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#and didn't let them play
forcedhesitation · 8 months
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astarion origin playthrough worth it just for all the extra moments where he does the "sad wet cat" face
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escapedaudios · 4 months
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I'm a big fan of fruity villains IDGAF if people are like "oh no this hurts the LGBT community because queer coding and poopoo caca" I don't give a fuck I love fabulous dazzling flamboyant villains that say shit like "oh darling, but you won't be surviving mmmMMMM" and then do the fruitiest evil laugh ever.
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deeva-arud · 5 months
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Deeva Årud - Club Wear Voice Lines
When Summoned: Lights dimmed, tension building up… Are you ready to feel our rhythm? Summon Line: Playing music with friends is fun, I’m glad to be here even though I’m starting to feel a bit nervous.
Groooovy!!: We’d be delighted to see you at our next show. Spotting a familiar face among the crowd is always nice. Home: “Let’s rock and roll”, as some would say. Home Idle 1: I joined the Pop Music Club on my second year. Perhaps it’s quite a drastic change from my previous club but… it’d be a lie to say I’m not enjoying my time here. Home Idle 2: Most of the time I’m the one suggesting we should practice, but somehow Lilia, Cater and Kalim always distract me with all these unknown snacks and gadgets. Sometimes I have the feeling they do it on purpose… Home Idle 3: I need to warm my hands, it’s hard playing an instrument when they’re cold. Home Idle – Login: *humming Piece of My World* Ah- sorry, I didn’t see you there. Can I help you with something? Home Idle – Groovy: I’ve been playing violin and other instruments since I was a kid. My family has always had a connection with music and I’ll gladly continue this legacy. Conveying your thoughts and feelings through sounds is quite satisfactory. Home Tap 1: My first concert with them? Since it was the first time I’d be playing in front of many people, I knew I’d have a hard time trying to look at the audience. Cater noticed and told me to look at him so I could feel less overwhelmed… Let’s say I didn’t expect him to be so literal. His clones substituted the audience because no one came to see us. Home Tap 2: Hm, my violin? Indeed, it’s not the same one I use at Mostro Lounge. An electric violin is more suitable for the club’s activities. I’m surprised you noticed it. That means someone’s been paying too much attention to the musician playing ambience music… That was a joke. Home Tap 3: Kalim and I joined the club in the same year so I got to see how much he’s improved his drumming technique. It’s impressive. Certainly, Lilia’s been an excellent teacher to him. Home Tap 4: I like the idea of having customized masks for our performances. Maybe I should mention it once we have enough funds. Home Tap 5: I recently accepted to do some vocals just for our club sessions. You can come see us, but please refrain from telling everyone else. At the moment, I only feel comfortable singing for a few people. Home Tap – Groovy: When it comes to a band like this many wouldn’t think of a violinist, but that actually gives songs an interesting feeling, don’t you think? Duo: [DEEVA]: Ready for a shocking performance, Cater? [CATER]: Ready as ever, Dee-chan!
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nelkcats · 1 year
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Danny's Pizzeria
Ghosts get bored, a lot, and sometimes even Ghost Kings get ideas from their videogames in childhood. So, when Lunch Lady commented that she didn't have enough ingredients to cook for a "half human" (read, him) the halfa traveled to another dimension and gave them to her without much trouble.
Then Lunch said that she wanted to experiment, and he got her new ingredients, from all possible places (always asking Clockwork if it really was edible).
The funny thing was that several ghosts wanted to try the new "pizza" flavors that the King had been enjoying. So he just opened a pizzeria in the Realms. The thing is, the ingredients cost money, and while he could pawn the gold from the vault, Clockwork told him that he shouldn't leave "haunted" materials everywhere.
So he just expanded his pizzeria to various dimensions. The menu sounded strange anywhere outside of the Realms, with the most exotic ingredients. But he needed money, and it was the simplest way that didn't include bewitching an unsuspecting poor man.
Of course he, along with other ghosts made the deliveries (it depended on who wanted to travel, mostly Johnny and Kitty). Pizzerias just popped up at any moment before disappearing (even though his business was doing fine online) simply because he thought disappearing buildings was fun.
No wonder Billy Batson freaked out when he noticed the pizzeria next to the Rock of Eternity. That John Constantine fainted when he saw it next to the House of Mystery or that the Watchtower investigated the establishment that had appeared on the Moon (Of course, Flash ordered). But hey, the ghost king need some kind of entertainment.
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can-of-slorgs · 1 month
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Completed the Shenkuu Stamp collection some time ago, so it was only fair to draw my girl Mirsha
#neopets#neotag#neoart#vin doods#gnorbu#drawing this was actually really fun in a way that when i was looking for references i didn't know she was such a lesbian icon#not surprised but hey lets cheer for the lesbian alpaca!#I'm not as happy with the colors as I thought#I'm a bit rusty in just really warm colors without it looking burnt for some reason HJSD#but looking at pictures of AC teams have made me really fall into my old virtupets fix#i love everyone so much on that team and not really that many ppl play for it#i still remember winning a long long time ago and was completely blown away as it was basically just 5 ppl in a forum going mad#i just really love the designs of most of the players on all groups??#i don't even like playing in the AC that much i just love the characters LMFAOO#i think i still remember I drew fanart of Sela and the gelert from the darigan team when i was like 8-9 and submitting in onto deviantart#and getting hate comments probably like 8 years later because i missed his wings or i made them too small or sth#that was hilarious thinking about it now but it did made me hate the darigan team for that year SDHFKSD#ok this is too long it always ends up wit me just rambling#I love my boy XL Striker 3.8 and Sela#ok nobodys reading uhhhh#send me an ask with the weirdest emoji out of context if you've read this far tbh nobody cares by this point HJSKSFD#idk if ill draw someone for the AC team everytime i complete a stamp collection but if i'm feeling like it maybe#or if they're requested tecnically#thats it bye
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somegrumpynerd · 6 months
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Good heavens, look at the time! (Points to a clock where every hour is replaced with "gooptales")
@topazshadowwolf's boys will be the death of me please read it it's so good
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foxaoxarts · 1 year
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BEE KISS TOMORR- *dead* /j
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If anyone wants to watch me drawing this like a little victorian child then the timelapse is below the cut 🤣
(FLICKER WARNING. It's all through out so be careful!👍 )
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feroluce · 1 month
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Lucid Dreamer (1/2)
part 2
Gepard notices that it's been. Quiet lately. Like weirdly quiet. TOO quiet. He hasn't seen Sampo Koski in almost a week, which is about the longest he's ever been absent. And he is NOT worried. He's not! So what if they've been getting along more lately! So what if Gepard sometimes looks for him in his favorite hiding places! So what if he's been dreaming about blue hair and green eyes! It's nothing!!
But they're….strange, these dreams. Gepard doesn't usually remember what he's dreamt. It's out of his mind seconds within waking up. But these stick with him, they won't leave him be, they feel different somehow.
He dreams of Sampo bringing food to the frontlines and eating breakfast in his tent with him. Sampo always sneaks him extras. He dreams of chasing Sampo through the alleyways, Sampo sometimes letting himself be caught, Gepard sometimes catching him, and trying to ignore how it feels more like a game now more than anything else. He even dreams that Sampo tags along with him on one of his few civilian days. Sampo runs errands with him, prattles about inane bullshit while Gepard picks out groceries for the week, drags Gepard into some bakery he's never been to but he thinks Serval mentioned once.
And sometimes, it feels so close to reality, that Gepard half expects to see Sampo, shamelessly swaggering into the frontlines with all the guards' breakfast like his wanted poster wasn't only recently taken off the walls of Belobog. He's disappointed when it's always someone else instead. He tells himself his disappointment is ridiculous and if Sampo wants to go prowl around the Snow Plains or wherever he is, then fine. It's not any of his business.
…But it IS his job to investigate any unusual criminal activity relating to the frontlines. And the frontlines are Sampo's usual haunting grounds, and this is unusual activity, and Sampo IS technically a criminal, so it is absolutely part of his duty to look into this - is what Gepard tells himself the entire tram ride down into the Underground.
Natasha tells him he's gone, and Gepard has to steel himself. He knew Sampo made enemies wherever he went, there are a lot of people who would love his head on a platter, but he didn't think-
Natasha corrects him that she means literally gone. As in off-planet. Sampo always leaves her a note before he goes anywhere, so she knows not to expect any supply runs from him. He should be back in exactly two weeks. Thank the Preservation.
Gepard goes back home. He waits.
The uneasiness doesn't leave him.
"Where did you go?" Sampo stops dead in the middle of some story about Seele, and how you'd think someone with as blunt a mouth as her wouldn't have so much trouble asking a woman out, even if that woman IS the Supreme Guardian, and stares at him. He nearly fumbles his cigarette.
"Ahaha, what do you mean, I'm right here?" Sampo smiles at him the same way he always does. Gepard has no idea why he asked. It just popped out. He can never tell when Sampo is lying, anyway.
"I don't know. I feel like I haven't seen you in a long time." Gepard idly mouths at his own cigarette. He almost never smokes, but he wants to ration their stocks of Blizzard Immunity, and it helps with the cold. It's seemed colder lately, for some reason.
Gepard flicks his lighter once, twice, sighs at the third time because a metal prosthetic and thick gloves make the damn things so difficult. Sampo reaches over and wordlessly kisses the end of his cigarette to Gepard's, lighting it. "Thank you."
Nothing happens for almost a full 30 seconds. Something churns behind Gepard's ribcage. Because Sampo never leaves a "thank you" hanging. This is the part where he gives his spiel about how helpful and kind he is and Gepard either brings up how long his rap sheet was before Bronya helped clear his name, or just stares deadpan because seeing Sampo squirm is weirdly satisfying.
"…I'll be back in one more week."
Gepard jolts awake in his cot, mouth dry and eyes bleary.
The hell.
The next dream he has, Sampo looks tired. Sometimes he seems normal. Sometimes he says strange things, like how he wishes he'd gone to some restaurant in Belobog. Ate his favorite food more recently. Brought something with him. Gepard asks why he can't do that now. Where would he bring something? Sampo only shrugs. His rebuttals have less energy.
Gepard doesn't know if he wants to dream more, or less.
He ticks down the days on his calendar. Natasha hasn't told him any different. She promised she would if she got any kind of message. Sampo returns tomorrow, from whatever vacation or seedy business dealings he's been off having. He is not excited about it. He is not looking forward to it. He's not!!
Gepard falls asleep late that night, unable to settle. He dreams again.
He's alone. There are tons of people everywhere, the frontlines are always crowded. But he's alone. They all pass right by him as though he were a ghost. Gepard starts to walk before he realizes his feet are even moving.
He checks the trashcans in the dead end alley. He checks the supply crates that someone always stacks too high because they don't feel like finding more space for them. He pauses to check the soldiers that march past him, watching their footprints in the snow.
He finally finds Sampo on the rooftop along the northernmost wall, the one that looks out over the plains, towards Everwinter Hill, towards where the Stellaron had once been kept. With a full moon and an entire land of white snow, Gepard can almost see clear out to the horizon.
"Found you." Sampo stiffens, and Gepard is almost prepared for him to sprint off the roof. He doesn't. But he doesn't relax either. Gepard sits down next to him and stares out at the wastelands.
"…I fucked up." It wasn't what Gepard had been expecting. Sampo never 'fucks up,' Sampo just gets into incidents that are entirely, supposedly, not his fault and that he just happens to always be within the vicinity of.
"What did you do now?" It must be really bad if Sampo is coming to the Silvermanes for protection.
Instead, Sampo ignores his question completely. "See out over there? Right on the other side of that mountain. There's a safe house that way. It's hidden under a lot of snow and dead trees, but it's there. And in that safe house is a box full of letters. I need you to deliver those letters for me."
Gepard's brow furrows. It's a weird favor to ask. Sampo would never tell anyone where his hidden safehouses were. It defeated the whole purpose of a hidden safe house.
Something is wrong, something is really really wrong.
Gepard turns back to look at him again and startles, all of his questions dying in his throat, because the entire left side of Sampo's head is suddenly matted down, dark and sticky, his skin is dyed red red red-
"In three more months, there's gonna be something big happening." Gepard grabs Sampo's hand and it feels slick and warm against his palm. "I won't be here. So I need you to do my end of things for me." Gepard tries to keep hold, but something is fading, something is slowing, the sun is coming up but the colors are all wrong, everything feels like encroaching fog, Sampo's hand slides right through his. "I was gonna come back with my mask to finish setting the stage, but…" Gepard makes a frantic grab for Sampo's wrist, the air twists, he comes back empty-handed. "They have you. And you're the Iron Wall of Belobog. So it'll be ok."
Gepard finally manages to find his grip, snatches the front of Sampo's dark wet jacket and yanks him forward to hold onto him, and this close up, he can see it better, his colors are bleaching out, leaking outside the lines as if Sampo will become part of the background, as if he's fading into the strange fog that's been closing in on them. His fingers are already starting to feel empty again.
"Wake up."
Gepard jolts awake, uncurls his hands from where they're fisted in the blanket, scrubs the dampness off his face. Breathes. Breathes. Breathes. Today is supposed to be the day.
He throws on his civilian clothes, and he goes down to the shipyard the IPC had built. He finds a spot where he can see every person that returns to Belobog, and he waits.
And he waits and he waits and he waits.
No one he recognizes appears.
#sampard#gepo#hsr gepard#hsr sampo#gepard landau#sampo koski#honkai star rail#hsr#blood#my fics#lucid dreamer#there was more to this but it didn't feel right included here so part 2 tomorrow maybe?#I just think Penacony being the land of dreams presents some FASCINATING possibilities like showing up in other people's dreams#the end of masquerade duet killed me just beat me dead#Sampo going through all this trouble just to protect Belobog...#poor Ray got such an earful that night haha#In the Penacony dreamscape someone can change their appearance however they want but I think in this case where one of the dreamers AREN'T-#-on Penacony it would take more concentration to keep that illusion up#and if someone were say. hurt and badly bleeding. it would start to fall apart eventually as they lost their concentration.#but oh my heart#Sampo being away and missing Belobog so badly he shows up in his friends' dreams just to do the same mundane shit they always do...#He probably showed up to everyone#he sat around and kept Natasha company in her clinic. he pestered Seele until he provoked her into asking Bronya on a date.#he played one last song with Pela and Serval. he told them he'd always kept his old bass guitar.#he took Hook out on one last joyride on his scooter and he even let her sit up front and steer like she'd always wanted.#and he stood around to shoot the shit with Gepard#he got to go do things like run domestic errands together with him. as if they could have been something more than what they were at the en#it was nice to get the chance to do all that#it was nice
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theimpossiblescheme · 6 months
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Staging concept: Ophelia carries around a book that she uses to press different flowers and plants. At one point we see her actually pressing one of the flowers Hamlet's given her before, and we get the impression that she wouldn't part with this book for the world. During the "Get thee to a nunnery" scene, Hamlet rips the book out of her hands, and she goes diving after it to make sure he didn't damage it. And during her final "mad scene", she starts tearing out the relevant pages (rosemary, pansies, fennel, columbines, etc.) to give to everyone present. Laertes is the only one to get the significance of his sister giving away parts of her prized possession, and it adds an extra layer to his grief.
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dailyarturiartfgo · 10 months
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I hope you know every time you draw Oberon (and especially blanca) I ascend into the stratosphere. I want to put your art into a blender and drink it. Congrats on getting the moth NP5!! I'm still hoping we might get a costume for his 3A summer.
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Thank you very much!!! And he actually got a skin??? He's so edgy I can't, I feel like getting back to 2010
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nientedal · 6 months
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Usually I just save stuff like this to my drafts until I calm down but you know what, fuck it, I'm done.
Any so-called leftist who refuses to recognize that our options right now are "genocide abroad, progress at home" and "genocide abroad AND genocide at home" and that there is a significant difference between those two options is cordially invited to eat shit and die. We do not have time to entertain your anti-voting hopeless nonsense. A future in which we are able to move towards less death will always be preferable to the one in which we can't, and if you smug, sneering little clowns sacrifice that future on the altar of your own self-righteousness because you're too high on your own farts to realize how far up your own ass you are, I genuinely hope you fucking drown. Specifically, I hope you drown in the blood of the people who will die all over the world as a result of your bizarre refusal to work towards a future that doesn't include ethnic cleansing.
This is the United States. We sell war, here. I don't know how so many of you are only just now figuring that out, but you better get over your shock like yesterday because we are out of fucking time. We ran out of time when Reagan took office if not long before. You think not voting will improve any of this?
Keep calling, keep writing, keep screaming. Governments everywhere are (slowly) beginning to listen. Democrats are (slowly) beginning to listen. But Republicans never will, and if they seize power again next year (which they will absolutely do their damned to attempt), everything will be so, so much worse for everyone, everywhere. The work is slow and painful and imperfect but it will only get done if we show up and do the work, so keep calling, keep writing, keep screaming-- and when the time comes, you show up and vote for the future that lets us build a better tomorrow instead of just choking to death in the steaming shitpile of today.
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crowbird · 10 months
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I'm so tired of age gap fics please if i can suspend my disbelief about mushroom zombies I can suspend my disbelief about the reader's age not being equivalent to my own, please just give me two 50(+) year old bastards falling in love no more of this 15+ year age gap I swear to god someone is gonna make me start writing last of us fanfiction at this rate.
Anyways, I would like to request some aid from the last of us fandom in terms of fic recs if anyone knows any good reader insert or x reader fics wherein they and joel are around the same age? Pre or post outbreak, au, I don't care I'm starving please if anyone has any let me know.
EDIT: I did not think this was going to get any traction which in hindsight was kinda stupid of me but I really want to clarify something since I originally left it in the tags which I probably shouldn't have. THIS ISNT A HIT PEICE. I've been a fanfic writer for years now even if this blog isn't exactly a great example of my supposed stellar writing consistency. I mean no hate towards the people who like age gap or write it it just isn't my thing personally and I would like to read fics that explore other topics besides that when it comes to this fandom. Yes I understand the easy solution is to write my own and i would be a liar to say I wasn't but I'm new to this fandom and still consuming the actual content and I know my drafts aren't exactly great right now in part because of that. What I wanted to accomplish here wasn't just to complain a little but to reach out and ask if anyone could point me in the direction of non age gap fics in the mean time and they did so thank you very much!! I genuinely appreciate it. Write what you like but understand that I also reserve the right to read what I like and to ask for help in finding it because let's be honest tumblrs search and filter system is non existent and asking for help was my next best bet so uh yeah I'm gonna stop rambling now and refine this maybe when I'm more awake and can word things better probably.
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crescentfool · 2 months
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having the hc that minato is ace is incredibly funny sometimes when you think about how ryoji is oh so very bi because it's like. "ah. death stole my ability to be attracted to people," in the same way that ryoji stole minato's eye color and energy level. like wow, thanks ryoji, you just keep finding things to steal from minato!
#persona 3 spoilers#minato arisato#hc and au nonsense#lizzy speaks#happy international asexuality day to my fellow aces out there i hope you know that you are loved!!! 🎊🎉🥳#i like viewing minato with the lens of him being gay / ace. esp bc it stems from my own experiences so it's fun to look at-#him from that perspective even if that's not what was intended by atlus y'know?#and im sure others have other hcs from me that are informed by their own life experiences and i think that's great ^_^#something that i found interesting while playing FES was how. stilted? minato's animations felt when hugging the girls#you could definitely go with the perspective that it's a graphical limitation or they didn't have time to polish the animations#and that's def true!! but sometimes i see the hug @ yakushima beach + the other hugs and then i compare it to the sou/yo hug in p4#and there's like... a noticeable difference to me with how intimate and close together the hugs are...#that said i do know that the animations for reload are updated and the hugs are much more natural (good on them tbh!)#the other thing is (pensive sigh). the way you couldn't reject any of the girls when doing their social links in FES#objectively speaking i'm glad that they did away with that and i like how the rejections were handled in reload. it feels naturally written#but also a part of me enjoyed looking at the “hey atlus what the FUCK” moment and thought of how to interpret it differently#specifically with the idea of minato having like.. little to no autonomy and kind of going along with the relationship#it kind of reminded me of myself tbh with like going along with the rship without considering what you want bc#it's what others want or expect out of you... LOL. i dont think atlus intended for someone to interpret it this way but#eh i think that's the fun part of hcs and looking at characters with certain lenses!#regardless of how you perceive minato i do think there's something to be said about him being the kind of guy who molds himself-#into someone that is needed. not wanted. but needed. important distinction here.#the one caveat my brain runs into when im like “minato is ace!” is when i remember thanatos exists and i go#“you know what these ideas can exist simultaneously” GKLHFHDFHD when in doubt schrodinger's headcanons#anyway that's all i've had this thought in my brain in awhile and haven't sat down to share it properly until now 👍#have an excellent weekend everyone !!! lizzy loves you all lets all nurture our inner yippee!!! 🥺💙
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thecrimsonjaguar · 8 months
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i think when it comes to the F+C finale it's important to see where the writers were coming from. And it's easy to do that, the lesson/moral they gave simon is fairly clear: Simon needs to appreciate his life because Betty sacrificed so much to get him here. alright, cool, that's good on paper.
I do Also think that the execution was poor.
up until this point, the crown has represented/could be viewed as many things. Alzheimer's, substance abuse, and anything else people have called it. In this series, a newer interpretation has arose: Suicide. And I'm certain the writers were aware of this. Depression and suicidal ideation are such strong themes in this series that they can't NOT be purposeful.
So their attempt at teaching Simon to appreciate Betty's sacrifice can ALSO be read as: Simon, the suicidal, on the verge of a relapse-man, gets put into a body of a child, (and that is very powerful imagery that does not help, actually) and is told nearly expressly that he fucked up in his relationship with the love of his life. He is told he should have sacrificed more for betty. And he says to himself: "Maybe i wouldn't have even found the crown". Basically it's simon pinning the blame on himself for his 1000 year curse on his mistakes with Betty. Which of course can be read as Simon's self loathing but the show does nothing to refute his statement, which i also have issue with. Simon putting on the crown was stated to be a Mistake. it was an accident. No matter what, the crown cursing him Was Not His Fault. Ever. It's not Betty's fault, it's not Simon's, it. was. a. Mistake.
regardless on if they should or should not have introduced these new flaws into simon's character, having simon learn his mistakes like This feels. icky. to me.
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oathkeeper-of-tarth · 7 months
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Moon Above And Stars Beside Her
Me, rising from the dead after a hundred years to post fic? It's more likely than you think! These specific characters were laser-targeted and lovingly crafted to activate every single one of my neurons and I am immensely grateful for them. Please enjoy the result of me endlessly rotating them in my mind ever since I met them.
Be warned that this fic is pretty much made up entirely of spoilers for Act 2 of the game.
Fandom: Baldur's Gate 3 Characters: Dame Aylin/Isobel Thorm, Ketheric Thorm, Balthazar, Withers, and a smidge of Selûne herself Length: ~11000 words Rating: M, for canon-typical violence and sexual content
Hurt/comfort, dealing with trauma, an overabundance of righteous anger, a smidge of Came Back Wrong, and some pretty complicated and peculiar parent/child issues.
Summary:
What of the gnawing in thine holy gut, the rage clawing up thine throat? A great weight, inclined to tip the scales once more. Which way shalt thou cast it? When you had nothing else, caged in darkness, you learned to cultivate your anger like the finest of crops. And yet there seems to be so little for you to reap.
The Nightsong is no more and Dame Aylin is returned to her most holy duties. Isobel Thorm is free of her grave. How they handle their past, present, and future is, perhaps, up to them.
Also on AO3.
Moon Above And Stars Beside Her
"And what of thee, god-child, moon-graced, silver-blood?"  
It is the Scribe who addresses you one entirely unremarkable evening, looking up from his scroll to arrest your gaze with his deathless one. They introduced him, a camp guest most unexpected, by some nonsense name you cannot even call to mind. But you would know him anywhere. And so you stop in your path, as you are bid, and listen. 
"A tipping of the scales most severe: thine mother freshly spared mourning her daughter, her dark sister's triumph snatched away at the very last moment." 
"You have guided these adventurers well, Scribe," you incline your head in respect and a small measure of thanks.  
"I do not guide," the grave-wind voice is raised just enough to convey something resembling annoyance at a minor inaccuracy he simply must correct. "I offer what services I am bound to, nothing more."  
You arch an eyebrow at him. "And yet you wish to speak to me, who did not ask any service of you." 
"Yes," he responds, and leaves it at that for a few moments that feel like an eternity. A timescale he is used to, one would imagine. 
"Dame Aylin. Thou art a curious creature, I admit - immortal, yet appearing in my records many times over. Moreover, thine fate stands indelibly entwined with one whose name has been freshly struck from the archives in a manner most uncommon and highly questionable." 
A tension floods you as you realise he talks of Isobel, and your hands tighten into fists at your sides.  
"What of her, pray tell?" It comes out more curt than you intended, perhaps, but the words are spoken before you can properly settle on them. 
"She lives, and shall do so for the time that is given to her, as it is to most. And still," he nods, unnervingly calm, all taut paper-thin skin, a being of unlife if you've ever seen one, "thou wouldst cleave thine malefactors in twain and rejoice in their screams. Thou, who burnest so deeply to reflect back upon them every spear-strike, every lash, every cut, every shattered, twisted bone and sinew, every drop of blessed blood they dared spill."  
You breathe in a leaden breath, knit together as you are, the divine birthright of your Mother lacing your scars with shining gold, proclaiming that the testament of your newly ended immeasurable suffering is something to be proudly displayed. You know the marks on your face glisten in the firelight much like the woven gold that decorates his skull, his sunken cheeks, as he looks upon you half-expectantly.  
"I would, and I do," you can but confirm through grit teeth. 
"What of thine anger? What of the gnawing in thine holy gut, the rage clawing up thine throat? A great weight, inclined to tip the scales once more. Which way shalt thou cast it?" 
"I would destroy them. I would scorch the very traces of them from the world. Some, I already have - as you are doubtlessly aware, Scribe. Much like they tried, and failed, to destroy me." 
"Or did they?" There is the infuriating calmness again, and a question meant for no answer, or perhaps merely a word of caution aimed at you. 
His withered countenance is as utterly illegible as a weather-worn tombstone, but if this was meant to stir hated doubt in you, it does. For you have grown well aware it is not just the bright, righteous blaze of justified anger that fuels you now, but something relentless that stings and cuts you as it wants out, out, out. This is not the way of Protection, of Devotion, of measured Justice. This is not the duty you were once sworn to, the sacred oath that has resounded in the marrow of your very bones since the first breath you ever drew upon this land. No, it is something new, and yet Vengeance has served you just as well - better, perhaps - in this brief time you've been free. 
"For all their infernal efforts, I have pieced myself together over and over and over again. It is my nature to do so, not a choice to be made, nor a conscious effort. Their betrayal and their sins against me are but a chapter in my tale, nothing more. My task is not done, and for as long as it is so, Dame Aylin will not stop, will not falter. You know this as well as I." 
The calm of the tomb refuses to be disturbed in any way, least of all by your tirade. "And yet, along the way, a piece of thee was lost and replaced with another, ill-fitting. Many stand to win from this, as many stand to lose." 
You frown as you scrounge around for a reply, and find yourself lacking one. He looks not at you, but into and through you, and it is uniquely discomfiting.  
The Scribe raises his hand in dismissal, and offers solemn parting words. "A godling thou art, but no god. It is in thine nature, too, to wonder, and question, and change in response. As it is in mine to observe, and take note, and stand witness to the weaving of fate. Forget not: thou art not near as tide- and cycle-bound as thine divine moon-mother." 
You are given little time to contemplate the Scribe's weighty, ominous statements. Yet another comes seeking, coveting, poaching. Craven-clever mouth full of honeyed praise for your "gift" and only ever wanting to take, take, take, all for himself. 
How dare, how dare he, how dare they how DARE--  
A thousand echoes of deaths upon deaths swarm and you take the vainglorious fool, lift him bodily up and-- 
He breaks upon your knee like a dry kindling scrap and your breaths come loud and half-choked and heaving. What was once a vile wizard is now nothing and for a moment, the briefest, most fleeting of moments, neither are you. 
Until the world rushes back in, exhausting in its sheer weight. There is no glorious, triumphant rush of battle-roused blood singing through you. Vengeance didn't taste sweet. It didn't taste like much of anything.  
When you had nothing else, caged in darkness, you learned to cultivate your anger like the finest of crops. And yet there seems to be so little for you to reap. 
As the sounds of the city far, far below slowly fill the enchanted tower, competing with crackling magic and bubbling potions and a complete absence of words spoken by any of your present companions and allies, all you can pinpoint whirling within you is a rising despondency. 
One more, and then another, and another after that, extending before you all in a line, down the endless, endless years that await you, immortal and eternal. Magus or sorcerer or ruffian or necromancer or halfwit charlatan, it won't matter much, will it? Because they will try. 
Do you dare ever again let your guard down for even a few precious moments of respite, when another villain with designs on your person could be lurking, scheming just around the corner? 
Worse yet, far more chilling - what if they, conniving, decide to aim their ambitions at a different target, at your soft underbelly, and come for Isobel in turn? 
When you draw yourself out of the crowding thoughts and return to camp at long last, subdued, tired, painfully aware you are far removed from your usual mighty bearing, hours have flown by and the sun has already set. Isobel is there, and for a moment that is all you know. She is there, and whole, and alive, and it is all you can do not to drop to your knees once more and offer prayer upon prayer of gratitude. 
She looks at you, eyes brimming with a potent mix of concern and questions, then rushes towards you and wordlessly takes you by the gauntleted hand to the small sanctuary you've carved out for yourselves in the midst of your newfound allies: a simple tent, a soft, warm rug, a comfortable enough cot. A small washbasin Isobel keeps filled with conjured, moonlight-laced freshwater. 
"It was a glorious victory, my love, worry not," you rush to reassure, though even you can tell your heart is not in it. "Yet another villain slain, his devilish designs denied -  as has become the habit of our merry retinue. The battle has tired my mind somewhat, that is all."  
You can see the doubt writ plainly on her face, but it is no lie you tell her (never, never could you bring yourself to lie to her). It is more that… you do not know the reason yourself, or, rather, that it feels too manifold to ever encompass in simple words. 
"I wish you would give yourself time, Aylin, let yourself rest," Isobel says, soft, endlessly caring, achingly perceptive, and only slightly disapproving. She starts taking your armour off piece by piece as you sit on the small campaign stool you appropriated recently, then dampens a washcloth to wipe the traces of recent battle from your face. "Please. You endured more than a hundred years of horrors I can scarcely imagine."  
You grit your teeth at the mention and try, foolishly, to hide from her the tension that runs through you at the mere evocation of the thought. She palms your cheek and tilts your face to look up at her - her, standing above you and yet barely exceeding your height, though you remain seated - and oh, how you adore the sight! 
Isobel frowns as she notices a scrape on your temple, slightly singed in a near-miss from one of the mage's commanded elementals. It is nothing, you want to insist, no need to fuss over it, but you know how to recognise a battle lost before it has even begun. "In Her radiance, you are made whole," she murmurs, and you feel the familiar tingling and slight warmth of the gash knitting itself closed. 
Her incantations are perfect and as subtly melodious as ever. There is healing even before her spells take hold simply by the fact she is here. It is Isobel's touch that has ever been a balm when you returned from a skirmish, feathers ruffled, just as it is now when you feel burning echoes of abuse tear through you at some unintended motion or runaway thought. 
Satisfied for the moment, she dips the cloth in water again, and runs it gently over you, in a cycle as regular and comforting as that of the Moon itself: brow, nose, cheek, jaw, neck, then brow again, and again. For a little while the gentle, refreshing, cleansing caress is the only thing that exists in your world, and you let go of the death-grip you only half-consciously had on her other hand. 
"I confess… I hate to see you throwing yourself back into the fray like this. I understand why, and that it is necessary, but…" she trails away and pauses for a heavy moment, cloth in hand. She resumes, more determined, now scrubbing at a stubborn mark on your chin. "I wish it didn't have to be so soon. Duty or not, you shouldn't have to. You should be allowed to recover in your own time, to heal in peace, until you are ready." 
You cannot help but bristle at that. "You would deem me unfit for my purpose? My duty and my self are so entwined, it is not possible to have one without the other - would you call into question a sword's place in battle?" 
"Listen to yourself," Isobel snaps, harsher than you can ever remember hearing her, stopping her ministrations and standing tall to face you down, cheeks reddened. "Can't you hear what you sound like? Like a misguided Sharran, making yourself out to be nothing but a tool to be used and used and used until you are useful no more!" 
You gape at her, useless, wordless. "Isobel…" 
"Yes, you are the resplendent Sword of the Moonmaiden, performing great deeds in Her name… but you're so, so much more than that, and I treasure all that you are." The words are so impassioned and so openly honest you are struck silent in pure awe. Isobel, clutching a dripping, bloodied washcloth in the middle of a patched-up tent, might as well be a queen making proclamations before her devoted court assembled in a lofty palace. And oh, devoted you are, endlessly, endlessly. This can never change. 
"My Aylin, my angel. You always have been, and always will be, and if it takes me years to remind you of all of these things I know you once knew, I promise I will." Her palm is back on your face, a gentle caress that soothes many wounds long invisible, never healed. 
She speaks her promise as solemn as any vow you have ever made, and you bow your head to kiss her hand.  
"There is no need for recklessness, after all," Isobel smiles, the slightest wry twist to it, as she tips your chin back up, leaning down to press a kiss to your forehead and murmur against your freshly washed skin. "The Moonmaiden's shield is mine to wield. You know its strength, the blows it can take. Let it be a sanctuary for you as well. Give me - give yourself a chance. Slowly, step by step - there is time." 
You have time, she is correct, even if you've never managed to have a very good grasp of it. All the time in the world, and then some. 
Isobel does not. 
You've already lost her once, had her ripped from your arms by whims of fate, or rather something far more sinister. There is no way to know, but you suspect, oh, you do. Your Mother's dark twin schemes ever on, and Moonrise, beacon that it was, surely seemed to her a provocation, Ketheric Thorm a crown jewel to be poached, and Isobel, your Isobel, a mere means to an end. 
Isobel, brought back, a miracle paid for so very dearly. It would be foolish to count on another. 
You stand up and reach over and almost crush her to your chest in an embrace - one she returns not a moment after completing her surprised exclamation. You hold her and hold her and allow yourself to lose track of time again. 
Moonlit, timeless, subdued in her glory, you listen to Isobel recite the Words as she pours fresh milk into the small silver ritual bowl before her.  
"Our Lady of Silver, whose light falls upon us all, hear me."  
Her reverent voice is barely above a whisper but carries impeccably, harmonising with the gentle bells and chimes surrounding the private little altar.  
"Sheltered by Your radiance, guided by Your hand, I come not to entreat, but to reaffirm." 
Motes of moonlight buoyant around her dance in the rhythm of the prayer you've heard and repeated so often it feels like breathing itself. It would feel stranger not to join in, so you do, if only in your mind. 
Ever-changing, ever-returning, as the silver Moon waxes and wanes, so too does life.  
You lurch back into awareness in a place you have never seen before, but that you recognise without a shred of doubt. The utter absence in the dark dome of the sky above you, the storms that swirl and rage all around, the assault on your ever-heightened divine senses - the reek of the Shadowfell feels like it has sunk its claws into your lungs already. You shudder, then startle, scrambling to stand when you realise your armour is gone, your sword nowhere to be found. 
Your feet are bare on the cold, cruel rock; your mind reeling, disoriented. Half-blinded by the glowing runes that encircle you, your tunic still stained with the fresh blood of your latest, very recent death, you come face to face with the two men you made the mistake of believing and turning your back on mere moments ago, in what must have been a different pocket of the dark realm.  
And so, the last time you see him for what is to be more than a hundred years, Ketheric Thorm locks gazes with you and wordlessly draws a dagger. Then he cuts his palm, deep and deliberate and unflinching, and your own muscle and sinew feel the slice. 
The hideous grin of savoured success on his pet necromancer's face upon witnessing your startled, pained reaction chills you to the bone. It is then, perhaps, that you begin to grasp the scope and shape of what they have in store for you. 
You try to rush at them, charge and claw them into submission with your bare, bloodied hands if needs be, but the boundaries of the sickly-bright rune-inscribed circle flare up, the cage tightens around you, phantom hands grasp and wrench and restrain and keep you in place, your foes and would-be tormentors only just out of reach. 
"What are you doing, you dog ?" You roar at Ketheric, your insides twisting at the sight of the dark disc newly burnished on his armour, Sharran symbols adorning his brow, his chest. "Oathbreaker! How dare you conspire against Dame Aylin, against Selûne herself! How dare you so betray Isobel--" 
A heavy gauntlet smashes into your jaw as soon as the beloved, yearned-for name leaves your lips, and Ketheric's voice rises above the ringing in your ears. 
"You do not get to speak her name, thief. I am the one betrayed, abandoned. By your witch of a mother who hoarded my misguided service for far too long." 
Ketheric steps back and calms, somewhat - or merely restrains his rage into something crueller and colder, while you recover enough to speak.  
"Shar will not help you, Ketheric Thorm. Oblivion does not heal, does not mend - and oblivion is all she offers. But what she will ask of you in return will damn you forever." 
He waves a claw-armoured hand in mock-dismissal of your warnings. 
"Do what you will with her, Balthazar, as long as it doesn't impede my Lady's plans. Break her, if you can. Let her rage and pace and fume and rot, if not. But I want her to know," he steps closer again, so close, almost close enough to touch, if not for those accursed hands holding you back, "when our Dark Lady's acolytes come calling, when her wretched silver-stained blood fuels the creation of an army the likes of which the world has yet to see - I want her to know and never forget: it was on my orders." 
You calm your breathing enough to answer, the burning rage within you forging your words into steel - the only steel you can aim at him, for the moment. But the tides will turn, as they inevitably do. "The Moon shows many faces. Our Lady of Silver is ever-changing. You should be careful, traitor, lest the Hunter's Moon marks you as Her prey." 
Ketheric scoffs, unimpressed. "Let her try! Let her come, let her send all her legions after me, when she would not lift one holy finger to help me when I needed it most, for all my decades of faith and devotion. No, you will see," the quiet conviction in him is chilling to behold, in all its sheer wrongness. "This place, this bond, will sustain me, and it will take everything from you, piece by piece, until you whine and cry and beg your moonwitch mother for salvation. And when you are met with the same merciless silence as I was, perhaps I will consider it payment enough for the precious hours of my daughter's presence you dared steal from me, interloper." 
You cannot reach him to wrap your hands around his worthless, treacherous throat and wring. But the trap, the cage, is imperfect, and you spit silver-flecked blood at his face easily. 
He flicks his cheek clean, all dismissal, then motions to his foul, death-reeking companion to come forward. "Start with her wings. She has no need for those anymore." 
"I would be delighted, General," comes the sickening, rot-sweet voice of Balthazar from somewhere behind you, along with the deceptively gentle sound of him tinkering with his ghastly tools and implements. "How very appropriate, how symbolic, to start by clipping our little bird's wings." 
You roar your rage at Ketheric's back until he is out of sight and your throat is raw and bloody and capable of nothing but a hoarse whisper. You strain and pull and beat your wings in great gusts with all the desperate force you can muster; you burn, entire, with a scorching radiance unlike any you've manifested before. But the newforged bonds persist, and drag you down, down, down, merciless, until you see and breathe nothing but dust, the magic of one of the caging runes stinging against your cheek as the sounds of what can only be termed butchery fill the stale air. 
It is the perhaps unfortunate attribute of your particular strain of immortality that you are obliged to feel every wound, every hurt, every blow that seeks to lay you low. That you rise to fight again only after you have been truly felled. That your memory is one made to suit your long life - blade-sharp, exact, and infallible.  
You lie there afterwards for a long, long, quiet while; unmoving, though the spectral hands loosened their grip and vanished along with Balthazar, a minute, or an hour, or a day, or a year ago. There is too much pain still, you think almost idly, feeling quite far removed from your own self. Too much for any of it to have been a killing blow.  
It is the first time in your storied existence you dare to think of death as a possible mercy and wonder if you might ever welcome it. 
Let all on whom Selûne's light falls be welcome if they desire.   
You do not see Ketheric after that, except in gory fantasies produced by your mind's eye. But you do get to know, intimately, each and every battle he deigns to fight personally, each scrape and cut and bruise and jab, arrow and spear and sword - all unseen, but far from unfelt. 
Then comes the steady stream of misguided Sharrans, would-be Dark Justiciars.  
You try to speak to them, at first. Reach out. Try to make them see their terrible error while retribution might still be within their grasp. 
You fail, each and every time. And each and every time you pay for that failure with a death. Some of them are more decisive about it, quick, almost merciful. Some stretch it out, savour it. Some can't bear to meet your eyes. 
But all of them, in the end, do it. And you choke back to life over and over and over again, knit together anew, as the murmurings mount. 
Descend to her. Look upon her. Listen to her.   
Kill her.  
You remember the first time you died: out on a quest taking you through a steep mountain pass, falling into an ambush, peppered by poison-tipped crossbow bolts. You remember also the slight fear, the uncertainty of what exactly would happen to you - the fact of your Moon-blessed immortality until then only a suggestion, a curiosity somewhere in the back of your mind. 
You remember the gradual change into certainty over several misadventures and the ensuing determination - you were indestructible! Indomitable, as befits the Sword of the Moonmaiden, put upon this earth to enact Her will. Who would dare stand before you, resplendent, eternal, uncowable? 
And you remember the long, slow slide into being utterly used to it, down in these seemingly bottomless shadows, stuck on another Sharran spear, listening to your own blood drip drip drip as the darkness grew even heavier, laced with increasingly triumphant whispers. 
As we turn to the Moon, we trust She will be our true guide.  
Exhaustion overwhelms even the most righteous of furies, and you fall into a fitful sleep now and then. You dream of Isobel, soft, warm, brilliant, alive, and it makes the cruelty of awakening all the worse. 
Balthazar comes, sometimes, your most frequent and most despised visitor by far. He delights in letting you know how much time has passed - impossible to tell, in the umbral pocket of your prison. Regales you with tales of Sharran tyranny being visited upon the land and the people you were sent to watch over and protect and guide, your one mission and the purpose written into the very blood flowing through your veins. And yet you did nothing but fail. Precious Isobel, dead; Ketheric, lost, determined to tear down with him the world entire. 
Balthazar rejoices in the disgust you cannot help but bear openly upon your face as he expounds on his experiments, hands unbound by any trace or suggestion of morality and propriety and with Selûnite victims in abundance. He crows endlessly over his successes, his sick triumphs - but oh, none as impressive as you!  
He does much worse, later, and you learn you do not need a tongue to curse him. 
You know nothing can come of it but even more pain and sick retribution, yet you goad the corpse-rotted bastard every chance you get. The necrotic embodiment of every foul undead creature you would have wreathed your sword in radiance for, if only it were at hand. Whom you would have longed to smite until nothing but ash remained. 
There is nothing else here. Empty shadows, as befits the Lady of Loss. A void without and within, yours to fill with gnawing, searing, holy wrath. Nothing left to sustain you but the thought of a long-distant but inevitable escape and vengeance.  
One day. 
"I keep a tally just for you, Balthazar." You pace the infuriatingly familiar bounds of your cage, precise in your steps in order not to trigger the wretched closing in, the grasping-- 
He looks up from the stitching he is doing, morbid handiwork on some poor Moon-devoted stonemason he wanted you to see. "Aylin! I did not know you cared so." 
"Why, yes," you bare your teeth at him in mockery of a smile. "When your little spell inevitably fails and this game of yours runs its course, I will come find you first. I will tear you apart, limb from mismatched limb, into your grave-robbed constituent parts. And then I will mince them further, until there is one rotting morsel of you for each and every hurt you have ever visited on me." 
"You will find," you prowl closer, just out of reach of the necrotic claws, "I have an excellent memory." 
Infuriatingly, the corpse only smiles, laughs in your face. 
"I was expecting just a touch more creativity, but then I suppose that has never been much of a strong point for you moon-followers." 
You scowl and swallow back a growl and want only to provoke him further, itch to make him react, to make a mistake. 
"So very boring and predictable. Painfully straightforward. Laughably easy to trick." 
He waves a hand and conjures a muddy image of the lost Selûnite child you were made to chase down here what feels like a lifetime ago, the perfect bait they contrived just for you. 
"You were nothing, Aylin. A meat-headed little errand girl for your useless mother. I, well, I have made you into a treasure." 
Balthazar's smile splits the corpse-bloat of his face. The stench makes you want to gag, makes you yearn for the duller senses of one not trained from birth to be a paladin.  
"As thanks, let me leave you with a thought you will doubtlessly appreciate. Do you know, I wonder, how very little it would take for you to be freed? What little effort I had to invest to ensure your captivity? One friendly touch would break the confinement spell, a mere moment of kindness. Nothing more." 
He steps forward, waving your clawed shackles into existence. Then he moves as if to pat your head or caress your face - but instead pulls at your hair, whipping your head back, and sneers. 
"How lucky for both of us you will never find such a thing here. There is not the slimmest hope of reprieve, not for you." 
And for a hundred years, he is right. 
The Moonmaiden will never allow us to bear a burden we cannot carry.  
The burning flare of indignant rage sours somewhere deep in your belly along the way. You are not of Ilmater's stock, made for the rack, proud to endure all pain, indignities, and abuse, for oh, good things would come to those who waited! With idle waiting you were long done. There was no glory to be found in suffering. No, you were made to be a beacon soaring through the sky, driving away shadows and fear and doubt, illuminating with the stark, silver light of your Mother's truth all the myriad lies your foes so loved to wield. 
What have they done to you? When it might be easier to ask what haven't they, over the months, years, decades, uncountable. Tongue, eyes, wings, heart. Yours to lose, all of it, when it was never theirs to take. And then, darker still - what use it all, when your heart's love had gone already? Isobel, most cherished of all, taken so suddenly and cruelly - you always knew you were going to be painfully parted, for your nature made that an inevitability. But not so soon. Not cut so short so abruptly, when she had so much still to give, and do, and be. When you were supposed to watch her grow old and say goodbye slowly and gradually with every precious day. 
You try to fill the hours between deaths with something kinder: memories of her gentle smile, her soft touch, her grace and her wit and her light. But all you can picture here among the accursed shadows is the beautiful, heartrending serenity of her laid on her bier, awaiting her final rites. 
Your own words to Ketheric resound in your mind. "Dear Isobel," you whispered, reverently, words you now know fell on deaf ears, "in my Mother's care at the Gates of the Moon, no doubt, with noble Melodia by her side. One day you shall be reunited on the silver shores. One day, my mission will be deemed complete, and I will be released from my duty… and I shall be permitted to join you." A tentative, tender smile to the bereaved father, and a hand on his shoulder. Trying to meet the man's grief with your own and perhaps thus relieve both your burdens. 
In a kinder world, you could have mourned your mutual loss together. But it wasn't to be. Instead - this. Instead, you, here, caged, tormented, made to carry more than just the hurts visited upon Ketheric's flesh and bone. Though in your mind it seems it has all done little to soothe his own pain, instead merely doubling it and vomiting it back into the world. 
Your contemplation is cut short by a sudden agony. This in itself is nothing new - Ah, you think, Ketheric has run afoul of a Harper's blade or a druid's claws again. You know enough from Balthazar's boasting to distract yourself with dreamed-up possibilities, a comfort as meagre and thin as the rags that clothe you. As if you could will his own hurts back onto him.  
No, the pain is nothing new. But there is something different about it this time - it feels like it has no end, it does not ebb, and you take such a very, very long time to die. And when you awaken again, the crushing in your chest continues, then stops so abruptly you feel like you can breathe for the first time in years. This was clearly no normal battlefield injury and it makes your entire being burn with hope that, for all the unusual suffering it is foisting upon you, it means that something shifted -- 
That perhaps, somehow, miraculously, even with leeching off of you, fat and silverblood-gorged, Ketheric failed. Was defeated. 
That perhaps your torment is reaching its end, and soon enough some enterprising hero, a fellow Selûnite perhaps, will find themselves guided into your prison to help you pry the bars wide open-- 
And then, a roar. A quake of the very foundation of your unseen cell so strong it knocks you down, and a surge of darkness and fury greater than anything you've ever seen. An entire storm of shadows, howling, screaming with a thousand enraged voices, ever-wretched Shar's above all, rushing up and up and up and blasting through the black dome that stood for the sky in this abyss.  
You dare not think of what this could mean: the Shadowfell pouring out its umbral essence over the world so suddenly and violently. 
It is a moment, perhaps, of ultimate weakness - for a precious few seconds you had the nerve to think it might finally be over, but instead… this. 
"Hear me, Mother," you rasp out against the ground stained over and over with your own blood, unable even to lift your head and address the words up high, where they belong. "Hark, Moonmaiden Selûne, Your blade is dulled, stolen. Your will delayed, undone. Your daughter… begs for Your aid…" 
"I need… I pray… a boon. Bless me with Your help, so that Your bright sword can once again be lifted as an instrument against the darkness. At Your service, as I ever must be, I incur this debt gladly. Let us answer this invasion with all our might." 
There is no response to your prayers. Not a glimpse of your Mother's ever-changing face. Not a single droplet of silver moonlight penetrates these shadows, and no other voice reaches your ears. 
The thought rises, unbidden: is this what Ketheric meant? 
There is no shadowy shroud of Shar that a moonbeam of Selûne cannot pierce. You have staked your entire being on this belief, a thousand times over. And yet not a mote of light reaches you in all your years of captivity, and you, curse you, you wonder. The swirling shadows whisper and tickle your mind and your very soul and you despise this intrusion but-- 
If she can, and yet she does not - does that mean she does not want to? Does not care to? 
Among the wild shadowy storms and the gusting winds and lashing lightning, the silence is deafening. When you repeat your prayer, a year later, then a decade, there is still no answer. 
An incredible loneliness stretches before you, a nothingness so profound and so very, very long you think you might even miss Balthazar's rancid presence. 
And then, a sudden crushing in your chest again, and an agony exploding behind your eyes. Mercifully brief, as far as these things have gone before, but igniting such unspeakable anguish in you that you bellow and pound your fists against the ground until they are raw and bloody. For you know this can only mean one thing: the cycle is starting anew after all this time, and what you took for Ketheric's defeat had somehow only been a temporary setback. 
As Your starglow soothes and bolsters, so we promise to aid our fellow faithful, and guide those whose path is not yet clear.  
You've flown over these lands countless times, but now, as you rush forward to your long-promised reckoning, you might as well be flying over one of the hells. The ruin and desolation drains away even the heady rush of newfound freedom, the sheer relief of feeling the wind on your wings once again. 
It is hard to reconcile the shadow-swollen horrors below you with the magnificence of Moonrise Towers as you once knew them, striking pillars of faith without question. Reithwin itself and the land entire have changed, twisted, in the end but a mirror to the devotion of their ruling family.  
There is nothing here of what you remember, nothing left of the simple, blessed life you got but a taste of, not even an echo to be found of all that you once came to treasure alongside your beloved. Fields and orchards you helped work; vineyards you helped bless; fine, silver-wrought fountains you helped make ever-pure, all in your role as your Mother's emissary. 
Ketheric Thorm, now False twice over, in whose throne room you stood in audience, promising your fealty and your aid, as recognition for his family's long list of deeds in Selûne's name. 
And Isobel, his daughter, still fairly young for one of half-elven descent, but an accomplished cleric in her own right. Her mother's daughter through and through. 
The first in Reithwin to stop being star-struck when faced with you, made of far sterner stuff than she might have at first seemed, and insisting on meeting you as an equal. Wise, caring, and skilled. And achingly beautiful, with a soft face and rosy cheeks meant to be bathed in the gentlest of moonlight. 
It was odd, but meant to be - clearly part of some plan you happened not to be privy to, but had no desire to question. 
All love alive under Her light shall know Her blessing.  
Isobel, living and breathing before you, is a miracle if you've ever seen one. 
Isobel, still hurt, bruised from what you are told was a kidnapping attempt ordered by her own father - you bristle, and bite it down. 
"It is nothing," she insists when you belabour the point, and you want to chastise her for never thinking of herself enough, even after a century, always putting her own wellbeing last, knitting everyone else's wounds closed and leaving no salve for her own. 
Instead, you take her face between your palms, trace her cheeks with tentative fingers and carefully, carefully tap into the healing magic you've ignored for a hundred years. The face of the Moonmaiden is ever-shifting - the fierce, warlike guise of martial prowess is but one of many in Her exalted repertoire, and so, too, in yours. 
Then, in the privacy of the spacious upstairs room granted to Isobel as the haven's pivotal goddess-touched protector, the very embodiment of the Last Light, you do the same for the rest of her.  
Her body is warm, though she complains of a coldness she cannot be rid of. 
You fall before her, on your knees as if in supplication, as has always felt like the most natural thing in the world. Face buried in the softness of her bare stomach, a dam in you breaks, and you weep for the joy, the relief beyond all hope, of her real and breathing and whole before you. 
She leans down to press a kiss to the top of your head, like a benediction, hands running through your hair and cradling you ever so softly until you regain yourself. 
"My darling, my angel. I can hardly believe you are here." 
In this, she speaks for the both of you, and spurns you to action. 
"Then let me banish all doubt," you murmur, trailing kisses all the while, reverent hands on soft thighs. "I would taste of you, my love, if you allow it." 
There is a fleeting moment of hesitation that was never there before as her hands and lips still. But then her shiver becomes one of anticipation as she murmurs into your ear. "I welcome it." 
It is yours, then, as ever, to do as you are bid. 
You wish to touch every inch of her, impress upon her again and again in a thousand kisses the affection and adoration welling within you inexhaustible. You crave to recommit to memory what you once studied and learned like the most fastidious of students. You need in a way you never have before. And she obliges - no, answers, just as eager and driven by your age-long separation, though her experience of it has been so wildly, incomprehensibly different. 
The sounds you draw from her (familiar, dearly missed) are like a balm, a private song you were certain you would never hear again.  
You hold her as close as is possible, and she returns the favour. Her caress is familiar, warm, healing in ways few things could ever be. After the hundred years of emptiness interspersed with biting, death-inviting pain and foul, crushing hands holding you in place, after unspeakable things visited upon your body, your person, a gentle, loving, careful touch is a treasure unmatched. The sharpness of the contrast makes your throat tighten. 
"Isobel," you breathe into her shoulder, neck, and can think of nothing holier to say than her name. 
She holds you entire in her gentle hands, heart and soul and body, and whispers fervent vows to never let you go, never allow you to feel hurt and harm again.  
Isobel is slight compared to you, small and soft, for your strengths have ever lain in different areas. Treasured and safe in the circle of her arms, in the sanctuary of her embrace, finally, finally, you find rest. 
You are back in your circle-cage, face down, limbs leaden. 
The bloated corpse-face of Balthazar leers over you and you launch upwards, swipe at him, near-desperate to drive him away before he continues his wretched work. Aching to make him pay for every insult he has dared commit upon your blessed flesh. 
Only to find yourself gasping, gulping down cool night air, seated on the bed in the pleasantly twilit room on the upper floor of the Last Light Inn. 
You focus for a moment and effortlessly as ever manifest your wings and take stock of yourself. You know you have not escaped unscathed, unchanged, but your strong limbs are still there, as if nothing had ever happened. Shoulders wide and sturdy, downy feathers, wings. Every sleek vane and fine bit of plumage in their place, pearly white-silver and perfect.  
Yet any human rosiness that used to reside there is long gone out of your skin, grey like marble, criss-crossed with precious gold. If you look down, there is a severe, pronounced crack lying right above your heart. It makes sense, of course, if you think on it, though you so desperately prefer - try - not to. 
And the dream - nightmare - insists on sinking vestigial claws into you, leaving you with a burning, torn sensation between your shoulder blades. 
Isobel stirs beside you, and you curse for having woken her from such hard-won and rarely granted serenity. She sits up, sleep-cottoned, and traces gentle fingers down the tensed, trembling part of your back, though you have said nothing. But Isobel, wise, insightful Isobel, always seems to know at least part of what ails you. 
"One of the Flaming Fists encamped here... a traitor. Marcus," she speaks somewhat haltingly, cautiously. "We were all struck by his betrayal, but I... when I saw him, when he came for me, when he was sent for me..." 
Her eyes meet yours, almost reluctantly. 
"He had wings. Hideously warped, blackened, rotten things, but..." 
A question is raised, a mirror of one you've asked yourself, during long hours-turned-days of morbid contemplation in your prison. 
"Balthazar. He got them from that wretch Balthazar." 
"And he got them--" Isobel cuts herself off, fully awake and alert and wincing at the confirmation of her fears. 
You swallow, throat parched and burning as if the screams from then still scrape against it. Harvesting, he called it. 
"He got them from me." 
It is simply not something to be thought about. The bile of wrath rises, crawls up your throat instead, and you spit out words almost in a growl.  
"He has been dispatched, I trust? The traitor?" 
Isobel understands.  
"He has, of course," she rushes to reassure. "Jaheira and the Harpers made quick work of him and the horrible creatures he called to his aid." 
You hum, move to sit back against the headboard, then change your mind as soon as it touches your skin. "It seems I have much to thank High Harper Jaheira." 
Your hand is still tightened into a fist in the coverlet, and Isobel reaches over, pries it open, to hold it ever so gently between both of her palms. 
"We both do. We'll see them all come morning, exchange tales over breakfast. Outside, perhaps, in the sun, at long last." Her smile is as bright as this promised dawn, but there is a note of silver-filigree steel behind it. "We can thank her then. Make sure she knows she can count on us through whatever is to come." 
She reaches over to cradle your chin, tugging you down, and kisses you softly. "Let us get some more rest, my love." 
The both of you slip back under the moth-eaten but soft covers and she burrows insistently into your side, under one wing. You lie - and, blessedly, sleep - on your stomach, Isobel's arm thrown over your lower back in that perfect balance she is mastering of being reassuring while not calling too much to mind. 
When we are beset with shadows, You mend our hearts with the silver thread of Your radiant loom.  
You let Isobel braid your hair, one idle evening in camp. You can sense she is just as starved for simple contact as you are - her hands seem restless, even more so than usual, and flit over your back, shoulders, arms... so you let her occupy them, as she perches in your lap and peppers you with kisses, and speaks not a single word. 
There is no mirror at hand to see her handiwork when she is done, but she looks pleased with herself, and with you, and you feel like this should be... enough. 
But another memory stirs and inches through, of the times you knelt, crouched, sat in that glowing circle that your world had seemed shrunken to, and, for want of anything to do with your hands (now past punching, past clawing for the freedom that was out of their reach) you set to braiding your hair, as if preparing to don a helmet and march off to glorious combat. It was something to do, and pretend. 
You undo the braids as soon as Isobel falls asleep. 
The city, that meeting point of fates, draws ever nearer. 
Isobel's cough comes and goes. Nothing as bad as the fits that sometimes awoke her while you were still in the cursed lands, but it persists, frustratingly. 
"Isobel, I--" you barely get to begin to voice your concern before she brushes you away. 
"Please, it's nothing. Don't worry about me, dearest." 
"I find I cannot," you state simply, as it is a very simple truth. 
"I- I don't want to burden you. You've enough on your plate as it is." She gives a small smile so forced you almost feel insulted. "It'll pass, I'm sure." 
"Burden…? Isobel," a mess of words past her cherished name stick in your mouth, awkward, nigh indignant, and you take a moment to calm and order them. Simple and earnest is what you settle for, in the end. "Isobel, my love… You are first in my thoughts, always, you know this. I would gladly bear all your burdens if I but could, if you were to allow it - each and every one." 
She frowns, shakes her head, and you hate that you seem to have somehow displeased her. "That's just it, isn't it? I don't want you to. I don't need you to. You've born more than anyone's fair share." 
"Ah, but Dame Aylin is hardly anyone, is she?"  
You aim your most winning, blinding white grin at her, but fail to induce the reaction you were once used to getting on a whim. No blush or giggle hidden behind a dainty palm at your deliberately overtuned charm being pointed at her, no smirk and tease in return.  
No, Isobel is subdued, troubled, and, most vexing of all, everything you say seems to only serve to make it worse. 
There is something new behind her eyes, too, those beautiful, wise eyes that won your heart entire the first time you met them. A darkness, you would dare call it, a shadow not unlike the curse once fallen upon the land. A question, a yearning for some understanding that never seems to come, a futile grasp for something in an emptiness that was not there before. 
"Please, my love," you say with the utmost tenderness, reserved for Isobel alone, "do not hide your heart from me. You know I cherish it as if it were mine own." 
"I haven't felt… myself," she haltingly begins in answer to your plea, as you step forward and encircle her, first in the embrace of your arms, then in the shelter of your wings. A treasured sanctuary saved for the two of you alone. 
"I cannot… the death, it clings, I..." 
She buries her face in your chest as she struggles to pick out words one by one, plucking them out like painful thorns. You let her rest tucked under your chin, restrain yourself to quietly running one gentle, slow hand through her hair. 
"I am afraid," she settles on, finally, almost a whisper, hiding still, refusing to look at you. "I am afraid there is no fixing this wrongness I feel day after day, that's been… in me, over me, ever since I awoke. That something has been taken from me, and now there is no way to remove this vile mark that's been left on me instead, whatever it is. Not even by the grace of the Moonmaiden." 
She shivers, and you tighten your hold on her, even as the sentence after that tears into your very heart, sharper and more jagged than any Sharran knife. 
"I am afraid, most of all, that no matter how much I pray or plead, that whatever I do to try and prove myself worthy, I… cannot be. Ever again. I will never be worthy of Her light again. Or of yours." 
"No," it comes out far rougher, angrier than you ever intended, ever wanted to aim anywhere near precious, beloved Isobel - not at her, never at her. But she is wrong, because it is an impossibility, unthinkable, ridiculous to even suggest. Her, treasured, cherished, held high above all in your regard, and lofty in your Mother's. 
"Please, Isobel," you move a half-step back, if only to make it possible to cup her face, tilt her chin up and look at her. "Do not ever, ever think such a thing again. You could never be unworthy, not you. Not you." 
The hitch is back in her laboured breath as she moves to protest, the haunted look shadowing her eyes. "How? How can you be so sure?" 
And that is the question, isn't it? Your love for Isobel and faith in her intertwined, utterly certain and utterly relentless. Like the rage that sustained you through a century of torment, settled heavy and deep in your bones. You don't know any other way to feel, to be. 
"I will prove it to you, I will drive away any shadow of any doubt. Her light, through me. For you alone, Isobel." 
She acquiesces, at least, to being led over to the bed and sitting down. You lower the shoulders of her tunic. Place a gentle, reverent kiss on the revealed skin, trying to press in with it all the love and devotion you desperately need her to be aware of. 
You lay a hand on her bare back, palm flat and flush with warm skin. The rush of joy and slight disbelief that she is once again yours to touch is still fresh, and yet the familiarity of every freckle, shift of shoulder blade, and light shiver of gooseflesh is ancient and deep and right. From the outside it is the same, perfect, unchanged Isobel. But you believe her unquestioningly when she says something is wrong. 
A mere moment of focus has a silvery glow bathing the room, unwinding from underneath your fingertips and sinking into Isobel's back. She breathes in deeply, breathes out, then in again, shifting under your touch, until she seems to find at least some relief. 
"Thank you, that's…" she murmurs, barely above a breath. 
There is a dawning, deeply saddening comprehension rising in you - Isobel, insisting on pouring all her heart and soul into taking care of you, healing and protecting and doting on so devotedly, driven not just by your love most mutual, but also by fear. By a desperate need to prove herself worthy of Selûne's grace again, prove her return to life was not a horrifying mistake. Chasing redemption where none was ever needed, not for her, clinging to the thought like a lifeline. 
"Whenever, whatever you need of me, however many times." You allow your fervour to seep into your voice as you feel your eyes burn, and continue trailing moonlight-dipped fingers down her back. "If you but say the word, I will provide what relief I can, I swear it, until you are free of any shadows haunting you, or until there is no light left in me - whichever deigns to come first." 
Isobel smiles wryly, turning to steal a glance at you over her shoulder, a tiredness in her that she has only ever shown you alone. "I promised I would take care of you. And yet here you are, taking care of me. After… after everything." 
She knows enough not to specify. Even this brief almost-mention is enough to make a darkness creep at the edge of your thoughts, but you swallow it back hastily, and focus only on the treasured countenance before you, on brushing stray silver locks behind her ear with your free hand. 
"A fair and just exchange, I would think, if you are amenable." 
Isobel hums something that is neither agreement nor disagreement, then turns to face you fully, sombre in the circle of your arms.  
"I always thought that when the time came, I would be ready," she begins, slowly, as if every word was a trial. "Foolish and naive of me, probably. But I thought I knew what to expect, what I would have awaiting me, after a life of service. The City of Judgement, as awaits us all, and then, hopefully, and - I pray - deservedly, an audience in Argentil after being Claimed." 
She stops, swallows, looks at you so pleadingly you cannot help but pull her back into your embrace. 
"But instead…" you hold her tighter as she shudders, "...nothing. Darkness. A void." 
Nothing. Like the black hole of your prison. And it seems fitting, for a moment, that fate has decided to match you in this, too. 
"It is I who failed you. When it truly mattered, when it was of most consequence, I wasn't there. And you… you were lost to me. To us." 
A small frown furrows her brow as she grasps around for something, anything. "I don't remember." 
"Perhaps… perhaps that is for the best," you exhale, half-sick of dredging up shadows you would prefer remain buried. "My own memory is prodigious, and yet how I wish I could forget much of the past century."  
But Isobel looks at you longingly, searchingly, and you oblige, at least for a little bit, calling to mind what should have been the darkest days of your long life. "For all our efforts, we were never able to capture your attackers - the cowards struck so suddenly, fled so swiftly. You were laid in state, for a while. The entirety of Reithwin mourned - the Silverbrow Priestess conducted the funeral services most beautifully. The very Moon, full to bursting, cried over it. And your father…" 
Your throat seizes up. Her father, your tormentor. A wretched man you feel the two of you have to speak of, some day. The man who gave the world Isobel twice over, but selfishly, impossibly, wanted to keep her all to himself both times. 
Her countenance grows steely and determined in a way you have yet to get used to. "My father was lost to me far before he died at your hand. I mourn the man I remember, not the monster you killed. A loving, kind, generous man, who should never have been capable of such horrors as Ketheric brought down upon my home, upon you. And yet... if I was all that was keeping him from such a fall, I cannot help but think--"  
Isobel's voice cracks and you wonder when, in your absence-captivity, he stopped being Papa and became Ketheric. Your anger towards him tastes bitterer still. 
And you think of Isobel, fleeing her own grave and the twisted visage of what was once her beloved father. Dragging her own burial shroud across a land of shadow and horror, full of echoes of a life half-remembered. 
Isobel, alone, convinced of your demise, mourning you as you endlessly mourned her, both of you unknowing. 
Isobel, left to desperately and single-handedly guard the only meagre surviving pocket of her childhood home, doomed and destroyed by her father's violent, misaimed grief over her own death. A pillar of light in an all-encompassing darkness and one final, crucial defence against it, without even a fair promise of hope or future to sustain her.  
It sounds, at first, like a noble task you would think worthy of a cleric of Isobel's most excellent calibre. But you can't help but think it a test of devotion far too harsh, and entirely superfluous. Such incredible weight to place on any one person's shoulders. And for what? 
Needed and necessary she once called herself and her efforts when you asked, insisting on dismissing it all in a way you perhaps understand entirely too well. 
Perhaps, together... you, hollowed, and her, overflowing. And, in turn, her aching for something that is missing and you fit to burst with wrath and vengeance and violence. Perhaps there is hope yet, and healing to be found for both. 
Together. Only ever together. 
We trust in Your radiance, Moonmaiden, even when it is out of our sight.  
The battle you were waiting for is over - won, by most reckonings, but not without great cost. What is left of the city now needs care and careful restoration. There are still stray cultist enclaves to root out, remnants of the illithid army, as well as mere opportunists who always show their vile selves in such circumstances. As part of an array of unexpected, colourful allies, you make short work of them all, whenever any come to light.  
But rebuilding takes precedence, as does healing, and Isobel has taken point among Selûne's devoted in a way that is nothing short of awe-inspiring. The situation seems altogether more suited to her talents rather than yours at the moment, so you follow her readily, without question, and provide whatever aid you can. 
It is a cycle as old as time, after all, as reliable as the phases of the Moon. Building, destruction, rebuilding - the world will always need both of you. 
But tonight is the night of a full Moon, and Isobel has gone to conduct the requisite rituals with the rest of the Selûnite encampment that has been so welcoming to you. Isobel, death-touched but untainted, no matter what she may fear, will excel in whatever role they set out for her, of this you are certain. 
You, on the other hand, have begged off, your own communion awaiting you elsewhere. 
Your path leads you away from the outskirts of the city and up into the hills, your back turned on the Chionthar. Through remnants of farms and hunting lodges, up and up to cliff and brush and down again to sparse woodland, your steps are guided, as is your birthright. 
It is becoming easier to hear Her voice once again. She does not always speak in words, but Her presence She makes felt.  
And so you stop in a clearing, before a pond, crystal clear and fed by a jolly, clamouring stream. It is quiet, otherwise. Peaceful.  
You dismiss your armour, letting it dissipate into motes of moonlight. You remember with a touch of warmth and immense fondness how sweetly Isobel would pout whenever she did not get to take it off you piece by piece.  
The air is crisp and the water, once you touch it, is almost icy. The moonlight on your skin cleanses and soothes, combining with the chilly water into a refreshing blessing. It is the sensations of the world that you so dearly missed during your captivity, that you now allow to rush over you, all at once. 
It is the first time in over a hundred years you stand and behold the full silver face of your Mother, the trail of Her Tears beside Her, and wonder, idly, if She shed any for you.
Please, you beg as you step into the pool, without shame, without words. A kinder fate for Isobel, this time. 
A kinder fate for the land she still calls home.  
A kinder fate for me.  
The cool silver water seeps into every crevice of your being and washes away with it some ichor of darkness you didn't even know still clung to you. You lie back and let yourself float, the rush of water in your ears drowning out even the small nighttime noises of the clearing and surrounding woods. In the soft waves you hear your Mother's voice, and She sounds kind, inviting, forgiving. 
Why, you want to ask, why would you allow…  
There is new dampness on your cheeks, and you realise haltingly that it is tears. "Hello, Mother." 
The light of the Moon is caring and compassionate, and bathes you in love. It is the only embrace She has ever been able to give you, here. It is almost enough to forget a century of sorrow and the cries that went unheard.  
No more, She says. 
Rest, the murmur continues, soft and sad - a familiar melancholy, though not one you would expect during a Moon so full and bright. Earned, a hundred times over. My Sword, tempered to perfection. My Daughter, put through trials undeserved. Lost to me for so long. You are welcome here. Safe. I would have you know peace once more.  
"Not… not yet. There are still too many, I cannot--" You sit up, rivulets of water running down your face, following the crevices of your scars. It is unlike you to struggle so with your words. You proclaim and vow, you do not stammer and hesitate. 
What would you have for yourself, then, daughter mine?  
"I would seek and extinguish the tyrants, the oppressors," your hands tighten into determined fists as you channel and reflect all that has been done to you, aglow with silver, wings unfurled. "Those who would bind, capture, enslave, who would subjugate and rule another for their own gain - let them sleep with one eye open. Let them know: Dame Aylin sees their deeds and offers no mercy." 
Your cause is righteous, and I bless it as my own. But a burden should be shared. And you are not the only champion at my call.  
It is true, of course, and you grasp the intent, but you cannot help but bristle. You may not be the only one, but surely you are the most-- 
--fearsome? Reliable? Accomplished? 
Doubt creeps in, that most rare and hated of sensations. There is a shift, then, into a plea for you to understand, from a mother to her child. 
A broken sword can accomplish little. And even the finest steel has a breaking point. Do not too eagerly seek your own.  
You sink back into the pool, water up to your chin, as if bowing in acceptance. 
If you crave a task, I task you: offer aid in healing and rebuilding, and thus rebuild yourself. Worry not - I will call upon you when the time comes. But for now, shore up the bulwark within you.   
A smile, a tender grace. 
And let each and all know yours is a blessed union.  
The last fading words leave you puzzled for a few moonlit moments. And then Isobel is next to you, bare and glowing and embracing you, holding you to herself as if she will never let go. 
"Isobel," you start, a host of questions forming on your tongue, but she places a finger over your lips. 
"Guided back to you, as you were to me. As I promise I will be, for as long as I can."  
A shiver runs through you at the undercurrent of steel and sheer devotion in her sweet voice. 
"Then I vow I will never let myself be torn from your side again. And any who seek to part us will meet a swift end by my hand." 
You spoke such promises to each other once already, what feels like a lifetime ago, even though it should by rights have been nothing compared to your eternal years. It is a heavy lesson to have learned so well in breaking them, though - that no tomorrow can ever be guaranteed. Not even for you. 
Not near as tide- and cycle-bound, the Scribe had said, and you wonder at the recalled words. No endless rise and fall for you, then, perhaps. No waxing and waning. No rote repetition of tragic history in this world changed and strange, but instead something altogether new, hewn by the two of you. 
Isobel takes your face between both her hands and kisses you, putting a swift end to your reverie. 
In response, you pick her up out of the water, twirl her around, splash the both of you back down happily. Your smile turns into a grin, then a laugh, open and simple, and her giggle is crystal-bright and utterly free of the grasp of the grave. You feel lighter than the feathers you leave behind like a snowy trail. 
You hold her and kiss her again and again and again and allow yourself to lose track of time. 
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jehilew · 7 months
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Marionetta episode 44 spoilers!!
God bless this man lmaooooo
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No but for all the Sahejul gemstones in this episode, this exchange kinda grabbed at my feelings a little:
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Shit’s about to go sideways real fast, but this is lovely. Kamille hasn’t endeared herself to me in this story, but I can see where she’s coming from. Both she and Julia needed that spat. This right here is just so wholesome 🥰
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