Tommy – 6w7
Tommy as a Six
It’s kind of hard to make a six stereotype that actually fits any living six neatly. It’s also really hard to introduce them succinctly. One can say that they’re anxious and safety-driven, but unlike other types that can be flattened into an (often wrong) caricature, it’s generally too obvious from the get-go that it isn’t the whole picture. If you’ve glanced over a six profile with Tommy in mind and gone “He’s like that but also not at all,” welcome to the Six experience.
Child of the algorithm
As soon as I first saw a Youtube analytics page, whatever questions I had about Tommy’s streaming/youtube persona went out the window. YouTube literally quantifies attention in every way you could possibly want, which works incredibly well with someone who has an abundance of two things:
A mind for systems and frameworks
A very strong drive to avoid abandonment
Over time, the internet has been designed to mimic the attention-grabbing impulses of humans, but other humans did it first, and sixes in particular can be good at engaging nearly every form of attention to avoid abandonment. A big drive of the core six is stability (internal and external), preparedness and maintaining a safety net.
Tommy has always talked about relating to YouTube as a video game, finding enjoyment and comfort in being able to look at engagement in solid, reliable measurements. He can make the number go up, he can relate to his performance and behavior with a score, and he can break down other people’s strategies for getting the best results. YouTube is a system that he finds comfort in and literally gets engagement from.
A mind for systems
I have a book lying around with a self-identification questionnaire for each type. There’s a standout line in the Six section: “I might not follow the rules, but I at least want to know what they are.” Sixes naturally gravitate towards thinking in systems, in spite of how chaotic things might look from the outside, or feel from the inside. They tend to feel lost without them and like to orient themselves using them, even if they choose to not follow them or explicitly go against them.
Sixes also tend to have a low-grade fight-or-flight thing going on. This makes for a very interesting combination with their systems-brain, when the systems that they commit to memory become like reflexes. Structures and rules become second nature, and they can flow between following them perfectly and breaking them intuitively. This shows up in Tommy’s use of language (one of the first systems we learn), as well as his remarkable skill in Jazz Piano.
The Seven Wing
Tommy’s Seven wing makes him up-beat and expansive. He’s got a fun-seeking streak, using humor to blow off tension and lighten people’s moods while he’s making friends. He likes to reach out and make connections to a lot of different people so he always has the option of company, even if something else falls through.
While 6w5’s are more withdrawn, 6w7’s have more of a physical and mental wanderlust. Basically, the seven wing lends him part of his chaotic streak.
Counterphobia
Ah, the reason this account exists, explaining counterphobia.
Think of the fight or flight instinct (putting aside freeze and fawn and the other bonus F’s.) When anxiety wakes you up, you have a set of instincts that you can react with reflexively. Regular phobia makes you want to pull away from something, but counterphobia moves you towards it so you can handle it. Most Sixes have a mix of the two, but Sixes who lean primarily on counterphobia more can lead surprisingly dangerous lives for people who are secretly anxious.
Counterphobia can compound onto the Six tendency to anticipate danger. The irony of this happening at an extreme level is they can come off as reckless, seeking out danger and charging right into it for the rush. Tommy does this one a lot, and I wonder if it’s intentional that the people around him have to pay extra attention and take on a disaterbrain way of thinking in order to keep him… alive. When I asked a Six friend about this, they said that it was also very comforting to receive acknowledgement of care, as acting up without anybody reacting can be incredibly shameful.
I’ve seen this line tossed around enough in YouTube comment sections to be comfortable quoting without a source-- “some people are socially awkward, Tommy is awkwardly social.” Tommy turns his social anxiety into forward-moving energy and can get into some fascinatingly bizarre situations because of it. This also makes some of his humor just about as dark as he can get away with, knowing exactly what button he’s not supposed to push and then power-slamming it down.
Sixes are able to burn their anxiety like fuel to propel them forward, sometimes on purpose (deeply valuing bravery) and sometimes on impulse. They can feel the contrast within themselves between what a phobic life and a counterphobic life look like, and in the name of puffing themselves up big to protect themselves and those they love, they choose the latter.
Tommy still has a working sense of self-preservation (sometimes) and is capable of getting nervous about abstract fears as well as practical ones, but more specific situations are more likely to bring about his counterphobic side.
The Loyal Sceptic
One of the things that made Tommy successful as a content creator in the beginning was his impulse to reach out and ask other people how to do things. Sixes like to pool information and opinions to be sure that the choice that they’re making is the best one, and like to have a wide range of references to fall back on. Hell, he asks people for advice as a verbal tick, just inventing questions for people to answer.
Sixes are sceptical. Because systems are so important to the way they get through life, they want to be sure they work first, and can be a natural trouble-shooters if they don’t. Tommy will ask for advice from all kinds of people, but he’s more than capable of arguing against something if it doesn’t seem right. Still, he has faith in people who seem to know what they’re doing—and sometimes a headass decision is good content anyway.
An interesting thing about sixes is they have a complex relationship to being in charge. Someone on the top (in a conventional sense) can’t rely on other people to guide them and are the first to get in trouble if something goes wrong, which is a nightmare scenario for Tommy.
Enter: Wilbur. Wilbur’s willingness (and natural inclination) to act as a mentor to Tommy played a huge part in keeping him stable in his rise to fame, even when Wilbur himself was on the rocks. Having someone to fall back on, ask advice from, and share some blame (in Minecraft) was a big deal for him. Tommy put down an iron-clad attachment to Wilbur, but a detail that gets missed is that although Tommy is very loyal and appreciative of what Wilbur has/can/will do for him, his attachment doesn’t come from pure idealisation.
This clip is a very good example of how Tommy holds onto relationships even when he knows they aren’t ideal. C!Tommy is actually very realistic about C!Wilbur, and you can probably guess what that translates into in real life. Tommy doesn’t burn many bridges and likes to keep his options open when it comes to people. Tommy’s attachment to Wilbur isn’t because he’s perfect, it’s because he’s Wilbur and he’s there, and Tommy can handle troubleshooting and the bumps in the road for as long as he’s got something to hold onto. Dream, Philza and many others also played a mentor role to Tommy during his rise, and he likely has a good sense for who to go to depending on the problem.
Come and go
Sixes also need freedom and space. Most people have to balance their need for connection with their need for personal autonomy, including (and maybe especially?) Sixes. Tommy’s habit of just picking up and leaving when he feels like it? Pretty classic 6w7 behavior. Tommy needs to exert a certain amount of agency over his day to feel alright, so he doesn’t feel merged with the people around him or suffocated.
People who put down roots with Sixes get used to a kind of come-and-go pattern, where their attachment to you is secure enough to last an absence. Tommy is just as likely to get energy from interacting with people as he is when he’s alone, since Sixes are known for being some of the truest ambiverts.
Disintegration to Three
When a Six is under a certain kind of stress, they can act like a version of an unhealthy Three, feeling that they are the only thing in life they can control. Feeling too insecure and suspicious of other peoples input, Sixes can shut down and begin to rely only on themselves, while also having a huge crisis of self-esteem. From here, Sixes take a turn into good old-fashioned overcompensation, becoming concerned with their own image and effectiveness (that word again.)
Most people have versions of who they want to be, but the image-driven influence of the Three contrasting with the fear that they lack the qualities that they want most can make them desperate to prove themselves. The issue with this is that panic makes them put on a funhouse-mirror version of what they think will help them, which tends to be abrasive and maladaptive.
Tommy seems to have toughness, confidence, humor and status as some of his core values that get distorted by Three. He comes off as showy and loud, making a scene of trampling over other people to create a contrast between himself and them. When something doesn’t seem to be working out, he doubles down, thinking that the only way out is through. He generally needs a wrangler to keep this from getting too out of hand, which he is both glad to have (attention) and will fight to the death (agency.)
The interesting thing about this is that Tommy seems to have taken a snapshot of this personality and uses it as part of his streaming persona when he’s In A Mood. It’s reasonable to assume that he may have genuinely slipped in and out of this place in the past, but judging from where he’s at now, this isn’t his full emotional truth anymore. Still, it pops up on stream on occasion, and this might be why people swear up and down that Tommy is a sweetheart off stream but can be a whole other thing when he’s on.
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The Ghost Prince does not, under any circumstances, answer a summoning after it was made aware he existed. None know why he doesn't, some are bitter and hateful of it while others are thankful that it's one less bloodthirsty manic to deal with.
The Ghost King meanwhile hasn't been seen in multiple eons, so the magical community who wanted to use his power just, stopped, trying to summon him for a long time.
Most magic users knew that the Ghost Prince never answered a summons, and that the Ghost King just dropped off the radar.
So could you really blame Constantine for not taking it that seriously when some wannabe hotshot cultists try to summon both of them in the middle of a city to wreak havoc?
He'll give them some credit though. Points for doing it in broad daylight and actually being somewhat of a threat with not relying on just summoning the Ghost royalty and figuring out what to do from there.
The area they were in was somewhat destroyed, then the cultists manage to complete the summoning circle to summon both of them and Constantine, well he just light up a smoke.
It isn't going to work anyways so what does it matter?
...
Is that a fucking Ice cream truck he hears? Who the fuck is driving an Ice cream truck while their city is being under attacked with cultists trying to summon eldritch ghost royalty?
He'll give them some points for dedication, though.
Then he looked at the cultists and nearly had a goddamn heart attack to see that the summoning circle is actually fucking lighting up and working.
The Bat is so gonna give him a headache over this.
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Danny Phantom, crown prince of the Infinite Realms. Does not answer summons.
For one, it is annoying as shit, whenever someone interrupts his day just to ask for infinite power (that he can't give), world domination (that he won't do) or infinite riches (which he also can't do).
It just got annoying being summoned all the time so. One day he just, well, no. And hey, it worked out well enough for him to not continue doing it.
Then he also learned that Pariah Dark is basically the same, after he got out the coffin and stopped trying to take over the world for whatever reason. He was actually a pretty swell guy!
He was just with him too, with him being not so swell at the time for making him go through lessons about Ghost etiquette, rules, stuff that's expected of him as the crown prince.
And don't even get him started on the engagement and marriage proposals.
Overall, he just wanted to find an excuse to leave. Then he felt the familiar suggestive pull of a summoning and, instead of rejection as he usually does in a second. He thought for a bit if he wanted to go with that or crown prince duties.
It was tempting, but dealing with cultists seemed worse than this so he was about to reject.
At least, before he heard an Ice cream truck playing in the background. He doesn't even know how the hell that popped up through the pull but by the gods has it been a while since he's had Ice cream.
So he answers and is gone with a pop.
Pariah Dark just stares for a good second or two, before breathing out and deciding to also answer. Fright Knight is just there, off to side, questioning what he should do now.
Danny wastes no time with the cultists on the other side and in fact, he pushes them out of the way and goes diving for that Ice cream truck he hears. Only to realize he doesn't, have any money on him.
Fuck.
Pariah Dark is less inclined to follow the rules imposed by humans like money, but he does know it can be important. Once in a while. Not that often, but it has its times.
So when he sees his adopted son being sad over being unable to pay for some kind of human delicacy, he digs around in his hair (yes, his hair.) and pulls out some money and puts it on the counter as payment.
The man inside the tiny vehicle had shrieked before getting what they wanted. Which is good. Fear is a good motivator, Pariah thinks.
Unknown to him, it wasn't out of fear (Well, mostly) but because the Ghost King placed down a coin made of pure, solid gold on his counter.
The two then go about their business in the human realm, completely forgetting about the fact that they were summoned here for something.
Constantine is both relieved and about to have an aneurysm at seeing Infinite Realm royalty only answering a summon because of Ice cream.
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Analysis of Laios’ succubus and theories on what it means - deep dive on Laios’ desires in human connections
Laios’ succubus is a very odd incident. I have some particular interpretations of why it was Marcille, and why things went down the way they did.
We know that a succubus shows what one desires, stated in canon as “an alluring form”; yes often in a romantic or sexual sense, as seen with Chilchuck’s succubus being entirely set on looks and seduction, meanwhile Marcille’s does have a focus on chivalrous noble demeanor as well, showing romantic behavior and personality. BUT with Izutsumi we also see that the liaison doesn’t have to be romantic or sexual at all, either, in Izutsumi’s case it’s a familial bond she craves. So perhaps we can say that the succubus exploits a desire based on connection, in whichever form that takes.
Marcille wants an emotional connection foremost(which is also reflected in how it’s a character she knows very well and not a stranger. Perhaps romantic.), Chilchuck wants pleasure(a simple pleasure not unlike alcohol, perhaps such a connection is free of the more risky or unpleasant parts of a relationship, he doesn’t have to worry or to think and can just let himself go. Sexual.), Izutsumi wants a mother figure that can offer her warmth and comfort with who she doesn’t have to be tough (Familial), and I believe Laios’ is platonic and centered on his desire to have people with who he belongs and can be himself with…
But Laios’ case is more complex, it has layers. The thing is, even if Laios wanted to have someone able to turn him into a monster—which it didn’t even have to be, could straight up have just been a monster with such powers—, it didn’t have to be someone he knew. You could say the succubus wanted to disarm Laios’ suspicions with someone he knew and that was nearby, but the succubus seem very direct in every other case, simply appearing with someone’s greatest appearance even though both Marcille and Chilchuck were fully on guard and the succubi knew it. "Believability" isn’t an important factor. No, his succubus being someone he knew was important. It being Marcille was important.
There’s a TLDR at the end of this if you want to cut it short. For everyone else, strap in everyone, if you don’t know me hi I’m Fumi and I made this 3k words long analysis and theorizing bc I am autistic much like the character in question and I think this is both fascinating and has a lot to say. In this I offer both platonic and romantic reasonings and I do go rather in depth in Laios’ psychology and relationships to dissect what ever could this damn cryptic event MEAN. Spoilers for the succubus chapters obviously and also the last few arcs of the series so… Spoilers for the series as a whole!
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So attraction wise it’s kinda unsure where Laios stands. He does sort of logically list off aesthetically pleasing traits of the orc’s wives, but besides that… Not really, or he never voices it anyways. He and Marcille never share like “omg you’re pretty” moments or anything. Senshi gets more compliments than either of them through the series lmfao. Maybe Laios is asexual, maybe he simply doesn’t show outwardly his attraction much or even maybe isn’t self-aware about it, regardless… Laios HAS implied preference for Marcille’s looks in the past. With the orcs, he said that “tallmen like long ears”. Laios’ shapeshifter of Marcille has her hair down just like her succubus, which by Kui is explained to be because she had it down when she revived Falin and it really marked him, though it could also be interesting to see it as his mental image of her as her most authentic self, I’ve seen it theorized that it’s a preference too but I think that’s disproven. But of course the most damning evidence itself… The succubus scene. It could have been anyone else in the party, certainly Senshi shares Laios’ interest in monsters much more already.
We shouldn’t discredit the way Laios was blushing madly once she revealed she was a monster, that made her more attractive to Laios for sure, but he still wouldn’t have reacted that way if it was just anyone. The contexts are very different, but we can compare it to how Laios reacted when Lycion turned into a wolf man in front of him for instance. Laios certainly doesn’t act that way with Izutsumi- and it’s confirmed like a page later that he does see Izutsumi as a monster already. AND!! Laios starts blushing madly BEFORE she says that she can turn him into a monster- and we can safely assume that the blush isn’t out of simple fluster but out of desire/infatuation since he clearly wants her to bite him in the next page and his blush does not relent at all.
There’s something we could say about Laios’ liking of Marcille being born out of companionship rather than aesthetic attraction, on familiarity and intimacy. As members of the same party they’ve spent a lot of time together and we’ve seen that Laios trusts in her and relies on her for her skillset and avice. If Laios’ interest in her developped more naturally and gradually, valuing the familiar bond they have, I don’t see why he’d be acting all blushy and lovesick every time they interact or whatever, which is the explanation I have for Marcille genuinely being Laios’ most alluring form but him not freezing at the sight of it. That could also be a reason why he physically rejects succubus!Marcille instinctively, because something about her feels off or different (which is sorta the most direct interpretation of the scene, since Laios’ first thought is that it can’t be Marcille and must be a monster).
[Edited in: Oh my god. The picture above is the last page of the dullahan chapter, chapter 57, a chapter that centers around Laios and Marcille’s relationship through flashbacks as Laios is on the brink of death and sees his life flashing before his eyes (he remembers how they first met, etc, which is also interesting to note that on the brink of death he reminisces about her the most). The last page of that chapter, more or less the thesis of the chapter in which we see Laios opens up about the real reason he and Falin go dungeon diving to her after them having a rough meeting but she turns out to also have an interest in dungeons, has Laios go "she starts out frowning but she ends up smiling! Wether its’s about eating monsters or about me :)”. That chapter is the one right before th succubus chapters. Laios’ most alluring form wasn’t “just” Marcille, it’s a SMILING Marcille. Which is why the succubus had such a weird and off demeanor right away (which gets knocked off once it doesn’t work and becomes a more Marcille-like Marcille)! It was only focused on smiling because it was the angle it was working from.
Oh my god it makes sense. It’s a direct narrative link, it’s as explicitly put with its story structure without Kui just stating it, besides, you know, the many times Laios says how precious her smile is to him. He’s like “I love her smile” and right next chapter the succubus is like “yes this is what he likes seeing most”. But… This also does mean that the focus might be less romantic, like Marcille’s significance doesn’t diminish, but then the alluring form might be less about her and more about the smile itself. About having a friend who looks at him like that, about someone who smiles after eating monster dishes or surpassing obstacles together…
Or it can actually be so much more romantic. Like, maybe the smiling Marcille doesn’t work is because well, it’s not like Marcille, she wouldn’t just be smiling like that and behave like that (esp since his musing is about how her smiles are sort of “earned”, that she doesn’t smile right away but it’s sort of like a rewarding sight when she does). So then the most alluring form of Marcille doesn’t work because she doesn’t convincingly BEHAVE like her. His most alluring form isn’t a Marcille-lookalike, it’s her as a whole. More on the succubus shifting/switching in its approach later.]
Anyways.
Where was I. Ah yes, “It could have been anyone else in the party, certainly Senshi shares Laios’ interest in monsters much more already.”
But then that’s the point isn’t it. I think Laios’ succubus being Marcille is because his wish isn’t so much focused on her, or on becoming a monster, but on not being alone. On being understood. On having others finally share his interest. On not only becoming a monster, but having someone to share that with. A trusted friend, a companion, or a lover, it matters little in my interpretation, the bedrock of it stays the same. And this is why it’d be someone he already knew instead of someone new, because it’d defeat the point, and it was maybe Marcille because she’s the most vocal about finding monsters disgusting: it’d have finally been a shift in her that she now liked monsters. And again this brings back to when he talks about her smile, when he says that she starts out unhappy with eating monsters, but ends up smiling by the end of it. Her smile itself represents that though first impression or reflexive dislike, someone can turn around and end up liking it anyways, it’s hope for his interests to be liked and perhaps for him to be lovable as well, that it’s possible to be accepted.
But I do think it would be a mistake to say that there’s absolutely no romantic interest, that it’s plainly platonic or another kind of interest misplaced and idealized in her. What we saw with the other succubus is that they 100% act in ways that the person desires, sure Izutsumi’s start attacking after a while, but that was after pushing them over the edge, and succubus Marcille wasn’t being agressive nor did she have a reason to be (even when she could have with Laios’ choking, she didn’t turn to violence, so she was 100% still in seduction mode). Ultimately the goal of the succubus is to make physical contact to be able to suck their essence, but the way they go about achieving that is tailored to the individual’s desire, Marcille’s kissed her hand and Izutsumi’s offered a hug.
The succubus can identify and embody complex desires, often subconscious ones, shown with Izutsumi’s. They go straight to it without complex subterfuge either. Chilchuck’s succubi were very direct because that’s what he wanted, Marcille’s was courtly because that’s what she wanted, Izutsumi’s offered motherly comfort and affection because that’s what she wanted, and Laios’ is Marcille attempting to kiss him. Let that sink in.
Laios why are you choking the supposed key to your heart?
Ok so the theory that Laios’ desire is to have a deeper companionship from an existing companion is pretty tame and surface level I’d say, but strap in… The way Laios reacted violently to Marcille trying to kiss him is VERY interesting. The first thing he thinks about is that she isn’t Marcille so she must be a succubus, then confusion at to why it’s her. He’s even afraid of what the others would think, feeling… Shame? With how he imagines Marcille would be horrified that he likes her that way. Fear of rejection?
But no no, what interests me is the shift that the succubus makes. It seemed very confident at first, went straight in, but when overpowered shifted the direction it was going in- shifted from a desire for Marcille to a desire for a monster Marcille and whatever deeper desire that hides. But??? Succubi did not make mistakes as to what someone wanted thus far, possibly that has never ever happened before by human records. Could the succubus truly have miscalculated what Laios desires? It’d be hard to imagine that the succubus would misunderstand what type of companionship someone wished for or what approach to take, since it’s done complex cases before too, Izutsumi being very much in denial before it & at first. In Izutsumi’s case, even with her complex feelings over it and her two souls desiring different things, the succubus did not miss its mark, and ultimately it was having a second soul for who the succubus wasn’t alluring that allowed her not to be frozen to the spot.
But with Laios the succubus fully switches strategy.
The thing is that succubi don’t usually need to switch strategies, because the form and approach they take always work and always leave the victim frozen. Izutsumi bypassed this because of her two souls, but was still frozen and struggling to reject the succubus at first. And yet? Laios did. A succubus’ victim is supposed to be instantly frozen, and yet Laios acts on instinct and defensively agressive as soon as his reaction time allows.
And well, it’s hard to really come to a logical conclusion as to why, since we have no idea of what rules can override a succubus’ temptation besides multiple souls… C’mon regular Marcille can’t be the winged lion/kenksuke’s desire bc of the loose hair being Laios’ mind-Marcille we’ve gone over this /hj Although, since it’s confirmed that the winged lion was watching with the dream Laios gets induced right after, maybe he’s what allowed Laios to be moving? It’s possible that it’d have frozen him otherwise, even if Laios with his full rationale wouldn’t have accepted the kiss faced with supernatural allure he might have gotten paralysis from being overwhelmed, similarly to how if Chilchuck had his full rationale he wouldn’t allow a woman like his succubus to kiss him (he’s always stayed faithful to his wife even after 4 years of separation, give the guy his earned credit). Getting somewhat offtopic, but something to say about how if that’s the case once again the theme of ‘irrational desire you crave vs what you truly want/need’ that is present throughout the manga would be reflected.
My best guess however on why Laios reacted so quickly and forcefully is: trauma. The more recent arcs with Laios suggest that Laios has deep-seated trauma over humans. He dislikes humans as a whole, that was like, pretty much stated, though perhaps exaggerated. As a kid he fantasized about monsters wiping out human towns. We know Laios has been ostracized for most of his life by others, in his village and in the military, and beyond social rejection it’s shown he got beaten in group too and it was implied that it happened regularly. But damn, disliking humans to the point of wanting to be a monster and murderous genocidal reclusive envies and all of that stuff? That is massive trauma, massive identity & belonging issues and hint at massive trust issues.
So then, the negative reaction could be because of Laios’ deep trauma with humans. Because of trauma getting activated, not due to a miscalculation on the succubus’ part but due to a contradicting dislike of the desire that makes the form inherently and straight out of the gate un-alluring, Laios’ repression being so strong that he’s able to affect his own desires in that way, or an instinctive defense response to the trigger (a human).
Even though Laios hides it well, once again recent arcs (and some other moments) make it clear that Laios still has some innate dislike of humans, which in canon is a term that all races like elves fit in. He has a bias against them, perhaps even an innate distrust of them. Who knows how aware he is of it, or how much control and will he has over it. What if Laios reacting agressively to it was his defense mode tied to this kicking in, a survival and security instinct, stopping any possibility of Laios wanting a romantic relationship with a human? Any chance of that human getting close and being hurt by it, either rejected or stabbed in the back? It’d then make sense if Laios is unaware and doesn’t understand his attraction to Marcille then, if it’s a sort of self-made blockage, denial. And that’d make full sense with how, when Marcille is suddenly a monster, then all of Laios’ reluctance is gone and he’s fully enthralled, all that it took was taking away that one blockage for Laios to be utterly charmed. It takes away the trigger element, humans, and replaces it for something safer. A desire for connections, but connections with people that are ‘safe’, people who also don’t fit in with society, who are part of his interest in monsters, who would accept and understand him. I think that Laios does desire human connections, specifically, but can’t allow himself to pursue them either from conscious or unconscious trauma, so though he does desire it he can’t accept that he does/can’t accept the relationship even if it’s handed to him on a silver platter.
Conclusion
The succubus’ shift could then be either that it switched from one wish, a wish for Marcille, to another, a wish for companionship in monster-liking, or that it stayed on the same fundamental wish, but had to improvise with the new information (that Laios is human-averse)(not bc it didn’t exist previously but bc it wasn’t manifested) to take out of the equation the thing that was holding Laios back (from giving in).
But well, the fact that the rest of the party is included does lean towards the former, but in any case that doesn’t erase all I’ve spoken about, all about how Marcille is 100% the focus of this whole thing. It could still be a bit of both. But it is interesting that he worries about the party’s reaction to seeing his succubus being Marcille, and when she shifts into monster Marcille he *still* worries about the others: “b-but what about the others?” He’s a mess, with his most alluring form seducing him, and he still has a shred of resistance in him to question how the others would react, and it’s only when she says that they’re already monsters too that he truly gives in. Is he really so afraid of ostracization? Of losing the people he cares about due to judgement? Then the mention of the others in the party can simply be something the succubus added on top to unlock another “blockage”, the same way she added Marcille being a monster on top of the basic premise of Marcille; Take out the immediate dismissal of humans first, and then the fear of loss and judgement from other friends so Laios can finally stop worrying and give in. That worry/framing I’d say makes the latter more credible, because it’s not the premise of the alluring form but an extra.
In the end, like the recent arcs kind of spell out, the thing central to Laios’ character is less so a love for monsters and moreso a dislike for humans, and this is what this puts on full display.
Laios’ most alluring form is Marcille, a human that doesn’t understand his interests and thus him, and regardless of everything else that Marcille is, that is so traumatic to him that all of his being immediately rejects it.
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Thanks for coming to my ted talk! I’ve spent so much time thinking about this and wording and rewording this same train of thought, also it’s the end of my college semester and I’m going crazy
Tldr: My personal fav theory for Laios’ succubus is that Laios really values Marcille’s smile a ton like it’s often mentioned, and that’s what his most alluring form centers on. I’ve got a ton of different interpretation on the why it’d go for a kiss? Since it tailors its approach to the person’s desires, but obviously something goes wrong with Laios’, which is really interesting because even with Izutsumi who resists because she has 2 souls so one part of her can always remain unaffected, the succubus hit bullseye on her most alluring forms. But regardless of that, I think his desire for Marcille (either her or what she represents, wether as a platonic ideal or something else) isn’t wrong/untrue perse, but that Laios has such a complex with humans and intimacy and connecting with others that his defense mode kicks in and that’s when the succubus has to shift into a different, safer desire: one that doesn’t involve humans but that still shows connections and acceptance and belonging.
Also Laios realizes that it isn’t Marcille when she goes in for the kiss, which if his allure for her is based on familiarity since they’re friends and all could make sense that it’d break him away from it, or since it’s a liking based on familiarity he doesn’t freeze, or maybe it’s because the winged lion has its eye on him.
I think that’s so much more likely with how Kui makes even her jokes be character moments or at least consistent, and also with the tension of the scene, than just the scene being a gag about how Marcille doesn’t mean much to Laios actually.
I think there’s a lot to be said about why Marcille is special to Laios, why her smile means something to him, etc, and I don’t think saying Marcille is special to him is exaggeration or reaching at all. Laios, Marcille and Falin are the golden trio, she’s the deuteragonist, she’s the only other character in the main party whose goal in going back for Falin is Falin and who has a bond with her and Laios outside of being coworkers, in post-canon they live together, happily, in the anime’s ending they’re emphased on by dining out all three together... I could go on.
Marcille has the benefit of being very trusted by Laios, not only with the time they’ve spent together but how she was Falin’s friends first, the person he himself feels so protective of and has been so consistently ostracized throughout her life. Marcille represents a positive odd one out that’s like, the good example of "humanity can be good and safe and warm actually". Which is a big reason why imo Marcille is like, the secondary protag and with Falin they form the golden trio. She’s central to the story in many ways including making Laios see that humanity is worth saving and sticking with, but that’s a topic for another analysis.
One such reason is how his first meeting with her went: it started really badly but ended with her coming around and unexpectedly sharing their interest in dungeons, which made him and Falin open up about the real reason they go dungeon diving, perhaps for the first time. There is just so much that goes into it but Laios seems generally very expectant of rejection: in the climax chapters after he transformed back as a human and was hiding out in the woods, pre-canon in an extra where we see him battling himself on if he should suggest eating monsters or not.
But another one, the one I truly want to bring up in this post, is how genuine Marcille is! And funnily enough, how dramatic she is, and how her elf ears change position depending on her emotions. Like, let me compare her affectionately to a dog for a second, but dogs move their ears and use whole body language to communicate, and I think that part of Marcille, really strong emoting, with her ears and body language on top of her often dramatic facial expressions, reassure him. Like ok, maybe he can’t tell when Shuro and Kabru would lie to him, but Marcille? She wears her heart on her sleeve and her feelings on her whole self. And that takes away some of the stress and trauma he has with humans, explains why her smiles would “put him at ease”, doesn’t it?
I don’t remember wether I’ve mentioned this somewhere or just in my reblog linked at the end of the post, but while at first I thought the succubus going for a kiss on the lips heavily implied a romantic desire in Laios, now I have a couple different theories on why the succubus would have gone for that approach. I think the most likely is that, if the principal allure of his succubus is her smile, the succubus is like "as long as he sees her face right up until i can suck up his blood and he passes out I’ll be gucci", so it’s not about the kiss but about him seeing her face all the while until the very last moment, so he stays charmed.
Btw chapter 34 explores Laios’ relationship with touch too imo, and we see that he is uncomfortable with touch to some degree, very unsure and hesitant and tense. I feel like it’s something more shown in a bigger picture sense with his whole struggles with humans and extras, than just in any one page so go reread the beginning of that chapter if you want I’d say, but putting a page below as example anyways. I think it’s notable that it’s a character moment shared with Marcille too, she acts sort of like a bridge to humanity with social propriety and being extroverted in many cases. In the chapter Chil and Marcille point out how awkward he is with touch, but he learns to be casual/comfy enough about touch to do healing magic with her (something that was also enforced through him having to practice magic on Marcille turned to stone, he got a lot of touch exposure and magic practice done in those days. Dammit Laios, MArcille and touch is worthy of a whole analysis of its own).
She’s just like, his human comfort zone, even if they aren’t that close at least at first, besides Falin he has literally like no friends and I think that itself shows how he doesn’t fit in well socially and that it’s a significant struggle for him. But yes what I was saying here is I believe there’s setup for him recoiling from touch like he did with the succubus (due to an instinctive aversion to touch made especially intense due to the succubus’ oddness and forwardness).
I have even more theories and rambling on details on the succubus here in a reblog, but unless I want to put in some pictures of Laios repressing himself around others and such I don’t think I’ll be touching this post again in a while
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