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#and is sad the love isn't quite right in spite of how close they are
emblazons · 2 years
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BYLER WEEK 2022: Day 4: Song Lyrics
I was the best man in a size too small. You were my best friend, going at it all.
"Size Too Small," by Sufjan Stevens
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fonulyn · 7 months
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how are things? and I was wondering if you've got a favorite fic that you wrote or if its just too hard to choose?
i've been down with a cold so things are kinda annoying but it seems to be getting better at least so maybe things are looking up :'D thanks for asking!
oh damn. it is hard to choose. and it also depends on my mood, and like... some are faves because they were fun to write, some because i like how the end result turned out, some bc friends liked them, and so forth. it depends on what kind of a favorite we're looking for :3
i scrolled through my RE fics and tried to pick only the top faves and still ended up with thirty fics :'D (and sorta sad bc so many of them were not crowd pleasers lmao)
but! shameless self-recs under the cut! (it got long lol sorry)
we didn't know how to fly so high (burned down before we reached the sky) (Chris/Leon) - this one's special because it's the first RE fic I wrote and it's what ended a three year dry spell of me not writing a single thing. it's also special because back then i could go "OH ONE NOTE!" and post the second chapter lol.
haunting in my head (tempting me, inviting me to fall asleep in its arms) (Piers/Leon) - since I picked the first one, I'm also gonna pick the latest one. this was the kind of an idea that plagued me until I got it written and i'm super pleased with how it worked out!
and it's kind of obligatory for me to mention the self-indulgent series, because for so long it was what kept me going and what kept me writing when nothing else worked. it might not be the best thing i've written but it's for sure what i've poured most love in.
tear me open (and make me whole again) (Piers/Leon, past Krauser/Leon) - from my whumptober fics this one i was the most excited about. i know it's got quite a bit of violence in it but like. i thought it hit all the right notes emotionally too, and i honestly wished it would've done better. i think it's worth it! am still happy with how it turned out.
(honorable mention to haunt you like it's part of you, another Piers/Leon and past Krauser/Leon, which is something i am really really into but apparently it's just me :'D but I really like the way the pairings clearly contrast each other tbh, i just think it's neat)
in the end it's you and I (Piers/Leon) - this is another whumptober fic I was super excited for! i'm beyond pleased with how it turned out and at least I feel all the right emotions while reading it.
all the things you are (Jake/Piers) - honestly I could've picked pretty much any of the Piers/Jake fic I've written because they were all really fun to write and their dynamic is super fun :'D I love the little bits in re6 where they interact bc they get on each other's nerves in all the right ways!
when it comes to metaltango, they're pretty much all close to my heart lol but can't help but follow in spite of going insane is something i regularly think back to and am still happy with how it turned out. same with the Krauser's back series, and question all my doubts, especially.
never too much to ask for (Piers/Leon) - this one is so very very important to me because LEON LEARNS TO BE LOVED. he learns to not only accept comfort but actually ASK FOR IT and it makes me emotional just to think about it 🥺
gonna show you tonight (Piers/Leon) - this one just makes me very happy.
and then there are the Piers/Leon ones where I've inserted Piers into a game/movie he isn't in, and honestly, those are ALL something I've had fun with and love the results! there's re2 with Piers, re4 with Piers, Damnation with Piers, and a combo of re4/Vendetta/og stuff with Piers! also the other re2 with Piers but that one only has one chapter for now so :'D
heal the scars and change the stars (Piers/Leon) - this one was based on a dream I had and I can still remember the exact vibe of the dream, and the way it haunted me afterwards, and I'm honestly really happy with the fic too. I have a thing for breaking up and getting back together it seems :'D
you're a dream (Piers/Leon) - this is something I've always always wanted to write, because soulmate aus are interesting but I've always gravitated towards imperfect soulmate systems, where it takes real effort to find them, and it's not so clear cut. and I honestly love how this turned out.
at the shore of the unknown (Piers/Leon) - another thing i always wanted to do was a soft apocalypse. this was supposed to be the first fic of a series, and the series is probably not happening, but i'm still content with the mood of this fic as is :3 i love these... slow empty worlds.
before I even knew your name (Piers/Leon) - THIS! this was SO MUCH FUN i don't know if I've ever had as much fun writing a fic :'D idk it was such a joy.
i crave therefore i am (Piers/Leon) - this fic however fought me every single step of the way, i wrote it like three times, and hated half of the process lmao, but i do love how it turned out. and the first scene is one of my all time favorite scenes i've ever written in my life.
to feel again (fwb!Chris/Leon at first, Piers/Leon eventually) - this was supposed to be a quick little oneshot but in the end it spiraled into something longer, and I do love it. like. the whole point of the Chris/Leon bit was that neither of them is the bad guy or wrong but they just weren't right for each other at that point in time, and then I enjoyed letting Leon build trust and a new relationship with Piers slowly at his own pace. 10/10 would write again :'D
last chance garage (ot3) - this one was very emotional to write and also got SO out of hand bc it was supposed to be like 1k max and in the end I wrote 8k lol. but it's my favorite ot3 fic.
winter lovin' (there's snow one like you) (Piers/Leon) - this one is super special to me because it happens in Finland :D they're vacationing on my home turf lol. but also because they're so in love, and they get to have fun and be together and. idk. the whole fic makes me all "🥺💖" like i literally turn into a physical embodiment of those two emojis. i love the fic.
stay until the end of life (Piers/Leon) - this one was also very emotional to write and I wanted to put them through a lot, and show how they really are in it for better and for worse. i wanted to show the struggles too, like... they love each other. they wanna be there for each other. but it's not always that easy. and I do think it worked out great.
three words to last forever (Piers/Leon) - I'm gonna end this way too long list with this because it's the first (and so far only) time I wrote a "choose your own ending" story and it was so much fun! I wish I could do a bigger story where you get to make multiple choices, but that would require some serious brainstorming lol. anyhow, I'm happy I got to do this! and happy with it turned out! especially the saddest ending :'D
now I'll shut up with my deepest apologies lmao.
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msfbgraves · 10 months
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((and Terry doesn't even know he's gambling with his heart.)) And he lost big time and soon enough lmao. Tsk tsk, oh Terry. Once he had Daniel, there was no way he could ever let him go. Not that Daniel minded, luckily enough…;3 These two fools, I swear! ♥️
Today isn't about him, grazie a Dio, and yet he feels he's been catapulted back in time. There's not even a pup to anchor him to his life, he feels like he's not in it – as if, by some divine grace, he's been given a do-over.
And yet there's still Terry.
He feels exactly the same about him: torn between desire and fear, sadness and hope. Did he know, then, who he was being given to? Has he always known?
He tries, he tries so hard, as always, for everyone's sake, but he can't forget the cold, dead look in his mate's eyes when he took him.
It's a look he's known longer than Terry – he has seen it in his father, his sister, his uncles, his brother, and he's believed them when they said: “That's not for you.” Never for you.
Until it is.
And yet.
Look at his brother, look how he holds his bride. So serious, so determined to show her that he's worthy. Trying to make himself tall in the procession. It's not much, what the Vitellis have, and yet it's everything for Mike, Daniel can see that. He's proud of Mikey, and his wife, too, Apollonia – she's serious on her first day as a woman, for that is how she'll see it.
Does she know what they are? Does she care?
He's with the other omegas first, of course, and with Nessa to welcome Apollonia into their circle, for he'll have a new sister from today. But then, his place is with Terry, inescapable as gravity.
He loves him. He knows it. He tries –
But at the touch of his hand, his smell, everything inside him freezes up. He tries not to let it. He tries –
For a man with no forgiveness in heart, living even worse punishment than death.
Kumiko. And that line is not even hers, he knows it; she told him it's by her uncle, Miya – something, and he vaguely remembers wanting to meet him one day. Another pipe dream. Still, he can hear her if she's sitting next to him.
Help me, he prays then. God, help me.
Suddenly his mate stirs. “Wait here,” he says, softly, then goes over to say something to Nessa. She looks confused, but walks to the musicians, who disappear into Vitelli's café, and, after a lot of noise, emerge carrying a slightly battered piano. They place it, as instructed, apparently, right in the middle of the circle of chairs, about a foot from where the couple are sitting.
Terry grins, then walks to Michael. “Miguele. Traduci per me.”
That's more Italian that he's ever uttered, and now Daniel walks to the front. “Terry, I can -”
“Sh.” It's not unkind. “Make yourself comfortable, sweetheart.”
Terry knows Michael's Italian isn't flawless. Nessa, now, she's fluent in six dialects, something which she's quite obviously trying to communicate.
Daniel shakes his head, laughing in spite of himself. These two! Mercifully perhaps, Terry keeps it brief.
“Dear brother,” he says, with a mocking bow to Michael, “sweet sister,” that's Apollonia, already offended on Michael's behalf. “I have a wish for you. May you ever feel like this.” He swallows, sits down at the piano and now looks straight at him.
“So in love.”
It's different on a grand piano, but Daniel recognises the melody in an instant.
New, to him, are the words.
Strange dear
But true, dear
When I'm close to you, dear
The stars fill the sky
So in love with you am I
Even without you
My arms fold about you
You know, darling, why
So in love with you, am I
He tries to look at him, but Terry seems gone into a universe all his own.
In love with the night mysterious
The night when you first were there
In love with my joy, delirious
when I knew that you could care
Now their gazes do meet. And Daniel's back, on his wedding night, close to his mate of a few hours, with all those feelings that then they didn't speak. The passion in Terry's voice, it makes him fear, for the very first time:
Did they miss their chance?
Can they go back?
...What if they can't?
A chord fades, then, and Terry closes his eyes, his face a rictus of pain:
So taunt me
And hurt me
Deceive me, desert me
I am yours till I die!
So in love
So in love
So in love, with you, my love
He stops, and neither of them breathe.
Then Terry looks down.
Am I
He didn't think he had any tears left in him. But never were they tears of fear or regret, not for their love, and when his mate embraces him, he feels gratitude, and darkness, too, but now, at least, it comes with words:
“You're a bastard.”
"I know." A kiss. "I know.”
“You don't deserve me.”
“I know – ”
His voice breaks. “You've really hurt me!”
“I know, I'm sorry, love, I'm so sorry...” His mate holds him through sobs so strong he's nearly puking with tears. “Daniel, I'm so sorry,” he hears again, “for everything I've done. All of it, Daniel, I'm so sorry -”
He kisses him then, and it must be disgusting but it serves him right, and when someone is calling “Viva gli sposi” it feels like it's at least partly for them this time.
“I love you,” he whispers, completely exhausted, and in response, his mate tenderly grazes his bitemark with his lips. Daniel feels warmth, a gush of blood, a small cramp – Terry's whole body stiffens –
“Oh...”
He doesn't think anybody has ever held him this tightly. “Get. A. Car!” Terry calls, but there's a gleeful uproar; as one, the guests are herding them towards the nearest house, which, to Daniel's horror, seems to be the Vitelli café. He tries to protest, but Vitelli seems to be shaking his head, a blessing on the wedding, and indeed there are a couple of guest rooms upstairs. At the very least, they're herded to the one furthest from the square.
“Oh, God, they'll hear,” Daniel says as his mate is stripping away his suit under loud whistling outside.
“Oh, yeah,” Terry grins. “Let's show them how it's done.”
“Bastard,” Daniel says, again. “I'll never live this down.”
“Hmm,” Terry says. “Better make it count then, huh?”
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danpuff-ao3 · 2 years
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The Making of: Boxes & Baubles
Normally, I have a clear idea of where I'm going before I begin any story. But for Boxes & Baubles, things played out a bit differently.
In 2021, the holiday spirit had its hold on me, but I was feeling rather aimless. I knew I wanted to write more Christmas fics. I had flashes of images and scenes in my head, but nothing clear, nothing cohesive. I turned to De-Stress December and 25 Days of Kinkmas for clues. I jotted down which prompts stuck out most. I made notes expanding on what I could do with the prompts, but still, not much stuck.
I think I was in a haze of too much excitement to actually focus.
But I'm nothing if not stubborn, so I sat with my Scrivener file open. I moved between prompts, adding what notes I could. I mulled over the idea of combining prompts. So on, and so on.
Prompt 9 for De-stress December was "Christmas Tree." I had a vision in my head of Harry and Severus decorating a tree together. It could be a drabble. I wasn't sure how to make it much of anything.
Here's where we get a bit personal. I love Christmas trees. There's so much tied to them, for me. They're a nice decoration, for one. They add character wherever they are, and they're like big neon signs proclaiming it Christmastime. They can be so individual. You can have simple, aesthetic trees. You can have chaotic, colorful trees.
There's the bonding time of decorating with friends and family. Choosing new ornaments each year. Standing around and figuring out where each piece will go. It can be a family-wide art project. That's how it was in my house, anyway. You can put candycanes on them, and rush over for your daily dose of sugar. You wrap up your presents and surround the tree with them. That's where we gathered around on Christmas morning to open presents.
When I was very young, we bought real trees. My parents were still married, and I only had one sibling. We'd bundle up in my dad's pickup truck and drive to the tree lot. My brother and I would ride back home in the bed of the truck with the tree. I won't say it was comfortable, being stuck by branches or the burn of cold wind on our faces. But it was tradition. And it was fun all the same. My brother and I would giggle. And it was such a treat, riding in the bed of the truck!
And the smell! God, the smell of a tree. That's half the magic right there.
Nowadays, I live with my partner. We have a small, fake tree and a handful of ornaments. My partner isn't big on holidays. He's no Grinch, but he doesn't have the same zest for celebrations I do. And the holidays are peak season at his job. Little time or energy to spare for projects he's not as keen on. He joins in what traditions mean most to me, but it's not quite the same, is it?
My childhood wasn't happy, really. And I'm not super close to my family. Life now with my partner is much better, even without the holiday spirit. But maybe it's the fact that Christmastime hold what happy memories I have. A not so happy life felt like pure magic around Christmas. Everyone was happy, and together. There was love. There was fun. It was so, so special.
Family matters make the holidays a complicated time for many people. For me, I clung to my joy, both because of, and in spite of, my family.
So I mulled over Christmas trees and my own connection to them. And I thought of Severus, and his not-so-happy childhood. I kept that image of "Snarry tree decorating" in my head while considering Severus' POV. With his background, how must he feel about the holidays? Not so Grinch-like with Harry, I imagined. But the holidays were probably sad affairs.
Or were they?
So I thought more on Severus' background. I had existing headcanons about Tobias and Eileen. And I've always been a fervid lover of flawed characters and imperfect relationships. How Tobias was a bad father and a bad husband, but he wasn't pure evil. And if all Severus associates with his father are bad memories, doesn't mean there were never good ones.
Doesn't that make it worse? The virtues in the people who hurt us. The good times we shared with them. It's easier to hate people when they don't feel human at all. When we are blissfully unaware of any redeeming qualities. We can hate them in peace.
And I do so love to torment my boys, don't I?
Keeping Severus' history in mind was important, but I never meant to actually write it. I opened a word document, meaning to type up a brief summary. But instead, I began my story.
Severus is five.
The tree they get is small and scraggly. Severus is small and scraggly, too.
Dad is in festive spirits. He kisses Mum while she cooks breakfast and he ruffles Severus’ hair. They load up into the car after and drive to the tree lot.
I'm a monster, really.
Once I had the opening down, I paused, and set about outlining the rest. It would begin with Young Severus, and end with Snarry, but I'd need to fill in the blanks. Lily, as an obvious choice. And I love when Severus has a romantic history with Regulus, so I made room for him, as well.
Then I went back, and continued writing.
I couldn't ignore the horrors of Severus' life, but I didn't want to linger on them, either. It really was meant to be a happy story, though looking back I guess bits of it were sad. Ah well, pure fluff rarely works for me, anyway.
Funnily enough, at the end, I squeezed in an extra scene. That's a bit unusual for me to do. I go in with a plan. And if scenes are added, I add them as I go. I always write chronologically. But while editing, I noticed a timeline error. And then...well, I was still missing something. So on a whim during edits, I added the scene with Dumbledore.
There. That was much better!
(Except, apparently, I forgot to fix a detail after adding said scene, but my friend Shera was quick to read and point it out. Oops.)
This story happened so unexpectedly. There was little purpose, little planned, just silly ole me rummaging around for something, anything to write. All I wanted were more Christmas stories. I was content to write fluffy drabbles! And in my search, I found a story that I quite loved.
Of course, there's one more bit to this story. I posted it on December 9th. People were so kind to it! And I was so very glad. And I had no idea that anyone would love it so much as to record it.
And on Christmas Day that year, my dear friend Nina posted the podfic. I cried! It was such a surprising gift, and I was so touched. And best of all, it returned to me all of the love and magic I've always associated with Christmas.
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yurissweettooth · 3 years
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On Trauma, Alienation, and Yuri Petrov
After the anon I recieved yesterday got me thinking about Yuri's lack of support system as well as had me coming back to this one scene in the Rising where Kotetsu tells Yuri that he could never understand what Barnaby went through. This will be a bit of a ramble so bear with me!
As he's meant to be a foil for Barnaby I feel like most of the attention goes to Barnaby and his trauma when making a comparison between the two (which is fair, he's a main character after all). Because of this some people don't really see the depth behind Yuri and the realism to his trauma. Some have written him off as part of the "abused people become abusers" stereotype or outright dismissed him as some egotistical man child of a villain. I think it's important to take a look at him and how his multiple traumas, and the alienation he faced thereafter, lead him down the path he's on by focusing on his side of the comparison.
To start with, one notable point is that Barnaby is able to reveal his trauma on live television and have the entire city rally around him. His support system and the people who have his back extends further than just the people he knows. 
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Yuri, on the other hand, can't reliably even talk to his own mother (the only person he's shown to have any type of connection to) about what he's been through as her responses seem unpredictable. We can make the reasonable assumption that he doesn't have any friends because it states in the translated hero schedules that nobody has his phone number.
As a judge he can't admit to murder, as the son of the most highly regarded and beloved hero he can't speak ill of him (he likely wouldn't be believed anyway), and as someone who is seemingly still full of guilt and questioning his own behavior (no doubt aided by the fact that even his mother, who he was trying to save, doesn't always support him) he can't easily admit to the aftermath either. 
Continuing with the focus on his portrayal in the Rising, I'll point out again (as I did in my response yesterday) that there is a particularly interesting scenario where we get to see the aftermath of the effects of trauma relating to loss of a parent in three people at once. One desperate for revenge and one who has technically gotten his revenge yet didn't feel any better because of it.
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"Now wait a moment." You may be saying "Yuri killed his own father so isn't that different than the other two?" and to that I would like to posit that Yuri did have his father taken from him before he ever killed him.
Aside from his hatred of "evil", Yuri also seems to view heroes as immoral, fame driven, and unable to help those in need. I think a lot of this can be tied back to the fact that Yuri lost his father as he knew him the moment the abuse started. 
Child Yuri seemed amazed by his father, right down to the Legend themed outfit. It can be assumed he was a great dad and a great hero at this point. However, that image was shattered when Legend began to drink and abuse his family (as an aside, one of the artbooks confirmed that Yuri was beaten as well). The man he looked up to, the hero, the man who taught him to never let evil go unpunished, was hurting him. It's not difficult to image what that sort of effect dissonance could have on a child.
Legend was staging his arrests and trying desperately to hold on to what he had, putting the anger he felt at losing his position over his duty as a husband and father to be there for his family (I could contrast this with how Kotetsu, in the same situation, uses this time to get closer to his family but that's for another time). He was loved and admired by all with no one any wiser to what happened behind closed doors. 
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I think it's because of this that Yuri seems to live his life in opposition to the hero lifestyle. In a way this could almost be seen as a form of revenge seeking against heroes themselves. He's seen what a "hero" can be like and he can no longer trust them to make the right choices or have a genuine desire to help anyone so he takes it into his own hands and has no qualms about airing his spiteful opinions while doing so.
As a side note, in a way I also believe that his decision to kill those that are evil is, in part, a form of reassurance to himself that he's not wrong for what he did to his own father. We kind of get a hint of that in the scene where he's hallucinating and yells at his father's apparition after having his actions questioned by him.
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To return to the main point, Yuri isn't really given the opportunities the others had to change their ways and heal. There was no one there to stop him from going down the wrong path. Barnaby tells Virgil that he's not out to save Schneider, he's out to save Virgil himself. Barnaby also says how Kotetsu was able to be there for him and that, had it not been for him, he wouldn't even have been standing there today and would have gone down the wrong path himself. 
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I often see people discuss what Yuri might have been like had he never been abused or killed his father but I think a more interesting thing to consider is what he could have been like had he had someone on his side when he really needed it, if he didn't live in a world that would likely turn on him if he spoke against the most well-known celebrity hero (I would imagine that, much like in our real world, if an abuse victim spoke out against a celebrity they'd be shamed and called a liar), if there had been someone there to set him straight before his pain and twisted morals consumed him.
Even as we see him in the show I don't think he's a bad man. He does terrible things, yes, but he does them out of a desire to save people, to help others, to prevent more suffering. It annoys me to see him portrayed as some childish villain just stupidly killing for the sake of it. He's misguided, yes, but there's a method to his madness.
I guess the main point is that, regardless of how Kotetsu meant it, I feel sad thinking about Yuri stating his views on how to heal from the past only to be told that he "Doesn't know the first thing about what [Barnaby's] been through". Yuri does know pain, loss, and betrayal quite well which is how he came to those conclusions in the first place, he just hasn't been in a situation that's allowed him to admit and process that.
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Lestat de Lioncourt - A playlist
So, guess who made a Lestat Playlist (like there aren't enough already) and decided to sit down for 4-6 hours to find some excerpt corresponding with each song? Featuring 80s and 90s music (clearly showing my age...) as well as many european songs and showtunes. Enjoy!
1. Cathedrals – Ramin Karimloo (Original by Jump, Little Children)
In the cathedrals of New York and Rome There is a feeling that you should just go home And spend the lifetime finding out just where that is
And that was not a good year for me. I was wandering aimlessly. I was sick of things. I was furious with myself that the „beauty“ of life wasn't sustaining me, wasn't making my loneliness bearable.
I wanted to join them. Always do want to join them and never do. „Go home,“ he whispered. - Prince Lestat
(I actually feel like there are quotes that would correspond to this song in every one of the books and indeed have not yet found any other song that captures the general spirit of The Vampire Chronicles as perfectly.)
2. Edge of Seventeen – Stevie Nicks
Well, I went today Maybe I will go again tomorrow Yeah yeah, well, the music there Well, it was hauntingly familiar Well, I see you doing what I try to do for me With the words from a poet and a voice from a choir And a melody, and nothing else mattered
He sat next to me, hugging me and asking me why I was crying, and though I couldn't tell him, I could see that he was overwhelmed that his music had produced this effect. There was no sarcasm or bitterness in him now. I think he carried me home that night. And the next morning I was standing in the crooked stone street in front of his father's shop, tossing pebbles up at his window. When he stuck his head out, I said: „Do you want to come down and go on with our conversation?“ - The Vampire Lestat
3. I ain't scared of lightning – Tom McRae
No I ain't scared of lightning And thunder never killed I was born in a summer storm and I live there still
I wasn't part of the world that cringed at such things. And with a smile, I realized that I was of that dark ilk that makes others cringe. Slowly and with great pleasure, I laughed.
And the labor that brought it forth was rapture such as I have never known. - The Vampire Lestat
4. Junge Roemer – Falco (Young Romans – Full Translation)
Don't ask for new old values See white light, see only feeling The night is ours till morning We play every game Don't ever let this journey end The doing comes only from the being Only from dimensions, that Are worth illusions and sensations Give me more, give me more, give me more...
... and again she laughed. „Ah, but we are splendid devils, aren't we?“ „Hunters of the Savage Garden,“ I said. „Then let's go into Paris,“ she said. - The Vampire Lestat
5. Running up that hill – Candy Says (Original by Kate Bush
If I only could, I'd make a deal with God, And I'd get him to swap our places, Be running up that road, Be running up that hill, Be running up that building,
„Not even with Nicolas?“ „No, god, no!“ I looked at her. She nodded slightly as if she approved of this answer. „Why not with Nicolas?“ she asked. I wanted this to stop. „Because he's young,“ I said, „and he has life before him.“ - The Vampire Lestat
6. Florence – Notre Dame de Paris (Full Translation)
The little things always triumph over the large And literature will kill architecture The school books will kill the cathedrals The Bible will kill the Church, and man will kill God This will kill that
„I never lived in it. I push against the glass. But how do I get in?“ „I can't tell you that,“ I said. „You have to study this age,“ Gabrielle interrupted. Her voice was calm but commanding. He looked towards her as she spoke. „You have to understand the age,“ she continued, „through its literature and its music and its art. You have come up out of the earth, as you yourself put it. Now live in the world.“ No answer from him. Flash of Nicki's ravaged flat with all its books on the floor. Western civilization in heaps. - The Vampire Lestat
7. Go your own way – Fleetwood Mac
Loving you isn't the right thing to do How can I ever change things that I feel
If I could maybe I'd give you my world How can I when you won't take it from me
You can go your own way You can call it another lonely day
„Keep your promise,“ she said. And quite suddenly I knew this was our last moment. I knew it and I could do nothing to change it. „Gabrielle!“ I whispered. But she was already gone. - The Vampire Lestat
8. Désenchantée – Olympe (Original by Myléne Farmer - Full Translation)
If death is a mystery Life isn't exactly tender If heaven has a hell Then heaven can still wait for me Tell me how to handle this headwind Nothing makes sense anymore, nothing's fine
Laughter. That insane music. That din, that dissonance, that never ending shrill articulation of the meaninglessness... Am I awake? Am I asleep? I am sure of one thing. I am a monster. And because I lie in torment in the earth, certain human beings move on through the narrow pass of life unmolested. - The Vampire Lestat
9. A kind of magic – Queen
The bell that rings inside your mind Is challenging the doors of time It's a kind of magic The waiting seems eternity The day will dawn of sanity
And quite completely I understood that it was looking for me, this sound, it was seeking me out.
Blood like light itself, liquid fire.
It seemed beneath the roar of the flow he spoke. He said again: „Drink, my young one, my wounded one.“ I felt his heart swell, his body undulate, and we were sealed against each other. I think I heard myself say: „Marius.“ And he answered: „Yes.“ - The Vampire Lestat
10. La quête – Bruno Pelletier (French version of „The Impossible Dream“ from Man of La Mancha)
To try when your arms are too weary To reach the unreachable star
This is my quest To follow that star Ooh, no matter how hopeless No matter how far
I would remain in New Orleans if New Orleans could only manage to remain. Whatever I suffered should be lessened in this lawless place, whatever I craved should give me more pleasure once I had it in my grasp. And there were moments on that first night in this fetid little paradise when I prayed that in spite of all my secret power, I was somehow kin to every mortal man. - The Vampire Lestat
11. Wicked Game – Chris Isaak
What a wicked game you play, to make me feel this way What a wicked thing to do, to let me dream of you What a wicked thing to say, you never felt this way What a wicked thing to do, to make me dream of you
Yet Louis gained a hold over me far more powerful than Nicolas had ever had. Even in his cruelest moments, Louis touched the tenderness in me, seducing me with his staggering dependence, his infatuation with my every gesture and every spoken word. - The Vampire Lestat
12. Do I disappoint you – Rufus Wainwright
Do I disappoint you, in just being human? And not one of the elements that you can light your cigar on Why does it always have to be fire? Why does it always have to be brimstone?
„And suppose the vampire who made you knew nothing, and the vampire before him knew nothing, and so it goes back and back, nothing proceeding from nothing, until there is nothing! And we must live with the knowledge that there is no knowledge!“ „Yes!“ he cried out suddenly, his hands out, his voice tinged with something other than anger.
And then I sensed it. He was afraid. Lestat afraid. - Interview with the Vampire
13. Ordinary World – Duran Duran
What has happened to it all? Crazy, some'd say Where is the life that I recognize? Gone away
But I won't cry for yesterday There's an ordinary world Somehow I have to find And as I try to make my way To the ordinary world I will learn to survive
I do not remember when it became the twentieth century, only that everything was uglier and darker, and the beauty I'd known in the old eighteenth-century days seemed more than ever some kind of fanciful idea. - The Vampire Lestat
14. I'm still standing – Taron Egerton (Original by Elton John)
And there's a cold lonely light that shines from you You'll wind up like the wreck you hide behind that mask you use And did you think this fool could never win? Well look at me, I'm coming back again
But after the third night up, I was roaring around New Orleans on a big black Harley-Davidson motorcycle making plenty of noise myself. […] I was the vampire Lestat again. I was back in action. New Orleans was once again my hunting ground. - The Vampire Lestat
15. Catch my fall – Billy Idol
I have the time so I will sing, yeah I'm just a boy but I will win, yeah Lost song of lovers, fellow travelers, yeah Leave me sad and hollow out of words
It could happen to you so think for yourself If I should stumble, catch my fall, yeah
I've survived, obviously. I wouldn't be talking to you if I hadn't. And the cosmic dust has finally settled; and the small rift in the world's fabric of rational beliefs has been mended, or at least closed. I'm a little sadder for all of it, and a little meaner and a little more conscientious as well. - The Queen of the Damned
16. I want it all – Queen
I'm a man with a one track mind So much to do in one lifetime (people do you hear me) Not a man for compromise and where's and why's and living lies So I'm living it all, yes I'm living it all And I'm giving it all, and I'm giving it all
It is not enough any longer that my little rock band be successful. We must create a fame that will carry my name and my voice to the remotest parts of the world. - The Vampire Lestat
17. Let me entertain you – Robbie Williams
Hell is gone and heaven's here There's nothing left for you to fear Shake your arse come over here Now scream
I'm a burning effigy Of everything I used to be You're my rock of empathy, my dear
So come on let me entertain you
"I AM THE VAMPIRE LESTAT!" I shouted at the top of my lungs as I stepped way back from the microphone, and the sound was almost visible as it arched over the length of the oval theater, and the voice of the crowd rose even higher, louder, as if to devour the ringing sound. - The Vampire Lestat
18. La bien qui fait mal – Mozart l'Opera Rock (Full translation)
I can feel a violent urge I feel like I'm sliding towards the ground If I don't find out where this plague is coming from I adore having it under my skin Bewitched by mad ideas Suddenly all my cravings take off The desire becomes my prison Until I loose my mind
Yet I was in her arms in this chilling darkness, in the familiar scent of winter, and her blood was mine again, and it was enslaving me. When she drew away, I felt agony. - The Queen of the Damned
19. Tainted Love – Soft Cell
And you think love is to pray But I'm sorry I don't pray that way Once I ran to you Now I'll run from you This tainted love you've given I give you all a boy could give you Take my tears and that's not living, oh
„What do you think I am that I am so easily swayed? I was born a Queen. I have always ruled; even from the shrine I ruled." Her eyes were glazed suddenly. I heard the voices, a dull hum rising. "I ruled if only in legend; if only in the minds of those who came to me and paid me tribute. Princes who played music for me; who brought me offerings and prayers. What do you want of me now? That for you, I renounce my throne, my destiny!" What answer could I make? - The Queen of the Damned
20. Dancing in the Dark – Ruth Moody (Original by Bruce Springsteen)
They say you gotta stay hungry Hey baby, I'm just about starvin' tonight I'm dyin' for some action I'm sick of sittin' 'round here tryin' to write this book I need a love reaction Come on now, baby, gimme just one look
"I want you to put the book aside and come join us," he said. "You've been locked in here for over a month." "I go out now and then," I said. I liked looking at him, at the neon blue of his eyes.
"Do you love me now?" I asked. He smiled; oh, it was excruciating to see his face soften and brighten simultaneously when he smiled. "Yes," he said. "Want to go on a little adventure?" My heart was thudding suddenly. It would be so grand if- "Want to break the new rules?" "What in the world do you mean?" he whispered. - The Queen of the Damned
21. I want you – Savage Garden
Oh, I want you, I don't know if I need you But oh, I would die to find out
"You don't think you'll be back?" he asked. "I think you will, whether I call or not." Another little surprise. A little stab of humiliation. I smiled at him in spite of myself. He was a very interesting man. "You silver-tongued British bastard," I said. "How dare you say that to me with such condescension? Maybe I should kill you right now."
I thought of David Talbot's face, and that moment when he'd challenged me. Well, maybe he was right. I'd be back. Who said I couldn't come back and talk to him if I wanted to? - The Queen of the Damned
22. Lay your hands on me – Bon Jovi
I'm a fighter, I'm a poet, I'm a preacher I've been to school, oh baby, I've been the teacher If you show me how to get up off the ground I can show you how to fly and never ever come back down
I sat down on the bed beside him. And then I bent down and kissed his face again gently, as I had in New Orleans, liking the feel of his roughly shaven beard, just as I liked that sort of thing when I was really Lestat and I would soon have that strong masculine blood inside. I moved closer to him, when suddenly he grasped my hand, and I felt him gently push me away. „Why, David?“ I asked him. He didn't answer. He lifted his right hand and brushed my hair back out of my eyes. „I don't know,“ he whispered. „I can't. I simply can't.“ - The Tale of the Body Thief
23. 20th Century Boy – Placebo (Original by T-Rex)
I move like a cat, charge like a ram Sting like a bee, babe, I wanna be your man, hey!
He drew back with a speed that astonished me, cleaving to the wall. „Don't do this, Lestat.“ „Don't fight me, old friend. You waste your effort. You have a long night of discovery ahead.“ - The Tale of the Body Thief
24. Way down we go – KALEO
Oh, Father tell me, do we get what we deserve? Whoa, we get what we deserve And way down we go
„In chains, to my friend and my scribe, I dictated these words. Come with me. Just listen to me. Don't leave me alone.“ - Memnoch the Devil
25. Personal Jesus – Depeche Mode
Reach out, touch faith
"Don't tell me," Gabrielle said slurringly, "that it's a matter of faith." She sneered and shook her head. "You come like doubting Thomas to thrust your bloody fangs in the very wound." "Oh, stop, please, I beg you," I whispered. I put up my hands. "Let me try, and let him hurt me, and then be satisfied, and turn away." - The Vampire Armand
26. Papillon – Editors
Darling Just don't put down your guns yet If there really was a God here He'd have raised a hand by now Now darling You're born, get old, then die here Well that's quite enough for me We'll find our own way home somehow
"And if I spill my blood down into this coffin now," Lestat asked her, "what do you think will come back? Do you think it will be our Louis that will rise in these burnt rags? What if it's not, chérie, what if it's some wounded revenant that we must destroy?" "Choose life, Lestat," she said. - Merrick
27. Sunday Light – Choir Boy
Why, why, why, are you silent on the ride home? I'd love to see the temple with you Heavenly and bright, golden angel twisted scathing You were one of us, one of us, one of us, you were one of us
"Then come, Little Brother, take me to where you want to talk," he said, and I felt the soft squeeze of his fingers on my arm. "Why are you so kind to me?" I asked him. "You're used to people being paid to do it, aren't you?" he asked. - Blackwood Farm
28. Für mich solls rote Rosen regnen – Hildegard Knef (It should rain red roses for me - Full translation)
It should rain red roses for me All wonders should encounter me The world should rearrange itself And keep its worries to itself
I want to be a saint. I want to save souls by the millions. I want to do good far and wide. I want to fight evil! I want my life-sized statue in every church. I'm talking six feet tall, blond hair, blue eyes- Wait a second. Do you know who I am? - Blood Canticle
29. Constant Craving – K. D. Lang
Even through the darkest phase Be it thick or thin Always someone marches brave Here beneath my skin And constant craving Has always been
I was hunting, thirsting though I didn't need to drink, at the mercy of the craving, the deep agonizing lust for heated pumping human blood. - Prince Lestat
30. Kalte Sterne – Jan Ammann (Cold Stars from the musical Ludwig² - Full translation)
Get up, ride home, on your horse, through your land Across the morning with your reins trailing behind you Build a castle like a dream, build it with mighty hands And it shall be named „future“
Build a castle like a dream Up from the ashes and close to the heavens Build a castle like a dream And realise the future as king
If we wanted to survive, if we wanted to inherit the millenia […] then we had to meet the future with respect as well as courage and count fear and selfishness to be small things. - Prince Lestat and the realms of Atlantis
31. C'est une belle journée – Mylene Farmer (Full translation)
I'm going to bed To bite eternity With my mouth wide open It's a beautiful day
And I felt the cold numbing shell of alienation and despair which had imprisoned me all of my life among the Undead – I felt that shell cracked, broken, and dissolved utterly into infinitesimal fragments. - Blood Communion
32. Princes of the Universe – Queen
Fly the moon and reach for the stars With my sword and head held high Got to pass the test first time, yeah I know that people talk about me, I hear it every day But I can prove them wrong 'cause I'm right first time
„I know that you meant full well to bring Rhoshamandes down, of course you did. But you had no way of knowing that you could. And no one would have predicted that you could. And with the willingness to die, you gave yourself over into his hands... and you disarmed him and destroyed him.“ – Blood Communion
And finally, because I can, a bonus track:
33. Primadonna – MARINA
And I'm sad to the core, core, core Every day is a chore, chore, chore When you give, I want more, more, more I wanna be adored
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Pride and Prejudice 1940: "When Pretty Girls T-E-A-S-E-D Men Into Marriage"
Made during the Great Depression, this classic black and white film is loosely based on Austen's novel and is set in what is likely the 1830s rather than the Regency Era (late 18th century to early 19th century). It is an escapist piece which capitalizes on nostalgia for a simpler time by transporting its viewers to a chocolate-box vision of the past, while paying homage to Austen's social satire by delivering plenty of laughs along the way.
Overall Thoughts on the Film:
The first time I watched this movie, I was confused because the plot as well as the setting was revised significantly (the events after Darcy's first proposal are changed to hasten the happy ending; Darcy's letter and Elizabeth's visit to Pemberley are not included in this movie). This changing of plot points makes the 2005 movie a much more faithful adaptation in comparison with this version, in spite of the creative liberties both take with the novel.
Production Design:
The movie is a typical example of Golden Age Hollywood productions, with beautiful actresses and melodramatic flourishes added to increase the drama. Some of the lines are delivered very quickly, in keeping with the comedic style of the time.
The music: definitely not historically accurate. A lot of sentimental, "ye olde timey" string arrangements that emphasize emotions or fast-paced waltz music for balls/parties.
The 1830s costumes are beautiful; it seems as if no expense (or quantity of fabric) was spared in making them. The bonnets are way taller and have more decorations than typical 1830s bonnets. Some of the patterns/fabric choices are very 1930s, and the costumes are exaggerated in such as way as to make the wearers look like fancy turkeys.
Hair and Makeup: very 1930s, with finger/sausage curls, plucked eyebrows, lipstick/lip makeup, and long lashes.
The sets: the dollhouse-like interiors are lavishly gilded and made to look as opulent as possible. Outdoors scenes are lush, with lots of flowers and bushes; the garden in which the second proposal takes place is gorgeous. The set design transports the viewer into an idyllic vision of the bucolic English countryside.
The Lead Actors:
With the exception of Laurence Olivier, the majority of the actors are American, since this is a Hollywood production. Many of the characters in the film's imaginary vision of pastoral Britain speak American or make clumsy attempts to imitate British English.
Greer Garson: while she is definitely too old for the part, she perfectly conveys Elizabeth's intelligence, outspokenness, and sarcasm. Her facial expressions are killer as well; with the arch of an eyebrow along with a snarky side eye, she captivates us all. All in all, Garson effectively shows off Elizabeth's impertinence through her nonverbal acting (this reminds me strongly of Jennifer Ehle's Elizabeth Bennet).
Laurence Olivier: he effectively conveys Darcy's pride while hinting at his deeper feelings beneath the surface (I can see why Colin Firth spoke so highly of Olivier's portrayal of Darcy). Most importantly, the film emphasizes Darcy's intelligence; he is certainly Elizabeth's intellectual equal. While this portrayal of Darcy is very accurate to the book, Darcy's pride does go away pretty quickly (he and Elizabeth form a tentative friendship early on) and his social awkwardness isn't immediately obvious thanks to his charm. Also the unflattering hairstyle with the greasy hair and painted on sideburns makes me sad.
Key Scenes:
Opening scene: The title card appeals directly to the audience's nostalgia for a sentimental, romanticized past: “It happened in OLD ENGLAND (this was actually capitalized), in the village of Meryton…” The Bennet women are at a fabric shop, where they gossip with aunt Phillips about the rich people moving into Netherfield Park.
The carriage race: this scene, which isn’t in the original novel, represents the rivalry between the Bennets and Lucases. The mothers both want their daughters to be the first to snag the rich bachelors.
The first ball: There is a historical anachronism as the music is a waltz by Strauss, who became popular in late 19th century, specifically the Gilded Age; far too early for the Regency Era or 1830s England. Other changes from the original novel include Elizabeth meeting Wickham before Darcy; other events from Aunt Phillips’ ball (which isn’t included in this movie) and Wickham and Darcy’s confrontation are included in this scene.
Elizabeth’s impression of Darcy at the ball: she puts on airs and mocks his casual dismissal of her as tolerable (definitely a parallel with the 1995 version, where Jennifer Ehle does the same, but privately with Jane).
Great comedic change: Darcy introduces himself to Elizabeth after calling her tolerable and asks if she will dance with him (this originally takes place at Mr. Lucas' ball). Right after rejecting Darcy, she instantly agrees to dance with Wickham; in a humorous moment, Darcy evacuates to a corner of the room to sulk while seeing Wickham dance with Elizabeth.
The “Accomplished woman” scene: the dialogue lifted directly from the book for the most part. Darcy, in a departure from his trademark seriousness, shows off his playful side when reacting to Caroline Bingley's "turn about the room." I particularly like this added repartee from Elizabeth Bennet to Darcy, which is clever but also foreshadows her prejudice: “If my departure is any punishment, you are quite right. My character reading is not too brilliant.”
Elizabeth can't stand Mr. Collins: After twirling about his monocle, he pronounces that: “It might interest you to know my taste was formed by lady Catherine de Bourgh.” The best part of this scene is when Elizabeth plucks a wrong note on her harp when Collins gets really annoying.
The Netherfield ball (which is now a garden party):
Elizabeth running away from Mr. Collins: She looks rather ridiculous, almost like an overdressed turkey, in a white dress with puffy sleeves as she runs away from an overeager Collins. Then she hides in the bushes while Darcy helps her to hide, telling Collins he doesn't know where she is. It's fun but most likely not something a proper lady and gentleman would do (two people of the opposite gender out alone, shock!).
The archery scene: Darcy attempts to teach Elizabeth how to shoot a bow and arrow, even though he doesn’t hit the bullseye. She goes on to impress him by perfectly hitting the bullseye every time; Darcy learns his lesson: "Next time I talk to a young lady about archery I won't be so patronizing." Caroline Bingley, very passive aggressive as usual, shows up for her archery lesson right after and it's absolutely perfect.
Mr. Collins attempts to introduce himself to Mr. Darcy: Laurence Olivier captures Darcy so perfectly in this scene (really set the precedent for Colin Firth). When Mr. Collins starts talking (inviting Elizabeth to dance with him) Darcy tries to keep himself well-composed but has a pained expression on his face as if he’s about to pass out. Olivier masters the way Darcy can look so miserable but also disgusted and proud at the same time.
Mr. Collin's proposal to Elizabeth: I like the added touch of Mrs. Bennet pulling Elizabeth back by her skirt when she tries to run out of the room. The dialogue is taken directly from the book, and the scene is made even funnier when Collins holds on to Elizabeth's hand desperately and doesn’t let her get away. My only quibble is that Elizabeth isn’t indignant enough when Mr. Collins doesn't take no for an answer.
Elizabeth and Darcy at Rosings: I like that Olivier subtly indicates that Darcy is clearly affected upon seeing Elizabeth at Rosing, hinting at deeper feelings beneath the surface. I also like how the scriptwriter emphasizes that Darcy indirectly praises Elizabeth and enjoys their conversations, while she remains convinced that he hates her. Sadly, the original dialogue of the piano scene is not included, which is unfortunate as it allows Darcy to reveal his introvert tendencies, calling into question Elizabeth's assertion that he is unpardonably proud.
First proposal: The famous opening lines are mutilated with awkward punctuation: “It’s no use. I’ve struggled in vain. I must tell you how much I admire and love you." While the rest of the dialogue matches up closely with what happens in Austen's novel, both of the actors aren’t emotional enough; instead Elizabeth cries very daintily, and Darcy remains serene, which conflicts with the book's description of both of them being very angry and defensive at each other.
THE SCRIPT:
The first half of the film up to Darcy's first proposal follows the events of the original book closely, though certain blocks of dialogue are moved elsewhere and other events such as Mrs. Phillips' party are skipped over. The most significant changes, besides updating the setting to the 1830s, are made to the second half of the book to squeeze the key events of the story into the movie before delivering the inevitable happy ending.
Brilliant Quotes:
Mr. Bennet's reaction to Mrs. Bennet's despair over the situation of their 5 unmarried daughters: “Perhaps we should have drowned some of them at birth.”
Darcy insists Elizabeth cannot tempt him: “Ugh. Provincial young lady with a lively wit. And there’s that mother of hers.”
Darcy is an arrogant snob: “I’m in no humor tonight to give consequence to the middle classes at play.” (Technically the Bennets are part of the gentry; they just are less wealthy than Darcy).
Elizabeth's reaction to Darcy pronouncing her to be tolerable at best: “What a charming man!”
Elizabeth rebuffs Darcy's offer to dance after overhearing his insult: “I am afraid that the honor of standing up with you is more than I can bear, Mr Darcy.”
Elizabeth favors Wickham after witnessing the bad blood between him and Darcy: “Without knowing anything about it I am on your side.”
Mrs. Bennet's comment after she sends Jane to Netherfield under stormy skies: “There isn’t anything like wet weather for engagements. Your dear father and I became engaged in a thunderstorm.”
Mr. Bennet's reaction to Jane's fever: “Jane must have all the credit for having caught the cold…we’re hoping Elizabeth will catch a cold and stay long enough to get engaged to Mr. Darcy. And if a good snowstorm could be arranged we’d send Kitty over!”
The sisters' description of Mr. Collins: “Oh heavens! what a pudding face.”
Caroline Bingley at the Netherfield garden party: “Entertaining the rustics is not as difficult as I feared. Any simple childish game seems to amuse them excessively.”
Darcy reassuring Elizabeth after helping her escape Mr. Collins: “If the dragon returns St. George will know how to deal with it.”
Darcy learns his lesson after Elizabeth beats him at archery: “The next time I talk to a young lady about archery I won’t be so patronizing.”
Elizabeth comments about a curtain: “Oh that’s pretty. It’s a pity you didn’t make it bigger. You could have put it around Mr. Collins when he becomes a bore.”
Elizabeth on Kitty and Lydia: “2 daughters out of 5, that represents 40% of the noise.”
Elizabeth sees Lady Catherine for the first time: “So that’s the great lady Catherine. Now I see where he learned his manners.”
Lady Catherine's attitude towards philanthropy: “You must learn to draw a firm line between the deserving poor and the undeserving poor.”
Darcy takes Elizabeth's advice: “I’ve thought a great deal about what you said at Netherfield, about laughing more...but it only makes me feel worse."
Elizabeth and Darcy have a conversation with Colonel Fitzwilliam: “He likes the landscape well enough, but the natives, the natives, what boors, what savages … Isn’t that what you think, Mr. Darcy?” With a smile: “It evidently amuses you to think so, Miss Bennet."
CHANGES FROM THE BOOK:
The first half of the film up to Darcy's first proposal follow the events of the original book closely, though certain blocks of dialogue are moved elsewhere and other events such as Mrs. Phillips' party are skipped over. The most significant changes, besides updating the setting to the 1830s, are made to the second half of the book to squeeze the key events of the story into the movie before delivering the inevitable happy ending.
With the exception of Lady Catherine de Bourgh, the portrayals of the characters are (generally) true to the book.
As I said earlier, the film neglects any sort of historical accuracy when setting the story in romanticized "Old England," where genteel people pass simple lives that revolve around dresses, tea parties, social gossip, and marriages. A lot of Austen adaptations present an idealized vision of Regency life, where people are dressed immaculately, flawlessly adhere to "chivalry," and find love in the ballroom. This contributes to the misconception that Austen's novels are shallow chick-lit books with flat characters who live for lavish parties and hot men, instead of stories of unique, complicated women who happen to be well-off but aspire towards love, respect, or independence instead of being content to make economically advantageous marriages. Austen's novels are character novels and she doesn't waste time writing about dresses or tea parties; balls, while exciting, are just another part of daily life for her characters rather than some Extremely Big Special Once In a Blue Moon Event.
Austen's multifaceted view on marriage turns into a game of matchmaking. She recognizes it as necessary for women to survive in the patriarchy, since they cannot provide for themselves unless they marry well, but at the same time, presents marriage as a means for freedom if it is a loving partnership between two people that respect each other. In contrast, marriage is a game of manipulating the partners into wanting to marry (ex. Lady Catherine and Darcy's trickery). Also, it seems to be a given that Elizabeth will marry for love, unlike in the book where it is uncertain whether she will achieve this.
Kitty and Lydia's antics are viewed much more sympathetically as those of young people having fun; in the book, their behavior harms the family's social reputation, reducing the chances the Bennet daughters have of making good marriages.
Louisa Hurst, Georgiana Darcy, and Aunt and Uncle Gardiner are not in the movie.
Wickham is introduced much earlier than in the book; he is friends with Lydia from the very beginning. Interestingly, he doesn't begin to trash-talk Darcy until Bingley leaves; in the book he does so much earlier, before the Netherfield ball.
Darcy is more considerate towards Elizabeth at the Netherfield party (ex. rescuing her from Collins), until he overhears Mrs. Bennet scheming to get the daughters married. Elizabeth forms a tentative friendship with him until finding out that he separated Jane from Bingley.
Jane is more obviously heartbroken over Bingley's departure than in the book, where she keeps her pain to herself. In the movie, she runs away to cry, which is uncharacteristic of her.
Collins is a librarian instead of a clergyman. I dislike this change because some Austen scholars/fans think that Collins being a clergyman is a deliberate choice as part of Austen's social criticism. Collins is representative of how hypocritical the Church is, since he worships Lady Catherine's wealth instead of God, and preaches moral lessons instead of actually using religion to help people. My theory is that the change was made because of the Hays Code, which led to the censorship of movies for "unwholesome" or "indecent" things; the religious criticism could have been offensive.
Elizabeth reacts rather too kindly to Charlotte marrying Collins by showing concern for the loveless marriage. While she does worry about the lack of love in the marriage, initially she is extremely surprised, outright shocked, and confused.
The scene where Darcy tries and fails to talk to Elizabeth (the "charming house" scene in the 2005 movie) just before the proposal is removed.
Darcy's letter is skipped over and Elizabeth overcomes her prejudice of Darcy very quickly, as shown when she tells Jane she regrets rejecting his proposal. This is contrary to the book, where overcoming her prejudice is an emotionally exhausting and slow process that continues all the way up until the second proposal.
The Pemberley visit is removed; instead, Elizabeth returns home to the news that Lydia has eloped. Visiting Pemberley is very important as part of Elizabeth's re-evaluation of Darcy's character and provides an opportunity for Darcy to show Elizabeth that he has changed for her. The visit is key in increasing Elizabeth's love for Darcy, and removing it means that the characters have less personal growth (also wouldn't it have been great for the audience to be treated to another gorgeous estate of "Old England?"). Instead, Darcy visits Longbourn on his own and offers his help in finding Lydia. When the news comes that Wickham accepts very little money in exchange for marrying Lydia, it isn't as shocking as it is in the book because Darcy had already expressed his intentions of helping Elizabeth earlier.
Here's the change that bugs me the most: Lady Catherine becomes good; though she is a busybody, her main priority is Darcy's happiness. Her confrontation of Elizabeth is a scheme hatched between her and Darcy as a test to be certain of Elizabeth's love. This does not make sense on so many levels: first, Darcy insists that "disguise of every sort is my abhorrence," so why would he resort to trickery, however well-intentioned, to find out if Elizabeth still loves him? Second, Lady Catherine is a social snob and objects to Elizabeth's low connections; also she has an arranged marriage planned for Darcy. Third, in the book, because Elizabeth likes Pemberley and gets along really well with his sister Georgiana, Darcy would have had some evidence that Elizabeth, in the very least, cared for him. And the added claim that Lady Catherine approves of Elizabeth because she likes rudeness and thinks Darcy needs a humorous wife irritates me further because the marriage of Elizabeth and Darcy is revolutionary since it was made in defiance of societal rules!!! Why, why, why in the name of comedy did they have to do this?!
Darcy kisses Elizabeth (in a stagey and melodramatic way) after she accepts his second proposal. Seems a bit uncharacteristic of him.
All the sisters get married at the end. Happily ever after.
CONCLUSION
This movie certainly was not aiming for faithfulness to Austen's novel; it ignores her detailed portrait of Regency era society and its attitudes and focuses on the "light, bright, and sparkling" aspect of Pride and Prejudice that gives the story its timeless appeal.
All in all, this comedy of manners is definitely a classic thanks to the clever dialogue and jokes within the script, along with some great acting.
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@appleinducedsleep @dahlia-coccinea @princesssarisa @colonelfitzwilliams @austengivesmeserotonin
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dreamersscape · 3 years
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In Which I Attempt to Wreak Havoc Upon Panharmonium's Heart. Or Something.
Because I am an awesome friend, clearly, and possibly making people sad/verklempt is definitely an excellent way to (belatedly 😔 but I did start before the 15th!) celebrate Kakashi's birthday, right? ;)
I will admit up front that this is nowhere near as deftly structured and compiled as your Kakashi fanmix, @panharmonium, but that is precisely why I'm not even going to try to organize all these songs into individual playlists. Yet. Plus, I have a tendency to over-explain so this way I can better expound on why certain songs remind me of certain characters. Sorry that I sorta went a little... overboard?
Everything--except a few that aren't available on spotify, I'll link to them directly--can be listened to HERE.
What I'm Looking For - Brendan Benson | Kakashi → I may be a little biased with this one because it fits SO many of my favorite characters so well, somehow, but there's just something about the upbeat/tongue-in-cheek musical cues/delivery of lines such as 'I visit hell on a daily basis, and I see the sadness in all your faces' that just feels so Kakashi to me.
Happy Ending - MIKA | Kakashi → This is presumably a breakup song, but I enjoy it so much more in a non-romantic context (and the song itself isn't really boxed in with overtly romantic framing, so I appreciate that!). Anyway, some very important instructions IMO for listening to this with Kakashi in mind: everything before the bridge is about Kakashi up through his ANBU years, but when you get to the 'little bit of love' refrain, picture Kakashi meeting Tenzo, and then becoming Team 7's sensei, opening back up to Gai, adopting all the other leaf genin, assimilating Sai and Yamato into Team 7, and it keeps building with Kakashi gaining more and more loved ones to fill the hole in his heart, and then cry tears of joy with me! Just my personal suggestion. :D
Light - Sleeping At Last | Kakashi & Team 7 (/all his kids)
with every heartbeat I have left I will defend your every breath
→ I've seen this song used for ship vids and I'm all ????? about that because this is clearly a song about the love you have for your child! But I suppose if one of my favorite pastimes is aggressively re-interpreting love songs in non-romantic ways, I can't begrudge the opposite process... too much, lol.
Heroes - MIKA | Team Minato
your blood on me/and my blood on you/but to make you bleed/the only thing I wouldn't do/.../I wish there was a way/to give you a hand to hold/'cause you don't have to die in your glory/die, to never grow old
Long Lost Friends - Transit | Kakashi & Obito
how long/do you have to say that/this is not the person I used to know/you are not the person I used to know/.../because lately, you've been looking at me like you've seen a ghost/and isn't it obvious who's been missing who the most
→ What the heck! What the heck! What the heck! What the heck! What the heck!
Against the Voices - Switchfoot | Kakashi
'cause everybody knows/the hardest war to fight/is the fight to be yourself/when the voices try to turn you into someone else
Out of the Darkness - Matthew and the Atlas | Obito? Yamato? Kakashi? Itachi & Sasuke? Naruto & Kurama? → I'm a bit undecided about this one, or if I should just not worry about choosing one character and just let myself feel all the "inner darkness is not an innate characteristic, Danzo! They're just grieving/in a lot of pain, and they can find their way out of that dark place!" feels.
Save A Place - 1969 | Kakashi & Sasuke
so I'll keep away and save a place for you/and I'll only make the same mistakes as you/.../when all the blood all over your fingers is dried up/the pain will still linger
→ I'm not uber-confident in picking out really fitting Kakashi & Sasuke songs yet, but I hope this hits a lot of the right notes for you. :)
Thrive - Switchfoot | Kakashi
I'm always close, but I'm never enough/I'm always in line, but I'm never in love/I get so down, but I won't give up/I get so down, but I won't give up
→ See, it says right there that he's never in love! Not the crux of the song, and he's not always 'in line' either, but still! :)
Disarm - The Civil Wars | Kakashi & Obito
the years burn, burn, burn
→ I don't know how I keep collecting fictional relationships that work so well for this song, but literally every single line of this song hits so hard for these two?? Will never recover from this. (Also, I usually disregard when 'my love' pops up in the last line of the chorus, as the mood dictates. :) It's pretty incidental as is IMO.)
Renaissance - Paolo Buonvino & Skin | Sakumo & Obito & Kakashi & Naruto
let me show you one last time/let me show you one last sign/you can find it/I can't say that I can change the world/but if you let me, I can make another world for us/let me suffer all for you/make this vision all brand new/we can fight them/I can't say that I can win it all, [but] come with me and I will make my words stand tall
→ Okay, this is a very odd choice given that it's actually the theme song for a different show about the Italian renaissance (if you happen to see this, Mirjam, don't hate me!), but this could be IT! The "those who break the rules are scum, but those who would abandon their friends are worse than scum" anthem that's all about building a better world based on these principles! I really hope our sharing-a-brain talent translates to listening to this song in this way because I am feeling SOME KIND of way about this!
The Lament of Eustace Scrubb - The Oh Hellos | Kakashi → I really liked the song you chose from this album for your fanmix, so now I've feeling a tiny bit too on-the-nose with my choice, but I guess this is just a Kakashi album all around. 😆
Glass Heart Hymn - Paper Route | Kakashi(+ Obito) & Sasuke(+ Itachi)
memories as heavy as a stone/ I am empty, in my end you are my beginning
This Is Home - Switchfoot | Yamato & Kakashi (+ Team 7)
and now, after all my searching/after all my questions/I'm gonna call it home
→ All finding-where-you-belong songs are actually Yamato songs. True story!
Faust, Midas, & Myself - Switchfoot | Obito
you have one life left to leave/you have one life left to lead
→ Could this be any more perfect for Obito? It even has creepy-old-man!Madara!
Pluto - Sleeping At Last | Kakashi
Always Gold - Radical Face | Kakashi & Obito/Sasuke & Itachi/Naruto & Sasuke
all my life, I've never known where you've been/there were holes in you, the kind that I could not mend/and I heard you say, right when you left that day/does everything go away?/yeah, everything goes away/but I'm going to be here till forever/so just call when you're around
→ ...but mostly Kakashi & Obito because 'there were holes in you' 😭😭😭
Lemon Boy - Cavetown | Yamato & Kakashi → You already know the delights of this song of course, but I gots to be comprehensive. :)
Everywhere I Go - Lissie/cover by Sleeping At Last | Kakashi & Team Minato
danger will follow me now everywhere I go/angels will call on me and take me to my home/well, these tired eyes just want to remain closed
→ I chose the Sleeping At Last cover for maximum angst, 'cause sometimes it be like that.
Uneven Odds - Sleeping At Last | Kakashi
maybe your light is a seed, and the darkness the dirt, in spite of the uneven odds, beauty lifts from the earth
→ ...just like an earth style: mud wall :') Okay, okay, bad jokes aside, the seed metaphor of course makes me want to associate it with Tenzo, but this is clearly a Kakashi song!
Twenty-four - Switchfoot | Kakashi & Obito
life is not what I thought it was twenty-four hours ago/and I'm not who I thought I was twenty-four hours ago/still I'm singing spirit, take me up in arms with you/you're raising the dead in me/I wanna see miracles/to see the world change/wrestled the angel for more than a name/for more than a feeling, for more than a cause/I'm singing spirit, take me up in arms with you/and you're raising the dead in me
I'm Still Here (Jim's Theme) - John Rzeznik | Kakashi
and how can they say I never change?/they're the ones that stay the same/.../they can't tell me who to be/'cause I'm not what they see/.../and their words are just whispers/and lies that I'll never believe
→ Yeah, I might've accidentally imprinted on Treasure Planet as a 14 year old, and then someone made sure this song would forever live in my heart by making a fanvid of it with my favorite character from my robin hood show, but! He's still here!
See You Again - Wiz Khalifa (feat. Charlie Puth) | Kakashi & Obito/Team Minato
how can we not talk about family when family's all that we got?/everything I went through, you were standing there by my side/and now you gon' be with me for the last ride
→ I am being very unoriginal here, and there are in fact already fanvids made for these relationships set to this song (along with many others featuring different Naruto relationships), but I don't think I'll be able to rest until I translate the movie playing in my head whenever I hear this song now into an actually watchable format. After all, they have come a long way from where they began, and I intend to make that both as touching and ironically hilarious as possible!
Goodnight, Travel Well - The Killers | Kakashi → Admittedly, I got this idea from a magnificently crafted fanvid done for my robin hood show, but I genuinely think it would be really interesting to make something similar for Kakashi centered around the time he technically died but got better? I don't know how to explain it, but I think it fits quite well.
30 Lives - Imagine Dragons | Kakashi & all the people he's loved and lost → can be listened to here.
A Pound of Flesh - Radical Face | Kakashi
then today I wake up feeling easy/and find I'm on more familiar roads/I got a darkness wrapped inside me/but now it ain't so hard to let it go/so keep a candle burning in the window/I'm almost home
Hold Back The River - James Bay | Kakashi & life getting in the way of him being with his precious people (you may be sensing a pattern here) → @the road of life: Let! Kakashi! And his People! Hold! Each! Other!!! Also, 'tried to square not being there, but think that I should have been' is absolutely about Sasuke's defection and Kakashi adding it to his long list of undeserving self-recriminations.
The Fall - Imagine Dragons | Yamato & Kakashi → 😊😊😊😊😊😊😊
Shadowman - K's Choice | could work equally well for Kakashi or Obito, I think
any time tomorrow a part of me will die/and a new one will be born/any time tomorrow/I'll get sick of asking why/sick of all the darkness I have worn/any time tomorrow/I will try to do what's right/making sense of all I can/any time tomorrow I'll pretend to see the light/I just might/.../and doesn't it make you sad?/to see so much love denied/see nothing but a shadowman inside
Paint - The Paper Kites | Kakashi & Team 7
still there's a wound and I'm moving slow/though it don't show, though it don't show/I've got a hole where nothing grows,/how little you know, how little you know
→ A song for just how much Team 7 doesn't know about their sensei.
Always Find Me Here - Transit | Kakashi → ...most likely at the memorial stone. ¯\_(ツ)_/¯ (why am I like this)
Taste - Sleeping At Last | Kakashi
it’s bittersweet, it’s poetry/a careful pruning of my dead leaves/it’s holy ground, a treasure chest/I'm on my knees and only scratch the surface/like fists unraveling, like glass unshattering/we’re breaking all the rules, we’re breaking bread again/we’re swallowing light ’til we’re fixed from the inside
Help - Hurts | Yamato & Kakashi
take my hand and lead the way/out of the darkness and into the light of the day/.../'cause I know what I've been missing/and I know that I should try/but there's hope in this admission/and there's freedom in your eyes/.../I can feel the darkness coming/and I'm afraid of myself/call my name and I'll come running/'cause I just need some help
→ NO ONE TOUCHE ME.
Your Soul - RHODES | A mish-mash of Kakashi & Tenzo and Rin & Obito & Kakashi and Gai & Kakashi vibes? → So like, 'oh you know when you're alone/I'm holding on and on and on and on/to your soul' reminded me of your 'when you're all alone...the only thing you really think about is dying' 'but when there are two of you...the only thing you can think about is surviving.' and now kakashi - who just saved his life - is asking him 'did you want to die' and yamato is saying 'no' there are two of them and yamato wants to SURVIVE. tags as well as Gai's steadfastness as a friend, and 'I just wanna hold your hand' made me think of Rin's "Well then, I'm just going to have to connect the two of you." while holding their hands, and the sunlight/'soul shine'/'your light' motif is just A Lot in this song!!
7 Years - Lukas Graham | Kakashi → Alright, yeah, there are already approximately a gazillion pre-existing Naruto AMVs for this song and even one or two focusing on Kakashi, but they don't capitalize on all the angst possibilities in many of the lyrics or reach the fluff potential of 'will I think the world is cold or will I have a lot of children who can warm me [when I'm old]' and I cannot abide that!
Putting The Dog To Sleep - The Antlers | Kakashi & Sasuke → Okay, on one hand, this song is One Big Oof. But I do like the (potentially odd) way I've conceptualized it for Kakashi & Sasuke? Like, the first half is Kakashi going through all the tragedies in his life and getting lost in ANBU, but then in the second half it transitions to him wanting to prevent Sasuke from having to be as alone as Kakashi once was and they can face life together? It makes me emotional!
Trust Me - The Fray | Kakashi & Obito
I found a friend, or should I say a foe?/said there's a few things you should know/we don't want you to see/we come, and we go/here today, gone tomorrow
→ There are a few lines that call Tenzo & Kakashi to mind, but mostly it's Obito & Kakashi.
The Lightning Strike (What If This Storm Ends?) - Snow Patrol | Kakashi → I had to, right? My mindscape is a little murky/scattered about what specifically I want to think about when I listen to this, but obviously it has to do with Kakashi in one way or another.
Kettering - The Antlers | Team Minato(???) → Honestly not sure if this will make any sense, but yeah, vague team minato vibes?
Swans - Unkle Bob | Kakashi & Obito/Rin/Minato/Kushina/Sakumo → They should be by his side always!!!
Looking Too Closely - Fink | Kakashi → I honestly feel rather ambivalent about this one too, but I can't deny 'truth is like blood underneath your fingernails/and you don't wanna hurt yourself, hurt yourself/looking too closely' always destroys me because... well, you know. I love suffering. :(
Souvenirs - Switchfoot | Kakashi & Obito & Rin
wolves - Switchfoot | Kakashi
snowfall for the battlefield/roses for the father's sons/see them red on the ground:/bleeding/when the revolution came/we were more than hungry men/we were hoping for more:/bleeding/end. begin again./all of my world is collision and spin/hope is a world that has yet to begin/awaken, oh sleeper/awaken, oh sleeper/a new day begins
→ I wanted a wolf-related song too. :)
PRODIGAL SOUL - Switchfoot | Obito, Itachi, & Sasuke; just all them wayward Uchiha boys
Coming Down - Dear Euphoria | kid!Kakashi & his relationships
the shell/that I wore/it wasn't for fun/it wasn't to make you/stick around/it was for survival/it was what I've learnt/it was for the sun/.../our love has grown/our love has flown
→ Another one I'm a little unsure of whether it makes sense outside of my head or not, but I like the vibes?
Ghosts That We Knew - Mumford & Sons | Kakashi & Yamato? → Hmm, can I maybe submit this as a Kakashi-&-Yamato-just-need-to-mske-it-through-this-war-so-they-can-have-a-bright-bright-future song?
All Is Well (It's Only Blood) - Radical Face | Kakashi → ...he said as he's bleeding out or after he's thrown himself in the line of fire protecting someone he thinks is a better person than himself...
Bleeding Out - Imagine Dragons | Kakashi
when the hour is nigh/and hopelessness is sinking in/and the wolves all cry/to fill the night with hollering/when your eyes are red/and emptiness is all you know/with the darkness fed/I will be your scarecrow/you tell me to hold on/oh, you tell me to hold on/but innocence is gone/and what was right is wrong
→ In a similar vein to the previous song. But goodness gracious! Were they NOT straight up describing Kakashi here?
Amaryllis - Shinedown | Yamato & Kakashi → Just tossing this one out there, not sure if it will make sense or if it's a reach... but I like it?
lost 'cause - Switchfoot | Kakashi & Sasuke
are we a lost cause?/or are we just lost 'cause/we won't be the future we refuse to see?/and if I'm your lost cause/it'll be your lost 'cause/you won't see me as I am, the possibility/that I'm not the enemy
→ 214 feels. (And before and after that, but yeah.)
Through the Ghost - Shinedown | Kakashi & Obito
so many silent sorrows/you never hear from again/and now that you've lost tomorrow/is yesterday still a friend?/.../everything that mattered is just/a city of dust/covering both of us/did you hide yourself away?/I can't see you anymore/.../did you hide yourself away?/are you living through the ghost?/did you finally find a place/above the shadows so the world will never know?/the world will never know you like I do ... like I still do
Little Talks - Of Monsters and Men | Kakashi → Just Kakashi having little chats with his ghosts, totally the most heartwarming way to conclude this section. 😅
Sleepyhead - Passion Pit | Kakashi → Just kidding! Here's a slightly less morbid song for the Most Tired Boy Of Them All.™ (Random aside: this was my customary song to listen to on my walks to 8AM organic chemistry classes; I found it strangely soothing! On a different occasion, after a particularly long day for her, one of my roommates didn't have the energy to make it to her bed but nevertheless requested a lullaby from us. So I obliged by playing this song for her, but she didn't seem to gain the same peace of mind from it as I did. 😄 I know it's not my place to propose anything like this, but it does amuse me to imagine bookends!Kakashi in these situations, even though it's not OChem classes he has to go to.)
General/Miscellaneous:
Rise Above It - Switchfoot | Ensemble
don't care what they're telling me/we can be what we want to be/.../just because it's law doesn't mean that it's fair/.../don't believe the system's on your side/.../the curse is spoken/the system's broken; rise above it
→ I mean, how could I not think about Naruto when this song also has the lines 'hear us sing tonight like the last night on earth/we will rise like the tide/like dead men coming back to life/we are rising, rising'? It's fun to be literal sometimes!
Doorways - Radical Face | Allllll the traumatized children → Someone has to put all those tragic childhood flashbacks to good use, after all.
Ghost Towns - Radical Face | take your pick of Itachi, Sasuke, or Post-Kannabi-Bridge!Obito
there's no comin' home/with a name like mine/I still think of you/but everyone knows/yeah everyone knows/if you care, let it go
Blinding Light - Switchfoot | Hey, Hiruzen? You may have coined the phrase, "children are the king" but I don't think you truly understand it... (insert Princess Bride joke here)
hey boy, don't believe them/we're the nation that eats our youth/.../still looking for the blinding light/still looking for the reason why/still looking for the sun to shine/all my life I've been living in the darkest night/still looking for the blinding light/to take me higher and higher
Brother's Blood - Kevin Devine | EVERYONE → ...but certainly so much you could do with Itachi & Sasuke, Obito & Kakashi, Shisui & Itachi, even Hashirama & Madara! Sakumo's teammates turning their backs on him and saying 'I don't know one thing about my brother's blood'?!?! There are SO MANY ideas I have for this song! It gives me chills and makes my brain scream.
We Need Each Other - Sanctus Real | Ensemble → Already mentioned this one to you, but I have to include it here for thoroughness' sake!
Whispering - Alex Clare | the Hidden Leaf's lost/ostracized children/orphans
who will care for the falling?/who will care for the falling leaves?
So this is probably a strange concept to come up with and apply to this song, but the 'whispering, whispering, whispering' parts brought Konaha's virulent gossiping/passing judgement about others and often kids they don't even know problem to mind, too, and yeah?
The World You Want - Switchfoot | Ensemble → If I were to make a fanvid set to this song, I would definitely keep a broad focus, but I can't deny that the lines 'you start to look like what you believe, you float through time like a stream, if the waters of time are made up by you and I, I could change the world for you, you change it for me' FOR SURE has strong Obito & Kakashi/Kakashi & Tenzo vibes.
Red Eyes - Switchfoot | Ensemble, but definitely many dashes of Uchihas 😄 → I would like to thank Masashi Kishimoto for creating a world where red eyes are a Thing of Importance so I can one day make a fanvid using this song in not just the tired or teary bloodshot-red eyes way, but in a very literal sense too.
TAKE MY FIRE - Switchfoot | The Will of Fire → 'Cause I think I'm sooooo clever. 😄
Above The Clouds Of Pompeii - Bear's Den | various parent & child relationships → This obviously derives from the not-caring-about-your-female-characters problem, but it always gets me that all the single parents in the Naruto universe are almost invariably the fathers! I guess sometimes you can safely guess that the mothers are still alive/exist, but either way we hardly ever get to see them. :/ The one exception I can think of right now is Kurenai, but maybe I'm forgetting another conspicuous single mother. Anyway, I don't know if this helps or hinders more a potential Naruto fanvid for this song, but regardless, it still gives me feelings?
Who We Are - Switchfoot | Ensemble → It just makes me inordinately happy that the chorus for this song starts with 'who we are (in the fever of our youth)', you know? :D
Brother - Kodaline | all the friendships we can stuff in here and then some → Quite a well known song I'm pretty sure, but I love how many dynamics one could showcase in a potential fanvid of this. And, not gonna lie, 'oh brother, we go deeper than the ink beneath the skin of our tattoos' deserves to be used in some sort of Tenzo 'n' Kakashi or Team Ro fan creation!
Special Bonus:
Shake It Out - Florence + The Machine | Kakashi & Obito → I'm not sure whether I would have realized how well this works for Kakashi & Obito on my own, funnily enough, but then I found this fanvid of it (containing only scenes you've seen naturally!) and it hit me like a ton of bricks. It's so well done!
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morgana-ren · 4 years
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Come Down to the Black Sea III
Summary: The sea seems to call to you, but it’s not the tumultuous clash of the waves you should fear. Something lurks deep beneath the black waters, something sinister with a piqued interest and ill intent.
Rating: Explicit 
Warnings: Siren!Shigaraki, graphic depictions of violence, heavy sexual innuendo, implied noncon, foul language, sexual tension you can cut with a knife, and just general sexual grossness. Joking daddy kink also, if you count that. 
PART I, PART II
Here you go! The third installment. Your seafaring friend finds your hot button and decides to plant some lovely ideas in your brain. Listening to them probably is not the smartest idea in regards to keeping your heart beating, but it certainly gets your thighs clenching. 
Taglist: @lemonzoey​, @babayaga67​
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You know, it's really rough to explain to your superiors at work why you're so distracted when it happens to be because a mythical being is giving you the cold shoulder. 
You’re not entirely certain why it bothers you so much that your last encounter with him ended rather sour. He had made it perfectly plain from the get-go that his intent with you was far from pure. Murderous, in fact. He had almost drowned you on your first meeting and insulted you incessantly during your second. Not exactly a friendly track record. 
Regardless, he’s made a permanent home crawling beneath your human skin, like some itch you can’t scratch away. You can try to justify it however you’d like, but you can’t ignore the truth. In a word full of mundane existence, you’ve found an oddity and as much as you’d like to pretend you aren’t, you’re drawn to it. It’s part of why you returned to the beach despite the clear and present danger. You’d found a living, breathing mermaid. Even more impressive, you’d managed to piss him off.
Mermaid? Is that accurate? He’s so sensitive to being classified wrongly, but still never told you what he was. Considering the circumstances, maybe you should be a little bit more concerned about other things rather than offending him, but it still bothers you. 
Your ignorance isn’t due to lack of trying. You’ve done extensive research in the spare moments you have during the day, but nothing quite matches his description no matter how deeply you delve into the weirder parts of the internet, even going so far as to browse around on conspiracy sites on the darknet. Mermaid? Merman? Siren? Fish-guy? Some distantly related offspring to that Ripley’s Believe it or Not monkey fish? Relentless searching proved fruitless. Plenty of old sun-crazed fishermen claim to have seen merfolk in the waters or sirens on the rocks, but more often than not, it was a walrus or stage 4 sea madness. No one had a legitimate account of meeting with a real, intelligent creature of the deep. Nothing that came remotely close to him, anyway.
Despite being unable to focus at your job, getting home only doubles the anxiety. Restlessly sitting and twitching on the sofa, repeatedly trying and failing to read or watch some vapid TV show. You’re unable to keep your mind from returning to the ocean, to him no matter how hard you try. 
Over the course of time, you become acutely aware that staying home clearly isn't an option, but you're not really sure what to say to him if you see him again. Why do you even care? Aren't you supposed to be ignoring him? You can excuse your obsessive thoughts about him since most people would have the same reaction to seeing something supernatural not once, but twice in front of their very eyes, but a lot of people wouldn’t continuously return to see it especially if it was malevolent. 
You love that preemptively planning what to say to a sentient supernatural sea dweller is a part of your day. That's awesome. Can't look that one up on google. 
You’ll compromise with your compulsiveness instead. Go a little early and watch the sun set down over the horizon instead of watching the moon rise. Most parents won't allow their children near your rock because it’s slippery and dangerous, and frankly, you don't think he'll show up when others can see him. He’s deadly, but a mob of terrified parents and curious beach goers has few rivals. 
Maybe you can get your fill before he appears. It's better to keep away from him anyway. He wants you dead. 
He wants you dead, you remind yourself.
And so you do. Tread the sandy trail down to your favorite little hideyhole and plop down on the hard surface. You kick your feet absentmindedly on the rock beneath you, watching the small particles of sand splay and regather with every motion of your foot. The crash of the waves, still tumultuous and ornery, slap the side of your makeshift perch and splash you with speckles of water every few moments. You don't mind. You needed to shower anyway.
You can't help but feel a bit more lonely than normal, even surrounded by so many more people than you usually are. Flustered moms urge their children in from the shore to wipe them down with towels and flighty young twentysomethings hoot and holler, laughing loudly as they pile into their cars to find their next big spot for the night. The moon rises and the beach empties, leaving you alone again. The ocean settles, and even though it feels better, you feel alone.
You close your eyes, resting your head sideways on your knees with your arms buckled around your legs. You're close to the edge, precariously so. You just want to be close to the water. You should move back.
In. out. in. out. in. out. in. out.
The waves seem to move in line with the beating of your own heart, a tranquil feeling that dulls your restless thoughts and engulfs you in quiet solace. The hum of the ocean resonating deep within you with each breath you take of the briny air.
You're aware enough to recognize that the sound of the sea is luring you into a false sense of comfort. The darkness seeping over the horizon doesn't make it easier, and soon your slowly wandering mind is on the brink of unconsciousness. You're dangerously close to falling asleep, and given the circumstances, that probably isn't the best idea, especially since you're precariously close to the water. 
You can't help it, it's been one hell of a week. You haven’t slept. Haven’t relaxed. Haven’t felt at home in so long...
Listen, there's no guide online to look at that can help you through what to do when a malevolent fish-man hybrid has decided he wants to drown you. You can imagine it would say something along the lines of 'Stop going near the water then, dumbass' but that's like asking a religious person to stay away from church. It's the one place where you feel any semblance of peace, and you'll be damned if you're going to let the moonlight water marauder take that from you. 
Still, it makes things in your life exponentially more difficult when you can't explain to anyone what's on your mind. 
'Yeah, I met a mer...thing, and he's decided that he hates me and he wants to drown me, and that makes me sad. The one supernatural creature I get to meet and he doesn't like me. Bummer.'
They'd probably have you committed. That’s a bit much even for your eccentric proclivities. 
Your body occasionally jerks you awake, probably its way of saying 'You cannot sleep when there are enemies nearby', but it feels like it's been weeks since you've had a decent night's sleep. The endless procession of days marked by existential crisis with the tacked on bonus of being aware of the existence of a nefarious fairy tale creature makes everything feel awfully surreal. It feels as if you've been running on pure adrenaline and are about to crash. Hard.
If you were smart, you'd go home and try to bank on the feeling of sleepiness currently plaguing you, but you just can't bring yourself to move. Even barring the flaxen haired fish dude just chomping at the bit to drag you under, napping this close to the sea is a bad idea in general. Tides change rapidly and all it would take is a few minutes of you being unaware for the waves to snag you and haul you off to a watery grave. They'd probably never find you, just like the others who disappear here at night. 
But that's probably his doing, isn't it?
What does he do with the bodies exactly?
You really wish he wasn't trying to kill you, cause you have an endless list of questions you'd like to ask. What does he eat? Where does he live? Does he sleep at all?
Musing on all the things you'd like to know about him and his life leads you into fantasizing about being a talk show host interviewing him, and one thing leads to another and before you know it, you're conked out cold. You've managed to find an extremely awkward position to slump into, but even the horrid crick in your neck isn't enough to shake you from the dreamless slumber. Your body doesn't even have the energy needed to produce a dream, so instead, you just float through an endless void.
It could have been minutes, or even hours, really. You're not sure. The only thing strong enough to jar you awake is a sudden and intense feeling of dread that blooms in your stomach and gives you a form and sentience again. Your eyes snap open instinctively, and you're greeted with a pair of spiteful red eyes far too close to you for comfort.
"Jumping jesus-!" 
Surprised is a nice word for what you feel, an ugly screech emanating from your throat as you kick out your feet, knocking yourself over and almost falling in the water in the process. You hit your head nice and hard on a particularly jagged portion of the rocks, and by the time your vision undoubles, the danger is just barely settling in. 
Except danger is too busy cackling to be a threat.
You try to grapple with the panic in your chest and get a grasp on reality again after your literal rude awakening, but it's a bit rough when the sadistic jackass who perpetuated it in the first place won't stop laughing. Apparently he's too amused to take the opportunity to seize you, so you take the moment to scoot much further back and out of his reach, resisting the urge to plant your foot right on his stupid face.
Eventually he quiets down, but the grin never leaves his face. Much like everything about him, it's hostile somehow, mocking and disingenuous. 
"Humans really are so stupid."
"Joke is on you, tunabreath. You wasted the perfect opportunity to actually grab me." 
He shakes his head, tutting you. "I couldn’t resist. We like to play with our food too, sometimes. Scared ones taste better."
Is he implying he eats people? Okay, you know what? You don't wanna know. You doubt he'd be honest about it anyway, and would probably say whatever unnerves you the most. He seems a prick like that.
"I thought the entire point was to drown me and get it over with. You’re borderline obsessed with it."
He scoffs, little head fins twitching as he waves you off. "If I’m going to waste my time, don't make it so easy. It's less fun."
Okay cool, this is all a game to him; your life is a game to him. Nice. Fun. Great. 
Something on your face must have given away your ire, because he simpers at you and another raspy laugh bubbles in his chest. 
"It's not my fault you're stupid. You're the idiot sleeping next to the ocean when you know what's waiting for you when you get too close. It’s like you want me to devour you." 
"I thought after your little tantrum last night, you were gone for good. You really can throw a fantastic hissy fit."
That wipes the smile from his face.
“Little brat.” He taps a claw on the rock, narrowing his eyes at you. “Tough talk from someone afraid of getting a little wet.” He drags out the final word with a mocking tone, clicking his tongue against his fangs with the final syllable.
“For the last time, I’m not afraid of getting wet-” It takes it a second to sink in but wow this all sounds so wrong. Your face darkens and a familiar tingle worms itself in your gut. Are you really that lonely? “And don’t say it like that!”
His brows furrow and he studies you with a slightly quizzical expression. “Like what?” 
How do you explain to a dude who presumably has no cock and no human sexual experience about the sexual insinuations of human expressions? Wow. This is not a talk you thought you’d be having. The entire situation is weird, but this really sets the bar. 
“I know you’re probably not familiar with it, but that sounds... weird. It just sounds weird, okay?” 
“I don’t understand.” His lips curl downward in annoyance, arching a pale brow in your direction. 
“Look, when a human and another human... do stuff, things happen to their bodies and-“ a twisted sense of shame curdles your stomach and you go to scratch the back of your head, avoiding his eyes. Your words trail off somewhere mid sentence. If you were looking, you could practically see the gears turning in his head, but a few seconds later, his face pops in realization. 
“I’m fully aware of your human mating habits.”
“Don’t say it like that either! Jesus, you’re so awkward.”
A slow smile spreads over his face and he leans closer to you, tail swishing in a steady rhythm beneath the water. “Why? You’re over the ‘age of consent’, as it’s put, right? A sexually mature human female? Does it make you uncomfortable when I say things like that? Or does it make you something else?” 
He trails his claws in a walking motion towards your out of reach leg, and embarrassment isn’t a strong enough word for the emotion that colors your face as you recoil from his wandering fingers. “Knock it off!”
“Has it been a while since someone touched you, little human?”
“None of your business! You’re such a creep! And what do you know about it anyway? Don’t you fuckin’ lay eggs or something?”
He ignores your pointed jab, licking at his chapped lips as he runs his piercing eyes over you a bit too invasively for your liking. “You wanna know, huh? I can show you.” He reaches towards you again and you wiggle back a few more inches, caught between his words and the friction igniting feelings you’re desperately trying to ignore between your thighs.
“I’m getting mixed signals here. Are you trying to drown me or fuck me?” 
“Who says I can’t do both?” He tilts his head, gaze lingering on your lips before drifting down to your chest without shame. His attention still feels utterly predatory, but for a different form of predator entirely. “Your death doesn’t have to be entirely painful, you know.” 
“S-stop it.” 
He’s giving you whiplash with his intense mood swings, but you can’t deny the less than appropriate places his words drag your mind to. Heat ignites inside you, warmth spreading through your navel as your cheeks burn deeper than they did before. You will it away, trying to shake loose the thoughts from your mind. No fucking way are you even considering this.
“Look, even if our bodies were compatible, which they aren’t, it’s not like you wanting to kill me is a turn on.” 
He gives you another lilting grin, flicking his tongue and hissing in a foreign laugh. “Are you sure? I know that some of your kind are into that sort of thing. Hard. Rough. Dangerous. And judging by your face-“ 
Another bout of blood colors your cheeks so intensely that you can literally feel it. Oh God, make it stop. 
“-You might be.” 
“Shut it, shark bait!” 
“And who’s to say we’re not compatible? I know plenty. Something about the beach is an aphrodisiac to you humans. Not to mention~” Another grin, but this one gives off the undeniable air of ‘I know something you don’t know.’ “You have no idea what I can do.”
You can’t help but look back at him as he says it and you can tell he means every word. The unnatural scarlet glow of his eyes seems far too welcoming, calling to you like some sort of beacon in the darkness. The soft gleam of his silvery hair in the moonlight far too inviting. You want to touch it, wonder what it would feel like entwined between your fingers, what it smells like and how those claws would feel like scratching against the sensitive skin of your ass as he holds you steady against his hips.
You bet those fangs aren’t just for show, and judging by his attitude, he’s probably not afraid to use them. You bet they’d feel all sorts of nice scraping and digging into your flesh, biting you and licking that thick tongue up and over your neck, maybe even a bit lower if you asked him nicely. He’s so lithe, so strong, he’d have no problem fucking you against the rock even with the water resistance. His slick skin rubbing against yours, webbed hands squeezing your waist, kneading your tits, pressing the rounds of your neck until you gave yourself over to him completely and the taste of him is the last thing you ever knew.
Okay, you admit it. You are really curious to see just what it is he can do. You’d probably be the first human in history to find out, the first girl to be fucked to literal death by a siren. Would it really be such a terrible way to die? Being dragged under metaphorically and physically and spending your last moments in pleasure wholly unknown to the moral realm?
He smiles softly, watching you toss it around in your mind as he cradles his head in his palm. He’s beautiful, and you loathe it. You hate that you’re even considering this, even toying with the thought as if it’s really an option. What the hell are you doing? This is complete madness!
“You aren’t serious, are you?” 
He gestures you forward seductively, nibbling gently on his scarred bottom lip, keeping your eyes squarely trained on his mouth. “Come a little closer and find out. I promise I bite. Extra hard if you beg.”
Another clench between your legs. Shake it loose, shake it loose! “Look, even if I believed for a split second you wanted to seduce me, you really think I’m going to literally die for the chance?”
“What else are you going to die for?” 
Oddly deep. Not a thought you wanted to ponder right now. Expertly deflect it with sarcasm and ignore the fact that he has a very good point.
“Of old age, in my bed, surrounded by loved ones and piles of money I didn’t get the chance to spend yet.” 
He scoffs, blowing air through his nose. “Sure.”
“Just what is that supposed to mean?” 
He shrugs, shucking aside your irritation. “Don’t ask questions you don’t want the answers to.” 
“Prick.” 
He giggles, finding your crass human mouth oddly endearing. “Well, the offer stands. I told you I’m not going anywhere until you're under the water with me.” He pauses, considering you for a moment before grinning darkly. “I might just do it anyway, but it’s better if you’re willing. Not that I’ve ever been averse to a little struggle.”
“What?”
“It’s hard to say no when you can’t speak. I could easily bypass this little game of playing hard to get, but I want to see you squirm.” He eyes between your legs and you pray to the Gods that he thinks the dampness residing there is because of the watery environment. “I want to see you beg before the light goes out in those pretty eyes.”
“You’re a fucking perv!”
“I told you I’m going to watch you drown, you really put it past me to not take other forms of satisfaction from you while I’m at it?”
He presents a good point. You resent the fact that you don’t entirely feel repulsed by the thought. You should. You should be mortified and terrified and other words that end in ‘fied’. You should run and never come back. You know you should. 
You lean forward. 
“I’d like to see you try, fish boy.” 
A strangely genuine smile spreads across his lips and his face seems to light up at your words. It's still menacing, but oddly cute; like a child getting ready and excited to play their favorite game. 
"You really think you can win this, huh?" He muses, looking up at you through those pale lashes. "You sure are something, little girl." 
"What do I have to lose? If you win, you kill me, and whatever else, but I won't care, because I'll be dead. If I win, I get to see that arrogant smarminess wiped off your face when you don't get what you want. You'll have wasted all this time for nothing, and I guess that's a small consolation prize alongside my life."
“Time means nothing to me, but if it makes you feel better about the situation.”
From the way he says it, you don't deny it. It dawns on you that you really know nothing about his people. Do they age like you? Do they age at all? 
“How old are you?” 
"Older than you by far, I promise. What a rude question. How old are you?" 
“Old enough. But that doesn’t answer my question. Don’t deflect.”
"No manners, you humans." He ponders it for a minute. "You count the passing of time in revolutions around the sun, right? I'd bet I had been an adult for a very long time while you were still learning to walk on wobbly little legs." 
It's your turn to laugh now, and he doesn't seem amused. "You're an old man! Ew! You're an interspecies cradle robber!"
"I'm not old! We live exponentially longer than you! I'll still be in my prime when you're an elder!" His pallid face is dusted slightly red in frustration, and it's almost funnier than his reaction. 
"Whatever you say, grandpa! Do you have an undersea walker? Drink sea prune juice? Is that why your hair is silver? Cause you're old?"
Self consciously, he strokes the front of his long bangs between his fingers. "No! You're an immature little brat!" 
"Back in my day~" You barely dodge a swipe from one of his claws as he jumps as far forward as he can and swings at you. "Careful gramps, you don't wanna hurt yourself. You’ll break a hip or whatever it is you have."
He sneers at you and you bask in the minor victory.
You sit in silence; him with a scowl tightly pulled across his thin lips, and you with a smug little grin. So it’s not impossible to get under his scales. 
He’s a world class pouter, you’ll give him that. He doesn’t strike you as vain, but this is probably uncharted territory for him; actually talking to a human and subsequently being made fun of for his age. He’s probably not used to being mocked in any sense of the word, seeing as he’s a ‘non existent’ mythical creature. Maybe his kind are prideful, if a little childish. He claims to have existed for ages, but he still has the mannerisms you’d attribute to a male around your age. Maybe a tad immature and explosive himself. You guess some things don’t change with the species. Aggression, domination, and sex. And murder, in his case. 
Some things are universal, it seems. 
He’s making a show of ignoring you now, clicking his claws together in a subconscious attempt to threaten you. They are awfully sharp. You swear looking at them makes the gashes on your arm start to ache all over again. Occasionally the fins on the side of his head twitch in an almost catlike manner, turning toward whatever source of sound can be heard. It’s so strange to you, you can’t help but stare. He looks ethereal, even as impudent as he’s acting. With the backdrop of the ocean and the moon behind him, he looks like a painting that belongs in a gallery. You can’t stop yourself from leering at him.
You’re trying to ignore the fact that he definitely takes notice. 
He's angry at you, displeasure still slightly evident in his face, but a small smile crooks his lips. You've clearly offended him but your leering goes a little way towards soothing the hairs you've rubbed the wrong way. For whatever reason, knowing you find him attractive puffs his feathers- er, scales- with pride. Body language relaxes between the two of you and a few minutes of quiet follows. 
Yet, it's difficult to keep a pleasant silence when the company you keep is far from familiar. This isn't two friends relaxing on a beach; at least unless most friends are malevolent ocean dwelling creatures with an end goal of filling the other's lung with sea water. 
The lack of noise makes you antsy, almost like you're anticipating something but you're unsure of what. It feels false somehow, like you're trying to turn this isn't something it isn't; comfortable. No matter how his casual demeanor tries to lull you into a false sense of security, you have to remain vigilant. One little slip and he'll drag you into a watery grave- among other things if he was serious. 
“So… What do you eat?”
He slow blinks at you a few times before grinning, light glinting off his all-too-sharp fangs. “You mean besides you?”
There’s multiple implications to that, neither one of which you want to ponder for various reasons. Your panties are already uncomfortably damp.
“Yes. Besides us.”
Shrugging, he flicks at a small pebble on the rocks edge and plunks it into the water. "Same thing you would if you were one of us. There's plenty of fish down here, only difference is I can eat them raw." 
Your nose crumples and you stick your tongue out slightly, imagining him taking a bite out of a still-twitching fish. "Ew."
He rolls his eyes, brushing your obvious disgust aside. "If I recall, don't you humans have multiple dishes you eat raw?"
"Well, I mean, yeah, but it's different. We actually prepare it."
"Sounds like a whole lot of fuss over nothing. Your weak stomach just can't handle it and mine can, and you seem to find that to be some sort of bragging point. Also, don't you humans have a tendency to put things in your mouth that don't belong there?" 
“Didn’t I already tell you to shut up about that?” 
"I don't know, I'd say the occasional raw fish is a lot less dirty than a human male c-"
“Oh my god! I am so sorry I fucking asked!”
He cackles loudly and you realize that he's officially found your hot button. Even worse is he knows it. "I mean that's not to say we don't have our own filthy habits, but you guys are inspiring-"
"Dude! Make like a tunafish and can it! I don't want to hear any of this!"
"Oh? Is that so? Because around 10 minutes ago, you were half ready to rip your clothes off and jump in here and let me try you even if it meant your death."
"Momentary lapse in judgement. Don't get too excited, grandpa." 
He frowns again but seems less offended now that the initial moment had passed. "If you insist upon calling me a nickname pertaining to my age, I'd prefer daddy."
All humor drops from your face. How the fuck does he even know about that? 
As if he can read your mind, he responds. "A lot of you humans like to reproduce here. I've seen quite a bit and heard even more. Like I said, you’re absolutely filthy creatures.” 
“Ah. Yeah. That makes sense.”
“My offer stands. Come a little closer and I’ll show you just what I learned.”
“Creep.”
“That makes two of us, now doesn’t it?”
"I'm not the one bringing up sex every 3 seconds."
Hey, do you know how awkward it is to be having this conversation? With him? Right now? Do you know how utterly surreal this is?
“No, but you’re thinking about it, aren’t you?”
Your cheeks burn and you know it doesn't matter what you say. Your face is a dead giveaway. He knows it too, crossing his arm and arching a cocky brow at you. 
“And I’m the pervert, huh?”
You wrap your arms around your legs again in a subconscious show of defense. "Yes, you are. This is a natural response to embarrassing topics. Topics you keep coming back to." 
He shrugs again, his head fins twitching a few times. "I don't deny my nature. If I feel lustful, I act on it. Another reason you humans are inferior. You deny what comes naturally in the name of some form of... shame, is it? I have no bonds holding me back, while yours are pointless and dictated by some invisible and shallow form of ‘morality’ and ‘purity." 
He’s… technically right. Still.
"You realize you're saying this to the person you're trying to kill, right?" 
"I'm aware. Consider it a parting gift. You can feel what it's like to be untethered before I end you."
You roll your eyes so deeply that you’re almost certain you’ve detached the retina. “Oh, how very kind of you. So thoughtful.” 
"It’s not entirely altruistic, but it's better than I was originally planning. I was just going to rip you apart the second I pulled you in. Of course, that was before I got a good look at you. It'd be a shame to waste such a pretty thing without getting a taste first.”
It's a twisted compliment, but you appreciate it, at least as much as the circumstances allow. 
“Thanks…  I think?” 
"It's a good thing, I promise. I won't just touch anyone, you know. Most of your kind repulses me. I'm not an easy please." 
"Oh." Another awkward silence. "What makes me so special, anyways?"
His face blanks over, eyes hardening and mouth pursing in a tight line. He opens his lips a few times to speak, but seemingly stops himself. His expression flashes confusion, then rage, then apathy in quick succession. "I don't know. It won't matter for long anyways, soon you'll be dead and I can move on." 
“Not if I win.”
"You won't. I don't lose. Besides, I've already almost gotten you twice. It's only a matter of time before you slip up again, and I'll be there to catch you when you do."
"Put it like that and it almost sounds sweet." A smile tugs at your lips despite yourself. 
His face flushes and he looks away from you, expression contorting. “It’s not. Don’t twist my words.” 
“Spoilsport. Go eat a mackerel or something. You’re not yourself when you’re hungry. Or maybe you are. Either way, you’re cranky.”
"It's hard not to be cranky when there's a meal right in front of me and I can't indulge."
"Quit threatening to eat me. I get the point, it's just weird.”
His thick tongue flicks out and runs across those glimmering teeth and he just smiles. "Who said anything about eating?" 
“Give it a rest.”
He swipes a small amount of water at you with his thumb and forefinger. "Deny it all you'd like, you enjoy the attention." 
"Definitely. I love being the first human to be hit on by the world's first mermaid fuckboy."
A hybrid mix of a groan and a growl rumbles from his chest. "I'm not a fucking mermaid!" 
"Oh, sorry!" The sarcasm is palpable, and he scowls at you again. You love the fact he doesn't deny the secondary insult. "I meant merman." 
"Don't insult me. As if your petty, unimaginative fairytales could even come close." 
"You have a tail, you live underwater, and you're half human. Sounds pretty damn close to me." 
The look on his face is as if you just forced him to swallow something extraordinarily disgusting. "You have no idea what I'm capable of. And I'm not half human. You're half us."
Now that takes you off guard. 
“What did you say? What do you mean?”
"It doesn't matter." He pushes himself away from the rocks, his tail slightly flapping above the surface. "Besides, you were right. I am hungry. I should probably find something to eat for tonight, unless you’ve changed your mind." He doesn’t bother waiting for you to retort before skillfully diving down back beneath the waves.
You want to stop him, but he’s gone before you can think of a creative way to say ‘hell no’. The slight dash of silver hair makes out towards the horizon and before long, he's gone. As always, he leaves you feeling more frustrated than anything. 
You want to stay, to enjoy the ocean like you used to before he barged his way into your life, but it all just feels too strange now. He won't return tonight, you know that much. 
Heaving yourself off your asleep butt, you begin your bowlegged walk back to civilization, left with nothing but the ache of a cramp in your hips and a strangely heavy feeling in your gut.
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capri-ramblings · 4 years
Text
Octo boi coming your way (✯ᴗ✯) Took a different portrayal of yandere for Azul here cause I stumbled on a lot of fanart of him when he *coughs* over blots *coughs* and aside from him going crazy, there were some who made it seem like he was in a very painful situation, so I thought why not some sad boi yandere infatuated Azul,right? Hope you like it! The dialogue starter for this also came from @yandere-daydreams (*´ω`*)
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|| Drowning ||
[Twisted Wonderland Shorts]
Yandere!Azul X Reader/MC (Gender neutral)
Warning: Mentions of physical abuse and non-con relationship.
"Don't touch me!" Pushing back from Azul's embrace, you swatted the hand he'd extended to touch your cheek with great distaste. The look in your eyes boring into his soul.
The silver haired male ceased his movements, although he didn't really move to give you any space. Then again, ever since you broke the terms of your contract and Azul had you be near him as often as possible, you couldn't remember the last time you had any time to be by yourself.
It was suffocating but he didn't seem to take notice of your discomfort, or maybe he did and he just didn't care.
"Oh? What's wrong,little prefect? You have such an ugly look on your face", Azul's lips were stretched upwards yet it was far from a smile. The blandness in his tone giving you an irksome feeling twisting in your stomach.
You attempted to look haughty, to not let him see how small he made you feel, so you jerked your chin up and furrowed your brows,lips pursed.
"Don't call me that,Azul. You know I hate it when you do"
"And why not?" He laughed, tilting his head to the side. "Isn't that what everyone calls you?"
"Deuce and the others are different." You said coldly. "They're my friends and they'd never put me in a situation where I always feel at a disadvantage"
Azul arched his brows then. Something in the glistening of his eyes making you up your guard.
"Oh? I see. " Then he laughed, an almost tyrannical look on his face. "That's interesting, when you say 'They would never put me in a situation where I always feel at a disadvantage', what are you actually refering to? All they do is make you run errands for that crow masked eccentric, errands you never wanted to be involved in the first place"
"That's not the same!" You were almost screaming, your temper simmering on edge. You knew he was just patronising you so he could catch you off guard, but the words that came from his mouth were hard to not listen to.
"You're a manipulator,Azul. My friends aren't."
"You're right" He said, nodding his head, "They're idiots"
You gritted your teeth, irritation prickling your senses.
"So,you agree that you're a manipulator then?"
"Me? Oh, of course not. After all, I never forced anyone into making a contract with me. I'll admit my hand in persuasion but at the end of the day, the choice was theirs" He paused, smiling almost too sweetly at you before he continued with an airy gesture of his hands.
"It was yours too. I never pushed you into signing anything you didn't want to"
"And now I'm your slave." You shot back to which Azul, the ever so sly creature he was, responded with a swift movement of his limbs and caged you in an embrace. Pulling you by your waist and closing the gap between you both.
"Slave? Don't sell yourself too short,my small, unfortunate seashell. You're far above all the rest. I see you more of a lover than a slave," his lips pouted, hands tracing your form as you struggled against him.
"Maybe you'd be happier if you accepted that fact"
"Never!"
His grip on you tightened to a frightening degree and the way his eyes seemed to beam at your helplessness at the moment made you shrink back.
"Let go of me" You demanded, suddenly out of breath, but Azul only smiled in response.
"Hm, what about, no?"
"Azul—"
His hands found your neck faster than the your words found its spite. Constricting the air in your throat as he pushed you up against the wall. His eyes glimmered like something underneath the deep sea waiting to leap out from its depth.
You let out an awkward squawk, hands grabbing at him desperately which earned a laugh from the silver haired male.
"Is that your attempt at fighting back? Come now," He placed more pressure on your neck, his thumb pressing the nub of your throat. "I know you can do better."
"...A-Azu..l" Your fingernails bit into his skin but all he did was watch as your attempt proved to be futile, until your eyes rolled into the back of your head and you began to feel limp in his grasp.
You felt the relief of being released rushing through your blood. As you fell to your knees, taking in air to fight the light-headedness plaguing you, Azul chuckled as he too got on his knees to have you stare at him at the same eye level.
"Like a fish out of water." He cooed,one hand cupping your chin. You wanted to snap at him but your throat felt sore and words weighed heavy on your lips, so you simply averted your gaze from him, jaws clenched.
"Say you love me" He said softly. Too soft it made your ears ring and stomach wrenched. You knew where he was getting at. Ever since you first met him, you admitted that Azul was someone who took your attention the most. He was smart, both in theory and practicality. Someone who took effort in what he did even when it was scheming up a horrible deed, and someone skillful enough to go against a system without having to face consequences.
He had pride in his contracts and he knew the value of people.
One day, you simply told him. You didn't think much of it. Never really crossed your thought that he had been interested in you at all. Especially when you were the reason he had to let go of 200 over students he'd managed to enslave.
Thus you said, "You're a fine one,like a pearl in an ocean. I think that's why I like you"
And, thus, he fell.
Unfortunately,you didn't quite break his fall. Not on time, at least.
"My crafty seashell,would that be so hard to say?" Azul's words so close to you his breath brushed against your skin brought you back to your senses, but when you tried to push away again, he held both your wrists. Clamping on them as hard as before.
"All of this would be very different if you did"
"You know I'd be lying to you and myself if I did that,Azul" You said through gritted teeth. Your body trembled against his and Azul felt your fear of him as if it pumped through his own veins.
His heart seemed to tightened like it was caught and constricted by fishing nets, and he wanted to scream.
He pushed you against the wall again, bringing your wrists up over your head. When your eyes locked with his, you saw something you didn't think him of all people would actually show.
Longing. Then, frustration, and finally, anger.
"If you don't say it, seashell, then I'll make you. I'll string you up with a wire cord and let you bleed out if I have to"
You flinched at his words,eyes closing.
"Azul,stop!"
"Stop? You want me to stop? I can and I will" He shifted his grip, allowing him to lean into you until your foreheads touched. The look in his eyes were wild, a whirlpool of madness.
"So say it won't you? I just need you to say you love me"
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sophi-s · 4 years
Text
Cost of Kindness
Chapter III: Between joy and sorrow
By: sophi-s
Fandom: Darksiders video games
Words: 7,405
Characters: Raphael, Darksiders OC
Warnings: None
Summary:
After a crazy adventure outside of Haven, Nicola finally is in shape to try and find her way back. As sad as she is about it, she bids her farewells to her new angel friend. However, it seems Raphael isn't quite ready to say goodbye just yet. And so the fearful human finds herself in the company of an archangel stuck to her like glue.
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Until the sun peered shyly from behind the horizon to announce the arrival of another dawn, Nicola slept like a log. Literally. She hadn't stirred throughout the whole time of her dreamless, magically induced sleep. Were it not for her steady breathing, because as pale and motionless as she was, some might have thought her dead, not sleeping. After long hours, she finally opened her eyes as the remnants of the arcane haze fell and left her mind unshackled. The fog receded from her sight and she was fully expecting the ceiling of the room she occupied in Haven to greet her. Only to be met with disappointment when the dark interior of an underground tunnel filled her vision instead.
For a couple of seconds she was absolutely stunned, unsure where she was or why. The shock of waking up in a strange place had her frozen while her brain was trying to process what in the actual Hell was happening like when she awoke after her first night spent in the Maker Tree. Slowly, the memories of the recent events creeped back into her head. Raphael. Kitten. Demons. My leg… Right… She did feel much better than before but still a little woozy, possibly because half of her brain wasn't fully awake just yet. Massaging her eyelids to rub away the vestiges of sleep, Nicola sat up and scrutinized her surroundings blinking groggily. The same, damp sewer, the same cold darkness. Yawn, which followed, was so wide one might think Nicola intended to swallow everything in this "room".
Out of the corner of her eye she saw the aforementioned angel sitting a couple of feet away, supporting his head on his hand, elbow on his knee while a small cat slept in the rumpled fabric of his green waistcoat. His hood concealed his features as his wings rested against his back and shoulders which steadily moved up and down in the rhythm of a calm breathing. For a moment it might have seemed Raphael was dozing as well but at the quietest move Nicola made, his wary eyes open to look at her without any traces of sleep in them, glimmering like two bright stars from the shadow the hood was casting over his face. It was so abrupt that it made her jump a little.
"Oh! H- hi! Good morning. If it is morning, I mean.."
At her greeting, the cat perked its head up with a "mrowf" noise and shot her a dirty look for daring to interrupt its rest before yawning almost as widely as she did. Raphael answered her with a nod and a small, affirmative sound in the back of his throat but otherwise remained quiet, content with watching her in silence when Nicola leaned down to inspect her thigh and determine whether or not she was in shape for walking anywhere. And to her not unpleasant surprise, the wound was almost fully healed and moving her leg wasn't painful anymore. She did feel the recently present damage to her muscle but she wouldn't call it "pain". More like strain. And that was in like seventy percent of her body from the previous day, even if not as intense as she expected it to be. She really did over exert herself quite a bit. Still, with all certainty she could say Raphael did an unbelievably good job. If only human doctors were in possession of even a teeny tiny part of the healing abilities he had, the world would've been a much safer place.
Though, she couldn't really decide whether the fact that her leg seemed to be perfectly fine was a good thing or not. On the one hand it would mean that nothing hindered her any longer. If the sun is really up then she should wait no longer and set out to make sure the nightfall doesn't catch her again and look for a way back home. Home… In spite of herself she smiled sadly. How quickly she started to refer to Haven as her second home. Her own was irreversibly lost after all.. Reduced to nothing but a grim rubble with all her childhood memories buried underneath. Nicholas died so that she may get out of there alive. He would love it in Haven if he had a chance to see it… In this last safe sanctum for her kind, other survivors, makers.. They were her new family. She could only imagine how they're feeling right now. She should've been back ages ago. She has to return as quickly as possible. The idea of asking Vulgrim for help wasn't completely off the table. She could probably promise him something in return for taking her to the Tree and give it to him later. Nicola can be pretty convincing if she has to but she wouldn't put that past Vulgrim to deny her still. She'd have to play it smart should she fail to find the way back herself. He doesn't trade in favors in exchange for promises after all. No matter. One way or another, she will get back to Haven. That, or she can say goodbye to her wretched life.
But on the other hand… Glancing up at Raphael, who was half-busying himself with petting the very content cat and half-watching her, she realised with a twinge that she'll have to leave him. In those few short hours he'd done so much for her.. so many things she was grateful for… And on top of that, with how sad and lonely he was, Nicola couldn't help but feel sorry for the poor man. She'd never met an angel before and hadn't come to know one well but those she'd seen when this nightmare started didn't make a good impression on her. Raphael was so much different from his kin. She still wasn't sure why he decided to help her even though he didn't have to. And that made her feel empathetic towards him, especially every time he gave her this suffering look which told her a long story of pain and misery. Nicola may have known him for barely a couple hours, if not less, but somehow the thought of leaving him here possibly never to see him again was making her heart sink. Because of the apocalypse, she was running really low on friends and so no one could blame her for wanting to keep every single one she had left or recently made. And honestly, after the angel saved her life and treated her wounds she would lie if she said he wasn't on the right path into the alarmingly small circle of people she held dear to her. Such experiences have a way of bringing people closer to one another, despite the differences they may possess. And besides, what would leaving him here be if not cruelty?
"You seem… troubled."
Raphael stated, making Nicola look at him again. Even after only a few hours spent with her, he sensed her current mood without a mistake. He was pretty insightful. Not that Nicola was trying overly hard to hide it but still. Maybe that's just something the angels do. She sighed in response. I really am.. She thought. It wasn't as though she didn't have a lot to be grim about but this particular thought at the forefront of her brain bothered her the most at this given moment. She didn't want to go just like that but she knew she had to. If only to make sure other guys are alright. But honestly she doubted that Ulthane would ever let her out of his sight again after the stunt she pulled, no matter what she tells him afterwards. In turn, this might be the last time she sees the kind and selfless, not all there angel. Whether she likes it or not, it was time to bid farewell.
"I… I wanted to thank you again for what you did for me."
She started as she stood up - still a bit wobbly from all the crazy stuff that happened so recently - looking around in search of her backpack and shotgun. Both were resting under a wall not far from where she was laid down before, right next to the place where the mummified Goreclaw used to be. Raphael must've moved it further down the sewer where the rest of the corpses were when she was sleeping. Sooner or later it would start attracting pesky flies and other nasty vermin if not things far worse, not to mention the smell of decomposing meat. A little reluctantly, she flung the backpack over her shoulder and picked up her gun before turning to face Raphael. An increasingly unsettled Raphael who seemed to have taken the hint what she intended to do.
"Really, thanks. It's been very nice to meet you. But I have to go now."
"Go? Where to?"
The barely audible note of fear in his voice and the look he gave her made Nicola feel even worse for having to part ways with him.
"I'm going.. home."
Nicola to some extent knew how to read certain people but the blank stare of the angel before her was giving her a really hard time.
"Look, I can't stay here and I'm sorry but I have to go.."
She said hesitantly and turned towards the exit from the tunnel to leave for the surface, quietly wishing she didn't suck at saying her goodbyes. This was one of her greater weaknesses, right after small animals. Especially cats.
"Goodbye. And good luck! I hope we'll meet again.."
With that short farewell, Nicola turned away to walk off into the sewer and begin her search for Haven. But a firm grip on her shoulder stopped her from taking more steps and made her glance back in bewilderment. Somehow, Raphael shifted from a sitting position to standing and closed the distance between himself and Nicola in one beat without producing a single sound. Not going to lie, it was quite scary and Nicola couldn't help a startled squeak that escaped her. But even though he spooked her yet again, the distressed face he pulled made Nicola bite her lower lip. And the hesitant plea leaving his mouth made it even worse.
"Stay…"
"I- I can't! I really need to go!"
"Please…?"
Raphael quietly begged her. His flared and bristled wings were quivering anxiously and his face bore the most pitiful pleading look she'd ever seen. God, why do you have to make this so difficult? It was strange. He'd been doing fine without Nicola for who knows how long. Well… fine might not be the right word to use in this case but whatever. Though, now that she thinks about it, it makes sense that he wouldn't want to be left alone again. Especially because loneliness doesn't serve healthy people well and Raphael looked like someone who could use the help of a specialist. Still, Nicola found herself asking.
"Why do you want me to stay?"
Instead of answering, Raphael glanced down from her face, looking at the point on her chest, just below her collarbone. Nicola awkwardly cleared her throat to get his attention once she felt like his gaze was going right through her mortal shell and piercing into her very core.
"Uhh.. What exactly are you thinking about?"
Not bothered by it, Raphael squinted and lifted his forefinger, extending it to the place he was looking at. And seriously, for a second Nicola was considering batting his hand away since it could without a doubt be viewed as invasion of personal space when the pad of his finger connected with her chest where it ended and her neck began. And in this moment white flash passed through Nicola's eyes, followed by a deathly chill somewhere inside, tearing into her heart from within with icy claws like a vicious beast. As though someone had poured freezing cold water into her body. And amidst this coldness was a tiny wisp of warmth pressed against her ribcage, as if it was trying to get out. To get as close to Raphael as possible. She gasped in shock and fear and from the unexpected and not physical pain - so intense it made her feel sick - which wasn't really… her own. She felt it, experienced it but she knew it wasn't hers. Somehow Nicola knew that it belonged to someone else. And this someone was standing right in front of her.
Slowly but surely, it was starting to make sense. Why Raphael was constantly so shaky, so easily frightened, so… wrong. It all lasted barely a fraction of a second before both she and Raphael abruptly backed away with astonishment painted across their faces. Neither of them was entirely sure what on God's green earth just happened or why it happened. Whatever it was, neither of them would say it felt pleasant. Nicola was fairing better than the angel however. While she was only mildly frightened and befuddled, he immediately retreated into the corner and curled up on the floor, wrapping himself up in a feathery cocoon of his wings, trembling like a leaf on a gale.
"Raphael..?"
She huffed trying to steady her own breathing as she cautiously approached him just when he started to mutter obscene nonsense again. This time Nicola couldn't even determine what exactly he was saying. He spoke way too quickly and he was only able to pick up single words like "torment", "soul" or "help". This odd sensation, this pain she felt was undoubtedly in him. All. The time. Every day of his existence. It became clear. Nicola could imagine that even she would sooner or later go absolutely mad if the suffering he's experiencing without a moment of rest was hers. It was nothing short of a miracle that he retained at least some small semblance of who he used to be. Ever since she came to him, he did start to make more sense than before, possibly because she could at least partially distract him from this pain. But if he needed distraction, why would he leave his White City behind? Angels may have been mean to her race but surely they would help out their brother in need, right?
All questions Nicola had most likely could be answered by a story of his past which he wasn't ready to reveal just yet. Perhaps, if she's careful enough, one day he will open up and tell her about it. But until then, she remained in darkness of uncertainty. Still, she couldn't help but wonder.. Carefully, she crouched and laid her hand on Raphael's shaking shoulder, making his head snap up with a fearful look to his round, empty glowing eyes.
"Who… who did this to you?"
The angel opened his mouth as if to answer her but no words came out. Only a soft huff. Tears welled up in Nicola's eyes when his face scrunched up in something between anguish and misery. And that was enough for her to snap. In spite of herself, Nicola reached around the angel's neck and pulled him into a tight hug burying her face into the side of his green hood which despite the stench surrounding everything here still held a barely noticeable scent of something that brought to mind clean cotton with a tint of vanilla. His entire body went rigid as she did but only for a moment. Merely seconds later, he relaxed, his breathing evened out and he moved his own arms around her back to return the embrace that brought a tiny bit of comfort that could at least partially fill the emptiness he felt within for so long he couldn't even remember how it is to not feel it.
"Don't leave me alone…"
He breathed against her ear, clinging to her desperately as if letting go of her would mean his inevitable end. Up this close, Nicola could feel his heart - much bigger and more powerful than her human one - hammering uneasily against his ribcage. Similar, but completely different. And for some reason, her own heart suddenly skipped and beat once alongside his in the exact same rhythm before everything returned to normal. Or maybe she was just imagining things? Possibly…
This warm and tight embrace, even though it was meant to comfort him, still gave Nicola an odd feeling of safety. All of the sudden Raphael seemed to her not like a stranger she met by chance not even a day ago but like a good, old friend she knew she can trust no matter what. The decision of leaving Raphael behind was difficult enough before but now… her heart fell to pieces. It was next to impossible. She couldn't just leave him like this. He doesn't deserve to be abandoned again. No one does.
What do I do? Nicola knew she could neither stay with him, nor can she return to Haven without risking that her conscience would make her feel shitty for the rest of her goddamned days and that a thought that she doomed some poor soul to descend into utter insanity would make her share his fate. But there has to be something she can do.. Anything.. Then, an epiphany struck her.
"Wait.."
She said once Raphael let her go and she could look him in the eye as he gave her a questioning yet hopeful stare.
"You could come with me!"
"Come with you..?"
"Yeah! The Tree is much safer than here and there's a lot of useful stuff there. Also, it doesn't stink that much…"
Not only that. Other survivors, even as skeptical as they are towards angels, surely wouldn't mind Raphael poking around. Having a skilled healer on their side would certainly change their mind even if they weren't eager to let him stay. Ulthane, Elanya and Yarin can be persuaded if they don't agree at first. After all, if Raphael's presence will mean that "wee uns' " are even safer, then Nicola couldn't think of a reason why they shouldn't relent. Not to mention that Raphael can fly. It would make it a child's play to find the Tree. Back in Haven she could also get the poor angel patched up and cleaned up a bit, since he himself is in a rather sorry state. That's the least she could do for him in return. Only one thing was left to do, considering how uncertain Raphael looked. Convince him.
"What is this… Tree?"
"This is a safe place for us, humans, and it's… kinda our new home now."
Before, Nicola was absolutely certain Raphael's eyes couldn't turn bigger and rounder but he was very quick to prove her wrong. Not to lie, it was quite impressive. He blinked a couple of times as if to make sure he heard it right.
" 'Us' ? There is… more of you out there..?"
Nicola nods enthusiastically once she realises she's on the right path.
"Yeah! Ulthane made us a safe place to-"
"Ulthane?"
He interrupted with confusion on his face, making Nicola stop in mid sentence to look at him questioningly.
"Ulthane… the Black Hammer?"
"Yes, he's a-.. Wait… you know him?"
Humming thoughtfully, Raphael drummed his fingers against the cold floor. His answer didn't clarify much however.
"No.. Azrael does.."
"Who?"
An angel most likely. Probably one of Raphael's former acquaintances. Mentioning this "Azrael" seemed to have brought some memories back, very fond ones at that since for the first time today, a ghost of a smile passed across Raphael's face and an absent look in his eyes turned warmer and not so frightened anymore.
"Friend.."
Seriously, for a moment Nicola wanted to say that she's sorry because she just assumed that Raphael's friend could be dead but she bit her tongue before she could tell him that when she realised he actually used the present tense and not past. Which indicates that Azrael, whoever he is, is still out there somewhere. Instead, she wanted to tell him more about Haven but he once again interrupted her.
"The Balance is upset.. the Third Kingdom is vital to it… Humans. Humans live still? Not everything is lost then.."
Oh boy, here we go again. Unwittingly, Nicola pulled an annoyed face. For the umpteenth time, Raphael unintentionally made her feel like an uneducated imbecile. Why is the Universe even more complicated than we initially thought?
"Yes, he does the right thing.. They need a protector."
Nicola decided to patiently wait until Raphael is finished thinking out loud, even though she once again had no clue what he's saying. What Balance? Third Kingdom? The what?
"The Horsemen cannot do this alone… It is the duty of us all… to- to uphold the Balance."
The WHO??? Nicola could only imagine how stupid she looked with that dumb face she just made. What. The actual fuck. The Horsemen? As in… the Four Horsemen of the Apocalypse? They are real too? So it is a legit end of the world like the one in the Bible! How lovely! It's honestly a miracle that anyone has lived if that's the case. What else? Maybe it will suddenly turn out that snow is warm, sun is cold and skunks don't stink. Though with all the chaos going on around, Nicola would hardly be surprised if dogs suddenly started chirping and birds barking. She really just wished for the things to calm down already.. Returning to normal seemed to be off the table unfortunately but for God's sake, can the demons at least just go home or something? But… Now that she thinks about it… Could the mysterious warrior clad in crimson be one of the infamous Four? He didn't look like an angel, even though he bore quite a few similarities to Heaven's denizens, nor did he seem purely demonic in nature. And he was there when the Apocalypse began.. Curious. Especially because if it wasn't for his interference, Nicola would have probably been dead by now. All he did was stop for just a second to tear the bus door out once he saw her struggling to open it from the inside. Maybe he was, maybe he wasn't, who knows? Eventually, Raphael glanced at her with a more certain look on his face.
"You don't stand a chance. Not against the Destroyer."
Yeah, no shit, Sherlock.. Nicola thought, still having the clear image of the flaming dragon standing barely fifteen feet away from where she was hiding in her head as if it happened yesterday. He was terrifying, no one is taking this away from him, but screw that! That's one gigantic motherfucker. Nicola was pretty sure she could comfortably live in a room that was the size of his goddamned head. If he tried to eat her, she'd probably get stuck between his teeth at best. And so far that's the last place she wanted to find herself in. She really didn't need help in figuring out that a bunch of humans still shitting their pants at the sight of a single Wicked could stand up to the bloody Destroyer. What are they, the legendary dragon-slaying knights or something? Not to be pessimistic or anything.. but Nicola wouldn't be surprised if that thing could kill her by so much as breathing in her direction. He does breathe fire after all. It goes without saying that he also has a huge horde of ugly assholes under his whim, jumping at the tiniest flick of his tail. So yeah. Chances for success in an open confrontation are pretty miniscule. Fortunately, what Raphael said next made her sigh with relief.
"You need all the help you can get… I will come. If this is your wish…"
Victory! Now that was the solid dose of serotonin Nicola had been missing for quite some time. Not only can she return home and assure her strange little family that she's alright but also she doesn't have to leave her newfound friend behind. Her conscience will stay clean, Raphael will be safe in Haven, maybe even recover to some extent, and the humans will have a powerful angel healer on their side. To her it was a win-win.
"You will?! That's awesome, thanks!"
Nicola was quick to gather her humble possessions and waited for Raphael to get up and take whatever he needed. But surprisingly, all he took was the kitten which he held against his chest since it wasn't really pleased about being manhandled but the angel simply ran his finger through the fur on its head to put it back to sleep again before depositing it to a small knapsack he had on his belt where it could rest safely. Apparently, he wasn't attached to anything he stored in his hideout over the time he spent here. Well, there weren't many useful things to take anyway. At least that's what Nicola thought before, because Raphael leaned over one of the bigger crates and reached for something apparently hidden behind it. And oh boy, the thing he pulled out… An ornate, gilded staff, as tall as Nicola is. The centerpiece was flanked by two slender serpents coiling around it in a beautiful, symmetrical way to the very top crowned by a pair of wings and a ring between them.
"Whoa…"
No matter how hard she tried, she couldn't hide her amazement. That was some sick looking staff. The design seemed to ring a bell but she couldn't quite tell where exactly. Unlike Raphael himself, the staff was well kept, clean and undamaged, even if a bit tarnished. Apparently in his solitude, the angel cared for it well and often. For this last piece of home he has, Nicola realised with a pang of sadness. Even in his fond expression she could see the attachment to this one small part of his past. Okay, maybe not that small… Once Raphael was ready and glanced at Nicola to confirm it, she nodded and walked off into the dark tunnel with the angel trailing after her like a duckling.
"Oh, and by the way…"
Considering what Nicola had seen before, she figured it would be best to warn Raphael about some of Haven's denizens. Well.. by some she specifically meant Vulgrim. Despite his queer way of being and shiftiness, Nicola still somewhat liked him. The demon merchant was hardly a good material for a friend but so far he proved only two things to her. That he can be cunning and annoying. And that he's unbelievably helpful. And in truth, Nicola couldn't help but grow a little fond of her exceptional neighbour. Especially because Vulgrim was the only demon so far that didn't try to kill her where she stood but instead engaged in a conversation. That might be because he's just scared of Ulthane but he seemed rather harmless. Hell, he even sometimes provided useful resources if Haven could afford a trade with him. In a way, he too was helping humans survive. But if he suddenly jumped out of that Serpent Hole of his… Nicola could already see Raphael blasting the demon into Oblivion without a second thought. And that was something she didn't want to happen. Better safe than sorry.
"There's this… guy sometimes swinging by to say hello to us.."
Even as she spoke, she didn't stop walking and the quiet tapping of the end of the staff against the floor told her that Raphael kept following. How do I explain to an angel that a demon means no harm?
"The name's Vulgrim. He's a little… Ugh, how do I put it?"
"A demon… Crafty fiend, far more powerful than he lets on. Yet, so… deceivingly docile.."
Nicola halts as though she's just come face first into an invisible barrier once she heard Raphael grumble distastefully to himself. Turning around, she gawked at him with non hidden shock. And while she expected anger or at least disgust, Raphael looked rather… resigned for the lack of a better term. And only ever so slightly annoyed.
"You know Vulgrim?"
That literally came out of nowhere. The description of Vulgrim Raphael just gave was so unbelievably accurate. Nicola already suspected that the demon is much more dangerous than he seems but simply refuses to put his power to use and do something constructive with it. And now she got a confirmation. From a very unlikely source but still. Raphael was quick to offer a clarification and answered her question with his own.
"Who doesn't?"
"Ah, that's fair.."
She chuckled. Vulgrim is that kind of a "person", who seems to know everyone and has been to pretty much everywhere. He offers his merchandise to every creature that can afford it and it shouldn't be that surprising that some people, even angels like Raphael know him, or at least know of him. She suspected the latter part in this case. This makes it much easier to explain to Raphael that he's a friend.
"He's cool though! He's helping us keep it together and doesn't really bother anyone in the Tree. Vulgrim is really helpful if he wants to."
To this, Raphael answered with a doubtfully raised eyebrow and a thoughtful hum. He didn't seem convinced but what he said fully satisfied Nicola.
"Hmmmm… so I was told.."
Before they even noticed, they were right below the well lid which was Nicola's original entrance to the sewer. And honestly? She was so glad that she decided to come down here. Otherwise, she wouldn't have met Raphael. Some part of her still dreads to wonder what would happen to him if she didn't find him. He was already at the brink of losing it but now it didn't seem as bad as before. In a way, Nicola saved him too, it seems. Before, he was barely registering what was happening around. Now he was more or less capable of a relatively normal conversation. Sure, he tended to talk to himself quite a lot but she supposed that the solitude and whatever nightmares he'd been through have taken their toll. Climbing up the ladder, Nicola pushed the lid out of the pavement and immediately the golden light of the new day spilled through it, banishing the darkness and ouch, it hurt her poor eyes.
Even though Nicola wasn't in utter blackness all the time thanks to the arcane wisp of light that followed Raphael everywhere whenever he needed it, the bright pillar of sunlight struck her like a physical force, leaving her mostly blind for a good ten seconds. Still, another breath of fresh air tasted like ambrosia to her. No stench of the sewer and rotting meat. Thank God.. It took only a few seconds afterwards for her sight to get used to the brightness but still she needed a moment to wipe the tears from her eyes. Before she exited the sewer however, a quiet hiss behind her made her stop.
Looking over her shoulder, she saw Raphael recoiling from the light with his eyes squeezed tightly shut and a grimace on his face, shielding himself from the radiance with his left wing. Right.. How long he'd spent down there, Nicola could only guess but she could understand how dizzy it might've made him and how much it burned his darkness-adjusted eyes. More than that, to him the sunlight probably felt like it does to a goddamn vampire.
"Raphael? You okay?"
The angel didn't answer her, simply kept still, slowly lowering his wing to look at the light flowing through the opened way out, blinking rapidly so that his eyes adjusted to it quicker. And once they did.. Without a word, he hesitantly reached out towards the bright sun rays and put his bandaged hand right through the border where the light and dark clashed with one another. And immediately, once the warm glow caressed his skin, his face brightened in mute fascination. The fact that he hadn't seen the daylight for way too long became ever so apparent to Nicola and made something twist inside of her sadly.
"The sun…"
Raphael breathed and let his mouth form a wide grin once he fully entered the illuminated area and turned his face up with his eyes closed to soak it in.
"Blessed Creator, I missed it.. oh how I missed it…"
It took less than a second for Nicola to decide that she's going to let him have that moment. They were in a rush, true, but she simply didn't have it in her to tell him to hurry. She didn't want to interrupt him because even with all the dust and grime on his emaciated face, for the first time since she'd met him, Raphael looked so unbelievably happy. Truly happy. Just because he could feel the warm light of the sun upon his skin. And with a full smile he underwent a sudden change. All fear left him, his features softened and Nicola would dare say that even as broken, mad and defeated, in this short moment he looked… beautiful. As an angel, which humans often imagined, should. Under all that dirt something was glistening from the surface of his skin under his eyes, on his cheeks and forehead, the sunlight painted warm streaks on his long, white hair that fluttered on the cool breeze from above. In spite of herself she smiled too. This look to him suited him far better than a sorrowful, troubled frown. She could already tell, she will be always trying her best to save this precious smile.
With a deep breath of fresh air, Raphael opened his eyes to look out at the clear sky in shades of delicate blue and… in a flash of gold accompanied by a quiet whizz disappeared. Nicola's jaw fell open. Her human mind will never stop getting surprised over the stuff like that. And even if it will, it's going to take a long time. Before she could even start wondering where the angel vanished to, a large silhouette blocked out the sun. Still a bit surprised, Nicola looked up right at Raphael's kind face and his outstretched hand as he offered her help in getting out of the stinking well. So he can teleport. Lucky bugger. To be frank, Nicola felt a small sting of jealousy. And while she expected him to simply let her hold onto him as she pulled herself out, he hoisted her up in one fluid motion and set her on the pavement beside him the moment she took his hand.
The odd angel kept surprising her. Despite his thin frame, he was quite strong. For human standards that is, she didn't know how his physical strength was viewed among his brethren. During the initial armageddon she caught glimpses of much more sturdy-looking angels after all. The memory actually made her wonder if Raphael knew that one angel she saw talking to the warrior in red. The one who got… brutally squashed by that gigantic fuck-off demon that nearly made her heart refuse to keep fighting out of pure horror before she booked it. At least she could only assume that he got squashed because as soon as she saw the hand shoot out from the pit of boiling magma below she averted her eyes not to look at it and all she remembered now was a female voice desperately crying out a name she couldn't quite recall right now.
I'll ask him another time. She thought as he was pulling her out into the outside world. Still, the caution he did it with… Sighing inwardly, Nicola realised that Raphael already has something in common with her other bizarre friends. He too handled her as though one uncareful move could harm her and treated her as though she was made of porcelain. For quite some time Ulthane was afraid to even touch any of them not to break something and there were very few people in Haven who could resist poking a little fun at the maker. Oh well. Looks like it's a privilege that last members of the human race get. Everything is either super gentle with you or is trying to ruthlessly murder you. Nothing in between so far. Only Vulgrim seemed to be mostly neutral towards them but that was one exception.
Outside of the sewer the day was unusually warm. The sun was shining down at the crumbling Earth from a clear sky, no clouds hindered its rays and the air movement was a bare minimum. Nicola didn't wait long before unzipping her vest. Cooking inside of it was the last thing she fancied right now. Judging by how high the sun already was, she'd say it was far past the morning hours. Actually, maybe even somewhere around midday. Looking down at her watch confirmed that she guessed it right since it showed the exact time of
11:56 A.M.
Now's the high time she started looking for a way back. She walked over to one of the tallest buildings nearby to search for a suitable vantage point - careful this time, not to get jumped by some asshole again - and glanced back to see if Raphael was still following her. And in agreement to what he'd accidentally shared with her back in his hideout, Nicola has taken a note that he's.. limping. He was leaning on his ornate staff heavily and his eyebrows were furrowing with each step he took but his eyes were quickly shifting between all directions of his surroundings, always on watch for a threat. Still, there was an ever-present weariness to his pace. To put it simply, Raphael looked tired and moved with difficulty, as though he was in constant pain. In a way, he was.. But somehow Nicola knew it wasn't really the same pain one feels when getting injured or ill. This was something… else.
Nicola decided maybe she will ask him about it later, once they're safe. Maybe. They had to find Haven before the sun sets after all. No time to waste. Though… she didn't really know how to approach the matter. Raphael had done so much for her already. Asking him for help and a lift made Nicola feel incredibly awkward. Especially because she wasn't quite sure if asking an angel to fly her somewhere was considered rude by his people. But it had to be done. Otherwise, they might not make it on time.
"Hey.. Raphael? I forgot to say that but… there's a little problem.."
"A problem..?"
Raphael cocked his head to the side as he looked down at the small human woman wringing her hands nervously. Why was she nervous? The archangel could no longer sense or even see fear in her, yet something was still wrong. For some reason she was feeling uncomfortable, whether it was his presence or something she was about to say.
Why should she ever trust you? Your kind destroyed her life!
And that was unfortunately the truth. Half of it at least. Demons too had their part in it. Raphael knew he holds no ill intentions towards her or her kin hiding from the Apocalypse in the Tree she kept talking about but something told him that Nicola is still afraid of him. She just doesn't know it yet.
"I'm not entirely sure where we need to go.. I got… a little lost..?"
Ah. So that's the problem. Honestly, Raphael was half-expecting something truly horrendous but if being lost is the only problem they have - for now that is - then there's nothing to worry about. The directions to the safe place are surely buried in her mind somewhere, accessible and possible to dig out. All she needed was a gentle nudge in the right direction. And if that doesn't work, Raphael can always try to search through her memories himself if she won't have a problem with that. Though, considering how fragile humans are, both physically and mentally, Raphael didn't want to risk irreparably damaging her mind that way. This was the last resort. Instead, he reached out to her and laid his hand on her shoulder, summoning his magic to take both of them to the top of the crumbling block of flats looming over them.
"Wh- whoa! Hoo.. lee!"
Nicola loudly exclaimed to make her astonishment apparent once they reappeared on the rooftop high above the destroyed city. Raphael could only imagine how odd teleportation must feel to a human who's absolutely devoid of any magical abilities and not used to it being used around them.
"Will this help?"
Shrugging off the surprise, the human walked up to the ledge, so close it made Raphael feel mildly uncomfortable, and looked out at her ruined home bathed in daylight. Squinting at the sun and shielding her eyes from its shine, Nicola looked around, murmuring under her breath
"Gimme a second.. The cathedral is there, the shopping mall there… So the Tree should be somewhere around-…"
She tapped her chin thoughtfully for a moment before she turned to her left and her face immediately brightened as she pointed into the distance.
"There! Look!"
Glancing towards the place Nicola was pointing out, Raphael could barely make out a massive shape between ruined buildings. It really did look like a grand tree. An enormous shadow standing tall above the ground. And Nicola was pretty much vibrating with ecstasy and shifting on her feet like a small child impatiently waiting for something amazing to happen and beaming.
"It's right there! We did it!"
She squealed like an excited child as well. But Raphael knew it might be too early for celebration. That was quite a long way… How she even got from there to here anyway, he may never find out. What's more important, if Nicola wanted to make it all the way back there, it might take her a whole day if not longer and each minute spent out in the open means that demons have a bigger chance of discovering her and putting an end to her existence. And that Raphael couldn't allow. Every human that survived counts. He could see why she asked him to come with her and he decided he won't fail her. He won't fail anyone ever again. The faster they leave, the better. Turning to the excited woman standing beside him, the archangel unfolded his arms and crouched.
"Hold on to me…"
Nicola's mood shifted instantly. Sometimes it was kind of disturbing how humans can turn from happy to sad, angry to calm, excited to apprehensive and vice versa in the matter of seconds. Her eyebrows wandered up as she eyed him cautiously.
"Huh? You want to-..."
In response, Raphael gave her the most reassuring smile he was capable of despite the coldness of his tattered soul feeling especially troublesome today after he unwittingly created some sort of a link with Nicola. Or maybe not as much with her, as with the bright, heavenly spark inside of her. By all means, the flash of blinding pain, as intense as the day he tore out the first fragment of his being and multiplied by the amount of times he repeated this, was not a pleasant experience. The memory still lingered at the back of his head but he tried anyway.
"Trust.."
He simply said, making Nicola swallow and smile nervously, half-heartedly joking
"O- okay. Just don't drop me, alright?"
“Of course..”
She uncertainly conceded and wrapped her arms around Raphael's neck for the second time this day, holding on so tightly that for a human it would surely be excruciating. No wonder. A human doesn't need to fall from a very high place to get themself killed or at least crippled for the rest of their life. But Raphael had no intention of letting her fall. Putting his free arm around her, holding her securely against his chest, the archangel unfolded his grand wings. The soft breeze rolling above the city immediately caught in his feathers, calling and beckoning him into the vast skies. It's been way too long since his last flight. Luckily, it's an ability that once learned is never forgotten.
Raphael shot up into the air just as Nicola tightened her grip even more, holding on no worse than a koala bear. Not wasting any more time, he swept over the human city turned into a dreary graveyard, heading towards the Maker Tree and gladly leaving the sewers behind in favor of the brighter future opening up before him for the first time in centuries.
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Listen, Raphael needs and deserves a hug, okay? For being a precious guy <3
Send over all the hugs for him 💓
EDIT: Gonna upload it on AO3 tomorrow
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angelofseeking · 2 years
Text
brain dump
So, I work as a library clerk and spend a lot of time shelving books. Lately, it's gone from a peaceful repetitive task to one that allows me too much time alone with my thoughts. Today, I frequently thought about chr!stianity and it's relationship to my mom's increasingly conservative political views.
Recently, we had a conversation on the phone where she asked me if LGBTQ+ subjects should be taught to children in school. I explained to her that if I had had any clue that I was trans, I would've sooner been able to put a name to the feelings that made me depressed and suicidal for most of my life. She seemed to hear me and take my view seriously, to a degree. I didn't ask her if she agreed with me. I'm afraid what she'll say.
I did ask her why she wanted to know. Apparently there was a "knee-jerk reaction" from her sources to the idea of teaching about LGBT stuff in schools, and she wanted to know my viewpoint. I had hoped for a "you're right, honey, I believe you" but what she said was, "I don't think either side is right" and it doesn't sit well with me.
I'm becoming quite tired of my parent's inconsistency. I feel like I've never had a stable place to exist, in spite of the fact that they housed me and fed me and, I believe, did their best to raise me. They are both so broken by the systems they grew up in, but I'm tired of using that as an excuse. I would like to be content with the fact that I have the power to break that cycle. In spite of their example, I became more compassionate, with the strength to withstand the pressure of social expectations. I will not be having children to transfer my trauma to. I see the world as it is, and I am more conscious of the harm I cause.
My parents have been calling me by the correct name and pronouns for years. It took them some time to fully accept me. Taking testosterone seemed to be the turning point, which I think is unfortunate. A lot of people didn't take me seriously until I got HRT. It's sad that trans people have to do that. I was dismissed constantly prior to making these changes. Someone I once considered a good friend actually said to me that he wasn't comfortable referring to me as a man until I started looking like one.
I'm really fucking sick of being trans sometimes. Or rather, I'm sick of cis society. I'm sick of thinking about it. I don't care that I'm trans. I cherish the moments of peace where I can exist without awareness of my transness. I'm just a person. I don't know why I am the way I am, only that I put every last effort I could muster into being a woman and it just wasn't working out.
I'm also really fucking sick of being tragedy porn for cis people. I'm not "brave" -- I was never given a fucking choice. It was fight or die. I wasn't "born in the wrong body." I was born in my body, and I take a medication to make my body feel a little more normal. Being trans isn't a disability, deformity, or form of mental illness -- but is it any different when someone takes antidepressants to exist easier in their own head? Chr!stians love to say everyone has a cross to bear. This is just mine, I guess.
My mom was confused and dismissive when I first came out to her as genderqueer. She shut me down and made me feel like I was being hysterical. I have often called her my best friend, and we certainly have trauma bonded over surviving my dad. I used to let her define my reality.
I don't know when the turning point was. But there came a point when she took me seriously, and she called me by the right name and pronouns before I got on HRT. I think it came from a place of sincerity. We were close for so much of my life. We used to smoke weed together and hang out all the time. Then her disillusionment with the medical industry took her down the rabbit hole into Q An0n land and before I knew it she was donating money to the Tr/ump campaign.
It used to be kinda quirky when she talked about how the reptilians were feeding on our "loosh" (negative emotions), but now she fully believes the world is run by satanists and considers herself to be a right-wing conservative chr!stian. She's also a nudist, which I only mention because it doesn't seem very conservative to me??
The thing that worries me now is that she's becoming so deeply indoctrinated by it that she'll start to see me as some kind of misguided sinner. There's still a part of me that wants to believe she has more sense than that, but. lol Like, does she think that my "liberal" upbringing made me trans? In that same conversation about LGBT education, she asked me if I wanted to be a man because I was always imitating my dad. And I was pretty confused. When have I ever wanted to be like my dad? I told her I was always looking to her for an example, and wanted to be like her. And in spite of that, I felt that I was a man.
I hate that I have to talk about this. I wish I could put my thoughts together in a coherent way, and make some kind of point. But I don't know if I can change anyone's mind.
It doesn't matter how other people see me. I'm stealth at work. I probably don't have to be, but I just don't know how people would react, and I've already had some negative experiences with people in the workplace before. I think most people, when they find out I'm trans, they lean more towards the "Wow, I couldn't tell!" camp (which I also hate tbh) rather than the "So, you're not really gay?" camp.
I'm not brave. I'm scared and I'm tired. And I'm angry. I'm very fucking angry.
I've wasted enough time worrying about what other people think. I've been acknowledged as a man 99% of the time every day for the past five or six years.
I recently posted a thing on Facebook about gendered terms I'm comfortable with, and there seems to have been some misunderstanding. I've been out as non-binary for a few years as well. And I'm starting to really reconsider what that means for me.
It doesn't help that this past December, I shaved my entire body and put on a dress to attend my best friend's wedding as her maid of honor. To me, it wasn't a big deal. I had a fantastic time. I felt so pretty, and I enjoyed being gendered differently by people throughout the night.
I enjoy being a gender chameleon. When I'm dressed that way, I don't necessarily care if I'm seen as a woman? But I do think of it more as drag than conforming to femininity, necessarily. If you see me as a woman when I'm literally in drag, that is the fucking point. But if I'm binding and I have a full beard and I'm in a polo shirt and cargo shorts, and you call me a woman, you are going to look like a fucking idiot, and I'm gonna laugh in your face.
Being in a place of healing has allowed me to better understand how I see myself. I'm a gay man. I like having a beard and a deep voice, and I'm lucky enough not to feel shame about my body and the sum of its parts. I'm attracted to men in a gay way. I'm seen as a man by my partner, my friends, my co-workers, my neighbors, by the public who frequents the library where I work.
I don't care for standards of masculinity that prevent me from wearing make up, certain clothing, nail polish. I don't feel ashamed for being short or for sometimes feeling sad. I wish that I could express my gender in the way that I want, but men are not allowed to be soft or pretty, and doing so leaves me vulnerable to being verbally and physically assaulted. Not only that, but expressing my femininity also always seems to be interpreted as a "go ahead" to misgender me and take my decision to transition into question.
So let me be clear. I'm not a woman. In a greater, existential sense, I have transcended gender itself to see it for what it truly is. But if I had to choose (and I do, apparently) then I'm a man. Just think of me as a regular guy.
Cis people think they know what it means to be free of gender. But until you hop the fence, you just don't. Until you commit a gender taboo so unforgiveable that you realize you could run the risk of losing your job, you have no idea. They blithely regurgitate the mantra of "gender is a biological characteristic" as though women were meant to be hairless and men meant to be bastions of logic, free of the taint of emotion. You will never truly be free until you've watched yourself die and rebuilt yourself from the ashes.
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