#and imo it's one of their best performances ever

[daddy-long-legssss]

save me glastonbury 2013 save me

[dreamaboutwhathappens]

gonna see ed sheeran tonight and i am sooooo excited

[azulpitlane]

vicious pt two I ln4

pairing: ex!lando norris x reader, charles leclerc x reader summary: you are trying to move on from lando but he refuses to notes: more dramaaa and asshole lando sorry, this is short cause i kind of got busy🧍‍♀️ part one, masterlist

yourusername

liked by charles_leclerc, maxfewtrell and 3,268,379 others

yourusername emails i cant send is officially yours💌

it has been a long and emotional process writing this album but i loved and enjoyed every bit of it<3 im so excited to share this piece of my life with you and officially close this chapter and move on

thank you for the support, ill see you all soon❤️

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user OMGG IM ALREADY CRYING ITS SO AMAZING

user stfu is that charles in the fifth pic?!?

user it is!! he was credited in a few songs for instruments🥹🥹

user because i liked a boy hits so different when u know what she went through :(

maxfewtrell running on stream to listen to it

yourusername pls dont hate im still sensitive user omg noo i cant watch whats he saying about it?? user he loves every song, hes being so supportive and said hes team y/n😭

user her friendship with charles is so cute omg

user “friendship” rightttt😏

user lost lando but got charles, a win is a win

francisca.cgomes love love love💌

user omg i know charles introduced them

user ‘ill see you soon’ ARE YOU TOURING???

pietra.pilao so incredibly proud of you❤️ such an amazing album

yourusername p ily and miss u sm🥹❤️ pietra.pilao i miss you more we need to get together soon! yourusername otw to text u so make plans rn🏃‍♀️🏃‍♀️

user the fact that landos friends are still supportive despite the breakup tells me everything i need to know

user “officially close this chapter” new era fr🫶

charles_leclerc so honored you even asked me to be apart of this❤️so proud of you ma cherie

yourusername so grateful for you❤️ user JUST DATEEEE user now kiss!!!

Lando so you and y/n huh?

Charles she's my friend is that a problem?

Lando i dont remember ever introducing you two?

Charles not that its any of your concern but i introduced myself last year on the paddock while you were too busy ignoring her

Lando so when i had back turned, you took the chance to steal my girlfriend?

Charles dont try turning this into something its not she's trying to move on so i think its time you do the same lando dont ask about her again. read

f1gossip

463,582 likes

f1gossip Following Y/n Y/l/n's album release, Lando and Charles have unfollowed each other on instagram! It is not confirmed if Y/n is the reason why, but it is heavily speculated. It seems Lando was the first to unfollow and Charles quickly followed suit.

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user all too much for little lando norris

user y/n breaking up a friendship now🙄

user she didnt do anything except release an album on how she felt, if lando gets offended by that then hes clearly the problem here

user 16 4 fans lost today but then again lando started it🤷‍♀️

user karma works in funny ways @landonorris

user lando has every right to be mad imo

user not at all, he treated her like shit then cheated and now hes mad she has friends in f1? make it make sense

user why watch soap operas when you can watch f1

user 2024 season is gonna HIT

user charles is going to have the motivation for wdc now, ferrari fans won🙏

user even though im a lando fan, i have to be team charles and y/n on this one sorry

user yup, after listening to her album i definitely support y/n

yourusername

liked by charles_leclerc, francisca.cgomes and 3,295,204 others

yourusername first time performing my new album at my one night show was the best time ever!! thank you for all that showed up you were an amazing crowd❤️

and just in case you missed my little announcement, bet u wanna is my next single of this album...this one's a little funny when you know the context🙊

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user wish i was able to go :(

user WHATS THE CONTEXT??

user listen to the lyrics, lando definetly wanted her back after his side girl cheated AHAH

user i need to know if charles was there

francisca.cgomes such a wonderful night💌 liked by yourusername

user your stage presence is so amazing

luisinhaoliveira99 so great seeing you🤍 liked by yourusername

user SHE WAS THERE?!? user pls tell me you guys took pictures together

user bet u wanna is so good omg

user are you opening for eras tour in europe

user it is rumored, i hope its true😭

f1gossip

376,845 likes

f1gossip Charles, Pierre, Kika and Luisa leaving Y/n Y/l/n's concert in LA tonight! Thoughts on the singer's new friendship with the drivers and girls?

view all comments

user i love them😭❤️

user i was there and saw charles with pierre and kika singing along to every song🥹

user SHUT UPPPP user stop theyre so cute

user luisa and y/n mean everything to me

user them supporting y/n despite the drama with lando shows a lot about him

user ive never wanted to part of a gc so bad

user charles is so supportive, yk who wouldnt be....

user i need them to date, he would treat y/n so good

scuderiaferrari

liked by charles_leclerc, yourusername and 1,402,440 others

scuderiaferrari Special guest for the first qualification of the season! Thanks for coming to the our garage❤️

tagged yourusername

view all comments

user OMFGGG

user i need pics of her and charles NOW

user charles got p1 cause bae was watching🙈

user is she staying all weekend!?!

user her and charles supporting each other omg

user are they finally dating??

user he was asked about it in an interview and he said they were just friends! user ugh can charles make a move already? i dont want another lando situation..

user i wonder if she bumped into lando😳

Lando was y/n really in ferrari garage?

Carlos yeah... are you okay mate?

Lando how can i be? he stole my girlfriend and is now parading her around the paddock its fucked up

Carlos he did say they were just friends and i didnt see them acting like a couple or anything

Lando there's gotta be something more i just need y/n to see who he really is

Carlos i dont know, maybe its time you move on mate

Lando no, i cant give up now do you have an extra paddock pass?

Carlos why...

Lando remember charles' crazy ex girlfriend who was obsessed with him? i heard shes in town to see him what if we send her the paddock pass so she can show y/n how charles treated her

Carlos this seems a little crazy lando why dont you just talk to y/n?

Lando she wont even let me get near her just please carlos? and then i wont ever bring it up again if it doesnt work

Carlos fine but dont tell anybody about this

Lando thank you mate, i owe you

tags: @iamahallucinationnn, @sofiacblair

[susansontag]

my guide to lesbian anime both canonic and subtextual

(won’t include every lesbian anime ever, this is a personal list)

the canonic-gay section:

revolutionary girl utena

nothing before or since has ever done it like this. trigger warnings for everything imaginable. loads of homosexuals in this one. gender commentary, fairytale allusions, a lot of kids who are having a hard time growing up and moving beyond their pasts. sword lesbians.

flip flappers

the problematic favourite, in that there’s at least one uncomfortable sexualised shot each episode (roughly speaking; some have none and one has even more, unfortunately), so be warned. but at its heart flipflap is about repressed cocona going on adventures with outgoing and expressive papika, and their exploration of various fantastical lands/inner worlds of people they meet. hugely inventive and pretty, and a core thread is cocona discovering she’s gay.

aoi hana (‘sweet blue flowers’)

the comfort lesbian show, with not a romantic relationship at its heart, but a friendship between two childhood friends who meet again, both of whom are gay (though only one realises this during the show’s run, as it’s based on a manga). one of them dates an upperclassman at her school, and there’s various gay and bi side characters. it’s just very wholesome, lovingly animated, sweet and sometimes painful stuff.

bloom into you

I controversially do not care that much for bloom into you, but as the best, high-production, non-skeevy yuri show in years - that is based on a manga by a woman - it’s worth mentioning. late-bloomer girl dreams of romance, though has never felt it, and finds affinity with a girl who similarly is disinclined to date. that is, until said girl says she fancies her. genuinely moving exploration of developing gay identity at times, only downside is my personal disinterest in the black haired girl. some weird ‘heightened’ moments that feel inauthentic and titillating do arise, but it’s very few - to the point where some would disagree with me on my reading of it, I’d imagine.

sailor moon

the bits which the lesbians are in, etc. it’s a classic. I haven’t watched all of it myself because I don’t care much nor do I have nostalgia for sailor moon, but it’s one of the most notable examples of a butch/masc lesbian in anime, so that’s nice.

o maidens in your savage season

nerdy teenage girls who are part of a literature club make it their quest to discover sex and dating, in various ways (unfortunately, not all of them dealt with well… teacher/student foolery that is fortunately abandoned before it gets worse but is nonetheless handled with mixed results, imo). mostly though it’s hilarious, sweet, silly, and there’s a gay girl in it, but I won’t spoil which one. adults predating on children is also handled much, much better in another of the show’s storylines, and I do appreciate it for trying to tackle that difficult subject matter.

oniisama e (‘dear brother’)

an oldie, based off a shoujo manga by one of the greatest (riyoko ikeda). there’s a central relationship to root for (better articulated in the manga), but it’s mostly just what if we were messy depressed lesbians at an all-girls school and we were also melodramatic and mean as hell.

revue starlight

what if we were at an all-girls dramatic arts school and engaged in utena-like duels to become the top performer? main implicitly gay couple with canonic side gay couples. it’s quite cute. also worth watching if you like takarazuka in any way (prestigious all-female japanese theatre troupe), because the main conceit of the school is very much based on that idea.

the gay-themes section:

sound! euphonium (season one)

in which director naoko yamada’s awesome legacy of writing lesbians and then saying “who’s to say though, ha ha” continued (she did it already with a side character in tamako market). this one is known as the gaybait to end all gaybait, but hear me out: the first, and best, season, is not only a fantastic self-contained story with many great characters and plot points, but it’s main character is undoubtedly lesbian-coded and even has a love interest you can argue about. frankly I think she’s gay-coded throughout the whole show (even when she dates a guy for two minutes), but this feels very “I wanted to focus on this compelling relationship between two female characters but the adaptation’s success meant we had to revert back to the source material in later seasons”. what we got from this is perhaps my favourite lesbian anime of all-time, following utena.

a place further than the universe

this show is about four girls who join an expedition to antarctica, and what if I told you they’re all great, believable dorky teenage characters, and they exist in a well-written and thematically satisfying show… and there’s nice lesbian implication between one of our adult female protagonists and her old (deceased; not a spoiler) friend who was the main teen girl’s mother. there’s some sad here, obviously.

puella magi madoka magica

the well-known, much beloved deconstruction of the magical girl genre is also pretty gay, as it happens (so gay in fact it started a trend of gay-coded pink+black magical girls). it’s not a particular favourite of mine, but it’s visually one of the most notable anime productions ever, so it’s well worth seeing just for that.

NANA

the 2000s manga+show about the two twenty-year-olds who meet on a train and discover they’re both called nana is also pretty gay! to the point where there are heated fandom debates about nana komatsu’s (pink one) possibly being a lesbian. they both have many relationships with guys, but it’s their bond that forms the heart of the show, and the bisexuality (or, who knows, homosexuality) of the leads is pretty undeniable. to the point where you’ll get blasted on the nana subreddit if you try and suggest otherwise.

the wild-card section:

keep your hands off eizouken!

this is a show about three oddball girls who start a club to create anime, but have to pose as the film club instead for various reasons. it’s not even subtextually gay, I just personally think that all three of the leads are gay and the whole thing feels like a very female-centred creative endeavour. hugely fun watch, and very high production values. you wouldn’t regret seeing it.

skip & loafer

these two you see here are side characters. this show is actually about mitsumi, the greatest female protagonist of this kind of shoujo-esque slice of life show, who moves from the countryside to tokyo for high school. here she meets many a misfit, including the pretty blonde and the nerd girl who have undeniable chemistry and form one of the most popular pairings in the show. it’s just a good time.

chihayafuru

I’d get in trouble for this, because the primary romance factor in the show is a famed heterosexual love triangle with chihaya at its centre and her two male childhood friends at the side. but go with me on this. chihaya is oblivious to romance and feminine socialisation, she is obsessed with a card game and with her equally dorky dark-haired rival… she’s anime’s greatest autistic lesbian lead. and you get more than what you pay for, because the two boys I mentioned? a lot of gay stuff going on there too.

the big-screen-cinematic section:

the adolescence of utena

revolutionary girl returns in the sequel of a lifetime, slightly older (sixteen, say) and gayer than ever, to escape this place with the love of her life. cue the impromptu dance sequence (with stars and rose petals)!

liz and the blue bird

the naoko yamada directed gay cinematic universe continues with a gorgeous film starring two of the side characters from sound! euphonium’s second season (not necessary to watch beforehand). that means it has plausible deniability whilst being so crazily gay it’s almost some kind of joke. this is a highly detailed, laser-focused character study of two girls in their high school band club and their ever more strained relationship. yamada never misses.

the summer

this is korean! it’s about two girls who meet at school and start dating in secret, what happens as they grow up and move to seoul, and how their relationship changes and strains when met with the conservatism of contemporary korean society. it was sweet and like aoi hana above for japanese girls, felt pretty frank to the experiences I’d imagine young korean lesbians might have.

puella magi madoka magica: rebellion

if you’re a fan of the show, you probably don’t talk about this movie. sure, it’s a visual feat, sure, it’s insanely entertaining, but it’s also frustrating and upsetting and potentially undermines the neatness of the original as a perfectly-crafted story. BUT. kyouko/sayaka becomes all but canon in it, and everything else aside, that’s all that really matters. but you should definitely watch the show beforehand.

[quinton-reviews]

hey bud! finally finished the nicktoons vid and i gotta say, i would LOVE IT if you made more short videos. the long ones are difficult for me to set aside the time for. 20-40 min is perfect imo. that said, make whatever you want to make! it's fun seeing what you get up to

I've been thinking a lot about where I'm going to take the channel when my break is over in a few months. I think I'll never get away with 20-30 minute content ever again. If I ever have 30-minute video to make, it'll probably end up on Quinton Re2s. But I do think that my longer videos (6-10 hours) have been a bit of a hindrance to the channel. Doing a series of 1-3 hour videos (all on stand-alone topics) would be a great thing to bounce back with. It seems to me that's the content that seems to perform the best long-term, and it's the stuff that causes the most growth.

[thelaurenshippen]

finally taking the time to read through the SAG agreement summary and oof, I hope they have an AI town hall soon because...well, there are things to discuss!

so, in case folks are curious, here are my immediate takeaways from the deal as a SAG actor, a SAG producer, and person who is not any kind of expert but spends a lot of time being skeptical of contracts I sign. this is a summation/commentary, not a holistic breakdown of every point, nor even an in-depth discussion of the points I do talk about. and it is, of course, in no way legal advice or voting advice.

this post is already maybe the longest post I've ever written on tumblr (lol) and I feel like I've barely scratched the surface. to be clear, nothing I'm saying here represents how I'm going to vote, how I think other actors should vote, or my be-all-end-all stance on a particular issue. this is me reading through, flagging what concerns me, and asking myself questions. and I'm here to take your questions too! though of course my expertise is limited.

(what?? something I wrote got annoying long?? in my tumblr? it's more likely, etc. huge write-up after the cut)

the good

self-tape stuff: this is one of the more niche/the thing that the general public will find least interesting, but they've put in a lot of provisions to make sure self-tape auditions have limits (# of pages, no stunts, no nudity, doesn't have to be professionally shot, etc.) which is amazing because these types of auditions have gotten out of control since the pandemic. this feels like a great gain

data transparency: in no world did I think the streamers were ever going to agree to any data sharing with either the wga or sag so even though the data is limited, this still feels huge to me.

folks who sing and dance will be paid for both of those things now, which is great

they've added MLK day and Juneteenth as holidays (about time)

a performer cannot be required to translate their own lines

principal performers are required to be given hair and makeup consultation or reimbursed for obtaining their own services - this seems like a small thing, but it's being put in here pretty much entirely because HMU services have generally been appalling when it comes to textured hair/a variety of skin tones. there's also stuff in here about working to hire more diverse HMU artists

it looks like it's going to be easier/provide a path for folks getting IMDb credits even if they're not credited on screen

miscellany: there's a bunch of gains in wage increases, P&H increases, relocation fees, franchise language etc. that all seem good to me, though my limited knowledge on those subjects prevents me from going in depth on them.

this is not important, but it tickled me, there's a term to replace all instances of "telegraph" in the contract with "email & text" which like...why has it taken us thirty years to do that lol.

the "...hm..."

intimacy coordinators: oof. when I watched the press conference SAG gave, I was fucking thrilled when they said that the new agreement required folks to hire intimacy coordinators for nudity and simulated sex scenes. that was almost reason enough for me to vote for it tbh - not requiring it is the exact reason I voted no on our last contract. however, reading the contract summary now, the exact language is: "Producer must use best efforts to engage an Intimacy Coordinator for scenes involving nudity or simulated sex and will consider in good faith any request by a performer to engage an Intimacy Coordinator for other scenes. Producer shall not retaliate against a performer for requesting an Intimacy Coordinator." this....sucks. "best efforts" and "good faith" are not the same as "required". IMO, an intimacy coordinator is the same thing as having a stunt coordinator or, like, any number of health and safety requirements. OSHA doesn't say you must "in good faith" put your "best effort" to providing fire exits. it's great that performers can request coordinators for any kind of scene, and this is still the strongest language we've ever had in a contract but....c'mon guys.

residuals: look, I can't speak to these new terms in any concrete way. there are increases, there are bonuses for streaming success, there's a whole thing about a fund regarding those successes that I need explained to me more in depth, but overall, it looks like we made some in-roads here. as someone who employs actors under digital distribution contracts that has no residuals (podcasts), I know how genuinely cumbersome the unholy trifecta of "views-success-profit" can be (as in views do not equal success, success does not equal profit, etc.). I also have no sympathy when the majority of companies dealing with that cumbersome trifecta are massive media conglomerates. anyway, long story short, idk if this is good enough, I'm hoping to attend the next info meeting sag has.

the bad

the new hair/makeup provisions are explicitly for principal actors. while I hope it leads to better, more inclusive HMU services all around I haaaate that this implies supporting or background actors (who oftentimes also have to sit in HMU) don't deserve the consideration. (then again, background actors are usually required to do their own HMU/bring their own costumes, but for productions where that's not the case, the same HMU provisions should apply IMO)

as with every contract, there's language that could be stronger, clarity that needs to exist, and important things missing - but this isn't the final contract and I'm not a lawyer, so I'm gonna leave that stuff to the experts.

but, "lauren", you say, "what about all the AI stuff? where does that go?" well, reader, I was planning on including that in the above but it's the hot-button issue right now and I think it's wickedly complicated, so I wanted to break it down separately, after I had a chance to point out all the good-bad-in-between stuff that's not getting talked about.

a note: in my career, I've learned there's two big things to keep in mind when reading a contract you might sign:

what is the worst case interpretation of this language (thank you to my lawyer, prince among men, for teaching me how to do this in practice (that said, anything I say here is not legal advice, he'd also want me to say that lol))

what are you willing to lose/compromise on/what are the limits of your pragmatism? contracts are not about a company giving you everything you want out of the goodness of their heart - it is always a compromise. pragmatism has to be a part of the equation.

so, with that said, I'm going to play a little devil's advocate here, and a) try to find the good/the pragmatic and b) catastrophize the worst case scenario. but first, it might be handy to look at this SAG infographic for some basic definitions. let's go.

the AI good

a ton of stuff here requires consent. that is not a small thing, and the consent continues even after your death (whether it was a yes or no; though this can be complicated by your estate/your union)

the language does establish that the consent must be a separate signing from the employment contract, even if its in the contract, which is great (but more on that below - timing matters)

actors often do get paid for use of their digital replicas, though it's different based on the use/type of replica.

the actor must be provided with a "reasonably specific description of the intended use". this language is vaguer than I would like, because it allows producers to decide what "reasonably specific" and "intended" means - there's always going to be some vagueness when it comes to this specific thing, but a good start would be for producers to require not blanket consent, but conditional consent for each significant use of digital replicas.

if the replicas are being used in other mediums, that must also be consented to, thank god.

replicas cannot be used in place of background actor counts on a given day - if I'm understanding this correctly, this means a production can't just have a bunch of fake background actors by themselves, they have to engage real people up to a certain number first (which in this new contract is 25 for TV and 85 for movies). we're already filling in background with digital people or copy-pasting of the same crowd over and over and have been doing so since at least the late 90s, so it's good we're continuing to put up boundaries around that.

the AI "...hm..."

it's unclear (to me) when an actor can be asked to consent. IMO, everything is meaningless if the consent is happening as part of regular contract negotiations. these things have to happen when - and only when - the actor has already been engaged in a role and feels empowered to say no

the use of independently created replicas (replicas pulled from existing footage, not created by the actor) being allowed without consent under first amendment reasoning - this is obviously concerning a lot of people bc first amendment arguments are so broad. that said, there's a pragmatism part of me that understands this is already happening/has been happening for a while and used in ways I think are perfectly fine - I was just watching the new episode of For All Mankind (one of the best TV shows right now!) and it's an alternate history, which meant that in the opening scenes of this season they had some bonkers good deep fakes of Al Gore saying stuff he never said. I think that's okay to do in a fiction show that imagines a different US history! "but Lauren", you might be saying, "Al Gore isn't a member of SAG!" are you sure? are you positive? because I'm pretty certain he is - he was in several episodes of 30 Rock, way more people are in SAG than you think (every NPR reporter for instance), and the two worst presidents we've had in the last 50 years (yes, those ones), are both definitely members of SAG (even if one is dead). now, the other side of this is that public figures like politicians are under a different social contract than actors, and if they wanted to sue, they could, unlike the average SAG actor who might have their image abused. this is why this is in the "hm" column - deep fakes and parody/satire/commentary use of replicas is already here and there's always going to be a 1st amendment argument to make, so we need to figure out how best to limit those and protect the most vulnerable.

alteration: with this language, a project can digitally alter without consent if the script and performance stays "substantially" the same. again, this language is too mealy-mouthed. I don't know that I have a huge problem with a line of dialogue getting replaced with a digital version of that actors voice if, for instance, a word was mispronounced, or wind garbled the sound or whatever - yes, it would eliminate the need for ADR, but if we put some limit on it like..."if there are more than 5 lines in a given episode/movie that require digital alteration in the service of clarity, the actor must be engaged for an ADR session or paid for the digital replacement" then I could see this being workable. I'm also personally okay with things like costumes being digitally altered but, again, we need limitations on that. digital altering cannot replace the art of costuming but, for instance, if a costume needs to be altered to include a hate symbol or something, I think that's fine (example: I have friends who worked at the VFX house for an alternate history TV show that involved a lot of Nazi costuming and set design - a huge part of that VFX house's job was to put swastikas in places, rather than props making nazi flags. I'm okay with that!) but again, these fringe cases do not a compelling arugment make, and this contract language can be interpreted too broadly for my comfort! like everything else in this "hm" category, I need to see the final contract language to decide.

the AI bad

there's a bunch of circumstances in which actors don't get paid for creating their replica/use of it and those circumstances are too broad for my taste.

synthetic performers - this is just awful. no. no, we should not be allowing AI to generate entire actors. just............no. there's some language about the producers having to talk to the union if the synthetic performer is "used in place of a performer who would have been engaged under this Agreement in a human role" but this doesn't apply to non-human characters so....wouldn't that be all roles?? leaving the producers room to be like "this role has to be synthetic, we never would've cast a human!" is bullshit. also, even if we're having AI create a magical talking unicorn whole cloth (which, like, also no, we have artists for this), that unicorn still needs to be voiced by a human person. this whole section is a disaster.

the exceptions to consent for digital alteration are bad-bad. I talked about the potential ADR replacement above and that has a whole host of issues with it that I didn't even get into, but I can see the argument. the rest are very troubling:

there is an exception under "any circumstance when dubbing or use of a double is permitted under the Codified Basic Agreement or Television Agreement" - okay, so does this mean we can replace dubbing artists and stunt performers entirely? this section is about digital alteration, but who's to say alteration couldn't turn an actor broadly miming a fight into an entirely digital, expertly performed fight that usually a stunt double would have done? with AI translation technology, does this mean we're replacing VO artists for dubs entirely? bad!

similarly, "Adjusting lip and/or other facial or body movement and/or the voice of the performer to a foreign language, or for purposes of changes to dialogue or photography necessary for license or sale to a particular market" - Justine Bateman has a great twitter thread on the terrible puppetry potential of this but I want to draw attention to the particular market bit - we all know that selling to china is such a huge part of studios' strategies that they'll remove entire scenes or lines around queer stuff. to me, this clause makes all of that so much easier. I know the argument here is going to be "we can replace swear words and license it for kids!" which.......sure? fine? but, uh, we already have ways to deal with that? and the potential for abuse here is terrifying to me. with all the digital alteration stuff too, there's just so much icky implication for the beauty/body standard to get so much worse.

if a background actor’s digital replica is used in the role of a principal performer, they'll be paid as if they actually performed the days for that role, which, sure, but uhhhh why are we saying it's okay for a digital replica of a background actor to suddenly be a leading role!?!?! I can't think of anything more demoralizing than going to set to act in background (a job I've done! an important job! a fun job a lot of the time! but creatively limited) and then getting a much bigger role (the dream!) and.....not being able to, you know, act that role or be in scenes with other principal actors or do the thing that you've dedicated your life to doing. nightmare stuff.

woof. there's so much more to say but I'm going to leave it there. these are the concerns I'm going to go into SAG's meetings with, and the concerns I'll be considering as I decide how to vote. I know there are things I didn't address and very possibly things I misinterpreted or misrepresented - if you're an actor, I highly recommend a) reading that Justine Bateman thread and b) attending SAG's meetings to ask questions and express your concerns. and I'd love to hear what y'all think! my ask box is open.

[hustlerose]

metric fan.... what are your thoughts on art of doubt ? i'm trying to get into metric and that's the one album that's clicking with me big time... it's so good

i have strongly mixed feelings about art of doubt, and broadly about this newer era the band is in

i hated pagans in vegas. that album was a major slump. i thought they were going the way of bloc party or lcd soundsystem or any number of weirdo indie rock bands from the 00's, where they'd keep on truckin but never reach their glorious highs again...

well, it didn't turn out that way. art of doubt is a triumph, a return to form, and proof they can still write a great rock album. emily's voice is in top form. i've always loved how delicate and sincere she sounds on mic, and middle age has only made those qualities stronger. listen to her gliding across that slippery groove in "anticipate," fluttering breathlessly over the chorus of "underline the black," or balancing between warmth and sarcasm on "seven rules." performances like these make a metric album worth it

i think art of doubt contains some of the best metric songs EVER. "now or never now" is genuinely a top 10 indie rock song imo. when it's on, i never want it to end. "dressed to suppress" is a really knockout track, the kind no one else seems to make anymore. and the last 3 songs are gorgeous. they're naked and unpretentious in a way that just melts my heart

and can i just say the production is killer. metric albums are usually super crisp and detailed, but this one blows em all out of the water. every drum hit BANGS. the guitars on this whole album sound phenomenal

all that said, i think the album has problems. emily pushes her voice outside her comfort zone a few times and... sometimes that works, like on those high notes in "no lights on the horizon." sometimes it DOES NOT WORK, like when she tries to scream some lines on the title track. her voice refuses to get loud and she just yelps awkwardly. the production tries to help her out by adding some distortion, but that only makes it worse. moments like this draw attention to how one-dimensional this album is outside of some key moments.

but here's my real beef with art of doubt, as well as formentera 1 and 2. these songs have a terrible case of "bad verse, great chorus" disease. "die happy," "holding out," and "dark saturday" are the worst offenders here. the choruses sound like they're totally disconnected from the verses around them. the transitions are janky and abrupt, and when the chorus ends my only thought is "damn, i have to slog thru 30 more seconds of sludge before i can get back to the song i was enjoying." so many of the deep cuts have this problem, and it makes the whole album feel choppy and stilted

overall, i like the record. i like it a lot. but on repeated listens, i end up skipping more and more songs until i'm left with the handful i truly love. not my fav metric album, but i'll admit it's grown on me since it dropped

if you like art of doubt, do yourself a huge favor and listen to synthetica. the whole album, front to back. it's one of the greatest alt rock albums ever written. when you're done, listen to fantasies. it's their most popular, and it's equally great.

somewhere in there, find some time for this playlist i just made: metric essential deep cuts. emily doesn't get enough credit as a master lyricist and songwriter. together, the haines-shaw songwriting duo are truly special, the kind of thing you're lucky to get once in a generation. i hope this playlist makes a case for that <3

[ellewod]

if their job was to make me root for team black and be against Aegon someone should have told Tom. His layered brilliant performance showing the pain, vulnerability, humor, and insecurities of Aegon made me root for him more then cold calculation team black portrayed IMO. One scene in particular stands out because of how subtle it was. When his new kings guard is talking about gong to a brothel he says in the softest quietest voice “but you’ve sworn an oath of chastity.” Then when they laugh he almost looks hurt betrayed and embarrassed. Then when they try to be serious for his sake he smiles big and continues trying to be the Aegon they know and expect him to be. It’s so small but in that moment he shows how Aegon took it seriously when he made them kings guard, but once again like everyone else they think he’s a joke. Then he has to put on the mask once more of I’m just kidding guys, but you can see he’s hurt. That’s just one of many little moments that made me team Aegon. Tom deserves so much praise for the performance he gave for a character we’re suppose to hate. He deserves all the awards!

agree with everything you said 😭 love this beautiful roach king with all my heart and tom is a blessing, aegon stan nr #1, absolute best casting choice ever

that scene is SO underrated!!! brother was he disappointed. like you said, he tries. so hard. he never wanted the crown, he was forced to wear it.

i would’ve loved the show to actually portray it as him carrying the burden to save his siblings and his babies. but that would’ve made the casual viewers sympathize with him even back in season one and we cannot have that.

the scene you are referring to depicts so beautifully how hard aegon tries once he is king. but even before that, we see him trying so hard. he wants to be a righteous ruler beloved by the people. he yearns for their approval and adoration, and is willing to “buy” their love.

he wants to prepare his heir, wants jaehaerys to feel his father’s pride and love and support. something aegon was never allowed to feel.

aegon wants to make smart decisions to win the war. he offers so many good suggestions, but nobody ever listens. he, however, is willing to hear advice (“what would you have me do, mother?”), but the ones whose opinions he cares most about disrespect him so terribly (“nothing”, “my grandson is a fool”, “imbecile”, “insolent pup”, …).

aegon even tries to be a good brother/husband when comforting helaena who is afraid (“don’t be. they’d be fools to come” — YES that is him trying, softer voice and all, and i will never interpret this any other way).

he tries to be a better man, as tgc stated so beautifully: “I think he’s conscious that he wants to be a better person. He just doesn’t quite know how. He hasn’t had that nurturing that you require to have a good understanding of values and morals and that capacity to love.”

aegon wants his friends turned kingsguard to try as well. he knows of values and morals and he wants to be better. but his buddies don’t and it deeply disappoints him. he is teary-eyed when he smiles??

he desperately wants to be taken seriously and not to be seen as weak. but rejecting his friends isn’t an acceptable solution either, he needs his buddies, he cannot be completely on his own, he cannot not have anyone to drink with. so he goes back to being a frat boy visiting the brothel, drinking, watching his kingsguard break their oaths.

but before he does that, after having this shattering conversation where he realizes that everything he tries fails so miserably, not even his kingsguard are taking their oaths seriously, he turns around and looks in the mirror.

what does he feel, what does he see? a father who has lost his son in the most gruesome way, just mere moments ago, with no one to share his grief with. his mother doesn’t want to hold him, he is unable to converse with his wife. maybe even ashamed he did not protect her and their son from this fate? didn’t take her fears seriously?

what else is there? a young man, unprepared to rule, constantly ridiculed, belittled and used as a puppet, manipulated by his mother during his darkest hours.

a young man that has been made to feel useless all his life, now forced to be king. and he tries to embrace his new role. tries so hard. but everyone continues to belittle him. nobody takes him or their oaths seriously. and it’s crushing him.

[butmakeitgayblog]

It's not talked about a lot in the fandom but I love how high pitched Lexa's voice is. I know Alycia tried her damned hardest to make it low and intimidating but damn that's the best it can do 😳 she looked hot af as Big Bad HedaTM but the moment she spoke on screen with her unmistakable "oh yeah that's Alycia" voice......... I was a GONER. Like the video of "not everyone, not you" you just posted?? Like somehow I never remember exactly how feminine she sounds when I'm reading fanfics 😂

Because Alycia quite literally was the perfect little delicate bean to play that role 😩

Not to get off subject but like, that's part of why I'd never want a spinoff. No one can play this character but Alycia. No one.

Because I feel like Alycia understood the assignment. In a way a lot of other actors probably wouldn't have, imo. She didn't strain to be something she wasn't or try to add a bunch of vibrato and bass to her voice, because that wasn't the kind of person Lexa was. She could do it to a degree, we see it in the scene when they believe Gus has been poisoned and she commands "No Skaiperson leaves this room!" But even then, filled with anger and fear of losing a confidant and father figure in her life... she still sounds like a young woman who is also just a pissed off leader. Alycia didn't strain to make it gravelier or darker. Because her power in that character doesn't come from false pretenses. She doesn't overtly or heavy handedly try and masculinize herself to convey strength. While I don't think there's anything wrong with that approach by any means, it just isn't always necessary.

And I know there is an argument to be made about them feminizing her even further in s3 for various sexist reasons, I do. But I still appreciated the overall performance and portrayal for what it was because despite all of the show's flaws (which were numerous 😒), letting a powerful woman figure be thoughtlessly and unremarkably feminine while also being a bad bitch just isn't something we see a lot imo. Usually if they're feminine, they're shrinking violets who are just shy and dainty and reserved. Stronger figures tend to be more masculine. More solid. More rigid. Deeper voices. Less feelings.

Lexa, however, was really none of those things when you truly look at her, despite the fact that she was unquestionably a larger than life presence on screen. She beat the shit of men twice her size and stood toe-to-toe with her enemies, commanded armies and led 12 warring nations under her iron fist leadership, she lost everyone she ever cared about and had her heart broken more times than she could count and still she dared to let herself fall in love again. Lexa was strong and she was vulnerable, she was lethal and she loved deeply. She was timeless and just a young woman trying her best to be a leader. Lexa was so many things all at once, and I appreciate the fact that Alycia didn't really bog it down with trying to convey her as something she wasn't.

And she did it all with that sweet dainty voice and her post apocalypse contacts and also impeccable eyeliner 💅

[hotvintagepoll]

Propaganda

Pearl Bailey (Carmen Jones, St. Louis Blues, Porgy and Bess)—vintage crush of all time, the most beautiful woman I've ever seen, and my GOD the PIPES! She wasn't in nearly enough movies, but every time I see her I'm aghast all over with what a gorgeous woman she was. Vote Pearl for diva glamor like no one else! (also....she was on the Muppet Show!)

Teresa Wright (The Little Foxes, Mrs. Miniver, Shadow of a Doubt)— She wrote this into her contract herself: "Miss Wright shall not be required to pose for photographs in a bathing suit unless she is in water. Neither may she be photographed running on the beach with her hair flying in the wind. Nor may she pose in any of the following situations: in shorts; playing with a cocker spaniel; digging in a garden; whipping up a meal; attired in firecrackers and holding skyrockets for the fourth of July; looking insinuatingly at the turkey for Thanksgiving; wearing a bunny cap with long ears for Easter; twinkling on prop snow in a skiing outfit while a fan blows her scarf.”

This is round 2 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.

[additional propaganda submitted under the cut.]

Pearl Bailey propaganda:

"Pearl Bailey was an absolute POWERHOUSE! She's best known for her career in music and theater (she's a DIVINE singer, and very funny). But she also did several feature films, including a controversial adaptation of Porgy and Bess (controversial because of the story; the actors were pretty much coerced into it). She's got a style all her own, you can recognize it from a mile away. She's got you chuckling and crying from one phrase to the next. I love her <3"

"Cheekbones to die for"

Teresa Wright propaganda:

One of the best Hitchcock leading lady performances!!

Warm, lovely, vivacious, intelligent!! imo Teresa Wright is way too underrated and deserves much more credit! I truly can’t think of another actress with the same vibe as her and she deserves more appreciation!!

[thesiltverses]

Faulkner is my favorite trans dude from anything ever. Thanks for the great writing and also to his VA for giving him such depth and charm. I love my terrible son Faulkner ❤️

Also your writing has inspired me so much with my own projects... thank you... I am just a young writer working to one day create something that moves people the way TSV and Eskew have moved me. The growth from Eskew to TSV has been incredible to witness and I'm super excited to listen to or read your future projects. IMO TSV is a gorgeous example of just how good fiction podcasts can be with incredible writing, acting, editing, everything. I always recommend it to friends.

Just some positivity during what seems to be a chaotic/difficult time.

- some trans guy

Thank you so much for the kind words!!

Completely agree about B.'s depth and charm - they're an actor who we are so lucky and so endlessly grateful to get to work with; they make Faulkner incredibly likeable and engaging as a character no matter how low he sinks into the mire, and I think their performance skills have only continued to get better and better, season after season.

Best wishes and good luck with your own writing projects - I really, really appreciate it.

[transmascaraa]

♡!200 followers special!♡

"A valentine's dance."

bf!gaming x gn!reader

author's note: this is basically the longer version of the gaming hcs in my last post aka the valentine's day special ALSO 2nd time ever writing a fanfic shiver me timbers😰 i hope it okay btw i'll draw my (genshin or whatever )oc/self-insert tonight cuz i have school in 2 hours and i have a bit of homework left lol

"thank you, lion dance boy."

You and your boyfriend, Gaming, have been dating for a few months now. He loved you very dearly, just as you loved him. You were an inseparable couple, like you were glued to eachother. But, the relationship that you had was healthy, and really sweet. People talked about your closeness to other people, in the streets. You've overhead them quite a few times now. You were a famous couple in Liyue.

A really special date was approaching. The 14th of February, Valentine's day. A day to show your loved one how much you love them, to give them a gift. It was a heartwarming "holiday", for most. Not everyone, but most. And as soon at it sttarted approaching, the streets were bustling with the names of you and Gaming.

Gaming, he planned a dance show for that day, that night. He invited everyone from Liyue, and even other nations! As promised, he would amaze them and make them smile. But that wasn't all that much important to him. You were.

The whole dance show was actually just made so he could give you a rose in a more romantic and surprising way. Yes, it was a surprise. He didn't mention Valentine's day to you for the whole day, but that night...

When it finally came, that night, you started getting ready. Putting on your best outfit, ready to be looked at and praised by everyone. Was it the outfit, or the whole night? Nobody knows. The outfit was one of Gaming's favorite ones for you to wear. Whenever you wore it, he ended up staring at you too much and blushing more than usual. It was interesting, really. How can such a simple outfit make a man's heart go crazy? Make his blood rush to his face, his cheeks? The human body and mind is really impressive.

As soon as you were done getting ready, you got your bag and went out the door. Going to see your precious boyfriend perform on such a special day.

When you got there, everyone had surprised looks on their faces, but positive ones. They got out of the way, and let you stand in the first row out of the thousands of people in the crowd. Like I said, the two of you were really famous there.

Then, music started playing, the crowd went silent. The lights went out. Rose petals started falling out of nowhere from the sky, making it much more beautiful to look at.

Soon, 3 different lights were on the stage. 3

The 2 of them started dancing. They were dancers. Lion dancers.

It was nice seeing them dance, so many moves and talent. It was worth seeing it.

Eventually they stopped, and the third dancer started dancing. He was Gaming, recognizable even in the night. Flawlessly dancing and moving across the stage, everyone was amazed.

A few minutes passed, and the lights turned on again. The 3 dancers bowing down.

"Happy Valentine's day everyone! Here's a rose to a special person in the crowd!" He threw a beautiful red rose to the crowd, and coincidentally, it landed right in your hands.

Smiling, you spoke, "Thank you, Gaming!" and the performance ended there.

After there were only you and Gaming left there, you read a note that was connected to the rose by a beautiful orange string.

"Happy Valentine's day, [name]!" and just as you read it, Gaming said it himself.

"Thank you again, lion dance boy. I loved the performance."

"You're welcome, it was dedicated to you alone. I'm glad you liked it."

~~~~~

YIPPIEEEE I REALLY LIKE IT

i'm not good at fanfics imo but ig i like this one

adorable gaming frfr

[nereidprinc3ss]

i think 3x5 “seven seconds” (spoilers) is the best episode aside from 100. it never ever fails to give me chills it’s insane like the plot is so well done and you cant figure out who did it and there are so many insane twists and that CRAZY performance from paget with the aunt?,,, WHAT????? WHAT????!!! tears!!!! holy fuck!! it’s so intense that’s one of the best performances in the entire show imo along w shemar’s “well it didn’t come for free did it” and thomas gibson in 100 obviously and then the end?? with the flatlining and the perfectly chosen imogen heap song???? CRAZYYYY like full body chills and that is coming from someone who mostly thinks this show is mid

also we get a sexy reid interrogation moment🙏🙏🙏🙏🙏🙏🙏 GOD it’s so good

[agent-troi]

great points on Diana. I can't quite figure out what I think about her narrative yet. I didn't like when she first appeared because she came across and part of a suspicious character, and her appeal was very unappealing. When Gibson is ready to disclose who Mulder is thinking about, oh boy does she want to know to stop up the pot. She's aggressive but in a frozen manner. What I mean by that is her facial expressions seem frozen, her voice is almost stilted, and her eyes lack the dance that we see in Scully' and Mulder's. I also don't know what to think about her because she didn't get a real conclusion. We are told that she is killed, but was she? Maybe she is just reassigned to do something else. I wanted to see the closure or some actual redemption of her alliance with CSM.

With that being said, when do you think Mulder figured out that Diana was lying to him and couldn't be trusted? Was it the night that he went to her apartment or when he was in his mind-reading, psychosis state? AND, do you think that during the Diana period, after work or on the weekends, Mulder and Diana had some flings or some sort of relationship?

Did Mulder choose Scully or did he get Scully by default because Diana was removed from the equation?

diana was soooo underutilized. i had vaguely heard of her before i reached her part of the story and i was expecting this big, huge, MSR-shattering deal, and then she was hardly ever on screen. i get that the actress wasn't available very often, but then don't try to make a love triangle if she's only going to be in five episodes and the rest of the time it's like she doesn't even exist.

frozen is a perfect word to describe her. she's just so insincere so much of the time. everything is a performance, tailored specifically to get mulder on her side. she's basically a more subtle version of phoebe imo; manipulative, but in a way that can slide under the radar if you're not looking for it (which mulder isn't; he wants to believe she wants the best for him).

i'm so annoyed that she was killed off-screen lmao. this show brought back jeffrey spender after we saw him get shot, brought back csm after he was literally blown up in a fiery explosion, but we don't even see diana die and she never comes back?? i'm suspicious...

(btw if you're looking for fics where she wasn't actually killed in amor fati, Gaslight by @sisterspooky1013 and Pause by @cecilysass are two of the best imo, and if you're looking for a redemption story/something that actually fleshes out her character a bit more, I recommend The Whole Truth by @admiralty-xfd and The Only Answer by me lmao)

as for when mulder finally figured out he couldn't trust her, he absolutely knew it when she went to see him in the hospital and he could read her mind. there's no way he doesn't know at that point. when he went to her apartment, he was at the very least open to the possibility that she had betrayed him. he wouldn't have gone in the first place if he really thought there couldn't be anything to it. but then csm shows up and somehow that doesn't raise a big red flag so i don't think he really got it then. it's not clear at the end of one son if mulder and the others believe that diana was among those killed at the air force base, and since she never appears or is mentioned between one son and biogenesis, we don't know at what point mulder finds out she somehow survived. depending on the circumstances of his finding out, it might have raised suspicions in his mind, which were then confirmed by the mind-reading.

my answer to the question of whether mulder and diana had any flings during this period is abso-fucking-lutely not, and not just because i personally can't stand the idea. the only time i can really see it happening is when she first shows up in the season 5 finale, but there's just no time for anything like that to happen during that episode. beyond that point, mulder starts off season 6 annoyed at diana for taking over the x-files behind his back, but then scully pulls the rug out from under him at the opr hearing after he pretty much made a fool of himself declaring confidently that she was about to prove the virus was alien, so he takes diana's side in that episode out of sheer petulance. after that he's too busy chasing "vicious, long-clawed spacelings" to be bothered to have any flings, but then at the end of the episode, scully finally comes through with evidence of alien dna in the human genome. it's too late to take back the way he embarrassed himself at the opr hearing, but it begins to put them back on the same page. and then during the period when they're off the x-files, mulder's digging through the trash in their old office to find x-files for him and scully to investigate instead of just asking diana to sneak some files out of the office for him, which i can't imagine him not doing if they're having any kind of relationship. also he’s clearly never been to diana’s apartment before one son.

this whole season is about mulder and scully dancing around the idea of being together, which is something mulder wants but is afraid to express directly, not knowing that's precisely what scully needs to hear. i just can't see him choosing to be with diana except maybe for when he's still disoriented by her sudden reappearance, and there wasn't room in the timeline of the episode for that to happen.

@randomfoggytiger broke down the progression of mulder and scully's relationship during season 6 very well, and i have nothing to add except that yes, mulder chose scully, this whole season is about mulder choosing scully, learning to appreciate her and to express that appreciation the way she wants him to. diana really is irrelevant in the end.

[zukadiary]

Regardless of your personal favorites, who would you say were some of the most impactful otokoyaku in takarazuka's history? for example, I'd say I'm a fairly new fan, but i hear a lot about miki maya, yuki amami, yoka wao even nowadays. Maybe as a long time fan, you can give us some insight on who you think were some of the most significant otokoyaky? Thank you

Sure! This is like, me judging on vibes/stories basically... others may feel differently!

The first generation of top otokoyaku: Anna Jun (Flower), Haruna Yuri (Moon), Migiwa Natsuko (Snow), and Ootori Ran (Star). These were the prime participants in the "Berubara Boom," skyrocketing Takarazuka's mainstream popularity, and leading to the establishment of an official top star system.

Ooura Mizuki, considered one of the best dancers in Takarazuka history, went on to become an internationally renowned tango dancer. It's impossible to attribute this definitively to one person, but I also think she started a steady incline in the difficulty of Takarazuka choreography over the years.

Amami Yuuki, who you mentioned, was famed for her natural acting style, unusual for the stage at the time. She became the youngest top star ever largely due to her popularity, and the fear that she would be offered better opportunities on and off stage outside of Takarazuka. She has also had a successful career in movies and dramas, and is probably the biggest household name amongst OGs.

In my admittedly biased opinion, I think Mori Keaki and Ichiro Maki set the standard for top stars and nihonmono

Maya Miki was noted for actively studying everyday men and somewhat revolutionizing otokoyaku style (think charmingly disheveled suit vs. the traditional buttoned up tailcoat look). She has also had a successful TV/movie career post-Takarazuka and is a household name in Japan.

Wao Youka is the longest running top otokoyaku, and had extremely notable chemistry with Hanafusa Mari (whose record of 8.5 years and 5 husbands will likely never be unseated)

Yuzuki Reon was 2 months shy of Wao's record, similarly had notable chemistry with Yumesaki Nene, and was wildly popular. She and Maya Miki are the only two otokoyaku to perform in Nippon Budokan, which is 7x the typical Takarazuka venue seating capacity.

I also have to mention Nanami Hiroki for a different reason. While those above were IMO very influential otokoyaku in Takarazuka, Nanami Hiroki's graduation marked a notable turning point in the opportunities available in the entertainment industry to OGs who didn't make top. Prior to her graduation, it was fairly rare even for a top musumeyaku to get regular leading roles post-Takarazuka, never mind actresses who were not top stars. Nowadays we see a lot more of this. Miya Rurika has gone on record in print saying the breadth and success of Kai's OG activities have hugely influenced her and paved the way to "be herself" in her career, and we've seen a large number of 2 and 3-ranked former otokoyaku follow similar steps since.

[1989taylorsversion]

Y'ALL I'M STILL TRYING TO PROCESS IT WAS SO GOOD AND I'M SO TIRED but here are some of my thoughts from opening night recalled to the best of my abilities:

When she started with Miss Americana I legit thought I was on hallucinatory drugs

When she then proceeded to sing multiple songs from Lover BEFORE explaining that we were doing one era at a time, I was kinda panicking thinking this was Loverfest

I thought she was going to use the Lover house throughout the entire show as a way to change between eras and I almost flung myself to a premature death

THE ARCHER??? was so good and at this point I started to recover after learning we were just in the Lover section

The entire Evermore section was INSANE like... again I thought I was hallucinating??? TIS THE DAMN SEASON AND THEN MARJORIE?? TWO OF MY FAVES?? WHEN I TELL YOU I WAS ON THE FLOOR

I know people are mad Speak Now only got one song but realistically we had to sacrifice something and when she walked out in that big ass dress I once again cried because it was pure nostalgia and it was perfect imo

ATW10 was one of the most powerful live performances I've ever witnessed

The reputation section was a bolt of adrenaline and I was GAGGED by her performance of LWYMMD with all the dancers as old Taylors...

She did so much from folklore and I did not survive any of it... Betty live was like a dream come true... I think I blacked out for half of this section

I WAS THRILLED WHEN SHE SET THE LOVER HOUSE ON FIRE DURING BAD BLOOD... SHE REALLY SAID ENOUGH!!!! THE HOUSE IS DEAD!!!!!!!

The entire Midnights section was a total slay but particularly Mastermind and Vigilante Shit were sooooo good???? The way she performed both of those songs...

MIRRORBALL ACOUSTIC ON THE GUITAR WAS THE NAIL IN MY COFFIN IT WAS LITERALLY ME AND TAYLOR IN THE ROOM AND NO ONE ELSE AND I WAS SOBBING A DREAM COME TRUE!!!!!!!!!!

Generally speaking the stage was insanely cool, and the visuals were stunning... Like every moment of the production was absurdly good