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prettygirl-gabi · 1 day

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Skin

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Rating:General Audiences

Warning: Fluff, angst, bitter ex, major friend group dynamic shift

Category:F/M

Fandom: Outerbanks (OBX), (Netflix TV series)

Relationships: JJ Maybank x f reader

Summary: Kie's slowly getting under your skin especially when you're JJ's new girlfriend

Based on recent experiences, and the song skin by Sabrina Carpenter has been stuck in my head for like 6 months on top of the recent experiences...

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**"Maybe we could’ve been friends, if I met you in another life…"**

The thought crosses my mind as I stand in the middle of the living room, fiddling with my phone, and waiting for JJ to come back from the kitchen. The memory of Kiara's expression when she found out about us is still fresh, lingering like a bitter taste I can’t wash away. It wasn’t supposed to happen like this, but I guess things never go as planned.

“You okay?” JJ's voice pulls me from my thoughts as he enters the room, a playful smile tugging at his lips. He’s balancing two mugs of coffee in his hands, making his way toward me like everything in the world is perfectly fine.

I nod, forcing a smile back. “Yeah. Just thinking.”

He hands me one of the mugs, his fingers brushing against mine. The contact is warm, grounding me in the moment. "About Kie?"

I glance away. He knows me too well.

“It’s hard not to think about her,” I admit, sitting down on the worn-out couch. “She was—no, she *is* my friend. I hate that it feels like I’m betraying her.”

JJ sighs and sits next to me, his arm resting casually behind my shoulders. “You didn’t do anything wrong. She’ll come around. It’s just gonna take time.”

**"I’m happy and you hate it, hate it, oh…"**

I wish I could believe him. It’s not that I don’t want to be with JJ—it’s that being with him comes with a whole mess of complications I didn’t see coming. Kie and JJ had always had this unspoken connection. At least, that’s what everyone thought, including me. And then I fell for him. Hard.

Now, it’s like every glance from Kiara is a reminder that I’ve taken something she didn’t realize she wanted until it was too late.

“I don’t think she’s ever going to be okay with it,” I confess quietly. “With us.”

JJ chuckles softly, shaking his head. “Well, that’s too bad. Because I’m not going anywhere, and neither are you.”

His words make my heart flutter, even though the doubt still lingers in the back of my mind. I know he means it—he’s serious about us, about this. But how do I move forward when the person I care about most next to JJ feels like I’m rubbing this relationship in her face?

**"You can try to get under my, under my, under my skin, while he’s on mine."**

I take a deep breath and lean into him, letting his warmth seep into me. I want to focus on him, on this moment, but the guilt weighs heavy on my chest.

“You think she’ll really get over it?” I ask softly, not really expecting an answer but needing to hear him say it anyway.

JJ turns his head slightly, his lips brushing against my temple. “Eventually. Or maybe not. But either way, I’m not giving this up.” His voice is firm, and I can feel the truth in it.

I close my eyes for a moment, trying to silence the doubt. There’s something undeniably special between us—something that wasn’t there with anyone else. And maybe that’s why it feels so complicated. Maybe that’s why Kiara reacted the way she did when she found out.

**"I wish you knew that even you can’t get under my skin, if I don’t let you in…"**

“It’s not just Kie,” I whisper, more to myself than to him. “It’s everything. The looks. The comments.”

JJ pulls back slightly, his blue eyes searching mine. “You mean from the others? John B? Pope?”

I nod. “They keep acting like this is something we should’ve told them about sooner. Like we should’ve asked for permission or something.”

JJ sighs, running a hand through his hair. “Look, I know it’s complicated with the Pogues, but at the end of the day, they’re gonna support us. Maybe they’re just weirded out because they didn’t see it coming. But who cares? This is about *us*, not them.”

His words are reassuring, but the sting of Kiara’s reaction still sits heavy in my chest. When she found out, the hurt in her eyes was unmistakable. She hadn’t said much, but the silence spoke volumes. I don’t think I’ve ever felt so torn between two people in my life.

“You don’t think I’m a terrible friend, do you?” I ask, my voice barely above a whisper.

JJ tilts his head, his expression softening as he looks at me. “No. You’re not a terrible friend. You just…fell in love. And sometimes, that happens in ways people don’t expect.”

**"And I’m not asking you to let it go, but you’ve been telling your side, so I’ll be telling mine."*

It’s true. Kiara hasn’t exactly been shy about expressing her feelings on the matter, even if it’s been in subtle ways—pointed comments, sideways glances, and the awkward tension that fills the room whenever the three of us are together. But I’ve kept my side of the story mostly to myself, too afraid to make things worse.

“You know she called me the other night?” I say, breaking the silence.

JJ raises an eyebrow. “What did she say?”

“She just…wanted to know why. Why *you*? Why now?”

He doesn’t say anything for a moment, his jaw tensing slightly as he processes my words. “And what did you tell her?”

I shrug, feeling the weight of that conversation settle over me again. “I told her the truth. That it just…happened. That I didn’t plan on falling for you, but I did.”

JJ’s lips quirk into a small smile, though there’s a hint of sadness in it. “And how did she take that?”

I let out a soft laugh, though it’s more out of exasperation than amusement. “She didn’t really respond. Just said she needed time to figure things out.”

He leans back on the couch, pulling me closer into his side. “Then let her have her time. We’ve got all the time in the world.”

**"You can try to get under my, under my, under my skin… but he’s all mine."**

The thing is, I know he’s right. I know that no matter what happens with Kiara or anyone else, this—what we have—it’s real. And I can’t let their opinions, their judgment, get in the way of that. JJ is mine, and I am his. That’s all that should matter.

“I just don’t want to lose her,” I admit softly, resting my head against his shoulder. “Or anyone.”

“You won’t,” JJ murmurs, pressing a kiss to the top of my head. “And even if things are rocky for a while, we’ll figure it out. Together.”

I close my eyes, letting the comfort of his words wash over me. Maybe it won’t always be easy. Maybe there will always be a part of Kiara that resents me for this. But I can’t let that hold me back from being happy.

**"You can’t get under my skin, if I don’t let you in."**

And I won’t let her. Not anymore.

I pull back slightly to look at JJ, his face soft in the dim light of the room. “I love you, you know.”

His eyes light up with that mischievous glint I’ve come to adore, and he leans in, his lips brushing mine. “I know. And I love you too.”

For the first time in a while, I feel like maybe, just maybe, everything will be okay.

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‐Thank You For Reading!🩵🩶

-prettygirl-Gabi✨️🎀

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edwinspaynes · 2 days

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Did it ever occur to you that just because you want to ship Edwin with CK doesn’t mean he consented to anything TCK was doing? Edwin asked him to take the bracelet off multiple times because it wasn’t safe for him to stay in Port Townsend. He even told the cat king that the bracelet was their only bond. Implying Edwin was in any way “asking for it” or flirting back with him is really gross. Edwin realized he was gay. But being gay doesn’t mean he likes every boy he sees (which obviously upset Simon too, but that’s a different story).

I... what

You've caught me on a bad night while I'm sick so here we go!

Okay first of all ?? I'm a Payneland shipper who thinks Catwin has interesting story potential??? I would not want them to be endgame???

(Also yeah I like catwin and want to read/write fic about them. Fucking sue me)

But that's not the point??

Second of all no one said he was ""asking for it"". That WOULD be disgusting but oh my God I haven't even met a CATWIN SHIPPER who thinks that the bracelet thing was good beyond being PART OF AN INTERESTING STORY. Literally 0 people in this fandom have insinuated that he's ""asking for it"" you're insane.

Third of all TCK's appeal is that he is a literal fucking cat. He behaves like a CAT.

Fourth of all yeah he's not looking to get dicked down by every guy he sees yeah but also. If Edwin isn't attracted to TCK then pray tell what the hell is happening here

Fourth of all don't imply that I don't care about Edwin's being happy because anyone who I've ACTUALLY spoken to in this fandom knows that's my top fucking priority here. There are literally FIVE characters I feel THIS fucking attached to and I consume A LOT OF MEDIA and love A LOT OF CHARACTERS. I would take a bullet for Edwin Payne so shut up.

Please leave me and other people who actually ship Catwin alone. One of the best things about this fandom is the lack of ship wars. Don't make it ugly.

#catwin #edwin payne #the cat king #anons that pissed me off #dead boy detectives

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magpod-confessions · 1 day

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Okay let me be clear about one thing first, I’m not mad at people for writing what makes them happy. People are allowed to engage with fandom in whatever way they want. If that means writing ship fics and making ship content, then go right ahead! Hell, I genuinely enjoy ship content as well. Don’t stop making it just because some internet stranger said some words.

Having said that, I think this fandom (and to be fair, almost every fandom) severely undervalues platonic relationships. Let’s take for example Jon and Tim, which if you ask me, was one of the most interesting relationships in the show.

Out of 28,943 works on Ao3, 741 have them in a purely platonic relationship. This number drops down to 438 once you exclude Jmart. Granted, some of the ones that included Jmart might’ve just had it as a side thing rather than the main focus, but still.

For just a bit of perspective, that’s fewer works than Peter/Elias, fewer than Sasha/Tim, and fewer than even Elias/Jon. Don’t get me wrong all of these relationships are fascinating in their own right and deserve to be explored, but platonic relationships can be interesting too! And I think they deserve to be appreciated just as much as romantic/sexual ones.

Let me extra clear one last time that this is not me going “ship content bad!! >:[“ This is me saying that we should appreciate non-ship works as well, and that they can be just as interesting.

Yea no agree. I like shipping and all 100% but Im also a massive fan of platonic relationships and their explorations - rosette

#magpod #tma #the magnus archives #magpod confession #🗣

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jolapeno · 2 hours

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✨ jolapeno turns three today 🥹

(or undercoverpena, mvtthewmurdvck - however you've come to know me)

no matter when i stumbled into your dash, whether through my bucky barnes stage, daredevil, the umbrella academy, daredevil again, call of duty, daredevil again again, narcos, triple frontier, the last of us, the mentalist, the mandalorian and likely back to daredevil again, thank you. not just for the laughs, or the notes; the kudos or the asks, but for being here when it's been cloudy and stormy. thank you for reading the things my brain comes up with and urging it to continue.

i started as a person who didn't know if she could tell stories and I'm now a person who loves to tell stories. even with the lows, this has still been a place I've felt super happy to be a part of, and I'm so grateful that so many of you have stuck around (or allowed me to forcibly drag you from fandom to fandom).

i wish i could go back and tell three-years-ago-jo that in two years she'll have friends she couldn't go a day without speaking to. i wish i could see the look on her face when i told her that she'll have written not one story, but countless romance stories after never thinking she'd be able to do it again. so thank you, for being here, for reading and supporting, for cheering me on and also being my friend. i love you all lots. (sorry not sorry for being a mush)

some special thank you's to just some people who inspired great things in me, who have seen my work when it hasn't been as polished as when it's posted and not judged me for my random misspellings or crazy dyslexia.

even when i didn't think i could do it, you all did. so thank you. to my friend aish, who held my hand through late night texts (which allowed me to find my tuesday sister @goodwithcheese without who i cannot humanly go a day without now). without @eupheme we'd never had had din going around the universe, without you telling me i could do it. and if not for @tonysopranosrobe we'd never had me writing outbreak joel who just can't keep his hands to himself and even more joel's since then. to the wonderful @secretelephanttattoo who inspired and cheered me on for do me yourself (it wouldn't have existed without you) i am amazed by you all the time. and to @luxurychristmaspudding for fancying the pants of frankie and blue so much we're still not sure who we're choosing, for helping me cull the ideas and holding my extra 'S' with all the love in the world. and @toomanytookas for being a sounding board when i change plot three times and not judging me.

and last but no means least, my panda, the girl i have trekked on a train for even if i hate trains, @thetriumphantpanda you don't just inspire great things in me, but make me do great things. your honesty and care with my heart and work is never taken for granted and if you're not crying as you read this, what the living fuck hahaha.

#jolapeno turns three #mush warning - aka jo is emotional in the chat

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crazylittlejester · 2 days

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*points at what you said in Sunny’s ask about hair stuff (which are all wonderful and yes) and Wars bleaching and straightening his hair*

Silly or Hero-warship previous mostly blond heroes gotta look the part perfect soldier image peer pressure whatever? (Basically, silly little guy or sads?) (My brain immediately went to this but it kinda falls apart with some of the others in the chain having different hair colors (which, again awesome, curly hair Rulie and Wind my beloveds) but thought why not ask anyways)

Taking this as a Yap opportunity because it’s been so long since people have sent in asks about my Wars headcanons and I feel like I haven’t gotten to talk about this in a while >:) SO THANK YOU FOR THIS

edit: apologies if theres any spelling mistakes im dyslexic but also just an idiot

So I hc Wars came from a very small village on the outskirts of the kingdom and when he got to Castletown and joined the army things were very different, HE was very different. He didn’t feel like he fit in with them, so he tried his best to force himself to fit in which is why I hc he does a fake accent, a Castletown/British one so people assume he comes from there. The way people view him is very important to him because he worries if they don’t see him through the carefully crafted lens he’s set up for himself to be viewed through, people will not like him or they won’t think he’s worthy or they’ll think he’s pathetic and he can’t handle that. So everything about how he’s constructed and built himself, from his hair to his accent to his walk to his laugh, his smile, voice, posture, all of it is carefully and deliberately crafted so that his image and how he presents himself is consistent, reliable, and “hero worthy”

Him straightening and dyeing his hair was 100% because he saw the heroes of legend and realized he didn’t look like them. I hc the Hero of Time was a huge figure, and one of the most noted heroes in Wars’s era, so little Wars compared himself to that a LOT. (and I also hc he never knew Mask was the Hero of Time because the kid called himself the Hero of Masks because HE didn’t think he could live up to his own title.) He thought if he looked more like what the people of Hyrule envision the great hero to look like in their minds, he’d be taken much more seriously

Of course now, seven years after the war, after he’s had a lot of time to come to terms with things and start to heal, Warriors doesn’t feel the need to look like the other heroes in order to be worthy, and he realizes this before he even meets the others. But NOW he’s stuck because he hasn’t felt like himself or like he KNEW himself at all since he was like 14/15, and he’s nearly 28 now and after over a decade of being in the army or “Hero of Warriors”, he doesn’t really know HOW to be him. He’s not yet at a point where he can fully realize the only thing that’s going to make him happy is becoming himself again, he knows he feels more relaxed when he feels safe but hes not really aware of how much his guard drops and how his act disappears when he’s completely at peace. He feels like he needs to keep playing this character of himself he’s made, and that includes keeping up appearances

He’s getting better about relaxing how strict he is with himself, he’ll allow himself lazy mornings where he doesn’t straighten his hair or do his makeup, but he almost obsessively dyes his hair and that’s the last thing he’ll stop doing, because I hc he looks VERY much like his mother and where he’s at right now, he couldn’t handle seeing that. (I hc his mother is alive, and so are all the sisters i hc he has, and they haven’t seen him since he left all those years ago because he feels like he CANNOT go back because hes so different now and he cannot handle the idea that home wouldnt feel like home anymore because he’s become a monster at war and he wont belong there anymore. He still writes home, and keeps in contact, and he’s seen Linkle (his twin), but he can’t bring himself to see his mother in his own face or just go home until he relearns who he actually is)

*wet cough* sorry for the yap 🥺 i have a lot of thoughts and he’s my special guy and this is how I characterize him in my writing (unless its an au or a specific other thing) so i think about him a LOT

if anyone is interested in this characterization of him heres a link to my main Wars series:

*collapses and dies*

#linked universe #linkeduniverse #lu headcanons #lu warriors #lu wars #jes ask #jes headcanons #jes fic

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splashstar01 · 13 hours

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MBTIs of BBC's Merlin & Arthur Pendragon

Arthur Pendragon (ISTJ)

Introverted (I): Now I know many people see him as an extrovert. I argue he plays extroverted out of necessity. Although Arthur is often in the spotlight due to his royal position, he tends to process emotions and decisions internally. He’s reserved about personal feelings, often keeping a stoic exterior, particularly in moments of vulnerability. His introversion explains why in season 4 finale (the show only has 5 seasons), he told Merlin that Merlin was still his only friend, despite the fact that all the Knights of the Round had already been established! He clearly differentiates knights who would willingly give their lives from real friends. Arthur is so private that he doesn't even tell his wife things. In season 5, she casually said, "Arthur never tells me anything." Arthur only really lets Merlin in. (Because he loves Merlin, duh. lol)

Sensing (S): Arthur is pragmatic and focused on the present. He has a strong sense of duty and tradition, often valuing tangible results and sticking to established systems, like the chivalric code and the duties of being a king.

Thinking (T): He makes decisions based on logic and duty rather than emotions. Arthur strives to do what is right for Camelot and tends to focus on rationality when dealing with political and military matters, even if it means setting aside personal attachments.

Judging (J): Arthur values structure and order. He is disciplined, prefers routines, and is committed to fulfilling his responsibilities as a king. He can be strict, both with himself and others, expecting everyone to uphold the same level of duty.

Merlin (ENFP)

Extraverted (E): I have heard some parts of fandom say Merlin is introverted.... But Merlin has to be the friendliest, most outgoing and open character on the show! Merlin effortlessly connects with others. He’s warm, often initiating interactions with various people across all social classes, and enjoys forming deep bonds with those around him. Basically, the complete opposite of Arthur. Arthur's top knights, Lancelot and Gwaine, became knights for Merlin, because of their friendship with him! Merlin at his best is a happy, bubbly dude!

Intuitive (N): Merlin looks beyond the surface and sees potential and possibilities. He is often focused on his vision for the future, specifically the destiny he believes Arthur must fulfill, and tends to think about the broader implications of events.

Feeling (F): Merlin makes decisions based on his emotions and values. He is compassionate and deeply cares about the people he loves, even risking his life to protect them. His empathy drives many of his actions, as he is guided by his heart rather than just logic.

Perceiving (P): Merlin is adaptable and flexible. He thrives in chaotic situations, often relying on his quick thinking to solve problems on the fly. Unlike Arthur, Merlin isn't tied to structure and routine, preferring to go with the flow and adjust his plans as circumstances change.

Even being complete opposites (they don't have a single common letter in their MBTI), Arthur and Merlin's personalities complement each other in a way that makes their relationship dynamic, powerful, and balanced. Despite their differences, these contrasts are what strengthen their bond, making them effective as partners and allowing them to grow as individuals.

How their MBTIs shaped their love story:

1. Arthur (ISTJ) – Duty vs. Love

Arthur’s ISTJ personality makes him deeply rooted in duty and tradition, which often conflicts with his personal feelings. As a king-in-waiting, he’s bound by the rules and expectations of Camelot. This sense of responsibility prevents him from openly expressing his affection for Merlin, a commoner and servant.

Suppressed feelings: Arthur’s introversion and thinking function push him to hide his emotions, especially his care and affection for Merlin. His loyalty to his role as prince often conflicts with his deeper, unspoken feelings for Merlin. Arthur’s rational side forces him to focus on the kingdom, keeping his emotions hidden beneath his duty to the crown.

Traditional values: As an ISTJ, Arthur’s sense of tradition keeps him from crossing the boundaries of class and status. His love for Merlin, if fully acknowledged, would defy these societal norms, and his reluctance to embrace that love fully reflects his fear of breaking those structures.

2. Merlin (ENFP) – Love as a Driving Force

Merlin’s ENFP personality is more openly emotional and driven by personal values. His feeling and perceiving traits allow him to express affection, even though it’s subtle and often masked in humor or banter. Merlin constantly shows his love and devotion to Arthur by risking his life to protect him and ensuring Arthur’s destiny as king.

Boundless loyalty: Merlin’s deep emotional attachment to Arthur is clear, as he constantly sacrifices his own desires, hiding his magic and risking his safety to ensure Arthur’s survival. His ENFP idealism drives his belief in Arthur as the Once and Future King, and this belief is tied deeply to Merlin’s personal love for him. The idealism of an ENFP is evident in how Merlin sees the bigger picture of Arthur’s destiny but is also fueled by his personal love and emotional bond.

Unconditional care: While Arthur struggles to show emotions, Merlin’s extraverted nature makes it easier for him to express affection through acts of service. He remains unwavering in his commitment to Arthur, which highlights the ENFP’s ability to love deeply and unconditionally, even when the other person may not fully reciprocate outwardly.

3. Their Banter – The ENFP vs. ISTJ Communication Style

The teasing and banter between Arthur and Merlin highlight their different communication styles. Merlin’s ENFP warmth and humor frequently bring out Arthur’s softer, more human side. Arthur’s ISTJ personality makes him reluctant to openly express affection, so their teasing and sarcastic exchanges become a way to communicate affection indirectly. The playful insults act as a cover for their deeper bond.

Arthur’s respect for Merlin grows over time, despite his reserved demeanor, and Merlin’s ability to challenge him emotionally helps Arthur soften. Their banter is more than comedic relief; it shows how they communicate their care for one another in a way that feels safe and acceptable.

4. Trust and Emotional Vulnerability

Arthur (ISTJ) is slow to trust others with his vulnerabilities, given his reliance on structure and duty. But over the course of the series, he opens up to Merlin more than anyone else, showing a side of himself that he hides from everyone, including his wife and family members (like Morgana and Uther). Merlin’s warmth and loyalty gradually create a space where Arthur can be emotionally vulnerable.

Merlin (ENFP), in contrast, is more expressive and emotionally open from the beginning. His challenge lies in getting Arthur to see past his role as a servant and accept him as an equal in friendship—and potentially in love. Merlin consistently puts Arthur first, and Arthur, in return, eventually trusts Merlin above all others, including knights and advisors.

5. Protectiveness and Sacrifice

Arthur’s ISTJ sense of duty makes him protective of those he cares about, even if he doesn’t vocalize it. His actions speak louder than words, as he consistently risks his life for Merlin. This protectiveness is a manifestation of his deep, unspoken love for Merlin. However, Arthur often couches these actions in the context of duty—saying he would do the same for anyone in Camelot—when, in reality, Merlin holds a special place in his heart. He was about to abort a mission, causing hundreds of deaths, all for Merlin. Also, in one scene, as they were fleeing from a monster, Merlin fell and Arthur went back for him, a mere "idiot" servant. In that same scene, a knight fell (knights are the bread & butter of Camelot), but Arthur just kept running with Merlin....

Merlin (ENFP), with his focus on emotions and the bigger picture, sacrifices everything for Arthur. His feeling-based decisions make his love for Arthur a central motivation for everything he does, even if it means hiding his magic and true self. This constant self-sacrifice for Arthur’s sake is a key expression of Merlin’s love, a classic ENFP trait—giving up his own needs for those of someone he cares deeply about.

6. Destiny and Fate – The ENFP Belief in Idealism

Merlin’s ENFP idealism sees Arthur as not just a king but the Once and Future King, destined to unite Albion. This belief in Arthur's potential drives Merlin’s unwavering devotion, and his love for Arthur is inseparable from his belief in their shared destiny. Merlin’s visions of a better future are rooted in his love for Arthur, and it’s his idealism that keeps him fighting for that future.

Arthur (ISTJ), being more grounded, is less concerned with abstract concepts like destiny and fate at first, but over time, Merlin’s unwavering belief in him helps Arthur grow into the king Merlin always knew he could be. Arthur begins to rely on Merlin’s intuition and instincts more and more, eventually embracing the destiny Merlin foresaw for him. Though Arthur may not openly express it, he comes to understand that Merlin’s faith in him is born out of deep love.

7. The Final Goodbye – An Emotional Climax

The emotional 'I love you': In the final episode, Arthur’s ISTJ stoicism breaks as he finally acknowledges the depth of his bond with Merlin. When Merlin reveals his magic, Arthur is hurt and betrayed at first (typical ISTJ reaction to broken trust), but eventually, he softens, realizing that Merlin has been protecting him all along. In his final moments, Arthur shows his vulnerability, thanking Merlin for everything—a rare moment of emotional openness for him. He simultaneously mouths 'I love you.'

Throughout the series, Arthur’s ISTJ sense of responsibility made it difficult for him to prioritize his personal feelings over his role as king. But as he faces death, duty and love become inseparable. His final act of trying to kiss Merlin shows that, even though he had been bound by the expectations of the crown, in his last moments, his love for Merlin overrides those constraints. His inability to express affection easily is part of his ISTJ personality, but in his final moments, he sheds that restraint, finally allowing himself to express what he’s likely felt for a long time. For Arthur to mouth 'I love you", even silently, is monumental. It’s a complete surrender of the emotional guard he’s maintained, signifying not just love but trust, vulnerability, and a breaking of the social norms and responsibilities that have constrained him. The fact that he chooses to say it at the very end shows that he always cared deeply for Merlin, but only now, when there’s nothing left to hold him back, can he express it.

Arthur, having always struggled to communicate his feelings, finally mouths the words "I love you" when it’s too late to make a difference. This is reflective of his ISTJ personality—he needed to be pushed to the very brink of death before he could allow himself to be emotionally vulnerable and express his love. The timing makes this moment all the more tragic because Arthur had to die before truly opening up.

The almost-kiss: Arthur’s instinct to pull Merlin in for a kiss reflects the ISTJ desire to do things physically, practically, and decisively, even in the most emotional moments. It also shows how Arthur, who had been in control of so much of his life, wanted to take control of this final expression of love. Yet, his inability to complete the kiss mirrors his inability to fully express his love for Merlin throughout their time together—blocked by the weight of his responsibilities as king.

For Arthur, to attempt to kiss Merlin in his final moments is a gesture of complete vulnerability. An ISTJ like Arthur rarely breaks emotional barriers, but in this moment, he lets go of everything—the crown, his duties, his stoic exterior—and reaches for the person who has always been there for him. It’s the ultimate sacrifice of his own emotional walls.

Arthur’s attempt to kiss Merlin shows that he is finally willing to defy the traditions and expectations that have held him back for so long. As a prince and then a king, he was expected to follow societal norms, but in his final moments, he’s free of those chains and can express his love for Merlin without fear of judgment or duty holding him back. The kiss is the ultimate acknowledgment of the love he had hidden behind his royal duties.

Throughout the series, Arthur has hidden his true feelings for Merlin behind duty, status, and responsibility. His inability to express affection easily is part of his ISTJ personality, but in his final moments, he sheds that restraint, finally allowing himself to express what he’s likely felt for a long time. As he faces death, duty and love become inseparable. His final act of trying to kiss Merlin shows that, even though he had been bound by the expectations of the crown, in his last moments, his love for Merlin overrides those constraints. Arthur, true to his ISTJ nature, often preferred action over verbal declarations of emotion. By attempting to physically pull Merlin in for a kiss, Arthur shows that his love for Merlin transcends words—it's something he feels deeply and wants to express through connection, even when he doesn't have the words to say it outright.

Merlin's internal turmoil: As an ENFP, Merlin had always worn his heart on his sleeve, even when his love for Arthur was expressed through loyalty, service, and protection. The fact that Arthur finally mouths "I love you" just as he's dying would shatter Merlin’s heart, as it represents the culmination of everything Merlin had been hoping for but never dared to fully expect. Merlin, the dreamer and idealist, had believed in Arthur’s greatness, and now, in this moment, Arthur’s love is revealed, only for it to be taken away immediately in the "bury (or kill) your gays" trope.

For Merlin, the attempted kiss is heartbreaking because it represents the closeness and intimacy they could have had if circumstances were different, as Merlin said, "I always thought if things had been different, we'd've been good friends." ENFPs, with their emotional expressiveness, seek connection and intimacy in their relationships, and Arthur’s attempt to kiss him in his final moments is a bittersweet acknowledgment of the love that Merlin had always known was there, but could never be fully realized. The fact that they were so close to expressing that love makes the loss all the more devastating for Merlin.

A Tragic Love Story Cut Short

The final scene where Arthur mouths "I love you" and attempts to kiss Merlin before dying is the ultimate expression of their hidden, unspoken love. Arthur’s ISTJ personality, which had kept his emotions guarded for so long, finally breaks, allowing him to express his true feelings. Meanwhile, Merlin’s ENFP nature, always driven by emotion and idealism, is left devastated by the cruel timing of this revelation.

Their MBTI types add layers to this tragic love story. Arthur’s love, expressed at the very end, shows how hard it was for him to balance duty and emotion, while Merlin’s eternal grief reflects the ENFP’s idealistic belief in love, crushed by the harsh reality that they were too late. Their love was always there, simmering beneath the surface, but in the end, fate allowed only a fleeting moment of acknowledgment before tearing them apart.

After Credits/The Once & Future King:

1. Merlin’s ENFP Hope and Eternal Longing

Driven by Idealism: Merlin’s ENFP personality is defined by hope and idealism, traits that keep him believing in Arthur’s eventual return. Even though Arthur died, Merlin’s unwavering belief in the prophecy—that Arthur will rise again—fuels his determination to keep waiting. For Merlin, his love for Arthur and his faith in the prophecy are intertwined, so he continues to hold onto the belief that their story isn’t over.

Endless Loyalty: ENFPs are known for their loyalty to people they care deeply about, and Merlin’s waiting for over 1,500 years is the ultimate expression of that loyalty. He never moves on, because his heart and soul remain connected to Arthur, and he believes that their bond transcends death and time itself.

Living in Grief and Hope: As a feeler, Merlin experiences the full emotional weight of Arthur’s loss, but his belief in Arthur’s return sustains him. The fact that he has to wait so long makes his grief even more intense, but the hope that Arthur will rise again keeps him going, even after centuries of loneliness. His ENFP nature ensures that his love for Arthur never fades, and he continues to hold onto the possibility of their reunion.

2. Arthur’s ISTJ Rest and Duty to Return

Waiting for the Right Moment: Arthur’s ISTJ personality means that, even in death, he is waiting until the precise moment when he is needed most. His sense of duty to Camelot and to Merlin persists, even after death, as he waits for the time when his kingdom—or Merlin—truly requires him. The prophecy reflects Arthur’s ISTJ nature, as he will return to fulfill his duty, not a moment too soon or too late.

Faith in Merlin: Even in the afterlife, Arthur’s deep trust in Merlin remains. Although he is resting, there is an unspoken understanding that when he rises, Merlin will be by his side, just as he always has been. Arthur’s loyalty and sense of responsibility mean that he trusts Merlin to carry on until the moment of his return.

The Final Act of Duty and Love: Arthur’s rise will be his final act of duty as king and as a friend and lover. His ISTJ sense of purpose and structure drives his eventual return, knowing that Merlin and the kingdom will need him again. When he does come back, it will be out of love for Merlin and a deep sense of responsibility to his people.

3. A Love That Survives Time

Merlin’s Endless Vigil: For over 1,500 years, Merlin has waited, watching the world change, but his love for Arthur remains constant. His ENFP personality clings to the belief that the prophecy will come true, and when Arthur finally returns, it will be the culmination of centuries of waiting. Merlin’s idealism, rooted in his deep emotional connection to Arthur, sustains him through time. He doesn’t seek out other connections because, in his heart, Arthur is the one he’s waiting for.

Arthur’s Timeless Love: Even though Arthur is resting, his love for Merlin isn’t diminished by time. When he returns, his ISTJ loyalty will kick in, and he will fulfill his promise—coming back to be with Merlin and to save the kingdom when it’s needed most. His return is not just a matter of destiny, but also a testament to the bond he shares with Merlin, one that surpasses life, death, and time itself.

4. The Ultimate Reunion

The Prophecy Fulfilled: When Merlin and Arthur finally reunite after over a millennium, the moment will be one of overwhelming emotional release for both. Merlin, with his ENFP emotions, will have spent centuries holding onto hope, and Arthur’s return will be the answer to his deepest longing. The reunion will allow Merlin to finally let go of the grief he’s carried for centuries, knowing that Arthur is back by his side, just as he always believed he would be.

Arthur’s ISTJ Return to Duty: Arthur’s return will be a moment of intense duty and purpose, but also of love. His ISTJ nature ensures that he will rise again when Merlin (the last remaining piece of Albion) needs him most. Their reunion will be both the fulfillment of a prophecy and the completion of their love story.

5. Symbolism of Eternal Love

Waiting as a Form of Love: Merlin’s long wait for Arthur shows that love isn’t confined to one lifetime. His waiting is a manifestation of his deep, undying love, and it reflects the ENFP’s capacity for emotional endurance. Even though he’s spent centuries alone, his heart remains tethered to Arthur, and when Arthur finally returns, it will be a moment of profound emotional catharsis.

Arthur’s Duty Transcends Time: Arthur’s ISTJ sense of duty extends beyond the grave, showing that his bond with Merlin is eternal. His return will not just be about fulfilling his destiny as king, but also about being reunited with Merlin, the person who has always been by his side. This reunion will be the ultimate proof that their love and duty to each other cannot be broken by death or time.

Conclusion: A Love That Defies Time

The prophecy of Arthur’s return turns their story into an eternal love saga. Merlin, driven by his ENFP idealism and emotional depth, waits for centuries, believing in the prophecy and holding onto the love he has for Arthur. Arthur, waiting in Avalon, as the prophecy foretold, remains loyal to his duty and his love for Merlin, waiting for the moment when he is needed most.

When they are finally reunited, it will be a moment of ultimate emotional release, where centuries of love, hope, and loyalty finally come together. Their story is one of timeless love, with their bond surviving beyond life and death, waiting to be fulfilled in a future where they can be together once again.

#merthur #merlin #arthur pendragon #bbc merlin #merlin bbc #enfp #istj #MBTI #even tho i personally dont believe in MBTI anymore! its still fun to do!#merthur almost kiss #merthur i love you #merthur is canon #check my merthur is canon tagggg

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lady-phasma · 12 hours

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Idk if this is a insensitive question, but how do you deal with ageism in fandom space? I'm in my late twenties and people already make me feel so weird about still caring about certain things, calling us hags and such, it's really depressing

Hi nonnie!

Not insensitive at all! First, hugs. I am so sorry that you have had that experience.

Please don’t let it get you down too much. If you don't follow me or are a new follower, let me give you some background. I don't allow bigotry or hate of any kind on my blog. That has the effect of also dramatically decreasing rudeness in my sphere. I got the nickname auntie for a few reasons, but one is because I'm older than a lot of folks. I embraced it. Especially when I realized that people needed a safe space in some fandoms. (The nickname originated as "writing auntie" but auntie stuck.)

So how do I deal with ageism? BLOCK. If anyone makes you feel old (seriously late 20s is so young!), block them. How do I not take it personally? That might be the more accurate interpretation of your question. I look at my nerdy tattoos and smile. I watch my blorbos and favorite shows and write smut. I check my notifications for all the people who get joy from my posts, fics, and gifs.

Honestly, I think it gets easier to not give a fuck when you get older because, for myself at least, the march of time is inevitable, so we might as well enjoy the things we enjoy. I literally do not give a shit if someone has a problem with me being 41 and in fandoms on Tumblr. I have 30 years' experience writing fanfiction. I have a whole-ass life off this blog. And I need my fandoms because they make me happy and that's a precious thing in life.

So, if I had advice to give you it might be this: just hold on. When you hit 30 you will probably stop caring. Until then, block them, post even more, do nerdier shit, and make yourself happy. The best way to deter people who what to make others miserable is to show them that they can't do that to you.

#love my anons #asked and answered #ageism #fandom stuff #hotd #iwtv #doctor who #house of the dragon #interview with the vampire #amc iwtv #amc interview with the vampire #those are my main fandoms

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chaos-of-the-abyss · 2 days

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I hope you don't mind me asking this, but why do you like Celegorm? I love that you're vocal about how stupid the Feanorian woobification in this fandom is because people who claim that they did nothing wrong or that they're not villains clearly hasn't read the Silm, but while there's still a level of sympathy to most of them, Celegorm is just genuinely the worst and I can't figure out what there is to appreciate about him lol. I'm sorry if this comes across as a bad-faith question, I really want to know how you like him while not ignoring, trying to deny, or worst trying to justify (which I have seen FAR too many people doing) his canon actions

you're totally good anon! i'd be happy to answer this. just want to preface, i perfectly get where you're coming from and why people hate celegorm, because he is, as you say, the worst. he's horrible. he's done awful things to countless people -- and by no means is he the only feanorian to have done that, obviously, but celegorm's actions in luthien's story make him a type of squicky that's unique even among the brothers. he, hm. how can i put this. he deserves nothing. and yes, people who try to justify him are just wrong. stop reading the silm if you want a mass murdering sexual predator to be glorified ¯\_(ツ)_/¯

that said! the succinct answer is that it's all about the vibes lol. all the feanorians are awful people, but celegorm is, imo, that particularly entertaining kind of awful. there's a certain interplay between his successes and failures that i find unbearably endearing (derogatory). he is canonically charming and magnetic and charismatic enough to sway people with his rhetoric, and i love that. i love that he's opportunistic, clever, and sly, and pounces on the chance when he spots it. the fact that his speech in nargothrond is explicitly paralleled with feanor's before the flight of the noldor says a lot. i find it compelling that while, in many ways, celegorm is the most distant from his family -- friend of a vala, a great woodsman and hunter which are two things that neither his father nor his brothers are ever even mentioned around -- he is the only one among the sons of feanor to be directly, textually compared to feanor, and feanor during one of his most pivotal and infamous moments, no less. the guy must be a force of nature when he really wants to be. yet at the same time, he's endlessly reckless, arrogant, and shortsighted, and he does not get to get away with his actions. his plans flop (just like he will continue to flop until his karmic and also really fucking funny death in about thirty years' time, i'll get back to that), his intentions are discerned, and he gets thrown out in disgrace for treachery with the embarrassing declaration "a maiden had dared that which the sons of feanor had not dared to do" following after him. it's that particular blend of hyper-competence followed hand-in-hand by prompt abject failure and humiliation that makes him so appealing to me.

oh and. another thing about celegorm is that he has the added charm of being a fucking sore loser and a petty bitch -- trying to kill luthien even though she spares his brother's life when she'd be justified throttling him and curufin with her bare hands and i just. he's sooo funny. what is wrong with him. so many things are wrong with him. tfw you kidnap and tried to rape this woman and she does you an untold, absolutely herculean grace and kindness that you know damn well you do not deserve and your reaction is to try to kill her for daring to show you compassion. he's insane.

then. then then then then. he gets chased by own dog and runs away "in terror." you know you've messed up when your dog finally has enough of your bullshit and runs you down because he's fed up with all the terrible things you've been doing. not to mention his dog also dies fighting next to a man that he hates, using his last opportunity of speech to say goodbye to said man. like. beren and luthien's story leaves celegorm, as skilled and magnetic as he canonically is, in absolute shambles and it's hilarious. how does one recover from that you may ask. and i answer one does not recover from that.

but that's not even all. after that saga of blunders he hangs around for about three decades doing absolutely nothing of note, then in his attempt to regain some relevancy winds up having the most mortifying death ever. my dude you were the "let's ambush doriath guys" spokesperson. you campaigned for that shit. this was your desire. this is what you wanted. and you walk in there and the guy who's *checks notes* THIRTY-SIX compared to your one-thousand-something KILLS YOU. elves are not developmentally matured until they're a hundred. your killer is like thirty. this is, generously speaking, about an eight year old by your standards. a fucking eight year old kills you. yes i know dior was not actually a child at the time but the fact remains that celegorm quite literally has more life experience than the entire human race and he's done in by the son of a human. then to add second insult to first insult to extreme injury, two of your brothers are also killed in this battle and in the end you all don't even achieve what the fuck you came there to do. THIS WAS YOUR PLAN. how do you lose that badly. holy hell. if i were him i'd stay in the halls of mandos forever out of pure embarrassment. you simply would never see me again. you think i'm walking out into society and showing my face around the block when an eight-year-old ended my life? nah. no sir not me

plus well. on a more serious note, dior is luthien's son. luthien, whom celegorm thought he could control, whom he saw as an object to further his aims and to lust after. he's killed by the son of the woman he tried to rape, and there's nothing more fitting than that.

so! there you have the basic rundown of why i like what's explicitly laid out about celegorm in canon. he's an objectively horrible man, it's just that i find the way he goes about being objectively horrible extremely funny. but i also think he is ripe for exploration in the realm of speculation -- and that speculation enhances what we do know about his actions during b&l and after until his death. aside from the kinslaying at alqualonde wherein all the sons of feanor participate, we see him and curufin acting unambiguously villainous a good bit before the rest of their brothers -- at the very least, they are clearly more willing to do horrible things at the point of time of b&l when compared to the likes of maedhros and maglor. like, they are out here committing actions that no sane person can rationalize as being anything other than abhorrent. it's clear that they've already given up on the idea of being "good"; they've already given up on keeping their hands clean and they've already shed whatever qualms they might have had in the past.

my thoughts on why? this is by no means canon, but tolkien does seem to like giving the legendarium's major villains some sort of arc and some type of insight into what they become (melkor gets history, sauron gets history, maedhros and maglor get history), so i don't see why celegorm should be any different. and for me, celegorm and curufin, especially celegorm, give the impression that they fell into despair and disillusionment far before the other feanorians did. and their response was to accept that they have no way of going back to the people they used to be, that they've already been rightfully damned, and if they've come this far they may as well do whatever they can to achieve what they fell so low for, because what does it matter anymore? it's part of why i think celegorm sees maedhros trying to look at beleriand and the war against morgoth from a larger perspective than just the silmarils, and both disdains and pities him for it. they've already been doomed and they already can't hope to make amends. they should do what they're here for -- and while, in celegorm's eyes, maedhros isn't willing to do what needs to be done, he is. i think that sort of mentality is fascinating. in a way, it's a self-fulfilling prophecy -- maybe if celegorm thought there was any meaning to him being better, or even just any meaning in not being nearly as awful as he resolved to be, then he wouldn't have stooped so low. but he did believe there was no hope for him, he did believe that he could never be forgiven -- and in believing that, he did go past the point of no return, beyond which he truly, legitimately couldn't hope to be forgiven. also, i just personally like the "well i'm a terrible person so i'm going to act like a terrible person"-type villains better than "oh no i'm a terrible person it makes me so sad and full of despair"-type villains (looking at you, maglor). again, none of this is canon, but it's my reading of celegorm's character, and i think it sheds some light on why he's so awful in b&l and afterwards. in his mind, it's already over for him anyway.

i hope this answered your question anon! i like celegorm, and i enjoy his character, because there are shades of a sad tale behind his descent to being the worst, he's entertaining while he's being the worst, and most crucially of all, he gets his comeuppance for being the worst in an extremely satisfying way. i definitely wouldn't like him (or the silm at all) so much if he'd been, like, successful in anything -- but thankfully he is written by an author who knows full well what an utterly reprehensible character he is. and boy does tolkien not spare him from that karma. he is simultaneously a singleminded and relentless fallen prince, a repulsive monster, and the story's laughingstock (one of them anyway). honestly, none of the feanorians tickle my brain quite like he does. i love him and i would beat him with a shoe

#my beloathed i hate him. absolutely no rights #celegorm #curufin #lúthien tinúviel #lúthien #luthien tinuviel #luthien #maedhros #huan #tolkien #tolkien tag #tolkien meta #lotr #the silmarillion #jrr tolkien #asks #anonymous #answered

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