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#and its insane to assume other people talk about fictional characters the same way they treat real life human beings
nitro502 · 11 months
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Still thinking about that Billy stan that told me the Duffers don’t know how to write abuse victims but also that by hating Billy I’m hating all real life abuse victims who aren’t perfect saints themselves. And that by saying that Billy himself is abusive I am somehow preventing real life people from seeking help.
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kitkatabasis · 1 year
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On Cornwall, Lear, and the Reality of Evil
(Or, Local Nerd Hates Main Character of Play)
Now, if you’ve read any of my recent posts, you’ve probably realized I am currently reading King Lear (I mean, I’ve finished reading through it, but I’m still reading it), and that I feel a burning hatred toward the character of Lear and more than a little sympathy towards the villains, even though some of them do objectively worse things, Cornwall. Partly to defend my opinions against people who think I’m kind of insane for having the preferences I do, and partly because I’ve noticed that other people (at least on tumblr) have those same preferences, and I’m curious enough to want to know why.
Now, I mean, just to get the obvious out of the way–man who loves his wife and does war crimes is like, one of tumblr’s favorite characters, so no surprises there. And you know what? Maybe that’s as far as it goes for some people, but I don’t think it’s that simple. So, let’s dig in.
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So, I’m going to start with something that is seemingly completely unconnected to what we’re talking, but I promise it’ll all come together in the end, just stick with me for a moment. 
Sometimes when you’re writing, critique partners will recommend that you raise the stakes. What people often think that means is to make them “bigger”--like, if you fail the whole town won’t get destroyed, but the whole world–but actually what it means is that you have to make them more personal to your characters, more emotional. Furthermore, “bigger” and “more personal” are very often opposed, because the human mind is frankly not really built to be able to fully comprehend the existence of 8 billion people–a town tends to, emotionally, feel as big as a planet. Even beyond that, it’s much more easy to relate to things on a smaller scale, because you’ve probably experienced them, or something like them. Even if your mother is alive, you’ve likely lost someone, even just in the form of your best kindergarten friend moving away, and thus can map the latter experience onto the former. But it’s much harder–obviously not impossible, that’s sort of the entire point of writing–to empathize with someone dealing with the possibility of the end of the world; that’s why so many characters’ internal monologues focus on how that loss would affect things they care about (which I don’t, for a record, think is a bad thing). 
So, here’s where it connects back to King Lear: this is the reason that, I think, Lear’s villainy is so much more real to us than Cornwall’s. I–and, I am assuming, most people who read King Lear–have never actually had to see torture or its effects outside of fictional media (unless you did, in which case that really sucks for you, and I’m sorry about that and hope you’re doing as well as you can). We know torture is bad in the abstract, and maybe if you’re particularly good at empathizing and/or imagining you can get a better sense of it, but generally speaking: it’s an evil that’s hard to conceptualize, to relate beyond “yeah that’s bad and fucked up”.
Lear’s evil though–that is an evil, I would wager, that most either know someone who has experienced or have experienced it themselves. More broadly, as a rich ruler who has seemingly never taken care of or considered the peasants of his kingdom, thus resulting in a largely impoverished country (until he is literally brought face-to-face with a hovel), he is a very recognizable figure in our modern world. But really personally—and I think key to my grudge against Lear (and probably yours too, because if you’ve read this long with a positive opinion of the winner of the 1606 Worst Fictional Dad Award, frankly I’m surprised, but thank you I’m supposed, unless you’re reading this in order to write an angry response detailing why Lear Is A Good Person Actually, in which case please don’t) is that he is an absolutely dogshit father. We don’t get actual details on how he raised his children, but his open favoritism, unpredictable behavior, belief in his entitlement to complete obedience, raging temper, and repression of his own “feminine” emotions create a figure that is, I think, very recognizable. I’m not saying that Lear is almost certainly an abusive father…but fuck it, that’s exactly what I’m saying. At the very least and most generous he is an incredibly bad one. And that sort of evil, that sort of harm, is one much more palpable to me than Cornwall.
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uselessheretic · 2 years
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this is a post thats just me complaining based on my feelings as a black person on ofmd and the reaction to it. people can do what they want and be critical of whatever. nobody needs to stop complaining abt ofmd. this is just me complaining abt ppl complaining and this is my official disclaimer of please dont be obnoxious to me
tumblr keeps making me insane bc i keep getting mad at purposefully bad faith and ill meaning "critiques" of ofmd that arent actually trying to open a dialogue or anything, but are just. unpleasant. which its ok to be critical of things including the show i just think a lot of people are fucking idiots unwilling to examine media in an actual critical fashion and instead are just 1. negative for the sake of being negative and 2. shuts down any further conversation on the topics to the point of removing agency from other poc in fandom and the poc (and black ppl specifically) making and acting within the show. like its not possible that other people might just have different opinions on how to portray history, no ofc not, we have to be patronizing and assume that the black writers just dont know any better and are too ignorant of their own history to understand their own subjugation.
its just annoying and unproductive in a way that goes beyond discussing analysis of the show and its relationship to race, and instead gets stuck on this black and white viewpoint that doesnt just express "i dont care for this show" which is fine, but makes sweeping generalizations that ppl consuming the media or participating in fandom are all co-conspirators to bigotry and GOD its so stupid bc its a standard that is flat out not applied to other media. like i dont understand how people can say that black sails is flawed but ultimately good, a show that portrays both fictional and irl slaveowners with white characters who participate in the slave trade and assist in the sexual abuse of a black woman, and in the same breath discredit ofmd as a whole.
like! it doesnt matter that much but it is disheartening bc there flat out isnt that much media with this type of representation both in the show and in the writers room. i feel like people are so used to taika being in big marvel things that they forget that its not common for an indigenous man to be able to act/create things. and nobody needs to watch the show or be kind to it, but it does feel kinda fucked up that theres this encouragement for others to also not watch it or that ppl engaging in fandom are doing harm when theres just not much media with a gay indigenous love interest. theres not much media with latinx nonbinary people and esp not any of them dating a black man.
theres not much media with a writers room as diverse as theirs, where theres several black women/nonbinary black ppl in the writers room alongside other poc (THREE nonbinary writers of color!!!) same with having directors of color, makeup artists, and other crew members who are left off of set and have a hard time finding work in an industry that is not kind to them.
and idk! i think its kinda fucked up that this is not a big show, and that hbomax gave it very limited promotion and the vast majority of its promotion has been from the cast openly pleading for a second season, and word of mouth, but that criticism of it goes beyond personal distaste or open conversation, and instead is this stupid ass thing of promoting this stupid ass idea that a fandom existing is proof that theyre bigoted and that the show never shouldve existed in the first place.
it just sucks i guess! as a black person who genuinely likes the black representation in the show, and feels comforted seeing that the black cast are all openly joyful about the show and have talked abt being able to incorporate their culture within it, and the relief of having a writers room full of poc dedicated to not doing harm. like i was trying to find the article where leslie jones talks abt being excited about having her pirate boots and 20 husbands and how fun the character was to play, and the first thing that popped up on google was a handful of articles about the harassment she received for ghostbusters and the lack of support from her cast members. and it makes me sad that there arent many roles for black people in general, but that the black cast has been so positive about this story and have felt so connected to their characters.
and i just dont see the point in trying to take that away i guess? where you can just not watch the show, and you can be openly critical of it too, but it feels like an over expansion of that criticism to the point of discrediting the writers and actors as unknowing victims, actively and explicitly discouraging a fandom to emerge (the only thing sustaining a show that has not received support bc idk how to break it to ppl but networks arent kind to gay shows with casts of color,) and then purposefully shutting down any conversation on the topic including people bringing further context into the convo. (like that the actor loves the name roach, or that there are prominent black writers on the show, or that a lot of criticism has been specifically addressed before the show started and you dont have to agree with their approach, but its weird to erase the fact that thought went into this via a diverse room)
and its just fuuucking insane specifically because its criticism that is not leveraged at other shows!!!! at the very least, people cant sit here and explain how black sails is more woke than ofmd, a show with very few prominent poc where the main ones are a black woman raped on screen and a slave! with characters ALSO based off of real historical figures (the guthrie clan was a real clan!!!!!!) and white main characters who participate in the slave trade. and im p sure doesnt even have a single poc in the writers room? at the very least i desperately need people to be consistent.
be critical all you want, but it fucking suuuucks that its a hypercriticism being leverage against a show that doesnt have network support and only is able to get attention because of fans/word of mouth. and its fucking annoying how 1. its not even taikas show like he produced four episodes of it so idk why critique is mostly directed at only him but okay and 2. this weird thing where it feels like people deracialize him where i know he makes it look easy bc of how massively talented he is as a creator, but its not easy to get representation for māori or indigenous people and it SUCKS that it feels like people are discrediting and ignoring the fact that there isnt really any gay representation for indigenous ppl :(
anyways this was my long winded way of saying im going to try and be off tumblr for a bit bc this site irritates me and i need to stop being annoyed at tv things bc ppl can do and consume what they want just jfc it annoys me
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itsclydebitches · 3 years
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YYH Recaps: Koenma Appears
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Welcome to episode two, everyone! Before we get to the recap proper, I want to continue down Nostalgia Lane for a moment. Remember how last time I mentioned a Hiei bookmark I used daily back in middle school? Well, I tore through an old "treasure box" I created as a kid (a collection containing everything from a shark tooth to a small book on witchcraft. You know, the important things every child needs) hoping to find it... but I didn't. It's a hard life we lead.
However, I did find some other YYH relics that I thought you all might enjoy seeing. Behold — and, if you'd like, laugh at — my collection:
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First up is a picture of young Toguro and Genkai that I wanted to use as my bookmark, but found that it was too wide. For the record, I didn't (and still don't) care about Toguro much, he was just the byproduct of finding a cool Genkai picture. Not shown is the back of the image with the names of my classmates because I made them all sign this along with our yearbook.
God bless my friends for putting up with me.
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Second is a collection of very pretty trading cards that I ordered from god only knows where. I have vague memories of not finding any at my local comics shop and convincing my mom to let me order on The Olde Internet. Did I want the trading cards to trade them? Absolutely not. They exist to sparkle and make my heart happy.
Finally, I've saved what is perhaps the best for last. Now, you have to understand that grade to middle school age Clyde did not have the education that she would receive later on, which includes a knowledge of the ephemeral nature of fanworks and the importance of accurate record keeping. What this means is that I have absolutely no context for this. No author, no explanation... just the image itself.
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Was this a standalone fanart? A part of a fic? Some specific request or just the will of the artist? I cannot answer these questions. I tried a reverse image search (which is, admittedly, the extent of my tech skills) and you know what the single hit I got was? "Fiction." Thanks, google. So yeah, I can only assume that my child self considered Kurama giving a de-aged Hiei a bubble bath adorable enough to save, but the artist wasn't important enough to jot down for future viewing. Sorry about that, mystery artist. And, as should go without saying, if anyone does know where this came from please let me know! Though I suspect that this is a case of a YYH-specific site closing down and the fanworks getting lost along with it. That happened a great deal before the age of AO3 when volunteers decided to put their time and talent towards saving fanworks of all sorts... 
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But enough of all that. Let's get to recapping!
As we established last episode, Yusuke and Botan are on their way to the spirit world to kickstart Yusuke's ordeal. Watching this after over a decade of consuming other media, I really appreciate that Yusuke acts like a human person and asks lots of questions about this. When Botan is cryptic for the sake of the audience — we're going to see "the person" who can explain everything — Yusuke is justifiably like, and what person would that be?? I mean, this is also a way to establish basic facts for the viewer and it simultaneously feeds into Yusuke being someone who is difficult for the sake of being difficult — "If someone wants to say something, they should come to me!" — but it's just nice to see a character who doesn't accept cryptic BS because the story needs them to. If Botan gives an unclear, but ~dramatic~ explanation, Yusuke is going to call her out on that.
So she explains that they're going to see King Yama and Yusuke is all whoa whoa whoa, there's royalty involved? Suddenly, he's not so adamant that they come to him. 
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Botan tries to reinforce this rare spark of humility and demands that Yusuke be on his best behavior from here on out.
Pff. Yeah right.
But “he can send you to oblivion forever if he wants to!” is a suitable enough threat to cow Yusuke for now. Which is interesting considering that a few hours ago he was happy to accept hell as his rightful ending. Granted, we could argue that there's a big difference between hell and oblivion — a character may not be afraid of punishment in the same way they are a lack of existence — but I'd say this ties more into Yusuke's development at the wake. Now that he's accepted that people care for him and that he should strive to return to them, the threat of having it snatched away actually means something. Even if that line is otherwise positioned as a comedic moment.
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Botan flies them through a portal where we see the River Styx below and Yusuke comments on how big everything is. At first I was like, "What are you talking about? You were just flying over some major city in fictional Japan, wasn't that big too?" but this line makes more sense when they reach the palace and you realize that yeah, it's big. As in, the camera blurs while tilting down its length to show how insanely tall it is. Yusuke and Botan are tiny gnats at the gate's entrance.
"Oh man, what a pad!" Yusuke says and sure, that's one way to look at it lol.
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Botan announces that she has a "new arrival" and the gates open for them, but so far there's no one else around. One part of me wants to question the time and budget put into this scene because shouldn't there be, like, thousands of people? Even just waiting outside? The idea that this is the hub of the underworld and that Botan is responsible for ferrying all the souls, yet she is guiding just this one (1) dude for a solid day is, from a world building perspective, kind of nuts. But beyond the need to develop Botan as a character (she can't be a part of the story if her job is treated realistically, with all the endless work that entails), I think this choice functions rather well from an atmospheric perspective too. Meaning, this moment is supposed to be rather tense for Yusuke. He just died, just found out the afterlife exists, just discovered a desire to get his life back, and is now about to meet a King who can toss him into oblivion if he's rude — which Yusuke always is. So this is a Very Dangerous Moment and their relative isolation feeds into that. As does the setting. Yusuke flinches back from the hallway, saying that it looks like a giant throat, so he is now literally walking into the belly of the beast. 
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Suddenly, the size of the palace isn't an indicator of awesome wealth, just general intimidation. Also, check out the spikey purple mountains in the background and the harsh reds of the scene, especially compared to the soft yellow of the river. All of it is designed to create an, "Oh shit" reaction in both Yusuke and the audience.
Yusuke's image of King Yama matches these surroundings:
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Oh wait! Wrong character ;)
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He's massive, red, shadowed, and poses a formidable threat. And how does Yusuke deal with threats? By fighting them! Even those he can't hope to beat. Remember, this isn't a situation where Yusuke has any power here, but he still desperately holds onto the possibility that he might. What if he gets off a punch on King Yama's nose? Then goes for his eyes? Yeah, that'll work! 
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Overlooking the fact that it absolutely would not — Yusuke's fantasy conveniently skips how he escapes Yama's clutches — what exactly is Yusuke hoping to accomplish here? Somehow take over the entire underworld? Escape as a ghost and live out his afterlife in hiding? We don't know and that's because Yusuke doesn't know. He doesn't think ahead, he just obeys this instinct to fight. An instinct that, crucially, overrides everything else. Botan has already told him that all Yusuke needs to do is be polite and everything will be fine, but it's not even that Yusuke believes that he can't achieve that; that he knows himself too well and, fearing a slip, starts planning for a potentially inevitable confrontation. There are simply no plans outside of battle plans. Yusuke just hears about someone vaguely intimidating and his brain jumps straight to, "How do I beat him in a fight?" no matter the odds, or that other options are readily available to him. Again, much of YYH's characterization occurs though its comedy, so outside of the general humor of witnessing this fantasy, it actually does a stellar job of reinforcing precisely who Yusuke is. In life the only thing he had going for him was his ability to fight. It was his one joy, his one skill, arguably the one good thing he did if we frame those reflexes as "saving" the kid... so is it any wonder that fighting dominates his every thought? It's all he knows.
And, as we'll see down the line, that single-minded obsession is very useful to the spirit world.
For now though, Yusuke finishes his absurd plans to take down King Yama and Botan asks what in the world he's muttering about back there. Which is an unintentionally hilarious line because by the end Yusuke is not muttering, but full on shouting. Botan. How did you not hear him?
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Not important. They reach the next door and we get our first inkling that all is not as Yusuke (and we) expect when Botan leans into an intercom to say that they've arrived. Tech in a fantasy spirit world? This feels not only out of place, but rather... mundane? That's the point. When the doors open Yusuke expects his super scary monster, but gets... a whole lot of monsters that aren't scary at all!
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The underworld is run by various demons (or ogres), though their looks are contrasted with the harried office worker personalities they've got going on. Someone is running by with a comically tall stack of papers. Someone else is shouting into a cell phone. The first two demons we see cross paths, looking like they're about to punch one another, just as Yusuke expects... except they're just dramatically getting out of the other's way, worried not about the hierarchy of this realm, but the fact that someone is behind schedule. The nerve!
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"This place is a madhouse!" we hear somehow shout and yeah, that's the joke. The afterlife is just as chaotic, overworked, and — ultimately — boring as any human office. For all the strangeness of seeing hundreds of demons, this is familiar.
Which, alongside Botan's bubbly nature contrasting assumptions about the Grim Reaper, is one of the first instances of YYH undercutting the viewer's expectations in terms of looks. No one entirely looks the part they play in this tale and if you're trying to teach people to look past surface characteristics... there are worse ways to do it. Horrifying creatures with horns and sharp teeth? Nah, they're just chill dudes trying to do their job. Cutesy girl who looks like she belongs in a mall reading magazines? Nah, she's the Grim Reaper. Terrifying delinquent with a spine-chilling reputation? Nah, he makes faces at kids and saves them from cars.
Of course, the "nah" isn't accurate either. These are monsters with horns, Botan is a cutesy girl, and Yusuke is a delinquent with that reputation. The message isn't so much that people look like Thing A, but get to know them and you'll discover they're actually Thing B, it's the idea that you can be A and B (and C, D, E...) simultaneously. People — or rather, seemingly simple archetypes — can, in fact, embody multiple characteristics at once.
We'll get our third example in just a second.
Yusuke makes a comment about this being the "dead people stock exchange" — accurate — and Botan leads him to a more ornate door past all the desks. It's clear they've arrived at King Yama's office, since she's bowing and formally presenting him to... someone. Yusuke looks around for the giant beast he's imagined, only for a tiny voice to hail him from the ground.
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Looks are deceiving!
“This is Yusuke Urameshi and he’s honored to meet you." Botan knows what's up. She knows Yusuke isn't going to express anything of the sort without some prompting. Too bad he's busy cracking up at this apparent child running the show. Side note: Yusuke has a fantastic laugh.
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He even goes so far as to accuse Botan of lying to him.
“Why would I lie about such a thing?!”
“Why would the spirit world be run by a toddler?”
It's true! That’s a legitimate question! I love that Yusuke asks questions. The "toddler" goes on to explain that he's actually the "mighty Koenma," son of King Yama, though he's lived fifty times as long as Yusuke, "so watch your mouth." Assuming Koenma knows and/or remembers how old Yusuke is — fourteen — and is good at math, that puts him at seven hundred years old. He looks good for his age!
"And in addition to knowing the secrets of the universe," he says, "I am quite potty trained."
You've gotta love Koenma.
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Yusuke's attitude changes drastically once they get down to business. Koenma produces an egg, saying that Yusuke's ordeal is to hatch it and face what comes out. The hatching part isn't difficult, all he needs to do is keep it on his person. The challenge is in the fact that this egg will feed off his spirit energy and that energy in turn will change what kind of creature develops. If his spirit is wicked and cruel, so will be the beast and it will devour Yusuke upon hatching.
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However, if his spirit is good and kind, the beast will become a sort of guardian, guiding him back to his living body.
Note though that throughout this conversation the egg is always a "beast." It's a "monster." It's not necessarily intentional, but there's a strong bend towards the negative here in the description that really emphasizes the whole "ordeal" aspect. Koenma briefly reassures Yusuke that he can remain a ghost if he prefers, but he's already made up his mind. Despite another threat of being lost to a void — this time through spiritual digestion — Yusuke takes the egg almost without hesitation.
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He regrets it later though.
"I can't believe I did that."
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Can we blame him? I'd be nervous about some egg feeding off the energy of my soul too and I'm a former, almost straight A student (damn you, math) with no life-altering regrets and a general desire to put as much good into this world as I'm able. I’m boring. But what if those occasional, mean little thoughts you have add up? What if the prejudices you're still unlearning stack against you? Does the egg care about what you do, or only how you feel about the act? This sort of test would eat me alive!
Maybe literally. 
Good thing Yusuke doesn't have time for an existential crisis!
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Just as he's beginning to regret this decision, Botan points out that it won't matter if he passes if he doesn't have a body to return to. Now, why wouldn't he have a body? Maybe because his mom is set to cremate him tomorrow.
Whoopsie.
Yusuke is, understandably, distraught. We get another excellent exchange:
“Botan, is there any way for ghosts to communicate with living people?”
“Yes.”
“SO ARE YOU GONNA TELL ME?”
I swear, Yusuke is the only smart protagonist. I mean, he's dumb as a sack of bricks at times, but that's neither here nor there. Bless this fictional boy for reacting like an actual person. 
Botan explains that people are more attuned to the spirit world when they're asleep, so Yusuke can deliver a message to someone in their dreams. Seems easy enough. They first head to Atsuko, but find that she's raging drunk and nowhere near sleep. 
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"You fool!" she yells. "No one gave you permission to die!" Atsuko continues to yell about how plenty of people survive car accidents, so why couldn't you? "Were you mad at me, Yusuke? Didn't I raise you right?"
Botan comments on how sad the display is. Yusuke's response?
“The only thing that’s sad is now she’s got one more excuse to act that way."
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Y'all, that's some mature shit for a goofy shonen anime. Yeah, Yusuke recognizes that, while she's obviously heartbroken, his death has just given her another reason to do what she's been doing for years: drinking herself into a stupor. Toss in Atsuko putting the blame on Yusuke — "No one gave you permission to die!" — plus the belief that she did do a good job — "Didn't I raise you right?" — and it paints a rather bleak picture. This is by no means an uncommon theme. Negligent parents, whether they're framed that way or not, are pretty common in shonen series, but it's still rather jarring to re-watch this as an adult and go, "Oh. The situation’s like that." It's honestly a lot when you remove it from YYH's otherwise humorous, casual context.
Yusuke heads to Keiko's next and finds her sound asleep, commenting on how her room looks more "girly" than when they were kids. Check out that smile!
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He's about to try and deliver his message, but Keiko is in the midst of a nightmare. “She’s crying… what’s wrong?”
Oh my god. Remember how I just said Yusuke is also the densest protagonist around? Example A right here. You just died, you fool! You just saw Keiko collapse at your funeral. What do you think is wrong??
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We get a peek at Keiko's dream where she is — shockingly! — thinking of Yusuke. He's far out of reach, walking away and unresponsive to her calls. Keiko soon trips and Yusuke disappears completely.
Luckily, she has the real thing at her bedside. Yusuke tries talking to her and at first it's unclear if this supernatural stuff is really working. That is, until Keiko murmurs about how heavy he is.
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Reassured, Yusuke delivers his message that Keiko needs to help Atsuko pull herself together and, most importantly, call off burning his body. We get this very soft and pretty background to establish their yet unspoken feelings for one another, though Yusuke gets close with, “I’m coming back. I don’t want to see you cry anymore" as he brushes her tears away. Aww.
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Keiko wakes, thinking at first it was just a dream, but no, "I'm sure I felt it."
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The next morning she heads to Atsuko's to explain the dream, only to first hear that Atsuko had a dream too, this one about Yusuke "living in some other world full of ogres and he kept knocking them down until he became their leader." It sounds absurd, of course, but it brings Atsuko some comfort to think of her boy in a place like that and Keiko backs down. Right, she'd only had a comforting dream too.
Now, there are two important parts to this exchange. The first is that this is an excellent example of how you let the characters drive the story, rather than forcing the characters adhere to the plot you've come up with. Meaning, in the latter situation, our cast would have needed to have their personalities twisted and the viewer's suspicion of disbelief tested to give Yusuke what he needs: a sleeping family member willing to believe his message. But it absolutely makes sense for Atsuko to be drunk rather than sound asleep, so Yusuke can't rely on her. Likewise, it absolutely makes sense for Keiko to be asleep, but not believe the dream once she's woken up. After all, how many times have we been persuaded by something in the dead of night only for things to look more logical and less likely in the morning? The characters act both like themselves and like people who do normal, people-ish things, which means that Yusuke runs into more conflicts. That's good! It not only raises the tension and stakes — now he has less than a day to convince someone — but makes his inevitable success feel that much sweeter. A less well written show (cough-RWBY-cough) would have had the characters change their personalities, behave in unlikely ways, or just come up with a sudden, contradictory solution because Yusuke needs to keep his body. Instead, Yusuke actually has to work for that within the bounds of the rules established and the likeliness of each plan succeeding. The first one fails? Move onto plan #2.
Second, this dream of Atsuko's has some cool implications within YYH's world. Meaning, we're about to learn in just a moment that some people are naturally more aware of the supernatural than others, even when they're not asleep. We'll also see down the line that spiritual awareness tends to run in families... so perhaps Atsuko possesses more than the average mother? I'm not saying it's necessarily intentional on the author(s) part, but we can choose to read this dream as evidence of spiritual awareness — true insight into the world Yusuke was just in and the fantasies he'd had about conquering it — rather than just a coincidental joke for the viewer. After all, Yusuke gets his own spiritual awareness from somewhere...
(Okay, so there's totally another, canonical reason for that, but we can have both!)
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So, as Yusuke puts it, “This dream business isn’t gonna cut it.”
“There’s always the final method," Botan says.
“You always this vague?”
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I am literally living for these interactions.
Botan explains that the more extreme form of communication is possessing a living person, but there are two rules attached: it has to be someone you know and the vessel has to be someone who is quite spiritually aware, as discussed above. Atsuko isn't a contender because the story hasn't acknowledged that she might be sensitive, that's just my own headcanon now. Yusuke outright says, “In that case I’m screwed. There’s no one like that!"
Cut to good old Kuwabara.
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At first it looks as if he's just oh so conveniently sensing a spirit right when the audience has learned he has this power, but in reality it's Yusuke and Botan flying behind him that sets it off. Again: this show is pretty good about keeping things internally consistent, rather than making choices because That's Just How Stories Work, I Guess. Kuwabara's friends note that he's acting strangely and I love this detail that apparently one of the guys is new to their group because the other two need to explain that this is the "tickle feeling." Ever since Kuwabara was a boy he's been able to sense the dead around him. Some nice, some... not so nice.
He looks directly at Yusuke — even though he's not able to see him — and declares that what's following them is “A puny low-level ghost, like a haunted racoon or something.”
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I'd support Yusuke's anger more if he hadn't just exclaimed his surprise that Kuwabara serves a purpose 😂
Yusuke is pissed enough though to proclaim that he won't do it, nuh-uh, no way is he possessing this guy's body. Botan's response is one of my FAVORITES in the WHOLE SERIES:
"Here's my impression of Yusuke: look at me, I’m burning!”
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Literally 75% of this series is just about a found family sassing one another and I love it.
Obviously this helps Yusuke remember his priorities and he grudgingly agrees to the plan. Botan prepares Kuwabara's body somehow — idk, spiritual magic or whatever — and warns Yusuke that he only has an hour to find someone and warn them because a human body can't handle possession any longer than that. Sure. I buy it.
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So Yusuke takes control and please ignore the incredible ethical issues here. The show will never acknowledge them again. 
He blurts out, “Hey, check it out! I’m inside Kuwabara, feeling smooth!"
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Istg I don't remember the series being this unintentionally gay. I don't even ship Yusuke/Kuwabara and I'm digging the possibilities here lol.
Back on track, his friends drag him with, “Looks like he’s back to normal” because again, 75%. What's not normal though is Kuwabara (Yusuke) suddenly charging down the street to leave them behind. He heads straight to the restaurant where Keiko's parents work, demanding to see her. They're rightly concerned about this stranger barging in and screaming for their daughter.
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Upon asking who he is/why they should tell him, Yusuke makes his biggest mistake: “Because it’s me, you guys, I’m Yusuke!”
Obviously the time limit and raw emotion of knowing who he is has outweighed the knowledge that, you know, no one would believe that. Yusuke has spent the last two days bopping around as a ghost and familiarizing himself with some of the afterlife's insanity. The knowledge of what's normal for everyone else — AKA, not dead boys appearing in strangers' bodies — is not at the forefront of Yusuke's mind.
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So, Keiko's parents react accordingly! The father in particular is disgusted by this claim, going so far as to threaten Yusuke with his knife and outright insult Kuwabara's looks: “Yusuke was never ugly like you… we were close family friends with that boy!" His wife chimes in that this kind of joke is particularly heinous on the day of his funeral. Between Atsuko drunkenly blaming Yusuke for his death and Mr. Takenaka grieving for what he might have been, this is one of the few times we see someone just sad for Yusuke's passing, exactly as he was and without regrets or criticism. "We were close family friends with that boy" paints a nice contrast to the delinquent persona Yusuke was cultivating.
As he's thrown out of the restaurant he says, “We should have special passwords for times like this!” Fun fact, my family does! Well, not this exact situation lol. I was given a password as a child to memorize in case my parents ever needed to send someone else to pick me up or interact with me in any way. If the stranger didn't know the password, I was to kick up a fuss. I rest easy with the knowledge that this password would not doubt assist me if I was ever in Yusuke's position!
With Keiko's parents a bust, Yusuke starts sprinting to everywhere she frequents with the hope of running into her. Or at least he tries. 
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Yusuke is suddenly waylaid by a group of nameless teens with a bone to pick with Kuwabara. And you know what? I like it. I wonder how much of my praise stems from coming off of RWBY Volume 8, but it's just so nice to watch a story where the plot — simple as it is — hangs together. We've established that Kuwabara is a street fighter. Last episode we watched him start a fight with Yusuke. Yusuke is on a time limit. Now Kuwabara's tendencies have created a new hurdle for Yusuke!
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Needless to say, Yusuke kicks butt, even in Kuwabara’s body. 
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As one guy is passing out he says, “Man that hurt! I didn’t think anyone could throw punches that hardcore except Yusuke Urameshi."
Yusuke: “Darn, giving Kuwabara a good name." LOL
You think this challenge is finished though? Nah. Over the course of about half an hour Yusuke encounters a comical number of people trying to get even with Kuwabara. 
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As always, I like the nods towards this writing decision to help justify it, with Yusuke wondering how Kuwabara has pissed this many people off. If you want to pull off something that has a low chance of happening, it can help to give the characters a "Seriously?" moment. If both they and the audience are on the same page over how ridiculous this situation is, the audience is more likely to accept it once the character does.
By the time Yusuke escapes his hour is nearly up. However, thanks to some coincidental plotting, he spots Keiko's friends just across the street! 
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YYH does a decent job of making its characters feel like they have their own lives outside of what's immediately happening on screen and we get a good example of that here. We pick up the girls' conversation partway through, both of them worried about Keiko's state of mind and, given that we'll see in a second that Keiko was in the store with them, it implies that something happened to reignite this worry. They're off enjoying their day, doing their own thing, there was an event we're not privy to, and now we catch the response to that. It just helps make the characters feel more well-rounded even though they are, at their core, one-dimensional background characters who don’t even have names yet.
Case in point: the one girl is still concerned with their image. "People are starting to say things!"
Yeah, your friend's childhood friend just died. Hopefully they're saying, "Poor thing."
Anyway, Yusuke runs up to ask where Keiko is only for both girls to run away screaming. Turns out his face is messed up from the numerous fights and Keiko's friends are easily scared. 
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Luckily, Keiko comes out just a second later and Yusuke is faced with the challenge of how to convince her in, oh, about five minutes. Remember, we've already established through Keiko's parents that just saying, "I'm Yusuke" doesn't work. That's why he hesitates. It's not just drama for the sake of drama, he's stuck.
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“I’ve known her my whole life, there must be something between us that only I would do!”
Yeeeeaah. About that 😬
Suddenly inspired (I suppose that's one way to put it...) Yusuke runs up behind Keiko and grabs her breasts. “Keiko, nice uniform! They’re so squishy!”
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It goes without saying that, like flipping her skirt up, this isn't okay. More specifically, the problem lies in the story framing this as a joke for the audience, something to laugh at despite Keiko's discomfort, rather than the concept of two childhood friends actually be that comfortable with one another. But, as already established, this is one of the more ehhhh aspects of Yusuke's characterization that, luckily, will mostly disappear as the story goes on.
Note though that the show clearly wants us to think highly of this. Not just as a "joke," but as a smart solution to his problem and more evidence of their inevitable relationship — the background becomes the same soft, bubbly background we saw during their dream conversation. And, admittedly, it does work. Keiko instinctively slaps Yusuke hard enough to knock him to the ground and he starts laughing, saying that he doesn't care what anyone on the street says, she hits the hardest.
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What I do like about this is that the assault isn't the only thing Keiko bases her faith on. Not only has she already had the dream, we get to see Yusuke from her perspective, showing all the mannerisms she picks up on by superimposing Yusuke's real body over Kuwabara's. Indeed, she says as much: “I knew it was you from the first time you spoke…and it’s not just your stupid gags, or how you laugh. There are ways you move and speak that in a hundred years I wouldn’t forget."
Catch me crying in this club!
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Knowing she believes him and that he's almost out of time, Yusuke reiterates his message: please don't burn my body and also keep Mom on track. Only, you know, it's phrased far better than that lol. As he speaks, both Yusuke's and Kuwabara's voices overlap until the latter grows fainter and only Yusuke's voice remains. His body too. It's a nice touch, avoiding the awkwardness of Keiko having this moment with a stranger, even if that is what's happening on some level.
“I know I’ve been a bum to you at times, but please wait for me."
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His hour up, now we can get the awkwardness! Kuwabara comes out of his weird trance thing to find Keiko crying against his chest. Wow, he thinks, this girl must be really into me! 
God, to have the confidence of Kuwabara.
Of course, Keiko quickly realizes it's not Yusuke anymore and slaps him too for cuddling her closer. My favorite thing is that when she does this a crowd INSTANTLY appears. I mean they TELEPORT in. We needed an audience for Kuwabara's shame and YYH delivered, all logic be damned.
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“Um, sorry about that!” Keiko yells as she runs away, because she's a good person who recognizes that weird spirit things just went on and Kuwabara isn't actually to blame.
“No, that’s okay. I probably deserved it," Kuwabara responds because he's also a good person and I didn't appreciate him nearly as much as I should have as a kid.
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Keiko runs all the way to Atsuko's place where she finds her dressed for Yusuke's funeral. She blurts that Yusuke might still be coming back and Atsuko goes, "He already has." Turns out she opened his coffin to "smack him one more time for leaving me" — yikes — and found that his heart had started beating again, just as Koenma said it would. 
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Being in a shonen anime, they apparently decide to just trust Keiko's message rather than, idk, taking him to a hospital or something.
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The camera tilts up to show that Yusuke has been watching all this, including that both women break down again and comfort one another. Aww. How heartwarming.
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What's less fuzzy though is this mysterious egg. Yusuke takes another look and finds that it has developed a heartbeat too, presumably in time with his body's. He theorizes that he did decent things today, right? But Botan (teasingly) points out that he did beat up a lot of other kids. Rather than getting angry, Yusuke remains uncharacteristically pensive, emphasizing the magnitude of what this means for him. He's got to get it right.
No pressure or anything! We'll have to see how Yusuke balances his karmic scales in the next episode. Until then, I'll try not to put all my TV time into Star Trek: Voyager :D 
See you then!  💜
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rabdoidal · 4 years
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i know you listen to a lot of podcasts and ive found some of my favourites from hearing you talk about them! do you have any favourites?
under the cut! my top 10 podcasts at the moment:
Alice Isn’t Dead Genre: horror, thriller, drama, Lovecraftian, Americana Episode count: 30 (completed) Description: A truck driver searches across America for the wife she had long assumed was dead. In the course of her search, she will encounter not-quite-human serial murderers, towns literally lost in time, and a conspiracy that goes way beyond one missing woman. Thoughts: This podcast is, to me at least, completely flawless in every way. I would consider myself a person that listens to a lot of horror podcasts, but Alice Isn’t Dead takes the cake for its depictions of liminal middle America, the horror that is capitalism, and the most tender, realistic depiction of lesbians in any podcast. Anything else I could say would spoil it and for this, I don’t want to spoil it because I want every person alive that can stomach horror to listen to this.
Archive 81 Genre: horror, comedy, sci-fi, Lovecraftian Episode count: 35 (ongoing) Description: Archive 81 is a found footage horror podcast about ritual, stories, and sound. Thoughts: The latest podcast I’ve tried, and it’s definitely one that grows on you. The audio mixing is some of the best I’ve heard in any podcast, and every bump and scratch and hum of frequency weaves to form moments that are truly and viscerally gory. Season 3 and Left of The Dial are my favorites because again, I love Americana horror, and anything that involves family!
Artificial Ghost Radio Genre: non-fiction, discussion, comedy Episode count: 75 (ongoing) Description: Our Sisyphean music recommendation challenge with hosts Miles (he/him) and Jupiter (she/they) challenge each other to find songs based on arbitrary themes and to spin the WHEEL OF DISCORD to talk about a random song from their library! They can be found on twitter @artghostpod. Thoughts: Gotta plug my own podcast! We’re still small, but the people I’ve met from doing AGR has made my life richer and fuller, even through the ups and downs. I recommend starting with #58: Songs about Aliens ft. our friend Liz (@thescaryjokes)!
EOS 10 Genre: medical drama, comedy, sci-fi Episode count: 34 (ongoing) Description: Doctors in space, a deposed alien prince, a super gay space pirate and a fiery nurse who'll help you win your bar fight. Thoughts: It’s been a hot minute since I listened, but as someone that inherently loves things like Star Trek and procedural comedies, EOS 10 is a quick and hilarious listen! Fair warning some of the earlier stuff is a little bit ignorant when it comes to their LGBT characters, but it gets a lot better over time.
King Falls AM Genre: horror, comedy, Lovecraftian Episode count: 100 (ongoing) Description: King Falls AM centers on a lonely little mountain town's late-night AM talk radio show and its paranormal, peculiar happenings and inhabitants Thoughts: I’m a bit behind, but again, gotta love some Alpine American horror! King Falls AM perfectly captures the feeling and sound of listening to a small late night radio show with two bros, but it really goes from typical dude dialogue to heart wrenching found family alien conspiracy real quick. Same as EOS 10, fair warning for some ignorant language and LGBT stereotypes, but they address it and it gets better as it progresses.
Not Another D&D Podcast Genre: actual play Dungeons and Dragons, TTRPG, comedy Episode count: 128 (ongoing) Description: Welcome to the campaign after the campaign! Three unlikely adventurers attempt to right the wrongs caused by a party of legendary heroes who screwed up the world while trying to save it. Thoughts: I’m only like 40 episodes in because they’re thick, meaty ‘sodes, but god is NADDPOD fucking hilarious. I’ve tried a fair few TTRPG shows, but the chemistry and care that the cast has together is unmatched by others in the genre. I’m a complete sucker for shows that are so funny and so tragic in equal measures, and the entire concept of a D&D game set after the world has been so drastically changed by a different D&D game is so unique!
The Faculty of Horror Genre: non-fiction, horror, philosophy, sociology, feminism Episode count: 86 (ongoing) Description: Tackling all things horror with a slash of analysis and research, horror journalists and occasional academics Andrea Subissati and Alexandra West are your hosts for brain-plumping discussions on all things that go bump in the night. Thoughts: A little non-fiction in this list of fiction podcasts! The Faculty of Horror is a concise and educated intersectional feminist podcast, and it’s a breath of fresh air to listen to anyone that isn’t a cishet white guy talk about horror. I highly recommend the episode on Cabin in The Woods or Jennifer’s Body!
The Magnus Archives Genre: horror, office comedy Episode count: 180 (ongoing) Description: The Magnus Archives is a weekly horror fiction anthology podcast examining what lurks in the archives of the Magnus Institute, an organization dedicated to researching the esoteric and the weird. Join new head archivist Jonathan Sims as he attempts to bring a seemingly neglected collection of supernatural statements up to date, converting them to audio and supplementing them with follow-up work from his small but dedicated team. Thoughts: TMA is, similarly to A81, a bit of a slow burn to get into, but I think once you listen to a few episodes you’ll know if you want to continue. It’s a pretty standard prompt for a narrative, but the sheer amount of individual short horror stories they’ve managed to write is insane! And I love the slow break down between recording statements and the stuff happening within the archives. Also one of the best redemption stories in a character that starts off as such a grumpy fuck!
The Penumbra Podcast Genre: sci-fi, neo-noir, romance, comedy, found family, magic, medieval fantasy, adventure, mystery Episode count: 75 (ongoing) Description: At the Penumbra, you might follow Juno Steel, a brooding, sharp-witted private eye on Mars, as he tangles with an elusive homme fatale, tracks dangerous artifacts of an ancient alien civilization, and faces his three greatest fears: heights, blood, and relationships. Or you might enter the world of the Second Citadel, where the merciless Sir Caroline must corral a team of emotionally distraught all-male knights to defend their city against mind-manipulating monsters...even the ones they’ve fallen in love with. Thoughts: On god TPP was a life changing podcast for me. Having creators that are genuinely concerned with accurately representing minorities with care and dedication makes me feel spoiled when I try listen to anything else. The two main universes are so different with their own set of histories and cultures, but I love them both so completely. If you want LGBT+ representation, this is the seminal podcast for everything non-binary, trans, queer, and people that aren’t afraid to change and have that change be known! I haven’t listened to another podcast that actually depicts transitioning like they do, absolute king shit.
Wolf 359 Genre: space drama, comedy, action Episode count: 61 (completed) Description: WOLF 359 is a radio drama in the tradition of Golden Age of Radio shows. Set on board the U.S.S. Hephaestus space station, the dysfunctional crew deals with daily life-or-death emergencies, while searching for signs of alien life and discovering there might be more to their mission than they thought Thoughts: Wolf 359 is like if you fell down the stairs and at the bottom of the stairs was a bear trap, and then after you step in the bear trap someone helps you take off that beartrap, but then they kick you in the nuts. Just replace physical pain with emotional pain. It can be so funny but also so fucking stressful and sad – w359 isn’t afraid to kill its darlings, and it will break your heart but you will still say thank you.
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word-addict-lisette · 3 years
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Dear Lisette,
I am back in you inbox, yay! How was your day? How's life? How's school?
I am really mad because we had this piece of work and it was like "pen down your idea on this statement, 'i can do whatever i want on the internet as long as i don't get caught' and i put down my thoughts which were 'this statement is true, i stand by it and you can do whatever you like as long as you don't get caught and don't own up' and then people were like throwing shade at me and i looked at it. I have 5 comments.
My teachers tried to delete it, my classmates literally lectured me and then she read it out loud and the whole class went looking for that one note i made. In the comments, people are spelling my name in caps. It was my opinion, and oh, look all of them are basically hypocrites. Let me just say, these people make me uncomfortable, they don't talk about exactly nice things or approriate things and they are all commenting ( without names too may i add) like "KAT, THAT'S NOT HOW THINGS WORK!" but with my real name and just arghhh.
Also if my teachers wanted me to say, "no, that isn't the right thing to do," or any other answer that the others provided them with, they shouldn't have asked for my opinion. They should have just forced us all to just type the same thing. The other people all wrote like, "no, its unethical and bad" or "False, no, its bad" and stuff like that, filmsy evidence and elaboration. I HAVE MORALS, i am just saying the truth. I feel like the victim of a hate crime. People don't like me enough already, i am a very intresting person, uh, yeah, we are gonna stop there.
Enjoy the rant i guess? I don't know? I am sorry for loading on you but there's a little extra rant so uh, yeah. im just gonna take this out, one sec.
Ok, so uh my teacher was like, next week, we are making pancakes. Fluffy pancakes. It was changed to pancakes without eggs? and now we have to make it ourselves, at home. Where do i get flour? What do i do with the extra flour? I don't know how to cook at all, my partner who has been extremely controlling and like kinda driving me insane, ( ahem i did the whole coursework) also she uses my friend's name for everything? Like, bestie i was literally helping out and you went all, "Oh you don't want (friend's name) to see you burnt right?". Obviously i don't but if i burnt down my house, she wouldn't be surprised. I BURNT MYSELF LAST YEAR, SHE SAW ME BURN MYSELF. Well, my friend burnt me and then the week after that, she burnt herself.
This happens a lot. Also, the very common questions and statements of, "Are you straight?" , "aren't you and (friend's name) dating?", "you guys would make such a cute couple" , " aren't you bi?" and "i thought the two of you were dating," there is nothing wrong with being bi but i am not attracted to her like that. So, they use her for leverage over me to get me to do what they want and also think im dating her? If we were dating, we would both be homeless. I like my house. This doesn't only happen with her. I once got shipped with my brother. I hugged him and some guy was like, "oh you guys like each other," that was awkward. Can i just add, a lot of people like majority of that community know we are siblings.
I also get shipped with his best friend, thanks to a rumor my brother made up. So, sometimes, i would get like comments like, "oh, you like him" or "(brother's name) told me that you and (brother's best friend) are dating," we are not dating. WE ARE JUST REALLY GOOD FRIENDS. I LIKE A FICTIONAL CHARACTER. LEAVE ME ALONE. Also, everytime i have a picture of a guy on my phone or something my cousin just has to tell my brother. THEY ARE STREAMERS. ONE IS OF V FROM BTS SO I CAN TRAMATISE MY FRIEND.
Everytime i cry, someone comes in my room. It is so annoying. LEAVE ME ALONE, I WANT TO CRY. This is why i started reading sad books, listening to sad songs, watching sad movies so i have a reason to cry. There was this once, i wasnt selected to be part of my choir's competition and i was sad about it because i didn't feel good enough. THEY SAID I WASN'T GOOD ENOUGH. So, i cried but it wasn't enough so i read the saddest book i could find so i had a reason to cry but by that time, my feelings were gone. This is why i get breakdowns when im overwhelmed because of all this. You know how old i am. I have to deal with this and the pressure of always wanting to be perfect. What else can i do? I am not pretty or smart or talented or have friends, i have like 6 friends and nobody ever keeps me company. So, i focus on being perfect. 100%, i deal with not having any attention because my parents didn't pay me any attention just because i was "independent" or something?
Did i mention, i babysit all my siblings? I am the second child. I baby-sit my older brother. I am sleep-deprived because i can't sleep well at night and i constantly worry about everything and i have to take care of all my friends and it is so exhausting. Yet, i can not cry.
Thanks for staying with me through whatever that was. Uh, yeah, i took the quiz and got chaotic academia. That is my aesthetic. I really want one of those fancy skirts they wear like on pintrest and stuff? Like you know what i mean? The academia skirt? Yeah, i don't have one yet.
Question of the day, what is your dream profession or you could answer my other question which is what would you want to look like? Or you could answer both?
Ok, thank you again. i am gonna go study. Love and hugs and just literal joy sent your way!
- Kat, the ultimate dino mom of Leo, Billy Bob, Jessica, Sophie, Jackson, Sarah, Lily, the Micheals and all her other kids. (Jessica, Sophie and Jackson are mailboxes and Lily is a computer, Micheal is my screwdriver and laptop pencil, there are two micheals.)
Dear Kat,
It's really good to see you in my inbox. I'm sorry for replying late, but exams really had occupied my schedule today and I got my Saturday exam tomorrow. This week is going to be stressful and today's day has been pathetic. I had nothing to do except study and write exams. I feel like I haven't really been social recently and That I'm losing touch with people that I used to be close with and basically I'm letting overthinking take over my mind.
That is so sick. Why is someone's genuine opinion bothering them so much? I totally wouldn't be able to tolerate that. They ought to understand that there is a fine line between a fact and an opinion, and what you stated was just an OPINION. they have no right whatsoever to come at you like that. I totally agree... the teachers ought to have not asked for your opinion if all they desired was a particularly specific answer which opposed the statement. one of the reasons I hate the schooling system has to be THIS. people who are putting comments like that ought to realize that what you stated is exactly what they do in real life. They just want to be seen as the good kid here. At least you have the guts enough to speak the truth.
Miss! You don't have to worry about ranting out to me. You can rant to me for days and I'd still listen. Just go on ranting nobody is stopping you.
Ahhh! I've had that happen to me. I really understand how tough that can be. I really really hate being shipped with someone who I am just platonically friends with like you've got no valid proof to believe that we are romantically involved with each other. I've burnt myself plenty of times too. It's not a pleasant experience. Plus I also hate having controlling partners. Cause all they do is boss you around while they are barely doing a thing. It sucks.
Why? Just why? Why does it even matter to them? Who you date and what your sexuality is, is none of their business. I have no idea why people concern themselves with topics that really don't involve them. It's like people are just ready to make gossip out of anything. A person can't have a bestie without not liking them? I don't get what's so difficult to understand about that. I hate it when I'm casually talking to a guy and people start shipping us and start spreading rumors of us being in a romantic relationship. Another thing they do is, if a person likes me, they automatically assume that I like him back when I've barely even ever spoken to that guy. And yes! I like fictional characters! Don't even assume I like any of you fools cause You idiots bully me and ship me with total crackheads... And my standards are good enough for me to not include you guys in my list of *appropriate candidates* which consists of non-existent people.
Similarly, the moment I'm chatting with some guy, or like have a pic with someone on my mobile phone people just assume that fact that I'm crushing on him. Like no! I don't. We are friends... the others are celebrities, Why can't you understand that? I can't imagine how thick their skull must be considering they can't let a small statement like that sink in.
The crying thingy... I feel personally attacked. Nobody lets me do anything in peace, let alone crying. I literally use the washroom in my room and even my sister comes in there just banging on the door asking me to get the heck out of there and go somewhere else, like can't she use the other two washrooms or what? I like listening to sad stuff and reading angst cause somehow or the other it calms me down... it makes me feel at peace cause I know I'm not the only one who feels like crying. I've got a lot of friends, nobody remembers my birthday, I remember all of theirs'. They don't even text me, It's always me who takes the first step. All my friends just want me by their side cause I'm a smartass they want to show off as a trophy and cause I've got much better sarcasm than them. They just want to benefit from me. That's all. GOD, I'm not pretty at all. I look like a random idiot all the time. I look pathetic. And I lack talent... And you! I warned you, miss! You are pretty, beautiful, talented, smart, friendly, caring, kind and THE BEST!!!
I've never been given attention. Never ever. My sister has always stolen the spotlight. And I hate it. Not even my friends acknowledge me, my parents just ehhhhh. No matter how good I score, No matter how good I behave, No matter what. I'm just never good enough. My parents think of me as a rebellious kid. And I don't know what to do about that. All I've ever done is listen to them. My parents never allowed me to go out and play with my friends when I was a kid, they never let me go on overnight trips, and they barely let me spend time with the few friends I have. They never let me go to outings my school friends planned. Despite that, I never complained. I never had good friends because of that, yet I never complained. A lot of kids my age roam around in shopping malls by themselves, have sleepovers, spend money, roam around with tons of makeup on their faces, are in relationships, and even get into illegal shit. I've never done anything Like that. And yet... I'm never the good kid. I'm still the rebel.
I've got to take care of my sister almost every day. Get her to study, study myself, take care of myself while tolerating my grandmother. I really don't like my grandma, she s very fussy and just keeps yelling around the house the moment my dad and mom leave the house. I've got sensory overload because of her voice. And now I sit and have an anxiety attack almost every time she speaks. I've always got to strive for perfection as well. And I too can't sleep well at night just cause all the worries of the world, keep weighing me down.
Chaotic academia sounds good. It's the same aesthetic my sister got when I asked her to take the test! And oooh! Me too! I love those skirts and outfits they show on Pinterest. I'd love to have them someday.
My dream profession has to be that of a writer. Or perhaps even running a library. just something cozy. Ohh! I'd love to have brown hair, and I'd want to be tall just a little shorter than What I am right now. I just reached my father's height yesterday. And more or less, I'd like the rest to stay just as it is. and perhaps a lighter shade of skin tone. What about you though?
My question for you! If you were to be stranded on a beach island for a week. Who would you bring with you and how would you spend your time there. You can include whatever elements of nature you want to include like forests, lakes, and all.
Sending love, warmth, hugs, and whatever I have to spare that you would like to you!!!!
-Love from Lisette
P.S. That's an interesting family you've got, right there!
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Funny questions to ask list
1. Is cereal soup? Why or why not? 2. What is the sexiest and least sexy name? 3. What secret conspiracy would you like to start? 4. What’s invisible but you wish people could see? 5. What’s the weirdest smell you have ever smelled? 6. Is a hotdog a sandwich? Why or why not? 7. What’s the best Wi-Fi name you’ve seen? 8. What’s the most ridiculous fact you know? 9. What is something that everyone looks stupid doing? 10. What is the funniest joke you know by heart? 11. In 40 years, what will people be nostalgic for? 12. What are the unwritten rules of where you work? 13. How do you feel about putting pineapple on pizza? 14. What part of a kid’s movie completely scarred you? 15. What kind of secret society would you like to start? 16. If animals could talk, which would be the rudest? 17. Toilet paper, over or under? 18. What’s the best type of cheese? 19. Where is the strangest place you’ve urinated or defecated? 20. What’s the best inside joke you’ve been a part of? 21. In one sentence, how would you sum up the internet? 22. How many chickens would it take to kill an elephant? 23. What is the most embarrassing thing you have ever worn? 24. What’s the most imaginative insult you can come up with? 25. Which body part do you wish you could detach and why? 26. What used to be considered trashy but now is very classy? 27. What’s the weirdest thing a guest has done at your house? 28. What mythical creature would improve the world most if it existed? 29. What inanimate object do you wish you could eliminate from existence? 30. What is the weirdest thing you have seen in someone else’s home? 31. What would be the absolute worst name you could give your child? 32. What would be the worst thing for the government to make illegal? 33. What are some of the nicknames you have for customers or coworkers? 34. If peanut butter wasn’t called peanut butter, what would it be called? 35. What movie would be greatly improved if it was made into a musical? 36. What is the funniest corporate / business screw up you have heard of? 37. What would be the worst “buy one get one free” sale of all time? 38. If life were a video game, what would some of the cheat codes be? 39. What is the funniest name you have actually heard used in the real world? 40. What sport would be the funniest to add a mandatory amount of alcohol to? 41. What would be the coolest animal to scale up to the size of a horse? 42. What two totally normal things become really weird if you do them back to back? 43. What set of items could you buy that would make the cashier the most uncomfortable? 44. What would be the creepiest thing you could say while passing a stranger on the street? 45. What is something that you just recently realized that you are embarrassed you didn’t realize earlier? 46. What are some fun and interesting alternatives to war that countries could settle their differences with? 47. What would be the best-worst name for different types of businesses? (dry cleaners, amusement parks, etc.) 48. Who do you know that really reminds you of a character in a TV show or movie? 49. What would the world be like if it was filled with male and female copies of you? 50. What are some things that are okay to occasionally do but definitely not okay to do every day? 51. If you were arrested with no explanation, what would your friends and family assume you had done? 52. You’re a mad scientist, what scientific experiment would you run if money and ethics weren’t an issue? 53. What are some fun ways to answer everyday questions like “how’s it going” or “what do you do”? 54. If someone asked to be your apprentice and learn all that you know, what would you teach them? 55. If your five-year-old self suddenly found themselves inhabiting your current body, what would your five-year-old self do first?
56. First think of a product. Now, what would be the absolute worst brand name for one of those products?
57. What movie completely changes its plot when you change one letter in its title? What’s the new movie about?
58. If the all the States in the USA were represented by food, what food would each state be represented by?
59. What would some fairy tales be like if they took place in the present and included modern technology and culture?
60. What is something that is really popular now, but in 5 years everyone will look back on and be embarrassed by?
61. What ridiculous and untrue, yet slightly plausible, theories can you come up with for the cause of common ailments like headaches or cavities?
62. If you were transported 400 years into the past with no clothes or anything else, how would you prove that you were from the future?
63. If you were wrongfully put into an insane asylum, how would you convince them that you’re actually sane and not just pretending to be sane?
64. We’ll that’s all the funny questions to ask that we have. But there are a ton of other questions on the site that you might enjoy!
65. What fictional character is amazing in their book / show / movie, but would be insufferable if you had to deal with them in mundane everyday situations?
66. If you were held at gun point and told that if you didn’t impress them with your dance moves you would be killed, what dance moves would you bust out?
67. What would be the hat to end all hats? What could you wear on your head that would make people stop what they are doing and stare in awe and amazement?
68. If over time you replace parts on a car, at what point does it stop being the same car you bought? How many parts do you need to replace to make it a new car?
69. If you die and find out that everyone gets to choose a twelve-foot by twelve-foot square to stay in alone for eternity without being able to influence or contact the living world, what twelve-foot by twelve-foot square would you choose?
70. Where was the most in appropriate / most embarrassing place you’ve farted?
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cctinsleybaxter · 3 years
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2020 in books
2020 was a year of changed reading habits; people reading more than ever or not at all, some changing their tastes and others turning to old comforts. While there weren’t any huge overhauls on my end, more free time did mean a total of 32 in a wider range of genres. In the past couple of years I found a lot of the things I read to be kind of middling and ranked them accordingly, but this year had some strong contenders in the mix. With college officially behind me I love nonfiction again, and I really need to stop being drawn in by novels with long titles that ‘sound interesting.’ A piece of advice to my future self: they will only make you angry.
The Good
The Idiot by Fyodor Dostoevsky I loved the BBC radio play when I first listened to it back in 2017, but didn’t know if I could stomach the idea of actually reading the 700-page book, especially since I already knew the plot (spoiler alert: this had no effect and I gasped multiple times despite knowing what was going to happen; Fyodor’s just that good at atmosphere.) The story follows Prince Lev Myshkin, a goodhearted but troubled man entering 1860s Petersburg high society and meeting all of the wretched people therein as he navigates life, laughs, love, unanswerable questions of faith, and human suffering. I care about it in the same way I think other people care about reality TV shows and soap operas. I’m so personally invested in the drama and feel so many different emotions directed at these clowns that it’s like being a fan of Invitation to Love (with an ending equally upsetting to that of the show ITL is from, Twin Peaks.)
Salt: A World History by Mark Kurlanksy I adored this book. The first half reads a little like a Wikipedia article, and I was worried that it was leaning too clinical and would be disaffected with colonialism and indigenous peoples, but even that oversight is corrected for as the text goes on. It’s not going to be for everybody because it really is just the world’s longest encyclopedia entry on, well, salt, but it’s written with such excitement for the topic and is so well-researched and styled for commercial nonfiction that I think it deserves any and all praise it’s gotten. We have to talk about that time Cheshire was literally sinking into the ground, and companies who were over-pumping brine water to steal each other’s brine water said ‘no it’s okay it’s supposed to that’ so were legally dismissed as suspects.
Midnight Cowboy by James Leo Herlihy Cried. 10/10. The plot of Midnight Cowboy is very classic and actually has a lot in common with The Idiot, as 20-something Joe Buck moves from the American Southwest to NYC and meets myriad challenges as a sex worker. I’ve been obsessed with the movie for a few years now and the book made me appreciate it anew; I think it’s rare for an adaptation to take the risk of being so different from its source material while still capturing its spirit. The movie doesn’t include quieter moments like the full conversation with Towny or time spent in the X-flat, nor does it attempt to touch Joe’s internal monologue or his and Rico’s extensive backstories, but these things are essential to the book and are some of the best and most affecting writing I’ve ever read. Finally! The Great American Novel!
The Only Good Indians by Stephen Graham Jones I would firmly like to say that this is probably the best horror novel ever written. The setup is very traditional in that it’s about a group of friends facing supernatural comeuppance for a past mistake, but delivery on that premise is anything but familiar. A story about personal and cultural trauma that raises questions about what we owe to each other and what it means to be Blackfeet, with a cast that’s unbelievably real and sympathetic even at their absolute worst. Creepypasta writers trying to cash in on the cultural mythos of lumped-together tribes wish they were capable of writing something a tenth as gruesome and good as this. It could very well be a movie the visuals and writing style were so arresting, and I can’t wait to read whatever Jones writes next.
Found Footage Horror Films: Fear and the Appearance of Reality by Alexandra Heller-Nicholas This is the least accessible title on the list since it’s a college textbook for people with background in film, but it was so nice to read a woman unpacking film theory with the expertise and confidence it deserves that I have to rank it among the best. I had an absolute blast reading it and am going to have to stop myself from bringing up the horror of 1960s safety films as a cocktail icebreaker.
Blood in the Water: The Attica Prison Uprising of 1971 and Its Legacy by Heather Ann Thompson
The year’s toughest read by far, but also its most rewarding. Thompson uses mountains of documents, government-buried intel, and personal interviews to explain what happened at Attica from beginning to end, and does a fantastic job of balancing hard facts and ‘unbiased journalism’ with much-needed emotion and critical analysis. It’s more important reading in the 2020s than any kind of ‘why/how to not be racist’ book club book is going to be, and the historical context it provides is as interesting as it is invaluable. The second half drags a bit in going through lengthy trial processes with some assumed baseline knowledge of legalese (which I did not have. All that criminal minds in 2015… meaningless), but aside from that editing and prose are some of the best I’ve seen in nonfiction. 
The Bad
The Woman in the Window by A.J. Finn A friend and I decided to read this together because I’m obsessed with how insane the author is and wanted to know if he can actually write.
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He cannot.
The Beautiful Thing That Awaits Us All by Laird Barron Barron is an indie darling of the horror fiction scene, so I was excited to finally read one of his collections but can now attest that I hate him. If you’re going to do Lovecraft please deconstruct Lovecraft in an interesting way. I had actually written a lot about the issues I have with how he develops characters and plots, but one of the only shorthand notes I took was “he won’t stop saying ‘bole’ instead of tree trunk” and I feel like that’s the only review we need.
Bats of the Republic by Zach Dodson Look up a photo of this author because if I had bothered to glance at the jacket bio I honest-to-god wouldn’t have even tried reading this.
This Is How You Lose the Time War by Amal El-Mohtar and Max Gladstone I went in with high expectations since this is an epistolary novella I’d seen praised on tumblr and youtube but oh my god was there a reason I was seeing it praised on tumblr and youtube. This is bad Steven Universe fanfiction. Both authors included ‘listening to the Steven Universe soundtrack throughout’ in the acknowledgements, and to add insult to injury there’s a plug from my nemesis Madeline Miller.
The 7½ Deaths of Evelyn Hardcastle by Stuart Turton The premise of this one plays with so many tropes I like that I should have been more suspicious. It’s a dinner party with stock characters one would expect of Clue, and rather than our protagonist being the detective he’s a man with amnesia stuck in a 24-hour time loop. Body-hopping between guests, he must gather evidence using the skillsets of each ‘host’ until he either solves Evelyn Hardcastle’s murder or the limit of eight hosts runs out. I read a lot of not-very-good books, and it’s so, so much worse when they have potential to be fun. This is how you lose the most points, and how I abandon decorum and end up writing a list of grievances: • Our protagonist can only inhabit male hosts, which I think is a stupid writing decision not because I’m ‘woke’ but because wouldn’t it make sense for him to also be working with the maids, cooks, and women close to the murder victim? • Complaining about the limitations of hosts makes some sense (e.g- there’s a section where he thinks that it’s hard to be an old man because it’s difficult to get to the places he needs to be quickly), but one of his hosts is a rapist and one of his hosts is fat. Guess which one gets complained about more. • One of the later hosts is just straight-up a cop with cop knowledge that singlehandedly solves the case. We spend some time being like ‘wow I couldn’t have done it without the info all eight hosts helped gather’ but it was 100% the detective and he solves the murder using information he got off-screen. • The mystery itself is actually well-paced and I didn’t have a lot of issues with it (e.g, there’s a twist that I guessed only shortly before the end), which makes it all the worse that the metanarrative of this book is INSANE. No spoilers but the reveal as to why our unnamed protagonist is even in this situation is stupid. I just know they’re going to make it into a movie and I’m preemptively going to aaaaaaaaa!!!
Trust Exercise by Susan Choi The fact that this was the worst book I read all year, worse even than the bad Steven Universe fanfiction, and it won multiple awards makes my blood boil. I could rant about it for hours but just know that it’s a former theater kid’s take on perception and memory, and deals with sexual abuse in a way that’s handled both very badly and with a level of fake deepness that’s laughable. Select fake-deep quotes I copied down because at one point I said ‘oh barf’ aloud: -I’m filled with melancholy that’s almost compassion. It’s sad the same way. -[On a friendship ending] We almost never know what we know until after we know it. -Because we’re none of us alone in this world. We injure each other.
There are also bad sex scenes that I can’t quite make fun of because I think (HOPE?) they’re supposed to be a melodramatic take on how teenagers view sex, but I very much wanted to die. Flowers were alluded to. Nipples were compared to diamonds.
Honorable/Dishonorable Mentions (categorized as the same thing because, well,)
The Life and Death of Sophie Stark by Anna North This book was frustrating because the first third of it is fantastic. It’s set up to be a takedown of the manic pixie dream girl trope, jumping from person to person discussing their relationship with the titular Sophie, and indirectly revealing that she was just some girl and not the difficult and mysterious genius they all believed her to be. Then in the third act, BAM! She was that difficult and mysterious genius and she’s now indirectly brought all the people from her past together. I wanted to scream the plot beefed it so bad, but the good news is I really liked this octopus description.
It was the size of a three-year-old child, and it seemed awful to me that something could be so far from human and obviously want something as badly as it wanted to get out of the tank.
Radium Girls: The Dark Story of America’s Shining Women by Kate Moore Cool new nightmare speedrun strat is to hear a 2-second anecdote from a documentary that people used to get radium poisoning from painting watch faces, be curious enough that you buy a book to learn more, and be met with medical and legal horror beyond anything you could have imagined. This was almost one of my favorite books of the year! Almost.
Radium Girls is very lovingly crafted and incredibly well-researched; one of those things that’s hard to get through but that you want to read sections of again as soon as you’ve finished. The umbrage I take with it is that it’s very Catholic. The author and many of her subjects are Irish and their religion is important to them, but it casts a martyr-y narrative over the whole thing that I found uncomfortable. Seventeen-year-old girls taking a factory job they didn’t know was dangerous are framed as brave, working-class heroes, but there’s not a set moral lesson to be gained from this story. Sarah Maillefer didn’t make “a sacrifice” when she agreed to the first radium tests, she agreed because she was terrified. She didn’t think she was helping she was begging for help.
The Mushroom at the End of the World: On the Possibility of Life in Capitalist Ruins by Anna Tsing Tsing is an incredibly skilled researcher and ethnographer; there are so many good ideas in this book that I’d almost consider it essential leftist text… if I could stand the way it was structured. Tsing posits that because nature is built on precariousness she will build her book the same way, allowing it to grow like a mushroom, and thus chapters don’t progress linearly and are written more like freeform poetry than a series of academic arguments. Some people are really going to love that, but I’m me and a mushroom is a mushroom and a book is a book. I don’t think in the way Tsing does, and while I tried to keep an open mind it’s hard to play along when something is this academically dense and makes so many ambitious claims. As if to prove how different our structuring methods are, I’ve made my own thoughts into a pros and cons list
Things I liked: • ‘Contamination’ as something inherent to diversity • ‘Scalability’ as a flawed way of thinking (Tsing has written whole essays about this that I find very compelling, but a main example here is that China and the US have come down on Japanese matsutake research for being too ‘site specific’ and not yielding enough empirical data) • Discussing how Americans were so invested in self-regulating systems in the 1950s we thought they could be applied to literally everything, including ecosystems • “The survivors of war remind us of the bodies they climbed over- or shot- to get to us. We don’t know whether to love or hate the survivors. Simple moral judgements don’t come to hand.” • Any and all fieldwork Tsing shares is amazing; I especially liked reading about the culture of mushroom pickers living in the Cascades and their contained market system
Things I didn’t like: • Statements that sound deep but aren’t, e.g- “help is always in the service of another.” (Yep. That’s what that means. Unless an organism is doing something to help itself which then nullifies your whole opening argument.) • A very debatable definition of utilitarianism • “Capitalism vs pre-capitalism,” which seems like an insanely black-and-white stance for a book all about finding hidden middle ground • A chapter I found really interesting about how intertwined Japanese and American economies are, but it tries to cover the entire history of US-Japan relations. Seriously, starting with Governor Perry and continuing through present day, this could have been a whole different book and it’s a good example of what I mean when I say arguments feel too scattered (the conclusion it reaches is that in the 80s the yen was finally able to hold its own against the dollar. Just explain that part.) • A chapter arguing that ‘true biological mutualism’ is rarely a focus of STEM and is a new sociological development/way of thinking which is just… flat-out not true
For all the comparisons art gets to ‘being on a drug trip’ this anthropology textbook has come the closest for me. Moments of profound human wisdom, intercut with things I had trouble understanding because I wasn’t on the same wavelength, intercut with even more things that felt false or irrelevant. I can’t put it on the nice list but I am glad I read it.
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neapolitanadonna · 4 years
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Omg can we have the high school headcanons with the Nordics please!!! I loved your original post!!!1
Of course!!! 
Also, sorry for the general inactivity this week. I’ve been super busy with graduation things, college things, work, and everything else in between. I’ve also been having a total existential crisis cause I’m gonna be an adult and leaving to go to college soon like WHAT
Writing this gave me a crush on all of them though I wish I went to this school :/ also I use a lot of American terminologies for things which is MY BAD and I’m not trying to erase their cultures! Let’s all just assume a world wide made up fictional academy would have traditions and terminologies from all over the world, in this case varsity sports and prom-
Anyway! Here’s the original post!  
Mathias Kohler 
Everyone knows Mathias. Everyone loves Mathias. Mathias is the varsity volleyball captain, but doesn’t use his status as a way to look higher than everyone else. He’s the kid who dances with everyone at prom, high fives kids in the hall, stands up for kids who are being bullied, makes eye contact with teachers to let them know somebody’s paying attention, says thank you to the lunch ladies, makes sure everyone feels included, and sometimes refers to teachers by their first name just for the laughs. If you haven’t had a crush on Mathias Kohler at some point in your high school career, you would be lying. He isn’t particularly all that bright, he relies on Lukas and Berwald to get his grades up A LOT (and may or may not cheat on an algebra test here or there) but his character gets him far in school. He’s a complete goofball, but in a sweet and harmless way. However, teachers are warned ahead of time if him, Gilbert, and Alfred are put in the same class. 
Lukas Bondevik
Lukas is the guy who everyone knows for one thing, but other than that, he stays on the down low. He’s the kid in your AP Chemistry class who is silent the entire year, but on the last day of school, he says something in response to Mathias being stupid, and the whole class goes wild because a) he talked, and b) he’s funny. He’s also known for being the schools witchy kid, which gains him some popularity with tiktok cottagecore lesbians, kids who watched American Horror story one too many times, and teenage girls who follow their horoscopes way too closely. In between classes or in study halls, he’ll do tarot readings for other students, which freaks out the teachers sometimes, but its all in good fun. He’s had several instances where a jock has outwardly criticized him for it, then asked him for a reading, and he would purposefully pull ten of swords or five of pentacles, just to freak them out. He’s terrible, he knows.
Emil Steilsson
For his first two years of high school, Emil is known for being Lukas’ brother, and it pisses him off. Teachers will accidentally call him “Lukas” instead of Emil, and teachers will tell him stories of how great of a student Lukas was, and how intelligent and motivated he was in school. It drives Emil half near insane. Emil is the kid you’ll find sitting in the corner of a band practice room (he’s first trumpet in his schools band, and it’s his biggest flex.) He’s snarky, funny, and a little bit disliked by teachers just because he will never kiss anyone's ass as long as he’s alive. He runs a big Instagram meme page that only a couple people know about, he doesn’t live for the clout. You can win his heart by buying him an iced coffee before first period, and hitting on him instead of his very popular hype beast best friend Leon (he gets flustered by compliments but seriously loves them.) 
Berwald Oxenstierna
Unproblematic king. Everybody likes Berwald because he’s proven himself to be unproblematic, and a total sweetheart. He’s the kid who takes all the technology/home improvement/workshop electives, so most of his day is spent in that particular section of the school. However, since he’s fast to finish projects, if you ask him if he’ll make you something, he always will. He’s known for 3D printing or carving small figurines of Hello Kitty, dogs, frogs, hearts, or other cute things for girls who ask him to. Him making little things for people when they ask has become a school wide wholesome meme. Though he doesn’t really talk all that much, he’s the best seatmate to have in class. He’ll share his answers if you’re confused, and is a really good listener when you talk to him. 
(I know he’s supposed to be scary in the show okay shut up he isn’t scary he’s a big softie and gen z understands that.) 
Tino Väinämöinen 
Tino has played high school like a video game. He is a school renowned teachers pet and a straight A student, and he does it with no shame. He’s never a jerk about it, oh no, he could never, he’s just very, very, very sweet to everyone he’s ever met. He does theater and can be very passionate about it, but hates theater kids more than anyone else. He’s the kid who will gain a cult of underclassmen who were shunned by other upperclassmen, and spill all the tea to them. All around though, he’s a very wholesome person. Everyone in the cast knows that he has a not so subliminal crush on Berwald the set designer, and they aren’t so hush hush about it. Berwald made him a small Moomintroll figure once and Tino half near went into cardiac arrest backstage. His friends will never let him live it down. 
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todomitoukei · 3 years
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Sorry but in all honesty your answer really makes me feel angered. Cause not only you belittled me , when I was pointing out how Deku’s wishful thinking is ridiculous and that by teen I meant that he has room to grow up and being better and finally open his eyes instead of being bubbled in his dichotomic thinking.
No, you were just assuming I was accusing you, instead of reading that I was saying how childish the whole situation was. You think a teenager can handle a person who underwent abuses for years and most likely has a complex ptsd ? Good luck, even a pro in the field would have issues in picking the right word. Because they would know people like Dabi are so hurt that they could easily flip the table in full anger.
Deku is a teen, he’s scared and he go back in what he knows best. Am i saying Deku is right ? No. I started off with “I didn’t like what Deku said...” meaning I don’t stan for his behaviour.
Heroes vs villains is an ingroup vs outgroup battle pushed to total polaritation because heroes need this to keep on being heroes. And to never think “oh what that people endured, am I doing the right thing?” Constantly. Is this right ? No. It happens? Yes. Otherwise people would go insane. When Ingroup and outgroup happens people will always care more about their own ingroup. This is science. And it happens in everyday life. And it happens with you right here right now: you assumed I held a different position and just blindly attacked me when instead I share the same view on Dabi as yours (that’s why I started to follow you and reading your posts) but I was just providing another perspective on Deku. And about Dabi is right in his statement.
Because in real life many people doesn’t care if one was abused when they were young. People doesn’t care if they grew up in poor neighbourhood with 0 possibilities. Or if they had a severe mental illness never cured and resort to drugs to keep on living. Even with all of this, if said X person kills innocent (much like Dabi said he has done) is life long prison sentence or capital sentence. That’s how our world works, so why should Bnha’s work differently ? Deku is the product of society. He can gain critical thinking. But it’s not taken for granted that he has it. Because after all this is the society they were born into. Cool quirk= hero. No quirk / bad quirk = villain.
Deku just thought until now that encouraging and words could heal. They worked with Shinsou. They worked with Shoto. Why should he think he would fail? This is the reality he lived until now. And now FINALLY someone kicked him back into his place. But no. “Think-like” people ? Really? How dumb. How shortsighted. Basically you are answering like Deku did : protecting your ingroup without accepting or confronting with others perspective. It’s such a shame. I loved your post. Didn’t see that coming.
And about victims... if think you much like anyone else miss a point. Victim NEEDS validation. They are allowed to show their emotion. They are allowed to hold grudge. It they shouldn’t. And not because we are all saints. But because this hurts the victim. Forgiveness is correlated to wellbeing. When we forgive someone it’s us who benefits. That’s why many incredibly forgive even brutal murders of their beloved. What Dabi’s is doing it’s not right morally but more importantly isn’t good for his health. Saying “Dabi is right” implies that his behaviour is valid. It’s not . His pain is but in the end what did it cost to him ? He’s consumed by hate. He killed many people he considered innocents (aka he knows he did wrong and this is guilt).
His mental health is basically not there. He’s not happy at all. Yes he was abused, but neither the society and neither himself has done nothing to heal. To recover. Once dead he could have just put anything behind. Or just show up to his siblings. Leaving all of his hate behind because it’s toxic to him. He just go f you to his father and make his own life. But he can’t. He’s consumed by hate. And despite its not his fault, the fault he has it to never have tried to feel better , relying on someone (even inside the league why not) or just let all of it go. He could have just wait and totally ruin his father’s fame instead of all of this. But he just can’t. You think it’s good for a victim? Always living in the negative emotional state of their abusive even if they made it away?That’s not a good message at all. And no, in real life most likely abused victims are pushed to love on while recovering. Because all of this will make them suffer. Not their abusers. Imagine going on 10 years like this and now again say Dabi is a good example of victim validation. Or rather , say this to a pedo who was abused several times. Say this to a rapist who saw his mother raped day by day and interiorised this as a valid sexual approach. Tell this to the bully who grew up seeing a violent parent and gained that beating is a much more efficient way to make his voice to be heard.
Grow up in an household in which being an hero and make your father proud is everything and suddenly this is stripped away. A father who taught you must be great and always be on the top to even exists. A father who has incredibly high standard level i everything. And thus you translated to “well if I’m about to make him pay I’ll destroy the whole world who considered me dead. I’ll kill innocent, I’ll burn them alive, and lastly I’ll kill my family too”. And now tell me if you were to face this person who has no intention to stop and you’d say “yes, your pain is valid. You’re reasonable”. Would you see the person? Of the monster he became? Would you forgive him ? Or would you say what Deku said ? That Dabi is basically a villain? That’s he’s spitting on a man who’s trying to redeem ? Would you try to redeem Dabi and save him from his pain? Because no one did. And Deku is no different. No different by the people in his society. And no different by the people of OUR society.
If you’re are the person who could see the human beyond the action in the fore mentioned examples , hats of for you. But realistically what I said will happen. We are all Deku, who are willing to ignore others drama and to label villains as monsters to have no guilty at night. Because otherwise we would be the monsters.
I’m so disappointed. I really thought highly reading your posts and translations. I believed you could do better instead of rumbling and being annoyed.
I’m sorry you felt like I was belittling or attacking you - that wasn’t my intention.
You send me an ask with points that I disagree with, points that I’ve seen so much by now. You are allowed to have your opinions, but I am also allowed to voice mine and I simply am not interested in reading the same arguments used to justify D*ku’s behavior anymore. 
Yes, I understand that he would side with Shouto - that that is the natural thing for people to do - but that doesn’t mean that we are not allowed to judge the way he handles things after so much time has passed and after he has been given so many opportunities to start thinking critically.
Please understand that my blog mainly focuses on the Todoroki family and the League. I’m not a fan of D*ku and with that, avoid talking about his character where possible because I don’t see a point in spreading negativity for no reason. On the rare occasion that I do, my notifications get filled with people trying to change my mind, which can get pretty tiring because people are allowed to have their opinions and we don’t always have to discuss and argue about every single opinion.
I agree that it’s not healthy for Dabi - or any victim - to stay in a negative mind space. It’s important to get help and learn to move on from the past; but that doesn’t mean that victims like Dabi don’t exist and that we shouldn’t talk about them. I know it’s a lot more difficult to have compassion for people like that - especially in real life - but I think fictional stories are partially there to challenge our views. I’m not saying Dabi is right in hurting people, but I can also recognize the mental downfall that it took for him to arrive at a point where he thinks this is justifiable. I disagree that we are all like D*ku in this and there are, in fact, real-life situations where someone commits crimes and people have compassion because they are given the backstory that explains how the person in question ended up doing what they did.
It’s great that you have a different opinion about this and I encourage you to continue having your views, but if you take issue with me disagreeing with the points you sent my way, then feel free to unfollow. I want this blog to remain as positive as possible instead of becoming a place where I argue with people over my opinions. So please don’t feel like you need to continue to follow me if this blog doesn’t provide that positivity for you.
Again, I’m sorry if any of my replies came off as condescending to you - that was definitely not my intention. Your opinions are valid. But please also understand that when someone interacts with my posts or sends me an ask that I am entitled to disagree and give my viewpoint.
That being said, thank you for reading and enjoying my posts thus far.
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alex im thinking of listening to some of the podcasts that u like so i can relate to you again, what do u recommend
okay babe so i’m probably the worst person to ask for podcast recs because (despite being a podcast blog) i have listened to like three podcasts in my life and two of them are horror but here goes i guess (under the cut because it got long)
The Magnus Archives: this one’s obviously the first. Horror + tragedy but really its just a workplace comedy but not really. The Magnus Archives follows Jonathan Sims, The Head Archivist as he tries to get the archives in order while not knowing anything about archiving while trying to figure out what happened to the previous archivist while also trying to stop the apocalypse(s). Currently running (Season 5). Episodes every Thursday. Check the triggers for each episode before you listen. Very Gay. Critically Acclaimed. 10/10
The writing is insanely good. A Lot of lore to keep up with. current favourite podcast. I am emotionally attached to so many characters. Definitely listen to this if you can stomach horror and weird sfx (including but not limited to: worm noises, Man Attempts To Chop His Finger Off And Fails Repeatedly ASMR, and [extended sounds of brutal pipe murder] but NO kissing noises). Took me 16 days to complete but then again i didn’t have anything better to do.
Welcome To Night Vale: this one was my gateway podcast. episode one changed my life. kind of existential/cosmic horror but also a comedy. Told in the form of community radio broadcasts, it follows the daily happenings in the town of Night Vale, a high-key fucked up place, narrated by the omniscient radio host Cecil Palmer. Currently running. Bi-monthly (episodes every 1st and 15th). VERY Gay. 9/10
The writing is pretty deep. Fun to listen to at the end of a day to unwind. Not really horror horror, but wtnv has a special place in my heart.  I honestly could not tell you the timeline if held at knife-point. The weather is always great. Would unhesitatingly die for Khoshekh, Cecil and Carlos. Has several novels (+ a tv show in progress).
Limetown: okay so this was one of my first podcasts. Audio Drama with True Crime vibes (it’s entirely fictional btw). Limetown is a fictional story told as a series of investigative reports by Lia Haddock , a journalist for American Public Radio, detailing the disappearance of over 300 people at a neuroscience research facility in Tennessee. Completed. Two seasons. Apparently it was adapted into a tv show. Not Gay. The writing is good. 7/10
Fun to listen to but it can get a bit loud (as in both loud jump-scares and loud volume). Finished it in one day back in 2018. It was pretty interesting but I don’t recall much. learnt some pretty interesting things from it though :) The music in this was excellent, and i remember thinking the writing was good too.
The Penumbra Podcast: my most recent listen. i LOVED it. made a sideblog for it and everything. Audio Drama. It has two separate storylines: The Juno Steel series (noir detective +sci-fi), in which Juno, a brooding private eye on Mars tangles with an elusive homme fatale etc etc. The second storyline is The Second Citadel (fantasy), in which Sir Caroline must corral a team of emotionally distraught all-male knights to defend their citadel against monsters. It’s a lot more fun than I made it sound just now. Trust me. Currently running (Season 3). Episodes usually every other Tuesday. Super. Fucking. Gay. 10/10
I am emotionally attached to this podcast. It’s my comfort podcast. Joshua Ilon has a great voice, by the way. The writing is incredible. I would say something about how it talks about humanity etc but i can’t because i’ll cry. I kin Juno but that’s irrelevant. I am living for the found family + organised “crime” (is it really crime if it’s against capitalism?) trope in junoverse season 3.
The Black Tapes: one of my first podcasts! Paranormal Horror + Investigative Journalism. Alex Reagan, journalist at Pacific North-West Stories, investigates sceptic Richard Strand’s collection of Black Tapes- records of paranormal encounters he couldn’t disprove. Everything Is Connected TM. someone once said the magnus archives was the black tapes but better and yeah. Completed (? they re-released a bunch of episodes and i think they’re planning on releasing another season). Three Seasons. Not gay. 5/10
i listened to this in 2018 and i thought it was good at the time but it’s kind of. not bad. i guess? the writing was meh but its good background noise. Takes like 15% of your concentration to keep up with what’s going on. It’s fun in that Conspiracy Theories And Chill kind of way. The ending of season 3 was disappointing. Richard Strand kind of vaguely reminds me of mr darcy in that what-part-of-me-insulting-you-to-your-face-did-you-not-understand?-i’m-in-love-with-you way. but i’m playing it up too much. very underwhelming.
Lore: Non-Fiction. 30 minute episodes about dark historical tales, touching on both the macabre and the paranormal. lot of folktales and stuff but also a lot of real historical tales (but only the Fucked Up ones). You can listen to the episodes in any order. Bi-weekly. Currently Running. apparently it has a tv show and book series too. 7/10 but only because it’s excellent background noise + story inspiration.
great for listening while doing other work like math homework, which is what i do. it’s interesting enough and requires like 8% of your concentration to keep up. Aaron Mahnke has a relaxing voice. Would recommend if you spend a lot of time driving or something like that.
Alice Isn’t Dead: made by the same people as wtnv. Mystery + Supernatural Horror + Drama. A series of audio diaries by a truck driver searches across America for the wife she had long assumed was dead. In the course of her search, she will encounter not!human serial killers, towns lost in time and a conspiracy that goes way beyond one missing woman. Completed. Three seasons. has a novel that i did not read. 7.5/10 from what i remember
i never finished this one actually. it’s been on my list since forever but i kind of stopped after season one. all i remember was that it was good. planning on finishing this soon.
anyway that got long so if you’re still reading this <3 
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ouranor · 4 years
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I saw your latest hanyo no yashahime post because I followed the tag and I have to say as a victim of grooming myself, I would rather be aggressive towards the adult Sessrin shippers,I do think some of them have pedophillic tendency’s, I know you hate that word being thrown around but how else would you describe people enjoying seeing sexualized fanart/actual porn of child Rin and sesshomaru. And a ship is just a ship yes but when large amounts of people try to normalize grooming I draw the line
Dear Nonny
First of all: I’m so sorry that you had to go through such a horrible experience and thank you for sharing this so openly. I’ll do my best to explain my point of view about the current chaos and how to navigate it as best as I can. In order for me not to repeat myself too often, I‘ll assume that people reading this will also have read my previous post that prompted Nonny to message me.
About the ship itself:
As far as the ending of the manga goes, Rin and Sesshoumaru are blank slates, leaving lots of room for interpretation. What is true for both characters is that neither of them have any romance set up, because neither Rin nor Sesshoumaru are anywhere near ready for any kind of romantic relationship (no matter with who) at that point in time. Rin because she’s a child and Sesshoumaru because he’s an emotionally stunted and immature mess of a man (which is why I find the sequel‘s premise incredibly unbelievable. There‘s no way Sesshoumaru was ready to have half-demon children and this is a flat-out character assassination for Sesshoumaru but I DIGRESS). In the manga, not a single trace of romance can be found, and thus not a single trace of grooming. Giving a growing child a new kimono is not grooming, it‘s common sense.
Now, most people that oppose SessRin do immediately jump to pedophilia and grooming for multiple reasons and, while I don’t ship SessRin, reducing the ship to assumptions like these is not an okay thing to do. I firmly stand by this statement and I’ll do my best to explain why.
Now, because this will be important to understand the thoughts I‘m conveying, please remember these key points:
1) Explaining does NOT equal excusing. I will never make excuses for people that romanticize children in romantic relationships. All I‘m doing is do my best to cut through the very emotionally charged and hardened fronts in this ship-war.
2) We NEED to separate the ship from its shippers. SessRin is an extremely difficult ship to write that needs to be treated with much more care and awareness than most other hetero-ships, but because people abuse Rin as their Mary-Sue and don‘t give the characters actual care and love, you end up with terrible fanfiction that depicts SessRin as „a given / destined / Rin‘s the closest vagina in the near vicinity“. And yet: Sesshoumaru grooming Rin is not the ONLY possible continuation of this ship. I‘ll get back to this in a bit.
3) Grooming is a choice, pedophilia is a mental disorder. While the two overlap at times, they are NOT the same. I’ll broach this issue near the end of this post.
Now, to get the worst out of the way, I’ll agree to this: The interpretation coming from the loudest and most aggressive shippers (Celestia on Twitter is an excellent example) is highly problematic and, as mentioned, shows a lack of comprehension regarding subtility and a lack of emotional intelligence. They‘re very black and white and they romanticize the characters as they were left in the manga, saying (among other things) how Rin is Sesshoumaru’s soulmate and understands him like no other, in spite of being a child, and THAT raises all kinds of alarm bells. Because this is exactly the rhetoric used by predators towards impressionable children. People claiming that this isn’t the case are being willfully ignorant and I usually don’t tolerate such people and use the block button generously.
But this is the WORST manifestation of this ship. Notice how I say the worst, not the ONLY.
Unfortunately, this worst interpretation usually comes from the laziest and most aggressive shippers that simply lack the creativity to imagine anything else. I’ve read many a SessRin fanfiction that built this relationship up in a believable way, taking its time and addressing the potential pitfalls, unfortunately this type of dedication or writing talent is not easily found in a fandom as vast and trope-y as Inuyasha. But I‘ve also read a ton of fanfiction where SessRin is a „logical conclusion“ because the author is actually writing an InuKag fic and has no idea what else to do with Sesshoumaru and Rin, hence: Another pairing to make babies with, yaaaay. SessRin happens by proxy, which is a huge NO-NO. This echoes one of my mantras: In order for Sesshoumaru to even get into a romantic relationship (NO MATTER WITH WHO), there is an entire story and development that needs to be told first. The same goes for Rin because again, by the end of the manga, she‘s not much of a character at all. “Why do you even read SessRin if you don’t ship it??” I hear you ask (not you, Nonny, I mean this and the following in a general sense). Because I keep saying that every ship has its merit and I’m interested in the stories that can be told. I keep saying that all ships are legitimate and I don’t want to miss out on any potentially amazing stories, especially because those were seriously hard to come by back in the day (anyone remember the 2000’s? Anyone?). I’ve read fanfiction from literally every Inuyasha ship under the sun. So if I see the tell-tales of a bad SessRin fic, I leave the author and their world behind and move on to something else. I’ll use this short interlude to say this: It has become such a horrible trend in fandom to put the sole responsibility of one’s fanfiction-experience on the author instead of taking responsibility for the content one might consume. There’s an incredible lack of self-sufficiency, a lack of ability to just move away when people read something they don’t want to read without taking personal offense. Now, I’m not saying that you have to be like me, but at least take responsibility for your own experience. ANYWAY, back to the topic at hand.
So again: In order for Rin or Sesshoumaru to get together romantically at any point in the future, a LOT needs to happen first. A lot of development, a lot of questioning, a LOT of build-up, because this relationship needs a heck of a lot more explanation than most other hetero-ships out there, but most fanfic writers and shippers are too lazy to set this up properly, leading to problematic romanticization, sugarcoating and hand-waving away of serious subjects that need to be addressed. Most of these types of SessRin shippers I see are found on Twitter and Tumblr (many are Spanish, too, wth is up with that), as mentioned, and they are are extremely questionable, seeing no issue at all with this ship, and here’s my opinion on why that is: Given from what I’ve seen, these types of shippers equal Rin with themselves. If you read how they justify this ship, it has nothing to do with her being a child, and everything to do with the blank slate that she is (like Bella Swan in Twilight). Rin has endless potential and it’s much easier to project ones own fantasy on a character that has yet to BECOME an actual character you can write a love story WITH. Of course, shippers don‘t realize this, because projection is usually done on an unconscious level. But to someone who’s been observing in this fandom and lurking for years, this seems incredibly obvious. Neither Rin nor Sesshoumaru have any agency, because they’re fictional, and that’s why SessRin is such a ticking bomb, always has been. They can be turned into whatever you want.
Now, that’s of course what fandom is for: Fulfillment of fantasies and works depicting any dynamic from fluffy to dark. But here’s the second main problem: Because SessRin is usually depicted as your typical, trope-riddled “male is alpha, woman is beta at best” romance, it falls right into heteronormative standards. Heterosexual relationships are TEEMING with extremely lazy writing (and normalized abuse, but that’s a subject for another time) and for some reason, I’ve observed how hetero ships have this insane entitlement to “purity”. What I mean by that is that hetero-ships are much more likely to attract fans that need their ship to be canon, otherwise they can’t function. This is EXACTLY what happens with SessRin. If you just had SessRin shippers doing their thing, I don’t think we’d be in this situation. But because of the sequel and its excellent marketing strategy, SessRin shippers are full of hope and, worst of all, grasping at straws and lording their ship’s superiority over everyone else with renewed fervor. If Takahashi/Sunrise weren’t such absolute cunts (pardon the language), we’d not be in this situation. Because SessRin is now a “possibility” in the sequel, people suddenly see the fulfillment of their own personal fantasies within reach. Let me repeat: This is about the fulfillment of their OWN PERSONAL fantasy and has nothing to do with Rin. She just happens to be the female character that’s closest to Sesshoumaru. The fact that she’s a child does not factor in this particular scenario, even though it SHOULD.
So again: The ship is fine on its own, because it’s literally a blank slate that you can go in ANY direction with. It’s the people that desperately grasp for canon and have decided that SessRin is a foregone conclusion WITHOUT any build-up or explanation that are the true problem. They look to the sequel and their own interpretations to justify their lazy and problematic interpretation of the ship. They make the ship into the potential grooming/pedophilia shitstorm that many “antis” are caught up in, but that’s not the ships fault.
Speaking of which, let’s talk about the grooming and possible pedophilia.
I’d ask people, after reading all of the above, to remember this: If there is any grooming at all, it has yet to happen, because NOTHING has happened between Sesshoumaru and Rin after the manga. Hell, they didn‘t even speak to each other in the charity chapter. They are still the same blank slates now that they were back then. Whether or not grooming happens is in the hands of any creator that decides to take their dynamic further.
As for pedophilic tendencies: I will not deny that there are traces of that in SessRin shipping (some prominent people also ship Zabuza/Haku from Naruto which is telling), but I swear to you that 99% of SessRin fanfictions I’ve read do NOT depict Sesshoumaru with a child Rin (except for 1-2 dark fics that portrayed the dangers of a relationship with such a power imbalance, which are extremely important works as well imo). Same goes for the art. This again because Rin is not treated as a proper character, but as a vessel for wish fulfillment.
I have said many negative things about the shippers that are triggering the entire fandom at the moment, but people that oppose this ship need to be honest with themselves and acknowledge that them jumping to the conclusion of “SessRin ALWAYS equals grooming and pedophilia” also lack creativity and the ability to differentiate between different paths and outcomes. Accusing others of pedophilia is inappropriate and uncalled for, not matter how upset you are. I too have had to learn and accept that pedophilia is a mental disorder and needs a proper diagnosis and treatment. What happens because of a mental disorder should never be excused, no matter if it’s depression, bi-polar disorder or pedophilia, but what we can hopefully all agree on is that mental disorders are not something you choose.
So the only thing I can say to you, Nonny, is this: If you see something that looks like pedophilia or grooming to you, absolutely do report it. As someone once told me: The block button is a form of self-care. Use it! I have done the same over the last couple of days and it’s cathartic. If something triggers you, avoid it and find someone/somewhere to vent to if necessary. Your feelings are extremely valid, your aggression towards others (if you have shown any, that is) is not. Your experiences were horrific without any shadow of the doubt, but the way this possibly influences how you react to and treat others is absolutely something that is YOUR responsibility.
What I would, again, ask all of the people aggressively opposing SessRin is that you reconsider your stance on pedophilia. Its potential consequences are inexcusable, but accusing other people of being pedophiles because you’re jumping to conclusions is in extremely bad taste and leaves you not only on the same intellectual level as the shipper you’re accusing, but possibly even lower than that because you’re cherry-picking which potential mental disorder you’re discriminating against. It’s a free world, of course, but I’m sure we’re all trying very hard not to be hypocrites.
I wanted to TL;DR this entire post, but there’s honestly no way to do that without skipping over important parts. So thank you if you’ve made it to the end of this massive ramble. I understand that this is a very delicate subject and I am open to any and all people that would like to discuss this further. Special thanks go to Nonny for giving me the opportunity to talk about this more. I hope I answered your question, even if it might not have been what you wished to hear. Have a wonderful day and please take good care of yourself!
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longinglook · 4 years
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I’m going to be gone for most of the day so I thought that the best way to use up my last 10 minutes before leaving would be to write a multi paragraph post on what I think about Fighter’s behavior so here we go
(under a read more because this could get very very long)
so. fighter. our confused messy boy we are just starting to understand
i’ve read a lot of tweets/posts/comments of people that don’t understand his behavior or think that his storyline doesn’t make sense which has always left me a bit perplexed because to me everything he does seems justified and coherent to where his mind is at the moment so i’ll try to explain
but first, something about me kfmslkcls 
i identify as lesbian but i have struggled with compulsive heterosexuality all my life, i’ve spent years identifying as bi because the scary part for me was not admitting that i liked girls but admitting that i did not like boys past the occasional crushes on fictional boys and let me tell you: a lot of what fighter does/the way he thinks reminds me so much of how i was and here’s a list of things:
1) he seems a lot more at ease with same sex friends, the only times we see him with hwa you can tell that he’s forcing himself to act a certain way, he knows he’s supposed to do boyfriend things like taking her on dates and kissing but he is not comfortable with it, he tries and fails at it. of course part of the reason is because of his father but not only does he seem uniterested in her, there’s always a sense of uneasiness when he’s with her, like he’s scared of actually having to kiss her. he’s fine with the relationship as long as it’s just texting and hanging out (like a friendship would be) but he seems not to want it to become phisical. since he’s a very confused boy he’s probably blaming all of this on his father forcing him into the relationship, instead of knowing right away that he’s not interested in her
2) thinking whatever he has with tutor is just friendship and teasing: i feel like this is such a common experience for most lgbt+ folks, thinking you just have a deep friendship with someone of the same sex, only to later realize it was actually a crush and you had no idea. ex. liking the casual cuddling and touches and looking for more, paying close attention to all the displays of affection, wanting to always be close and being a little jealous of everyone else that they interact with. I feel like a lot of people go through this thinking it’s just a friendship, especially if it’s with someone of the same sex because they are not even considering the option of it being a crush. that’s why fighter keeps saying that they’re only friends and he’s behaving like a close friend would, he just doesn’t let himself consider the option because it would be way too scary and that leads us to point #3
3) being too scared to say what he wants: he does this A LOT. instead of asking for something, which would mean saying it out loud and admitting it, he just acts. words can be so scary (again making this about me, i have id’d as lesbian for over 2 years now and ive come out to a lot of friends but ive never said the word lesbian out loud because it’s just terrifying to me), and fighter seems to only use them after he has acted to justify whatever dumb shit he has done with an excuse. saying something like “i kissed you because i wanted to” would mean admitting he wants to kiss another man (meaning he’s not straight) and that man is fighter (meaning he has feelings for him). it’s much easier for him to go with the flow  and do first, explain later. and by explaining i mean lying, even to himself because deep down he knows, of couse he knows what’s going on but acknowledging it would have serious implications on his life.
also the way he reacts to tutor asking him if he likes boys is a big indicator of what's going on with him, it's his way of answering, not his way of avoiding the question. he can't say it out loud so he shows it but then he's scared of the consequences and no homos it. and the choice of replaying the question scene while they're making out shows us that fight is tormented by it, he's scared of other people asking him that as well, now that tutor has noticed it more people could as well and that's why he pulls away. 
4) on a similar note, teasing until tutor does something/not wanting to be the one to start it: this is pure fighter behavior, hoping tutor will be the one to start it so he doesn’t have to. i called this gay chicken last week, it’s fighter making everything into a challenge so he can blame it on tutor and say that he was just reacting. we can see how desperate he is for tutor’s attention, how happy he is when he has it and how frustrated he is when he doesn’t. he’s like a child who wants people to pay attention to him but doesn’t know how to ask for it, so they start annoying people. fight knows very well that he could just say hey tutor i’m here, please talk to me but how could he give a realistic reason for it other than because i have a massive crush on you meaning i’m not straight. he knows tutor doesn’t back down from a challenge and he riles him up because he has learned what that will lead them to. it’s like he knows there’s an easier way to get to that, but it’s scary so he just keeps going with his soundproof tesing tacting which so far has worked every time. also in general reacting is a lot easier than acting, again a personal example: if someone asks me if i like girls I’ll say yes right away, but if i have to start the conversation i won’t. (one thing i do a lot is to be like “hey i have something to tell you about myself but you have to guess it”)
5) backtracking/giving mixed signals: again he’s terrified, he knows what he wants but he knows what /wanting it/ implies. sometimes he follows his heart, but then his brain comes back to tell him that, hey, you’re kissing another dude and you’re enjoying it and of course he freaks out and leaves. i would be way more annoyed with him if the show had been portraying tutor as pining and in love, meaning that fighter has been giving him false-ish hopes, but after ep.6 we see that tutor himself still hasn’t admitted to himself that he likes fighter (in bold because i feel like this part is very important and often overlooked) so they are both confused about their feelings. 
i don’t think they are actually confused, they know but they are scared which in my opinion is very realistic of how someone behaves when they thought they were straight and they are not. It’s not about being dumb or being slow, it’s about realizing that once you take that step and acknowledge you’re not straight your life changes. idk how many of you are actually not straight (i assume most just because tumblr) but like…… coming out is so stressful being straight is just so much easier you dont have to do shit i wish that were me
6) his father: i feel like we only grazed the surface of fighter’s daddy issues, but he seems to be a very controlling and inflexible man, meaning that he probably wouldn’t be thrilled at the idea of his son dating another man. we don’t know about fight’s past, and maybe he has already had crushes on men and had to repress them. fighter seems to be used to a pretty luxurious lifestyle, he can’t just fuck off and go against his father because he would lose his support.
so it’s not just admitting things to himself, which can be insanely hard on its own especially if you were brought up in a traditional family, it’s also having to deal with the reactions from everyone around you
I KEEP THINKING ABOUT NEW THINGS TO ADD TO THIS POST SORRY anyway i think fighter has already shown multiple times that he does care for tor, it's just in a very shy and lowkey way because he's scared of giving himself away but he does indeed worry about tor (ex. he notices tor is stressed about his test, he tries to help outat his part time job). it also seems that in times of urgency he's more explicit about ex. offering to pay off his debt when tor was being threatened or saying he's his boyfriend when the gross cafe dude was hitting on him
also can we talk about how heartbreaking and soft fighter can be when he lets down his guard and shows his emotional side ex. telling tor nobody has ever taken care of him like that or the way he looks every time tutor pulls away first... this poor boy is touch starved and he craves affection but he can't ask for it yet. he's going to be a real gem once he can be honest with his feelings
for future episodes i think that tutor and fighter are well on their way to realizing their feelings for each other and there's going to be some development soon, but i dont expect fighter to come out to anyone else in the next few episodes because there's a lot of work to be done still. i just hope they dont pull the /i dont like boys i just like you/ trope because i WILL drop this show. so. fast. please don't ruin this character please let him accept his attraction to men fully
in conclusion. i dont blame fighter for anything he has done so far, he’s scared shitless but knows what’s going on, i trust he will soon be brave enough to start being honest with himself and with tutor
man this did NOT  take 10 minutes to write and i dont have time to proofread
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ultraferal · 5 years
Text
about that 32+ year old t-stray who is highly associated with ciel star/evan
i wouldn’t be talking about t-stray if he wasn’t already highly associated with ciel star, had known him for 4+ years, saw the ins and outs of his “kin” bullshit grooming tactics, and knew that evan was talking to underage kids in those groups as well... and was literally there when I spoke to evan for the first time to agree or not to agree to doctrinaire me into that group while I was underaged. he says he didn’t know what went on during that period of time, but that is literally bullshit for the fact of how many people he did that same tactic with many other indivuals who knew evan, and became of a victim of his. basically he knew much more than he lets on about evan, and saw A EXTREME amount of the grooming that went on throughout the events. 
he made some fanfic with some whole ass pedophile chromehoplite, just a regular pedophile in the seba/ciel fandom.. nothing shocking, but like i said i’m talking about this because it’s related to evan. t-stray talked about making a comic about a “aged” up ciel, who in canon is a young child, to justify his rights to sexualize a child because he aged him up for the specific reason of sexualizing him and of course- t-stray said that is not the case.. and it’s for just the purpose of writing ciel in more “mature” situations.
here is something t-stray said about the “fic”: 
- Rust & Stardust is not a “pedo fic”, the main characters are adults, it’s an alternate universe where all characters are (sound and look as) adults. There’s no child sexualization and not an implicit attempt (at some antis seem to think) to imagine Ciel as a child, in a sexual situation, while writing it, literally, that defiles the purpose of what an underage character may have a “charm for a pedo” the fact they are depicted as adults. I refuse to accept now that authors are not allowed to age up characters because they are thinking of them as a child, is bold to believe being a mind reader and quite an inquisition-mindset to asume all who do are trying to automatically normalize pedophilia by creating content.
“depicted” as adults.. is bullshit. want to know why i believe that? is because a minor can be thought of as a adult because of how they look physically. it happens often, we see someone who looks older, we think their an adult.. but it happens to be they are underage. that happens all the time, that’s reality. not every minor looks like how t-stray defines “looking like a child”... beside that, here is something he drew of “aged” up ciel: 
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the op post is linked here  but it has nsfw in it, i blocked out some of it, but the tags are very important. ciel is a child, you are just “aging” which just basically means fitting a child into a “grown man” body so you can treat it as though its not inherientally pedophillia.. bc he’s a “man” now. anyways, here is something he said about critism (people telling him hes a pedophile for it) 
here is another thing t-stray said in this following post he made: 
- It seems is being assumed I’m a shipper since I have shipper friends, part of being an adult is knowing you can be friends with someone without agreeing on their tastes. Enough said, I want to create content without involving any “ship fawn” or romantic content, I want to explore other types of narrative. Stop putting me in the same bag only because I collab with other creators that do like the ship.´This kind of bigotry is insane, I’ve been called pedophile only for saying I don’t hate shippers. Content creators are bieng pushed away from the fandom because none wants to recieve death threats and accusations of  real child abuse over a drawing they made or a fic they wrote. The human spectrum is huge and has a lot more complications than “being on my side or not”
the person, chromehoplite, he is co-writing this fanfic of a “aged up” ciel has written countless pedophilic writings about ciel, “aged up” or not. t-stray drew those drawings above for chromehoplite to go with this writing which is nsfw. regular sebaciel pedophiles... just the whole thing, but what t-stray said is being “assumed as a shipper bc i have shipper friends”... you don’t just collab with these creators, you draw them pedophilic art to fit that narrative. being friends with pedophiles, and knowing full well they are a pedophile- makes you also a full whole ass pedophile.. because you see nothing wrong with it.. and continue to make material for them. evan had the same rhetoric he shared publically, fiction vs reality, and thinking that as long as the child is aged up to a adult.. you can fictionally sexualize it. it’s clear how that worked out for him. 
unforunately the reality of the black butler fandom, is it is 90% filled with adults who cosume and create pedophilic content. i’m sure if you have been in the fandom long enough (or just seen the tag for 1 minute) you can for sure see that is the case..... we of course can’t take down every single pedophile in the fandom sense there are way to many of them to count, and evan/ciel star is one of them as we all know now. what i want to say is that i believe full well that t-stray is just as complict to the crimes that happened under his watch while being close with ciel star/ evan, because he allowed evan to constantly bring in more and more new underage minors into the kin groups. he was the reason i was APPROVED to be brought into evan’s group, and including many other people.
EDIT: ALSO! quick note, t-stray kinned sebastian at the time of knowing each other, and is infact why they were so close in the first place which gives more to the “sebaciel fantasy”. evan and t-stray did have sexual history. there is sufficent proof to prove this from many people who were around both of them when they were together. this among many other things, is something important to keep in mind. thank you
EDIT EDIT: 
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if you have anymore information regarding t-stray, please feel free to talk to me. 
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culebratia · 5 years
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Honest opinions on horror villains
Okay so I love horror villains and horror in general. Most of them are really interesting and have a sort of grotesque charm to them that I can’t really describe, it draws you to them and pulls you into wanting more. But there are some horror villains that are either overrated and underrated, and today I’m here to discuss some of them! (I’d like to reiterate that I don’t hate any of these characters, I actually like them all! But I’m just talking in a general perspective and my view on their popularity and the actual movie they come from.)
LESLIE VERNON
* overrated.
* okay, I know, people are going to get upset at me over this. This was an amazing movie, they said. It’s so new and different from the others, they said. And I completely understand that! It’s unique and inventive and I love the whole premise of the movie, but goddamn did it bore me..
* I like Leslie Vernon as a character, but I don’t love him like I do with other characters. He’s cool! I adore his slasher design, but his personality bores me a little bit at times. There are some points where my emotions and feelings on the guy are a little bit like a rollercoaster — up and down, up and down, up and down. It’s crazy.
* once again, I like the concept of his movie, but the way it was presented in a filmmaking point of view is underwhelming.
ART THE CLOWN
* underrated.
* there are three movies I know of with Art in them: The 9th Circle, All Hallow’s Eve and Terrifer. And all of them are equally shit, which is to be expected since it was written and directed by a young guy who specialises in special effects. But damn was Art interesting to watch.
* there are some points in the movies where I think “why couldn’t he have starred in a better made film?” because if that were so, he’d get so much more publicity! Art is an absolutely terrifying demon clown creature, way more scary than Pennywise, and people from around the world should know his name! He’s the only character in all the movies who actually has good actors.
* shitty movie, fantastic character. I hope to see more of him.
MICHAEL MYERS
* overrated by a milestone.
* look, I’m all for Michael Myers. He’s hot, lemme tell you that. But he’s a really boring character. It’s all the same (apart from the 3rd movie)! Michael returns to his hometown to find and kill Laurie, killing a whole other group of people who she happens to be involved with at some time during the movie.
* when I watch a horror movie, I want to have the villain to have some sort of character. At least with Jason, you can see some emotion in him which defines him as a whole! But with Michael? He’s a clean slate, and that is soo uninteresting.
* first two movies were great, others were unneeded honestly.
BILLY LENZ
* underrateeeeed.
* stinky attic boy needs some love. He is what started the slasher genre for peats sake and yet everyone overlooks him as a horror villain. Let me tell you, that phone scene in the beginning was absolutely fucking terrifying when I first watched it, and it’s still unsettling to this day even after I’ve watched it a million fucking times.
* we never even got to see Billy’s face properly throughout the whole movie and yet he made such an impact on everyone who ever watched Black Christmas! And that ending scene? Perfect cliffhanger. (The remake was shit compared to the original)
* great movie, great character, needs more credit.
BRAHMS HEELSHIRE
* overrated.
* bet y’all are shocked at this aren’t you? He’s the character I most often write for. But that’s really because he’s heavily requested. I actually don’t really like him all that much, too much exposure I guess. I mean I have nothing against his character as a whole, he’s attractive to me and interesting but I don’t actually know.
* now the movie is something I do know about though: bullshit. Absolutely terrible. A basic plot line (which isn’t necessarily a bad thing sometimes, it just needs to be played out right) and a director which results to cheap jump scares because apparently that’s ‘scary’. The movie as a whole is so predictable and it never scared me once when I went to watch it at the cinema. I can understand why people like it though.
* decent(?) character, bad movie.
OTIS DRIFTWOOD + family
* underrated.
* okay this might have something to do with my weakness for Bill Moseley, scarily cute women and clowns, but man do I love the Firefly family. Each and every character, even the ones we barely see, within the family is so perfectly polished and unique, and I love Rob Zombie for it. He can’t write dialogue for shit but man do I love his horror villains.
* although the first movie was very confusing at some points. Like, what?? What was with that ending? It was a very good movie in my opinion and was actually pretty horrifying. It used things that disgust us and manipulated that to terrify every single one of its viewers and that’s perfect. Hated the protagonists though.
* fantastic movie, great villains, shitty protagonists,
FREDDY KRUEGER
* overrated.
* now don’t get me wrong, I love Freddy, I grew up loving Freddy. He’s witty and fun to watch, maybe not like Chucky, but after a while he gets so repetitive that it gets really really annoying. Couldn’t they think of something unique and interesting for him to say instead of him just calling everyone a bitch??
* the writing becomes boring after a while, the directors add so many unnecessary features, weaknesses and powers we had no clue even existed up until this very point, and it’s overall not a very good franchise when you get into it. I enjoyed the first and seventh movie a lot, but all of the other ones didn’t really excite me all that much.
* okay character, okay movie, but isn’t worth all the attention.
NUBBINS SAWYER, DRAYTON SAWYER, CHOP-TOP SAWYER + GRANDPA SAWYER
* un👏🏽der👏🏽ra👏🏽ted
* these boys deserve just the same amount of attention that Leatherface does. I know that Bubba is a really cool character, and he deserves attention too! But that doesn’t mean that his family get to be left out. Each and every single one of them helped shape the Texas Chainsaw franchise to what it is today, and honestly it wouldn’t have been as amazing without them in it.
* Texas Chainsaw has so many metaphors within it nobody really goes into. When we first meet Nubbins and he’s kicked out of the van, Franklin very obviously points out “would you be able to do that?” referring to Nubbins slicing his hand up, and later on we see Franklin blowing raspberries at his friends due to the fact that he couldn’t go upstairs because of his disability, which is exactly what Nubbins was doing when he couldn’t get into the van. This area is the director exploring the ways that people could so easily turn into madness without people realising it.
* Drayton Sawyer is your average looking fellow who runs the Sawyer household, but he is not average at all. He’s sadistic, witty, hypocritical, and surprisingly still a Christian. He claims that he “doesn’t like to do the killing” and yet he’s shown constantly poking and prodding at the final girls like they’re some caged animals, living only for the pleasure of himself. The fact that he’s an elderly man basically screams “wolf in sheeps clothing”, because usually when you see an elderly person, you assume them to be kind and wise, whereas, Drayton can’t even spell ‘sex’ correctly.
* Chop-Top wasn’t present in the first movie sadly, but it’s explained why, which is understandable in a filmmaking perspective. He is probably the most terrifying character out of the bunch. He’s impulsive, disgusting, and absolutely fucking insane. Whether or not this is due to his time in Vietnam I don’t know, but man does it make a great affect. And that time in the movie where he was introduced? It was absolutely heavenly. No one in today’s horror industry would build up suspense like that and cause so much raw fear from a petty jump scare. The fact that he carries around his damn brothers corpse like he’s puppet, treating him like he’s still a living being adds onto the scare factor as well.
* great villains, good movies, everything after TCSM2 wasn’t really very good though.
Okay, now that’s over and done with! Let me show you my top ten favourite horror villains (from actual horror movies), you’ll either be completely shocked or completely not! :)
Pinhead — love the creature design. Fantastic personality and concept. Annoyed he’s not a woman.
Bubba Sawyer — baby boy needs love. And affection. And kisses. And basically anything positive. We must protect him.
Chop-Top Sawyer — terrified me when I first saw him as a kid. I wanna fuck Bill Moseley. I love his personality. Wish his movie came out.
Captain Spaulding — funny ass motherfucker. Always cracks me up. I want him to be my daddy.
Hannibal Lecter — interesting in a psychological perspective. Has a way to make your skin crawl without doing much.
Art the Clown — scarier than Pennywise. I wish his movies were better. Why didn’t Terrifier make it obvious he was a demon?
Otis Driftwood — boy’s a hottie. But please stop fucking corpses. Once again, Bill Moseley.
Stu Macher — first fictional crush. He’s my irl type of guy. I dated a guy like him once.
Jennifer Check — movie was ahead of its time. Legit was about having a succubus gf. Lesbian scene was hot. I’m gay for Meagan Fox.
Billy Lenz — terrifying phone calls. Nasty boi. The remakes will never be as great as the OG Black Christmas.
Anyways, so that’s it! It’s past midnight currently so I might just go to bed lol but whatever. I’ve wanted to write this out for a whiiile but decided to just get it over with now. I’ll say it all again: every character I write for, I like, I just have different levels of like, so please no hate over this. Thanks!
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distrustedace · 4 years
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“Apparently Virgil is a better actor than Roman. Who knew?”
AN: I want to make this into a series but its is going to be shorter then the Janus series. Also it might be a little messy since I am improvising the storyline. I hope this isn't a complete and utter disaster. 
“Apparently, Virgil is a better actor than Roman. Who knew?”
Roman found out that his newest lead is going to be a boy. And honestly, he was so excited! Finally, some gay representation in musicals. And this time, Roman knew it was going to be a totally new experience. Yes, the heathers will be girls as always, mostly because the heathers are too iconic to have a gender change. But, the newbie is going to play “Veronica” who’s name change is going to be Verona. Roman, on the other hand, is going to play JD. He wasn’t thrilled about playing a sociopathic kid with daddy issues but he got used to the fact that he had to play the villain. Besides, what's a story without the main antagonist?
Roman strode into the theatre to attend the rehearsals. He didn’t know who got casted for Verona since he missed the auditions for the other character , and completely forgot to check the list of people who got in. So on top of that, Roman was ready to be pleasantly surprised upon seeing his Co star. He suddenly heard a low tone speaking a line out of the musical , “and there is Heather Chandler, head cheerleader and main leader in the trio. And she is a mythic bitch.” Roman, upon hearing that line, immediately knew that his co-star is the greatest fit for Verona, he was instantly thrilled to be working with him. He looked up and saw.. Virgil?
“Wow, I never knew Virgil was the theatre kid.” Roman muttered. He was more than pleasantly surprised at Virgil’s acting skills. His tone of voice was authentic, he stayed on point, saying the words verbatim without the script and…. He looked the part. Especially the emotional aspect, Roman was excited to see that Virgil was better at conveying emotions then he is. It gives him some competition and a fresh new perspective in the world of acting. Roman smiled to himself, “Well, this is going to be a new experience.” He thought.
Virgil, actually felt like a human while playing the part of a fictional character. He wasn’t really antiquated with his emotions. Heck he doesn’t know how anger , fear, happiness or sadness felt like since he barely felt them. The only reason he got into theatre in the first place was because he seemed to only feel them, while playing a fictional character. He hoped to gain a full understanding of his emotions. Sure, he stopped acting by 7th grade in middle school, but he picked it up so he can have a “fun past time.” as his father put it. It was pleasantly enjoyable for him. But his main concern was if Roman would be willing to work with him. He knew that some of the rumors paint Roman to be a massive diva. Of course Virgil wasn’t sold on most of the rumors he heard of in his school, but it gives him small suspicion about Roman. He heard the door open and close and looked up to see Roman. Who was neatly dressed. He had his signature haircut which was combed to the right and gelled. He was always wearing a red jacket with a royal emblem on his chest. It indicated to him that Roman has already committed to pursue a degree in acting in the Chamberlin university, all the way in London , England.
“Ay, it's my greatest star, Roman. How was your day, busy?” the director said.
“Eh, not too busy. You know me, I always get my work done on time.” Roman responded. Virgil noticed the easy tone of his voice. He wondered if someday he can be as calm as Roman. But he was relieved that Roman might be open to working with Virgil. Virgil wanted to make sure he avoids any type of confrontation with his crew members. Infighting within a group can only lead to disaster.
I stepped up to the stage to finally talk to Virgil. “Hello, my name is Roman, and I will be playing the part of JD. Nice to meet you, Virgil, I have heard of you around school.” I said as I headed out.
Virgil gave me an firm hand shake before saying, “
It is nice to meet you too, Roman. I am relieved to have a kind person to be the lead of the show. I wonder, how did you  hear of me?” Virgil asked.
“Well, I guess you’re well known for your literary skills. Especially your narrative writing. I am quite impressed by your newest story.” I admitted.
“Oh, I didn’t peg you as the type to read stories like mine. Sometimes they can be too dark for a lot of people. Thank you for reading my stories.” He replied.
Virgil seemed monotonous, but I knew he meant well. I felt excited to work with him.
“Alright, so I assume that you already know the whole script. So, let's skip to rehearsing the “meant to be” number. I want to see how well you can convey Verona’s emotions.” I said
“All is forgiven baby! Come on get dressed. You’re my date to the pep rally  tonight!” I recited, with a low but slightly manic tone. As to establish JD’s mental state in the beginning of the song. I needed to convey that JD feels manic, and morbidly happy, but also had to mask his depressed and angry state.
“What! Why?” Virgil recited with a seemingly calm but anxious tone. That was really
Good considering his first line.
“Our classmates thought they were signing a petition! You gotta come out and see what
they really signed.” I recited, making sure to convey madness in the last part of the quote.
“You chucked me out like I was trash. For that you should be dead!” I sang, pausing a little before saying, “ but,but ,but!”
“Then it hit me like a flash. What if high school went away instead!”
I sang, making sure to enunciate the last sentence to seem like JD is slowly spiraling down to insanity. I remind myself to convey the song in a rebellious tone but to have undertones of morbidity.
“Those assholes are the key,” I belted out, before saying, “They’re keeping you away
from me.”
i announciated since the key words needed to be known to the audience. I wanted to show an obsessive side to JD. Since that is his main character trait.
“They made you blind, messed up your mind, but I can set you free!”
I sang out, I growled when I said  “messed” to show a small snippet of JD’s rage. As I did that, I made sure to build up the tone of the quote, starting from a normal tone, to an angry tone and then ending off with an easy, calm emotion. I also swiped my hand out while saying messed, to show how mad JD gets when he mentions what happened in the highschool .
“You left me and I fell apart for that you should be dead,”I said, while trying to convey a mix of sadness and anger. I hope I executed that correctly.
“I punched the wall instead, BAM BAM BAM!” I bellowed, wanting to show the pure anger dripping from JD’s quote.
“Then I found you fell apart, and set lose all  that truthful shit instead!”I sang out, while chuckling during the truthful part of the quote. I was taking a little artistic liberty with that. I wanted to show how JD is trying to put apart his anger with some humor.
“And so I built a bomb. Tonight,are school is vietnam.Lets guarantee they never see their senior prom.” I finally sang, I loved this quote since it gives me so many creative freedoms. I growled and sang a light but firm tone. After ending with a joyous high note. I noticed that virgil dropped at his knees, shakenly holding his torso with his right hand and covering his mouth with his left hand. Like he was stifling his sobs. I can hear his quiet whimpers. I almost faltered, I was convinced for a moment that Virgil was actually crying. I actually saw slight tears flowing from his eyes. That was an intense add on to the song.And it is magnificent.
“I was meant to be yours, We were meant to be one, Don’t give up on me now,Finish what we’ve begun, I was meant to be yours”
I sang the whole verse, doing the same thing as I did before but trying to improve the emotional appeal bit by bit to build up to the climax.
“We the students of westerburg high, will die!” *gasp!* “Our burnt bodies may finally get through, to you.” *oh-oh god!* “Your society churns out slaves and blanks, no thanks.” *whimper* “Signed the students of westerburg high. GOODBYE!” I ended with a manic tone. Virgil’s head snapped up while I said goodbye. His eyes were wide, his mouth was tightly frowning and tears were still flowing down his face. I instantly felt horrible after saying that. I know full well that this is just a simple rehearsal but, I am honestly worried for virgil. And if he gets me, worried for him. Then I know that I am dealing with serious competition.
After singing the next few verses I got ready to sing the climax to the song. I hope to god I get this right. One flaw of mine was expressing grief and anxiety. Something that can be Virgil’s biggest strength.
“Verona, open the, open the door please, Verona open the door!” I cautiously but anxiously said. I actually felt like trying to get Virgil to look at me.
“Verona can we not fight any more please, can we not fight any more!” I sang, making sure my voice wavered a little bit. I’m actually feeling apologetic. This is the first time I ever felt the way I am acting. I am both confused but excited to use this to my advantage.
“Verona sure you’re scared I’ve been there, I can set you free! Verona Don't make me come in there. I’m gonna count to three!
“One.”
“Two.”
“DAMMIT!”
I sang as I strided to virgil, getting desperate to see him.The music swelled and completely stopped. The bass played a hopeless tune, to convey the pure, raw emotion of my reaction to Verona’s dead body.
“Oh-Oh-” I immediately covered my mouth, vomiting almost lurching up my throat. Virgil’s body lay lifelessly against the wall. His arms were hanging out, his legs were strewn apart and his eyes… Oh god his eyes…  It was blank, it looked lifeless. He didn’t even close them! How- is he fucking ok?!
“P-please don’t leave me alone,” I whimpered out, somewhat crying at Virgil’s parasuicide, “You were all I could trust,”I desperately and depressingly sang out. I feel like my soulmate died. Holy shit.
“I can’t do this alone,” I sang out, building my tone up to the eventual climax.
“STILL I’LL WILL IF I MUST!”  I belted out. I was beyond furious. Emotions were spewing out as my expression morphed into someone that is wordlessly screaming. But thank god I still kept the volume at a normal tone.
The music stopped and my heart was still beating. My chest was puffing in and out as I struggled to come down from my newly found emotions. Virgil stood up and I heard his footsteps stride to me.
“R-Roman, are you ok? You were more intense than usual. Is there anything I can-” Virigil worried before I tackled him into a crushing hug. He staggered back for a bit. His arms falling limply. I took a deep breath, smelling the hood of his jacket. I was desperately making sure that Virgil was actually ok. That he was living. That he was breathing.
“Vi-virgil. Are you unharmed?” I meekly asked.
“R-roman I am completely alright. Did I trigger you?” Virgil assured me.
“N-no, it's just that… you were too believable. I just- for some reason I can’t stand the
sight of you dead.” I breathed out.
Virgil lifted his right arm and awkwardly patted my back. But it gave me comfort.
“It's alright Roman, the song was intense and I bet you were tired for today.Lets just get you to the seat and I will get you something to snack on. You did an exemplary job.” Virgil assured me.
While I was making my way to the seat I realized that my emotions are not a product of stress or burnout.
I think I fell for Virgil.
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