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#and half of that was because we went an ENTIRE season without knowing the main character's name it was a great buildup
oflgtfol · 2 years
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season 1 was seriously so epic the way we have this protagonist who is not only faceless but also nameless like it was so epic the air of mystery and fun times peace and love on planet earth
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amaltheas-garden · 2 months
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tbh i don't think rhaenyra's phrase regarding haelena was said in a malicious way. as rider of the one of largest dragons alive rhaenyra probably supposed that if healena was to fight she would have already entered the conflict physically, probably with aemond at rook rest instead of aegon. i mean tb didn't know that aegon wasn't supposed to be here, so in their mind is more logical for healena to be with aemond instead of the king himself (also bc sunfyre is smaller than dreamfire) and because of her absence rhaenyra assumed that she will not fight with her dragon. i think rhaenyra's affirmations was linked to riding in battle and not in general
I think if we only take show context into account, then that's a reasonable interpretation of that line. Helaena is never shown riding and seems more timid than the other Targs. However, we also have to examine why that line is in the show. It's mostly there to reinforce for the audience the idea that Helaena is not someone who would willingly ride to battle on dragonback, and seems to have a disdain for dragon riding overall as we're never shown her connection to Dreamfyre, similar to how Aegon and Sunfyre's relationship was so heavily downplayed. But in the source material, we're told Helaena claimed Rhaena the Black Bride's dragon Dreamfyre at 11 (or possibly younger), in the section dedicated to Aemond's claiming of Vhagar, which details how dangerous it is, even for a Targaryen, to claim a dragon. Which brings me back to the main point of the line, why would a girl who at 11 years old claimed an adult dragon be unwilling to fly Dreamfyre, even if it meant saving her entire family. Well, F&B already answered that: Blood and Cheese. Arguably the most important outcome of that event was that it completely traumatized Helaena to the point she could no longer ride her dragon. But hotd is very intent on A. downplaying anything bad that happened to the Green characters and B. whitewashing any event that could make Rhaenyra look bad. Rhae's husband is the reason her half-sister went mad with grief and can no longer ride her dragon/be a player against Rhaenyra. Hotd instead went the route of b&c having no effect on Helaena, and the reasoning for her not riding Dreamfyre being because she... doesn't want to? Rhaenyra similarly was broken by the grief of her sons and allowed Jace/Corlys/Daemon to run most of the war effort in her absence, and rode Syrax a grand total of one time in the entire Dance, in the short trip from Dragonstone to King's Landing after Alicent surrendered the city. Yet this season is full of Rhae and Syrax scenes for no other purpose than the showrunners wanting the audience to know who the "real" dragon queen is (they literally invented mini side quests just to have an excuse to put more Rhae/Syrax scenes in). They made Helaena not want to ride into battle solely because they did not want to address the immense psychological harm Rhae's faction inflicted on her innocent sister, and downplay the greens' connection to dragons as it makes them seem just as Targaryen as their rivals, and the showrunners are not interested in a story without clear good and bad guys. The book makes it quite clear the only reason Helaena isn't on Dreamfyre is because of b&c:
"... only two mature dragons remained to defend King's Landing... and Dreamfyre's rider, Queen Helaena, spent her days in darkness, weeping, and surely could not be counted as a threat"
"... and Dreamfyre's rider, Queen Helaena, was a broken woman; the city had as well been dragonless"
"... and Dreamfyre, beloved of Queen Helaena"
"Helaena Targaryen was a broken creature who posed no threat to Her Grace"
(& from GRRM's Not A Blog) "... Helaena’s greatest joy in life is to take to the skies on the back of her dragon Dreamfyre"
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yourlocalgrass · 7 months
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Listen. Listen. Hear me out ok.
I LOVEEE Thirteen, Mephisto and Raphael ok, I would die to date any of them.
But the thought of them becoming dateable, as much as I want to date them… not so much, honestly… gives me constant anxiety, like… big time.
I mean the devs couldn’t even handle the SEVEN main love interests in S1 or S2. I mean cmon who doesn’t know how Asmo and Beel were the devs obvious least favourite. There are times where all the brothers get a kiss except Beel or Asmo.
And then when 4 more characters entered the intimacy system, they handled them really good actually, amazing even. S3 was great imo, for the new dateables that was. But again, half of the brothers were forgotten to be love interests. But, they did do the new dateables good.
But then, by S4 they all literally reverted back to being side characters again and not dateables from what I could see.
Diavolo seemed the exact same as he was in S1 and S2 except maybe in one romantic scene with him. Solomon was only playing the role of a teacher and almost nothing more. If you played S4 without S3 context, you wouldn’t have even guessed that they were a dateable. Same goes for Simeon (even though almost the entirety of S4 was centred around him) Barbatos just became a more romantic dateable so, we did get one kiss by the end but… felt really rushed.
And don’t forget before we had the spotlight events how bad, cliche and repetitive the events were? Because we had to make sure we kissed all of them (except luke ofc) so an entire event chapter was dedicated to making sure we spend time and kiss all of them. And then even then there were characters who weren’t kissed or got fair time and treatment.
Finally, in Nightbringer, during S1 Solomon had a lot of spotlight for once and some Diavolo, while Simeon didn’t even exist. When it came to S2, we got Simeon spotlight but Solomon and Diavolo just went -poof- and vanished just like that.
Don’t forget that every near to end of a season, we kiss all the dateables right? And for some very weird reason, we kissed every character, but you know who we didn’t? Diavolo. And what’s even more weird is that, there was no reason not to because we’ve already kissed him previously, and the scene was in perfect timing for an MC option to kiss him, we talked to him, but just didn’t… kiss him? It’s just so… confusing.
Oh right, don’t forget how the brothers went through their special arc or whatever you’d like to name it, with MC who’s helped the brothers through and through of course, so we get to kiss them each at the end, except you know which brothers didn’t? Asmo and Beel. That’s right. Even in Nightbringer the devs never changed. Well, actually, they got even worse. You know who else didn’t get a kiss? Belphie, who we know isn’t the fandoms favourite brother, so of course… no kiss either… that’s now another brother who the devs are starting leaving to the side.
So, the entire game is a current mess and if Solmare couldn’t handle 7 love interests properly, and added 4 to the mix, which upturned everything into chaos, adding another 3 into the dateables section… is it reeaaalllllyyy a good idea? I mean to let the devs handle them…
Again it’s not like I don’t want them to be dateable but just like… how are they going to handle it? You know… considering they actually can’t handle it?
There will have to be more romance in the story, or people would complain, they’d have to fit 15 characters in, and they can’t make the lessons short, which they already do, there’s a chance we’ll get to kiss some while others won’t even get screen time, Thirteen, Raphael, and Mephisto can’t be set to the side during events either otherwise there would be complaints, and there’s no way writers won’t get tired of writing Devilgrams for 15 characters so other characters will be bad, while others who always get the top will have a decent Devilgram story. I bet the writing for almost everything will go into mess…
And that’s my only problem cus I love them and I do want them to become dateable but I also want the game content to be good even though it’s… not… really. Ok ngl it’s already a mess. And that’s just something I feel very anxious about when thinking what’s gonna happen when there are more dateables…
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wrengrif · 5 months
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You know what we haven't done for awhile?
That's right. It's WHAT IF time.
Okay, but let me preface this What If with saying, I don't believe in the coffee theory. That it was poisoned or held some mystical juice or whatever. I believe Aziraphale went to Heaven because one, he really didn't have a choice and two, he thinks there is some way to really turn Heaven around. To make it an actual Good Place.
However ... I have read some compelling theories lately about not taking the Final Fifteen at face value and I got to say, it's gotten me to wondering.
I keep coming back to Neil and the other Good Omen creators saying, nothing in the story is accidental. Which got me thinking about themes. Themes that interwoven all throughout Season 2, emphasized in the background. One of the main themes was, in fact, subterfuge.
Hiding Gabriel from Heaven and Hell.
Saving Job's children.
The bullet catch, the photograph, the 'magical words' caught being lipped through a shop window.
Even Edinburgh, where they pulled a couple of flim-flams on the surgeon and on Elspeth. If Season One was about the power of them coming together, Season Two was about their ability to out-smart both Heaven and Hell on multiple occasions. Not always perfectly, as seen by Crowley getting dragged back down to Hell, or in fact the entire Armageddon plan.
The point is though, that Crowley and Aziraphale are old hands at subterfuge. They were able to carry on a friendship, for over 6000 years, without getting caught by Heaven or Hell (note, I don't think they pulled a fast one on God. I'm pretty sure She knows and she's all for it. Number one shipper, Her.) They trust each other, implicitly.
So, when the Final Fifteen happened ... how are we to know that they weren't already communicating on an entirely different level? What they said, I have no real proof. However, I do think that Crowley and Aziraphale perhaps knew, from the get-go, that they were saying good-bye to one another. That Aziraphale was going to try and fix the problem from the inside, not Heaven itself per say, but the issue of them finally being free of Heaven and Hell so they could be together.
The whole fight was Crowley not arguing with Aziraphale about 'taking a new job', but instead about Aziraphale going alone. Begging Aziraphale not to go into the lion's den, that they could figure out a different way together, there, on Earth. Escape the Metatron, regroup, make up a plan. Aziraphale knew, though, that they were being watched and there was no way for them to get out of the Bookshop without both being destroyed. They went through the motions of fighting about one thing, while fighting about something else entirely.
They nearly made it through the whole fight within a fight, until Crowley cracked. He was scared he'd never see Aziraphale again and he had to let his angel know how he felt. Thus, The Kiss. The desperate, 'I love you, don't do this, don't leave me' kiss. Aziraphale kissed back, half-apology, half-confession, 'I love you too, I have to, they'll kill you'. When he pulls back he's mouthing, 'do it again', and he nearly says 'I love you', but says 'I forgive you'. Perhaps, I forgive you for making this even harder for me.
Crowley's mad, to be sure, but he plays it to the hilt. 'Don't bother'. 'No nightingales', perhaps code letting Aziraphale know not to to contact him until they knew it was safe, really safe. He walks out the door and then stands by The Bentley. Another message letting Aziraphale know he'll be there, on Earth, waiting. Aziraphale pausing, perhaps mouthing, 'Trust me', before disappearing into the elevator with the Metatron.
Honestly, this is all conjecture, but What If? What if they're already playing Nefertiti and the three shell game? Look here, at Aziraphale, but don't look over here, to see what Crowley is doing. Magic! Smoke and mirrors!
Aim for my mouth, but shoot past my ear.
What if?
(Note, NO ONE SHARE THIS WITH NEIL GAIMAN. This is just brain thoughts. Leave the man to his creative process and don't fuck with him.)
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southparkartsystuff · 4 months
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The problem with South Park specials
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So, the trailer for the newest special released yesterday.
Starting with the pandemic special back in 2020, we now have a South Park special each year, with the most hyped ones being the post covid specials which released the same year as the vaccination special.
Well, regardless of the specials being good or not, we need to talk about the elephant in the room now:
Randy Marsh
Okay, I know that’s getting tiresome to constantly blame Randy due to the show going downhill but honestly, I think most of the criticisms regarding this character nowadays are extremely valid, he went from being a fun, memorable secondary character who had a major role in a few episodes per season to an annoying, one dimensional "main character" wannabe that often steal the spotlight from the actual main characters(yes, even Cartman) and had an entire season dedicated to him.
At first, many people(including myself) thought it was a tegridy farms issue mainly because Randy’s entire motivations became tied to his weed business, however, then I started to realize that it’s not a Tegridy farms issue, it’s a Randy issue!
Trey and Matt have said on a couple interviews that they started to relate more to Randy as they’re now older and have kids, I get that but Randy is a character that has became very predictable, even without the tegridy farms stuff, his entire purpose in the show nowadays is that he’s an idiotic manchild who ruins everything for others due to his own selfish desires yet he still ends up saving the day at the end, how could you "relate" to a character like this? And to make matters worse, Randy is now taking over roles from other characters, Cartman has been considerably tuned down while Randy is slowly replacing him as the resident Jerkass, in the not suitable for children special, Randy replaces Liane as the resident crack whore by creating an onlyfans account and in streaming wars, Randy goes Karen mode when this trait is supposed to be Sheila’s, I wouldn’t be surprised if he starts taking over fucking Stephen Stotch’s role as the abusive father too! Also, pretty much every special after post covid puts a heavy emphasis on Randy’s role as a main character and while this next special will have a main plot involving Cartman and the kids, Randy will probably have a subplot that will take up more than half the screen time…who knows at this point?
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thewiglesswonder · 1 year
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My Wig in christ, pour on some more TOH salt for me, I've entirely blocked out season 3 because I genuinely wished for something more. Like GD, they could've went all out with a bang but they ended with a whimper :|
Buddy, you've come to the right place!
"Ending with a whimper" is the perfect way to describe another element that I haven't gotten to talk about in-depth too much: Belos' death.
I've said it before and I'll say it again: a story is only as good as its antagonists. Without a really strong force to struggle against, your protagonists feel flat and the story feels kinda pointless. Belos, in the first half of the show, was set up to be an amazing antagonist. Beautiful, creepy aesthetic, killer design, incredible voice work, and, most importantly, major hints of complexity.
Seriously, of the modern age Disney villains that I can think of, none of their backstories even come close to the level of detail that Belos' has. From what we know for certain in the show, by his memories and Gravesfield's folklore/history, the Wittebanes were orphaned at a very young age and entered into the established Puritan commune in colonial New England. Which, if you know absolutley anything about Puritans, you know how hard of a thing that is to do. Philip, the younger of the two, was practically raised by Caleb, and looked to be extremely close with him.
Let's take a second to unpack this. You've got a young child, who may not even be old enough to quite remember what life was like with two parents and a permanent home. Everything revolves around his brother, the only source of comfort and stability, who navigates through the world, brings them to a new place, carves him a mask (which, in my opinion, speaks to not everything being especially neurotypical up there, but that's another thing), plays with him, makes sure they're properly enfolded into the town and its proclivity for witch-hunting. Caleb was Philip's entire world.
And then, when he's still a teenager, Caleb up and runs off with a witch. The thing that Philip's been told his entire life is a servant of the devil, whose only purpose on this earth is to beguile and bewitch the righteous to the path of evil, damning them to hell.
Look me in the eye and tell me that isn't a goddamn sympathetic backstory if you've ever heard one. Not every villain can or even should be redeemed, but fleshing them out as characters goes a hell of a long way when telling any story.
And what does the narrative do with this? Jack shit.
We have enough information from the background alone to stitch together this incredibly complex backstory for our main antagonist, and here comes the finale! Where we are told that Philip was always evil and always will be, nothing to be done except kill him.
He gets next to no speaking time as a giant monster, and gets kicked to death. That's it.
Just... everything about how Belos was dealt with in the second half of the season was so incredibly incongruous with what we've had revealed about him. The main-villain spotlight was pulled from him and given back so fast it gave me whiplash, and they couldn't even dredge up the skill to give him a death that at least felt satisfying any way, shape, or form.
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alpaca-clouds · 1 year
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Castlevania Season 4
Currently seeing a lot of people watching Castlevania for the first time and being as confused as everyone else once was about season 4 and certain story developments.
Spoilers - Obviously.
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The story decisions in question basically show up in all the storylines:
Why is Alucard just okay with everything about having talked to Greta for approximately two hours?
What the fuck is the deal with the entire Targoviste storyline, that kinda goes nowhere?
Why are Hector and Lenore just fine after everything that she did in the end of season 3?
Why was St. Germain so easily corrupted? (And why does his love interest not even get a name or voice lines?)
Why does Carmilla so suddenly go off the deep end?
Why don't the four storylines never meet up, ending the story without the main characters (that is the group of Hector and Isaac, vs the trio) ever meeting?
Why is Varney?
And I mean, we are never going to fully know. But chances are good, that Warren Ellis had thought he would get five seasons to tell his story - instead of only four. Now, we never got confirmation for that, but there are a lot of points speaking for it - most notably just that the last season feels rushed af.
Now, a big question is, why it got then cut down into four seasons. There is a lot of speculation. For once there is of course all the shit coming out about Warren Ellis at the time. So maybe Netflix wanted to cut him off, before all of that came out. There is also the fact, that season 4 went into production in 2020 and we all know what happened in 2020. So chances are, that the show might well have been impacted by the pandemic. There is also the fact, that Ellis was allegedly in general hard to work with for some people. Another fact. And, lastly, it might just have been a Netflix thing, even though we are getting Nocturne. (You know... *cries in Inside Job and DeadEnd*)
There is also the fact, that a lot of folks harrassed Netflix and the creators about everything season 3. Especially the Alucard scene and what happened to Hector. And if we look at Rise of Skywalker, we know it would not have been the first and only time that fans harassing a studio got them to backpaddle on story decisions.
But I think a lot of writing decisions for the most part can be explained with simple Story Economy under the idea that Ellis had if not calculated for five seasons, then at least for more episodes in that last season.
I have often heard people talk about "But why are Alucard, Trevor and Sypha even there?", because it is very clear that for the most parts season 3 and 4 are very much the story of Hector, Isaac and the Styria sisters. With everything else kinda feeling more like an obligation. (Even though, unpopular opinion: I do like both the Alucard and the Lindenfeld storylines in season 3.) And this is very noticable in season 4 of course. The entire Varney thing comes out of nowhere. St. Germain's Face-Heel-Turn comes out of nowhere. Death comes out of nowhere.
The simple answer is, of course, that the main trio is the main trio and it would probably not have been within the contract with Netflix or Konami or whoever to write them out. Not to mention that, yes, Alucard is probably half the reason some viewers are there. Hence, they needed a storyline.
Now, again, I am mostly just speculating. But I do assume that at some point the plan has been to pitch Carmilla against the main characters. It would not have been surprising to me, if the original plan was to have her slowly go off the deep end in season 4, have her make a deal with Death and maybe give her a redemption arc in season 5 (because she feels like a too well developed character for the development in season 4 being the original plan).
But given the "end it with season 4" and "main trio has to do stuff, because main trio" requirements that had probably have to be met, a lot of decisions make sense.
Why does Alucard get over his trauma within hours of meeting Greta? Well, because there was no time for him to have a proper recovery arc, before he had to be there for a finale to happen. Maybe, too, because of the harassment and some fans not wanting to see Alucard in a position of weakness.
What is the deal with Targoviste? Mostly just to give Trevor and Sypha something to do, before they could join for the finale. Also to introduce Varney.
Why is Varney? Because there was no character, who would believably get into "making a deal with Death" within just one season. Hence he was just a tool to bring Death into the plot. (Which kinda makes sense, given Death is a main antagonist in several of the games.)
Why are Hector and Lenore just fine? Because here, too, there was no time for a proper recovery arc. Also, maybe, because a lot of people got angry, too, about Hector being put into the position of weakness. So it was just swept aside.
Why does Carmilla go off the deep end so quickly? Because there was no time for a proper corruption arc either. But she needed to be the bad guy for that storyline, because otherwise there would not have been a proper finale for the entire Styria storyline, as it was unable to reconnect to the Wallachia storyline.
And why is St. Germain so easily corrupted? I would assume because some executive decision had been made that he had to be put into the season.
The thing is really, that if you just look at it logically, the plot points kinda make sense - but because they are so rushed, they do not feel right. And of course this does kinda ruin a lot of it, because the ending is what matters a lot in stories.
Now, personally, I am mostly fine with where all the arcs end. I personally am fine with the ending of building a village around the castle. I am fine with Isaac taking over Styria. I am fine with Dracula and Lisa coming back from the dead. And yes, I am fine with Lenore dying. But it does feel rushed and I do not like how the plot gets there.
Most of all, I wished that there was a bit more emotional fallout from season 3. I definitely do not like how Alucard is just suddenly fine - or how Hector and Lenore are suddenly fine. It does feel emotionally... unfullfilling. *sighs*
But nothing to do about it now.
What I am getting at with this ramble: I do not think that Ellis (who is a horrible human being, but also a pretty good writer) has suddenly forgotten how to write stuff. I mostly just think that there was a lot of Drama going on behind the scenes. Partly because Ellis is a bad human, but also because of pandemic being pandemic.
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episodeoftv · 9 months
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Round 1 of 6, Group 2 of 4
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propaganda is under the cut (607 words) - may contain spoilers
summaries (pulled from imdb or wikis)
propaganda
Dancing with the Stars - 31.11 Finale
The four finalists perform their final two routines in hopes of winning the mirrorball trophy.
The winner had been pre-decided before the season even began which rendered the entire season pointless. I also watched on the West coast so I went into the episode knowing just how rigged it actually was because the results were already posted online. I don’t expect these shows to be 100% authentic but I at least expect the finale to use actual votes instead of having the winner put it in her contract that she wins.
Lost - 6.17/6.18 The End
The Man in Black searches for Desmond to achieve his goal of destroying the island. Jack, the newly-appointed "protector" of the island, sets out to stop him. In Los Angeles, the survivors reunite and recall their island experiences. / Locke puts his plan into action, which could liberate him from the island.
Locke puts his plan into action, which could liberate him from the island.
1) Worst payoff of all time. What the fuck does any of it mean and not in a fun twin peaks kind of way in a this had so much potential and such high expectations attached to it way. I haven't seen GOT but i really think Lost rivals it for cultural impact and widespread enraging of the audience. This final is proof that a TV show should never be greenlit without a complete story outline. I rewatch every so often though when it's good it's great it's a real tragedy
2) So many loose threads either messily explained or ignored completely. Extremely unsatisfying explanation of what the island was.
3) Legendary L, never been one like it, the king is on the top and we can see him, just fell on their fucking faces I can't explain I won't explain
4) They were just so unsatisfying. None of the build-up (and there was a TON of build up) paid off.
5) ok look. the Lost finale has been criticised a lot, and a lot of that criticism has been dumb (they weren't all dead the whole time and people need to stop saying that you guys are just misunderstanding the episode) HOWEVER. I maintain that even if a lot of the criticism of it historically has been unfair, it's still an awful finale. Its first and biggest crime is the main plot of the episode (and season as a whole) is really boring. It does away with the interesting character drama and moral dilemmas the show always excelled at and turns everything into a boring black and white good vs evil battle between two characters we don't care about. Just generally it feels super dumbed down compared to the rest of the show, especially when the stupid afterlife plot swoops in and starts explicitly telling the audience which characters were good, which were bad, and which characters were meant to end up together. It's frankly baffling, it feels like the writers suddenly decided they were sick of letting the audience interpret things for themselves. and again, one of the main strong points of the show had always been its moral ambiguity and openness to different interpretations. And the worst part is that we don't even really get a cute "everyone reunites in the afterlife" ending, because the writers FUCKING FORGOT ABOUT HALF THE CHARACTERS. WHERE WERE MILES, DANIEL AND CHARLOTTE? WHERE WAS WALT? WHERE WAS MICHAEL (actually I know exactly where Michael is he's stuck on the island as a ghost forever because his crimes were too bad to ever redeem himself) (his crimes were not that bad) (he had a very sympathetic motivation of wanting to protect his son) (this wasn't in the finale but I think is emblematic of the same problem of the writers really really dumbing down the morality of the show) (also it sucked and was racist). However at the end of the day this episode's true crime is being boring. I would forgive so many problems if only I cared even a tiny bit about the main conflict going on, which I don't. because no one cares about jacob and the man in black.
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Random toughts 911 Lone Star Edition.
Post-episode 4x01 I have decided to approach this season of LS with as much detachment fandom-wise as I can, meaning a "yes" to the pretty gifs and a "no" to most meta!post and fanfics of the hour. Because I remember too well how the last summer went for me and I don't really want a repeat. 
See, last summer, I watched the fourth and last season of Roswell New Mexico and I had an horrible time lol
It was really frustrating to watch how people treated Alex's absence and entire existence on and off screen. It was an eye-opening experience to realize how a character can be heavily misunderstood and mistreated if it doesn't serve the main protagonist or the main story in the way some people want. 
So, me being aware of this, I knew that Carlos' secret would have been accepted poorly. I don't particularly like the storyline because I find it unoriginal but, again, LS doesn't shine for his unpredictability (unless it about the most gross rescue of the week possible 🐸). In the show universe though, I can understand Carlos' actions e I don't have a problem justifying the reasoning who led two lost, unhappy, and scared kids to make that decision. We know Iris' troubles and we know Carlos' mindset in regards to the relationship with his parents. Every single one of his insecurities stem from the chasm that his coming out created with his parents, who loved him but didn't know how to treat their son's truth. It's not a situation who inspires the best decisions 🤷🏻‍♀️ 
I agree that it's hard to believe that Carlos kept this secret for so long but I can buy it, with a little effort on my part, because this is a character that doesn't talk about his problems unless it's inevitable. 
Now, with eight weeks before a possible wedding's date, it's inevitable. Before this, I can imagine Carlos wondering for a right moment to speak but never finding it, what with all that happened to T.K. and to them as a couple. And let's be real, in real life the more you put off a thing the more you end up not doing it at all. It's a very human thing. And this is the real problem with certain people treating Carlos like a cheater and paragoning him to Alex or to the poor parenting of Owen. 
For a side of the fandom Carlos is wrong and terribile the very moment he steps out of the line of the "perfect boyfriend" he has to be for T.K. The same people who justify every mistake of T.K., with his past and trauma and everything in between, don't allow the same courtesy to Carlos. Because everything has to be about T.K.: his storylines, the Tarlos ones, even Carlos'. G*d forbid, the attention shifts just for a minute to someone else's mess. 
Carlos has a moment of doubt after they get drugged? How unfair for T.K., how dare Carlos? Carlos made a rash decision and got married "in name only" when he was young and afraid and struggled to find the right moment to tell T. K? How awful, he's a cheater, he doesn't want to marry T.K., he's the worst. Carlos, the one who has been steady and present and never wavered in his commitment to T.K., even when T.K. ran and self-sabotaged at every turn for a long time. Do you see my problem with this kind of famdom's reasoning?
Even more 'cause I don't think T.K. has to let this go without telling how he feels, considering it's a huge secret to be faced with. But, at the end of the day, if he can make sense of things and understand that it's not a menace to him in any way, how people - who knows it's just another insane and useless road step to the tarlos' wedding - can't? I mean, it's not like we are talking about a romantic ex, it's a platonic relationship stranded in the past, it poses no real threat to T.K. 
It's a dumb storyline, but if it paves the way to a Carlos heavy string of episodes I'm gonna be happy. I've waited a long time to see him shine for himself and not only as half of Tarlos. Everything else it's going to fall in line and lead to the wedding and everyone will be good with Carlos again. Like with Alex in Roswell NM. Ah, the power of the ships… 
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herehaveafandom · 1 year
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For the choosing violence ask game, literally as many as you can for Star Wars
oh jesus ok
I've seen people talk about Satine who believe she was weak, that she betrayed what it means to be a Mandalorian, that she didn't deserve Obi-Wan, etc. While I don't idealistically with her views entirely, I sympathize with her point of view and I don't think she was at all weak. She was trying to do what she felt was best for her people based on her knowledge of history and the current political climate. Do what you have to, queen. Also, MACE WINDU. I'm sorry that the (stressed out, under immense pressure) leader of a massive order wasn't sweet as sunshine to the rule breaking Jedi master about the rule breaking kid he picked up who will grow up to be one of the world's most prolific war criminals and murders. I admit that I think the Jedi order had its faults but I am a Mace Windu stan 4ever
hey. hey. Look me in the eyes and tell me you think Rex bottoms. That man is a fucking Dom top who gets shit DONE. He has half of Torrent on their knees for him. The way he put his hand on Echo's chest? Shoots an eel in the eye and goes fucking "Call me sir?" He had them swooning I know it. His dick game is pristine. Side note but I feel like Bail Organa gets pegged on occasion (lovingly of course he and Breha are couple goals.
Uhhh. Hm. People who are generally mad abt Mando giving up the darksaber- I completely agree that it was right choice. For two seasons we all went "lol it's so funny how mando hates being the main character! He just wants to do side quests and raise his kid! Lol it's funny how he keeps being the most important person he hates it!" and then when Mando followed through on that character by giving up the darksaber people who got pissed "BUT HES THE MAIN CHARACTER". like tell me you don't understand the character without telling me that. Also people who Hate star wars but Keep Watching It and then come onto fandom side and insult it in every way - there's a difference between being critical of a thing (I am!) and just bringing the vibe down for everyone. Yes star wars and the fandom by extension have a lot of issues. Id also have to say the racist/homophobic/generally hateful takes. Also Reylos.
I've never actually blocked anyone!
I'm not on discord server lol
YOU KNOW. Like ok if you want to ship reylo FINE but don't come to me talking about how I'm misogynistic for not shipping it. I actually have taste thanks. I'm not the world's biggest fan of master/padawan ships - qui/obi or obikin - but at least those people are generally polite and I can just scroll past if I chose.
I don't know that this has happened? If anything hate for a character makes me more inclined to like them.
Gooooood where to begin. I am the only person who knows Obi-Wan and Luke Skywalker. When people reduce Luke down to "dumb, naive, sunshine boy" it makes me mad. Yes, that is a big part of his character, and may even be most of his character in ANH, but you don't get Luke unless you understand his more mature and dangerous side. Yes, Luke is generally the optimist to Leia's realism, but I believe that is a choice Luke makes. Remember, Luke grew up on Tatooine, so he can't be entirely innocent. Luke knew how to take care of business with Jabba. If you reduce him down to dumb sunshine I feel you take away from the character.
The sequels. The sequels. The sequels. They massacred and disrespected so many characters. God. They were so wrong. Beyond that, the split canon of Legends vs Disney. I actually really like so much of the old Legends canon I'm mad it's not real anymore.
The infighting, and as said above, people who just seem to hate Star Wars harshing the vibes for the rest of us. I'm not talking about things like acknowledging the bias and bigotry in both canon and fandom, because that's important, but people who just seem to hate every piece of media put out regardless of content. why are you here. In actual fanon proper, I'm going to be honest, mischaracterization. I understand everyone interprets things differently but sometimes I'm like. Did we watch the same thing here bestie bc he would not fucking say that.
fun fact the only thing i have filtered on tumblr is overwatch. I DON'T WANT TO SEE IT I DON'T CARE
Oh easy Saw Gerrera. I understand why people don't like him - he's hard to watch - but I think he's an amazing example of the kind of leftist infighting we see in our politicial climate today. He's not my favorite character or anything, but I do look forward to it when he's on my screen.
Kylie Ron. Enough said.
Ok this is a weird one but in all the prequel/clone wars fics I read, why does everyone assume Jedi, especially Obi-Wan, have an aversion to seeing a medic?? Did I miss something? Like if it was established in canon at some point let me know bc why?? The medics are always chasing down the Jedi and threatening them until they come in to get healed...like why wouldn't they go anyway? What's up man?
well fanart is varied. I guess a lot of characters overshadowing one another.
I mean this in the nicest way possible: I don't really understand why people like Obikin. I completely agree that these men are Not Normal about each other, and they have a New Type of Relationship but...Obi-Wan has been raising Anakin since he was nine. It's not even the age gap, just...I don't get it. No shade or shame but like. Not for me. They can be strange about each other in a different way for me.
FUCK ME I LOVE A FIXIT. LOVE A TIME TRAVEL BETWEEN OT AND PT. LETS THROW CHARACTERS INTO SITUATIONS I LOVE IT. I've particularly been thinking abt Darth Vader interacting with Dooku. Idk but I think it'd be fun. ALSO I LOVE FICS EXPLORING THE VARIOUS CULTURES OF STAR WARS. Star Wars has million worlds for you to make up shit about and I love them all. YES TELL ME ABOUT JEDI HOLIDAYS OR TWI'LEK RELIGIOUS BELIEFS. Shoutout to @fialleril and their amazing series abt Darth Vader being a double agent, which really set the standard and created content that people still use today about Tatooinian Slave Culture.
CAN WE HEAR A LITTLE COMMOTION FOR REVA SEVANDER? ok so we didn't really SLEEP on her but now that Kenobi is over I dont see much stuff about her :( I love her she was amazing. Also let me shout out some favorite fics real quick - the above mentioned "Double Agent Vader", "Cosmic Oddities", a Mando/The Last of Us crossover, all of Blue_Sunshine's work but especially their series "The Desert Storm" and the follow up "Rise and Fall" about a time traveling Ben Kenobi, Deniigiq's series "center stage", Killbothtwins' series "the massive machinery of hope" (more time traveling with one of my favorite characterizations of Obi-Wan and Qui-Gon). For the adults looking for something spicy (and by spicy I mean downright smut), Iridan's work "a simple thing" has not only set the standard for Bobadin works, but is one of the best fics I've read PERIOD. Booktok authors WISH they had this level of skill. It's amazing and should be turned into a novel. All of the above fics are on AO3, go check them out and show them some love!
Padme/Anakin. It is heterosexual nonsense and I love it.
Some sections of TCW. I'm not generally a military/war movie person in general, so those sections focusing on that can feel a little long to me. Generally star wars doesn't bore me though!
I'm going to be killed for this, but...Andor. I LIKED IT I DID I JUST. DIDNT LIKE IT AS MUCH AS KENOBI. Yes it was important and relevant and YES it was great. I just think maybe the tiniest bit overhyped. I STILL REALLY LIKE IT THO DONT KILL ME.
Now lets talk abtJaster Mereel can we talk abt jaster mereel ive been dying to talk abt Jaster Mereel
Din/Bo Katan. Before season 3 I would have said no but season 3 got me bitch I can't lie. It's about the fealty.
Star war's flaws. the racism and homophobia and misogyny. yikes!
I DONT CARE IF YOU HATE THE PREQUELS SHUT UP ABOUT IT
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bellamysgriffin · 2 years
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Now I’m curious about your ST thoughts!!!😭 but could you talk about your favorite parts of stranger things/your favorite characters? (If you don’t want to share the unpopular opinions ofc!)
omg of course i have No Fear of discourse, i'm always open to sharing unpopular opinions, i just couldn't be bothered to type up a whole post unprompted lmao but okay
starting with my fav parts of the show:
i will forever say s1 is the best season of the show and it really doesn't matter how good s5 is, because it won't top s1. from the bottom of my heart i think stranger things would have been a kickass miniseries and probably should have stopped after season 1 because i think it went from a good show to a fun show after that
that said there are always things i love from each season. in s2 i really adored hopper and el's story, in s3 i loved robin's inclusion, and in s4 i thought the max stuff was really great
i am also unashamedly a stancy truther and i literally dont care what y'all say i'm correct and it would actually make PERFECT sense for them to get back together now
hopper is forever my fav character and i think david harbour's performance in this show is truly incredible
then if we want to go to my um... controversial opinions. i'll just let them rip
i think all the kid actors except for sadie sink have gotten noticeably worse. although i would say gaten matarazzo is pretty much the same, and i want to say finn wolfhard hasn't gotten worse but maybe that's because he was so great in the it movies. in this, there's really no way to tell bc they don't give him anything to do lmao
i don't have any real investment in the mike/will/el love triangle but i will say if you rewatch the first season, it's pretty clear that mike really loved el and i think it's just because they feel so lackluster right now that people are convinced they won't end up together but like. i personally would not be getting my hopes up lmao
i also think fanon perception of the show has truly gotten so divorced from reality it's literally crazy. i can expand upon this but i don't want to piss people off THAT much lmao
i think stranger things has a huge problem with consistent characterization and there's always one character you see that with most pronounced from season to season. in s2 it was joyce who straightened her hair and put on eyeshadow and became an entirely different kind of parent because of that i guess. s3 it was hopper who became an oafish comedic device. and in s4 i hate to say it and you guys will be mad, but robin. that is a different fucking character than season 3!!! in s3 she was like. the cool girl/savvy loner, kind of snarky, relatively sarcastic and like ridiculously smart. in s4 she's just like gangly and awkward and talks a mild a minute and claims to have no understanding of social cues. what???? i mean, i like the nerdy lesbian as much as the cool lesbian but that's just blatantly not what she was and i think it's really disappointing that they took this character that was aloof and witty and very socially savvy and made her a nerd because that's how writing lesbians made more sense in their brain i guess i don't know
and for the real kicker..... i think eleven should have died in s4. i'm actually so fucking bored that she didn't. and that's not because i hate her character but because she has effectively turned into a deus ex machina and i am tired of every season ending with millie bobby brown sticking her hand out and screaming until the monster dies. i was SO BORED during the last half of that battle. and look, they had their chance to get rid of that deus ex machina without killing her when they took her powers away, but they obviously didn't know how to write without that convenient plot device in their back pocket so they immediately gave her powers back to her. stupid! killing 11 would have genuinely been the most interesting thing to do going into s5 because then our main cast would be confronted with how to stop the monster without their resident superhero, and that's a difficult thing to write which is obviously why the stranger things writers didn't want to do it lmao. so yea. i'm team kill eleven before the finale so i don't have to sit through another hour of telekinetic lazy writing
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booksteaandtoomuchtv · 3 months
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So i just started OUAT and i binged seasons 1 through 6 in like a month. Now i am at season 7 and it feels like it doesn’t belong with the rest. Please tell me i am not the only person in this fandom that feels this way. Lucy & Alice are gonna be my favourites in season 7, i can tell, but like- I'm so angry 😭😭😭 season 7 is like if someone tried to complete jigsaw puzzle with a lego piece. Its like when you are collecting books in a series but the publisher decides to change cover designs and scrap the old covers while you’re in the middle of collecting and now the bloody books on your shelf don't even match. 😭😭😭 Im sorry i know I'm being dramatic but- 🫠 Also season 6, why did they hype up the black fairy to be this GREAT evil, but i feel like they rushed that plot-line, and she was super easy to defeat. I mean, peter pan was more of a challenge, he made rumple and the hero gang go THROUGH IT, but black fairy couldn’t even top that and she's played out to be stronger. The writers basically gave it their all seasons 1 through half of season 6, (until black fairy's plot) and then they went "f**k it." Another issue i have is the hyping of some characters to be these great forces, and they go down faster than an asthmatic with a flu. (Mother superior, Jafar, Ursula, Cruella, The Author.) Especially blue fairy, they hype her like she’s the big boss of the faeries and they go to her with all their problems but she either says “this magic is too powerful for me to counter it.” Or something along those lines or she keeps getting cooked. Girl…. How do you still have your job? Someone needs to fire her blue ass. Granny could take her in a fight and Im willing to put money on it. 😭 Anyway, rant over, if you answer thank you because i really need to be validated and not feel crazy right now, but if you don't answer and my rant gave you a chuckle thats all well and good too. 💗💗💗
Hey Nonnie!!
You are not alone. I know a lot of the fandom has only watched the seventh season once and that was their first watch-through. A lot of people could not even make it through that season since it was so jarringly disconnected. If you are looking for a bit of history about it - a lot of the contracts expired after season six and with Jennifer Morrison not renewing, the focus shifted from Emma’s story to whatever the main story behind season seven is and it... well...
“It’s like when you are collecting books in a series but the publisher decides to change cover designs and scrap the old covers while you’re in the middle of collecting and now the bloody books on your shelf don't even match.
It is exactly like that.
I, personally, have mixed emotions about the sixth season. We get some very, very good Captain Swan moments that I am a sucker for because I really enjoy established couples having good moments and OUAT did not give screentime to peaceful, calm moments for any pairing. But, we also get that Hook murdered David’s father while he was meant to be in Neverland, but he was actually being a land pirate (notably not a highwayman) in Misthaven. And we get the entire saviour’s curse thing, the evil part of Regina being something that can be and was separated from her rather than a real redemption story for Regina, and the plastic pin villains that you could knock down with a breeze - no bowling ball required!
BUT... having written a few stories with some thrilling baddies and such of my own, I must admit that it is so, so difficult to straddle the line between a good villain that is properly scary and defeating them in a way that doesn’t feel cheap afterwards. I always feel like I let people down once I’ve revealed how the villain is defeated, so I guess I cannot complain too much without being something of a hypocrite.
Granny was such an underutilised hero. She absolutely could have knocked the fairy down a few notches had anyone given her the chance. Maybe someone should tackle a fix-it fic for season six and give us that scene.
Thank you so, so, so much for the ask/rant/thoughts. I adore them so much and hope that you know you are not alone and brought up some very valid thoughts with your very valid emotions.
xoxo
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basicallyblank · 2 years
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An honest to god shitshow. I don’t get why when he has a pretty decent bench he doesn’t use it earlier. I’m a big Katie fan so I may be a bit biased. But put tf on, if not from start then half time at least. She honestly had one of the best shots at goal tonight. Her aggressiveness is a good pressure and her link up is fairly decent. We lost a lot of balls that we should have kept. West Ham had way too easy a time getting the ball away from literally everyone. Leah played pretty well in the midfield, still a better defender but still. So many of the shots should and could have made it in. The WH keeper was amazing tonight but still too many bad shots. Gio, Kuhl or Vic should have come on when the game got stuck to give some new power and creativity. Kühl and Vic are actually midfielders and both, but especially Vic has shown pretty promising talent. Stina need some motivation and finishing training. But a lot of players could and should have played better. Even if some of the stable players are injured a top team as Arsenal should not fold like that.
(And again biased but I do believe that Jordan could maybe have changed the game tonight, only ever saw her as an experienced midfielder and an extremely creative player that could help turn a match, but who knows?)
Very interesting ! I think the WH goal keeper was on fire tonight, constantly there and was lightening quick. The entire WH team were defending their goal like their lives depended on it, and they were a really solid defence when they were all back like that, we had no room to be creative and build up our play
The longer we went without subs the more concerned I was getting, I’m a big Katie fan too, and I always question when she’s benched at the start, she’s one of them players that can decide games and if she was brought in earlier, who knows 🤷‍♀️
I think we need to start working on new link ups and new starting line ups, because something isn’t working. With Viv and Beth out, obviously we’re gonna have a hard time, they made up 66% of our goals last season, and tonight it was blatant
Stinas confidence right now is none existent, but she still has that pressure of carrying the team, she’s being made to be the main striker, along with frida, when she isn’t on form, which is going to continue to be a cycle. She’s not in form, not scoring goals, and her confidence will keep getting dragged down
Every single match counts, and this was meant ti be our easiest match of the month, what are we gonna do against city ? Chelsea ?
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kalinara · 3 years
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I actually saw someone try to justify fandom’s disproportionate response to Nate by claiming that it’s because Nate “weaponized mental health”.  And honestly, I’m very skeptical about that as an excuse.
First of all, the Nate hatred started long before the final two episodes of the season.  I personally remember it getting pretty bad around Headspace, when Nate’s behavior was admittedly pretty bad, but definitely not any worse than Jamie in season 1. There were a number of essays on how Nate’s behavior in Headspace was worse than Rebecca trying to destroy the livelihood of an entire team.  And quite a few people who posted in defense of Nate got visited by a passive aggressive person/people who I like to call the “anti-Nate anon”.
One of these people called me a Nazi for defending Nate.  And that was LONG before Nate betrayed Ted.
So yeah, I’m skeptical.
But I’m also skeptical about this idea that Nate “weaponized Ted’s mental health” being the main justification for hatred because if that’s the case, where is the hate for Trent Crimm?
Trent’s situation is different from Nate’s of course.  But Trent is just as involved as Nate in exposing Ted’s personal mental health information to the world.  And while a few people here and there have criticized that, for the most part, he’s lauded as a HERO.
I’ve seen folks (particularly on reddit) talk about how Trent somehow “defeated” Nate’s plans by his text to Ted.  And...how exactly?  The article still went up.  Ted was still humiliated!  And it’s not like they couldn’t have figured out it was Nate.  Beard had already!
Trent is not a hero or savior in this situation.  Sorry.  
Now, it is true that Trent’s article was much kinder to Ted than he could probably expect from any other journalist.  But how much does that really matter, when you think about it?
It’s not like the first journalist to break a story has exclusive rights over it.  Trent’s article didn’t protect Ted from George Cartrick attacking his masculinity on international television.  It didn’t protect him from meaner articles like “Is Ted Dead in the Head?” or “Panic at the Lasso”.  It didn’t protect him from the stares and pointed questions from the people on the street.  It didn’t protect him from having to face his team and APOLOGIZE for keeping his private and personal medical information from them.
Maybe Ted got a half day’s grace period that he wouldn’t have gotten if the first journalist to break the story had been a dick.  Maybe.
There’s this idea that if Trent said no, Nate would have brought the story to another, crueler journalist.  And maybe that’s true.  But maybe it’s not.
Nate, as we’ve seen, can be very cruel.  But it’s not a calculating cruelty.  Nate is very impulsive and very reactive, and when he lashes out, it’s generally because he feels like he’s been hurt.  We didn’t get to see Nate tell Trent, so we don’t know how it happened.  Maybe it was a cold and calculated decision.  Or maybe it was Nate, being Nate, blurting out something in the heat of the moment that he shouldn’t have said.  All we really know is that after the information leaked, Nate looked uncomfortable and guilty, not satisfied or smug.
So maybe, if Trent had said “No, I’m not publishing that”, Nate would have calmed his ass down.  Or maybe not.
But maybe Ted might have preferred that someone else break this article.  Someone that he could be mad at rather than have to protect.
We act like it was this great magnanimous gesture that Trent messaged Ted with the article.  And I think Trent meant well when he did it, but does it really matter?
Ted’s spared the humiliation of reacting to the article in public, sure.  But that’s about it.  It’s not like Trent would have pulled it, if Ted asked.  And the “would you care to comment?” bit is a little backhanded at best.  “I know I destroyed your life, but would you like to say something completely off the cuff, without any kind of preparation, that I can use as an exclusive?”
(I don’t think Trent meant it that way, but still...)
Trent reveals his source, giving Ted an easy way to retaliate against him.  But we know, and he knows, Ted wouldn’t do that.  So this becomes yet another burden that Ted has to carry.  Another secret.  And Trent, because he’s a friend, becomes yet another person Ted has to protect.
Ted can’t even bake a biscuit right at the moment, but he still has to devote some of his already spent mental energy to defend Trent against Rebecca and Keeley.
Trent “redeems” himself at the end by revealing to his boss that he gave his source away.  Arguably, he ruins his own life as penance for ruining Ted’s.  Okay, that’s...  a gesture.  And the romantic in me absolutely appreciates that.
But it doesn’t wipe the slate clean.  It doesn’t really even put them on an even playing field because Trent CHOSE to destroy his career, where Ted never chose to be an advocate for mental health in sports.  Not really.  He’s making the best of a situation that he is powerless to stop.
I am not writing this because I hate Trent Crimm.  I love Trent.  He’s one of my absolute favorite characters.  And I’m a multi-shipper.  I ship Trent/Ted just like I ship Rebecca/Ted or Beard/Ted.  I’d be thrilled if the show went that way.
But I think it says something that Trent has largely, in the eyes of fandom, escaped a lot of criticism, and even been lauded as a hero for allowing a disgruntled employee to use him as a weapon against a well-meaning boss.
If Nate’s irredeemable sin is his betrayal of Ted’s mental health, then he’s not the only guilty party.  And it’s worth thinking about why so much of the fandom is acting like he is.
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hello-nichya-here · 3 years
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How NOT to write romance - How I Met Your Mother edition
Warning: long-ass post and lots of bitterness over a TV show that ended nearly eight years ago.
Basics for story-telling
If the romance you want to write is dysfunctional, fucking embrace it and have fun with the concept instead of pretending the bad shit the characters do is okay because “it’s true love”
Acknowledgde that your main character has flaws instead of acting like he is a saint who can do no wrong for no reason other than “he is the main character. Definitively don’t make him do, of his own free will, the exact exact same things the supposedly “selfish and cruel” womanizer does and then excuse it as him having “succumbed to/been tricked by a bad influece” like he’s child who doesn’t know any better instead of being a grown ass adult.
Don’t make your characters be annoying, entitled fuckers who think they have the right to judge others for wanting different things out of a relationship/not wanting a relationship at all. Don’t act like monogamy, double dates with other couples, marriage and children are something EVERYONE secretly wants deep down.
Don’t demonize the “evil” character of the group and act like the “heroes” being appalled by the shit he does is anything other than hypocricy. There’s literally nothing forcing them to be friends with him, so they’re obviously not as horrified at bad shit he does as they say they are, otherwise they would have ditched him a long time ago.
Don’t have the “heartless womanizer”,  who we later find out is the ex-husband of the girl the lead wanted for himself, be shown to us exclusively through the eyes of the an unreliable narrator who had motivation to make him see worse than he is likely to be (get his kids to want him to get the girl instead of the “douchebag”). Also, don’t make his schemes to trick women into sleeping with them so completely absurd and ridiculous that the audience is pretty sure that 70% of the women he banged were completely aware he just wanted a quick fuck and went along with it anyway because they wanted some dick (and because the character is played by Neil Patric Harris, who is incapable of not being charismatic)
Fucking let you characters (especially the supposed hero we’re supposed to think is the best boyfriend ever) grow instead of making them constantly repeat the same mistakes
Lily and Marshall
Don’t make one of the characters hide something very important from their partner, and then have the audacity to be mad at them for “just not understanding” as if they were given any reason to understand what the problem even is
Don’t act like someone being heartbroken that their partner lied to them and practically made a plan to “escape” being married to them means they’re not being “supportive” of said partners dream - you should especially not do that after we were shown that they took a job they didn’t like just to make sure they’d have a secure future that would allow said partner to follow their dream.
Don’t have the character who was obviously in the wrong need to be convinced to get their shit together and apologize to their ex.
If a character forgave the ex who wronged them and even got back together with them, don’t have them constantly hold their past mistakes over their head like it that problem has not already been solved - you especially not make them do that on what was supposed to be their wedding day. They can either forgive their partner or not, they can’t keep going back and forth.
Don’t have them constantly hide important shit from each other (having a huge financial debt, getting a job, etc)
DO NOT have the character who fucked up years prior suddenly be willing to do the same shit again for the EXACT same reason (”I think our relationship is in the way of my dreams and I’m now completely isolated because I refuse to talk things out with you”) and then expect the audience to sympathize with them.
Ted and Robin 
Unless you’re writing a Disney/Disney-esque romance, don’t have your lead just look at someone across the room, decide they’re “The one”, imagine their life together and full on say “I’m love with you” AND “I love you” on the first goddamn date.
Don’t have the lead stalk his love interest, and throw three parties in a row just to have an excuse to get close to her now that she made it clear she is not interested in having a relationship with him.
Don’t have the “hero” lie about having broken up with his girlfriend so the girl he wants to be with will sleep with him, and then have him blame his actions on time. “Nothing good happens after 2 a.m.” Grow a pair of balls, Ted!
If one of the characters says “You’re going too fast on the whole ‘love’ thing. Can’t we just go on a few dates and see what happens instead of already starting to plan our lives together?” and the others throws a fit, that is called “being incompatible” and “damn, this dude doesn’t respect boundaries”, not “Wow, she’s so afraid of commitment”
If you want the audience to believe the main character’s feelings are not one-sided, don’t make the fact that said feelings ARE unrequited a running joke, and don’t have the girl only accept giving him a chance after having to deal with the fucker whining “But I love you” for months and/or after going through bad break ups. Also, if you have to retcon half the fucking show to “proove” that “she DOES love him”, that pairing fucking sucks.
Don’t compare the couple you want the audience to root for to the main character’s divorced, dysfunctional parents, and don’t have flashbacks showing that the lead had no clue what his girlfriend actually liked in bed AND that she literally covered up his face so she could pretend she was fucking someone else.
DON’T MAKE HER GET RID OF HER DOGS, YOU FUCKING MONSTER!
If your lead character is still jealous/possessive of his ex, thinks he still has a chance even after she told him to his face that she didn’t love him, and acts like she and her fiance (who he says is his friend) being happy is somehow them being selfish and cruel, your lead character is a loser AND an asshole.
Don’t throw away the entire premise of the show (Ted finding the REAL love of his life) just to force a bad pairing down the audience’s throat
Ted Mosby in general
Don’t have your “romantic, sensitive hero” break up with a girl on her birthday through an answering machine, come back into her life without warning years later because he’s afraid he’ll die alone, and find out that she never heard the message but was actually told about it by her friends and family who were at her apartment preparing a surprise party for her. You should especially not make his first reaction to this new be being mad that he was not invited to the party, and for the love of God, don’t make him break up with her on her birthday AGAIN.
Don’t have the “hero” cheat on his girlfriend and excuse it with bullshit like “Nothing good happens 2 a.m.” and “But I genuinely love Robin so it’s okay that I’m lying to both of them”. Do not, I repeat, do NOT have him blame it on his girlfriend being distant when she didn’t pick up the phone one night and then called back the second she was free to do so, while he was enjoying the gifts she sent him and LIED to her about having sent her some as well.
Don’t fucking make an entire episode with the premise of him turning a no into a yes - and telling that story to his children like it’s romantic.
Don’t have his fiance, who he knows has a rocky relationship with the father of her daughter, tell him she is uncomfortable with him inviting his ex to their wedding and then have him decide “This means I should invite her ex as well”. Also don’t expect me to feel bad for him when she runs off with said ex.
Don’t have him spend YEARS waiting for one of the hundreds of girls he thinks is “the one” to be single and even ask her neighbour to spy on her and let him know when/if she breaks up with her boyfriend - again, for YEARS.
Don’t have the lead say he’s gonna tell their kids about his love story with their DECEASED mother, only for it to secretly be an excuse for him to go “By the way, I’m still in love with aunt Robin despite her having rejected me for 25 years, can I go screw her?”
Don’t act like making the characters reverse back into who they were at the beginning at the story means they’re gonna make things work this time when the whole point of their break up in the beginning on the story was the fact that they’re just not right for each other.
Robin and Kevin
A therapist who was supposed to help their patient move on after a bad break up that messed them up, dating said patient is a major red flag. It is also a bad sign that, when she cheats on him and wants to break up, he realized what she was doing to used his job as “evidence” that he knew better and that she should NOT tell her partner how she felt/what she actually wanted.
Do NOT have said therapist date yet ANOTHER patient that asked him help to move on from a bad break up. Seriously, Kevin was a creep, stop acting like he was some angel who “deserved better than Robin.”
BONUS: How NOT to break up a couple - Barney and Robin edition
Don’t act like their relationship falling appart after their friends kept meddling, and even kept them locked in a room against their will until they labeled their relationship as something they aproved of, is somehow “proof” that they’re not good for each other.
Don’t retcon their relationship to force a break up (seriously, Barney was super supportive of Robin long before he even fell in love with her, but I’m supposed to believe he’d be a bad boyfriend who is never there for her? And he loved advantures and always said “challenge accepted”, but was suddenly miserable travelling the world with her and couldn’t deal with not having wi-fi at the hotel? Fuck off)
Don’t spend an entire season focusing on their wedding, have them get married and then divorce THE NEXT FUCKING EPISODE! Why do you hate your audience? Even people who don’t want them together can see this a terrible idea.
And most important of all, when people question what the fuck were you thinking, don’t have a meltdown on twitter and say that people who think Barney can change are responsible for Donald Trump being elected, you fucking weirdo, go see a therapist (that isn’t like Kevin)
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kpopfanfictrash · 4 years
Text
Raise the Barre (Ch. 8)
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Author: kpopfanfictrash
Pairing: Jimin / Reader
Rating: 18+ (Eventual Smut)
Genre: Enemies to Lovers / Dance Academy!AU
Warnings: underage drinking, angst, hoseok’s bare abs
Word Count: 10,705
Summary: You and Park Jimin have been rivals for as long as you’ve known one another; ever since he tripped you in the front row of your first dance convention. When you graduate from high school and enter Russet Ballet Academy, you tell yourself you’re leaving all past quarrels behind. The main problem with this though, is that your past seems determined not to leave you alone.
Worse still, the obstacles you face while out in the real world might prove more challenging than anything your enemy has to offer.  
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“Okay, even you have to admit this is too soon.” Finn stared, appalled at the chalkboard. “It’s not even Halloween!”
Laughing a little, you looped your arm around his to drag him towards the back. Plopping down in a chair, you placed your order number in the center of the table. Seating himself across the table from you, Finn began to undo his coat.
“Come on.” He grinned, brown hair flopping when he leaned forward. “Admit it – this is too early for holiday drinks.”
“Okay, maybe it’s a little early,” you acquiesced. “But Halloween is tomorrow! They probably just put up the holiday drinks so they don’t have to do it on Sunday.”
“Laziness!” he cried, jabbing a finger in the air.
Shaking your head, you smiled when Namjoon, the barista, placed a pumpkin soy latte before you.
“Thanks!” you said, pulling this towards you.
“No problem,” he said, flashing his dimples before he turned to leave.
Taking a long, slow sip of your drink, you groaned. “Oh my god. This is it. This is heaven.”
Finn laughed. “Is that seriously your first pumpkin drink of the season?” Sadly, he shook his head. “I remember our senior year, you dragged me out of bed at 7:00 AM on a Saturday just to get the first pumpkin drink of the year.”
“I know,” you sighed. “But I’ve needed the extra caffeine jolt each morning. Sweet drinks just don’t cut it anymore.”
“Ah, the first step in addiction.” Finn nodded sagely.
Smiling, you settled back in your seat as he took the first sip of his black coffee. It had been two weeks since your fight at the club and since then, Finn had been on his best behavior. For about a week, things between you had been awkward but slowly, your relationship was returning to normal.
Seated in the corner of your favorite coffee shop, you drank from your cup and glanced around the room. This was what you’d pictured when you imagined you and Finn living in the city together. Coffee dates, going on new adventures and continuing your relationship where it had left off.
Of course, this morning was only possible because Miss Britt’s ballet class had been cancelled. A contemporary master class had been scheduled for the afternoon, but your day before then was free – something you’d immediately taken advantage of by calling Finn. It was becoming easier to fit each other into your schedules, more like second nature, but things were still tense whenever things didn’t line up.
None of this was eased by the burgeoning whatever-it-was you’d shoved to the back of your mind regarding Jimin. Since the day of Mr. Vlad’s ballet class, you’d managed to keep your emotions in check, but were constantly on the lookout for dangerous situations. You and Jimin were professionals, obviously, but you were also only human. It was reasonable to have subconscious wants and desires, but these weren’t important unless you chose to act upon them.
You didn’t tell Finn about it because honestly, there was nothing to tell. Okay, so you’d felt an errant spark one day during a lift. Big deal. Finn had been your boyfriend for over two years – it would take more than that to threaten your relationship. A relationship which, frankly, had been getting stronger as of late. Telling him something as inconsequential as a spark you had with Jimin would only take you further down the wrong path.
“Are you sure you’re okay with us doing separate things tomorrow?” Finn interrupted your thoughts. His brow furrowed. “It is Halloween, after all.”
“Ah, yes.” You nodded. “Halloween, the internationally known couple’s holiday.”
He laughed. “Okay, point made – but still.”
“It’s fine,” you assured him. This was something you’d already been over. “It just makes sense like this! Your friends are going to that off-campus party and I promised Noelle I’d go to this club thing with her.”
“Right, of course.” Finn grinned. “I’m bummed I’ll miss seeing you as the Powerpuff girls, though. Who’s going to be the third one, again?”
“Well, I’m Blossom – obviously.”
“Of course.” He nodded. “Miss Responsibility.”
A twinge of annoyance went through you, but you pushed it aside. You didn’t think you were always the responsible one but admittedly, you’d been more on edge than usual lately.
“Anyways,” you continued with a roll of your eyes. “I’m Blossom, Noelle is Buttercup and Irene is going as Bubbles. It’ll be fun! Aside from the whole club part, of course.”
“It does sound fun,” Finn admitted, a tad mournful. “Meanwhile, I’ve been roped into the classic college bro costume of Ghostbusters.”
“Oh, come on! That is classic! You’ll be super cute in your… suit? Cargo pants? What do Ghostbusters wear again?”
“Knowing Ben, something tragic from Party City. Pray for me.”
“I’ll light candles.”
Finn grinned, sipping his coffee again and your conversation slipped naturally to other topics.
Halloween fell on a Saturday this year, which meant every college campus was gearing up for some epic parties. Noelle had managed to snag tickets to a club fancy enough to require an RSVP. Apparently, said brother she missed was a DJ and could get tickets to a lot of things if Noelle bothered to ask.
A bunch of people from Russet were going, which made you excited. There hadn’t been many parties with your classmates so far this semester. Despite technically being in college, your classmates were all under the same intense pressure, only made worse by constant early morning ballet.
This week though, even your teachers seemed to have decided you needed a break. Aside from the master class you had this afternoon, there were zero Russet classes until Monday morning. The break in schedule meant you could actually go out – and drink – if you so decided. You and Noelle were planning on attending a ballet class tomorrow, but your entire day after would be free.
You’d originally planned on seeing Finn during the day, but then he’d been invited to a Halloween darty (day party) starting at noon. Despite not seeing Finn on Halloween, you weren’t feeling stressed. It was only one holiday and not even a couple’s one, as you’d said.
After coffee, you kissed Finn goodbye and headed to class at Danley Hall. The atmosphere was different as soon as you entered the classroom – all of the students were buzzing, excited by the prospect of the weekend ahead. The excitement only grew when coupled with the fact that today’s class was contemporary.
For nearly two months, your training had been mostly ballet. This was the foundation of all western dance, and where most dance students were expected to start. Finally though, you were being given a chance to show off. Today’s teacher, Luna Jordan, was a well-known contemporary choreographer across the globe.
You’d done a master class with her once back in high school and honestly couldn’t wait to learn from her again. She wasn’t alone, though, you noticed as you walked in – an unfamiliar, dark-haired guy stood beside her, stretching lithely before the room’s mirror.
“Holy shit,” Noelle whispered as she came to a stop. “That’s Jeon Jungkook.”
Startled, you looked twice and saw she was right. You hadn’t recognized him without his bevy of followers, but Jeon Jungkook was known in the dance world. A child prodigy, he’d been on America’s Got Talent at age eleven and finished in second place. Following this, his family had moved to LA and he’d been in high demand for movies, music videos and performances ever since.
You remembered hearing he worked with Luna Jordan, but the thought hadn’t crossed your mind before now that he might be here.
Noelle cocked her head to one side. “He’s hot.”
“Noelle,” you hissed, trying to shush her.
“What!” A devious grin spread across her face. “Am I supposed to be blind, as well as mute?”
“Well, no, but –”
“Alright, everyone!” Miss Luna clapped her hands together. “I know everyone is excited for the weekend, but we unfortunately have an hour and a half together before then. Everyone spread out for warm-ups!”
A few people laughed, spreading out on the floor as class began. Noelle wriggled her eyebrows, pulling you towards the front in order to get the best spot. Hiding a smile, you ducked your head and settled beside her into a stretch.
Noelle was nearly as excited as you were for the opportunity to dance contemporary. Most of your classmates knew this to be your forte – you caught glances from the corner of your eye while you warmed up, trying not to let their attention get to your head.
Jimin was also near the front, although on the opposite side. You suspected your class was equally excited to see him perform – as talented as Jimin was at ballet, there was a reason you hadn’t thought he’d be at Russet this fall. Jimin’s strength in jazz and contemporary was unparalleled. You would’ve thought he’d gone to LA to become a dancer like Jungkook.
Speaking of whom – Jungkook really was attractive; that much couldn’t be denied. He had dark, wavy hair pulled into a bun and cheekbones sharp enough to cut glass. When he glanced up from his stretch, his gaze somehow found yours and he smiled.
Eyes widening, you stared until you caught sight of Jimin behind him. Glancing between the two of you, Jimin’s expression soured before he looked away. Lips parting, you felt the sudden urge to say something, but there was too much distance between you.
“You ready?” Miss Luna called, an upbeat pop song blasting from the stereo. “Let’s go!”
She launched into isolations, leaving the rest of the class to follow. Warm-ups passed quickly and before you knew it, you were gathered at center to learn the combination. Miss Luna’s style was right up your alley. The steps came easily and, once you’d learned the whole chorus, she left you alone to practice.
You were helping Ari with a difficult move when you caught sight of Sabrina as you turned. She’d positioned herself near the back, which had to be a first. Usually, Sabrina was front and center to allow for maximum receipt of teacher praise.
The decision to stand near the back could’ve been strategy – sometimes, dancers did that at conventions. Conventions were giant weekends of competition with teachers from all over the globe who taught master classes to hundreds of dancers in hotel ballrooms and convention centers. Space at the front tended to be limited, so some stayed at the back, where there was more room to dance and be seen. You had a greater likelihood to capture the teacher’s attention when you had the room to do incredible leaps.
Sabrina’s decision didn’t seem strategic, though. While you watched, Sabrina stumbled transitioning from one move to the next. A brief twinge of pity went through you.
It was easy enough to spot ballerinas dancing anything but ballet. Although ballet was the root of modern westernized dance, it could be hard to translate into other styles. Ballet was more rigid than contemporary, jazz or hip-hop. In ballet, each position was defined, individual style was limited, and dancers were expected to all look the same. Standing out in the corps de ballet was equally frowned upon as missing an entrance.
Not that ballet wasn’t important to all dance styles, mind you. Even hip-hop dancers took ballet to improve their balance, core strength and general understanding of the body. There was an element of individuality in other dance styles, though, which lacked in ballet. Contemporary and hip-hop dancers were expected to have relentless technique all while creating their own, unique flair.
Just looking at Sabrina you could clearly see the holes. She was trying so hard to emulate the moves of Miss Luna, she was kind of missing the point. When Miss Luna did a certain flick of the wrist, it wasn’t a defined part of the choreography, but rather an individual choice.
Without thinking, you took a step forward – only to stop. Sabrina wouldn’t want your help; she’d already made that abundantly clear. Besides, you knew her friend Katie to be a contemporary dancer. She could help Sabrina and yet, when you looked, you saw Katie practicing near the front with Jungkook.
Jungkook obviously knew the steps, since this was probably the tenth time he’d learned the combination. Dance teachers often did that – selected a dancer to attend classes with them, traveling to different cities to demonstrate the combination and help when they weren’t free.
Before you could decide whether to help Sabrina, Miss Luna clapped her hands again.
“Let’s do groups!” she declared. “I’ll count you off into groups of four, and each group will showcase. Sound good?”
It wasn’t really a question so much as an announcement. The rest of the class nodded, waiting while Miss Luna counted you off. You ended up in the same group as Irene, Paulo and a few others. Jimin and Noelle were in the group two, while Sabrina was in the group after theirs.
Jogging off to the side, you waited while the first group took center. You were part of group four, which meant you’d be amongst the last to dance on the floor. When the music began, you closed your eyes and began to mark the combination. You tried not to focus on what anyone else was doing, but this became difficult once Noelle’s group stepped up.
Noelle had trained in jazz and contemporary, although she’d stopped in high school to focus mainly on ballet. Still, her artistry shone in her movement. She could definitely stand to loosen up a bit but was still one of the best in the bunch. You found yourself smiling when she landed a turn, silently cheering her on from the side.
While you were watching, Jimin cut across your vision.
Dropping to the ground, he rolled and arched as his forehead brushed wood. His quality of movement was breathtaking and for a moment, you felt like you were back in high school.
Suddenly returned to those dimmed auditoriums, you watched Jimin take the stage like an otherworldly being. His body seemed to move before your mind could comprehend. Barely did he finish one move before he was starting another, the steps flowing endlessly together like unhindered water. Although you knew the combination and knew how you would dance it, watching Jimin perform was a different experience entirely.
Ballet required dancers to stay on the beat but in contemporary, they were expected to lag. Extensions were all the more breathtaking when they clung to the last second, seeming as though the dancer might not make it before they caught up. Jimin was an expert in this, knowing exactly when to hang precariously over the edge and when to pull back.
Watching him dance, that pesky, strange something bloomed in your chest again.
Squashing this quickly, you looked away and resumed marking the combo. The end of the song was improvisation though and, unable to stop yourself, you found your attention drifting to Jimin again. He was ridiculously beautiful – you nearly didn’t hear when Miss Luna called for them to stop. As she turned off the music, she applauded the group while they walked from the floor.
Breathing heavily, Noelle came to a stop alongside you and – somewhat guiltily, since you hadn’t been watching – you gave her a high-five.
“That was awesome!” you said with a grin. “You definitely stood out in the group.”
Noelle snort-laughed. “Not with Jimin up there, but that’s okay. This is his specialty – and yours,” she added with a wink. “I’m psyched for group four.”
“Ah,” you groaned, rubbing your neck. “Too much pressure.”
Noelle laughed, shaking her head as group three took the floor. Both of you fell silent to watch, your curious gaze finding Sabrina in the back. Sabrina looked almost nervous; an emotion which seemed out of place on her features. It made her look almost human.
As soon as the music began, you stifled a wince. Sabrina stood out from the group, and not in a good way. She had the combination down but moved with a woodenness you would’ve expected from someone half her age. It was enough for you to glance at Miss Luna, wondering if she had noticed.
“Wow,” Noelle whispered, looking almost gleeful. “Sabrina is terrible.”
“Noelle!” you whisper-laughed.
“What? After everything she’s done? After everything she’s said?” Noelle’s gaze narrowed. “Sabrina deserves this.”
Despite privately agreeing, you couldn’t help but feel bad as Sabrina continued. Not wanting to watch any longer, you turned towards the front and resumed marking the combo. As soon as Miss Luna cut the music and polite clapping ensued, you turned back around.
It was time for group four. A shaky, sick feeling entered your stomach as you walked to center. So many eyes were on you, but it had been so long since you danced contemporary. You couldn’t help but wonder if you were as good as people seemed to imagine. Surrounded by so many dancers at Russet, surely your own talent would pale in comparison.
As soon as the music began though, everything faded. Insecurities slipping away, a lightness entered your chest as, eyes falling shut, you slowly inhaled.
Taking a step forward, you opened your eyes and began.
To you, dance had several phases. The first was learning, where you memorized each step and put them in order. The second was understanding, where your muscle memory began to take over and the combination felt smoother. The final phase, performance, was when you thought not of the steps, and were free to just dance.
This was your favorite phrase. In this phase, your mind separated from your body, leaving you only with sweat and emotion. Dance was the only art form composed solely of the body. An odd combination of physical strength and artistic beauty, it was both a testament to human capability and human emotion.
Losing yourself in the music, you ebbed and flowed through the combination until the choreography ended and improvisation began. Finally, you let go and held nothing back. Raw, unbridled passion poured out as you lost sight of yourself, so consumed by the movement.
When the song finally finished and you came to a stop, you were panting for breath. Glancing up, the first person you saw was Jimin.
He stood off to one side, leaning casually against the rungs of the barre, but his expression was anything but. Focused on you, his gaze had turned dark in a way which made you catch your breath.
Miss Luna clapped both hands once again, returning your attention to her. Blinking, Jimin shook his head and in your peripheral, you saw him straighten.
“Very good!” Miss Luna scanned the group. “I know our time is nearly at and end, but why don’t we have a few students come out and demonstrate?”
Again, this was fairly common in master classes. After learning the combination, teachers would often single out students to perform as examples. It wasn’t always the students with the best technique who got chosen. Oftentimes, it was as much for passion and performance quality.
Taking a step forward, Miss Luna began to call out names. You were one of the first – setting your water down, you jogged back to center. Jimin was the next person called, then Noelle, much to your excitement. Jungkook was also instructed to join on the floor.
Turning the lights halfway down, Miss Luna pressed play and let you improvise until the combination began. Jungkook started dancing and honestly, he was beautiful, but you couldn’t linger on him for long. 
Catching sight of Jimin again, you were once more transported to earlier times. This wasn’t the first time you’d been called out together. Oftentimes, this had happened at conventions but back then, your mind had been too clouded to see him for who he was.
You’d always wanted to beat him in high school, but now, you were consumed by the oddest desire to see him do well.
Glancing up, Jimin caught your gaze and he smiled – but then, the combination began.
By the time you were finished, you could hardly catch your breath but somehow, you felt the most alive you’d been in ages. Back in your own element, surrounded by some of the most amazing dancers in the world – this was what you’d imagined when you came to Russet.
People around the room clapped, some of them begrudgingly. You got the impression many of your classmates weren’t used to not being chosen. As you walked from the floor, you saw surprisingly, Sabrina wasn’t amongst them.
Instead, Sabrina simply looked tired – as though she’d tried her best and it hadn’t been enough. You knew that look. You sympathized with that look.
The look lingered in the back of your mind while you packed up your things and listened to Noelle discuss Halloween tomorrow. When she mentioned Ari had decided to visit her family this weekend, an idea began to form in your mind.
“Wait,” you interrupted, looking up. “Ari can’t come tomorrow?”
Noelle shook her head. “Her brother just turned eighteen, so her whole family is having a party or something.”
“So… her ticket is free, then?”
“Yes…” Noelle paused. “Why? Y/N, what are you planning?”
“Okay. Hear me out,” you said as you shrugged on your coat. It was cold enough now for the coat to be necessary.
Noelle sighed, slinging her bag over her shoulder. “Alright, I’m listening.”
Glancing away, you saw Sabrina packing her things on the other side of the room. Before you could talk yourself out of it, you returned to Noelle.
“What if we invited Sabrina?”
Noelle snorted. “Pass.”
“Noelle,” you laughed, reaching out for her arm. “Come on! Do you really think she’s doing anything for Halloween?”
“Probably not. And that’s her own fault.”
“Maybe,” you said, glancing at Sabrina once more. “But how could it hurt? We have an extra ticket, there’ll be tons of people tomorrow night. She’ll probably say no – at least this way, you can claim a write-off on your way into heaven!”
Noelle upper lip twitched. “Oh, is that how write-offs work?”
“Well, I can only assume.”
Finally, she laughed. “Ugh, fine. You can invite her – but only because it’s Halloween, and Halloween is a time for peace. And slutty costumes.”
“Thanks, babe,” you said, squeezing her waist in a one-armed hug.
Sighing exaggeratedly, Noelle waved aside your thanks. Hiking your bag higher, you began to make your way across the room. As you closed in on Sabrina, you began to rethink your choice. It had been nearly a month since anything bad had happened between you but still, you found yourself feeling wary. As tough as you pretended to be, rejection hurt you just as much as the next person.
Still, dancing with Jimin had been a reminder of just how bitter your relationship used to be. If that relationship could change, you had to imagine things with Sabrina could, too.
Coming to a stop at her bag, you waited for her to look up. When she finally did, her brow wrinkled in confusion.
“What?” Sabrina asked, sounding defensive. “What do you want, Y/N?”
You couldn’t really blame her for her suspicion. Had your situations been reversed, you would’ve been equally distrustful. It was likely Sabrina thought you were coming over to gloat, or say something to do with class today. Another twinge of pity went through you as Sabrina zipped her bag shut to stand.
“I just wanted to know what you were doing tomorrow,” you said, trying to smile. “Noelle has an extra ticket to a Halloween party, and we thought you might like to come.”
Sabrina stared. “What?”
“Tomorrow is Halloween,” you said, a bit slower. “You know – when we were kids, it was all about costumes and candy. Now, it’s about costumes and booze?”
Sabrina failed to crack a smile. “And you want… me to come to this party?”
Something about the way she said this made you sad, as though she genuinely thought this might be a joke. As though at any moment, someone might jump out and yell SIKE.
“Yeah,” you said, softening a little. “Look – it’s not a big deal if you can’t make it. A bunch of our class is going though, so we thought of you.”
Sabrina hesitated, then glanced at the door. “Okay,” she said, looking back. “Okay, yeah. I’ll come.”
Stifling your surprise, you nodded. “Great. I’ll text you where to meet us tomorrow before the club. Wear a costume,” you added before walking away. “Noelle said it’s required.”
“Alright,” Sabrina said, so quiet you almost missed it.
Walking away, you were nearly at the door when Jungkook popped up before you. Flashing a smile, he fixed a loose strand of hair away from his face. Feet fumbling to a stop, you could only stare.
“Y/N, right?” he said, sounding shy.
Unable to find the words, you blinked in response. The way Jungkook danced had been so confident, you’d only assumed this to be his off-floor persona, as well. Hearing him sound shy was unexpected. 
Also – you hadn’t expected him to know your name.
“I… yeah, that’s me.” Shaking your head, you smiled. “Jungkook, right?”
“Yeah.” He nodded. “I just wanted to say I’m such a big fan of your dancing. It was great to take class with you today.”
Without meaning to, a laugh escaped your lips. Jungkook stared at you, baffled until you quickly waved him off.
“Oh, no – no! Sorry,” you said. “I’m not laughing at you! I’m just laughing at the ridiculousness of you saying you’re a fan of me.”
Some of Jungkook’s wariness disappeared, and a small smile played across his lips.
“Well, I am.” His grin widened. “I used to assist on the convention circuit, too and I remember you being called out all the time. You and Jimin,” he added, glancing across the room.
You looked, too and saw Jimin still packing his things. His back was stiff, pointedly not looking in your direction. Lingering on him a moment, you returned to Jungkook.
“Still,” you said with a laugh. “It’s a bit of a stretch to say we took class together when you’re the teacher’s assistant.”
“True.” Jungkook paused. “Well, next time you’re in LA, let’s fix that. Let me know if you’re ever in town and we can take a class together.”
Despite yourself, your brows raised. It was harmless, but Jungkook was definitely flirting with you. He was attractive, sure and seemed nice, but he lived in LA and you had a boyfriend. You should probably leave before things had the chance to go any further. The last thing you needed was another complication. Adjusting your bag, you gave Jungkook a small smile.
“Sounds like a plan,” you said before turning away.
Jungkook chuckled from behind. “Bye, Y/N.”
As you joined Noelle at the door, she stared over your shoulder.
“What?” you said, coming to a stop.
Noelle’s gaze moved to yours in disbelief. “How?” she demanded as you exited class. “How do you have all these men just… tripping over themselves for you?”
Heat rising to your face, you shook your head. “That’s – I,” you sputtered. “You’re being ridiculous!”
“Am I?” Noelle grinned. “First Jimin, now Jungkook… and all this while having a boyfriend.” 
“I… you... Jimin is not tripping over himself for me!”
Both her brows shot way, way up. “Is that the only part of the sentence you took objection to?”
“Shut up,” you groaned and shoved her in the side.
Noelle laughed but nodded. “Alright, fine! I’ll stop. Did Sabrina say she’ll come?”
“She did.”
“Great. I still don’t like her,” Noelle said, pushing open the door. “But I guess you’re right, I have an extra ticket. It’s nice to be nice.”
You laughed, pulling your coat tighter as you walked outside. “You’re a saint.”
While you walked, your phone dinged and pulling this from your pocket, you saw a notification on Instagram. Jeon_Jungkook97 has followed you.
Shaking your head, you returned this to your jacket as you continued. While it was nice of Jungkook to compliment your dancing, his approval didn’t mean as much as certain other peoples had. This realization stuck in your mind, making you wonder about Noelle’s teasing jibe.
She had said Jimin flirted with you, but that wasn’t true – was it? You would have known if Jimin were flirting. It was hard to pick out though, since Jimin was friendly with everyone. That was just who he was; as he’d said earlier, he liked to be liked. A note of uncertainty entered your thoughts though, recalling the ballet class with your chest pressed to his. Shoving this away, you forced yourself to focus on the upcoming weekend.
Halloween was a night for fun, for letting loose and enjoying yourself with your friends. You refused to let the night be spoiled by any lingering feelings – either from you, or towards you.
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The next night was perfect Halloween weather.
Chilly, but not cold enough to risk snow falling. There were several Halloweens from childhood you could recall trick-or-treating with a winter coat flung over your costume because the temperature had dropped below freezing.
You, Noelle and Irene showed up to Paulo’s house around 8:00 PM, shivering a little while you stood on his doorstep. Paulo was one of the few freshmen who lived off-campus, having known several upperclassmen before he came to Russet. The brownstone he lived in was cute, with window boxes you imagined hosted flowers in the summer.
Tugging your pink and black minidress down, you adjusted your bow as Paulo opened the door.
Blinking, he took in your costumes. “The Powerpuff girls!” He cheered, raising an arm overhead. “Try not to take down any of the villains upstairs, yeah?”
“No promises,” said Irene, flicking hair over her shoulder.
Entering the house, you heard thumping bass from an apartment upstairs. Paulo lived on the third floor and as you climbed the steps, the music grew louder. It took Paulo two tries to shove open the door – “warped wood,” he explained – but once you were inside, you saw familiar faces.
“The Powerpuff girls!” Jasmine cried, jumping up from the couch. “Finally! Thank god – can you take down Eamon? He came here dressed as a potato, or something.”
“It’s an avocado!” Eamon shouted from the kitchen. He was dressed in a round, green costume with a halo overhead. “I’m ‘holy guacamole’ – get it?” he said, pointing at the halo.
Jasmine stared at him a moment. “That’s terrible. Worse than mine,” she said with a wave down her body. “I’ve been Princess Jasmine for the past five Halloweens. It’s easy to remember and I already have the outfit.”
Laughing, you shrugged off your coat and added this to a pile on the couch. “It’s a classic,” you agreed as you turned.
Noelle had managed to procure at least twenty tickets to the party tonight, so a lot of your freshman Russet class was in attendance. Including Sabrina, who stood in the corner, talking to Louis over cups of red punch. She looked up when you entered, pausing before she gave a small wave. Surprised by the gesture, you did the same.
“No.” Noelle groaned, coming to a stop alongside you. When you looked, you saw she’d already removed her coat. “Tell me Sabrina didn’t come to this party dressed as a ballerina.”
“We did invite her at the last minute,” you laughed. “Hard to find a good Halloween costume in a day.”
“Hey,” Noelle argued. “There’s no we here. You were the one who invited her, and you’ll be the one to accept the consequences should your social experiment fail.”
“Done,” you agreed. “Speaking of social experiments though, I’m ready to get drunk tonight. Where’s the alcohol?”
“Kitchen!” Irene called, brushing past. “Or – that’s where Brian disappeared to when we entered, so I can only assume.”
Telling Noelle you’d be back with drinks, you wound through the room towards where Irene had pointed. The kitchen was tiny, on par with most city apartments. There was only room enough for one or two people, so you were lucky it was deserted when you entered.
Surveying the counter, you found the usual party staples. A bowl of red punch, a bunch of beer and various liquor bottles with chasers. Skipping over the communal punch bowl, you reached for a bottle of diet coke and coconut rum.
“Oh,” a voice said as they entered the kitchen. “Sorry – I didn’t know you were in here.”
Glancing up, you saw Jimin and froze.
He’d dyed his hair black – that was the first thing you noticed. Jimin’s hair was no longer blonde, but completely dark. His outfit confused you at first – a frilly, white blouse with slicked-back hair and dark trousers – until you saw his bright red contacts and the dribble of blood at his mouth.
“A vampire,” you said, finally recovering your voice. Scanning his body, you frowned. “Where are the teeth, though?”
Jimin blinked, his gaze jerking up from your waist.
“Huh?” he said, sounding a bit strangled.
Cheeks heating a little – your dress was pretty short – you repeated yourself. “The teeth,” you said, pointing at your own lips. “Don’t vampires have fangs?”
“Oh, right.” Jimin dug around in his pocket – fuck, were his trousers tight – to produce twin fangs. “I took them off when I got here. They’re really hard to talk in.”
“Go on then, Park,” you said with a grin. “Put them in.”
“One second.” Twisting to face the wall, Jimin popped them in his mouth. Turning around, he bared his teeth. “Sexy?”
With the teeth in though, the word came out more like shex-shie and you burst into laughter. “So sexy,” you agreed, reaching past him for a cup.
Jimin stiffened when your arm brushed his front. Unbidden, you thought about what Noelle had said – Jimin had been flirting with you. Pulling away, you resumed making your drinks and tried not to look in his direction.
Even so, you remained aware of his presence. Jimin inched his way behind you, reaching for the whiskey on the other side. His arm brushed your elbow as he went, right knee nudging yours in an intimate gesture.
Glancing up from the counter, you accidentally caught his gaze. Despite your earlier joking, he did look sexy. Devastatingly so. Even the blood-red contacts weren’t enough to deter the shiver which ran down your spine.
Shaking yourself free from your trance, you grabbed both cups and pulled back. 
“So, what’re you drinking?” you asked. 
You decided it was best to steer the conversation away from how sexy Park Jimin was or was not.
Seemingly oblivious to your inner turmoil, Jimin poured whiskey into his cup. “Whiskey and coke. Can you pass me that bottle?”
“Sure,” you said, leaping at the chance to prevent him from walking past you again. “Here you go.”
Pushing this forward, you watched Jimin pour both drinks all the way to the brim. He paused near the end, staring into the depths before he looked up. He seemed to be warring with something, debating whether or not to speak whatever was on his mind.
“So…” He paused. “Do you know Jungkook, or something?”
You blinked. “Jungkook…?”
“You know, Miss Luna’s assistant. Jeon Jungkook.”
“Oh! Jungkook. No, I don’t really know him.”
“You were talking to him at the end of class, though?”
Hearing the curiosity in his voice, both your brows raised. “And?”
“And nothing,” Jimin said, sounding uncomfortable. “I just… I didn’t know you knew him, that’s all.”
“I mean, I don’t.” You paused. “But even if I did, what does it matter?”
“It doesn’t.” His cheeks began to redden. “It’s just – ah, never mind. We don’t have that great a history, that’s all. He’s kind of the reason I’m at Russet this year.”
You stared at Jimin a moment. “Wow, what a tragedy,” you said, stifling a laugh. “To have been forced to attend one of the most prestigious dance institutions in the world.”
His upper lip twitched. “It’s not that. I was deciding between attending Russet and accepting a job offer out west. I was asked to join this pop star on tour… anyways, Jungkook’s never liked me much. It’s a long story.” Jimin’s brow furrowed. “My offer was rescinded at the last minute. The artist never said why, but I always got the feeling he had something to do with it.”
You stared at Jimin a moment, unsure how to respond. Jungkook hadn’t seemed like that kind of person, but you supposed you’d only talked to him for a few minutes. If that was true, what happened to Jimin sucked and yet, the next words from your mouth nearly had you face-palming.
“And here I thought I was your biggest rival, Park,” you said.
Jimin’s eyes widened. ���Are you… jealous, Y/N?”
He sounded almost pleased by the notion, which sent a different kind of shiver down your spine.
“Not at all,” you said quickly, turning back to your drinks.
Jimin made a soft tsk-ing sound, as though he didn’t believe you.
“That sucks,” you continued, determined to change the subject. “I’m sorry that happened to you.”
“Yeah. Maybe it was all for the best, though. Things happen for a reason, right?”
Looking up, you caught Jimin’s stare. He didn’t look immediately away and you got the oddest sensation he meant more than what he said. Hastily, you pushed this feeling aside, clutching your drinks as you entered the main room. Jimin followed close behind, two cups in his hands.
“When did you get here?” you asked. “Been here long?”
Jimin shook his head. “Nah. Hoseok and I got here like, ten minutes ago. He should be around here somewhere, he –”
“Y/N!”
You looked up just in time to see Hoseok, Jimin’s roommate, barreling towards you.
“It’s been so long!” Crushing you to his chest, Hoseok wrapped you in a hug. “Hope Jimin isn’t boring you to death,” he stage-whispered before he pulled away.
“Just for that.” Jimin arched a brow. “Both these drinks are for me.”
“No – wait, wait. I’m sorry!” Hoseok pouted. “Hand over the drink, Park. It’s been the longest fucking week.”
Jimin grinned and relented, handing Hoseok his cup as you laughed. Hoseok was a newer friend, but he was close to Jimin, so he’d gradually bled into your latest gatherings. Despite not being on the ballet track, most of the dancers at Russet knew of him. Hoseok had that way about him.
Glancing down at your outfit, Hoseok held up a finger. “Let me guess – Blossom,” he said, turning to scan the room. “Which means… aha! Irene is Bubbles and Noelle is Buttercup. Makes sense.”
“And you are…” Pausing, you squinted at his outfit. “Someone at the spa?”
“Sure.” Hoseok shrugged. “Honestly, I just wanted to wear a bathrobe.”
Said bathrobe was paired with only boxers, the front of the robe open to display his toned abs. The costume didn’t surprise you, based on past interactions with Hoseok.
Casually, he twirled the robe tie in a circle. “Impressive, no?” Hoseok glanced away. “Whoa, wait – they have beer pong? See you all later!”
Hurrying off, he left you alone with Jimin. Shaking your head, you glanced in his direction and saw Jimin down his whole drink. Arching a brow, you were about to ask why when Irene called your names from across the room.
“Y/N!” She waved her hands. “Jimin! Get over here, you two – we need more for flip cup!”
You found yourself pulled in this direction despite your insistence you didn’t do well under pressure. Jimin ended up at the other end of the table and you lost sight of him when you started to play, paired with Jasmine for a partner.
By the end of the first round, you discovered you weren’t as horrible a player as you’d imagined. Then someone suggested mixed drinks for the second round, and things became fuzzier. There were more people present than just current students of Russet. One of Paulo’s roommates knew Seokjin, so you saw him in the room, along with Sana.
You chatted with both over the course of the evening, in addition to a guy who’d recently debuted on Broadway, Kim Taehyung. Apparently, there was already buzz around him for a Tony. Taehyung was nice, but it was sometime during this conversation you realized how tipsy you were. Apparently, not drinking for several months and then going ham made for very low tolerance.
Collapsing onto the couch, you joined Irene and Brian’s conversation. In the corner of your eye, you caught sight of Noelle – a terrible flip cup player, she’d roped Hoseok into giving her private lessons, but these seemed to be going terribly. Or perhaps very well, given how much the two of them were laughing.
You completely forgot about Jimin until you spotted him across the room talking to Sabrina. Seeing them together, you straightened. Both seemed fairly comfortable, which struck you as odd. Since that morning in Jimin’s dorm, you hadn’t really seen them hang out together.
Despite this, Jimin was laughing at something Sabrina had said. Tearing your gaze away, you forced yourself to focus on the conversation at hand. It didn’t matter who Jimin spoke to, or even who he decided to go home with tonight. He was your dance partner and friend, nothing more and besides – you had a boyfriend.
Blinking, you reached into your clutch and pulled out your phone. To your disappointment, you’d gotten no texts from Finn since this morning. You assumed he was still at his party but didn’t know for sure. Shooting him a text, hey, you waited for a response and when you got none, returned your phone to your purse.
Across the room, you heard Noelle yell your name. “Y/N!” She cupped her mouth with both hands. “We need another person for flip cup!”
Laughing, you pushed yourself from the couch and were immediately roped into your fourth game of the night. The night blurred again after that, turning into a pleasant hum of conversation and booze. At some point, Ubers were called to bring you to the club. As you rushed downstairs, you realized you forgot your coat as soon as you stepped outside.
Shivering violently, you rubbed your arms and cursed yourself for poor foresight.
“Y/N?” Jimin came to a stop alongside you. “Hey, where’s your coat?”
“Inside,” you said through chattering teeth. “I-it’s fine, though. I’m fine!”
Jimin gave you a look. “Where’s Paulo?” he said, glancing around. “I’ll grab him, we can get your coat before we go –”
“The Uber’s already here, though,” you argued, grabbing his sleeve to drag him towards the curb. “I’ll be fine from here to the club!”
Jimin sighed but gave in, following when you rushed to the grey SUV. Irene had claimed the front seat, so you and Jimin pulled open the middle door – Noelle and Hoseok were crowding behind you, so you and Jimin ended up together in the backseat.
Collapsed in a heap, you giggled as Jimin tried to squish himself in a corner. “Sorry,” he said, trying – and failing – to keep his knees separate.
“Jimin.” You snorted. “Are we going to go through this again? Your hands have been in way more inappropriate places than that this semester.”
Jimin’s lips parted, shocked, but you were already hoisting yourself over the middle seat. Draping your arms next to Noelle, you begged her to play your favorite song on the radio. Had you been more sober, you might’ve recognized your position to be precarious – perched on the edge of your seat, your ass hovered inches away from Jimin’s face.
Plopping back down, you glanced sideways at Jimin and found him frozen. Suddenly, you realized the visual he’d had.
“Um, so what happened to the teeth?” you blurted, determined to change the subject.
Jimin blinked and managed to meet your gaze. “Casualty of flip cup,” he said. “One of them fell out during the game and I couldn’t find where it rolled.”
“Well, that’s okay. You can just be one of those vampires who blend in with normal humans. You know, the kind whose fangs only come out when they want to bite someone.”
“That’s true.” Jimin arched a brow. “Lucky for you, I’m not hungry.”
“Lucky for me? Lucky for you,” you retorted. “My blood is about half alcohol right now. If you drank my blood, you’d be a very silly vampire.”
The idea of a silly vampire made you laugh – even more so when you pictured said vampire as Jimin. He seemed much too coherent for your liking right now.
“A silly vampire, huh?” Jimin looked on, amused. “Damn, Y/N – when was the last time you went out? Your tolerance is shit.”
“I know,” you sighed. “I haven’t drunk much this semester. Too much dance, too little time. I think the last time I went out was –”
“We’re here!” squealed Noelle, throwing open the door.
A blast of cold air hit you and you shivered, wishing you’d worn your coat. Jimin’s gaze remained steady on yours.
“Are you sure you’re okay?” he said lowly. “I can give you, uh…”
“Your shirt?” you said dryly, lifting a brow as you brushed past. “Then you’d be shirtless, Park. Let’s think this through.”
Jimin chuckled before he followed suit, although you cursed as soon as you left the car. He was correct. It was freezing, even with your alcohol-induced blanket.
“Come on!” you yelped, following Noelle towards the entrance.
Bypassing the line, Noelle walked straight towards the bouncer and showed him her phone. He nodded and waved her past, counting your friend group who followed. Not everyone from Paulo’s place had gone to the club, but enough for you to make quite the entrance.
“Y/N!” Noelle doubled back to link arms with you. “Come on – this way! That guy’s going to show us to our table.”
“Table?” you asked her, wide-eyed.
Tables in a club on Halloween night were ridiculously expensive, but it seemed Noelle had downplayed her brother’s connections. Your group was led right to the front of the upper balcony, getting a coveted spot overlooking the dance floor below.
This was undeniably the coolest club you’d been in. Not that you’d been in many, mind you, but this one had to take the cake. A half-circle of tables took up the top floor, with twin staircases descending to the main room below. Most of the lower floor was for dancing, although you saw additional tables pushed to the sides. Fluorescent bars and dance platforms were dotted throughout and above all was the DJ booth, blasting the latest songs.
“Whoa,” you breathed.
Noelle grinned, squeezing your arm to pull you into the booth. As soon as you settled in, Jasmine leapt up and clapped her hands.
“I want to be in one of those!” she said, pointing to a glowing cage at the center of the dance floor.
“Oo, me too!” Irene leapt up to join her.
“Me, three!” said Paulo, clambering out of the booth.
“Awesome.” Irene beamed and glanced your way. “What about you, Y/N? You in?”
The idea was tempting for a moment, but then Finn flashed through your mind. You highly doubted he’d be on board with you gyrating for a room full of strangers without him. Somewhat dejectedly, you plopped back on the bench.
“That’s okay,” you sighed. “I think I’m going to stay here for a while. I’ll join you later!”
Irene frowned but nodded, following the rest when they left for the stairs. About half the group went, clearing out the table while you stared at the dance floor.
Jimin slid into the bench alongside you. “You don’t want to dance?”
Startled, you glanced in his direction. While you watched, Jimin began to undo his cuffs, casually rolling the sleeves of his shirt. His hair, which had been slicked back at the start of the night, was starting to fall. Several dark strands hung over his forehead, although this only seemed to make the look more appealing.
“No,” you said, crossing your legs. “I just… don’t really feel like it.”
“Is this the whole hating clubs thing again?”
“Kind of.” You laughed. “I don’t know. Club dancing isn’t like normal dancing, you know?”
“It is when you’re at the club with all dancers,” Jimin pointed out, nodding towards the floor.
Following his gaze, you saw Jasmine dancing full-out in a lit-up cage. She wasn’t so much gyrating as she was creating choreography on the fly. The mere mortals around her looked on in awe. Fighting a smile, you returned to Jimin.
“Okay, that does look like fun,” you admitted. “The last time I was at a club was with Finn.”
Jimin blinked. “Sorry – what?”
“In the cab,” you said, leaning closer in order to be heard. “You asked me when I last went out. It was that night… um, the night you came and picked me up.”
Jimin stared at you a moment, as though contemplating something important. Abruptly, he stood and held out a hand. You blinked at this like he’d offered a football.
“What are you doing?” you said, glancing up.
“Taking you down to the dance floor.” Jimin retracted said hand. “Come on, Y/N! You don’t have to give out dry lap dances, or whatever.”
“Hey!” In disbelief, your mouth fell open. “You said you’d forget all about that!”
His smile turned impish. “Seriously, we can just do the sprinkler, or something. It’ll be fun!”
“The sprinkler?” Starting to laugh, you stood. “Was that really the first move you thought of?”
“Nah. My go-to move is the criss-cross, but I figured this was more your speed.”
Snorting, you shoved him in the arm before following Jimin to the dance floor. It didn’t take you long to spot your other friends, clustered near the front and around the DJ booth.
“Y/N!” Noelle cheered, breaking off from the pack. “You made it!”
She nearly spilled her drink while she danced, catching herself just in time as she spun around. You grinned, entering the circle with Jimin by your side. He did, in fact, pull out the criss-cross – Hoseok joined in and soon, there was a Fortnite dance battle between them. You truly haven’t lived until you’ve seen a TikTok dance-off between two semi-professional dancers.
This ended with both declaring mutual defeat, and Hoseok disappearing to buy the next round. Noelle shimmied her way over to Jasmine, accepting the hand given to stand on the platform.
You laughed at their ridiculous dance moves, choosing instead to stay on the ground. The crowd around you had thinned since you’d joined. Eamon disappeared a few minutes later, saying something about needing a drink upstairs. Before long, Irene had joined Jasmine and Noelle on the platform, leaving you alone with Jimin on the floor.
Under other circumstances, you might have felt uncomfortable, but Jimin was so good at putting you at ease. Determined to keep you in the present, he came up with more and more complicated dance moves which had you snorting with laughter.
On a particularly flamboyant spin, Jimin accidentally smacked the drink from someone’s grasp. Blue vodka splattered everywhere, drenching its owner – a burly man in leather who snarled in frustration.
Looking up, he met your gaze and his eyes narrowed.
“Shit. Run!” you blurted out.
Grabbing Jimin by the arm, you dragged him into the crowd.
“No, wait – let me apologize!” Jimin tried to twist around. “I can pay for his drink! I can –”
Once there was suitable distance between you and the guy, you came to a stop. Laughing so hard you nearly fell over, you turned sideways to face him.
Bodies pressed against you from every side but rather than feel claustrophobic, all you could think about was Jimin before you. His hair had become thoroughly mussed during the night and you fought the sudden desire to smooth it down.
Although your breath came hard, the club around you seemed to slow. The music somehow had narrowed to pinpricks, a heady thump of bass while everything dulled.
What you should’ve done was taken a step back – but you didn’t.
Instead, your gaze drifted across his face. Jimin stared back, something intense to his gaze you couldn’t quite name. Breath caught in your throat, his eyes dropped to your lips.
Before you could react, someone bumped into you from behind, sending you careening forward. Jimin caught you easily, one arm around your waist and your chest pressed to his. You could feel every hard line of his body, his thigh wedged between your legs while you grasped at his arms. Heart thudding traitorously against your ribcage, you tried to ignore the emotions which followed.
It was impossible. 
The song playing was slower, sexier than the one which had inspired the dance-off. Without meaning to, your weight subtly shifted. This caused your hips to move against his as Jimin quietly sucked in a breath. The effect this had on him was instantaneous. His grip on you tightened, gaze heady with desire and something more. Before you could second-guess what you were doing, you moved your hips again – this time, on purpose.
Jimin’s eyes darkened. Without looking away, his grip on you tightened as he slowly dragged you up his thigh. Suddenly breathless, your hands gripped him tighter while your eyes fluttered shut. The heat of his body on yours, the faint smell of cologne and sweat, the tension in his limbs and the knowledge of what he could do to you – it all left your head spinning.
“Y/N,” Jimin murmured, low in your ear.
You weren’t used to him saying your name like that.
You were used to him saying your name in every other way, but not that. Sharp with dancer’s critique, brusque with instruction, light with teasing – but not like something heavy was lodged in his throat. Maybe his heart.
Panicked, your eyes flew open.
What were you doing? This wasn’t some random stranger and this sure as hell wasn’t your boyfriend. This was Jimin. Stumbling backwards, you broke from his hold. Jimin seemed equally stunned, staring at you on the dance floor.
“I have to go,” you blurted and whirled around.
Shoving into the crowd, you heard Jimin emit a soft groan. Despite this, he didn’t immediately pursue, for which you were grateful. Stumbling through strangers, strobe lights flashed brightly overhead. You squeezed between someone dressed as a go-go and another person dressed as a werewolf. Skidding to a stop on the edge of the floor, you scanned the room and saw no one from Russet.
When you glanced over your shoulder, you saw Jimin now followed. Panicking again, you began to move. Beside one of the bars, you spotted a hallway labeled restrooms. Heading in this direction, you quickly disappeared inside the door marked women.
Once inside, you locked yourself in a stall, lowered the lid and sat down. Head in hands, you slowly exhaled. You were a coward; that much was clear. Jimin was probably out there looking for you right now, but you’d rather hide in a bathroom than face him.
The fluorescent lighting overhead was too bright – it made you feel overexposed. After a long moment, you fished around in your purse and pulled out your phone. Flipping to your thread with Finn, you saw he’d sent no response since your text. Complete and utter silence.
Heart cracking a little, you slid this in your bag and stared at the door. This wasn’t how things were supposed to go. When you imagined you and Finn at college, you’d always pictured you together, attending the same parties and sharing the same adventures. Tonight though, had proven to be anything but that. Finn hadn’t once glanced at his phone judging by the unread mark next to your text.
Dimly, you wondered why you weren’t more upset about this. It should bother you that Finn hadn’t called or even texted throughout the day. Sure, he was out with friends, but so were you and you’d reached out – as soon as you thought this, your heart sank.
You weren’t sure you could call Jimin a friend after what had just happened.
Sure, you’d only danced, and it had only been for a second but still, guilt bloomed behind your ribcage. The idea of Finn doing the same thing with anyone else made your heart twist. You wouldn’t feel that way if what you’d done wasn’t wrong.
Groaning out loud, you lowered your head to your hands. After several minutes, you felt calm enough to stand and pretend-flush the toilet. As you exited the stall, you walked to the sink and began washing your hands. Staring at yourself in the mirror, a million things ran through your mind.
Clearly, the situation with Jimin was worse than you’d thought. The spark you’d felt kept returning, no matter how much you tried to ignore it. Maybe the only solution was to find a new partner. The very idea made your heart sink, but you couldn’t deny things had gotten out of hand.
Before you could seriously consider the option, the door to the bathroom flung open and banged against the wall. Sabrina stormed in, wiping both eyes with the heel of her hand. You froze, staring at her in the mirror but she didn’t seem to notice your presence.
When she finally lowered her hands and took a deep breath, she saw you and froze.
For a moment, you both only stared at each other and then – you coughed. Awkwardly, you began to dry your hands.
“Are you okay?” you asked, tentative.
Sabrina stiffened. “I’m fine,” she muttered, walking to the sink.
You watched her wash her hands, struggling and failing to control her expression. Sabrina’s hair was a mess and you stared, wondering where she’d been. You hadn’t seen her since you’d entered the club, but had assumed she’d stayed on the second floor.
“Are you sure?” you pressed, remembering your night at the other club. “You know, you can –”
“Will you… just stop.” Sabrina closed her eyes. “Will you … stop pretending like we’re friends, or something?”
Struck with disbelief, you could only stare. “I… are you serious?”
“Yes.”
“Wow.” You shook your head. “Just wow.”
Her lips tightened and finally, she whirled around. “What?” Sabrina demanded. “What is it?”
The look in her eyes was familiar. Her frustrated, angry look was mirrored in your expression, but you found you didn’t care. Sabrina was clearly going through something, but her rudeness to you was the final straw. Tired from Finn, Jimin and the constant pressure you were both under, something about Sabrina’s words made you break.
“Why are you always such a… such a bitch,” you blurted, hurling the word like a knife. “What did I ever do to you? Why do you always act like you hate me so much?”
Sabrina’s upper lip curled. “Why do you always think this is about you, Y/N? Maybe I just wanted one second of peace and instead, here you are. Like always.”
“Here I am, in the public restroom of a club we’re all at?”
“No. Here you are in my life,” she snapped, pushing herself from the sink. “People won’t talk to me? It’s because you’ve run your mouth about things you think I’ve done. I’m falling in the class ranks? It’s because you’re after my spot. Jimin doesn’t want to be my partner? It’s because of his feelings for you. I’m sick of turning around and always seeing you there!”
“Okay, but none of those things – I, Jimin doesn’t have feelings for me,” you sputtered.
Sabrina gave you a look. “Oh, please, Y/N.” Her laughter was harsh. “Why else would he turn me down?”
“Um, maybe because he’s a decent human being? Unlike yourself.”
“Great, yeah.” Sabrina glared. “Make me the bad guy again.”
“I’m not the one doing that,” you huffed. “You are. You want to blame me because no one wants to be your friend? Maybe try reaching out first. Maybe don’t talk shit about people behind their backs. And I’m improving because I’m taking extra lessons. No thanks to you, of course.”
“Don’t try and make me feel bad because I didn’t have time to give you lessons.”
“I’m not trying to make you feel bad. I’m trying to explain why I’m improving and you’re not.”
Sabrina bristled. “Are you saying I don’t work hard, too?”
“No.” Mirthless, you laughed. “I know you work hard – maybe even as hard as I do. But you know what the big difference is between you and me?” you said, drawing yourself to your full height.
Sabrina’s eyes glimmered while she stared you down. Still, she retained her aloofness when she said, “What? What’s the big secret?”
“You think everyone’s out to get you,” you said, stepping closer. “You think not asking for help makes you stronger, but it’s the exact opposite. At least I’ve improved since the start of the year. What have you done?”
Not waiting for an answer, you pushed past Sabrina and walked out the door.
Shoving it wide, you entered the hallway. Dance music flooded your senses and you winced, remembering where you were and what you’d been doing. Luckily, Jimin was nowhere in sight. He must not have seen where you’d disappeared to.
Shoulders slumping, you pulled out your phone and dialed a number. Walking to the front, you concentrated on breathing while you waited for them to pick up. Coming to a stop beside coat check, you didn’t leave the club – a lesson you’d learned the hard way.
Noelle answered on the third ring. “Babe?” she yelled, barely audible over the din. “What’s going on? Where are you?”
“Are you…” Closing your eyes, you paused. “Can we leave?”
Noelle paused, then muffled her phone with one hand. “Irene!” you heard her yell. “You good to get a ride home for these people? Okay, cool. Bye!” Her phone became un-muffled. “Where are you, babe?”
After explaining your location, you hung up and hugged yourself with both arms. Noelle burst into view a few moments later, scanning the crowd like a mom on a mission. When she saw you, she rushed over – and you promptly burst into tears.
“Oh, no!” Pulling you into a hug, Noelle began to rub your back. “No, no, babe! Don’t cry! What’s going on? Do I need to kick someone’s ass?”
Hearing Jimin’s words said by Noelle only made you cry harder. Wisely sensing this to be a problem not easily solved, Noelle continued rubbing your back while walking towards the exit.
The two of you went outside and, as luck would have it, saw a group of people arriving at the club. Noelle snagged their taxi, helping you in the backseat and giving the driver your address. As you settled against her, your head on her shoulder, Noelle kept rubbing your arm and waited for the tears to stop.
You weren’t really sure why you were crying.
Of course, Sabrina was terrible, as was the situation with Jimin, but it was more than that. Dancing with Jimin hadn’t caused problems in your relationship with Finn. There had been problems in your relationship Finn and so, feelings had crept in which led you to dance with Jimin.
More than that though, you couldn’t help but notice Noelle had come to your aid much faster than Finn ever had. Even Jimin had dropped everything when you asked, and he was someone you’d once called your enemy. Noelle had been having fun, but she’d cut her night short because you were upset. This knowledge crushed you and for the very first time, you realized your relationship with Finn might be unfixable.
Curled up on the backseat, you let yourself cry a bit more. You could be calm and rational in the morning, you decided but for now, you just felt defeated.
When you finally climbed into bed at your dorm at night, you looked at your phone and saw Finn still hadn’t texted.
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Author’s Note: Thank you for reading! 😊 New chapters of Raise the Barre are posted weekly; dates are listed on the series Master List. Requests for updates will be deleted.
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