Listen I love the Bees. They're my preferred ship for the both of them. I love the healing and the tenderness and the trust and the giggles matched with the sarcasm and the jokes.
But. But.
I do genuinely believe that sometime around V7, RWBY became a soulless cash grab, and the Justice League movies really, really slam that home for me. And I'm sorry that was when the Bees got all their shit together. The characters could be in a much better story! But they're not, in canon. They're stuck in RWBY.
And RWBY, for me, has sucked since about the midpoint of V7. It feels soulless, out of character, like it's slapping the lowest common denominator in plots, reveals, and characterization, and it's so full of Bathos it's impossible to take seriously without feeling like the actual showrunners are making fun of you for enjoying the show.
I love the characters. I love so much of the lore. But it does, to me, genuinely feel like the last 3 volumes exist just to exist, that everything is solely about money instead of story, and that everything interesting and nuanced about this world has been sanded down and filed off to make nice smooth, non-corners so that everyone in the audience without any reading comprehension still doesn't cut themselves on any sharp edges because none exist.
And that's not even getting into my problem with the way the series handles tone across a single volume and multiple volumes. Which I think has been seriously failing since V5.
There's so much in the modern canon that fascinates me - the tree in Ever After and the concept of Ever After is one of the most interesting things RWBY has done in a while, IMO, but I wish it had been better thought out, better implemented, better foreshadowed. I wish it didn't rely on fairytales we've never heard of and didn't fuck with stuff we already knew without any sort of clarity.
In a lot of series I'd give the showrunners some benefit of doubt, but RWBY has proven multiple times that it doesn't care about clarity of worldbuilding, only coolness factor. So things aren't consistent, and they don't make proper sense, and they're changed whenever the writers think of something better - or that's how it fucking feels.
Not to mention I am still firm that the characters have been acting wrong for a while. Some more extremely than others, but in ways that are convenient to plot and comedy, rather than true to themselves.
If I wasn't so invested. If I didn't love so much. I'd just walk away and let it go. Gods know I've never finished a shit ton of series for that reason.
The problem is I love so much of RWBY and it's hard to just. Be so frustrated with it.
32 notes
·
View notes
Time to think about how alone the pale king was when he died. He had lost everything. His kingdom yes, but even his closest relationships.
His trusted friends, who became dreamers, gave up their lives and all for a hopeless cause. His wife was driven away by her guilt and her grief. His child who he had learned to love, he sacrificed for nothing.
Almost every character that we know of who had a personal relationship with PK had either been sacrificed or had left him.
And of course all of it was his own doing. (At least largely his own doing.)
Still he sat completely alone in that throne room when he died there.
100 notes
·
View notes
Y'know... A lot of ZaDr fics have them either gradually drifting into a less contentious status quo or establishing a deeply bizarre multilayered dynamic that is nonetheless very consistent and beholden to its own rules—which works, to be clear, because slavish adherence to the rhythm of their endless 'game' is already their canon baseline.
WITH THAT BEING SAID. I think it would be very funny to depict a ZaDr dynamic in which they're like, on-again off-again nemeses. As they get older theyre gradually forced to acknowledge the true depth of their mutual attachment, but instead of actually improving themselves in any lasting way or compromising the conflicting elements into an ill-definable state of contentious codependence, they just start oscillating wildly between periods of obscenely clingy allyship and devotedly murderous enmity. There's never an in between. They'll dedicate all their energy to trying to horrifically torture each other to death, until one of them gets uncomfortably close to actually dying or an external crisis pushes them together or they just get bored—at which point, they become obnoxiously glued at the hip until one of them relapses into anxiety about their ambitions or an argument escalates past the the point of no return or they just get bored. And every time they both Really Mean It, They're Not Gonna Do This Anymore, before naturally going ahead and doing it again
64 notes
·
View notes
If GlamMike got his hands on an Illusion Disc
For Context a little more on the settings of it, and why it varies under the cut (and a bonus)
Bonus from a seperate au called the Extended College AU, it was originally for OCs in a DnD campaign I'm running that got their own au, and then to make the town more full a bunch of fandoms were added
Technically in the EC AU Michael is 15, in the modern era (a freshman/first year in high school) but I wanted to draw the Michael from that Au and how he would've mellowed out by the time he himself is in college (honestly the reason I made these in the first place was EC!Michael)
So yeah EC Michael (future version being 21, with his boyfriend about to be fiancé, and a less than a year old son)
45 notes
·
View notes
I'm in penacony now. And Aventurine just showed up and I'm sorry to say Aventurine fans but the first thing that left my mouth was "FAG." Sorry guys. It's not my fault he looks painfully homosexual. And is also painfully homosexual. That's his fault. Not mine.
21 notes
·
View notes