really got rolling. There was the big hug at the end of the match were a much taller Astra scoops Spooner up off her feet into a massive bear hug, smiles between the two. I know this is when I became a solid Esperastra shipper.

The pair continued to partner up after this. They partnered up again during the Clue-esc murder mystery game. Something that is very interesting about this is the pairings themselves. Ava gets killed by Sara right away (lol) and Nate dies shortly after, with Sara following behind. When Sara dies, her and Ava are shot together in a typical lovers pose in death. Makes sense, as they are engaged. Zari 2.0 is paired with Behrad and John, her brother and her lover respectively. Everyone is paired with someone they love. So...Astra and Spooner are paired up. Okay, no comment. JUST KIDDING. They die together, and this is shot in such a romantic way:

I know it’s dark, my apologies. But Spooner is leaning on Astra, and Astra is falling on top of Spooner. I’ve watched and read a lot of stuff, and this is a typical lovers in death position as well. 

Then we get to the final two episodes which see Spooner and Astra pairing up again. Spooner leans on Astra for emotional support throughout these two episodes, because she knows that Astra understands what she’s going through. Astra was devested when she thought she lost both Spooner and John at the same time. Luckily, Spooner did come back and the two shared a very emotional hug.

Now, this is where it gets a little frustrating as a fan. The writers and showrunners have stated clearly that they are Just Friends(TM). It seems like, based on some decisions from this past season, the writers are pushing for Astra/Behrad, which is like, not terrible but a little strange. However, Tala Ashe (Zari), has been on record to say that she thinks the actors have great chemistry and she ships them. So there is clearly a small divide yet again. So, if season 7 leans into this any more, is Esperastra the new Zarlie?

Of course friends can love each other, hug one another, and use each other as emotional support. However in this case, there does seem to be some underlying tension between the two that I wonder if the writers are going to explore. Is Esperastra going to stay friends, or end up becoming yet another queerbaited sapphic couple from Legends of Tomorrow? I guess only time will give us an answer on this. However, I will say, the parallels between the two ships is slightly uncanny, and perhaps even intentional. Zarlie connected by being two people who felt lost without family, and Esperastra may be doing the same thing now that John is gone, who was functionally Astra’s only family left.

Let’s hope Legends of Tomorrow doesn’t do the same thing twice.

[riathedreamer]

no ur right, 0 killed any character growth tucker had, completely changed the relationship between wash and lina, dont get me started on wash's charactertization... it was so clear that they just chose the most popular characters from the og serries to sell the "its still rvb" thingy. like, i watched it too and it wastn bad! i could even grow to like a lot of the characters BUT its not rvb! if they had made it a different show, or at the least made it like the PSAs, then i wouldnt care. but i just cant stand it when they call it rvb, its not! IT ISNT EVEN MADE IN HALO! i hat the stupid walk aniimations and how they never stand and talk and how tucker lost the most iconic thing of the series to fucking plot armor and how none of the plot makes sense! you have every right to be dissapointed and mad at 0

Sorry for such a slow reply - my half-asleep brain opened the ask at 3am, decided to answer it in the morning, but by then I had forgotten all about it.

Yep! I talk about it more in depth in my review, but Wash, Carolina and Tucker just feels like they've been added in to be "proof" of it being RvB - and it's basically the only connection Zero has to the title. But they are used as props at the cost of the character development. It was... ugly to watch, honestly.

I am absolutely *awe* of how someone made the decision to have the opening lines of Zero be the retconning of Wash's brain injury - the thing that has been a main plot focus of the last two seasons.

The iconic "do you ever wonder why we're here?" is nothing against Zero's:

"Hey, what's he doing here?"

"Who? Zander? Oh, I can't stand him. He's one of those guys that says irregardless. So don't get me started."

"No. Major Washington. I thought he was forced to retire because of his, you know, brain."

"One: rude. And two: I heard they fixed that a long time ago using cutting edge robotics and old kitchen appliances. He's got superpowers now."

Those are the opening lines. They opened this season with retconning. This is the grace and respect they treated the original RvB seasons with. This is how they decided to OPEN THE NEW SEASON. This is the first thing we meet.

This is my main issue. Not just the retconning here, but what it comes with it. People are allowed to like Zero and maybe they like the new characters, I don't know, I don't care, but how can this be defended?

The very first lines illustrate that they did not care about the RvB in its title. They had a story - totally disconnected to the rest of RvB - with new super powered characters and they were gonna tell it, no matter what. It doesn't matter if it fit the world building, the timeline, the writing style, the character development, the animation style of RvB - because that's over, baby, this is all new, and better, and oh why don't you like it, why are you haters?

Sorry, I got mean there. But those opening lines... It makes me mad and it makes me sad, and it makes me throw up my hands in frustration. As someone with a master's in literary and media analysis, as a published author, but most importantly, as a fan of RvB.

[why-this-kolaveri-machi]

please. i can’t do this alone.

Titans 3.01

thoughts! thoughts! thoughts! some red hot thoughts!

SPOILERS ahead.

1. one episode in, and this season already looks set to give me everything i want. its abandonment of plot and storytelling conventions as it goes from one point to the next at breakneck speed; its cheerful bastardisation of iconic storylines from the comics; the ‘as-you-know-bob’ clunky exposition on one end and extremely restrained, subtle explorations of complex character dynamics on the other; endless shots of neon bleeding into black and blue corridors, shadows and silhouettes; my delight in seeing it celebrate and deconstruct the dark nolan-y batman aesthetic at the same time; my bafflement that it’s so fucking goddamn obsessed with the batfam when it’s supposed to be about the TITANS; kory just... saving every overburdened, clunky scene that she’s in by her sparkling charisma. just... *chef’s kiss*. muah. my show is back, in all its glory.

MY SHOW IS BACK, Y’ALL!

1.5. i mean... this show is so artful and weird and not afraid to go absolutely bonkers in exploring its characters’ psyche, but can just about barely stage a passable comic book fight when every tom dick and harry and their new streaming services can deliver ones that are far more exciting. i love this show with every atom of my body.

(there’s something to be said about rooting for the underdog as well. a pleasure in finding something to love about what other people dismiss. but! enough navel gazing! i have fictional characters’ navels to look at! metaphorically! and maybe literally!)

2. i expected jason’s death to come about pretty early in the season as soon as i heard rumours that red hood was showing up, but for it to happen in the first five minutes of the first episode... that’s a record. 

(well. “happen.” still don’t know what exactly went down there.)

2.25. GOD. jason is such a tortured and tragic character in this show, used and passed around by people with alleged good intentions, never really fitting in anywhere. he’s veritably bleeding vulnerability and the need to belong, the need to be known, and yet the tragedy is that his death proves that nobody in his life knew anything about him at all; that they only saw the flimsy walls he put up to protect his soft core, and thought that that was all there was. that they say they loved him, but blame him for his own death. 

dick is flabbergasted that jason can read, though we know from last season, from what jason revealed to rose, that he has a love for plays and music. barbara is quick to dismiss his actions as ‘impulsive’. bruce has no idea that his supposed son was building his own little chemistry lab right under his nose, and beyond that, no idea that jason needed structure, stability and validation beyond being left alone in a huge house with a treasure trove of dangerous weapons. kory thought his decision to fight the joker was from not learning and growing when the guy tried to kill himself last season and nobody apart from dick even tried to talk to him about it! did you consider that he might still be suicidal? especially after the titans admitted to having “given up” on him because he was just “too hard”?

2.5. the one thing that’s been consistent across all three seasons (so far) of the show is the unreliable narrator trope. there’s a reason why the characters’ dismissals of jason’s actions as impulsive is so repetitive; why jason’s death is a mystery dick feels compelled to solve. it’s a flailing attempt to know his brother much too late--but with red hood, maybe he gets a second chance, just like he got one with the titans. this is what jason’s arc has been building up to. this is ‘death in the family’ but more fucked up in some ways. it didn’t linger on the death because the death wasn’t the point. the joker isn’t the point. everything that came before it is.

this way it will also make perfect sense that the red hood’s main enemy becomes the titans rather than batman.

2.75. goodness knows what’s going on with jason’s little chemistry project. at first i thought he was immunising himself to joker gas or something, but maybe it’s what passes for lazarus pit juice in this universe? 

anyway, it’s pretty impressive that jason learnt all of that from a college chemistry textbook. STOP BRINGING UP THAT HE READ SOMETHING, DICK--

2.8. i’m glad that dick doesn’t immediately sink into self-loathing and guilt and tries to investigate jason’s death while also acknowledging how he failed him. it’s like he actually learned something from the last two years! 

anyway. more about dick later. 

3. oh how i love titans!bruce. a lot of characters had a lot of Opinions on his reaction to jason’s death in this episode, but again, i ask you to consider that they’re unreliable narrators, and this universe’s bruce is a product of how it shaped him. bruce wayne has become a phantom to himself--an artifice borne out of vigorous discipline and crushing self-denial. 

bruce has been batman for a very long time, and without a robin for much longer. (dick must be... in his early thirties? so he was robin for about, say, 10-12 years according to the timeline of the show. that still makes bruce pretty old when he took on his first robin.) things have... calcified (possibly parts of his brain). the personal cost and the collateral from the mission he’s taken up for most of his life is too much to countenance; it has to be a war, and war requires sacrifice. 

on some level bruce knows that’s a lie. he’s so goddamned alone. what’s he going to do? sit down and cry? who’s going to listen to him now? oh, is he going to just stop being batman? who’s going to stop gotham from consuming herself then? he’ll just have to forge ahead, do better next time, maybe he’ll be firmer with them, or kinder with them, or notice more things, or train them harder, or spend more time--

3.25. don’t get me wrong: titans!bruce is an asshole and a half. his roster of potential robins was honestly bone-chilling. the fact that there’s a twisted root of compassion makes it more disturbing. 

3.5. alfred’s dead! it must’ve been pretty recent, because i could’ve sworn that dick tried to call alfred in the very first episode of season 1, or at least considered calling him... 

what a devastating double-blow for bruce then, losing his father-figure and his, uh.... son-figure so close together.

4. i don’t know about barbara yet. i mean, i like her, but she had so much clunky expository dialogue to deliver this episode, and for an episode that was named after her, she only showed up halfway through it. but i like the weight of history behind her interactions with both bruce and dick and her compassion to bruce before he cruelly crossed a line. i also like the implication that she and dick have been in touch recently, and that she didn’t immediately try to guilt-trip dick about some perceived abandonment. it’d be too repetitive.

4.5. there’s also a sense that she ran interference for dick a lot whenever there was something Too Big and Emotional for him to confront directly, and i like and appreciate that character beat.

5. dick, my man! it really does feel like a substantial length of time has passed between the end of s2 and the beginning of s3... kory’s got a new costume, they’ve become celebrities in SF, working missions together, and dick’s actually smiling! genuinely enjoying his work and having fun with it for possibly the first time in the entire series! it’s really a far cry from the fractured, dysfunctional mess that they were at the end of the last season.

i just hope this doesn’t mean that they’ve magically reached a resolution off-screen to all of their fucked-upness from last season, and that the repercussions--for gar in particular--are actually addressed on screen. 

5.25. i mentioned this briefly above, but it really is so refreshing that dick doesn’t wallow in guilt and self-loathing after jason’s death; he acknowledges his and the titans’ failure, is able to admit to barbara honestly that he’s not doing great, and is actively trying to reach out to bruce to make sure he’s ok, is trying to investigate what made jason seek out the joker on his own, and is probably the only person not immediately buying that it was jason’s recklessness that got him killed. i love that dick is finally beginning to trust his instincts or just employ them at all after years of guilt and paranoia and self-loathing. we love some positive character growth!

5.5. another thing i love? the bruce-dick interactions on this show. every scene they’re in together is so fraught with tension, both of them holding themselves back, their emotions on a whipcord-tight leash. dick wants to reach out to bruce, is even somewhat familiar with this brand of denial in the wake of grief, but wants barbara to make the first move because he genuinely does not know how to get bruce to open up. his instincts are right, and wonderful, and genuine, but his expression has been smothered by years of trauma, emotional and physical self-discipline, and what i suspect is poorly treated mental illness. 

it takes a lot for him to finally explode at bruce at the end of the episode--in a way he hasn’t done even when his only opinion of bruce was ‘fuck him’--and it’s all the more startling for how subdued he’s been through the episode, how much he’s been holding back his emotions for bruce’s sake. love it.

5.75. it sort of hurts my heart to see the flying graysons poster in jason’s room. there are a few implications:

a) jason settled into dick’s old room despite living in a giant mansion with dozens of other rooms he could’ve used

b) he didn’t take down dick’s poster--not when he moved in and was idolising him, not when he moved out of the titans and was sort of hating him. i wonder if the reminder of what dick was before robin--that he was forged out of unspeakable tragedy--gave jason the connection to dick that he so desperately wanted in real life

c) dick moved right back into the room and slept on the bed that was now jason’s. grief can be so quiet and piecemeal sometimes.

6. i spy the beginnings of actual arcs for both gar and kory! i just hope that with the move to gotham their stories don’t fall to the wayside...

6.5. i’ve known tim drake for less than ten minutes but if anything were to happen to him i’d kill everybody 

7. this review has gone on for too long and i am tiRED. however, before i leave: i miss some of the dedication-to-aesthetic that titans season 1 used to have. remember how the first few episodes didn’t really feel like a superhero show but something out of gothic horror? there was something gorgeous and raw about that, about open landscapes and the road and creepy buildings looming up at the end of it. moving to titans tower in s2 really ruined a lot of that for me, given its ripped-from-architectural-digest aesthetic, all smooth and clean and artificial. 

i hope that we really explore gotham’s hellscape in interesting and innovative ways instead of camping out in the batcave all the time and indulging in the show’s unending love for long corridors, neon backlights and silhouettes.

8.....

9.  wait, fuck, HOW CAN I FORGET ABOUT HOT PSYCHIATRIST GUY (TM)??? NONE of you prepared me for his return! NONE OF YOU! i gasped! i got up and did a happy dance! 

listen, titans writers, if you’ve had a peek at my titans s3 wishlist, please go ahead and give the other items on the list a go too, thankyouverymuch.

[greenhappyseed]

BnHA 324 - Review, parallels, and comparisons

Ochako time again! Play to the crowd with your big hit sound! (See the lyrics for “Break It Down Again” by Tears for Fears; it’s 80s/90s new wave goodness.) Since The Speech is proving divisive, I’ll split it up a bit.

The good:

Screen time for Ochako! And fierce Ochako at that. Personally, the speech feels OOC to me, but then again, Ochako does that sometimes. Remember when the series mocked her “inconsistent characterization”?

Ochako’s not making decisions due to her crush. It’s pretty clear she’s acting as a hero and thinking about saving a fellow hero as part of a mission with her class.

If Izuku and Ochako are building towards a romantic relationship, then I think Izuku watching her be a strong hero is a prerequisite. Let’s be honest, Izuku only swoons for heroes.

This is the first time a hero saves someone who looks like a villain and citizens think is a villain. True, Izuku isn’t actually a villain, but if the crowd accepts him then it’s “one step” towards redeeming the actual villains.

Like last chapter, some of Ochako’s words (“he has a lot to learn”) can be read as insulting to Izuku. But it works. She called Izuku a plain-looking boy early on and has always seen his strengths and weaknesses up close (as 324 reminds us, they first met when he fell flat on his face and she caught him before he hit the ground). He’s not a perfect hero, or even a “complete” hero, but he’s worth saving all the same.

The bad:

It’s the spontaneous ramblings of a 16 year old and could never, on its own, persuade any rational adult. If the chain continues and we have more people speaking up to vouch for Izuku, and we end up going full Spartacus, then we might have something.

From a structural perspective, these chapters are broken up into tiny shards. One moment is spread over 3 (soon to be 4) chapters, interspersed with flashbacks from different characters and multiple narrators (Nezu and Ochako being the main ones, but Izuku takes over at the end of 324 and Iida has a bit too). Just figuring out who is talking — and when in the timeline they’re talking — is challenging and breaks up the flow.

It feels like every few panels is trying to hit a thematic beat and then assign that beat to a character rather than build out how each character reacts to a theme.

The pros and mentors are infantilized to a pretty extreme degree. Hawks wowed the crowd at the billboard rankings; Thirteen is a rescue hero skilled at managing disaster zones; Present Mic is a radio DJ and entertainer as well as a pro hero; and Jeany used to give speeches in Vigilantes about heroism. But in a series that has taken great pains to show the technical skill of the top adult pro heroes, it feels like they’re being nerfed to give Ochako her moment.

The …maybe?:

Ochako’s message calls back to the Top 3 press conference in Ch.306 (which she narrated). In 306, upon being challenged that he didn’t understand the pain of the average citizen, Endeavor asked if heroes showing their exhaustion and tears would fix everything. The reporter representing the “angry mob” said no, heroes need to take down every last villain. Endeavor agreed that action and a finding path forward was the right thing to do. He basically admitted heroes wear masks to hide their true feelings so they can focus on their jobs. But now in 324 (right side below), Ochako takes the opposite approach. She says she can’t reassure the crowd because she, and all the other heroes, are scared too. I can see how that helps the heroes, but not how it calms the crowd. Maybe Ochako’s speech is better read as a rallying call for others who will do the actual crowd persuasion.

Seeing 2 panels of Endeavor when Ochako talks about a hero hurting and heroES hurting is … a choice. My guess is it’s a nod to Endeavor as #1 and his failing to ever put people (including fellow heroes) at ease. When heroes are hurting and the pro hero profession is under criticism, it was, traditionally, on his shoulders to fix it as the #1. But it really shouldn’t be. If a coordinated raid of hundreds of heroes failed, then it can’t be on one man (who is himself a hero and not a strategist or administrator) to protect them all.

Ok, let’s talk about some non-speech bits!

Hell YES it’s Izuku’s hero academy and he’s earned his place there for the rest of his life just like All Might. (I suspect this means if he loses OFA at the end, Nezu will still accept him at UA). It’s a good reminder that Izuku still needs to hear that he has become a hero and he belongs with other heroes. Actions matter first and foremost, but words DO matter too.

The “smile together again” motif has been bothering me because it’s repeated by several characters. But IIRC it comes from Nighteye, and only All Might, Mirio, and Izuku think of “smiling” as such an important thing. Iida and Ochako weren’t a part of the Nighteye storyline aside from Ochako evacuating Nighteye post-injury, so it’s odd to hear them so focused on smiles. Same for Bakugo — the remedial class taught him about saving hearts but the smile thing is much more an All Might/Nighteye concern. The other mention of smiling this arc has been Endeavor and Hawks taking about AFO, who is always smiling.

Aizawa is in the hospital alone (sob!). His friends and coworkers are all off doing their duty, sacrificing a personal connection for the greater good. But…is he looking at a tablet? Like is he FaceTiming???? I want to know for real, but I’m also feeling spicy and want to see wrong answers.

The guy in the All Might shirt is fascinating. Last chapter he was dismissive of Izuku’s special power (not realizing Izuku is All Might’s handpicked successor or that Izuku’s power IS All Might’s quirk). This chapter he’s asking if the heroes expect him to be covered in filth. The irony here is that All Might very much expected Izuku to get dirty and do the unglamorous work of cleaning a beach as the “first step” to gaining entry to UA. (Oh, and Izuku was wearing an All Might T-shirt at their first beach meeting.)

(And remember, Izuku’s literal first step on the UA campus was when he fell and Ochako saved him.)

Finally, the umbrellas. Did anyone notice how the citizens started sharing their umbrellas at the end of this chapter? The guy in the All Might tshirt was offered shelter by starshirt dude. And the front line citizens who were previously pumping their umbrellas in the air and holding hands to stop Izuku are now bringing umbrellas down and using them for cover while their hands separate. Also, Mitsuki shares an umbrella with Inko. It’s like, I said I'll always be your friend, took an oath, I’mma stick it out til the end. Now it’s raining more than ever, know that we’ll still have each other. You can stand under my umbrella. Eh?

[fa-by]

Hi babies and dear Anons 👋🏼🤗 Back with a new 'Q&A' post. Enjoy 🙃

Hello to you too, dear Anon 👋🏼😄 and yes, I did. You can find it here, dear: https://fa-by.tumblr.com/post/648192029691691008/camren-timeline-tittle-edited.

Yes, I heard about that rumor, dear Anon, and veeery false.

I knoooow 😍😍😍 Let's cry in joy and queerness 🥺😭🌈🏳‍🌈

Yep, dear Anon. And unfortunately for us, they will continue to do so for a veeeery long time 😒🙄😔

No, dear Anon, I highly doubt it's another duet. They'd be really, but really stupid if they do 🤦🏻‍♀‍

No, dear Anon, these are just people who want attention. People who have problems in their lives and talk shit about others to feel better. This is just the work of those people who believe in black magic and want to involve as many people as possible to think like them, and if they fail, they attack you because you didn't agree with them and you didn't go to their side. They can get so desperate they even get to the point of, oh I don't know, since you've blocked them, sending an anonymous ask to your girlfriend with a death wish for you:

The funny thing for me besides thinking that maybe this person believes they're a witch and imagining them with a voodoo doll with a needle in my stomach, is that I was kind to them the first time 🤷🏻‍♀‍ I tried to make them reason, I really tried to meet them halfway, but sometimes that's not enough with people like that.

But anyway. My point is that no, management has nothing to do with it. Thank you for your ask, dear 🤗

It's okay, dear Anon, don't worry 😄 In last time’s ask you wanted my opinion on the song, right? Well, Not Killin' It Today simply talks about how not every day is a good day. It can happen to all of us not to feel 100%, and Mila says just that. For us girls it can happen even more during or just before the red sea period, if you know what I mean, and indeed, she herself sings “I'm PMSing” = PMS: premenstrual syndrome. If that's why, I think she wrote this song precisely around that period 🤣

Hello to you too, dear Anon 👋🏼😄 Don't worry, dear, I can understand you, and if I hadn't, we would have found a way to do it. English is not my first language either.

1) Yes, I do think that.

2) (I knew all this) I know she did; she's been doing it for years if that's why because Taylor is one of Camila's mentors. Taylor is what can be defined as the celebrity master with PRs. She’s always done what she was asked to do and she’s always fulfilled her PRs duties of her contracts, and indeed, look where she is now, as well as being a great songwriter. So yeah, who better than her?

Hope you're great too, dear 🤗

Hello to you too, dear Anon 👋🏼😄 I'm sorry I'm bad with general questions like this 😅 I'm so much better when I'm asked a more specific question, and usually, when I have something in mind, I write it and create a post with my opinion about it. I'm not kidding about how bad I am at this, believe me. It’s the same thing as when I get the typical “tell me something about yourself” phrase. It's like my brain suddenly switches off 😅🤣 Can you take a look at all my posts from my archive to see which ones I’ve already responded to and maybe come back with a question? I'm really sorry, dear 😖🥺

I'm sorry but Camila can't stop anything, dear Anon. Not Camila, not Roger, and not even Shoo. I understand your frustration, believe me, I do, but you, and anyone else to which this is still not clear, need to understand that it's a contract. A contract called a relationship contract, and it's a legally binding document. I know it's hard, but the advice I can give you is to ignore the 12-year-old SS and their fantasies, and wait for it to finish without wasting your energy on the bullshit they say. Don't let them get to you and unleash your anger. You make them win this way. Rather, have a laugh at their ignorance.

Hey dear Anon, I'm good, thanks, and I hope you're doing well too 😊 They broke up for a little while, for about a month before, so more than a breakup I would call it a little break. And to answer the rest of your questions, dear, I'll sum it all up by telling you that when they're not together, or they're on a break, they have a different way of acting than when they're together. And I speak in general. It shows in the way they behave in general. Now it's much harder to see since they're no longer in the group and you could clearly see when it happened, and it’s also hard since the pandemic, but there are patterns. I’ve spent so much time analyzing them that they're quite predictable in my eyes 🤣 Forgive me if I'm not going into details, but these are personal observations that not everyone can agree on, you know? Maybe I'll do it in the future, who knows 🤷🏻‍♀‍ We'll see 😉 Have a good day/night too 😄

Hello to you too, dear Anon 👋🏼 and thank you very much 😄 and yes, of course. To answer the rest of your questions, I'll summarize everything by telling you that you have to take into account that I entered the fandom at the Work from Home's time, so they were all just rumors to me initially. Camren themselves were just a rumor to me. I had to search, analyze, and find the proofs on my own to prove to myself which ones were true or not. The first example that comes to mind and that I can give you is the kiss in the van in London that I recently explained in my ‘Inauguration’ post.

I'm sorry you think this way, dear Anon. I honestly think she doesn't even know. She has said many times that she tries to stay away from social media, and I really believe that. She did it before already, but I'm convinced that she does that even more since she was going through that bad time and she was about to give it all up. Besides, it's known that she doesn't manage her accounts, just as it's known that she doesn't even control how they’re used I would say 90% of the time. I don't know if she'll find out and eventually will say something about it. We don't even know if she has the freedom to do so. So, I'm really sorry you're making a decision based on something she didn't do.

Hey to you too, dear Anon 😄 Yeah, it's nothing new. I'd already debunked the whole Laucy story with my very first post (https://fa-by.tumblr.com/post/648191757219250176/there-is-a-light-at-the-end-of-the-tunnel), so as far as I'm concerned, she can say what she wants in future podcasts/interviews as well, but she'll never be able to convince me that she's not actually talking about Camila. This was simply a much more chill, fun, with no tears, and no mention of Camila repetition. The first podcast served to plant the seed. We know that Lucy is her main narrative and we know that she will continue to use her for a very long time. I mean, it’s convenient for her. It's the perfect cover for our Mila. But if people want to keep believing they (Laucy) were real, that's honestly their problem 🤣 Let them be convinced of their beliefs, dear, and have a laugh 😉

Hello to you too, dear Anon 👋🏼😄 Here's the thing……… Yes, to everything you said 🤣 but let me explain why.

1&2) Yes, Laur is like ‘part’ of their contract but for simple narrative, as you yourself said too. If that's why, so are 5H and all the rest of the people who are or have been involved with them. I'll give you an example. You know the bullshit they said about the Austin Mahone tour? That Sunsilk was always isolated in his bus playing guitar? That no one spoke to him outside of Camila when there are actually plenty of videos showing him spending time with the rest of 5H and the other people on the tour too? Certainly none of those people can call him out on that bullshit today and say it wasn't true. They'd blow his cover. They'd make him not credible in the general public's eyes. So everyone needs to be quiet for what they know (that's how it works in that world for every damn thing), and that's Lauren's involvement in their PR. Be quiet. Be quiet and go along with the game. Just as Camila had to during hers with Tymbal.

3) They have to, dear, or all the farces told so far would go to shit for the GP too. 4) 100%, dear Anon, 100% 😏😉 but it must also be said that they'll remain connected forever anyway because of the group.

Hello to you too, dear Anon 👋🏼😄 Welcome and thank you very much 🤗

1) Everything she's been doing lately leads us to think that the first single for the EP will arrive shortly. I think and hope it will arrive for the summer, but as far as the actual EP is concerned, it will depend on the release of the single. So if the single is out this summer, it's very likely that the EP will follow its course by arriving towards the beginning of autumn. We'll see, dear, we'll see 🤞🏼 🤞🏼 🤞🏼

2) I know that many people get upset and that they're disappointed, and while I too would like her to interact with us more, I also know and understand that it's not just up to her. Although she's much but much freer than before, she still has contracts, people, and patterns to follow.

Take it from someone who's waiting for Rihanna's new album for 5 years 😅🤣 It takes patience, and I have a lot of patience, dear. I fall into the category of those who don't mind waiting simply because I'll always support Lauren.

People forget this: we have to consider ourselves lucky that after what she went through, she decided to pursue with music.

If you love her, if you stan her, then be patient. Stay metaphorically speaking by her side no matter what. That’s what I think, dear Anon.

Do you mean the first breakup they had that lasted from late November 2014 to late December/very first days of January 2015, or do you mean the bad one that took place in October 2015? But in any case, both of your questions rejoin only one event, dear Anon: the real breakup of the group that happened in mid-October 2015. But answering you more specifically:

1) You can see with your own eyes the videos of the interviews of that period by starting with this one https://www.youtube.com/watch?v=9WqOb9qBQ_M&t=11s.

2) Camila’s unofficial departure from the group at the time was the icing on the cake, but you have to consider a lot of things, dear. The fact that they were young. The fact that they were in the spotlight and were being monitored by both fans and management. The fact that they had those same people controlling them and telling them what to do all the time. The fact that they were constantly under pressure. The fact that they couldn't be together freely as a couple. The fact that they were forced to pretend they didn't love each other. The fact that they were forced to do PRs, despite being much lighter than now. I could go on with the list, dear Anon, but I think you get the point. It's a lot of stress and a lot to digest, especially considering how young they were and the environment around them.

Have a nice day too, dear 😄

Of course I can answer you, dear Anon 😊 So, in my opinion, and always keep in mind that I could be wrong, she told every person in her clique at different times. I think Mila knew about her attraction to girls back in school, but she didn't say anything to anyone because she didn't have a reason to. In the sense that she hasn't had the opportunity to approach another girl and therefore have a reason to tell someone about her queerness. After her first kiss with Lauren on New Year's Eve, I'm willing to bet that the first person she came out to was her mom. Camila's number one best friend is and always has been Sinu, so I can feel it in my bones that she was the first one to know. Oh and, we're in early 2013 here, so Mila was still 15.

After Sinu, there were the girls (DNA) who obviously lived their story with them step by step and therefore I don't think it was a real coming out with them, and her best friends back at home, Sandra and Marielle Guzman (and maybe also Mariana Luna since she was the other one with whom she was very close immediately after the two sisters, but I'm not very convinced of it), and Jenny Runza, who despite being a little younger than Sinu, Mila has always regarded as one of her best friends.

In 2014, when Camren were official, there were more confirmations that led to her automatic coming out with the rest of her clique's friends since the word Camren had already spread around like wildfire for almost two years by then.

At the beginning of 2015, it was the moment when Laur came out to her family, so I strongly believe that that was also Alejandro's moment, although I'm convinced that like the Jaureguis, Ale knew about his daughter all along and that he was even more convinced at X-Factor. Sofi was last on the list simply for a matter of age and I'm talking about 2017. I can't tell you when she told her grandpas. I don't even know if she could have told Norberto because I don't know the kind of relationship she has with him, but Mercedes? Well, abuelita certainly knew this before 2018 because I laugh when I think about the way she looked and talked with Mattress during their PR.

It's not that simple, dear Anon. You're not considering the fact that they didn't communicate during that time. You're dwelling on only one thing and are not looking at the big picture of their relationship at the time. Okay. Let's do something. Picture a scenario that has nothing to do with Camren.

Picture a couple living together. A couple who often quarrel over even the most trivial things or who don't talk at all because they almost avoid each other. Their relationship is very unstable and they're basically at the end of it. Now picture a conversation between this couple in which the only exchanges spoken in a normal way are by then just daily information such as: “I'll be at work from 8 to 4” - “Okay. Will you come home right after?” - “Yeah, I think so” - and then that person comes home at 6 pm despite the worried calls and messages received.

They're so distant that the person who came home late didn't feel compelled to pick up the phone and tell them about the delay. Probably that person didn't even feel compelled to give an explanation and justify the delay once they got home because they're convinced that their partner doesn't really care and that they're just looking for yet another excuse to argue. That person will have felt even more trapped and suffocated by their partner who was really worried instead, but neither of them tells the other the truth because they're too busy arguing and blaming each other instead of meeting each other halfway and really talking about what they feel and makes them vulnerable. They will surely end up in bed with their backs to each other without saying a word to each other after the fight.

Now look at these phrases from the song itself and put Camren's faces in place of the couple in the example: “With no confrontation, I really wish we could talk about it instead” – “All I need from your side is for you to communicate”. Is it easier for you to understand the dynamic now, dear?

Hello to you too @camilalauren0327 👋🏼😄 [why can't I ever tag you in posts?]

No, no, no, dear. None of this happens. So. I'd like to start by saying that OCD begins when people misunderstand their own thoughts. We've all had unwelcome and intrusive thoughts at least once in our lives, right? Well, the importance of those thoughts becomes much more intense or sometimes even extreme for people with obsessive-compulsive disorder. Like, I'll give you a stupid example, okay?

Most of the time I park, I lock the car, and after I’ve taken a couple of steps, I ask myself: “Ma ho chiuso la macchina?” / “Did I lock the car?”. So, I turn around and lock it again with the keys' remote control even though I've already done it, but I do that anyway to be sure and because maybe I really didn't do it because it happened for real. Now. What would a person with OCD do? Most likely they would do like me, and after getting halfway, they would go back again to close it AGAIN. They would do it a couple of times, and most likely, they would do it a third time after they got home. They would leave the house to go lock the car they've already locked five times.

OCD can begin in adolescence, early adulthood, or even childhood. The onset of obsessive-compulsive disorder is typically gradual, but in some cases, it can begin suddenly. Symptoms vary in severity from time to time and this variation may be related to the occurrence of stressful events. Now. Doesn't all this rings a bell for you? No? Okay, let me explain. I'll copy a piece of my ‘Camren Timeline (Tittle edited)’ post for you: “Camila suffers from one of the variants of OCD since she was 8, and despite seeing a therapist since 2013, her OCD was diagnosed at the end of 2015. C also suffers from anxiety, panic attacks, mood disorders, and depression (all linked to her OCD).”

Why did she start suffering from it at the age of 8? Because little Mila moved back and forth between Havana and Mexico City until she was 5, almost 6, right? After that, she moved to Miami with her mom by leaving behind her family, her friends, basically everything she knew, and her dad. Her dad finally managed to rejoin them almost two years later when she was almost 8 years old. Although she had her family with her again, her little mind didn't relax. It didn’t bring peace to her. In fact, that sprang her first OCD symptoms, which gradually worsened and then fully erupted years later in the group.

What triggers OCD? Stressful life events.

Got it now? Were you able to put the pieces together, dear? I've also answered other questions on the same topic here if it may interest you: https://fa-by.tumblr.com/post/648194918161989633/%C9%9F.

Hello to you too, dear Anon 👋🏼😄 Don't worry, nobody’s asked me to do it yet.

So, as I think we all know, The Boy was originally titled Care About Me. Ed Sheeran wrote it and gave it to Mila for her self-titled album Camila. Mila almost completely rewrote it (Ed said 90% of it) and lastly discarded it because it didn't fit well with the rest of the songs on the album, and I totally understand that.

Intro:

“Yeah, he's messed up a couple times

But he's my glass of cherry wine

And I drink and I drink 'til I'm drunk off of him

I'm in love

(Ash:) He just hit me up to come over

He said what?”

So. The song begins with Mila trying to justify the boy by saying that even though he made mistakes, she's so into him to get past it. I know she used terms like drunk off of him and in love, but she doesn't mean that she's actually in love with him in this case. Just very into him. She's jokingly explaining the situation because she's talking to Ashlee, her friend, and I don't know about you, but my friends and I often use the term in love to make people laugh and to indicate interest in someone.

Like if we see someone for the first time and they're really hot, or if one of the celebrities we like posts like a selfie, we say “I'm in love”. Or, like, another kind of example: one of my best friends has been dating this guy for a few months, and last week he surprised her with some flowers (which he paid very much by the way) and with dinner just because. Hearing her happiness since she has always had only assholes so far, when she finished telling me everything, I made fun of her by laughing and saying: “Lost in love, huh?”. Not because she's actually in love with him, but because it was such a nice thing and she's into him.

So Mila used those phrases to indicate how much she liked him and not because she was actually in love. Also because if she had really been in love with him, she wouldn't have said she didn't care about him for the rest of the song.

Then ‘Ash’ receives the text, and this leads us to understand that the boy is a player and a cheater.

Verse 1:

“Momma said, ‘Always be kind, girl’ (Girl, what's on your mind?)

But I got something I should say (Say it, girl), uh

Boy, I'm sick and done and tired (There's something on my mind)

I'm not yours to manipulate, uh-huh (Tell him girl, tell hi)”

It explains itself quite well. She can't take it anymore.

Pre-Chorus:

“Oh boy, hold your tongue, I don't want no 'pology

‘Cause we both know you're thinking wit' was under your jeans”

Mila tells him not to waste his breath on justifications derived from his member because she doesn't need them. Tsk, Tsk. Typical male behavior. 80% of their thoughts are formulated based on how and where to put their tool in 🙄

“Sent your friends over to tell them you're missing me”

He even sends his friends to her to try to change her mind, but:

“But I don't care, so tell that boy that I am fine”

But she doesn't care. She doesn't care because she's fine this way. In fact, she's better off without him.

Chorus:

“I don't care about the day he decided to leave

I won't be there when he tells another lie so”

This makes us understand how many times she's had to forgive his bullshit.

“I'm gon' use all of my words for weapons”

We know how lethal words can be.

“'Cause the boy don't care about me, lemme say it again, now, babe

I don't care about the way he thinks it's so sweet (Ah)

All that sugar cone gon' be bad for me tomorrow (Ah)”

He can try to kiss her ass as much as he wants, but she won't change her mind. Talking sweet to try to win her back doesn't work because she doesn't want to deal with a player who lies to her and messes up every time.

“I'm gon' use all of my words for weapons

'Cause the boy don't care about me”

He doesn't really care about her, so it's even useless to her that he tries to fix it.

Verse 2:

“All my girls inside the place now (Say we don't need no man)

No wonder we switch sides sometimes (We got this)”

Camilita, Camilita, Camilita 😏 No wonder many girls prefer other girls, huh?

Switching sides can mean switching sides in the true sense of the word, that is for example going from one side of a room to the other. It can mean changing your mind about something or someone. And, most interesting of all in this case, it can mean switching sides in sexual orientation.

I've said many times that she's a fucking genius, and we know how sneaky she is with her songs. She was really smart at using this hidden meaning because a lot of people took it for granted that she meant the meaning of changing her mind since we girls have this nomination about often changing our minds about something.

“Wipe that good look off your face (Say we got better plans)

Ooh, you better not act surprised (For real)”

Exactly. What would be the point? A lot of guys do that 🙄

Bridge:

“Oh, oh, don't care about me

That's fine with me, babe

You don't care about me

And that's fine with me

Fine with me, fine with me (Don't care about)

It is what I need, oh (That's fine with)

Don't care about, care about

Care about, care about me, oh”

She's fine with it simply because she doesn't care about him either.

Outro:

(Ash:) “Girl, that's old, we're done with that”

Yep. She's definitely done with that/him.

And this is my interpretation, dear Anon 😄 In my opinion, if this song really ended up on the self-titled, it would've been used to give yet another proof of her light, old PR with Michael. People were supposed to remember her last, sure, Jan, flame before meeting the love guru Matrix. It was supposed to be like: “Hey, hey, guys, I'm straight, look! I was with a boy and now with another grandpa one!”.

It's just a different version of the Cinderella song for me: she doesn't need a guy in her life. Don't wrap your head around it too much, dear Anon. There's no deep meaning behind it at all. After all, this song was given to her by her idol, and she certainly couldn't refuse. She changed it in a sassy and fun way, she saw that she couldn't fit it with the others because it wouldn't have made sense, and she then discarded it. The end. She was like: it was funny, but I actually have a story to tell. Bye-bye.

Have a good day too, dear ❤️

Hello to you too, dear Anon 👋🏼😄 and yes of course I can do both, but for what purpose am I supposed to do All Again? I mean, I can give you my interpretation of that song without any problem, but it wasn't written by them. By none of them five. That's why I'm asking you for what purpose am I supposed to do that. And that should answer your second question as well. Like No Way and many other songs, the girls may have related to them, but they didn't write them. The only songs they wrote, and not alone but with other songwriters, are:

- Me & My Girls, Don't Wanna Dance Alone, and Who Are You for Better Together,

- All in My Head (Flex) for 7/27,

- and for the self-titled album we have Sauced Up: Arlen (+ other songwriters), Make You Mad: Normally (+ other songwriters), Lonely Night: Norminah (+ other songwriters), Messy: Normally (+ other songwriters), and Bridget: Alren (+ other songwriters).

It's like you ask me to give you my interpretation on for example Who Are You. I could do it without a problem, but that song was written by 8 different heads. With the exception of the bridge that we know Lauren wrote, I can't tell you who among Camila, Dinah, Normani, Ally, Julian Bunetta, PJ Bianco, and Nasri Atweh wrote which part. Analyzing a song sung by a single artist/songwriter is completely different because the idea and concept and feelings are based on a single person. The songwriters who co-write the song together with the artist adapt to them, or maybe the idea comes to one of them, but they modify the concept together with the artist based on their personal experience, as happened for example with Consequences.

Now that you know all this, do you still want me to analyze All Again? Let me know 😄

Let's move on to More Than That.

Lauren wrote four songs in 2016, two of them were meant to be for someone else, but one of them, as we all know well, she kept it to herself. She decided to keep More Than That to herself once she modified the original lyrics along with Prince Charlez and SoundzFire, aka Hue Wayne Strother.

Intro:

“M-M-M-Murda”

This small part of the initial effect intro we hear, is simply a shoutout to Murda Beatz, one of the two producers of the song.

Verse 1:

“I see you watching so I walked into your stare

'Cause I ain't in the position to be walking over there”

She's not in the position to go there simply because she's taken, but she likes to be watched. She likes the attention she's receiving, so she puts herself in plain sight so that this person can keep looking at her.

“I got a situation, I can tell you wanna know”

This guy must have wondered: ‘Why if she's looking back at me, then she won't approach me? Is she someone who likes playing hard to get? Is she a teasing sort? Is she waiting for me to go to her? Or maybe she's in a relationship?’ Typical questions you ask yourself in that situation, and Laur summarized them all in one simple sentence.

“How you can take an honest girl and turn her to a …

If I'ma take a gamble, then you better come correct

I need more than them diamonds that you got around your neck

Shit, anybody can flex, my baby do it best

If you come with somethin' better, then we might just take it there”

The stare, the fact that this guy has the money (diamond necklace), the physical appearance, are not enough for her to push her to cheat. Because if she has to take the risk of cheating, these are certainly not the things that would drive her to do it, but she could if he had something better to offer her. [And with that, please keep in mind that Lauren is a very loyal person and that she wouldn't have done it even if this guy had gone with something better]

Pre-Chrous:

“I know I ain't right for tempting you

But I just wanna see what you would do

If I gave you a taste of what I do

Just remember that I don't belong to you”

The fact that she returned his gaze, that she spoke to him and gave him just a little taste, doesn't mean that she’s no longer taken. As I said before, she likes the attention, and although she knows that it's wrong to instigate him, she does it anyway because she's playing with him. “It's kind of more like clowning him” as she said herself.

Chrous:

“You gon' have to come stronger than this liquor

Wanna take me home, better be more convincing

It'll take more than that to get to me

More than that to get your way

Boy, you better come stronger than this liquor

Wanna take me home, better be more convincing

It'll take more than that to get to me

More than that to get your way

I'm stronger than this liquor”

During the approach in which the guy tried to ‘take her home’ for the night, Lauren easily manages to reject him despite being drunk, because her loyalty is stronger than the attraction she may have felt for him and certainly stronger than what she was drinking.

Verse 2:

“If my man notice, there’ll be some issues”

🤣 🤣 🤣 🤣 🤣 🤣 🤣

I'm sorry but every time I listen to this part I can literally picture Camila turning into the Incredible Hulk as we've seen many times. And shit, despite her being tiny, Mila can be scary when she's pissed off.

“But take my number down, I just might hit you

No, I'm just playing, I'm so deep in love

But the way you talkin' might just have me actin' up”

Drunken thoughts mixed with attraction/arousal blocked by common sense and loyalty.

“The way you looking at me, boy, I know what's up

I can feel how you feel without even a touch”

Let's not fool ourselves, guys. You too will have felt when a person is ready to jump your bones. To feel it in the air. To perceive it from the way they look at you, talk to you, and yes, even using excuses to innocently touch for example your arm even if the intentions are far from innocent. These kinds of things, whether you're in a relationship or not, whether you're loyal or not, and especially if you're attracted to the person in question, make you feel appreciated. They make you feel good. But:

“But don't think that's gon' make me give it up

Boy, your time is up”

But that doesn't mean, however, that you take action on it. It doesn't mean you give in to temptation. It was nice, but no thanks. Bye-bye.

Outro:

“It'll take more”

It takes more than good looks, money, and fake, shiny people from L.A.

And that's it, dear Anon 🙃 This is just a funny song about a situation that happened in a club, in which Lauren shows her flirtatious side but also her loyal side. It wasn't that good for her image, but I have an explanation for that as well.

Remember how I initially said that Lauren wrote this song to give it to someone else and then decided to keep it for herself after modifying the original lyrics? Well, in my opinion, she ‘decided to keep it’ and was even chosen as a single, simply for the narrative. It was chosen to go along with the fake love square cheating bullshit [Lauren and Ty who cheated on Lucy and Alycia to be together]. People should have believed even more that Lauren was a person capable of cheating, and this song served the purpose.

🤸🏻‍♀‍🤸🏻‍♀‍🤸🏻‍♀‍

Aaand I'm done 😜 I hope I was helpful in this case too 😄 Thank you all for your asks and as usual, know that I'm available for those who have questions, so feel free to ask 😊

Always remember to be kind, to others and to yourselves. Be a good example. Be patient. Be safe and take care of yourselves. Don't let our ship sink. Keep shipping them, but please respectfully 🙏🏼 Sending you virtual love and hugs 🤗🤗🤗 I love you, babies. Always with love, F ❤️

[pinguuus]

An overview on Yuuta and Yuuji

I hope and pray that we have some development on this topic in this weeks’s chapter, but to put it simply, Yuuta killing Yuuji would pretty much be him paving his own death.

I’ve seen some people getting shocked by Yuuta’s actions in the past few chapters, in how he is seemingly keen on executing Yuuji himself.

However, and despite the fact that Yuuta has stabbed Yuuji and dragged him around apparently dead, I don’t think we can make such a superficial reading of the situation without taking into account who Yuuta is, and how he enrolled in Jujutsu Tech.

(First time writing something with this extent so please bear with me) 

Yuuta is constantly followed by a special grade cursed spirit, Rika, who for several years he couldn’t control, therefore hurting people against his own will. This brew feelings of impotence and despair inside of him - since he can’t avoid hurting people who are in his, and in association, Rika’s presence, he would rather isolate or even kill himself in order to put an end to the series of events he originated.

Yuuta is the first person we see in the story who is a victim of the Jujutsu system’s modus operandi - someone, anyone, despite age, personality, personal story and potential, who is seen as a threat, either to society or to the System, is to be eliminated. 

Gojou is a piece that is inside the System but simultaneously outside of it. He has enough influence, being the most powerful and feared sorcerer, to not find any evident active opposition to his wishes. And his wish in Yuuta’s situation is to let him live, help him unravel Rika’s curse and his potential along with it.

We see this pattern again in the main story with Yuuji, now a vessel to a Special Grade curse and thus a threat to society and to the Jujutsu System. Once again, despite his young age, his soft personality and his potential, he is set for execution. And once again, Gojou intervenes and takes him under his wing to develop his potential, both as a vessel and a sorcerer. It is important to note, however, that contrary to Yuuta, Yuuji is against his execution, and doesn’t understand the need for it.

Back to Yuuta, he feels the prejudice for him the day he first enters Jujutsu Tech, when he meets his fellow colleagues, who display a general feeling of fear and horror, and for Maki, even despise.

Maki reads him quite well from the get-go and points him out as a passive individual, as someone who, being unconfortable with what happens surrounding him, decides to take the easy way out and avoid the problem by avoiding triggers instead of going out of his comfort zone and trying to actually solve the problem. 

This was pretty much a wake up call for Yuuta, who probably never gave much thought about being able to take an active part in his situation, having accomodated to his circumstances and to the level of protection Rika granted him. Making him think about this, Maki helped him find his motivation - he wants to be reliable, so that he feels like he deserves to keep living. He feels the need to validate his life through his actions.

Back to Yuuji: his motivation is revealed with Yaga’s interview -  his life up until then was pretty straighforward, simple and normal, with him being some kind of freak in respect to sports, but having nothing unique to him. Once he ate the first finger, he has a purpose that can solely be put onto himself - eat the rest of Sukuna’s fingers and avoid the deaths that rampaging curses attracted by those fingers would cause. There is Yuuji’s desire to be reliable and also, the way he found to be kept alive. He had decided how he wanted to live.

Fast forward to Shibuya, and Sukuna’s rampage ends up killing probably a good part of the region’s population. This is a first to Yuuji, and here is where he starts drawing closer to Yuuta’s own storyline - the curse he lives with masacred people, drawing feelings of deep guilt to Yuuji. Guilt for eating the finger in the first place, and guilt for being alive when the higherups wanted to execute him. He questions if his motivation was real to start with or just a facade for him to avoid his death. Here we see the first obvious display of Yuuji also needing to validate his own existence through his actions.

Also similar to Yuuta, Yuuji isolates himself, showing feelings of uncertainty regarding if he should return to Megumi and to his other coleagues, after thousands of people died, including Nanami and possibly Nobara, and Gojo got imprisoned, because he believes those events were his fault. He couldn’t be reliable for these people - indeed, he thinks he was their demise. 

 Then we assist to the decision making of the higher up council - execute Yuuji and Yaga, and keep Gojou imprisoned (this last topic shows how much of an influence Gojou’s power has over the higherups - and him being MIA makes it easy for the system to restart reoperating in its prefered ways) for being the accountable ones for the tragedy that happened in Shibuya. 

Yuuta makes his first appearance in the main series and offers himself for the task of killing Yuuji, making his motive the fact that because of Sukuna’s rampage, his friend Inumaki was left without an arm.

However, in the beggining of this scene we see how Yuuta adresses the higher ups:

He knows he doesn’t have their sympathy, and even makes a remark that seems very sarcastic to me “Then should I enter into a binding vow or something?”, demarking how he knows that no matter what he does, he will always have his death penalty hovering over him.

Now, let’s take a look into what was decided in council:

Let’s connect some dots here. Yuuta was saved by Gojou, who enrolled him in Jujutsu Tech, where he met people who he admires and are precious to him. Let’s start with Gojou.

Gojou postponed his execution and gave him a choice: after he learned how to control Rika, Yuuta could choose either or not he wanted to proceed with his penalty. He gave him the chance to work on himself and not throw his life away on a whim.

Then we have Maki, who I already wrote above was able to read him right away, and acted as a catalyser for his change of attitude. Yuuta admires Maki, despite her having the ghost of being “the failure of the Zen’in family” hovering over her.

And also, this panel:

(”Let’s crush the Zen’in family”? Uhm, as much as in this panel it might sound like a joke, it definitely makes it look to me like a negation to a possible cooperation with Naoya in the current timeline)

Then, Inumaki, an often misunderstood kid who has been trying to help Yuuta since day one because he went through similar cirscumstances since he was little.

(Who do we have that is also going through similar circumstances? That’s right, Yuuji.)

And we also have Panda of course. The interactions we see between them are either more lighthearted or this instance above where he gives Yuuta some insight on Inumaki.

These are the people who he warmed up to, and who he wants to protect. Okkotsu won’t side with anyone who trashtalks or tries to hurt them in any way.

 However, this trio also has a connection with Yuuji, one of friendship and partnership at that. For example, look at this panel of Panda when he hears about the possibility of Yuuji’s execution plan being reset into action:

There. 

If Yuuta would decide to execute Yuuji, not only would he be agreeing with the same plan that deems his saviour as a criminal and murderer, but he would as well be hurting this trio that he loves. 

Moreover, and returning to the Toge/ Yuuta/ Yuuji “parallel”, Yuuta killing Yuuji would mean a disregard for Panda’s words regarding Toge as well as for Toge’s attempts to help Yuuta in dealing with his situation, since he would be taking an opposite approach with Yuuji. Yuuta taking this approach to avenge Toge himself would be absolutely despisable.

Also, we have to address Gojou’s travels abroad to talk with Yuuta. What about? Was he prediciting that something could go wrong with him and therefore passing his role to Yuuta?

To finish this up, the last reason I believe Yuuta is not killing Yuuji is the fact that him doing such thing would in a certain way open a precedent for the execution of his own penalty.  The higher ups aren’t trustworthy, and Yuuta, both for his condition and for being Gojou’s pupil, knows this very well.

Yuuta shares Yuuji’s pain, doubts, prejudice and circumstances. He is the one who is set to understand Yuuji’s situation the best in it’s entire complexity. Because they are so similar in so many aspects, Yuuta killing Yuuji would pretty much be Yuuta killing himself. 

[papers4me]

Fruits Basket Manga Review , ch 102- 106

I thought abt skipping those chapters cuz the difference from the anime are’nt big & there’s hardly any tohru in them which I know where the great difference between anime & manga is. However, I like yuki & I was delighted to see the difference between manga yuki & anime yuki! Really, furuba anime makes so much focus on him & all, yet manages to miss the mark when it comes to his character. Yuki is such a prince “from a fairy tale but with trauma” in the anime which contradicts his vision of himself in canon as he said it IS fake, but in the manga he’s a real character with layers. 

A-Chapters 102 & 103/ se03, ep 3 ( A dynamic Yuki vs a prince):

Not much change in the plot from the anime, se03, ep 3, except few things I’ll highlight here:

MACHI: ch.102 is basically machi’s story that we saw in se03 ep 3 first half before the motoko part. but it’s fascinating how the anime handled it greatly & how the manga had its unique touch. The anime gave machi’s part its own color, mood & focus, while the manga excelled in the facial expressions.

YUKI: In ch. 102 & 103, Yuki in particular had many facial expressions in such a refreshing way different from the anime. In the anime, yuki emoted exclusively with kyo & kakeru in ways that you don’t need to hear his monologue to understand his thoughts, he was also allowed expressiveness with machi in the anime but with maintaining big doses of his princely aesthetics & mannerism cuz we see him from achi’s perspective. Ironic cuz she calls him imperfect but the anime gives him lots of shojo bubbles from her pov. In the manga, yuki is way more expressive with lots of characters!!! Even with the fanclub girls, he had funny expressions, & we see a cute scene of machi trying to cheer him up!

in the manga, yuki & machi both are given expressive features. Machi isn’t silent with her head down 95% of the time & yuki is is not living in his own head & is very dynamic with other characters as well, which makes him feel real.

Also, in the manga, yuki isn’t super skinny like the anime! I love how he fills his school uniform without it looking so baggy. In the manga, yuki looks like a grown teenager boy reaching his 17!!! In the anime, yuki looks the same all seasons.

In the anime, the clear body growth was exclusive to kyo in se02, during beach arc mainly cuz the plot required it as tohru kept commenting on kyo growing up physically & told Kazuma. So, the anime made huge effort to make kyo look grown physically. Also, in the anime, yuki is given a princely aura from se01 to 3 as his physical appearance & aesthetics remained the same minus his interaction with kakeru where you see glimpses of a more firm & free character. A peek into his soul perhaps?

B-Ch 104 -106, Anime, se3, ep 4. (Isuzu’s Arc closed, Akito’s begins!): 

I love the way the page transitioned from Isuzu’s hair at kureno’s feet to Haru’s entering akito’s room!

I love akito in this chapter/ep, not love her as in support her, no. lol. but love how this chapter/ep sheds light into her twisted mind. Great writing! The way Akito was shocked at kureno’s betrayal of saving Isuzu is why Akito’s growth from abuser to feeling guilt & repent is not satisfactory in the anime ( I’m yet to reach this part in the manga, so I’ll wait to see if it was handled differently). Akito was way more self-centered & concerned with her delusions to stop a bit & entertain the thought that isuzu was on the verge of death. This is a huge red flag. This is sth you can’t brush under tohru’s healing words of feeling similar to akito & akito finding “ true friendship” as a healthy replacement to her delusional “ together forever”.

-The core characters that the entire show/ story/ manga is built upon their views are tohru & akito. You can’t spend 2 seasons & a half faintly touching these characters’ pov & trauma, then give quick hasty focus, then hit them with “ healing growth”. Both tohru & akito needed more screen time/ spotlight to dwell into them cuz they’re fascinating characters!

This chapter the focus is on haru & isuzu, however, these two characters arc would pretty much be wrapped after this chapter/ep minus few cleaning here & there. Akito’s descending into darkness truly begins here. This is what should be followed & given much care!

I love how this line connects what seems like a sub-plot story to the main story of the original zodiacs!!! In the original story, the cat refused to be by the Ruler’s side & it was percieved as the cat betraying him & the others. All the rest of the animals must ALWAYS be on the Ruler/Akito side & not copy the Monster/Cat behavior. Excellent foreshadowing & a twist to kyo’s/ akito’s / kureno’s story! The cat was right all along, but it’s not abt right or wrong. It’s abt choosing sides. With us or against us. If you are not with us, you are the barbaric enemy/ monster. ( kinda similar to our real world issues & politics)

Side Notes:

I have nothing to say abt motoko except in a 13 ep core & major final season with thematic & plot focus, she really got her share. Out of all the content to cut. what logic? I can never understand..... Not hating, but truly bewildered & confused. Fan service? Gotta be. Wasting valuable screen time for a character with no effect on plot or characters or anything.. I mean if it was a 26 ep season, then okay... but the nope! lets chop chop core plot & give motoko an epic send off!

Maybe Motoko got pity love from the anime team? She wasnt given yuki’s love, so the decision maker whoever they are, gave her better emotional focus than the actual love interest (machi) has got! XD (again not hating, but amused! XD)

I love how furuba’s writing don’t need over-exaggerated drama at all. All the pain is in the writing. in the characters themselves. The anime only needed to focus on them & get rid of the theatrical display of emotions & forced fast paced & unrealistic timeline. sigh~

Still, I love how ep 4 was directed in the anime starting the 2nd part, it was given its own mood & colors.

I love that Haru didnt just find Isuzu in the streets right wawy but waited few days to meet her. It hammers the importance of pacing time in the manga, but I also understands why the anime needed to go directly to it seeing that as I said haru & isuzu are reaching the end of their arc here & they want to close the door behind their issues once & for all. lol.

Everthing else abt Machi story, haru & isuzu, akito & kureni, I have already said before in my weekly anime reviews when se03 was airing.

I peeked into ch. 107 first two pages!!!!! Tohru’s focus???? Is this the beginning of the weakly directed ep 6? YESS!!! I cant wait to read it next weekend! <3