#and instead of going

[rynn-png]

I love how people can be so desperate when it comes to their custom “ask me” text and it’s honestly normal. We’re all desperate and pathetic together

[ceaselessbasher]

I swear to god one of these days were going to see a video of Amaury Guichon and he's going to be making some wings and they are going to look dope as hell, the detail of each feather will be breathtaking, he'll spray paint them to perfection, but as the video goes on, he's not building any sort of winged creature, just the wings. And then there's a human-sized harness (also made of chocolate, somehow, he can do it). And he's attaching the wings to the harness. And he's putting the harness on and he demonstrates how he can flap the wings. And then he'll be off. Out the window and up and up and up. And we'll be looking at the livestream (it's a livestream now) and we'll scream "No, Amaury, the sun! It's going to melt the wings!". But he knows this already. And he is free.

[zeezeepearl]

ok im going to #seriouspost for a second here. I don't think Harry Potter is a manifesto. I think it was a flawed passion project that millennials latched onto because of the fantasy of sticking it to their mean teachers and arbitrarily categorizing themselves (hogwarts houses; it's the thinking millennial's astrology). I think the fact that the series got popular when and how it did was very much a product of its time.

I don't think Harry Potter is the biggest symbol of JKR's bigotry. I think the most flagrant sign of that was how she responded to critics. I watched her become radicalized in real time. I watched how she doubled down on her racism when she was called out for the ways she promoted her tragically mid fantastic beasts movies. I watched her chase marginalized teenagers with a double digit follower count off of twitter for daring to criticize her thought process, and no one with any kind of power standing against her because she was the one who was paying them. This isn't to say Harry Potter is without flaws. This is to say she really didn't give a shit about that. Getting rich and powerful is a hell of a drug, and she had enough sycophants that she had no reason to care about what her critics were saying.

She was convinced that she was a martyr; a voice for the unheard; a leader for the ages, so of course her detractors were the bad guys. And I think we should take this to heart. We should see this as an example of how easy it is to get radicalized; if you think of yourself as a paragon of virtue, you are going to think that whatever you see as good and right is an objective fact. Most people don't know this, but the majority of terfs start out as trans allies. You are not immune to propaganda! You are not immune to falling into dangerous ideologies!!!

This is why the most important thing you can do as an activist is to listen. Do NOT think you're above being wrong; do NOT develop a god complex; do NOT form an identity out of being right all the time. Involve yourselves in the groups you claim to speak for. Listen to trans women; share resources that help trans women; familiarize yourself with the diversity of experiences that trans people have and the struggles they face.

No, none of you are as bad as JKR because you don't have her money or her power. You will likely never have the capacity for harm she does. But check yourselves. Do not affirm yourselves into thinking you always have the moral high ground. Watch yourselves; humble yourselves; check yourselves for signs of cult behavior and internalized prejudice. You are always learning. You will always be learning. Do not allow yourselves to get a power trip from brushing off marginalized voices.

[ideas-ideasideasideas]

Batman gives each of his Robins a different code to use when they’re in trouble and need immediate extraction. He promises that when they call, he’ll drop everything just to get to them, come hell or high water.

Jason, during his time with the League, shares his code with Damian, to be used “only in the direst of circumstances, when you have exhausted all other options.” He doesn’t know if Bruce will answer, given how fractured their relationship was before he died, but it is better than nothing. Every tool counts when they live such dangerous lives.

Damian uses it exactly once, and Bruce, who still feels the loss of his son like a yawning chasm in his chest, responds to it even though he knows it can’t be Jason because Jason’s dead. What he finds, instead of Jason, is a boy in League garbs, drenched in blood from the tips of his midnight-black hair to his too-small feet, with a face that Bruce sees himself and Talia in, requesting asylum from a grandfather who wishes to possess his body. Bruce doesn’t question how this boy who is so clearly his son knew the code. Talia al Ghul is resourceful and places family above all; the code is not beyond her abilities to discover, and she is not above using Bruce’s desperate love for his dead son to ensure that hers does not meet the same fate.

Bruce takes Damian in, because of course he does, and since Jason is dead he allows Damian to keep using the code. After all, it’s not like Jason is alive to use it, right? If someone uses the code, there’s no one it could be but Damian, right?

The next time the code is used, Bruce traces the location to Gotham even though Damian was supposed to be in Bludhaven visiting Dick. But whatever happened that resulted in Damian being in Gotham can wait, because he has already failed one son and he will not fail another, his son is in trouble and he needs to get to him, he needs to—

What he finds, instead of Damian, is a boy (just eighteen, too young, but also too old, but also he will always be a boy to him) in League garbs, drenched in blood from the tips of his midnight-black hair to his too-large feet (when had he gotten so big), wearing the face of his dead son.

(Who, maybe, just maybe, may no longer be so dead.)

[chibanova]

So about those prices

[gossippool]

*steeples hands under my chin like i'm sherlock* so you see,

[inkskinned]

the tradwife movement is the same as it has always been - back in the kitchen, back to breeding - it just has better branding.

when i was younger, i hated pink. i was not like other girls. this is now something i'm embarrassed of - this was not me being a "girl's girl."

but it was expressing something many of us felt at the time: i literally wasn't what girlhood was supposed to be. this is a hard thing to explain, but you know when you're not performing girlhood correctly. it isn't as easy as "i liked x when girls liked y" - because there were other girls that liked x, too - but i never figured out exactly the correct way to like x, or to be interested in y.

now there is the divine feminine. this is the same rhetoric it has always been: women are biologically driven to like pink and ribbons and submitting to our husbands.

the problem is that the patriarchy found a better PR team. because yes, actually, i want every woman to have the choice to be a homemaker. i also want her taken seriously for her legitimate home-making labor. i want her to be recognized as also having a job, just unpaid. i want men to have this opportunity, too.

but it is no longer "i made this choice and I love it." instead it is a sixteen-paragraph rant about how selfish it is that my generation isn't having kids. instead it's long videos about how if you feed your children processed foods, you're going to kill them. instead it is "this is what womanhood is supposed to be. i feel bad for any other choices you're making."

the shame spiral is just prettier. it is large houses devoid of personality. it is the implication: if you don't have this, you aren't happy. the solid, everlasting assurance: women are actually supposed to be submitting. this is the default. this is the natural state of things. all other attempts inflict suffering.

but you can no longer say i'm not like other girls. you can no longer reject this image completely. you cannot find it revolting, even if you know that the underbelly is toxic and festering. sure, it is the same repackaged patriarchy. but the internet does not have shades of grey. you should support and reward other women! your disgust is actually internalized misogyny. not because you are seeing a vision of yourself the way they're trying to train you to be. not because you feel her ghost pass within an inch of your earlobe. not because your father will eventually ask you - why can't you be like her?

because they figured out how to make it beautiful: women will sell other women on this idea, and we will find the singular loophole in feminism. sure, she's shaming you in most of her videos. sure, she implies that a different life is obscene. but she just wants you to be happy! you'd be happier if you were listening!

and the whole time you're sitting there thinking: i'd actually just be happier if i had that kind of money.

[poorly-drawn-mdzs]

Must be a Sugondese joke.

[nakialli]

i promise i wanted to post other things and I WILL BUT FOR NOW IT'S STILL OATHBREAKER BRAINROT I'M SO SORRY and thank you again @lesbianherald and @snidy

[otto-doctavius]

snooooork mimimimimi

[kiras-law]

light "if someone tries to read my diary i will set my drawer on fire" yagami

[owlpero]

I never wanted to go to a school dance until you showed up.

[catmask]

its true that romance amd friendship will not solve everything but. objectively speaking its very hard to get sad when you can say 'lets go get cake tomorrow okay' and someone will go get cake with you. like there is some good at least. you know

[hinamie]

quick megumi style study

[brittlebodies]

Ian Stone, Doubting Thomas, oil on linen, 12x16 in, 2023

[ellorgast]

The thing that I think really sets Murderbot apart from a lot of other robot media (particularly mainstream entries like the I, Robot movie) is that bots and constructs aren't a uniquely oppressed class, and humans aren't a uniquely privileged one. A lot of robot media rings a bit hollow because it portrays humans as all living a lavish, comfortable lifestyle, free from the burden of physical labor or control by their corporate overlords, and it's like. I think if the rise of generative AI has proven anything, it's that corporations and billionaires have absolutely no interest in making life easier for anybody, but will gleefully use new technology to make life infinitely worse if it means an extra buck in their pocket.

We are shown over and over again throughout the Murderbot Diaries that humans are mistreated just as badly as (or sometimes, in MB's own opinion, even worse than) bots and constructs. We see humans stripped of their rights, reduced to corporate assets to be bought and sold, sent into suicidal situations, abandoned and discarded as things. We see humans trapped in multigenerational labor contracts -- people born into an indentured servitude that requires them to pay back their food and lodging to the same company that will not let them leave.

None of these are hypothetical scenarios. These are all things that happen to real people in our world today.

And that is a huge part of why it resonates so much. The overarching theme of "capitalism is hell" actually means something because it isn't only applied to the fictional dynamic of bots vs humans. The theme is constantly reiterated through the humans themselves.

And that's also why it's so important that MB demonstrates empathy for and solidarity with humans who are themselves victims of the system. Because ultimately, that's one of the main things the series is about. It's about what it's like to be simultaneously a product, and victim, of a corporate hellscape.

That theme simply can't work if the humans aren't also forced to navigate that issue. If the story can't acknowledge that right now, in our own world, there are humans facing these same problems, and that these human rights matter quite a bit.