#and just in time for c3 no less

[cassafrasscr]

So... Ashton hates the idea of fate (which, fair, he’s a punk who has problems with authority).

But then Taliesin said on a 4SD (don't remember which one exactly - I think maybe the one with the Issylra arc guests?) that the Matron of Ravens is the only god Ashton really has any respect for, I'm like, ????? 'Cause Fate is part of the Matron's domain, shouldn't she be the one he has the most beef with?

Anyway. Between that, FCG encouraging Fearne to try following Asmodeus (even though he’s the Changebringer's archenemy), and Orym making a deal with a capricious Archfey when he already had TWO goddesses knocking on his door...

I can only be forced to conclude that Bell’s Hells really doesn't know shit about the gods, lol.

[utilitycaster]

Sort of a distant tangent off my post about Ashton, but I'm growing more and more suspicious of the fandom claim that there's no time for small RP moments in Campaign 3. I do think that it's been challenging to get deeper party bonding or serious conversations that aren't about the big philosophical questions they're facing, since those do take much more time; but then I think about Calamity, or Candela Obscura. I can genuinely give you at least a couple paragraphs about pretty much every relationship in the two Circles, or in the Ring of Brass. I can also point to no shortage of small moments between characters in the Mighty Nein Aeor or Vox Machina Vecna endgame episodes, which were all extremely plot-heavy and fast-paced, and D20 consistently nails character relationships in a fraction of the time.

I think it really does come down to, as Brennan Lee Mulligan always says, the character creation phase. Laying down a solid groundwork in which everyone has a detailed, rich backstory and sense of personality and relationship history (in the case of characters who knew each other prior to the start of the series) is absolutely crucial, and even in the case of characters who don't know each other before going in, a good amount of time spent in character creation ensures that it's easier for them to develop those interpersonal relationships on the fly. I know in actual play there's some degree of finding the character as you play, but there are games for which there is a very short runway, and I don't think it ever hurts to do more extensive character prep than the bare minimum. And if there are gaps, I think it also helps to go back and fill those in mid-way, away from the table - Travis clarifying Chetney's backstory being a great example that allowed the history of Chetney and Deanna to feel realized and full, despite only a few episodes.

I'll also be blunt: most of the time when people complain that there aren't moments because the plot keeps moving...they're mad about shipping. Which has always rung hollow to me. It was a common complaint in C2, that no time was taken for character relationships, despite them taking an entire half of an episode for the Beauyasha date and despite no shortage of moments for all three of the other couples (and plenty of platonic moments between friends). The issue was never a lack of time; it was that the characters they wanted to talk to each other didn't actually have the relationship in canon that the fans had dreamed up, and so, when the chips were down, they went to other people.

It takes two seconds to say something like "I hold their hand", even in the middle of plot-heavy adventuring. If someone doesn't say it, it's rarely the GM rushing them; it's the player either choosing not to do so, or not remembering to do so, and either of those is quite revealing regarding how the player feels about that relationship and where it stands in their priorities.

[janthonyfell]

hear me out- HEAR ME OUT.

Terzo in his white "He is" music video suit and Copia with his white suit, together just like Nihil and Imperator in the "Dance Macabre" music video, having that peculiar wedding and kissing while it's raining blood-

[dduane]

Today's auroral shenanigans

Relatively speaking, yesterday night (May 11/12) was a bit of "not much" for aurora-watchers, compared to the night of the 10th/11th. (Which, to be fair, was a most unusual event, and it wouldn't be surprising if it wasn't equaled for a long, long time.)

Nonetheless, the Sun continues to be in an interesting mood at the moment... specifically the big sunspot region AR3664, which is the one responsible for the auroral extravaganza of May 10th. You can just see it in this next image, getting ready to rotate away from us around the Sun's rightward limb.

(For those interested in scale: that complex of sunspots is about fifteen times the diameter of the Earth. You could drop the whole planet into the middle of the biggest one and lose it. A timelapse video of its growth is over here at YouTube, if you're interested.)

As AR3664 continues to spit out CMEs and flares, the NOAA has issued a geomagnetic storm watch for today, tonight and tomorrow—with the suggestion that conditions like those of the night of the 10th may in the relatively short term be about to repeat themselves.

This is a "watch" rather than a "warning," reflecting some uncertainty over exactly how the various incoming coronal mass injections are likely to behave on reaching Earth orbit. (Also, the CMEs aren't being aimed straight at us, but off to one side as the sunspot region rotates further and further toward the sun's edge: so this adds somewhat to the unpredictability of it all.)

The animation below comes from the SOHO spacecraft's LASCO C3 coronagraph instrument. It starts on May 10th and runs through until early on the morning of May 12th. You can see the newest incoming CMEs right at the end of it.

(BTW, I think the two bright objects to right and left of the Sun are probably comets passing through, as LASCO images normally mask out any planets that would be in view.)

Anyway, as for what this means for auroral activity tonight? It's tough to tell as yet. The planetary K index (which expresses the relative strength of geomagnetic storms) has dropped back down into near-baseline levels at the moment.

But when those new CMEs and the solar wind associated with them hits the atmosphere, things may change suddenly.

We'll soon see...

And an afterthought: AR3664 will soon be off around the Sun's edge, and invisible to us. It'll be interesting to see what happens to it after that.

The Sun takes 27 days to rotate, as a whole: the poles take longer, the equatorial regions a shorter time. In a couple of weeks or less, what will greet us, rotating around toward Earth's POV on that left-hand side? Will AR3664 have dissolved and vanished away, as sunspot groups so often do... or grown even bigger?

ETA 1, 12 May 2024, 1820 UT: Like a kitty coughing up hairball after cosmic hairball, AR has popped yet another X-class flare.

ETA 2, May 13 2024, 0100 IDT / 0000 UT: New G3 storm warning dropped.

[nellasbookplanet]

people have been fawning over how humanlike the gods are for a month now, but now its wrong to compare them to mortal powers because they're otherworldy beings that can't possibly be thought of in human terms? or is the suggestion that they're like mortals, but they're just an innately superior group of people that deserves to have power over everyone else?

Hello anon! Are you the same person who got all up in my askbox yesterday? You certainly seem to have an equally poor grasp on what I actually said and a willingness to make it somebody else's problem. However, I no longer have a headache and am feeling less cranky, so lets treat this as a genuine question.

I never said it's wrong or even inaccurate to compare the gods to humans/mortals. What I said is that some seem over-eager to equate them with groups or systems where they don't actually fit, or to project our own world onto them. This tends to lead to poor textual analysis. For example, equating the gods with mortal rulers (specifically tyrannical rulers, even), the one percent, a higher social class, rich people, or colonizers of mortals all read as comparisons made from the assumption 'gods are the most powerful sentient beings of Exandria; therefore I will compare them to the most powerful people of our world'. Do these comparisons make actual sense as parallels? No! Kings and rich people and colonizers aren't innately more powerful than others because we don't live in a fantasy world where magic is real. You can take said power from them and redistribute it fairly. You cannot do this with the gods.

Ultimately, the last few words in your ask neatly sum up the problem with this mindset: do the gods deserve to hold this power over everyone else? Lets look at this through a comparison: do sorcerers like Imogen deserve to hold power over everyone else? She, like most sorcerers, was born with powers others do not have and has no way to get rid of them. They cannot be taken from her and redistributed to the masses to make things more equal, because they are a part of her innate self. In using them, Imogen can do good, but she also sometimes ends up hurting people by reading their thoughts without consent or, at times, even meaning to. So, does Imogen deserve this power? By now, you might see the problem. It doesn't matter whether she deserves her power because you can't take it from her without killing her, no matter how unfair you think it is that she has it. 'Do they deserve their power' is an irrelevant question that people keep coming back to. What you're actually asking is, 'do the gods deserve to live', or even 'do we have the right to kill them' which is a lot more loaded.

The gods already evened the playing field as much as was possible by locking themselves behind the divine gate, severely diminishing their influence on Exandria. They can no longer cause any more harm than any mortal, because now they must act through mortals such as clerics and paladins, through which they do a lot of good (or have we already forgotten about c1 and c2, or even the resurrection of Laudna by a divine cleric and the actions of FCG in c3?). If this still isn't enough for you, you might want to ask yourself whether what you actually want is fairness and the good of the people of Exandria, or if you're just looking for pointless revenge for the sake of it.

[luckthebard]

Something I was musing about this morning is how if there’s one major critique I have of C2, it’s that Matt was almost too inflexible with the rules, often seemingly against his own instincts and sometimes to the detriment of the game’s momentum. I remember almost cheering when he firmly decided to stop looking something up they were going in circles over in episode 76 or so (“and that’s how I’m ruling it in my game”) and I think for a long time I blamed it almost entirely on Matt being way too aware of fan back-seat gaming, which he has thankfully really seemed to move away from or at least care less about.

But something I hadn’t considered until it groggily occurred to me on my commute this morning is that that change for Matt’s stance on the rules in C2 might also have been influenced by their massive campaign-long deal with DnD Beyond as a digital toolset.* Hard to be promoting a tool that puts the rules at your fingers if you’re not following those rules, or so I could imagine the logic/concern around the issue. But that also made me think about which players were not necessarily shy about brutal honesty about the way the tool didn’t work for them. DND Beyond in 2018 was a far cry from the functionality it has today. And Liam, whether simply from playing a wizard and having a complicated character or just being a straightforward and set in his way guy, would frequently turn to books/spell cards rather than deal with his tablet. Which also led to the funny ongoing phenomenon of Sam announcing improvements to the tool in an ad which just happened to coincide with something that was making issues for Liam a few weeks before lol.

Anyway, this post is rambling and doesn’t have a point other than that I’m glad Matt feels more free to houserule in C3 for whatever reason (mostly cause he seems more comfortable) and reminding myself of how funny it was how thinly concealed Liam’s dislike for the virtual character sheet was for at least the first half of C2.

*important context for this for people who joined CR later is this was also waaaay before WotC bought DnD Beyond. It was a start-up that was acquired by Fandom in 2018 (around the time of the CR partnership) and would remain a 3rd party toolset until WotC paid good money for it in 2022. Just to level-set about the business relationship that happened in C2.

[absolutebl]

These Weeks in BL - This Is Very Late, Or Right on Time depending on where you sit on the temporal debate team

Sorry I got distracted by work. In my defense: I was paid.

Organized, in each category, with ones I'm enjoying most at the top.

March 2024 Wk 1 & 2

Ongoing Series - Thai

Cherry Magic (Sat YouTube grey) ep 12 fin - Unfortunately, there was singing. But what can we do?

A soft charming warm hug of a show about crushes and mind reading and self worth, with no-fuss execution from a consummate team and an OG lead pair proving why they remain eternal and deserve to grow up. Look, here’s the thing, Cherry Magic is a great Thai BL in its own right not comparing it to any other iteration. But even when I do compare (and I've seen all the Cherries and read the manga) it still stands. This is a great show, a solid adaptation, and a pleasing take on the original yaoi. I personally like it better than the Japanese live action, but I think that’s because I just really like Thai BL and I LOVE TayNew. I doubted them for this and I shouldn’t have. They did a great job, as did the sides. I will say all the kissing was both present and better than any other iteration. As it should be. Definitely one for the rewatch rotation. 9/10 

Deep Night (Thurs iQiyi) ep 1 of 8 (10?) - Damn it, I love it. And I don't want to. It’s more classic BL than I thought it would be, and far less Only Friends or Playboyy. (Thank fuck.) We got a big cast and a lot of tropes going down out the gate, including SMITTEN popular hot guy versus nerd with secret identity. (Incidentally, Khem did drop into rude / informal when arguing with his Aunt and defending his ma. Bratty boy.) The leads have good chemistry (First always does), and everyone is very pretty. The main boy reminds me of J-Min's role (and look) in Love Class 2. I am entertained. (And faintly wonder why this isn't a MosBank vehicle.)

To Be Continued (Thai C3 Thailand grey) eps 1-3 of 8- High school sweethearts who had a bad break up reunite a decade later when both of them have full time jobs (celebrity & doctor). Dr Ji is a familiar face (hi Dream it's been a LONG time) and everyone is way too old for high school, but I guess I prefer this to child actors?

I'm enjoying it, actually, the cast may be older but they're solid as a result and the chemistry is on point for a pulp. Whether our celebrity is on the DL or cheating or something else remains to be seen but he sure is smitten. The way he LOOKS at Ji = hawt.

Frankly? Celebrity/doctor is a good pairing and this is a solid Thai BL. I hope we have a nice angsty reason for the break-up and we're not in another Promise situation. I like the sides too. Carry on, little show, I'm disposed to be pleased with you.

City of Stars (Fri iQIYI) eps 5-6 of 12 - I am enjoying it, actually. It’s incredibly silly. But I don’t really mind. STOP SINGING. 

1000 Years Old eps 3-4 of 12 - I love that these kids basically adopted a vampire pet. And one of them accidentally got a vampire boyfriend. This suddenly turned from a PNR into a family drama about domestic gays opening a food stall and I'm not mad about it. Nothing makes sense and I don't care because... rainbow umbrella!

A Secretly Love (Thai WeTV grey) eps 1 of 10 - I don’t love it. I make no bones about the fact that a pining uke rarely works for me, especially if he’s younger (cute supportive besties not withstanding), the power dynamic isn’t good. I always like Kimmon, he’s a stiff actor but v pretty. (I shallow af.) Still it’s time he started acting his age… literally. Having to watch ads again as well… for this? Ooof. I'm not sure I'm strong enough.

Ongoing Series - Not Thai

Perfect Propose (Japan Fri Gaga) ep 6 fin - It was very cute. I liked that there was uke instigated kisses. However I have some reservations on this one, much as I enjoyed it.

Adapted from Mayo Tsurakame’s manga, production team included Tadaaki Horai (My Love Mix-Up!) and Takeshi Miyamoto (Old Fashion Cupcake). Essentially Perfect Propose was about finding hope in a person when all other hope is gone. This show focuses on apathy, and perforce is somewhat apathetic and un-engaging especially as the pacing was off (and with only 6 episodes? now) However, this is countered by great visuals, good archetypes, and a clean story of childhood sweethearts reuniting after loosing their way in life. I landed on 8/10 mostly for a demanding younger seme and some great kisses. 

Unknown (Taiwan Tues Youku YouTube) eps 2-3 of 11 - Oh it’s great. I love it. I’m still worried by how gritty and "Taiwanese short-esk" it feels, but wow does this hit all my favorite taboo tropes and buttons. I also adore the little found fam, they the cutest gay older bros ever. The younger one who wants so bad to grow up and take care of the older one and pushes himself because into self sacrifice that’s the only model of love he has. ARGH. BOYS. Why so much pain, just smooch already! Sheesh. It's on YouTube for some of us, here's the schedule.

AntiReset (Taiwan Fri Viki/Gaga) eps 6-7 of 10 - They remain questionably cute, and that is probably going to be my ultimate review of this show. Awe cameo! (Hi babies, hope the ghosts are leaving you alone.) The irony does not escape me that the person in the relationship with the most emotional acumen is, in fact, the robot and not the human. I'm sure that's meant to be deep.

Love is Better the Second Time Around AKA Koi wo Suru nara Nidome ga Joto (Japan Gaga) ep 1 of 6 - A tortured second chance romance featuring a reported and a successful celebrity(?) academic. The kid actors look nothing like their adult counterparts, but they do look much younger. So, okay. Ah the utter embarrassment of first love. Oh I like it a lot, so very messy Japanese emo. Sigh. Here we go again.

Although I Love You and You AKA Sukiyanen Kedo Do Yaro ka (Japan Thurs Gaga) eps 8-9 of 10 - They are a cute couple. They both trying so hard and so confused and awkward and polite in trying to understand each other but TERRIBLE at communication. 

My Strawberry Film (Japan Thurs Gaga) eps 3-4 of 8 - I don’t know how I feel about this. But I do know it’s not my thing because it’s not BL. I’ll finish it because it’s short but… meh. 

It's done, ready to binge, but I have no time

What Did You Eat Yesterday Season 2 AKA Kinou Nani Tabeta? Season 2 (Japan Gaga) 10 eps - will binge when I have any spare time. 2024 is crazy busy for me so far.

The Servant and the Young Master (Vietnam YouTube) - I will try when I have a window of time.

Began Beginning (Myanmar YouTube) - A Burmese BL? @heretherebedork vouched for it, so I will watch eventually.

It's airing but...

Dead Friend Forever (Thai iQIYI) - finished it's run and I won't be watching it. It's horror with BL elements and the ending, well, let's just say that's a "no thank you" from me.

Ossans Love Season 2 (Japan Gaga) - 5 years later, will anything have changed? This is Japan so… no. I'm not watching this. I dislike this franchise.

Time the series (Tue Gaga/YT) 10 eps - dropped it at ep 4.

Takumi-kun (2023) movie version AKA Takumi-kun Series 6: Nagai Nagai Monogatari no Hajimari no Asa released on FOD 3/5/2024. The original project was a 6 ep series. Having seen all the previous iterations and read the (terrible) yaoi I admit to being intrigued. If anyone finds eng subbed please let me know with a link in comments or in a DM? For those intersted in this show, probably the world's first true BL franchise I chat all about it here.

Gossip

James Supamongkon has withdrawn from the series Love Upon A Time and the NetJames pair is no more. Net Siraphop will continue with the historical BL project alongside a new partner. Can I interest you in Tod Techit... almost as pretty, legs for days...

The Complete Chronology of the Assault Case Against GMMTV Actor Win Pawin

I'm merely directing your attention to these articles, I do not wish for discussion of this content on this blog. Please don't ask for further info, I don't know the answer, follow the link that's why it's there.

Next Week Looks Like This:

Still Coming

3/21 Two Worlds (Thai IQIYI) 10 eps - announced here. One of those "he's dead Jim so time travel" thingames staring MaxNat. I'm over them but Asia flipping loves this trope and I do adore MaxNat. Phupha (Gun) and Khram (Nat) love each other but Phupha is murdered. Then Khram is pulled to a parallel world where, 12 years ago, Khram and Tai (Max) were in love. However, Khram was killed by Thai’s dad. Now Tai finds alter-Khram apparently alive. But then there is ALSO an alter-Phupha (played by Gun Thanawat who is Khom the repressed butler bodyguard from Unforgotten Night).

Upcoming BLs for 2024 are listed here. This list is not kept updated, so please leave a comment if you know something new or RP with additions.

THIS WEEK’S BEST MOMENTS

How flipping adorable is this vampire with his big gay umbrella? SUCH A DORK and we got more vampire dorks coming.

Thailand has found its vampire line and it's awkward and geeky and quite cheerful. 'Bout what we expected, to be fair. It's a good look for them.

And vampires.

In other news...

That's your random moment of thirst, Lim Jimin shirtless AKA my Just B bias (I mean, I could talk about how good his extensions are and how I love a husky voice in Kpop but really, just LOOK at him). I'm very very very shallow, remember? Full vid is here.

Why am I mentioning Lim Jimin (aside from the obvious)? If Just B doesn't break soon, I could some of them transitioning to BL. Jimin in particular would be a win for us, obvs.

Also, can we talk about Bain (my bias wrecker) KILLING it on Build Up? I had no idea he was that good. Anygay, this has been your Kpop end note.

Seriously tho, is ANYONE else watching Build-Up?

(Last week - well, 2 weeks ago)

Streaming services are listed how I'm (usually watching) which is with a USA based IP

The tag bragade: @doorajar

If ya wanna be tagged each week leave a comment and I will. Easy peesy.

[beauregardlionett]

did i rant to my friends about dorian and orym just to be called a simp? yes i did. and i'll do it again.

these two characters? consume my waking thoughts. because just fucking think about this from a timeline/literary point of view for a second with me.

orym lost his husband and his father-in-law (who he always calls dad because he didn't have a dad growing up) in a violent attack on his leader a while ago and whatever magic was used to kill them kept them dead - no reviving magic worked to bring them back. in the space of a single attack, he lost two of the most important people in his life, and now he's a widow who still mourns and loves in equal measure even while far from home trying to save the world. he loves even though he's scared of losing again.

dorian is a runaway heir to a title he never really wanted, a musician for himself, a charlatan hiding behind an easy smile, who has really only ever wanted to see the world in his own time and make real friends for once in his life. and he did that! all on his own! he was with the group at the beginning of the campaign but then they ran into his older brother who was in trouble and needed to lay low and dorian went with him, falling back on old instincts that family by blood comes first. he ran from the group and from the foundations he was building with them. because dorian has only ever run from the things that scare him. but now he's back, re-traced his frightened footsteps toward the daunting promise of tomorrow - not yet with the group, we're getting his side of the story first. and he even said it himself, that he ran from the group and now he's not sure why he did it, why he left, when he stands here now and realizes everything he wanted was already in front of him.

they have sending stones, a once a day chance to say something to each other in 25 words or less. they've been using them, keeping each other updated on where they are, that they're still alive, and kindling this flame even without dorian at the table, without even seeing each other, and liam has been carrying this torch alone for 78 episodes but damn it the flame is still lit regardless!

and orym always updates on their progress and location first, and with whatever words he has left he drops in a sentiment to remind dorian that they still care - that orym still cares. and orym is practical through and through, he's a strategist so he always always always uses his words wisely because he's so fucking limited by this spell but the last message he sent? he repeated himself, he admitted a weakness, he faltered.

he told dorian where they were. he asked if dorian could come their way. he admitted to struggling while his voice broke. he asked again but in a different way if dorian could come their way. he ended the message with the most heartbreaking "fuck, i miss you," i have ever heard in my life.

orym, the man who messaged dorian 52 episodes ago and said "glad you're not here, wish you were anyway." because they're constantly in danger, and he wouldn't wish that on dorian, but he still aches to have him near. orym, the man who confessed 13 episodes ago during a trial with his friends that he's lonely, that he misses dorian and sometimes he thinks it's okay and sometimes he doesn't - because he was married and is still mourning and how dare he have feelings for someone else? how dare he move on even when his husband would WANT him to be happy again? he indicated dorian was missed by everyone in three of his previous messages before the trial, before finally shifting to 'I, orym, me - it's me who misses you'.

and dorian, the one who replied to a message orym sent him with "stay steadfast, sending you fairer winds" in the most longing tone i have EVER heard. dorian, who kissed orym's forehead when they parted ways but that is the closest they have come to acknowledging whatever is between them. dorian, who has been to orym's home between exu and c3 and met orym's mom and knows about orym's husband.

when orym died 58 episodes ago, he went limp and the sending stone slipped out of his hand because he was trying to message dorian before he died, before he ran out of words and breath. before he was revived, there was a moment he stood in the beyond and saw his husband and he told orym "you're not done," and orym said "i really wish i could stay," and then his husband said "i'll still be here," and orym said, heartbroken, "oh, i miss you so bad."

he told dorian, "i've really missed you," and "fuck, i miss you." i miss you is orym's way of saying i love you.

they're so close. they are so close. and orym fully died 19 episodes after dorian left, but he was revived and then never told dorian via sending that happened. part of me wants dorian to find out and the other part hopes he never has to feel like he failed orym by leaving. because nothing could have changed that from happening, not even dorian.

they are so close to reuniting, orym has needed dorian back for WEEKS and he's so close. i'm begging them to hold on so they can hold each other again.

and, again, from a literary point of view, you know the wildest part about all of this?

none of it is scripted.

[siensapsap]

C3 E95 SPOILERS AHEAD

An interesting point that I haven't seen anyone make (yet) (I could have missed it) is that Delilah wants Laudna to blame the trauma of her dieing on the sword.

Everyone was hurt by that sword, and that means two things.

1) Orym should have asked before starting to carry it for himself.

2) Laudna should have asked instead of trying to steal it for herself.

Now, for Orym the reasons are kind of obvious as to why he felt like he could take it. It has taken two more people from him than from the others, and I think part of him saw it as carrying the burden of the sword for the entire party. He still should have asked, but he wasn't being unreasonable.

(I don't think Laudna was either from her perspective, but hear me out for a sec.)

Now, why would Laudna feel like she had the right to take the sword for herself without consulting anyone? How does she feel more entitled to it than the others?

I think she connected the added pain from what happened to her after dieing to that sword. And I think that's a combination of a coping mechanism and Delilah playing into that.

Because from Laudna's perspective it's a lot easier to blame the sword for that pain than to have to deal with the fact that it was the person that's still living in your head. It's a lot easier to blame the sword than to accept that your abuser can still hurt you and you have no control over that.

And from Delilah's perspective isn't it a golden opportunity to both shift the blame for that trauma off herself and drive a wedge between Laudna and the party at the same time?

The sword did not hurt Laudna worse than it did Fearne or Orym, but Delilah did. Delilah forced her to live through that nightmare, Delilah refused to let her rest in peace, Delilah is the real problem, not the sword.

This goes for the entire night, btw. Laudna should have asked, but Delilah would never let that happen. That would have meant stronger communication and bonds with her friends, and that would make Laudna less vulnerable to Delilah's manipulation. So she poked and prodded until Laudna couldn't think clearly anymore.

I just think that framing it as if the sword has hurt Laudna worse because she wasn't resurrected immediately is exactly what Delilah would want.

Just like framing this as a Laudna vs Orym thing, instead of Delilah causing problems, is exactly what Delilah would want.

Fuck Delilah.

[elle-thereafter]

Player characters are talking things out less in C3. That’s because the players created characters that are less inclined to open up, are interpersonally conflict-adverse, are lacking self-awareness, and are deflective. There are plenty of opportunities for interpersonal RP that the players are choosing not to take. Choosing not to do something is revealing character and is creating a fascinating dynamic which is different from the previous campaigns.

What we have here to varying extents and extremes are a bunch of Scanlans. What we have is a powder keg.

What happens in a snowballing, urgent situation with high fucking stakes when a party like this doesn’t talk, doesn’t bond, and chronically lets things fester? Like, I guess be cranky if you want because there are fewer regular moments of interpersonal RP than previous campaigns, but I am way more into the fact that it also means when we do get it, it’s often explosive! Or sometimes extremely subtle and beautifully nuanced! Where small little moments carry huge meaning, like a small moment of Ashton leaving a piece of FCG in Aeor and saying “welcome home buddy”. That’s such a beautiful moment of grief that punches so hard because there hasn’t been time to grieve properly. Because sometimes the reality of your world means you can’t, you have to keep moving and keep fighting. That has consequences and effects on characters.

Not every group talks things through, and it’s adding so much delicious extra tension because we don’t know when the next interpersonal explosion is going to happen. It could be at the absolute worst fucking time and have huge ramifications for the plot purely because of timing! That is thrilling to me! Half of why I’m enjoying this campaign is because they aren’t talking and shit keeps building up and building up in the background. That Dorian hasn’t told anyone literally any details about what went down just before he returned is juicy, juicy tension and it’s having effects, like Dorian being more inclined to agree with Ludinus and Orym not understanding why which is starting to manifest as conflict. That’s great characterisation and fantastic role playing and messy and interesting and so fucking real.

[shorthaltsjester]

okay but i am very confused about the energy regarding the weavemind as. bells hells specific enemies? like sure they’re on ruidus and have been introduced in campaign 3 but none of bells hells have expressed a specific interest in taking them down, the weave mind has committed no specific crimes against bells hells that would equate it to being Justice™ for bh to fight them. even if you want to make the tenuous connection that like imogen and fearne are ruidusborn: both of them have focused much more on the consequences and revelations about their families that have come about from their ruidusborn existence than the authoritarian leaders of ruidus itself. so, uh, it is profoundly more interesting to have the party go after the person in charge of the army cult that contextualizes both of their existences and the trauma of the entirety of their party than a obscure group of villains that bh has no actual tangible relation to. like this was literally laid out in the conversation. bh get the cage and ludinus because that’s Their Fight that they’ve been fighting since imogen started dreaming and since orym’s family got killed. vox machina is taking the bridge because of the vax of it all. and mighty nein got the third less prevalent thing, because they’re experienced with psychic threats and manipulation (and also because of course the mighty nein are the ones dealing with the assignment less likely to be seen or heard about).

like the in-character reactions to the breakup of activities were only really considered anything close to negative by braius and dorian who while certainly now members of bells hells aren’t the ones upon which people are claiming to build their “this story is an injustice to the bells hells” sure it is. like ignoring the fact that being unable to get closure on every single issue and potential villain is a long-standing tradition in cr campaigns, i thought the thing everyone loved so much about bells hells is that they’re the npc party? and for better or worse c3 has been about being fast paced and it would be extraordinarily out of character for matt to say “oh these two high stakes and powerful groups have decided to fulfil their plans one at a time so that bells hells can sufficiently take them out.” like the only way that bells hells — the lowest level party — getting to take out One Of The Most Powerful Exandrian Mages is an injustice is if you’ve ignored the entire campaign and its context. like seeing the complaint that “it’s not bells hells story” yes, that has been made clear time and time again in the past 100 episodes. it’s completely fair to not like this, it’s extremely odd to see this as some sort of surprise wrecking ball that has come about in the decision to have more than one party of eight fuck ups trying to stop the unavoidably obvious world ending threat that exandria currently faces and not as something that has been made repeatedly clear by the themes and position of bells hells. like, throughout, unlike vm or mn, they have been handed their missions rather than choosing them (even if between 2 or 3 choices as was often the case with mn), they have explicitly discussed being the npcs or little guys, they have consistently gone to the bigger guys for help with things that previous parties either managed themselves or suffered without or had allies to help them (versus the like. Leaders that bh look to), even the dynamics of the parties express that bells hells are people stuck saving the world due to a bunch of personal moral codes rather than a specific decision to save the world because they’re the only ones who can, they’re expendable. that has made this campaign different throughout, it has made the characters less explored because they don’t have the time or means or desire to do so. and again it’s a matter of taste whether that’s something you enjoy, but it shouldn’t be a matter of “why would they do this” this far into the Bells Hells Aren’t Special They’re Just There campaign (which isn’t to say the characters aren’t special or whatever like they’re a bunch of weirdos but as a party they’re just a party)

[chaotic-archaeologist]

Any chance you know of some good archaeology/history youtube channels? Everytime i try searching i just get aliens and atlantis garbage

First and foremost in my heart will always be Time Team. This is a tv program that does three day digs in the UK, and it has some of the most realistic archaeology I've yet to find on tv. You can watch old episodes for free on their official YouTube channel (linked above)

I personally enjoy the historical programing done by the American Battlefield Trust. It's very Civil War-centric, and it does fall into the very politically-middle-of-the-road category that a lot of military organizations do, but they're good for what they are.

Tasting history is pretty much exactly what it sounds like! Think B Dylan Hollis, but maybe less sass and cooking as well as baking.

Karolina Żebrowska is one of the best and funniest historical fashion YouTubers I've yet to come across. Iconic, truly.

Janet Stephens does EXPERIMENTAL HAIR ARCHAEOLOGY! Basically, she finds out how to accurately recreate incredibly complex hairstyles from the past based on art. She's awesome.

Modern History TV is my go to for all things Medieval. He does a great job demonstrating the ins and outs of everyday Medieval life.

Enjoy, -Reid

[utilitycaster]

This question is entirely in good faith: I’m currently watching campaign 2 for the first time, and you’ve said multiple times that you are a mighty nein girlie above all else. I am enjoying it, I think it’s fun and characters are great. But I find myself preferring campaign 1 more. I know this is a minority opinion as everyone loves campaign 2, but I just can’t really find myself embracing it the same way. What is it that draws you about the MN?

So I do want to preface this with the statement that I think it’s extremely valid to prefer Campaign 1 to Campaign 2. Plenty of people whom I respect do! The Mighty Nein happen to appeal to a lot of my sensibilities specifically but I don’t expect it to appeal to everyone else in the same way.

I also want to note that while it's true Campaign 2 is the fan favorite, firstly, the correct response if you prefer something that isn't the fan favorite is to commend yourself on rarified taste, and secondly, statistics are a funny thing. It's worth remembering that what you see as the Critical Role Active Fandom mostly doesn't include people who dearly loved Campaign 1, didn't like Campaign 2, and drifted away entirely in 2018; whereas people who loved C2 and didn't click with C3 are a little more likely to be around just because it's been less time and because there's more non-main-campaign stuff to hang around for (ie, people who haven't kept up with C3 might still have watched EXU Calamity or Downfall, or might be interested in Midst or Candela stuff, or are hanging out for TLOVM/Nein Animated reasons). You are not seeing Every Person Who Ever Liked Critical Role; you're seeing this segment in time.

ANYWAY. Getting to the actual point, I think Campaign 2 is my favorite because I think I take a fairly holistic view of fiction. I have my favorite characters and ships and themes and all that, but it is difficult for me to enjoy something if I don't enjoy a significant portion of it. I can't just watch for one blorbo, because the character should feel deeply rooted in a world, and have a plot that engages with who they are. This is what drew me to D&D and actual play in the first place!

Campaign 2 is the CR campaign that, in my opinion, achieves this to the highest degree. Hilariously, if you see the campaigns as a trilogy, while usually the middle of a trilogy gets slammed for being all moving pieces and no resolution, that actually works out great for a D&D game. Campaign 1 had the responsibility of introducing an entire world that was being built as the game went on (and introducing the players to TTRPGs); Campaign 3 is the realization of all that plot set up. Campaign 2 gets to explore, build out the world, and delve into characters who are inextricable from their setting, and that's what I love.

I started with Campaign 2, but decided to start catching up on Campaign 1 concurrently as I watched C2 week to week, and I started this quite early and finished C1 in about 4-5 months, and I happen to remember that I watched C2 episode 12 and an early Briarwoods Arc C1 episode back to back, and at the time, I preferred Campaign 1. Campaign 1 has its rocky starts, but the cast had already found their characters (even if the mechanics were being ironed out still) and there were very clear tasks. Early Campaign 2, while I still enjoy it, has a lot of milling about and aimless fucking around, and, understandably, the cast is still figuring a lot out. If you put, say, the Nein in Alfield next to Vox Machina at the Briarwoods Banquet? Yeah, one of these is stronger.

The thing is, that aimless fucking around led to character moments, which is the absolute heart of why the Nein are my favorites, and why I think many others love them as well. Without a clear mission or benefactor, this party had to figure out an identity and what they wanted to do, and in doing so, we got incredible moments between pretty much every party member. Vox Machina has no shortage of incredible conversations, but, for example, Keyleth and Scanlan just straight up don't interact one-on-one very much. You can't point to something like that in the Nein. I also think the fact that none of the characters knew each other terribly well helped with this. I've brought that up to contrast with the bonds in Campaign 3; it's not a bad thing to have a person your character comes in with and knows well, but much as I adore a twins conversation, the reason those conversations are so good are because Vex and Vax both spend a lot of time with other people as well. With the Mighty Nein, everyone has to do that because really, with Yasha gone half the time and then with Molly's death early on, we've got Fjord and Jester (have known each other like a month longer than anyone else) and Caleb and Nott (six-ish months and they're both hiding a lot.)

I really do get if people prefer that Vox Machina has two clear missions (with plenty of fuck around time built in) to start, the show-stopping Briarwoods arc next, and then the Chroma Conclave, especially watching after the fact - I am not sure how C2 is if you binge it vs. watch week to week, and it may suffer from a binge watch whereas C1 honestly might benefit. But the payoff is so great; you do not get the interpersonal relationships the Nein eventually have with each other without that early need for them to set their own direction.

Moving on from there, I love the setting of Wildemount and how much slow travel there is (which, to be fair, Vox Machina didn't have because that was all pre-stream; the Nein started teleporting at level 9 and Campaign 1 starts with the party at level 8). I love, as I mentioned, how tied to the continent everyone is and how relevant that is to most of their stories. I do think Molly's abrupt and unfair death early in the story is a crucial part of who the Nein are, and serves as a defining moment that is impossible to replicate but is very meaningful to me.

Also, and this is getting into some very idiosyncratic stuff: I love wizards and clerics and paladins and we get all those. I like gruff or overly formal characters with tragic backstories and good hearts and that's most of the party (unsurprisingly, Vex and Percy, in that order, are my favorite VM members). As someone who is constantly fighting the "Dump WIS not INT" fight, the fact that the Mighty Nein is fairly smart and has multiple characters specifically interested in history and politics and lore is right up my alley (the twins and Percy and Scanlan in C1 serve a similar purpose, and the fact that C3 doesn't have anyone really like this...shows).

I also like that the Mighty Nein are never famous, and I think some people don't like that. For all they are heroes of the Dynasty and end up with connections in the Empire, they aren't council members or tied to anyone specific, and this floating mercenary nature means they are setting their own pace. The only part where I think things get frustrating after some of the rockier early days is when they're hunting down Obann, and that's only a few episodes. While Molly's death is a defining moment, what is honestly a more defining moment is a few episodes earlier, when they decide against the multiple institutionally-backed job offers and decide to take a couple of jobs that will get them out of the city. I think it was jarring for people used to Vox Machina, with their duties to the council of Tal'Dorei, who dedicated a third of their campaign to saving the continent from dragons; but the Mighty Nein's greatest duty is always to each other and to becoming better people. The focus is always on them. Yes there are fetch quests, yes there are NPCs who give them some unavoidable tasks, and yes people use the term "player agency" in weird ways all the time; but the Mighty Nein are, I think, the zenith of what a player agency driven campaign can be. The story is, above all else, theirs and theirs alone.

I don't know if there will be a Campaign 4 - I'm a bit more sanguine about the prospect than I was earlier in C3 - but for what it's worth I don't think Campaign 2 is irreplicable. Or rather, it can't be replicated, obviously, but I think they could do another campaign that is deeply tied to its setting and lets the party choose their own adventure in the same way. It just takes a little more prep up front, and a little more flexibility once it actually starts. If there is a campaign 4, I really hope they do it in that same style.

[midnightmorpher]

✨ MM’s Daily Update: 28/07/2024 ✨

Update time!! I’ve decided to give my fic a little push today; I won’t do it every single day of course, but I thought since it’s been more than a week, I can afford to do it now.

It’s a slow burn Reader/DCA fic, and I’ve only just realised the “slow burn” abooouuuut right now. I started writing it for fun, and while I’m still doing it for fun, I can’t help but constantly tweak things here and there, which led me to rewriting the first 3 chapters. First 2 chapters are done and I’m working on the rewrite of the 3rd chapter and the new 5th chapter.

The first draft of C5 is basically done, and I’ll be giving it another once-over before calling it a good-to-go chapter.

I’ve left C3 alone for quite a while because of C5, but I’ve managed to more or less rework the beginning portion (the one with the messages). I have a rough idea for what I want changed, MAINLY the “climax” of C3 (if you’ve read it, you probably know what I’m talking about), as well as a bunch of little details I want added.

(Mainly I want Sun to toss rubber gloves at Reader. No you don’t get context yet)

Writing aside, I’ve made a bit of progress on my moon wall hanging. It’s still too little to be able to tell what it’ll look like when finished, but I’m so far happy with how it’s turning out.

That’s about it for today! I’ll be turning in to bed now, and hopefully I’ll be able to actually start leaving comments on DCA fics again tomorrow. I’ve put it off for far too long

[mahi-does-some-art]

Mahiru Shirota's life is going to fall apart as soon as we get any, any new information about his mother.

With chapter 136, Lily reveals to Misono that Touma Taishi is Mahiru Shirota's biological father and it was the reason why Lily had planted Kuro in that alleyway to pick up. I am inclined to believe him because it adds up in the story as a whole; Why Kuro was there in the first place since we know he had been asleep under Alicein manor for the last 200 years.

Along with the fact that Hokaze (Misono's mom) was finally revealed to be a promiscuous woman who was a very active participant in the cheating scandal, I cannot believe that Akira was in no way involved in this plot to resurrect the Count Saint Germaine. Akira may not be on the side that wants to bring him back but she was a part of it no less, we just do not know how yet. (I am figuratively biting my nails waiting to see the ball drop for her)

She was very aware of vampires, magic and mages, this is a fact not because we know that she herself is a mage, we do not know that much, but because of Tooru. He attended the same high school/prep school that Misono does that has direct ties to C3 recruitment and we know he's been involved with Touma since his days there and they fought/killed vampires since then. Along with the Shirota family no doubt being a mage family, Akira was not at all oblivious to this.

I do not, however, think that her sleeping with Touma and creating Mahiru was any plot nudged by any Servamp or like. Why?

Because Lily had genuinely believed that Touma would come to Mahiru's aid in a life-or-death situation that would have otherwise killed him, and was rather shocked when Touma tried to kill him on his own. At least according to what he told Misono. (I believe most of what he's telling Misono except that he doesn't actually care about Misono. I think he's trying to made Misono mad at him beyond reconciliation for Reasons because he's a fucking coward who, if loved properly, won't be able to go through with his and Mikuni's plans)

Anyways, the reason I say Mahiru's entire world will fall apart instead of his views of his mother is because of one specific instance in the manga; Tooru thanking Mahiru for saving Touma. Not for saving Tsurugi like Mahiru probably thinks he was saying, Touma. Because Lily's plan included Touma dying because he was so close to figuring out how they were going to revive the Count.

If Touma HAD died, the good guys wouldn't know what would be happening. Tsubaki, Envy pair and Lily would have been completely clear to start the ritual while completely blindsiding everyone opposed ON TOP of starting the ritual a day early. They'd have been a lot less prepared than they are right now. Touma was a huge danger to the ritual's success.

Tooru knows this. He knows whats happening. Yes, he's also just relieved his childhood friend and coworker isn't dead thanks to his nephew but that isn't the only reason.

Why would Tooru leave Mahiru alone with Tsubaki in the restaurant they went to? Why would Tooru pretend Kuro was a burglar when he saw him chilling in the apartment and then so quickly drop the fact that there supposedly was a burglar in the house, all when we know he must have known who Kuro was the moment he saw him. Even if this was early manga and we did not yet know he was an elite of C3!

Mahiru's entire world is going to fall apart not only because he'll learn his mother is not the woman he thought she was, but because he'll learn he's been betrayed by his uncle in a way far greater than him leaving him alone and lonely for months at a time.

Tooru knows. And has made sure Mahiru didn't under the naive guise of protecting him.

[luckthebard]

So this is a very niche rant that is probably only something I've noticed or been annoyed by, but:

The longer Critical Role has gone on and the more changes they've made/content they've created, there's been an increase in weird people who are desperate and determined to prove that changes or content they don't like are "an objective failure" - but often lie or deliberately misunderstand viewership statistics to do so.

There are a few big "facts" I see repeated by people to argue that CR has "gone in the wrong direction" that are just plain wrong, and I think what annoys me most is seeing so many people engage with those "facts" without bothering to double-check them or push back against the certainty with which people state them. An example of one I keep seeing now is "twitch streaming numbers are down" and it's like, yeah, sure, in comparison to when they didn't simultaneously air on YouTube. If you add up the YT and Twitch numbers these days it's about the same as mid-late C2, but people love to act like YT streaming doesn't exist to make a point that "people don't like C3". And I tbh don't care if people like or dislike C3 but why this determination to falsely quantify and validate a personal preference?

The earliest I saw this was an intense agreement on reddit that Exandria Unlimited was a "failure" for CR, "unlike Undeadwood," because viewership numbers were lower. And it was tbh baffling to not see pushback against that narrative, because it's just objectively untrue. Original EXU's VOD streaming numbers are higher than every single episode of Undeadwood, and it premiered literally years later. It also has a lower "drop-off" in viewership (comparison of how many views episode 1 vs the finale has) than Undeadwood, despite frequent claims to the contrary. And don't mistake me here, I really enjoyed Undeadwood, but it actually was a viewership misstep for CR to the degree that they didn't try anything like it again for a while after and significantly changed how they approached marketing and airing miniseries. (A big one being: don't air a long miniseries simultaneously with the main series, it's too much content for most people to invest in during a week.)

(Sidebar, but another great miniseries CR did that didn't get a lot of viewership love is the Elder Scrolls Online trilogy, so I'm going to plug it here. It has some weirdly low viewership numbers on episodes 2 and 3 and I promise you they're both well worth it.)

The other one I keep seeing is "4 Sided Dive has lower numbers than Talks" which is also just not true. Most 4 Sided Dive VODs have nearly twice as many views as Talks VODs (and I'm using the ones that aired directly on the CR channel as a metric here, not the ones re-uploaded from G&S which lost numbers in the change-over). And I'll tbh chalk that up to the fact 4SD airs much less frequently - people are more likely to think it's necessary to watch whereas with Talks if you weren't interested in the guests you might skip a week. I'm not making any claims about the quality of either show, but the use of false viewership statistics to support "one of these sucks" is so rampant and so weird.

All this to say that yesterday I saw a weird viewer-hungry YouTube clickbait video titled "Midst a FAILURE for Critical Role!!" with a truly absurd confidence on what the VOD streaming numbers for the Midst YouTube videos mean for the series mere days after the premier and snapped.

tl;dr, people just make shit up and say whatever on the internet all the time and we hopefully all understand and expect that BUT (and here's the more annoying thing) 9 times out of 10 people just engage with that WITHOUT LOOKING INTO IT THEMSELVES