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samwpmarleau · 1 year

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Thinking about the dynamic between Keeley and Jamie throughout episode 8, and while much has been made of the accountability aspect, what I also find really interesting and compelling is the level of trust. We’ve seen that often from Jamie’s side in the series but not as often from Keeley’s, and it’s the latter that’s most on display throughout this episode.

Putting this under a cut for length (aka the result of overthinking and insomnia) and gifs:

Gonna start from the beginning.

It’s not like Keeley doesn’t know who she sent the video to. Of course she knows. Yet, she doesn’t jump to anger or betrayal, both of which would be perfectly understandable. “Shit. How did that get on the internet? A private video that —” is what she asks to herself (she’s then cut off by Jack).

She’s upset, but what she is most is baffled. She’s wracking her brain to think of a reason it would be out there. The idea that Jamie would leak it of his own accord is so improbable as to not even cross her mind, or else confusion as to how it got out wouldn’t be the salient emotion.

Then we get her odd order of priorities as to who would see the video. Family and friends first — then the team. Not the office, of which she’s the boss, that comes last.

Some of that is likely embarrassment/reputation, especially because the team is all men, but not the entirety. Personally, I think there’s another element of realizing that even though people may not put it together that it came from Jamie’s email, he was a victim in all of this as well. Not to mention the Roy of it all, which, as we found out, did not go well.

Speaking of which, her reaction right before this is quite reminiscent of her reaction in 1x03 regarding the photos of her and Ted:

Whether that’s intentional or not I don’t know, but nevertheless, both instances are intricately tied to Jamie. In 1x03, she says, “Jamie would have been so pissed off with reporters poking around in our love life.” While in this case it was hackers who leaked the material (though reporters wrote about it), the concept is the same: people poked around in their love life.

Then we get to Jamie finding out about it.

At first, he’s just got the same sort of sympathy/confusion that the rest of the team has. However, it’s quickly followed by dawning horror as he has the realization of, “Oh fuck. The emails.” Fabulous acting by Phil there, both with the face journey as well as the nervous fidgeting that manifests with the aforementioned realization.

As a side note, I also find the framing of that shot interesting.

Sure, it’s the furthest thing from a secret that Jamie and Keeley dated. But that was two years ago. Will wasn’t even there. I’d think they’d look at Roy long before they looked at Jamie, particularly because the video doesn’t appear to be timestamped. For all they know, Keeley sent the video to Roy, or even Jack. Jamie had just gotten done telling everyone his policy of deleting exes’ photos and videos and here is a leak of a video from one of his exes, so it might be that they find it a strange coincidence. But they’re not looking at him accusingly; they’re concerned, almost wary, checking for his reaction. Idk, it’s just a curious directorial choice to have his teammates focus on him.

(Unrelated, the fact that Keeley’s method of distracting herself from the situation being making designs out of sprinkles I think is so cute.)

Something I also like about all of this, and which no doubt contributes to Keeley’s confidence in Jamie, is that while we have to take him at his word that he deleted stuff from his phone since we’re not privy to it, it’s believable — he’s walked the walk for the public stuff, so it would track that he’d do so for the private stuff, too. This is his locker while they were together:

Full of photos of her (and only her), photos that from her conversation with Rebecca we know she gives the green light for. Those photos were her choice, they were in magazines anyone could find. They weren’t personal photos, even though it’s safe to assume she sent Jamie plenty of those. Is it the classiest of displays to have in one’s locker? Obviously not. He could have put up pictures where she’s more clothed, or pictures of the two of them. But there’s nonetheless a level of respect there in that those are photos she signed off on. And more importantly:

This is the very next episode after she breaks up with him. There are no photos of her at all; he’s taken every one of them down because she’s no longer his girlfriend and so it would be inappropriate to keep them up. (Yes, that’s like the bare minimum of decency, but Jamie was at peak asshole at that point. I don’t think anyone would’ve been surprised if he kept them up.)

Moving on to the ending. Here she is right before he shows up:

A mix of anger, frustration, and sadness. Between the video itself, Roy’s shitty response, and the presumed breakup with Jack, she’s had a really rough time of it. She definitely doesn’t look to be in the mood for visitors. Yet this is her response to seeing Jamie on her doorstep:

(And his in return, which I’m including for no other reason than that it’s adorable.)

After all that emotional turmoil and the knowledge that the video came from Jamie, that’s how she looks at him. She’s delighted. Why? Because, again, there is no doubt in her mind that he didn’t do it voluntarily. She may not know why he still had the video available to be hacked, not until he explains it to her, but ultimately that part doesn’t matter. What matters is that not only did he not leak it on purpose, but he hasn’t watched it since (or shortly after) they broke up. She trusts him unconditionally. Even when he tells her that his email password was “password,” she’s not pissed off or devastated. At worst, she’s exasperated.

Should he have had a better password? Of course. But it’s still not his fault. He was hacked, alongside a bunch of other people. There may even be explicit photos or videos of Jamie himself that got leaked.

Lastly, most poignantly of all, is her reaction after he gets done apologizing.

Roy and Jack both said they were sorry she’s in this situation, that it sucks, etc., but they both subsequently dropped the ball. Jack wanted her to apologize for something Keeley shouldn’t have to apologize for, and Roy’s insecurities and jealousy made the situation about himself when he asked her who she sent it to (which I don’t think was OOC or makes him a bad person, for the record, as I talked about here). Jamie was the only one of her past significant others who handled things correctly.

(I’d also like to point out that instead of deciding not to have the conversation at all due to him being too nervous to text her, he comes to her house to have the conversation in person.)

He acknowledged the shittiness of the situation, asked her how she was holding up, apologized for something that wasn’t even his fault, didn’t allow her to let him off the hook, overexplained why he still had the video, and if anything expected a negative reaction. So, although this may not have happened if Jamie had had a stronger password or remembered to delete the emails, he’s the only one of the three who gets a smile and a hug that they both needed.

And it is exactly that — what they needed. Even in her conversation with Rebecca (who was certainly a great friend), Keeley was feeling unsure. She didn’t know whether she should feel ashamed and regretful or not. Which makes sense, of course; not just because of the video itself, but because of the person it was sent to. Her and Jamie’s relationship crashed and burned, Keeley was a different person then, someone she wasn’t proud of, and she thought she’d put all that behind her. To have it all dredged up, be reminded that once upon a time he was the one she wanted to send videos to must have made her feel incredibly conflicted.

So to have not only anyone but Jamie in particular shoulder the “blame” and validate her without any qualifying of it, who understands because even though it was her video, he was the one who was hacked and thus would have a similar feeling of violation, well, the relief would’ve been — and, as we saw, was — overwhelming. Not only that, but Jamie is the only one in her life who knew her before the series began. Before Ted came into the picture, before she was friends with Rebecca, before she dated Roy, before she became the boss. Jamie’s been there through it all, for better or worse. And he’s gone through a parallel pattern of growth. Seeing him on her doorstep contrite and commiserating? It provided her a sort of grounding post amidst the chaos.

I just love the way all of this played out. That Jamie feels the gravity of what happened and his inadvertent role in it, and that at no point does Keeley think he did it on purpose.

She’s always had unwavering faith in him, and this is a beautiful example as to why.

#absolutely NO ONE asked for this but too bad #i'm doing it anyway #jamie tartt #keeley jones #jamie x keeley #(not really — it's not a ship post — but tagging to be overly safe)#tl

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tarisilmarwen · 1 year

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Rebels Rewatch: “Rise of the Old Masters“

Happy Father’s Day! Rather appropriately we are talking about a keystone Kanan-Ezra episode today. I swear I didn’t plan that, just how the timing worked out, lol.

Anyway...

I briefly mentioned this in my coverage of “Spark of Rebellion” but one of the reoccurring elements that tend to crop up in all my favorite characters (because I’m horribly predictable and have a Type) is:

“Has complicated yet ultimately heartwarming storgeic relationship with (surrogate) father figure.”

Soooooooo yeah, Kanan and Ezra pretty much hit me right in that particular button.

Poor Kanan fumbling with the lessons that came so instinctively to him. XD

“Actually that one always confused me too.” Love that Kanan can admit it.

Kanan’s approach is almost adorable in how inept it is, he’s just kind of throwing things against the wall hoping something will stick. In perhaps the worst environment to do any of this.

(Seriously Kanan, on top of the Ghost, while it’s in midair?! Disaster was inevitable.)

Hhhngl, look how Ezra’s eyes light up when Kanan offers him the lightsaber, he’s so eager for this.

Another quick instance of Ezra flinching as if anticipating being hit, watch close and you can see he ducks his head as well as squeezes his eyes closed briefly.

Kanan forgot to teach good weapons safety lol.

Ezra actually gets a few cartons when he peeks. :)

Aaaaaand down he goes, certain unmentioned uncharitable portions of fandom will not let up on Kanan about this particular series of mistakes.

Is practicing on top of the Ghost irresponsible child endangerment? Yes but... that’s literally the point????? Kanan has no idea what he’s doing and makes horrible mistakes left and right????? That’s why he’s so afraid and reluctant to teach Ezra????? That’s his whole motivation for wanting to go get Luminara?????

Oh but if characters do not relate to each other absolutely perfectly without any friction or conflict or mistakes whatsoever that’s horrible and toxic.

Said at least one Maul stan without a hint of irony.

Okay, done salting, let’s enjoy this moment of Ezra trying to play it cool in front of Sabine despite being in eminent danger of falling to his death.

“What, no, this is nothing. I’m fine.” XD

Fun fact: Pretty sure a gifset of this moment was one of the first Rebels-related posts I ever saw on my dashboard.

Hera looks very concerned here, lol.

And our first glimpse of what a Loth-cat looks like. Cutest addition to the Star Wars menagerie ever.

Ezra’s theme is piping in here, fragmented and quiet.

*resists the urge to go into another ranting paragraph about how uncharitable parties in fandom use this scene to argue that the Ghost crew are actually terrible towards Ezra and don’t care about him properly*

Once again, everything in the eyes. So much is unspoken but conveyed with just a look.

Friiiiiiick his expression here breaks my heart.

Casually referencing the events of last episode which should have been fandom’s first clue that it was more narratively tied into things than they thought and also introducing a new story element that plays out later. I don’t remember what I thought about Gall Trayvis the first time around, I’m pretty sure I found it weird and fishy though.

Ha ha ha the casual Fridge Horror of the Imperial broadcaster talking about a “planetary liberation” via Base Delta Zero protocol.

FOR THOSE OF YOU WHO MIGHT NOT KNOW: Base Delta Zero is basically code for “Have a bunch of Star Destroyers systematically incinerate everything on a planet’s surface from orbit.”

Soooooo yeah, there’s probably not much left of that particular “liberated” world.

Kind of interesting that Ezra chooses to confide in Chopper about his fears here.

I do like the nice cloud effects.

Kanan is in a very serious mood here, one we haven’t seen from him yet. Speaks to the depths of how badly he wants this to succeed.

Badass Stormtrooper takedown immediately ruined by feral gremlin child. <3

Aaaaaand yet another instance of Ezra flinching like he expects Kanan to hit him. Just what exactly caused such a pronounced startle effect, exactly?

Don’t think about bby Ezra growing up on the streets, don’t think about bby Ezra growing up on the streets--

Ezra looks so crestfallen here ow ow ow ow. :(

Hera shivers as if it’s cold, which could be taken straightforwardly but also I like to think she senses the bad vibes about the place.

Oh hey, now’s a good time to remind people of the horrible headcanon theory someone sent me about why Kanan can still sense Luminara even though she’s dead.

You’re welcome.

LOOK AT THIS TIRED FATHER AND HIS THREE HORRIBLE CHILDREN. Love how Zeb and Sabine openly roast him while he’s right there, terrible influences on Ezra the both of you. XD

Snrk, the one Stormtrooper getting his helmet caught in the lift doors lololol.

The music has been periodically sparse throughout this episode, the quiet parts giving all focus to dialogue, but it’s picked up quite a bit here.

I hear the Force Theme strings prelude of course.

It is physically painful how much Ezra already hero-worships Kanan and looks up to him. He didn’t want to learn how to be a Jedi from just anyone, he wanted to learn from Kanan specifically because thinks Kanan is so cool and amazing. Ezra is constantly in awe of him this episode.

But, I mean, is it any wonder that an emotionally vulnerable teenage boy with deeply-seated abandonment issues would latch onto the first available and positive adult male influence in his life?

The Force theme coming in more fully here to trick us right before the horrible reveal, though the way it sours on the end note is a little five-second musical foreshadowing.

Hi Grand, bringing the Imperial March with you I see.

And then his theme breaks in after the commercial break cut and lemme just appreciate it again, it’s so nicely dark and foreboding. That tiny little snatch of Force Theme on the trumpet can barely be heard through it, it’s too overpowering.

Grand refrains from going for an easy kill several times this fight. He likes to play with his food, apparently. Even toying with Kanan he’s waaaaaay outclassing him, very neat and precise fencing strokes here.

Kanan’s heavy flailing is actually very at odds with his supposed preferred form, Soresu, Form 3, a primarily reflective and defensive form, which makes Grand’s comment about him being a poor student sting a bit more.

Lololol my man doesn’t even flinch at Ezra’s slingshot bolts.

Hngl the smoke element is fantastic here. Watch it waft around Kanan and Ezra as they run through it. This is not the kind of effect work you usually get on CGI kids cartoon shows.

Kanan’s form actually improves a bit after the cutaway, his footing is more solid and he’s expending less effort, making his blocking stances more effective at turning back Grand’s blade. So that jibe from Grand apparently kicked Kanan’s brain into focus.

Oh yep, all those troopers are dead, that is not a survivable explosion.

Kanan’s managing the spinny Jedi flips now; he’s untensing and likely falling back into muscle memory and connection to the Force. I love how Star Wars tends to depict Jedi survivors getting back into practice after they haven’t picked up their sabers or connected to the Force in a long while, awkward at first but slowly getting the hang of it again, remembering their training, moving through basics into more complex moves until they’re comfortable again. I know A New Dawn also depicts Kanan tapping into the Force as straining a muscle that hasn’t been used in a while, nice consistency across the board there.

“He is unfocused and undisciplined.” “Well then we’re perfect for each other!”

And one of my favorite Papa Wolf Kanan moments right here when Kanan slams Grand up against the ceiling. :)

The Force Theme is finally louder and more confident here and Grand’s has taken a pause.

Buuuuuuut it’s soon back in force lol.

I dunno what it is but I really love the animation in Grand’s unflinching run through the closing doors here, even when he has to leap over them he doesn’t even break stride.

Ezra’s slicing and lockpicking skills kind of fall by the wayside as he focuses more on Jedi training, which is kind of a shame, I liked that he was a bit tech-savvy in ways Sabine wasn’t.

Why I like to include little moments here and there in my fics where he still gets to use his talents.

Can I appreciate this little moment of Sabine reaching for him in concern?

Of course I can, who’s going to stop me?

And one of my favorite master-padawan moments right here, Kanan finally giving some solid instruction (”Picture the locking mechanism in your mind.”), doing it with him, and it’s something easy that Ezra can already do albeit on a bigger scale.

A very victorious Force Theme to mark the occasion. :)

Something Rebels does when it needs to emphasize Kanan and Ezra’s connection is basically have them mirror each other’s pose, this is one of the first examples. Ezra’s straining a little bit more in his expression but they’re perfectly in sync and mirror-matched limb for limb.

WHICH DOESN’T NECESSARILY MAKE THE PARALLELED IMAGERY IN THE FINALE HURT MORE BUT IT ADDS A LAYER.

Ohhhhhhh hang on, does anyone wonder if Hera leading the tibedees here was inspiration for the eventual purrgil surprise?

It’s on theme at least, lol.

I hear the “Rebels Shenanigans” leitmotif here, bit more dramatic than normal, lovely.

Ezra’s theme coming in as we return to Lothal and man, there’s really nothing I could say about this scene that hasn’t already been said, this is one of fandom’s favorites, we can all spill ink about Ezra’s fear of abandonment and Kanan’s sense of inadequacy and how the Force tends to bring together pairs that teach and grow each other.

How Kanan finally figures out and understands what Yoda’s “Do or do not” line means, how it’s all about your mental state, you can’t give up before you’ve started, you have to be all in and fully committed.

How he’s realizing he has to commit to this and not half-ass it and that leads him to adjust his strategy and go much slower and more meticulously in this lovely little last scene which has the distinct look and feel of a father and son playing catch in the yard. ^_^

Our first real “plot-heavy“ episode of the series, heavy on the drama and interpersonal character conflict. Can see why it’s the episode that convinced a lot of people to stay on board. It delves much more deeply into Kanan and Ezra’s master-padawan connection, the Found Family aspects of which are, of course, widely loved. Their relationship was always one of the show’s strengths. Like Ezra and Zeb’s friendship it starts off rocky but there’s an extra emotional and personal element in that Kanan is the teacher, the “parent”, and they’re both connected to the Force, something no one else can teach Ezra about. Kanan has to be the one to guide Ezra through that learning process because he’s the only one who understands it, who can bring that aspect out of Ezra and make him truly who he is.

Kanan really starts to step up after this. He’s still got a LOT of fears and worries and insecurities, as he’ll tell Yoda later, but he’s over his initial mental block now. All the better for Ezra, for helping him feel wanted and safe. :)

Ahhhh I love this episode, the character growth from this point to the end is just *chef kiss*. More worried spacedad Kanan up next week, hopefully I’ll have that post up quicker than this one.

Coming in last minute like my newborn last month oy.

#star wars #star wars rebels #ezra bridger #space dad and his precious pumpkin child #rebels rewatch #liveblog

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mdhwrites · 11 months

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Since you started Arcane I gotta ask. I think you mentioned about Powder not reacting accordingly to her family death from the bomb... on that scene she was sorry to Vi she messed up not that she killed their father basically. Vi reacted "normally" but Powder didn't show any remorse.

Do you think she became numb to "death" since she witnessed it from a young age with her parents on the bridge? Vi was a bit older so maybe she conceptualized it already. Since then it's clear they faced death many times around, Zaun is harsh environment/upbringing after all, what's horrible to us is average there. I think she may have became a sociopath from it. Vi as well to an extent but only to strangers, death of close ones will still affect her, Jinx cares if only Vi dies tho (well not just her. Actually I'd add more to that but it'll be spoilers until u finish so I'll wait)

So first: I won't be finishing Arcane. That sucks but at least until I can bury my own trauma from my brother, I just can't have that casting a shadow over it. It'll make it hard for me to enjoy any of it, let alone review it properly.

However, I actually want to rebuff this analysis of how Powder reacts and try and be a bit fairer myself. First: She does technically react to her father's death but she never apologizes. She instead acts like a small, frightened child. She starts shutting down, wanting to be assured things will be okay. That things are okay. It's a very classic response to this sort of trauma, not helped by the fact that, as someone else pointed out, Vi had taught her to react to things with violence but now violence was getting her in trouble.

That is the counterpoint though, isn't it? Milo says in the first episode that Vi was twice the person Powder was and I kind of have to wonder if that meant she actually, you know... Was a member of Zaun. Was a member of the violence and trouble. Even worse when you remember that while they're young, Powder still looks at least 5 during the battle at the bridge that claimed their parents. That KILLED their PARENTS. And she isn't breaking down or running from the scary man who just murdered an enforcer in that scene.

And the rest of the first three episodes are warring with itself over how to write Powder. Is she a ruthless child of Zaun, out for blood and to make a name for herself? The sort that would have absolutely godlike aim even at her age, at the point where she can far surpass others who are years older than her with ease? All while having a cold, expressionless face until she's done with her task? Or is she the innocent? The one who can only run and who seems damn near traumatized by the sight of just a street brawl happening in front of her? The noise fades out and echoes while things go into more slow mo like most media does to show something horrifying, which the street fight in episode 1 seems to supposed to be for Powder, but like... Is that REALLY the first street fight she's seen? Milo even says she needs to take a punch like she's literally never been hit, which does have the horror of Vi being the first person to hit her but this is the same person who made an explosive monkey filled with a material she knew could do some REAL damage to people and property.

It's still done well enough that Powder isn't awful. The pain of the last scenes of episode 3 are still mostly earned and I even admitted in my original review that I had to recognize that I had a problem due to personal elements. After all, characters can be multifaceted, have different sides to them, etc. like that... But that works a lot better for adults like Vander who have had the life experience to turn one side on and one side off. Even then, you still see a core of a person in there.

Meanwhile, Powder is fighting between the innocent little girl who's meant to die and her champion form, Jinx, and those parts to me are just a bit too incongruous. A little too at odds without a bit more smoothing out. It's SO close to being right though that I do want to cut it more slack than I originally did.

#Arcane #powder arcane #jinx

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theimperials1 · 2 years

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An Small Thought on an Old Forgotten Beta, and the Upcoming Episode

Certainly; the episodes to come of the series, starting with the second, are going to be full of intrigue and plot points that will slowly form and coalesce until we reach a climax, in which, we will likely find an unrelenting truth inside and outside of Copper 9.

However, putting that aside; watching both the teaser from February, and the newer trailers, including, of course, the trailer that was revealed very relatively recently; I must point out that, as someone who loves discarded content, I have noticed some incredibly strong similarities, between what we have seen, as well as what is already implied, and a beta of a video game that many have played - Resident Evil 4.

Now, I am not referring, evidently, to what many of you reading this article are reading: those village fights against crazed villagers, and action that always left a good bit of horror with the advancement of the plot (It is necessary to clarify that I have not seen nor am I taking into account the recent Remake of the same game). I'm referring to one of the many projects of this fourth part of the numerical saga that gave quite a lot of work to Capcom back in the day.

The "Hook Man Version" - From Resident Evil 4, or rather, for those who dig a lot into this; Resident Evil 3.5.

If it had been released, it would have been a real departure from the usual style of the serie's; considering that it involved paranormal events, but, all of it, tied firmly to the concept that Leon S. Kennedy, was infected with the progenitor virus, which was slowly beginning to take over his mind, causing visions and hallucinations - And there we start with the due similarities - while fighting enemies ranging from living dolls to mysterious creatures made of shadow and fog. (Which don't seem so far from that slimy monster seen at times in the trailer).

This precept, at least to me, seems to have hugely inspired the plot; I find many elements - Uzi, likewise, and even if the same is a computer virus, or a mutagen of some sort spread by N's nanites, is in a similar situation, as seen in the trailer, not to mention, those last few seconds of suspense, with her looking tantalizingly at her oil-stained fingers, in my opinion, I don't doubt that a similar moment could have been planned within Resident Evil 3.5; Leon perhaps about to devour Ashley? (of whom a Skin has been found wearing winter clothes).

But, the elements closer to the plot, and how much it might resemble it, is, even at the time of writing, a thing left to the will of Liam Vickers, and what he himself, along with Glitch, have arranged in the script of the chapters to come. However, there is one thing that is already possible to compare with some fidelity, and that is the aesthetic similarities - At the top of this post I have provided screenshots of both certain enemies, and Jc Jenson's apparent CEO mansion. I invite you to take a look at such comparisons and ask yourself this little question that maybe will be answered one day, or maybe not - Has this forgotten beta, inspired certain points of this series, whose revelations already in the second chapter put us on the edge of our seat?

I thank you, reader, for taking the time to read this little publication. Which I have allowed myself to translate with Deepl (with some tweaking done by me) - All thoughts and Opinions are Highly appreciated! (Also, i offer here an small apology for any Typos)

#murder drones #murder drones uzi #resident evil #resident evil 3.5 #resident evil 4 #beta #discarded content

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leviinbolt · 7 months

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⚡︎ headcanon . Cid's biological family & connection to the Motes of Thunder

According to both in-game entries and the Ultimania, Cid was born in the Outer Continents south of Valisthea; while very little of these lands is described in FFXVI, I imagine they were also ravaged by the Blight (which forced Ultima's migration to Valisthea, after all), which is a theory I subscribe to for the purposes of crafting Cid's background.

As a consequence of the spreading of the Blight, I think people attempted to leave for the Twins as soon as possible - and being from a family of modest means (also a canon fact), I headcanon Cid to have been the oldest of his siblings, trained from a very young age to fend for himself and survive at all costs. This made him a more than decent swordsman, enough to find him jobs in Valisthea with the frequent conflicts that erupted there.

The idea was simple: Cid was, like many others, an immigrant. He went to Valisthea and endured the journey (which is reported to be quite scary and infrequent in-game), keen on trying to support the Telamons to the best of his abilities in this new land. Knowing that he needed to send gil home or to prepare for the eventual migration of the rest of his relatives made Cid work hard - and at first, when Ramuh's powers surged and he was transformed into the Warden of Thunder, such fact was perceived as a blessing.

Even more so in Waloed - with a dominant for a king, Cid was not prosecuted but rather scouted by the monarch himself, who recruited the mercenary into his own army and kept close tabs on the younger man. It was Ramuh's power that made him climb the ranks rapidly and obtain a comfortable living condition in the kingdom, not to mention the respect of those around him... But all of this was not done for personal glory and success: Cid did it for his family.

Cid never really stopped thinking about them: and while communication was next to impossible, having a fixed address at Stonhyrr would have been a good thing, but Barnabas' isolation policy did not help. While Cid, as Lord Commander, had missions that extrapolated the borders of Waloed, the easiness he had to come and go was not shared with normal trading routes and even mail carriers. The letters he received from home were infrequent and few - and then ceased altogether.

It was hard for him to come to terms with the fact that the Telamons, as well as most of his homeland, were gone. While Cid was never able to confirm it with his own eyes given how dangerous the journey back could be and the rapid advance of Blight in Ash alone, he made peace with such outcome. Less and less people arrived from the south - if any. Not even people from Kanver thought differently, and they had the best scholars and academics in all of Valisthea.

As a result, Cid considers himself orphaned quite early on - and thus dependent on different connections to craft a sense of 'home' for himself, the first one being Otto. This invariably expands to the network of alliants and friends he builds over the years, even before leaving Waloed altogether, and further strengthens his resolve to take in Mid as a daughter when they first meet.

All things considered, Cid does not believe himself unlucky - many have lost their homes and loved ones to the horrors of the war in entirely avoidable episodes; he has some consolation that the Telamons at least perished together and hopefully in a painless fashion. If anything, he knows he has been given a fighting chance, one he intends to expand and multiply in Valisthea - eventually culminating with the creation of the Hideaway and his ambitious plans of demolishing the remaining mothercrystals.

As a final note: I do headcanon that the Telamons were descendants of the Motes of the Thunder, who originally inhabited Ash and lived closer to the mothercrystal associated to that element - Drake's Spine (again, according to Ultimania). These were the people among which dominants of Ramuh would be born into, and, in many ways, seeing Cid journeying (back) to Ash as a sellsword is a 'homecoming' of sorts.

However, he remains unaware of this (even given the way he talks about Ramuh choosing him, years later) and I do not think Cid realizes that this connection also gives him a different understanding of the world and a fondness for engineering and science that, instead, he credits entirely to Mid (as in her genius making his interest into these matters flourish as well).

#⚡︎ headcanons . we're all men and we should not die as anything less #welcome to the first #of my many ramblings re. Cid #if you think I've gone over all the tomes before doing these #you're right! :D #(and Ultimania fan translations ofc)

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kob131 · 10 months

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Soooo have you finished off Umineko? IIRC there's still some extra content and a short story that also includes details on some development trivia.

What did you think overall?

Uh...not in my version. Story's over after the 8th Hidden Tea Party.

My thoughts?

It's a very effective story.

I know that sounds like a thinly veiled insult or faint praise but Umineko has such a variety in tones, emotions, themes and general pacing that it's hard to define it in one way. What I mean is you'll have this very dark, gorey and horrifying moments like with the end of Episode 2 with everyone being eaten alive and then you have Episode 4 which begins with Beatrice busting into the room like a sitcom character. Or the despair of Episode 5's ending coming after this almost knight-like scene of Piece-Battler taking and dashing off with Beatrice in tow. Or the fact that we have a character whose parent is currently with Ragyo as 'worst anime parent' (complete with the incestous rape) in the same game as Battler making grabby motions at Shannon's tits and thanking Jessica for hitting him.

Like- Between the really sad factual events like how Sayo fucking kills herself which likely contributed to the long separation of Ange and Battler due to both brain damage from drowning and the immense tramua of the whole situation; the really sweet moments of Battler trying his best to help Ange live as happy of a life as she can and the sheer horror behind characters like Lambdadelta and Featherine- I don't know what to say to really sum it all up other than 'effective'.

The mystery element goes without saying considering the sheer number of times I humiliated myself trying to solve the mystery: it's obvious well hidden without being a sucker punch because many things in the story make logical sense with the knowledge that Shannon, Kanon and Beatrice being the same person.

The sad elements were enough to make me cry at the end as Sayo killed herself or when Battler returns to everyone in the new 'Golden Land' which also implies the new Gospel House will improve the lives of many orphaned kids, likely preventing the tragedy of Sayo's life from repeating.

The horror elements obviously worked- scaring me is not something easily done. I'm a guy who shrugs off horror pretty easily given my mom's love of Nightmare on Elm Street. But I legitimately find Lambdadelta's insanity and juxitposition unnerving and the concept of Featherine's abilities do legitimately come across as almost 'eldritch' in how they're presented between the font change, the sheer lack of malice or effort in her CG and the complete violation of cause and effect. There's also how Battler just...breaks at times, like how he refuses to suspect his family which eventually made him just go mad.

The jokes don't really feel out of place given that they happen in the time before the murders and do get a laugh out of me. Not to mention that some of them, like Battler's fondness for big boobs and Beatrice getting sloshed in Episode 4, actually provide hints to figuring out the core mystery.

The music is really fucking good. Standouts to me include Mirage Coordinator for the sense of hopeless and powerlessness before fickle and cruel beings. Patchwork Chimera for setting up the feeling of a climatic show. Thanks For Being Born for delivering the idea of a deep, throbbing sadness and pain that plagues the scenes it's in. And Endless Nine for that feeling of unstoppable determination.

And, to really emphasize how effective it all was- my general journey throughout the game reflected Battler's own journey. From being ignorant of the events to defiantly fighting against Beatrice to raging against her to feeling uncertain and uncomfortable about ending her to hoping for her return.

That's a sign of a good story.

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mysticetus · 2 years

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Alright hi it’s me I wanted to talk about analog horror! Specifically the Walten Files because it’s the only analog series that I’ve enjoyed somewhat.

The issue with analog is how old it gets so quick. I remember getting startled by the first few jumpscares in TWF and then it was just expected. (That’s not just an issue with analog, rather horror based in jumpscares overall)

Another issue is how easy it is to tell what stories are. Now, not everything needs to be cryptic. But mix up the puzzles! Pull out something different once and a while!

Now with the Walten Files I really want to talk about the episode Bunny Farm. I really want to talk about the character Sophie here. What was so off putting with this episode wasn’t anything close to the jumpscares.

It was the cluelessness with Sophie. I as the viewer new what and who she was recognizing. But she realized so fast. Too fast. I think the Walten Files would have much bigger of an impact on me if that hadn’t have happened. I think having Sophie almost completely confused throughout almost the entire episode would’ve made it so much better.

Not everything needs to be slowburn. Not everything needs to be nondependent of jumpscares. The issue with analog in these things is that it almost never is done correctly. With TWF, for me it’s easy to see these issues. The jumpscares aren’t very scary because they’re really predictable and almost always the same. And with what seemed like attempted slow burn, it didn’t work.

It’s like 4 in the morning sorry about my babbling nonsense.

hi there. im not sure who "me" is as i get a lot of anons is this the same person who sent the lina ask ?? im not sure. im also not entirely sure how to respond to this but ill treat it like a socratic seminar

ive already talked at length about my thoughts on the walten files here but im glad to elaborate more on how i feel abt bunny farm

i feel like the story of the walten files was really rushed and unplanned and tried to do too many things at once. i think it shoulve asked itself what it wanted to say and what it wanted to make the audience feel. bunny farm specifically feels like the creator just wanted to make a petscop episode.

and this is where i wish the creator took more notes from petscop outside of simply the concept of a creepy game revealing your family secrets to you. like. petscop wanted to do something with that, it had things to say about it, and its ultimate goal was not horror, i feel. it had things to say about humanity. the walten files in my mind is pretty focused on the horror element. its main draw is its scary faces .....

i feel no connection with sophie, no sense of who she is as a person - we were never given time to sit with her and experience her charisma or grow attached to her. thus, i honestly dont care about her or her dismissive girlfriend or the mystery pills she took that magically gave her amnesia. the game lacks cohesiveness or subtlety. the episode wants so bad to tell you about the scary horrible things that happened that it rushes through any sense of buildup or development just to show you the scary face and sophie remembering things.

i dont want to imply everything has to take after petscop or treat it as this pinnacle of good storytelling, but im sorry if you make something like bunny farm im just gonna be thinking man i wish i was watching petscop right now.

you mention analog horror rarely doing things correctly, i think a better way to put it is its rarely done well. the entire genre is built upon extremely specific conventions and thus theres very little wiggle room to explore new ideas. or at least, barely anyone has explored new ideas. it feels like a template at this point. and i think thats partially driven by the nature of the internet: people witness something thats successful and seems easy to make, they make it, it blows up, cue the cycle. it makes the works extremely predictable and they lose their potency rapidly. it becomes grating.

#sorry if this is a strange response im not entirely sure what people want from me when they send me stuff like this

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nativehueofresolution · 5 months

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18 + 22 + 36

18) What’s a scene you feel is underrated? i feel like there is not nearly enough discussion over the moment where it's been revealed claudia has been trying to turn her victims into vampires but doesn't know how and is probably physically incapable of doing as a result of being made so young. like one it's just heartbreaking and speaks to the deep loneliness at the core of claudia's character but it also reveals a lot about the mentality with which she approaches her murder victims. like she saves their last words, she killed her first boyfriend, and her keeping of body parts is obviously horrific but it also shows i think that she doesn't just kill randomly, she feels a connection with her victims and certainly there's a sick trophy element to it but there's also a way in which she's quasi mourning them and trying to hold onto reminders... so her actually taking them step of trying to keep them with her always is like, not a well thought out decision, but also i think consistent with her mo and great foreshadowing for her eventual relationship with madeline.

22) Who’s your favorite character? Why? claudia!!!!! i feel like my last answer sort of functions as a why lol but i find her so complex. she's like a great tragic heroine to me whose had monstrous things done to her and does monstrous things in return. she gets written off by lestat and daniel (to a degree, i think he's also trying to provoke louis w some of his comments) as just being a remorseless natural born murder machine, but her lethal instincts exist alongside great care and compassion that we see her show louis over and over, even though he brought on so much of her suffering and will ultimately never choose to put her first. the way she looked after louis in ep 6 and 7 really got me - she's tried so hard to be a good caretaker even though she was supposed to be the one being protected and looked after. the whole eternal youth being a curse is not totally new idea, but i also think they put a unique spin on it and i love how she still finds to assert herself as a woman, not a child, even when trapped in this toxic and abusive environment.

36) What’s an unpopular opinion you have? the episode five discourse is nonsense, which is not an unpopular opinion among the people i follow but lol. i've mentioned before, but i actually did feel triggered after watching the episode and found it quite upsetting to see graphic ipv when i wasn't prepared for it, so i started out trying to give people the benefit of the doubt when they didn't like it. i needed a couple days after watching it to compose my thoughts beyond that was upsetting. but it's a waste of time bc it's seemingly all people actively rewriting reality with lestat's behavior (both show and books) so that he was never abusive to the point of coming up with theories that louis is being tricked or having his memories manipulated (seemingly unaware of the terrible implications that would have or i guess just not caring) or acting as though the presence of sexual violence in a horror series focused on the experience of black characters living in the usamerican south is inappropriate and have no connection to the themes of the show. i find it even more galling when this comes from fans of the book tbh because having read them now i know that there are several extremely graphic on-screen rapes that are handled horribly in the series and that i, at least, never see being brought up, but this is where you draw the line? ok. i see.

#ty!!!!!!!!!!!#ask game replies #iwtv

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rawwkfingers · 5 months

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The Brain of Morbius

From the perspective of a singular piece of fiction, this serial excels on every level.

Its combination of gothic horror with the scifi fantasy setting of Doctor Who was so well done. The Frankenstein influence was extremely obvious, but I felt like that actually improved the story because we got an excellent subversion of the standard trope. Morbius actively enjoying how horrific his new body looked helped to sell just how inhuman he was

Sarah Jane's temporary blindness could have led to her being made redundant, but instead she continued to be an active force in the story but with added difficulty to help make the constant danger she was in feel more real

The various conflicts between all the cast were intricate and exciting. Every character had different goals that sometimes aligned, sometimes did not but led to nearly every character having a scene where they worked together, as well as a scene where they were opposed. Which, with 6 different characters (treating the entire Sisterhood as one) spread out across only four 25 minute episodes, that's a great task

All in all, just a truly phenomenal piece of television

...

When viewed from the perspective of a modern entrenched fan, this story is an absolute mess

The story, as told, goes against so much of what we now view as the Doctor Who canon. Morbius being President (referred to here as "Leader of the High Council") while also being a genocidal maniac pre-Time War, the Sisterhood of Karn's relationship with Gallifrey, the timeline presented where Solon (a human) could have been alive when Morbius was still active but also present here. And before The Timeless Children (ugh) we had the heavy implication of pre-Hartnell regenerations contradicted by the 13-regeneration rule and the continual emphasis on Hartnell as the FIRST Doctor.

You can say that, because this story came first, all those future stories were actually the ones that should hold the blame. Maybe I'll agree when I get to them but, as of now, all those future elements of DW canon are just not present here which makes it an interesting if confusing watch from modern eyes

I mentioned last serial that the way we engage with genre fiction, both as audiences but more importantly here as creators, is very different now from how it used to be. Because Dicks and Holmes were not thinking "how will this impact xyz fan concepts" in the same way that modern writers are required to when working with a franchise as expansive as this.

I don't think it's fair to say criticize this serial because it doesn't fit in with the larger Whoniverse. It was a truly great story and I can really appreciate them trying to expand the larger universe of the show beyond what had been done before. They were trying to come up with cool ideas and they definitely did

It is, however, impossible for me to not view it from modern eyes. So while I recognize where it's great, I am still confused by elements of the story that took me out of the world they built

#rawwk on #classic who watch #the brain of morbius

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lesbianrobin · 3 years

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What do you think are the good and bad aspects of each season of ST?

ok 1. thank u for this question omg and 2. this answer may or may not be a mess, but either way it’s long (almost 7k words lmao) bc i’m insane, which is why it’s under a cut. it’s still by no means an exhaustive list but these are the things that just kinda came to mind.

also i realize you asked “good and bad” and i wrote this whole post as “strengths and weaknesses” which um. is not Exactly what you asked. but close enough <3 i also ended up including a lot of au ideas ksjdckmn bc like i personally hate when people say a certain plot or whatever was bad without suggesting anything that could have improved it yknow so whenever possible i tried to provide Some idea for fixing the issues i had with the show!!

season 1

strengths (this is probably gonna be the longest section but that’s because a lot of these strengths also apply to s2/s3 by default)

nostalgia and authenticity

this one’s pretty simple, but i think that season one did a good job of blending classic eighties media homages (such as the many many e.t./el parallels) with explicit pop culture references (such as mike’s yoda impression, mentions of the x-men, etc) to create a show that’s essentially dripping in early eighties nostalgia without it feeling too forced. before st, i think the most popular depiction of the eighties in mainstream media was that overly exaggerated neon scrunchie aesthetic from the mid to late eighties, and it was usually done in a comedic sense first and foremost. st took a different approach, instead focusing on the early eighties, a time that’s often ignored in favor of going either Full Seventies or Full Eighties, and i think that this choice likely resonated with adults who lived through the eighties and hadn’t yet seen something that felt quite so accurate to their own adolescence. a lot of young people who watched st were totally unfamiliar with this period of time, unfamiliar with books/movies like “stand by me” that st borrows from heavily, and i think st lent more seriousness to the eighties than most young people had experienced so far, and this was refreshing and interesting!

the use of dnd in the show is also quite genius in a way i’m not sure i can articulate?? it isn’t something Everyone would have played at the time, but it’s something that existed within a different context back in the eighties than it does today, and it really lent a sort of authenticity to the naming of the show’s sci-fi elements. like, of course these kids would name parallel dimensions and monsters and superpowers after these similar things in their favorite game! it just feels so real and it grounds st in our reality moreso than you might expect from the typical sci-fi or horror universe.

utilization of existing tropes

almost every single character in st clearly originates from some popular trope. the plot itself is riddled with classic eighties movie tropes. almost every single element of stranger things can be clearly traced back to some iconic eighties film or just to, like, overused horror/sci-fi/mystery/coming-of-age movie tropes in general. this might sound like a bad thing, but it really works in st’s favor! starting off with familiar tropes gives st the ability to easily create a lot of complexity and make a big impact by selectively deviating from those familiar, comfortable tropes!! while el’s whole plot, hopper’s character, etc, are all examples of this in action, i think the steve/nancy/jonathan plot is the greatest example. even from the start, the fact that good girl barb dies while nancy is off having sex with her asshole boyfriend is an incredibly thorough inversion of the most well-known horror movie trope in the book. how often do girls in horror movies have sex for the first time, walk home alone in the dark of night, and live to tell the tale? nancy and jonathan’s dynamic at first glance is a sort of classic “good girl meets boy from the wrong side of the tracks, discovers he’s actually got a heart of gold” thing, but instead of following this well-trodden path, st diverged. nancy is brash, impulsive, and at times downright insensitive. jonathan is angry, bitter, and actually a bit of a creep at first. while they have the capacity to emotionally connect and support one another, they can also bring out each other’s darker side, which is not what we’ve come to expect from that initial tropey dynamic.

in addition, steve, the popular rich asshole boyfriend, is actually... a human being! unlike the cartoonishly evil jocks that we’ve come to expect (especially from eighties movies), steve has complexity. despite his initial immaturity and selfishness, he’s also kind to barb, he backs off when nancy says no, he’s gentle and sweet when they sleep together, his first big Dick Move of the season is in defense of nancy, he realizes the error of his ways after the fight and does what he can to fix it, he’s worried about nancy when he sees that she’s hurt at jonathan’s house, and to top it all off, he ends up saving both nancy and jonathan’s lives when he could have just walked away, and the three of them all work together to fight the demogorgon. like... steve began as the most stereotypical character of all time, and by the end of the season, he had one of the most compelling and unique arcs among the whole cast!

finally, at the very end of the season, instead of dumping steve for jonathan as expected, nancy ends up getting back together with steve, and they’re both on friendly terms with jonathan. i realize that i just kinda. summarized s1. but my POINT is that i don’t think the dynamics between the monster hunting trio would be nearly as fun and interesting had the characters of nancy, steve, and jonathan not been set up to follow certain paths that we already had charted in our own heads. like, within the first couple episodes of s1, it’s pretty obvious that nancy and steve are gonna break up, nancy will get with jonathan, and steve will either die or go full evil or just never be seen again. like, duh! you’ve seen this story a million times! you know that’s how it’s gonna go! so, when the story DOESN’T go that way, the impact of each character’s arc and the relationship dynamics become stronger due to their unexpected complexity and authenticity.

distinct plotlines separated by age group

this one’s rather obvious, but the way that the adults in s1 were essentially in a conspiracy thriller while the teens were in a horror flick and the kids were in a sci fi power-of-friendship story and all three converged at the end... wow. brilliant showstopping etc. not only was it just really well done and unique, it also gave stranger things near-universal appeal. like, there’s genuinely something for pretty much everyone in season one!

casting

obviously this applies to every season sorta by default, but when i think about what made season one So successful, i always think about the cast, and not just winona ryder. yes, she’s absolutely amazing in the show and it’s very doubtful that st would be as big as it is today without her name being attached to it from the start!! however, i think the greatest determining factor in st’s success is the casting of the kids, particularly millie bobby brown. like... el is just absolutely incredible. she’s amazing. this has all been said many times before so i won’t harp on it, but millie and the other kids are all So talented and charismatic and i think their casting has been instrumental to the show’s success.

strong visuals

the way that multicolored christmas lights which have been around for decades are now kinda like. a Stranger Things thing. jesus christ. those lights are probably the biggest stroke of stylistic genius on the show.

atmosphere and setting

this is probably like. the least important one here for me sdjncdsc because i think s2 and s3 both had like Even Better atmospheres and shit but s1 was good too and it laid the groundwork!! i know a lot of people would have preferred st be set somewhere more Spooky with lots of fog or giant forests or whatnot, and while i do enjoy thinking about alternate st settings and how they might alter the vibe, i think hawkins indiana was a good choice. as the duffers have said, placing stranger things in a fictional town allows them more flexibility than if they’d gone with their original plan of using montauk, new york. besides that, i think the plainness and like... flatness... of small-town indiana just Works. like, the fact that hawkins is never really scary on the surface is a big part of the horror in the lab’s actions and their impact. hawkins isn’t somewhere that people just disappear all the time. it isn’t somewhere known for strange occurrences (prior to s1, that is). it isn’t somewhere shrouded in mist and secrecy. hawkins on its surface seems like the sort of place with no secrets and nothing to fear, and that’s the point! the lab is out in the open! it’s right there! everything is so close to the surface, yet so far out of the public eye, and i think that really works.

the byers family’s whole deal (specifically the joyce/jonathan dynamic)

this is going here bc i miss it so bad in s2 and s3. i’m not one of those people who believe The Byers Are The Whole Point of the show, because st is and always has been an ensemble, and el, hopper, and the wheelers are just as instrumental to the plot as the byers, but ANYWAY, i do think the byers were one of the most interesting aspects of s1. joyce’s difficulties with supporting her sons as a poor and (implied mentally ill) single mother, jonathan’s stress as a result of having to earn money, care for his brother, and keep the house in order when his mother is unable to do so, and the resulting tension between them when will’s disappearance and supposed “death” brings the situation to a tipping point? holy shit! it’s so good! that argument after they see will’s “body” is just incredible and gut-wrenching. their relationship feels so real and messy and i think it’s just... good. also winona ryder REALLY acted her heart out and she carried a lot of s1 which i think people often forget to mention so i’m saying it here.

weaknesses

pacing/timing

ok so pacing is probably going to go in each season’s weaknesses, to be honest, because i think they all had a blend of some good and some bad pacing. good pacing is invisible pacing, though, so i probably won’t be putting it in any of the strengths sections and will only be focusing on it in the weaknesses. i’m also probably not going to talk about weird day/night cycle things, just because i don’t want to get nitpicky on timelines because that would require going back and rewatching things to double check timing which i don’t wanna do at the moment lmao. anyway, when i think of bad pacing in season one, i primarily think of two things: nancy’s little trip into the upside down and subsequent sleepover with jonathan, and the sort of staggered nature of the climax in the final episode. the latter is simple so i’ll explain it first: while i understand that each group’s respective climax is like part of a chain reaction and that’s why each big moment happens separately and at different times, i think that st is strongest when the whole group is together, and i think that makes the stakes feel higher too, so i’m not In Love with the way s1 separated everyone and gave each group their own climax.

okay, now on to the nancy/upside down thing! idk if i’ve ever talked about it before, but i think the worst decision made in s1 by far is the inclusion of nancy’s brief trip into the upside down, wherein she dives headfirst into another dimension with absolutely no backup, watches the demogorgon chow down, freaks out and runs around for a minute, and then leaves. like... what the fuck? even putting aside what an idiotic decision this was (because i do think nancy’s tendency to rush into things headfirst is an intentional and consistent character trait), it just kind of destroys any remaining suspense surrounding the demogorgon and the upside down, and it accomplishes basically nothing besides scaring nancy enough to have jonathan sleep over, which is lame. i will break it down.

like, first of all, nancy just getting to waltz in and out of the upside down and get a good, long look at the demogorgon makes the entire thing far less mysterious, and by extension far less scary. like... before this scene, we the audience haven’t got a good look at the demogorgon. we’ve seen its silhouette briefly and we’ve seen a blurry picture of it, but nothing more, and i think that is far more effective at building fear than this jaunt nancy goes on which gives us a full view of the thing and makes it into less of a horrifying nightmare and into more of a humanoid animal. like, maybe this is just me, but i found the demogorgon far less intimidating after that scene than before. it also lets nancy and jonathan know For Sure that they’re right without providing any crucial information that they need to fight the demogorgon (aka it’s unnecessary to the plot), which removes a very compelling story element (the faith nancy and jonathan need to have in order to keep going against a vague and poorly understood enemy, the doubt they might have about each other and their own sanity, the possibility that they might be wrong, the trust they need to have in each other) a bit earlier in the plot than i believe is ideal. at the end of episode 5, nancy goes into the upside down and jonathan doesn’t know where she is and it’s intense!!! you’re thinking like, oh fuck, not only is nancy missing and fighting for her life now too, jonathan might be implicated in her disappearance!! some people already think he’s the one who killed will and people know that he took creepy pictures of barb and nancy before they both disappeared, maybe this is gonna cause some serious problems for him!! maybe nancy will find will in the upside down and she’ll help him survive!! fuck, maybe she’ll actually die!! this is huge!! and then episode 6 starts and they’re immediately like oh nevermind jonathan found the tree and got nancy out and she’s fine. my point with all of this is that nancy entering the upside down could have done A Lot in the grand scheme of the plot, but all it did was just... get jonathan to sleep over so he and nancy could have some awkward romance moments and steve could see them together and pick a fight. which could have honestly happened at Any point while nancy and jonathan were working together to hunt down the demogorgon, without ruining the demogorgon’s and the upside down’s mystique. so yeah <3

weird behavior and dumbass decisions that make no sense (aka the whole camera thing)

gonna go off about the teen plot again sorry but: why was nancy so unbothered and quick to forgive jonathan for taking those pictures? girl what the fuck are you doing? why wasn’t that a bigger deal? why was jonathan’s motivation for doing it so weak and why did they just kind of forget about the whole thing? why did nancy TRACK HIM DOWN AT THE FUNERAL HOME while he was PICKING OUT HIS BABY BROTHER’S CASKET to be like hey can you tell me what’s in this creepshot you took? it’s insane. it’s so insane. i mean i think the funeral home thing is hilarious and i don’t mind it being in the show necessarily but like my point here is that i think a lot of character decisions in s1 just kind of.. happened because they Needed to happen for the plot. like, they wrote this plot that required jonathan to be secretly taking pictures of the party and required him and nancy to work together after seeing something odd in the pictures, but they didn’t like... really consider what that event would mean for their characterization and relationship. the whole thing was sort of just dropped with minimal discussion and i think it did both nancy and jonathan’s characters a disservice and was really mishandled.

lighting and saturation/color grading

i am literally begging horror/sci-fi shows to let me see shit. i GET IT okay i understand that when you’re doing cgi effects it helps to keep the lights down and i’m not mad at any of the lighting in the demogorgon/upside down scenes!! i’m really not i think the demogorgon scenes in s1 all look sick!! but like... dude. the colors. where are they. why does everyone look like a vampire. i know blah blah this was probably an intentional stylistic choice intended to mimic film at the time blah blah but dude a lot of old movies are very colorful!! please just let people have color in their faces so everyone doesn’t look like a sheet of paper!!! also i’m white and not a professional lighting designer so yknow grain of salt but i think lucas was kinda poorly served by the lighting sometimes in s1. not Hugely so, not to the degree that i’ve seen poc be poorly served by lighting in other shows, but there were some times where it felt kinda like the lighting setup was just not designed with darker skin in mind.

horror

i just personally don’t find s1 very scary like... ever. i don’t think they were really Trying to be extremely scary yknow so i’m not counting this as a big deal, but i do think that each season has improved on the horror aspects. i think s1′s horror lies more in the mystery and the unknown than in what’s seen onscreen, and as i’ve said already, i think s1 kind of fumbled that suspense ball.

season 2

strengths

the possession plot

i’ll warn u rn this whole s2 strengths section is probably gonna be really short bc idk like. how much there is to really say i feel like it’s all so self-explanatory skjncmn. anyway yeah the possession plot!! eerie as fuck, and noah OWNED. so did winona tbh and finn and sean etc but like. noah. wow! i think the possession plot helped the show maintain a good amount of tension and suspense throughout the season, and a lot of scenes with possessed!will are flatout disturbing to watch. in a good way. i think the mindflayer and will’s possession were far more genuinely frightening than s1′s demogorgon, and it provided a new layer of depth and intrigue to the antagonist besides just “bad monster want eat people.”

tone and aesthetics

halloween season... literally halloween season. halloween season. that is all.

actually i will elaborate a bit and just say that i think s2 did a good job of having the sort of foreboding vibe that s1 was often going for, but without the annoying darkness and desaturation. so points for that.

also st2 is like one of the best Autumn pieces of media ever like it just. like steve and dustin on those train tracks with the fallen leaves all around them.... god. god the vibes are unparalleled. all of the halloween stuff also really contributes to the nostalgia st runs on yknow it makes you think about childhood and trick-or-treating and you kind of get transported like damn... i remember going to the rich neighborhoods to score the good candy..... idk i just think the whole thing is incredibly effective.

“babysitter” steve

by sending nancy and jonathan off together, the show created a problem: what to do with steve? this problem pushed them to create the unconventional and unexpected duo of steve and dustin, and the world is so much brighter for it. seriously though we all know steve and dustin are great i don’t need to argue that point. all i’ll add is that i think allowing steve to grow in this way, serving as a mentor figure and becoming genuine friends with someone so unexpected, really took the originality of his character to the next level. no longer content just to defy his archetype, in s2 steve begins branching out in ways that never would have been considered in s1, creating an incredibly complex and interesting person from the sort of character that most shows would have simply written out or killed off for convenience’s sake. and it works and steve and dustin are such a joy to watch and i love them. <3

the lucas/max plot

so first of all max mayfield is the most perfect baby girl on god’s green earth and idk what i would do without her but anyway. i think lumax is the best romantic relationship in the show and not just because they’re the only ones with like an age-appropriate approach to the whole thing. it’s also because their relationship accomplishes more than just putting the two of them in a relationship!! lucas and max spending time together motivates billy to do his evil shit, providing more conflict in the narrative, and it also helps establish max as part of the group in a relatively natural way while giving both her and lucas a great subplot. lucas (and dustin) has a crush on the new girl, they start spending some time together, and lucas ends up needing to decide whether he’ll keep the secret of the upside down and lose her, or risk both of their lives by telling her the truth. that’s a pretty big, character-defining decision that he gets to make!! max has to choose whether to trust this boy she barely knows and endanger herself, or to walk away and stay safe, yet another great character-defining choice that also contributes to the sense we get as an audience of max as somebody who’s incredibly lonely and desperate for love and connection. this post is way too long already and i have a ton more to say so i’ll stop now but yeah i think lumax really Works in the show without ever distracting or detracting from the overall plot and narrative in the way that some other ships (coughjancycough) often do.

balance between the normal and abnormal

s2 i think did a pretty solid job of melding daily life with more fantastical sci-fi horror elements. i enjoyed seeing so much of the kids at school in the first few episodes!! you really get a strong sense of where they’re at in life, what their daily lives are like, and you get a sort of gradual shift into madness that makes everything feel more grounded than i think it would if they had just leapt straight into the horror shit, yknow?

the el and hopper dynamic

go back and rewatch s2 and tell me that’s not one of the most moving portrayals of parenthood and trauma and growing up that you’ve ever seen. you can’t. or well you can but i won’t listen. i really can’t imagine stranger things without el and hopper’s relationship, and it’s my absolute favorite part of s2. their whole dynamic is so beautiful and complex, and gives them each amazing personal arcs in addition! the black hole scene is literally one of the show’s greatest moments of all time. any given scene between the two of them in s2 is just guaranteed to be heartwarming as well as heartbreaking, and i think that makes for an incredible show.

weaknesses

flashbacks

okay this applies to Every season they All have too many flashbacks but in s2 specifically... please stop showing me shit from season one. i watched it. i know what happened. you don’t need to spoon feed everything to me!! flashbacks can be a really helpful way of delivering information to an audience, but st has a bad habit of not only being kinda demeaning in how often they flash back to shit that the audience already knows, but they also have a bad habit of using flashbacks almost as a crutch to avoid having to deliver information subtly and naturally.

you know i gotta say it... the lost sister

this is so sad. the lost sister really is like a great concept for an st episode, and i’m not mad about the idea of st taking a break from the normal action to focus on one story for a full episode, but the execution of it was just dreadful. kali and her crew feel very over-the-top and stereotypical, and its placement in the season totally kills the tension and excitement that was built in “the spy.”

i think the lost sister honestly could have gone over far better, even with the stereotypical fake-feeling gang kali has, if they had just swapped it with “the spy” like... ok, the end of episode five has el setting off to find kali and will collapsing on the ground seizing. right? imagine if, instead of immediately following will to the lab, we’d followed el. we don’t know what’s happening with will, but it’s a very simple cliffhanger that leaves us on edge without making us feel cheated by the show cutting away. we follow el on her little journey, everything happens much the same as canon, and then at the end, el sees hopper in scrubs. she sees mike, screaming, sees that they’re both in danger. holy shit!!! what the fuck!!! what’s happened since we left will seizing on the ground??? we feel el’s fear and confusion. she decides to go home. and then... boom. “the lost sister” is over. now, we rewind, right back to will seizing on the ground, and “the spy” commences. we learn how they got into the danger that el saw in the end of “the lost sister,” and we sit on the edge of our seats all through “the spy” and “the mind flayer,” KNOWING that el is on her way back to save them but not knowing when she’ll arrive!! idk i don’t think that would have necessarily saved lost sister but i think it may have alleviated some of the issues that i and many others have with it, timing-wise.

the nancy/jonathan sidequest

once again, the idea of nancy going off on her own little mission to find justice for barb after s1 is like. amazing. genuinely i love that plot for her and i can’t imagine anything better for her to have focused on in s2. unfortunately though i think her and jonathan’s little trip to see murray was just kind of... lame. the whole thing just felt like an excuse to get the two of them alone together, yknow? which is fine i guess people contrive all sorts of situations to get characters alone together for romance reasons but in this case i think it just really doesn’t work for me because of what it’s juxtaposed with. like, will is POSSESSED, and jonathan is just off on a mini road trip and sleeping with his bestie, and jonathan never seems to communicate to joyce/will that he left town, and joyce never like... thinks to tell him that will is like sick and fucked up and they’re looking at him in the lab??? like it’s so weird i know joyce always forgets about jonathan when shit’s happening with will but jfc you’d think at some point in that like... 72-ish-hour period where jonathan was out of town she would have thought about him. like at least once. maybe i’m forgetting something and she mentioned him sometime and i missed it but even still, i hate the juxtaposition of nancy and jonathan just like cheers-ing at murray’s place and sleeping together and whatnot while everyone else is dealing with possession or trying to hunt down dart yknow? it feels really boring in comparison and i think it could have been done far better. like it was SO insanely easy for them to get into the lab and get an admission of guilt and escape with it!! i think it might have been a lot more engaging if maybe someone from the lab tailed them to murray’s place and they had to like lose the tail and race to get the recording out to as many news outlets as possible before they got caught, or something like that. the tension in their plotline is completely resolved in episode four!! episodes five and six are just them screwing around and addressing envelopes. while there were a lot of strong ideas in this plotline (i really enjoy nancy going out of her way to get justice, and the fact that they have to water down the story to make it believable), i just think the focus on nancy and jonathan getting together hindered it a lot without adding a ton to the plot or their individual characters.

season 3

strengths

starcourt mall as a setting

while i don’t think the mall was utilized quite to its full potential (something i could make a separate post about if anyone’s interested), i do think that starcourt was a genius addition to the series. i’ve said this before, but building a new mall is a literal Perfect in-universe justification for a significant leap forward in fashion and aesthetics, and it provides a great location for characters to just... be characters. idk how else to articulate this i just think that the mall is a great setting to let people interact with each other and to bring people together who may not have been otherwise (i.e. scoops troop). not to mention how sick it was to see the mall get wrecked toward the end kdjncdkm like they were able to do so much more with the mall in terms of like The Finale than they could with just the byers house or the cabin or the school or even the lab. i love all the back tunnels they run through it’s such a fun like acknowledgement of how this glitzy eighties mall is just a real place where employees get shipments and take out the trash and shit idk it’s all about the perfect facade and what’s hidden what’s underneath what’s hiding in plain sight etc etc i’m just saying words now. anyway.

willingness to experiment and go against expectations

gay robin. neon aesthetics. giant fucking meat monster. i know some people hate both the neon and the meat monster but i personally think they were kind of amazing and like. yknow regardless of personal tastes i think it’s impossible to deny that s3 had a lot of incredible visuals, and they’re all visuals that just wouldn’t have been possible if the show were too afraid to stray from its s1 aesthetic. robin being canonically gay (and her resulting friendship with steve) and the season’s striking visuals are two things that most everyone (besides like homophobes skjncdknm) can agree were great, right? and they were both departures from where the show began and what we all expected!! so yeah i think while some of the experimentation in s3 wasn’t ideal it was also that experimentation that allowed for some of the season’s strongest elements to come about.

the hospital sequence (and the season’s action/horror scenes in general)

this one is fairly self-explanatory. while they may have underutilized the “body snatching” element of the season, the hospital sequence with nancy and jonathan fighting off their possessed bosses did an amazing job of building tension and creating a genuine sense of really intense and personal danger.

in general i think that s3 melded action and horror rather well, particularly in the sauna test, the hospital, and when the mindflayer busts through the roof of hop’s cabin. horror can come from many things, and in this case, st elicited horror largely from the feeling of helplessness, and it was really effective for me personally. i think it worked better for me than s1′s brand of horror because it doesn’t rely so much on a lack of knowledge or a sense of suspense that inevitable disappears upon a second viewing.

the body horror we got in s3 was also really fun! that’s it i just think all the blood and guts and slime were fun and i would like more of them. once again, the impacts of body horror are less dependent upon the viewer being in the dark or unsure as to what’s happening, and as such i think it tends to be a little more effective at eliciting reaction in the long term.

timing and mechanics of the battle of starcourt/finale

i think the battle of starcourt is just fucking awesome, and beyond that personal opinion, i think it’s the most high-stakes and intense finale of all three seasons, and this is for two main reasons! 1. el is out of commission, and 2. (almost) everyone is in the same cental location. this means that (almost) everyone is in danger all at once, and they are all working together at the same time to fight the same threat. s1/s2 have their groups more fragmented for the finales, and while i understand why in each case and i wouldn’t call either season’s finale necessarily weak, i do think the centralized nature of the s3 finale just Works on another level. in s1 and s2, large segments of the cast are already perfectly safe by the time el dispatches the primary threat. in s3, however, everybody save for dustin and erica is still in danger up until the last moment, and el is seemingly (you can def debate how much power she still had in her when she peeked into billy’s mind and whether the memory broke the mindflayer’s hold on him or if she was actually controlling him to some degree) completely vulnerable. this increases the tension and raises the stakes, making the finale a real crescendo to fortissimo as opposed to a series of little mezzo forte moments. i hope everyone reading this knows music idk how else to phrase that my brain is stupid.

emphasis on friendship and adolescence (but in a different way than s1/2)

this is definitely a controversial one but i think that s3 really did like... show a side of friendship that had been more or less unexplored thus far in the show. el and max were amazing, and i think it’s really nice that we got an opportunity to see the kids have some growing pains as well as see them support each other through Normal Adolescent Stuff like boyfriends and breakups instead of just like. death and trauma. this is maybe just a personal preference, but i think it can be really enlightening and provide a lot of depth when you get to see how characters respond to normal everyday conflict and not just how they respond to giant world-ending conflict!! letting el use her powers for goofy teenage shit like spying on boys and messing with mean girls at the mall is not only fun for her and the audience, but it also really emphasizes just how much those powers are a part of el, making it that much more devastating when she loses them at the end of the season.

weaknesses

tonal dissonance

so this is like. obvious. but it must still be said! i won’t go on and on about it since we all know this so i’ll try to like talk about it from an angle people don’t usually? anyway. it seems to me like they were maybe a little worried about s3 being too dark. while the choice to really lean into humor was definitely driven by the sorts of eighties teen films from which s3 drew inspiration (like fast times at ridgemont high), i think it was also done in an attempt to alleviate the more troubling implications of some events in the season, particularly the russian bunker plot. like, yeah, st can be incredibly dark, but if they’d played the whole “children being stuck inside of a foreign military base, tied up, tortured, and drugged” thing completely straight without the humorous elements that exist in canon, it had the potential to be like... disturbing on a new level. steve and robin don’t have powers like el yknow their kidnapping/torture doesn’t have any sci-fi elements to sorta soften the blow. they’re just innocent teenagers being brutalized and traumatized by grown men. so anyway yeah i think maybe the writers were concerned about this storyline coming off as too dark and they wanted it to be a little more whimsical but they ended up pushing way too hard in that direction and creating extreme dissonance at times. this goes for joyce/hopper/murray/alexei too, but to a lesser extent. i think the ridiculousness in that group felt a lot more like... realistic. but still.

newspaper plot

once again i feel like i don’t even need to say this skjdncmn we all know it was insane how the show basically ended up delivering the message “while misogyny is a serious problem poverty and classism are not” and i’ve said it on this blog a million times so i don’t need to repeat myself. i’ll focus on another weak point of this plot: the fact that it completely separates nancy and jonathan from everyone else. once again, the show’s preoccupation with j/ancy held them back! like... can you imagine a version of s3 where nancy and jonathan both worked in the mall? i have a lot of ideas about this possible au and like how the plot could play out differently if they worked in the mall but first of all it’s just more realistic, second of all it further utilizes the mall as a central setting, and third of all, it would bring everyone together. as it is in canon, nancy and jonathan were unnecessarily isolated from the rest of the group, and this isolation was detrimental to both of their characters. like, they only ever get to interact with each other! if they’d gotten summer jobs in the mall, they could have had more interactions with the kids/steve/robin, and they absolutely still could have had a similar argument! maybe in this case, nancy notices the rat thing (or something else odd) herself when taking out the trash behind the mall, and she wants jonathan to ditch work with her to check it out bc she thinks it may be related to the lab. jonathan doesn’t want to ditch work because he needs his job, nancy argues that they’re working shitty mall jobs anyway and who cares if they get fired, and we get more or less the same thing as s3 without the cartoonishly over-the-top misogyny. i mean honestly i think the rat shit could have been cut entirely it didn’t rly... accomplish much of anything. in my opinion. like imagine s3 without the rat plot you literally would not be missing anything except it would be more surprising when the dudes melted into goo at the hospital. so yeah i think it would have been better if nancy and jonathan had jobs at the mall, weren’t isolated from everybody else, and were maybe absorbed into the party’s plot or the scoops troop’s plot from very early on, allowing them to interact with more characters and have a less... dumb.... plot. like god splitting up nancy and jonathan between the party/scoops troop would have been So Much better i just. sdkjcnksdmn anyway yeah.

briefness of group reunion/separation of groups

remember in s2 at the beginning of “the gate,” where mike and hopper had a confrontation and max and el met for the first time and el hugged everyone and steve and nancy had their sad little moment together outside... where’s that energy? obviously the s2 reunion wasn’t that long either, but it made space for some significant emotional moments to take place. s3′s reunion had some hopper/el/mike resolution, but besides that... there was nothing, really. i just think that the whole group getting together in s3 was SO exciting and powerful the way they did it (with both the scoops troop and the adults having their own Big Moment reconnecting with team griswold family), but the emotional potential was more or less squandered.

i also think in s3 at times they were really stretching to keep everybody separated even though it made no sense. and like... in s1 the separation worked bc nobody else knew that (x group) was experiencing weird shit too, and beyond that, each group (as i mentioned in the s1 section) was sort of operating within their own genre and bringing something unique to the season. they’ve stopped doing that though! now, the groups aren’t separate bc each plot is tonally/structurally different, the groups are just separate bc... they need to be, because it’s a big ensemble cast and you can’t just have them all be together for a whole season or it would be way too difficult to coordinate things and keep the show dynamic. all this is to say that i’m excited for s4 because the location differences make it so there’s a Reason for each plot to be separate at the beginning, and i think that’ll work better.

general ridiculousness

i dont mean like i think it’s bad that they made jokes this is just me lumping in all the dumb shit like hopper not worrying about el and not wanting to check on the kids, him and joyce bickering long after they both know they and their children are in danger, max seemingly forgetting that billy is a racist abuser, etc etc. i think many of these are just a symptom of the show 1. trying desperately to keep the groups split up a certain way even though it may not make any sense, and 2. trying to fit into a certain genre/trope mold when their actual characters are more complex than the tropes they’re imitating. this is so fucking long already i am not gonna elaborate further rn but i trust u all know what i mean.

soooo... yeah, that’s about all! i mean it’s not all there are definitely many more things i could talk about and i know i focused sorta disproportionately on the teens which is my bad :/ but i’m done for now. thank you for asking, and apologies for the delay in responding!! i’m sure some people reading (if anyone read this far) will disagree with some of what i’ve said and that’s alright like i’m not The Authority on st or anything i’m just trying to talk about like my own thoughts yknow? so yeah luv u all i hope someone enjoyed reading this!!

#asks #em talks #lesbianrobin.canon #stranger things #if u actually read all this i love u and im sorry #these r just my opinions!! and im sure i misremembered some shit my brain is swiss cheese #i did my best tho

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ladyloveandjustice · 3 years

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Spring 2021 anime overview: Quick Takes

Now for my Spring 2021 anime thoughts! I’ve decided from now on if a season’s like, 20- to-24 episodes I’m just going to wait ‘til it’s done to review it unless I feels super passionately, so though I watched To Your Eternity (it’s good!) and MHA (eh), I’ll comment on them next time. Also, for the record, I watched the first eight eps of Joran: Princess and Snow of Blood but I dropped it because it had clearly crossed the line from entertainingly dumb to boring dumb.

I will probably give Supercub and some other stuff a shot later, this was a stacked season! May give updates on all that later, but this is what I have for now.

ODDTAXI

Quick Summary: A mild mannered middle-aged walrus taxi driver is drawn into a case involving a missing girl, yakuza, Youtube clout-chasers, manzai comedians and idols with big secrets.

It’s rare to walk away from media and be like “that is a singular experience I will definitely never see repeated again” but ODDTAXI is definitely one of those. A tense noir thriller murder mystery starring cartoon animals that spends an entire episode detailing the one (cat)man’s very fall into darkness triggered by addiction to gacha games and an online auction for a novelty eraser? Also there’s a porcupine Yakuza who speaks entirely in rap? Also there’s tons of meandering conversations about stuff like manzai comedy and the struggle to go viral on Twitter?

Admittedly, I had a hard time getting into the first episode, the dry meandering humor not being enough to hold my attention while I was sitting still, but once I watched this while I was working out at the end of the season, I found it an easy binge. A ton of characters with dark secrets or dangerous ambitions, each with their own part to play in a tableau of intersecting events- and it all actually comes together really well.(As for the female characters, it’s a pretty dude driven story, but they do get nuanced characterization and even some good heroic moments from one of them.)

It’s a great example of a carefully planned narrative paying off, with all the twists appropriately seeded and foreshadowed to reward viewers who paid attention. Even when it ended on a perfect “OH SHIT” moment and denied me closure, I couldn’t help but respect it. If you that all sounds interesting to you, definitely check out the first couple episodes and see if you like it- you’re likely to have a memorable, satisfying experience!

Shadows House

Quick Summary: Emilyko is a ‘living doll’ who’s told she was created to act as the ‘face’ of her shadow master, Kate. The shadows and their ‘dolls’ all reside on the mansion and are required to pass a ‘debut’ to prove they’re a good pairing. If they don’t pass, they might be disposed of. And so the mystery of the Shadow mansion grows...

This slice of gothic intrigue was my favorite of the season, tied with ODDTAXI. With an interesting premise, slightly tense undertones and a strong focus on character building and relationships, it kept me hooked the whole way through. And for any squeamish fans put off by the hype about it, don’t worry, while there are some suspenseful elements, I wouldn’t qualify it as horror. I thought the relationship between Kate and Emilyko might end up being a completely sinister one, but it’s thankfully a lot more complex than that and it’s really interesting to follow how both their characters and relationship grow. The focus of the show is, unsurprisingly, on the “dolls” slowly discovering their autonomy and personhood as they struggle under the rigid system imposed on them by the mysterious elders of this weird Victorian mansion. Can they develop a more equitable relationship with their shadow “masters” (who are also shown to suffer under this system)? There’s a lot to dig into there, and the show has the characters develop through learning to understand and appreciate each other, which is pretty heartwarming. Our hero, Emilyko, is the typical plucky ball of sunshine (they even nickname her sunshine), but she’s also shown to be clever in her own off-the-wall way and she bounces off the far more subdued and cynical Kate well, not to mention the other ‘dolls’ she ends up befriending.

What’s more, the show spends plenty of time to developing several other character pairings and combinations, and they all have their own interesting dynamic that makes you want to see more of them. Same-gender bonds are at the forefront of this show, and many of them are ripe for queer readings (I definitely appreciated the healthy helping of ladies carrying ladies), but even outside that it’s nice to see a show where a strong, complex bond between girls is at the forefront. My only real complaints about the show are the anime original ending is noticeably a bit rushed (though it’s not too bad, and leaves room for a season 2) and I wish the animation used the whole “shadow” theme more strikingly (like the opening and endings do)- instead the colors are a bit washed out which makes the shadows blend into the background sometimes. The “debut” arc also drags a bit in places, but it makes up for it by having a lot of good character integration.

I hope to check out the (full color)! manga soon and see more of this quirky, shadowy story. There’s some physical abuse depicted, sad things happening to characters and naturally the whole “oppressive familial system” thing, but otherwise not much I can think of to warn about. I give this one a big rec, especially If you’re a fan of gothic fairytales and stories of self discovery.

Zombie Land Saga Revenge

Quickest summary: In this sequel season, everyone’s favorite zombie idol group must claw their way back into prominence after a disastrous show- the fate of the Saga prefecture LITERALLY depends on it!

This was a fun follow-up to the first season- if you liked the first zombie-girl romp, you’ll probably enjoy this one. In fact, there were a couple areas it improved on- namely, Kotaro failed, ate crow and embarrassed himself a lot more this season, which made him more likeable (as did the fact the girls gained a lot of independence from him). This season also shed more light on what the ‘goal’ of this zombie raising project is and what kind of shit Kotaro got involved with to make this happen, and it’s appropriately off-the-wall and ridiculous. We finally got some backstory for Yugiri too! I wish it had focused on more of her interiority, but she got to be a badass in it, and it was a treat to see this zombie idol show turn into a period piece for a couple episodes (also her song ruled).

Tae also got a cute focus episode and there was a particular SMASHING performance early on! Also That revelation last season that had the potential to turn creepy hasn’t yet, and hopefully never will. The finale was heartwarming with big hints of more drama to come- I’m definitely down for more zombie hijinks!

Vivy: Flourite Eye’s Song

Quickest Summary: A songstress AI named DIVA (nicknamed Vivy) is approached by another AI named Matsumoto, who says he’s from the future and they must work together to prevent AI exterminating all of humankind 100 years from now.

This show is absolutely gorgeous visually with some really nice action scenes, but when it comes to the story my feelings basically amount to a shrug. It’s fine! I guess! Vivy starts out as an interesting layered character- and I guess still is by the end- with her stoic but stubborn determination bouncing off her fast-talking bossy partner Matsumoto well. She never listens to him, which is delightful. The way the show took place over the course of 100 years was an interesting conceit as well. However, it bought up a lot of themes and then sort of... dropped them. For instance, Vivy interprets her mission (PRIME DIRECTIVE if you will) as protecting humans at all costs, no matter how destructive said humans are or what their fate is supposed to be, and is perfectly willing to murder her fellow androids to do this, showing she inherently thinks of androids (herself and her own people!) as less worthy. Which is a little alarming! There’s a very dramatic point in the show where they bring this up as a potential conflict for her character but then it’s sort of...dropped. Pretty much.

Actually, despite the premise, the show doesn’t dip into the “AI rights” as much as you think it would with the main theme being more about Vivy’s search to find her own creativity and discover what it means to ‘pour your heart into something’. Vivy herself doesn’t actually care if she has rights or anything. Which is in some ways fine, because ‘AI as an oppressed class’ has been done to death, but IT’S ALSO KIND OF IN THE PREMISE, so that means that the show just shrugs really hard at a lot of the questions it brings up basically just going “humans and AI should work together probably” and that’s it. There’s a lot that feels underexplored. The antagonists in the show also either have motivations that don’t really make sense or have boring hackneyed motivations. In the finale in particular, it feels like a lot of things happen “just because” and it falls a little flat.

I also have to warn that one of the arcs focus on a robot ‘pairing’ where the dude-coded robots actions toward his partner are straight up awful and rob her of her autonomy, but it’s played like a tragic love story. I suppose you could read it differently too, but it definitely made me go ‘ew’ the story seemed to want me to sympathize with this robo dude,

Overall, I wouldn’t anti-recommend this show, it’s an all right little sci-fic romp (and definitely SUPER pretty). My favorite element was definitely the episodes where Vivy develops an entirely new (an loveable) personality, because it played with the idea of of an AI getting “rebooted” really well and interplay between her two “selves” was done really well. But there are a lot of other parts of the show that just feel...a little underexplored and empty, making me have an ‘eh’ feeling on the show overall. It’s definitely an ambitious project, and while it didn’t quite stick the landing, there’s something to be said for a show that shoots for the stars and falls short over a show that just languishes in mediocrity.

Fruits Basket The Final

Quick summary: The final season of that dramatic drama about that weird family with a zodiac curse and the girl who loves them.

It’s very weird that after not cutting a lot out, they kinda sped through some material for, you know, the finale. I guess they thought they couldn’t stretch this final arc to 26 episodes? Or weren’t cleared for another double cour? However, though there were a couple places that felt awkward, despite being a bit condensed it mostly held together pretty well for a D R A M A T I C and ultimately heartwarming conclusion. I was really disappointed they kept the part where Ritsu cut their hair for the ‘happy ending’, I thought their intro episode not showing them in men’s clothes meant the anime had decided their presentation didn’t need to be “fixed” but WELL I GUESS NOT. That was the only big upset for me though, otherwise the adaptation went about how I expected, sticking to the source material. Furuba has a lot of bumps, from weird age gap stuff to ...gender, but it also has a lot of important feels and great character arcs. It was a gateway shoujo for many and has its important place in animanga history, so I’m glad it finally got a shiny, full adaptation.

#anime overview #spring 2021 anime #shadows house #oddtaxi #zombie land saga #fruits basket #vivy: fluorite eye's song #zombie land saga revenge #fruits basket the final #anime #my reviews #long post

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thepapergirlandthespiegelman · 3 years

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Castlevania Season 4: I’m not mad, just disappointed

Season 4 is poorly written fanfiction, which is...better than a lot of things could be, I guess.

Spoilers below the cut.

Content warning: trauma, sexual assault, psychological manipulation

The Gods Have Had a Change of Heart

Or, “Season 3 Blocked and Ignored”

Season 3 felt like the fabric of the universe had been twisted just to inflict additional pain. Season 4 overcompensates in the other direction; trauma evaporates, and good things happen for no other reason than to make our favorite characters happy.

The Season 3 finale left two characters in particular totally devastated: Alucard and Hector. Alucard is violently betrayed in a horrifying sexual assault by the first two people he’s spoken to since Trevor and Sypha left. He ends up killing them in self-defense and puts their bodies on stakes outside the castle, alluding to his father’s habit of doing so and potentially hinting at a turn toward evil. Hector is seduced by Lenore and then enslaved using a magic ring.

Yet at the start of Season 4, it’s as if these things never happened. Alucard is troubled, but not totally devastated, certainly not evil. Taka and Sumi are referenced in exactly one conversation with new character, Greta, in which she says the rather tactless throwaway line, “I had a boyfriend and girlfriend at the same time once. But they never tried to kill me.” Hector is nominally imprisoned, but immediately seems highly agentic, perhaps even more so than before. He studies, lays traps, and makes secret plans with other people. Furthermore, his relationship with Lenore is completely transformed. From falling to his knees in abject horror and despair at being enslaved, he suddenly switches to light banter, in what is apparently a basically okay, mutually enjoyed romantic/sexual relationship. Manipulative, selfish Lenore is now a sympathetic character struggling to reconcile her own role and feelings with Carmilla’s plans.

The events of season 3 happened, remaining canon in the most basic, literal sense. But the emotional weight attached to them has disappeared into thin air.

Not gonna lie, I did breathe a sigh of relief when I saw that Alucard and Hector were okay. I’m soft-hearted! I don’t like seeing characters I like suffer! I mean, conflict is important, and I can deal with (or even enjoy in a certain sense) seeing characters suffer if it makes sense and serves a narrative purpose. But as far as I can tell, the season 3 finale was nothing more than lurid, meaningless violence. I probably wouldn’t have continued watching the show if it devolved into nothing more than finding novel ways to torture the characters.

Still, it doesn’t feel quite right to pretend like nothing happened either. Or, really, not that nothing happened, but that those things didn’t matter, didn’t hurt, didn’t leave lasting scars. That’s...almost kind of worse.

But, I thought, I can sort of forgive this sudden shift in the stars, given that there may have been some sort of change in creative direction relating to Ellis’ decreased involvement with the show.* Plus, season 3 was insanity. It’s not like it was full of great writing choices, so if we quietly ignore some of them, maybe that’s for the best.

*I only later learned that Netflix actually chose to continue with Ellis’ season 4 scripts. It is not lost on me that maybe Ellis doesn’t know how to write about the lasting effects of traumatic sexual experiences or how power dynamics can make a sexual relationship problematic because he doesn’t understand that those things exist.

Characters Being Nobody and Nothing Happening

Pretty Pictures, Not Much Else

Unfortunately, the disconnect between seasons 3 and 4 isn’t the only problem with this season. Although I felt that season 4 was a bit less boring than season 3 (I particularly enjoyed some of the earlier episodes of season 4), it suffers from the same basic problems of Characters Being Nobody and Nothing Happening.

None of the characters experience any significant development, let alone any sort of coherent arc. Sypha has changed slightly, becoming more rough and jaded. I did really like the scene where she talks about becoming the kind of person who says “shit.” I think it really speaks to how entering into a relationship with someone means taking on aspects of their lifestyle, and how that can change you in ways that you can’t predict and therefore can’t exactly “agree” to. Sometimes those changes are good, sometimes they’re bad, sometimes they’re neutral, and sometimes it’s difficult to know. But you have to accept that you’re sacrificing some aspects of the person that you could have been if you chose to live completely independently, or with someone else.

Trevor really hasn’t changed since season 1 when he first decided to take up the mantle of hero again. Likewise with Alucard. Hector and Lenore change, as previously noted, but that change is sudden, jarring, and occurs completely off screen in between seasons 3 and 4. Carmilla dies as exactly as she lived: bitter, angry, and violent. Saint Germain just kind of...gets fucked over in a nonsensical subplot, which is its own whole can of worms.

We also get several new characters in season 4, none of whom have developed personalities or motives, nor do they develop any of those things over the course of the season: Greta, Zamfir, Varney, Ratko.

And nobody. Does. Anything.

Trevor and Sypha spend the entire season trying to explore and aid Targoviste, which comes to absolutely nothing. They’re unable to help anyone, Zamfir dies, and they end up just jumping through a magic portal to the actually relevant subplot in the finale. Carmilla literally does little more than draw maps until she’s ultimately killed. Hector plays a minor role in Saint Germain’s extraction of Dracula from Hell; otherwise, he and Lenore basically just exchange banter. Saint Germain does sort of do some stuff? But it’s often unclear how he’s made his connections, who the people who are helping him are, or what exactly he’s doing in terms of his magic beyond “whatever it takes to get back to his lover.”

Sure, there are fight scenes, but they feel meaningless. There’s no context, no stakes. There’s also a LOT of dialogue, and it is. Not well written. Exposition is embarrassingly clumsy at times, and the philosophical musings are cliche at best, muddled and confusing at worst. There’s just not all that much going on.

That is, except for Isaac. But more on him in a second.

What Kind of Show Is This?

When the plot line adapted from Castlevania III: Dracula's Curse ended with season 2, the show struggled to establish a new identity.

Despite nominally dealing with themes like whether humanity is inherently good or evil and how to cope with wrongdoing and loss, seasons 1 and 2 ultimately boiled down to a pretty generic action-adventure/fantasy plot with found family/power of friendship elements. Main characters Trevor, Sypha, and Alucard don’t really wrestle with big philosophical questions or suffer any major defeats. They know that they have to take down Dracula for the good of the world, and they work together as a team to do it, with a little character development relating to their various backstories sprinkled in.

Then season 3 happened, and things got weird. The trio is broken up for what feels like a pretty trivial reason—Alucard has to protect the castle and Belmont hold, I guess? And the result of that decision is that the dynamics for the three main characters are completely unbalanced.

Ellis openly admits that he basically went feral with the writing of season 3, and it shows. The messaging in seasons 1 and 2 was cliche, but consistent. The message of season 3? Anyone’s guess.

Season 4 reversed the darkening of tone from season 3, but shares its inability to pick a story and tell it.

Isaac is the Main Character

Always has been.

While I can’t say that his character or arc are perfect, I can say that he actually has a character and an arc. He starts off motivated by his fierce loyalty to Dracula, then has to struggle to find his purpose once Dracula is gone. He goes from subservient to agentic. He goes from fully endorsing the genocide of humanity and not caring about his own life to seeing some worth in humans and genuinely wanting to live. He has an interesting moment that deepens our understanding of what night creatures are, while also serving as an exploration of the meaning of one’s fundamental nature. Most importantly, these changes happen naturally over the course of the show. They never feel forced or out of the blue, and while I feel like even more could have been done with Isaac’s character, there’s a lot to appreciate about what is there.

If there’s any thread holding Castlevania as a single, coherent work together, it’s Isaac. Not only is his character the best executed and the most coherent over the course of the show, his character explores themes that are larger than himself and relevant to the show as a whole, like those mentioned earlier: misanthropy versus a belief in the value of humanity; the ability to go beyond one’s “nature” or initial circumstances; and how to respond to being wronged or losing something important to you. Exploring the individual lives of characters is great, but really good writing usually requires going beyond that to reflect on broader questions and ideas. Isaac is the only character here that serves that larger purpose.

Sorry...I Just Don’t Buy It

The season 4 finale is crazy, although in a different way from season 3′s.

Varney being Death makes no sense on several different levels. I’m not going to spend a lot of time picking that particular plot twist apart, but I will talk about why I think it doesn’t work at the largest scale, and how I think season 4 might have been done better.

Last minute twists with zero foreshadowing are rarely a good idea, and this is no exception. Why introduce this “Death” entity at the last minute to be the most important battle of the season? The finale of the entire show, even? Besides the lack of logic or emotional buildup, this robs the show of the opportunity to make use of the antagonists that it already has. Since Dracula died, Carmilla has been the obvious choice for a new big bad. Why hasn’t she done more?

Season 4 feels crowded with characters and plot lines that amount to nothing. Why not bring some of these characters together? If Carmilla is the main antagonist, how come she never meets any of the protagonists (except Hector, who is a pretty minor player in this ecosystem) or even affects them in any way?

Season 4 feels like maybe it was trying to make something out of season 3 and the model that it presented, but it ultimately fails to do so. The writers throw the trio back together at the end anyway, so why not have them rejoin sooner and work together? Maybe Sypha and Trevor’s past experience with Saint Germain could have helped Alucard and Greta piece together what he was plotting sooner, rather than all four of them being completely blindsided by it in the penultimate episode. (Sypha and Trevor know that someone is trying to resurrect Dracula, but they fail to find out any actual detail about the plans, despite their supposed attempts.) Have characters actually do stuff, figure stuff out, advance the plot!

Likewise, maybe Carmilla becomes aware of Saint Germain’s scheming, sees it as a threat, and tries to take him down. Maybe she tries to get involved and somehow use alchemy or the Infinite Corridor to her own benefit. What does it look like when power-hungry Carmilla, who wants to rule the world, finds out there’s an entire multiverse out there? That could easily set her up to be a foil to Saint Germain, causing him to realize that what he’s doing is wrong.

What actually ended up happening in the show feels disjointed and often empty. In particular, most of the events that happen in the last two episodes just don’t really work for me. I didn’t like Trevor suddenly sacrificing himself to this random, new, super powerful enemy, or how the gems and dagger that he found just happened to be the perfect weapon to kill this new enemy, or how he inexplicably returns from the dead.

This kind of thing is what I mean when I say that this season feels like fanfiction. Trevor comes back from the dead for no discernible reason other than that it would really suck if he died. Greta as a character seems to literally only exist to be Alucard’s girlfriend and support him so that he doesn’t have to continue to be alone and potentially turn evil. Alucard’s trauma from Taka and Sumi and Hector’s trauma from Lenore are both conveniently erased. Even Dracula and Lisa are resurrected somehow and get their happy ending. And it’s like, I guess I prefer deus ex machina to the opposite (Does that have a name? When everything is going well but then something terrible happens for no reason other than to make things worse for the characters?), but they’re both bad writing.

God. This isn’t even getting into what happened with the Council of Sisters. And I don’t even really like those characters, but that doesn’t mean I want to see their characters handled poorly.

I’m not sorry that I watched until the end, but I can’t in good faith recommend the show as a whole. If you’ve yet to watch Castlevania, just stop at the end of season 2. While there are some shining moments in seasons 3 and 4 (4 more than 3), it’s just really not worth it.

#review #thoughts #television #animation #adult animation #video game adaptation #fantasy #Netflix #Netflix Original #Castlevania #storytelling #writing #characters #plot #character development #vampires #Isaac (Castlevania)

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sagamemes · 3 years

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the sheridan tapes 📼 part one. here and under the cut, you can find a little under 120 lines of dialogue from the horror podcast the sheridan tapes, specifically from episodes one to three, edited for roleplay purposes. tw: police, murder, supernatural elements, mentions of apocalyptic scenarios, near death experiences, injuries, vehicular crash, recreational drug and alcohol use.

❝ jesus, [name]. you’re not making this easy, are you? ❞

❝ makes you wonder... do these things follow me because i chase them, or were they always following me? ❞

❝ darkness and complete disorientation does a number on the human brain. ❞

❝ i don't think he was a werewolf. ❞

❝ i’d call it the customer service smile. you know, the one that says ‘ thank you for shopping with us, please die now ’. ❞

❝ i’ve found the more showy the text, the less impressive the actual phenomena. ❞

❝ my job here is kind of… shaky at the moment. ❞

❝ [name] was also engaged in the study of the impossible in his free time. ❞

❝ so it’s just me who drives you up the wall then? ❞

❝ well, you’ll be happy to hear i haven’t been having any fun. no weed, no ghosts. ❞

❝ there hasn’t been a new lead on her case in more than half a year. ❞

❝ so here i am, wrapped up in a blanket, staring at my little fireplace, so bored i actually decided to call my sister for once. ❞

❝ it’s a little town near bandon. very little. nice little mini-market, and that’s about it. ❞

❝ i doubt i’ll sleep much tonight. that’s okay. i just feel like looking at the stars for a while. ❞

❝ it's probably for the best. i am simultaneously exhausted from the drive and absolutely wired from the coffee. ❞

❝ i wonder if there will still be ghosts out there when that happens? when the earth is gone? ❞

❝ glad to hear you’re enjoying yourself, then. ❞

❝ knowing doesn’t make things any easier, but it does make them a little less frightening. ❞

❝ that’s all just a lazy way of saying that the real explanation is too difficult—or too horrible—for them to accept. ❞

❝ it almost killed me, but in the end it settled for putting me in pt for a year while i figured out how to use my hands again. ❞

❝ he muttered something about my time being up. or maybe he said it wasn’t up. ❞

❝ i don’t really care that i didn’t get any writing done today. ❞

❝ nothing. not a single idea worth writing down, no itch i needed to scratch or question i needed to answer. ❞

❝ guess there really is no such thing as bad press. ❞

❝ i have no idea what a writer’s ‘ process ’ usually looks like, but i’m pretty sure it’s not this. ❞

❝ see what i have to deal with? god… siblings, am i right? ❞

❝ what can i say? i have a soft spot for gothic architecture. ❞

❝ computers have never been very good at reconciling paradoxes. ❞

❝ they’re pretty much over funding my little expeditions. ❞

❝ that kind of smile doesn’t normally show that many teeth. ❞

❝ you know, that’s only scary the first few times you do it. ❞

❝ one day, it will be dead. one day all the stars will burn out, go dark and silent. one day, everything will be so dark and so cold that no new stars can ever be born. the old ones will blink out one by one, like candles going out, and then… nothing. silence. darkness. void. ❞

❝ the simplest explanation is almost always the right one. ❞

❝ i don’t remember getting in my van, putting the key in the ignition, or speeding away from that house, but i must have. ❞

❝ no, no, i’m fine, i’m fine, just go bother someone else. ❞

❝ i haven’t eaten, moved, or written anything all day. ❞

❝ but maybe that's just the fact that it is two in the morning and my brain is running mostly on caffeine. ❞

❝ given how good a [job] he is, i know it’s not the first time he’s done it. ❞

❝ i escaped, but i knew that whatever was in that house has just marked me as prey. ❞

❝ calm down. think. you’re just going to confuse yourself. ❞

❝ just wanted to tell you a couple of us are headed out to marvin’s for drinks if you want to come. ❞

❝ one of the most disappointing things about living in america is the lack of genuinely haunted houses. out of all the supposed haunts i’ve visited, maybe one in ten seems like the real deal. ❞

❝ sounds… peaceful. not many distractions, then? ❞

❝ something tells me this tape wasn’t played in court. ❞

❝ one of the neighbours must have called 911. ❞

❝ my infamous accident. it almost killed me. ❞

❝ i just woke up to footsteps in the kitchen. i don’t know who, or what, but there’s someone in here with me! ❞

❝ could you shut the door on your way out, please? ❞

❝ uh, wasn’t expecting to hear from you so soon. ❞

❝ the fire that i said went out? yeah, it just started burning again. ❞

❝ so i asked him to lie. ❞

❝ it'd really be just a few of us. maybe me and [name] and one or two other tagalongs… ❞

❝ apparently, the press had a lot of questions too. ❞

❝ i’ve driven more than 8 hours and drunk enough bad coffee to give an elephant heart palpitations. i’m sure as hell going to get my money’s worth. ❞

❝ oh sorry, am i bothering you now? what happened to ‘ call anytime you want, [name] ’ or, ‘ you’re always welcome here, [name] ’ ? ❞

❝ i’ve forgotten to charge my phone. again. ❞

❝ i… think i’m going to turn around now. ❞

❝ well sorry if i wanted to have a nice talk with my sister for a change. ❞

❝ will it just be left there forever? our legacy? look upon our works, ye mighty, and despair? ❞

❝ no matter how far away from home you are, no matter how different the constellations might look from where you’re standing, you can always look up on a clear, dark night and feel like you’re about to fall right into it—the terrifying, endless expanse of nothingness. ❞

❝ i know authors can do some crazy things to get out of writer’s block, but i’ve never heard of one resorting to arson. ❞

❝ why do you always think there’s something wrong? ❞

❝ ours is not to question why, ours is but to digitize and stay the hell out of trouble. ❞

❝ so let’s try walking backwards. just keep an eye on it. ❞

❝ i got lucky. or maybe i was just fast enough to escape. ❞

❝ maybe there are secret passages behind the walls and corridors. ❞

❝ no matter how far i walked, i couldn’t find the way i came in. ❞

❝ well, i /know/ i’ve had worst nights. i just can’t think of any right now. ❞

❝ i do want you to have fun, [name], i just don’t want you to get yourself killed doing it. ❞

❝ i mean, obviously, i do care, that’s the whole reason i made this trip. to get away from the noise and focus. ❞

❝ i might have… forgotten to tell anyone where i was going. ❞

❝ before i get started, there’s just one thing i need to say. i have absolutely no patience for the unexplained, or the things people call ‘ unexplainable ’, ‘ supernatural ’, or ‘ paranormal ’. ❞

❝ i told [name] that i needed to get out, to get inspired. ❞

❝ okay, if someone is messing with me, they’re going to be very sorry, very quickly. ❞

❝ [name] lied his ass off to save yours. ❞

❝ a crash like that does funny things to your head. ❞

❝ i still don’t know how he got there without me noticing. ❞

❝ any plans i had to travel abroad went up in smoke. ❞

❝ i thought of pulling out the bad cop routine. ❞

❝ strange how something so dead can be so beautiful. ❞

❝ it hated me: hated what i do, and more than that, hated who i am. ❞

❝ lots of tall tales. and more than a few ghost stories. ❞

❝ oh good, you’re still here! ❞

❝ reviewers absolutely grilled it: said it was a nonsensical rip off of the dark tower, whatever that means. ❞

❝ i jumped out the window. cut my hands on the glass, but thankfully not bad enough to need stitches ❞

❝ i told her, tonight. ❞

❝ for a minute, i wondered if that would really be so bad. it was a fitting way to go, given my… well, everything. ❞

❝ i suppose that’s a universal constant—maybe the only one. ❞

❝ i never let myself get this turned around. especially not at night. ❞

❝ i don’t know if it’s actually haunted. but if not, then it was sure as hell convincing. ❞

❝ i’m not one of those people who thinks she’s the spawn of satan or something ridiculous like that. ❞

❝ unless i’m prepared to accept that she was murdered by something that crawled out of a funhouse mirror, this isn’t much help with the case, either. ❞

❝ i have to try and work some actual cases the rest of the time. you know, cases that might have some answers i can find. ❞

❝ it's cold, damp, and dark as night. i'm in my element, at least. ❞

❝ your place is waiting for you. ❞

❝ yeah, i’m all good. great… hanging in there, you know? one day at a time. ❞

❝ oh, i see you. you think i’m still scared of [thing], huh? think you can freak me out? ❞

❝ trust me, i’ve had a hell of a day, and you do not want to mess with a pissed off… ❞

❝ and tell my sister i'm sorry. ❞

❝ oh god, it's cold. ❞

❝ the night sky really is beautiful out here. ❞

❝ tell him he shouldn’t have been such a good liar. ❞

❝ i’ve been listening to this for the last two weeks now. ❞

❝ it’s not even that i’m having bad ideas. i’m not having any at all. ❞

❝ can’t get away from the work, no matter what i do. ❞

❝ i made sure i switched off my phone before i came up here, just in case. ❞

❝ god, these things smell of weed. ❞

❝ yeah, well… just wanted to make sure you’re okay, you know? ❞

❝ [name] is dead. that's all there is to it. ❞

❝ no, i need to get out of here. it’s been a long day. ❞

❝ a lot of the art i found was just paintings of a night sky full of stars. ❞

❝ my job is to look the facts dead in the face and find an explanation. one that will hold up in a court of law. ❞

❝ personal and career choices, i guess you’d call them. ❞

❝ damn. i could’ve sworn i felt something strange about this place when i hiked through this morning… or maybe it was a different part. hard to tell this late at night, anyway. ❞

❝ well, let’s just say a middle-aged man-child running out panicked and tearing at his eyes would hardly be a marketable image. ❞

❝ i didn’t mind that i’d be alone—i always expected that to be how i went. ❞

❝ i’m sure that’s on my personnel file by now, as if it could get any more problematic. ❞

#sentence starters #sentence meme #rp sentence starters #rp sentence meme #starters #rp starters #* sentences.#* meme.#sheridan

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aotopmha · 3 years

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Attack on Titan in 2020

I've sort of dropped doing detailed chapter posts on the series because that type of writing wasn't very fun for me anymore and I have taken a liking to a bullet point kind of approach where I list the elements that stood out for me in the chapter or make a separate post for some specific topic I'd like to talk about in it.

I've started like 10 different posts to attempt to talk about AoT this year and I always end up with incoherent rambling because of all of the elements I'd love to to talk about.

This year's chapters were 125-135 and this year's episodes episodes 1-4 of season 4.

The anime episodes in particular have given me a lot of food for thought, so I'm just saying fuck it.

I think the biggest misstep of the story for me will forever be the fact that it decided to use fairly specific historical imagery.

The Eldians are clearly supposed to have allegorical equivalency with Jewish people, but the Jewish people were never the oppressors. There weren't any Jewish empires. That's conspiracy theory bullshit.

But on the other hand, the series clearly takes great effort to not stereotype any of the groups it's portraying and gives complex reasons for what both sides do. It's one of the few Japanese series that I've seen not stereotype Middle Eastern-coded people (Ramzi and Halil) or black people (Onyakapon). Everyone are people, it says. It even champions diversity:

(Chapter 118)

It is also very much true that a bunch of fascist states use long-term history as an excuse for their actions:

(Chapter 127)

Nation did X 2000 years ago therefore our conquest of them is justified.

This makes discussion about the series' themes like a minefield.

The people who are very critical about its imagery are right, but the people defending the series aren't wrong, either because it condemns all of those nasty ideas of conquest and hurting innocent people.

You can't have a more clear-cut condemnation of genocide:

(Chapter 127)

If you combine all of these details instead of zoning in on them one by one, to me what the story is saying is that *even if* all of that conspiracy bullshit is true, innocent people don't deserve to be slaughtered no matter the reason because they are still people who have their own feelings, thoughts and wishes.

The story clearly gets the baseline, but fumbles the details. I decided to look up some more discussion surrounding this these past few days and I just wish there was more good faith discussion about it. A lot of it feels like a moral superiority contest.

I think it's these kind of flawed stories that actually deserve detailed scruitiny over stories that are rotten to the core because they are *almost there*. Talking about them is a good topic starter in what to do and not to do in a story like this.

Speaking of rotten to the core, I think the absolute highlight of the chapters this year is Eren and some of the chapters this year finally gave me a pretty clear picture of what is going on with him.

Context from 123 certainly helps, though:

(Chapter 131)

This is about Eren's perspective. He can't accept the destruction of Paradis.

It's not that this solution was inevitable looking in from the outside (which is one of the interpretations I see around for Eren's actions), it's that *Eren* can't see any other way out of this except the most extreme because of all of the horrible things he has seen from the outside world. It is very similar to the way suicidal people can only focus on the negative.

You can tell them everything is going to be okay, but those words won't reach them because their mind won't let them and loops them back to those negative thoughts.

Eren can't see the ice cream or silly clowns. But he can see how the other Eldians in the league of Eldians are willing to push Paradis under the bus. He can see how Grisha's sister was killed. He can see how racist and cruel Marley is towards the Eldians in Liberio (and how the people have racist leanings towards other nations, too).

He can only see those bad things. But he also understands how everyone outside of the walls are human just as the people inside of the walls are.

So he is torn to pieces by guilt.

He doesn't want to do this, but he can't see any other solution.

This is why I also think he can't rob his friends of their agency. He is fighting for them to have a good future:

(Chapter 133)

(Chapter 131)

What really stood out to me on a revisit is that Eren considers himself much worse than Reiner.

I've seen criticism on how the story pushes the narrative of both sides being the same and this detail is really important to me because this is the story acknowledging that what Eren is doing is worse and gives all of the following exchanges about this the context of it being a similarity in principle.

Both sides have killed for what they think is right and have to deal with how they have killed people. This is such an important detail in the Uprising arc, too, where Erwin firmly acknowledged that overthrowing the government might not actually be the right choice by him. It was simply what he saw as right. On a narrative level this avoids absolute truths and preference of one character perspective over the other and once again makes it about individual perspectives.

The theme of individual perspectives is so ingrained in this story at this point in my eyes that it's another cornerstone in understanding what is going on with Eren to me.

I think it's great.

I also really appreciate Annie and what was done with her in this chunk of chapters.

(Chapter 127)

There has been this narrative going around that proposes that the story is in Eren's corner too much. But these chapters are nothing but questioning Eren and Annie is one of the main voices in this. It's the Marleyan girls, really and I think this is a very necessary part of making the narrative work. Once again, it separates the narrative and character perspective.

It says that the Paradis side caring is about character perspective, not what the narrative sides with and Annie is even sympathetic to Mikasa in that instance.

She gets it. Unexpectedly, I think Annie might play a bigger role in taking down Eren than expected. Her character arc about deciding to no longer go with the flow because she doesn't want any more tragedy to happen is basically calling for it.

(Chapter 128)

Another element I've seen brought up is the fact that nobody seems to address the Bert-sized elephant in the room, but some of our characters are certainly thinking about him.

This is such a thematically strong element and really interesting because Connie joined the military to make his mom proud and be a good soldier. This is the motivation behind his claim when he says they are going to save the world. But what does becoming a good soldier mean, exactly?

Well, apparently possibly gunning down people you care about.

This moment is so good because it's another moment where the idea of glory in war is taken down a peg.

The moment with Connie declaring they're going to save the world is so often criticised, but it is actually turned on its head in 128. There is no heroics in this. This is actually Connie's big "killing a person" moment because it strips away the final bit of comfort in killing in war, the excuse of killing for good moral reasons.

It is also a wonderful complex evolution of the series' themes. Trost was about fighting monsters. In the Female Titan and Clash of Titan arcs some of those monsters turned out to be human. In the Uprising, Return to Shiganshina and Marley arcs all of those monsters turned out to be human and here in the War of Paradis arc, everyone is human and the only separating system is what everyone views as right.

I really hope the anime will let this chapter breathe a little bit more.

Moving on, I guess it is time to address the rumbling.

I love it as a horror spectacle.

(Chapter 130)

And I really I think it needs to be non-CG when animated. CG is fine in spectacle battles, but not in horror settings because it is too clean.

The rumbling needs to be disgusting and dirty.

Chapter 132 gave me one of the few moments in which I truly cared about Levi. I think him telling Hange to dedicate her heart was a very good moment to cap off their relationship. He sent another SL commander to fulfill their duty.

The speech about hatred in chapter 134 also stood out to me. I think it definitely should be fitted in there somewhere in this, but I also see a bunch of criticism for it.

I want to point out that this is the side of present Marley talking here. It's the military dictatorship.

It's the Nazis. I think the Nazis should feel regret for exploiting innocent people and admit they're wrong.

I also like how the horrors here are undoing the brainwashing and showing the truth to the citizens.

I guess you could read it as heavy-handed, but it is also something that needs to be addressed and in principle, it's not wrong.

I'm also going to put a mention of Historia here. I've talked about how this is my biggest and most glaring problem with the series because of how thematically unfitting it feels, but I've also talked about it in many posts. I wanted to focus more on other stuff in this post.

So now, we make it back to chapter 135.

I think having stewed on it for a month now, I like the element of mindscrewing our cast with the Titans of the people they love is the strongest element of it. It's making them face their personal traumas and we also get some great character moments and payoffs from it.

Mikasa ended off the year in a very good note in my eyes.

Even this deep in the story, this chapter left me in a situation where I have no idea how things might turn out.

I might have rough ideas, but not anything specific and that's fun.

Well, this is it on my retrospective.

2021 is confirmed to be AoT's final year of publication as volume 34 is set to be the story's final volume.

Those who hate the story can finally be free of it and those who care for it, can look back on it with fondness and sadness and many other emotions and evaluate.

It's been 7 years for me. What a wild ride.

So, I'm asking everyone, what are some of your observations on AoT in 2020?

Is there anything you'd like to add or do you have any observations or counterarguments for anything I've said?

I'd be curious to see what everyone else thought of AoT in 2020!

#Attack on Titan #Shingeki no Kyojin #Eren #Eren Jaeger #Eren Yeager #Annie #Annie Leonhardt #Connie #Connie Springer #Hange #Hange Zoe #Historia #Historia Reiss #Mikasa #Mikasa Ackerman

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