Oh yeah, I made this last night
I was complaining yesterday about how I can’t draw, and while I tried and failed to draw traditionally (I think I’ve been out of practice too long and I can’t adjust to the layout of it not being right in front of my face at the same angle, if that makes sense), I decided maybe I can try drawing these guys again
I’m pretty happy with how the main trio turned out in this redesign, I think I was able to give them all distinct looks
Cassidy got some changes, Rasmus pretty much stayed the same other than a permanent ponytail, and Rowan's hair got completely changed. Mostly because I wanted to make his hair have a more distinct shape
I still need to come up with new names for them though. Best I got is Rowan becomes Rusty, but I don’t know for the other two. All I know is that in another world, Cassidy would be Peppermint, or some other variation of mint
Anyways, a while ago I was considering changing the setting of the story to be cowboy themed. It was mostly because at the time, a Discord I was on was making a Cookie Run cowboy AU that I really like, but also because the story never had a clear time period setting. It was part modern day, part fantasy, and I never really got it to be consistent
Though the big problem is that I’m pretty unfamiliar with cowboys and how they operate. Which is ironic because I’ve been living in Texas for over a decade. But like, I’ve never been that interested in Westerns or that cowboy stuff, probably in part because I heavily dislike country music. So I don't really know much about the era other than Victorian times were also happening
I would also have to change some things around so that they fit in the time period, most importantly the whole situation with Rasmus and the others. I'm thinking maybe I can turn that from science experiment to witchcraft and have magic be more of a thing, since they are meant to have magic
I've given a little thought into how the story works now, like that these three got hired either to drive cattle to a certain area or keep watch of a ranch. I guess if they got to travel, then the former, but if I just want them to hang out, then the latter. Former's probably better though, since if I want to make an actual plot, there's your overarching goal
I think I need to do more research on the time period though, so I know what I'm doing. Though also this isn't going to be like, completely historically accurate. I mean these guys are fictional goat thing people with magic powers. I don't think something like the Civil War happened recently, and I'm not sure I want sexism to be a prevalent thing in the plot. And I think I also personally I need that reminder since sometimes I forget that I can give myself wiggle room
In that vein, the cattle are probably also semi fictional, or at least maybe they shouldn't be exactly the same as real cows. I don't know, I feel like it'd be really jarring to have normal cows alongside brightly colored goat people
Anyways I trailed off, back to the actual drawings
So because of the cowboy consideration, I tried to sketch out outfits they could wear. As well as body types (though they didn't turn out as varied as I'd like). Cassidy and Rasmus I think are fine, but Rowan might need more tweaking. I also need more cowboy refs, especially ones that aren't just costumes or AI pictures in Google Images
Then afterwards I decided to start sketching some of the other characters I've made up. Which just so happen to be the parents of the main characters. Who also have names because I came up with the naming scheme at that point
Top to bottom is Periwinkle, Basil and Silver
Of those three, I think Periwinkle turned out the best, but for one thing, she's been in my mind much longer than the other two, so I have a much clearer idea of what she's supposed to look like. And on top of that, I've actually drawn her before, so I know what to change. Basil and Silver are very much first drafts, and first drafts are usually not the best when it comes to designing new characters. No wonder redesigns of characters usually end up better than the original, since you have a base design where you already know what works and doesn't, as opposed to working from the ground up
And with Silver, I made it a point that he and his son don't look anything alike other than both having darker hair, so I quite literally had nothing to work with, unlike Basil or Perri
I'm also realizing that I've made a pattern with the parent designs, namely that all three of the main characters pretty much exclusively look similar to their moms. I suppose you can't tell much here, since Rasmus was born green but got changed via the experimentation, while I drew Silver, Rowan's dad that he looks nothing like, with the mom he does look like not being depicted. But yes, Cassidy and her bio mom are blue, Rasmus and Basil are green, and Rowan and his mom are red
Periwinkle and Cassidy are probably the two who look the most distinct from another, in part because they're two different shades of blue. Which is ironic because in my more recent working of this world, I made it a point that Perri's family has crazy strong genes, with everyone in the family (outside of marriage) is blue. I might have to take that out or just change how this works
I mean with Rowan, I don't really know how to change it, since his dad's family is all in the greyscale, so him being red would have to come from his mom. And with Rasmus, his parents are supposed to be green and red, with the idea that it's plausible that he could turn out brown, while in reality he was born green. But I mean I guess I could turn him a more yellow-ish green? I don't know, I'll figure it out
And uh yeah, I guess that's it. Not really anything that remarkable, but at least I drew something
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idk if this is a question for you or for Maya Kern or if it's even a polite thing to ask (I'm sorry if it's not!!) but like. have you ever considered/would it be possible to do skirts with the pattern covering the entire thing, rather than just around the base of the skirt? I love love love your pattern art and I was just thinking that the tomato pattern in particular would be sooooo extra cute as a seamless pattern covering all the fabric 💕
firstly: totally an okay thing to ask!! I don't mind skirt questions at all, I think this kind of thing is probably okay to throw at either of us, but her inbox is frequently blowing up!
I've made mostly hem designs so far, but I absolutely do wanna make some skirts w allover patterns!!!! adapting the tomatoes (and maybe other designs?) into pattern grids is something that I think could be so fun. the tomatoes in particular, I thought this was such a good idea so I did a mockup for it:
so that's not a greenlight for putting it on clothes-- but it's a fun good idea that i want to keep in mind for later, because I *do* like the loop :3
aside from that, i already do have some skirts in my mind that are all-over designs, though they aren't traditional pattern loops!
these were some skirt drafts from my last batch of pitches, and maya helped me pick a couple of the landscape designs that i'm workshopping!! so there's also that!
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Finally found someone who understands loumand amongst the loumand never loved eachother discourse, feel like I'm going crazy armand loved him (not defending his actions) and i believe louis loved him too in paris and i wanna say after too even if that love was tainted, or faded by the time they're in dubai that doesn't mean they never loved eachother.
They're beautiful and complex! I can't say I'm surprised they aren't a popular dynamic but the unwillingness to engage with their story is what upsets me the most. If you take away the love they share then absolutely nothing either of them do in those 77 years together never meant anything in the first place.
Honestly, the biggest crime of Anti-Loumand readings is that they are wildly boring. Like okay, Louis has absolutely no agency whatsoever, or he's staying with Armand for Claudia but he can't even do that right because he refuses to stand up for her where it actually matters, but also stays with Armand even when he tells him to get out of Paris to....spite Lestat??? And Armand is just....what? Blanket evil with no real motive but to keep Louis like a pathetic goldfish in an gallon tank. Why would you want that, when the story being written is much more interesting? Louis who is troubled yet still wanting, drawn to Armand and despite his reservations and self-doubt finding himself loving Armand despite it all. In each-other they both see something they want and believe they can obtain it if they can possess the other. Armand is dazzled continuously by Louis zest for life, even if he often times doesn't understand the forms it takes. I adore how they each have these pivotal moments where they are disarmed by the others vulnerability. Armand hearing Louis advocate for Claudia in the sewers and deciding not to kill him. Louis hearing Armand talk about his past and choosing to stay in Paris, despite the imminent dangers.
Like of course, they are far far far from perfect, and by Dubai they are both such shells of the people they actually are. And why I keep hope alive about Trinity Gate or really any loumand reunion. The two of them getting to meet again when they have both rediscovered themselves, and seeing each other in new lights would be everything to me. But yeah, truly nothing could make me hate them. I could sit here and wax poetic about them forever, frankly. And I absolutely will continue to on this blog lmaooo.
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