#and for the sake of reach:

[colliecross]

:0

gently hold like hamburger

This is just what everyone's Start Again: A Prologue looks like, right? (I wanted to draw this CG swapped so I could see Mirabelle's face being held <3)

Image on its own:

Original image:

[bluebirdcurse]

My spiritual advisor told me I had something weighing me down and it's definitely not the time I held a woman captive, befriended her, promised I'd give her daughter the tape of our crimes on which she'd recorded a touching farewell message, ritually sacrificed her, ate her, faked my own death, assumed a new identity, befriended the daughter, married her, and had a child. It's the literal tape that's making me feel bad. I better send it to the most violent and paranoid person I've ever met.

[humans-must-be-the-heroes]

the one time I share my thoughts on twitter, I get beaten up over my hunger games delulu effie headcanon lol

[wanderlust-in-my-soul]

The Back Hug - but they sit (Part 1/?)

Love For Love's Sake

I Cannot Reach You

Tokyo In April Is...

Sonnet 18

At 25:00 In Akasaka

My Secret Love

4 Minutes

La Pluie

The Miracle Of Teddy Bear

The Sign

My favorite bl-tropes-collection.

[virtuousvigil]

for me, personally, vikjayce can go in the jayvik tag but jayvik CANNOT go in the vikjayce tag. that's sacrilegious. its like the whole “all squares are rectangles but not all rectangles are squares” rule. vikjayce is jayvik but jayvik is not vikjayce.

[automaticheartcrusade]

Really really hope the valid criticism for Cinderella’s Castle doesn’t get overshadowed by the bad faith stuff cause whoo boy there is a LOT of bad faith opinions on here.

[theside-b]

BL Couples + Height Difference

[akakris10]

Chika parallels Hatohara this and that, but what about the Osamu Ninomiya paralells. You made a promise that you'd get the squad on the away mission for her sake, and work hard to make for the fact that she can't/won't shoot. It doesn't bother you. She works hard and is plenty talented even without it, but no one else recognizes that. You'll do whatever it takes to make it for her sake, even throwing away your pride and bowing your head. You promise her that you'll make it happen, because you are the captain and this is your team.

She leaves before you can make good on your promise, because she didn't believe in you. She instead puts her faith in a bunch of strangers, and leaves you all behind.

And Tamakoma-2 succeeds.

Does it hurt knowing they succeeded where you were never given the chance to, Ninomiya? Does it hurt that Chika trusts Osamu in a way that Hatohara didn't trust you?

[hyperpotamianarch]

So, Jewish Fantasy! A very nebulous idea that tries to catch form in many different ways. I don't know much about how it works outside of Israel - I saved the recommendation list that circulated around here but didn't try anything from it yet (outside of Spinning Silver, which I read before I ever saw the list). So, if anything of what I say seems ludicrous to you because you've seen a book that does it well - don't hesitate to recommend it to me! Though I'm not sure how applicable it will be for what I'm about to say.

There are a couple of angles from which one can try to get at Jewish Fantasy: through using Jewish folklore and myth as a basis for your story, through using Jewish characters or by writing out of a Jewish cultural context. In certain stories, different angles tend to be more pronounced - Charashta is based on Midrashim and Jewish folklore, Spinning Silver has Jewish characters, and Agam HaTzlalim is written out of some degree of Jewish culture. Yeah, two of those are Israeli books that weren't translated, feel free to give alternative examples but those are the only one I can safely talk about since I've actually read them.

I could elaborate more on that, but what actually made me want to write a post on the topic was a post about how so much of Fantasy is Greek (in a way) and Sci-Fi is Roman. And that made me think, what about Jewish Fantasy? And while this is a topic I've thought of and been somewhat involved in conversations on for some time now, this is looking at it from a particular angle. An angle which could be examplified by the simple question: why is there no Jewish Disney Princess?

All right, all right, settle down. I know about the Vanollope von Schweetz thing. Quite frankly, considering the source for it is the word of the actress and that it has no effect on the story whatsoever, I think I'm fine with ignoring it. Feel free to shout at me in the comments, hopefully the rest of the post will explain this better.

You see, the problem is that Disney Princesses mostly come from stories about Medieval Europe, and in that particular time and place "Jewish" and "royalty" were inherently contradictory. A Jewish girl couldn't have been a princess, because Jewish communities were never a part of the ruling class. At least not in medieval Europe.

Now the reason what I'm saying is rubbish is because of other contradictory examples, like Mulan or Tiana, and maybe Pocahontas or Esmeralda. And based off of those examples I could probably whip up a couple of ideas on how to do an interesting Jewish Princess story - base it on the Book of Judith, for example, or offer a Jewish twist on some European folktales (which might be hard considering some of them actually have straight up Jewish characters playing as the villains), or... have a movie about Jews assimilating into European culture... Yeah, I can see why Pocahontas or the Hunchback of Notre-Dame might feel a little uncomfortable. But the point is: Fantasy is based on Medieval times, and Jews' role during that time wasn't one of royalty.

You can't really write a medieval Jewish kingdom, because there wasn't really any. And yes, many people try using the Khazarians for that. However, their kingdom was only Jewish for a century, maybe, before it was completely destroyed. Plus, we barely have any data on what it looked like, and its culture was likely very different from Jewish culture. So the medieval presentation of Jews would have to be of a persecuted minority. That, essentially, is what we see in Spinning Silver: a Jewish family in medieval times, a member of which serves as our protagonist. And Maryem is pretty much constantly angry about the antisemitism flourishing all around her. So I suppose that could be an example to follow - along with the stories about Maharal of Prague and the Golem, fighting blood libels.

So, you can portray Jews as an oppressed minority, constantly fighting their persecution. An alternative could probably be following the example of Ḥassidic stories, talking about the Rebbe, the Renter, the Trader and the Widow (regular character archetypes in such tales). You could have the antagonist be the local Pariz, nobleman, or perhaps the gentile that decided to be a robber, or occasionally a fellow Jew who out-leassed your protagonist from their home. All regular tropes in the day-to-day life of an... (checks notes) early modern Eastern Europen Jew? Huh. I suppose it's not exactly the same period.

Either way, if you want your story to be more fuly Jewish, to not always play against the backdrop of a non-Jewish kingdom, you have some interesting options. The first question would be: are you taking from the past or the present? If you choose present, well, you can choose between Diasporan or Israeli culture. In addition, this will more or less constrain you to some type of Urban Fantasy or other Hidden World stories, with not much of an option to delve into Epic Fantasy. If that's what you want to do - great! Go ahead and do that. Personally, I have some degree of a problem with how I've seen Israeli culture portrayed in stories so far, but that's a story unto itself.

If you choose past... well... Jewish history is nothing if not long. And if we're really trying to make a more Jewish backdrop, we'll probably need to pull from Jewish independant states or kingdoms. Of which there are a couple that can be used - Ancient Israel throughout the time of the Tanach, from the Judges through the first kings and the divided kingdoms of Judea and Israel; Yehud Medinta, which while it existed under the Persians had a Jewish governor for certain periods; the Hasmonean Dynasty, with all its ups and downs; the Kingdom of Adiabene, which converted to Judaism for a time; some short-lived Jewish independant states in defiance of the Romans; and of course, the infamous Kingdom of Khazar. There are also legendary kingdoms of the lost 10 tribes, which could possibly work as interesting additions. It is also important to note that in the Tanachic period I included a pretty vast array of periods, including the Judges (periodical local saviors and heroes), the House of Sha'ul (which isn't too easy to characterize), the Davidic Dynasty (Temple! Prophets! A bloodline promised to last! Evrything you might want from a kingdom), and the Kingdom of Israel (a couple of dynasties have their own characteristics, but most didn't survive for long).

Maybe I'll try my hand in suggesting what a kingdom based on the Hasmonean Dynasty could look like later. For now, let us start with: there is no medieval Jewish kingdom, so we'll take one from the Hellenistic period or from the Bronze Age to cover it up! Either that, or we'll try figuring out the structure of the early medieval kingdom that converted to Judaism that one time.

I'm not sure how much of a point I made, really. Thank you for reading, and have a good day!

[poorly-drawn-mdzs]

The musical episode.

[First] Prev <–-> Next

[devondespresso]

when they move in together Robin doesn't even have to tell Steve she's on her period anymore, he just wakes up to her in the kitchen, wrapped in a blanket with a stuffed animal glued to her sternum trying to awkwardly make a milkshake one-handed without letting go of the plushie or the blanket or getting anything soft dirty (the counter, however, is fair game in these trying times)

[dykealloy]

luffy getting frozen-hugged to death by a bird harpy woman, so close to giving in and passing out only to be woken up by the very THOUGHT of zoro telling him to get a grip.

[cinnachaos]

hi sorry i dont want this to seem like rb bait but i thought itd be fun to see if it works please do not send me to note bait jail

if this gets 1k notes ill buy a keyboard and learn how to play calamari inkantation over the summer. ill post a video too if anyone wants proof :-)

ill also draw the squid sisters at 500 notes if u guys want

SORRY I FORGOT TO ADD IT ORIGINALLY BUT THIS LASTS UNTIL JUNE 20TH 2024. ill still draw the squisters whether this works or not, but this is to avoid impulse buying so i dont want it to last forever!!! fate of my money is in your hands tumblr. choose wisely

[starbuck]

Ravenous is Haunted

Within the lore of Ravenous, eating people causes you to “absorb [their] spirit,” but what does that mean in practice?

Ives mentions that eating someone brave gives you a surge of bravery, which is exactly how Boyd goes from too scared to move to single-handedly capturing the enemy command. The spirit of his fellow soldiers and specifically his commanding officer compel him to do it. But we know that this personality shift is not permanent, it abates. However, I believe that there are other more subtle influences that remain. 

There’s a whole collection of things Boyd, Ives, and Hart do and say that mirror the actions and words of the people they’ve eaten…

The protectiveness that Boyd shows towards the Fort Spencer crew after Ives arrives as colonel is a new trait for him and highly reminiscent of Reich’s protectiveness towards Toffler. From the moment he’s stuck with Ives at the fort, Boyd also immediately decides to murder him, the thing that Reich died furious at him for not doing, and never strays from this mission at all. Boyd and Ives both headbutt each other in their final fight, a Knox fighting move, and Boyd also attempts to strangle Ives at one point, which is Reich’s. Another example that I like is when Hart says to the chickens he’s feeding “run away! run for your lives!” which is what Toffler died doing. These are all small moments in isolation, but together they form a compelling picture. 

For another thing, you have Boyd mentioning to Hart near the end the “nightmares” he’s “still” having about Reich, Cleaves, and Knox. These aren’t just random trauma nightmares, they are specifically about the three people of the Fort Spencer crew that he’s eaten. And, considering how strongly Hart reacts to the mention of this, he is likely experiencing the same thing. Since it is canon that they have actually ABSORBED these people by eating them, I don’t think it’s a stretch at all to call this a haunting. 

Put these together and you have the people who have been eaten haunting the cannibal characters at night and maintaining at least some sway over them by day, often without them even realizing it… Fun stuff!

As far as Ives goes, I think that he is less affected by this phenomenon than Boyd and Hart are. He’s been eating people for much longer than they have, he has no moral compass whatsoever, and he has a very strong personality, so he’s not gonna let a little haunting get to him. That being said, who knows what quirks of his personality we might be able to attribute to people he’s eaten in the past if we knew more about them? I also think that his assumption that he is unaffected by the people he eats is a part of his downfall, and I’ll explain that in a moment. 

The last thing I want to talk about is the bell because that’s what REALLY gets me mmmmmmmmmmm… SO! During Boyd’s fight with Ives, there’s a moment where Ives has fled the room they were fighting in and Boyd doesn’t know where he is, so he’s checking behind all these random doors and not finding him when he hears a bell ringing in the courtyard. He goes out and sees the ringing bell but no one near it. Instead of going towards it where he knows Ives is likely waiting for him though, he walks towards the barn, as if in a daze. When he enters, he sees the bear trap and gets an “Aha!” look on his face. 

Now, who do we know who is associated with both that bell and a bear trap? It’s Reich! He is the only person we ever see ring that bell and (in a deleted scene) he uses bear traps as target practice, shooting at them to snap them shut while Boyd watches. So, at the very least, we can say that Reich indirectly inspires Boyd in that course of action. 

BUT, because I am me, I’d like to take it a step further by proposing that, since Reich is haunting both Boyd AND Ives, he influences Ives to ring the bell (with Ives not consciously thinking anything more of about than “this will surely get Boyd’s attention >:)”) and then influences Boyd to walk over to the barn instead of immediately continuing the fight so he can show him how to end it once and for all. Boyd asked Reich to “tell me what to do,” and Reich answered him!

I did also write a fic about this concept a few years ago if anyone is interested!

[spineless-lobster]

Alexander the great and hephaestion are so patrochilles coded it genuinely makes me sick to my stomach like how the fuck did they make the iliad in real life what the actual hell this is so fucked up

[khajiit-reads]

Sorry to those of you who love runes and scrying and all that stuff I see you

Also sorry no "multiple / I can't pick" option, please pick the last option or something