#and is willing to kill again

[milder-manners]

ya ccdream is hot but in a cute and hot way while c dream and mh dream are more hot in a crazy insane way 😭

In comparison with each other, yeah definitely. Honestly, manhunt!Dream being insane is more of an interpretation of looking at the game as a story (rather than a real life competition); but he could def be interpreted as a Batshit Nuts, it's definitely there.

[daisybell-on-a-carousel]

Being someone who read Under The Red Hood and came out with the firm belief that, for Jason, it's not about killing Joker, it's about Jason wanting proof Batman would choose him over the Joker (bc shelia chose the joker). Makes seeing any other media where it's all about just wanting the Joker dead is a teeny bit frustrating. to be honest

Jason could've killed the Joker himself, really, really easily. Jason kidnaps the Joker before the confrontation. I can't open my comic for a reference right now, but it felt like he had the Joker for quite a bit before the confrontation. He had him. He beat him up with a crowbar. He had every single opportunity to kill the Joker himself, but he didn't because that wasn't his goal. Make no mistake, he did plan for the Joker to be dead by the end of it, but do you see what im trying to say here

Edit: If I knew this post was gonna get 1000+ notes I would've tried to word it better or something, this was a rant I made on the way to the grocery store 😭

It's not about making Batman kill either. When Batman says he won't kill, Jason adjusts and goes, 'Let ME kill the Joker or kill me to stop me' instead. The test is all about Batman choosing him. The whole final confrontation is Jason's first death again. The parent, The Joker, and the explosives. It even ends with Jason unable to move as a bomb goes off right next to him again because the parent didn't choose Jason. And instead tried finding an option that'd benefit them and (consequencely) letting the Joker walk, again, lol, lmao <-in agony

[bluerosefox]

To Protect Them

Another DPxDC idea with twins Danny and Damian.

'He knows.'

That was only message Danny received before he felt like he had dropped in freezing cold Arctic waters naked and felt if he remembered to breathe at this moment he would see his own breath, even though he had an ice core and no longer felt actual cold anymore, and for a moment the world around him faded into nothing.

No sound, no touch, not even smell.

Nothing.

Then like a supernova, everything around him exploded.

Everything was too loud, to strong, his skin felt hot and cold at the same time somehow. The feeling of dread crawled up his body.

He needed to go.

Run.

This message was his only warning. The only thing his birth mother could send him in regards of help. He knows it, he knows she can't do anything else but this. He also knows she wants to do more but in order continue to be the eyes and ears inside of the hellhole he once called home, a place he both hated and feared yet somehow still loved if only for the memories of his mother and brother, she could not do anything more.

"Hey Dann-o! Anything good in the mail today!?" Came the loud voice of Jack Fenton, his adopted dad, from the doorway. The same man who took one look at a muddy, dirty, tense, untrusting, almost fully feral little six year old Danyal al Ghul who held onto his only daughter hand when she dragged him home after finding him behind the Nasty Burger looking for food, and decided point blank that he was now a Fenton. That Danny, Daniel was his son as if he always was.

Danny could feel his lip tremble when he realized if he ran, if he booked it out of Amity now, the people he loved, the people he would happily die for, would be targeted. It wouldn't matter if he faked his death, or just left with no warning and never contacted them ever, ever again.

They would be killed for just knowing him.

For their deaths would be his punishment.

Danny could feel the rest of the mail in his hands, the ones he had went outside to get before breakfast cause his mom asked him to, fall out of them, the only one staying was the message from his birth mother. He took in a shaky uneven breath and turned around.

His face no doubt was pale, paler than it normally was, and his body trembled, and Danny had no doubt that despite all the training he had learned when he was in the League that even if he brought it out and pretended he was fine, his dad would be able to tell something was wrong.

Because his dad's happy cheerful face shifted to a concerned worried frown, a frown Danny hadn't seen in a few years, a frown that was common when Danny would wake in the middle of the night screaming, begging, or cursing in his native language or when he would be spooked enough to reach for a knife. But even with those moments the man never ever found fault in Danny, instead he would lower his voice and speak softly to Danny, waiting until he calmed down before asking if it would be okay to touch or hug him. Then he would sit with Danny for hours, keeping his normally loud and booming voice soft as he talked about random things, like family fudge recipes and how they came to be.

"Danny?" Jack asked softly as he took a small step forward, one of his hands lifted up as if asking permission to reach out.

Danny wanted nothing more than to rush into his dad's arms and hide in his large frame. Hide from the world around him but Danny knows he didn't have time, none of them did.

He took in one more breath and could feel his body stop shaking, his mind no longer chaotic, and his nerves steeling up. For the first time in a long, long time, he wasn't Daniel 'Danny' Fenton anymore.

He was Danyal al Ghul again.

"Dad. Get mom and Jazz into the GAV. Now." Danny ordered, his eyes narrowing as he clutched the message in his hand tight.

His dad knew something big was going down.

And he trusted Danny enough to do so quickly.

Danny closed his eyes as his dad ran into the house, yelling for Maddie and Jazz to get into the GAV. Danny opened them when he could feel the message in his hands slowly being covered in ice and knew his eyes were now glowing green.

He didn't have a lot of time. He needed to get his family, Tucker, and Sam out of Amity.

He needed to get them someplace safe.

He needed backup. More than his family and his friends.

He needed-

Danny nearly jumped when he realized who he can call to help.

In a flash he took his phone out of his pocket and quickly dialed a number he barely liked calling but needed to do so at this moment.

He waited, it felt like ages and it was agonizing, before the person on the other line finally picked up.

"What do you want-" came a somewhat same but rougher sounding of his voice but Danny cut him off.

"Dan, he knows." was the only thing Danny needed to say because he could hear the sharp intake of breath.

"Get them here now." was the order.

"Already on it. Is Ellie and Vlad with you?"

"Yes."

"Good. We'll be there shorty. Keep them safe."

"And then what?" Came the gruff question.

"Then... Then we'll prepare and call in Father and Damian. We need all the help we can get."

".....He won't be happy... About everything. Our... your fake death you know."

".... I know. But hopefully Father and the rest of his batclan will keep him from lashing out too much, especially with civilians and innocent lives on the line."

The two, Danny and Dan fell into a silence for a moment. Danny could hear his dad trying to hurry his mom and Jazz into the GAV despite their questions

".... Explaining all of this is going to be a shit show isn't it." Came Dan's voice after a couple of minutes.

Danny winced because yeah, not only explaining his actual past as Danyal al Ghul to the Fenton's, Tucker, Sam, and to Ellie, and Vlad but also having to explain his new life to his birth father and twin brother, a brother who thought he was dead, was going to be a hell in a handbasket.

"Yeah... it will be." Came his only response as he heard the GAV starting up and the garage door opening. Dan must of heard it over the speaker phone and said "Get Sam and Tucker and get here soon. No stops. We'll fortified Vlads dumb place in the meantime."

Dan didn't wait after that and instead just disconnected the call. Danny removed his phone from his ear and quickly pull up the group chat he had with his friends, sending them a quick message to meet him now. He used the code they had set up incase the Fenton's didn't take to him being Phantom well, he never had to use it since they took the news good, well as good as one could be after finding out their invention had half killed their son and that they had been hunting his ghost side down, but since this was important he needed them to be ready now.

He frowned as the Fenton GAV pulled up towards him and knew that what happens next would be...

Stressful.

[ulteri0rm0tives]

It's actually so heartbreaking that in the temperance ending Johnny just.. leaves. Gets all these calls, maybe even texts, from people who don't know the extent of what happened. Who are accusing him, that are mad at him. Especially in the frame of reference that this was V's last wish. That it was V who gave the body up. That it was V who wanted this, wanted to save Johnny, Johnny essentially powerless to stop them ('just scared for ya').

And the thing is.. Johnny just lets everyone. Lets them make their own conclusions, lets them be mad at him. Lets them blame him. Lets them think, that after the love of his life the person who's ever wholly understood or cared about him the most like no other ever could had 'died', that it's his fault, that he could do that to them... Or just lets them think the worst of V as their final lasting impression or mark on this world. Doesn't try to defend himself nor V. He just leaves. Just takes it.

And you would think. You would think the one he would at least tell is Kerry. That the one to actually understand the most would be Kerry. I don't think any of the other love interests could get the whole engram situation like him, they don't have that personal history or connection to the code on the relic like he did after all. Kerry knew Johnny. Enough at least. But Johnny doesn't tell him, and Kerry just thinks V ghosted off on him and Johnny just lets him think that. And it just makes you wonder.. why would Johnny do that? Why would he do any of this?

[aingeal98]

More Jason and Cass thoughts (sorry but also not sorry) but if I was magically given full control over DC and could write what I'd want obviously I'd make Cass Batman but I've been thinking of what sort of reaction and role Jason would have in response. I think I'd write his version of "Congrats on the new job!" as a test, involving the Joker and civilians and gangs and Red Hood and a ton of explosives. Bruce failed me, and now he's given up. You're his successor, let's see how you handle this dilemma that freaked him out so badly he threw a batarang into my throat rather than let me avenge my own death in front of him.

So obviously Cass will overcome the traps and the puzzles. That's the fun part to show how competent both of them are and sprinkle in little character moments as we go. But then we reach the emotional crux of the matter, probably laid out as some sort of saw trap because it's Jason. Here I am, a victim of murder. You say nobody dies tonight but I did, and I want the man who did it dead. Not only did Batman fail to avenge me but he failed to stop the Joker from going on to create even more victims. What right do you have to stop me from getting justice for myself? What right does this man have to life after what he's taken from me and from countless others? I'm not trying to kill a random stranger, I'm specifically demanding justice for my own death that I never got while I was gone.

There are two ways this could go. The straightforward route if I knew my time on this run was limited would probably be a pyrrhic victory like the ones Cass's og series was so fond of. Just like Bruce in utrh, she acts on instinct and saves the Joker (and Jason this time) . A win technically, but she fails the test. Jason is once again vindicated but with nothing to show for it. The story ends with Cass sending the Joker back to jail and going back to the batcave, where the old Robin costume looms judgementally, highlighting her failure. It would be the most fitting end given their character molds, all tragedy and conviction and unstoppable force meets immovable object etc.

However... I think the option I prefer would be a little different. Cass levelling with Jason, a killer talking to a murder victim. She has no right to stop Jason from getting justice, she has no love for the Joker but she knows any death she allows to happen like this would devastate her, just like that death row inmate long ago she tried to break out but ended up letting go once the family of the victim talked to her and demanded justice. I think... In this specific situation, she'd just be honest. Morally she has no right sure. Personally she just really really doesn't want anyone to die. Give her one chance, please. Let her try it her way. Not demanding, not lecturing or insisting, just... Please. Don't do this. Let me try another way.

And then what? Jason asks.

In the end a deal is struck. Cass will take the Joker and lock him up, ensuring he never harms anyone again while also trying to rehabilitate him. But the second she fails and he gets free, Jason kills him and she won't stand in his way. It's the kind of deal that leaves both of them mildly disgusted and dissatisfied with themselves, neither of them naturally creatures of compromise when it comes to this specific topic. But Cass is willing to do anything to avoid death and Jason did not expect the new Bat to be so... Flexible? Kind of? Of course maybe she won't actually hold up her end of the deal and when the Joker gets loose she'll try and stop Jason from killing him and he'll get his miserable vindication, but right now this is something strange and new and he's mildly confused and curious about where it will go. He doesn't believe in her ability to contain the Joker forever but he's willing to let her try because her reaction to that future failure interests him. She's given him a sword of damocles to hang above her head and he didn't ask for it or expect it. It's the type of power he never thought the Bat would just... Hand to him.

The conflict ends with neither of them fully winning or losing. They both don't really know what to feel about this.

The thing is, the second Cass let's Jason kill the Joker she's hanging up the mantle. She's staking the Bat on this, because it's always go big or go home with her when it comes to saving others, even someone like the Joker. In this magical universe where I have unlimited power, Cass would lock the Joker in a secret bunker and have Leslie Thompkins talk to him daily, mostly because I think her pacifism speeches and debates in the comics would make a fun contrast to the Joker's evil sadism. (But what about his rights? Doesn't he deserve a trial and to be held in a regular prison? I'm going to be honest I think Cass would be very comfortable bending the rules on this specific situation. Morally questionable but I'd have fun with it. She's going to let Leslie treat Joker like her personal pet project to save his soul because yes she wants him to change but also she's got a city to save every night so go crazy Leslie, have fun.)

And the Batman series would continue with Cass as the lead, new challenges and new antagonists and every twenty issues or so for the first hundred we'll cut back to the Joker briefly if his chats with Leslie can help highlight some thematic element of the current arc. But bit by bit he'd slowly fade away onto oblivion, maybe getting referenced every hundred issues or so until eventually no one remembers or cares about him because there's so much else going on. Meanwhile Jason's got a good thing going as Red Hood, primarily based in Park Row and a tentative ally on the occasion when their vigilante work aligns. Unlike Joker he's a much more frequent character in the comics, and after say 10 years (this is my magical fantasy universe Cass's batman run is going to last for a very long time alright) when people think of DC characters they think of Red Hood long before they think of the Joker.

Is any of this realistic? Right now of course not. It's why I'd go with the pyrrhic victory if I actually got the chance, because it would be the best way to tell the story in the larger context of the Bat narrative. But it's my fantasy DC editor and writer daydream and I'm going to dream big. They're never going to be normal happy siblings, their personal demons will never fully let them be free and the looming possibility of losing everything they currently have narrative wise if Bruce comes back as Batman will always be there. But it's maybe the closest to peace they'll ever get. Unsatisfying and tame compromise that probably violates several laws and ethical codes but whatever. Cass has never read the Geneva convention and Jason's not going to shed tears over the Joker. Let him die relevancy wise if not physically.

[royaltea000]

[jttw swk oc children] tried out giving them some new clothes but I dunno bout this one… 🤔

Prev:

[ittybittyremy]

I'm sorry but some of you really overestimate how pro-god Orym is

[vaguely-concerned]

what would I do without you. indeed illario.

lucanis trust me! indeed illario. the ea-nasir vibes on this shitty little rat of a man (somehow still slightly affectionate despite myself)

I am obsessed with WHERE this letter is found and what we're meant to read into those context clues. I don't have a handy save for this mission right now to double check the details, but from memory: It's the room across from what seems implied to be Caterina's room (Lucanis says these are the family quarters, so Illario has kept her locked in her own room all this time probably?? Oh oh house arrest, house arrest for grandmother for ten thousand years style)? We find the scraps of a letter from Zara to Illario, torn to pieces with one fragment still in the empty fireplace so presumably we're meant to assume he burned it, and this old letter from Illario to Lucanis lying neatly on a table. Whose room is this? Because here's a theory one could put together that has some real crazymaking potential for me specifically at least:

Considering that we're helpfully down to only three Dellamortes to account for, it's likely either Lucanis' or Illario's room. If I'm remembering right/let's for a moment assume that Caterina is being confined to her own rooms -- the fact that Lucanis is her favourite and also heir apparent I'd say tips the scales for me that it's likely she'd keep him closest, whenever he's home. Thus opening for the possibility that all this time Illario has been staying in the room of the cousin he murdered but as it turns out not hard enough that he didn't come back again like a haunting, reading his own old letters to him that Lucanis apparently kept all this time (!!! ow !!!), and sparing them from the spiteful fate he gave Zara's 'aww chin up you'll get 'em next time babe' one, right across the hall from where the grandmother he apparently can't bring himself to kill or seriously hurt even with everything else he's done is imprisoned and i n c r e d i b l y pissed off, if she gets out of there while he's sleeping or something he's fucked. Has he been sleeping in Lucanis' bed since kidnapping Caterina????? (did they ever share a bed, when they were children? for comfort if not ever out of real necessity?) is this some kind of incredibly fucked up way to try to be close to them both somehow even when he is the one who messed it all up to begin with? no matter what I have so many questions here what is WRONG with this family???????? (well I don't think we have time to get into all that right now that's a novel not a text post probably fhsdkj)

[spy-x-family]

i don't think tanjiro is the successor of sun breathing 'despite not being related to yoriichi'. i think it's that yoriichi is family to the kamados

in kny, family is whoever loves you. rui tries to make a family but ultimately fails not bc they're not blood related but bc he doesn't really love them. on the other hand, kanae, kocho, and kanao are sisters. zenitsu's master is his grandfather. inosuke's family were the boars (and then of course later, his birth mother kotoha, because tho he barely has any memories of her, he remembers she loved him dearly)

yoriichi was an unwanted child and later an unwanted brother when michikatsu's hatred for him festered and grew. he was rejected from the corps and only had the kamados. when he felt like his existence was worthless, it was the sumiyoshi who told him he deserved to be here as much as everyone else and made the effort to weave yoriichi into the family by passing down his earrings and sword form. he was rejected by his family but accepted by another. if family is whoever loves you, then that's yoriichi's people, and that love was why tanjiro succeeded him

[youngpettyqueen]

I need to talk about Julian's whole thing with Sloan in Extreme Measures cause it does actually make me feel a certain kind of rabid

Extreme Measures is a great episode for the Julian/Miles dynamic and has a lot of great moments with them but I think an underrated element of the episode is how it very plainly shows just how much the Dominion War has changed Julian, and how his morals have shifted into a much greyer area

Julian in this episode is very callous towards Sloan even as he's literally dying. he has no issues violating Sloan's mind, and when Sloan dies, the only reason he actually cares is because the answers and secrets Sloan has will die with him. truly cannot emphasize enough just how deeply Julian fucking hates Sloan, and sheer hatred isnt something we really see all that much from Julian, especially not to the degree he was with Sloan

even with that, though, Julian has never been like that with another patient. Julian doesnt let his personal feelings get in the way of being a doctor, and always treats his patients with the utmost care and his best work. Julian was willing to find a cure for the Jem'Hadar's addiction, simply because they asked for help, even if it meant potentially making them into a much bigger threat than they already were. Julian treated Tain in Camp 371. and, sure, Julian does treat Sloan, but he does so explicitly because Sloan has information they need, not because he has any care for Sloan's life

and I think that- his willingness to violate Sloan's mind to get what they need, and how he didn't particularly care that Sloan died- is a really bleak look at just how much the war has changed Julian and how much it's shifted his moral compass. throughout the war, Julian has been ordered time and time again to compromise his morals. add to that several traumatic events- multiple of which are orchestrated by Sloan- and a slide into deep depression, and it's no wonder he gets to a point where he can do the things he does in this episode

and I dont think it hits him until much later. I think one day, long after the war has ended and theyre still rebuilding everything that was broken, Julian lays awake at night and remembers how bad it got and what he became willing to do, and it makes him sick to his stomach

[dukeofthomas]

"Angry robin" "violent robin" "misbehaving robin" shut up and accept my alternative; spunky Robin. Determined and head strong, can out-stubborn the Batman, has a strong moral-backbone and does what he thinks is right regardless of what anybody else says, Robin. Jason who was sassy and quippy and made crude jokes with a smile on his face. Jason who hid in Bruce's cape and whispered gossip to him. Jason who, if Bruce refused him something, could keep bothering endlessly until Bruce caved. And also dramatic Jason. If Bruce tells him no, it becomes a whole theatrical show; a monologue, a narration, embellishments, and falling onto the floor in his grief upon the fact his cruel father has denied him once again.

(Jason who has suffered through abuse and homelessness and poverty and starvation, who is the Fight out of Fight or Flight, who's built up defenses and walls and when pushed and triggered responds with the thing that's always protected him; anger. He's sweet and kind and funny, and when he sees a pimp hitting a prostitute he gets furious and responds with violence.)

[campbenji]

it's a stretch but what if the "i'm not the same Brooklynn you knew" line is said at Daniel in a flashback

[iamfuckingsorry]

"Do you know where we are going next?" I asked ART.

Y'know what, I think maybe I don't need any more Murderbot books. I think maybe ending things here is fucking perfect and as much as I love Wells's writing I'm genuinely not sure it can get better for me.

Like, so much of the books are about MB learning how to be a person, about becoming okay with being a complete individual with everything it entails. The first thing it does once it's actually allowed to decide on its own is it runs away from it all (admittedly to go on a mission to confirm some things about its past, because it genuinely just wants to be *good*). It shoves all its emotions away as much as it's able to. Then shit happens, and it makes its first friends, makes decisions based on these friendships, goes through a lot of emotionally intense situations...

And we get to this point here. MB having zero doubts about going with ART says a lot about its relationship with ART, but it also says a lot about its relationship with its humans - it knows that wherever it goes, when it comes back, the humans will still be there. Its humans actively acknowledge its struggles with being a now-free SecUnit and MB is willing to entertain the discussions to an extent and share information about its deeply personal experiences. Hell, System Collapse ends with MB admitting it might be somewhat broken, but that's okay as long as it can keep doing its job, and agreeing to basically do counselling - this is the guy what would rewatch its favourite TV show again and again in order to avoid acknowledging it even had Emotions a couple books back.

Reading this, I know that MB will be okay. It has hopes and goals and genuinely believes in itself and it has an amazing support system that its willing to lean on for the first time in its life. I'm convinced it'll go on to do great things with ART. And that's really the only thing I need to know.

[ittybittyremy]

“Orym’s family was able to heal but he was not. It’s been years but he refuses to move on”

Golly gee I wonder why… It’s almost as if Orym has been willingly cutting open old scars and putting salt in them for months

TLDR: It’s not that he refuses to move on, it’s that he can’t.

People who never watched EXU don’t know that Orym was healing and was moving on. There was a sadness to him but he was healing. His tattoo was a part of that healing. Every day was one foot in front of the other.

This mission is what is taking out years worth of healing. It was bound to happen.

The initial mission of investigating an attack that was similar to the one that killed your husband and father is opening old wounds. Everything else is just putting salt in it.

And Orym is willingly putting salt in those wounds for the sake of there being a tomorrow (C3E77) for Exandria and everyone living on it.

It would be one thing if the rest of his family was with him on this mission but they’re not. The closest person would be Leeta but that is not even close to how deep Orym is in it (as far as we are aware).

Like no shit Orym is having a hard time healing. I would be too if I was constantly exposed to things related to my husband and father’s death to that level. No matter how long ago it was

Orym could start moving on again once he’s not as exposed to his traumas. He could leave and give up on the mission but he’s not gonna do that. Not while knowing that his husband and father would be on this mission with him if they were alive.

So he really has one option: stop the Ruby Vanguard and Ludinus from releasing Predathos and potentially destroying Exandria and killing (more) people. And maybe then he can start moving on again

[chloepleasestopdying]

I love me a dark Max fic when it’s done right. Like the idea of Max slowly losing her grip on her moral compass due to rewinding over and over again is just, ugh, so good.

Mix that with the comics idea of Max being able to hop timelines (which seems to be what Double Exposure is going for) and I LOVE the idea of a hardened and jaded Max timeline jumping for her own personal reasons without caring how her acts affect that timelines Max.

[napstabl00k]

Who did you do it for?