#and she's not wrong for what

[lucy-moderatz]

[blueskittlesart]

knowledge long forgotten

got really into reading item descriptions on this playthrough. anyway did you know the silent princess is one of the only raw materials with a cooking effect to not explicitly list that effect in its description

[poorly-drawn-mdzs]

Expertise can't help you here.

[aerial-ace]

sick and tired of seeing these ace trainers brag about their super smart badass level 100 shiny mons.

This is Sol. She is a fucking idiot. She regularly forgets that she is a flying type and sits at the bottom of cabinets n such crying cause she doesn't know how to get up. I would die for her.

[ahsokalegend]

One of my favorite choices the Apothecary Diaries made was making the Emperor a “normal guy” (as far as I know as an anime-only). He’s not evil. He’s not hindering Mao Mao’s journey. He respects the concubines.

If anything his lack of autonomy and presence as the most powerful person in the country further enhances the show’s themes of working within the confines of class and gender inequality.

The previous emperor was a horrible, horrible pervert. Okay, then this emperor only weds women of age… Until he’s forced to take his father’s precious wife due to politics. The current emperor reasonably avoids her.

Eunuchs exist? Bam! now the surgery is outlawed, but this will create a reduction in male labor around the palace.

The emperor clearly favors few women. Well, now he must recognize a concubine with a powerful politician father playing the system.

He supports Mao Mao toeing the line of social expectations for women, but hasn’t removed the law against women preparing medicine. It makes one think, if he wanted to, could he make the change at all? For every two steps forward, he’s forced to take one step back.

In this universe even the Emperor is limited by social pressure and the expectations of his station. His life and that of his children is out of his control, and if that isn’t such a compelling piece of world building I don’t know what is.

If that’s how the author twists the narrative of the Emperor you better believe her female characters dealing with women’s issues in this society are even better written.

[letoilepourpre]

twitter liked this one

[mymarifae]

dess is the knight. here's why

so, i keep seeing people arguing and being unsure who/what the knight is. lots of people saying that it's carol, or that it's actually none of the holidays and is just connected to them somehow. meanwhile i'm 99.99999999% certain it is in fact DESS. and you know what bumped my certainty levels up from like 75% to that 99.99999999%? gerson.

the dark world was able to use his dust to revive him for a time. he was perfectly himself, and he was in this sort of... limbo state of being a darkner and a lightner. but his funeral rites were followed correctly, minus actually burying his urn. so let's ask ourselves: what happens when the funeral rites aren't followed correctly?

what if they CAN'T be? what if the death is so sudden and horrible and her dust is lost? ... what if a fraction of her dust attaches itself to an object that does not correctly resonate with her soul? what if that's all that you have left of her? this incongruent amalgamation of her-but-not-her? do you throw the object away? no, that's your daughter. your childhood best friend. you're going to cling to the little bit you still have of her and try to bring the rest of her back. let the world end if it must; she's more important.

knight carol immediately falls apart for me for two big reasons, and one is simply that this is not what a lightner would look like in the dark world.

this is a lost, twisted being. this is the other side of the scale gerson was on, of near-simultaneously being a lightner and a darkner.

the other reason i can't buy into knight carol is that the knight was already waiting for susie and kris in the dark world while carol was at home grounding noelle. can the woman teleport? exist in two places at once? no. it's just not her.

anyway, plotholes in knight carol theory aside, there are SO many visual clues that the knight is at least a fraction of dess. if you weren't paying close attention - and good chance you weren't because you had bullets to dodge - you might have interpreted the knight's sword as just a sword. and then later, in noelle's house, you run into carol's katana and it's like, woah wait a SWORD?! that is intentional misdirection. the knight's sword is not a Sword. it's a bat.

here i have a handy and very painstakingly detailed chart just for you

real life + in-game katana vs the knight's "sword" vs real life bats. note the bottom of the knight's sword jutting out in one direction and how the real life black bat does the same thing.

katanas are also not wielded with one hand. the correct posture is with two

now, look how the knight swings her "sword":

if you manage to "win" the fight in chapter three, susie attacks the knight head-on, and chips the sword

and, oh, huh would you look at that-

interesting coincidence. also, the knight turns into a baseball-looking ball multiple times

one more thing. this stained glass window design in the church. it's dess standing below the titan she now shares a body silhouette with

(pardon the shaky outlines i refuse to turn on my tablet right now but hopefully that helps you see what i'm talking about if you couldn't at first)

and this isn't even getting into how dess's song is incorporated into the knight's battle theme. we finally met our girl, guys. it's her

[bklily]

I hope in season 6 Marinette commits even more crimes. I hope she steals a cellphone in every episode. I hope she breaks into every house in Paris. I love when Marinette is an illegal perpetrator. God forbid women have hobbies. Is it a sin to let girls have fun?? I didn't think so. Your honor my client can do whatever she wants because I said so. Her boyfriend loves her for it he can bail her out of silly crime jail it's fine.

[chimerafeathers]

i really love how intensely Mirabelle reacts to act 5 Siffrin botched friendquest.

Isabeau is mostly operating out of concern and, eventually, hurt. he already knows something’s up before Siffrin gets to him. he knows something truly awful must be wrong for Siffrin to be lashing out like they are, and as soon as he can’t handle the situation anymore, he leaves and asks (with strained cheer) for time apart to cool off.

most of Bonnie’s anger comes from being upset and afraid that Siffrin would willingly put themself in danger for no reason, when that’s exactly why they’ve been so unsettled since the eye incident. they hate that Siffrin values their own life so little, they hate that they’re the cause of any pain or loss for him, and here he is, putting himself in that situation AGAIN. on purpose. it’s loud and explosive, but it’s familiar, too, being “hated” by Bonnie for this reason.

Odile pushes, and keeps pushing, until her concern overwhelms Siffrin and they strike where they know she’s most vulnerable. she gets physical, just for a moment, grabbing his collar before controlling herself and letting go. her fury shuts down into cold detachment, and she walks away.

but Mirabelle—dear, sweet, gentle, loving Mirabelle, “the most wonderful being on earth,” with her secret “ruthless side” that largely involves lightly badmouthing people behind their backs and then apologizing—slaps them. immediately.

and then COMPLETELY RENOUNCES THEIR FRIENDSHIP.

not just “we’re not friends anymore,” but “we were never friends in the first place.”

that’s!!! pretty extreme!!!!

of course, she ALSO starts by asking what’s wrong. something must have happened for him to act like this. but as soon as Siffrin brushes her off, she jumps past that line of questioning and dives headfirst into re-evaluating everything she thought she knew about them as a a person.

if he could say something like that to her and not see anything wrong with it, then she was wrong to treat him as a friend, wrong to read camaraderie into his teasing, wrong to think they must care about them all under their aloof demeanor.

that’s how Mirabelle phrases it—“I was wrong about you”—but i think that there’s a hidden layer of I was right about you, too.

she talks about the way they tease her like she had to convince herself that he was doing it in a friendly way. she says they talk like they “know better than her” like that’s a thought she’s had for a LONG time.

“Always soooo mysterious, Siffrin, always talking as if you're better than me! As if you know me!!! But you don't, Siffrin!!! You're just as lost and useless as I am!!! So stop!!! Talking!!! As if you know me!!!!!!”

none of this comes across as a new, sudden way to view Siffrin for her. it doesn’t shock or confuse her. it makes her angry, defensive, almost like she was waiting for something like this to happen at some point. the feeling of resentment, frustration, jealousy, being patronized and condescended to—this is something she’s been actively pushing down and rejecting this entire time, but they’ve given her ample reason for it all to boil to the surface. violently.

Mirabelle’s kindness is not inherent or easy. it’s a choice she’s making. she treats Siffrin warmly because she gives him the benefit of the doubt—refusing to act based on anxiety-fueled, cynical speculation, and reassuring herself that his actions are driven by care and friendship even if she can’t quite see it.

“I was wrong about you” doesn’t mean she always and without question believed them to be a fundamentally kind, caring person from the beginning—it’s that her first, colder instincts were right, and she was wrong to convince herself otherwise.

never mind that she asked what was wrong at first. she barely gives them time to speak in their own defense, to explain what they really meant by what they said. all of her suppressed doubts and frustrations are getting aired out now, now that all the trust she’d so deliberately placed in him has been betrayed. her pain feels bigger than this singular moment, so when she hurts him back, she makes sure it extends back through the entirety of their relationship for him, too.

“You're awful. You're not my friend, not my ally, not anything. You never were.”

like the others, she goes back to the clocktower and tells Siffrin not to come back until later. but there’s a finality to the way she ends this confrontation that isn’t quite there with the others. Isabeau and Odile reach their breaking point and remove themselves from the situation, asking for space to cool off but still somewhat leaving the door open for Siffrin to tell them what’s really going on at some point. Mirabelle is the only one who tries to fully cut ties—after everything else she says, her “I don’t want to see you until tonight” reads to me somewhat as “I don’t want to see you anymore unless I have to.”

I can’t wait to never see you again.

even back at the clocktower, Mirabelle doesn’t really defend Siffrin’s place in the party when Odile suggests leaving them behind out of concern for their trustworthiness on the most important day of the journey. Isabeau and Bonnie protest out of sentimentality and faith in Siffrin’s abilities and connection to them, and Mirabelle agrees, but…

“I agree, but... B-But would he even agree to come with us, still? Maybe they won't even come back tonight...”

she doesn’t say much outside of that. maybe the stutter and hesitation here are signs of regret about how things happened, but she lacks Isabeau and Bonnie’s confidence that Siffrin even wants to come back to them in the first place. she doesn’t trust that their bond was real anymore. maybe it never was in the first place, or maybe she broke whatever was there herself.

and she’s still mad when they finally catch up to Siffrin at the King! and she makes sure Siffrin knows that—after saving them, assuring him that he no longer needs to fight, that they’re all there for him. she still cares, of course she still cares—she’s still hurt, too, but they can figure that part out once there’s less world-ending stuff going on.

she’s the first to say that they all reserve the right to still be angry at Siffrin later—and that they’ve already forgiven him.

she’s also the first to say we want to stay with you, too. it’s not just you.

she was wrong! she thought they didn’t care but they care so much, it’s overwhelming, it’s world-ending.

i think she’s gonna be wallowing in guilt post-canon the moment she remembers what she said and did TO SIFFRIN and not just what Siffrin said to her. especially now that she knows Siffrin’s exact hangups, and especially especially if she figures out what Siffrin was trying to say.

they put themself through hell out of loneliness and fear that none of the others cared about him the way he cared about them, he was going insane from repetition and exhaustion and hunger and trying to keep them all safe and together, and all they did in the midst of all that was say something kind of mean to her one time (that turned out to not even be MEANT to be mean it was supposed to be HELPFUL they just SAID IT ALL WRONG) and she SLAPPED THEM? and told him that they WEREN’T FRIENDS AT ALL??? how could she!!! she should have known better!! what they said hurt a lot but still!!!

so when they eventually manage to try to talk about it, they end up almost in, like, a guilt competition.

Mirabelle apologizing for how she reacted, that she shouldn’t have yelled or hit him, that she doesn’t want to be the kind of person who acts that way out of anger and she’s sorry that she made Siffrin expect that reaction from her, she should have known better and believed in him more and they only messed up like that because they were losing their mind in a time loop but what’s HER excuse—

and Siffrin going nononono stop I deserved it—(HUH DON’T SAY THAT NO YOU DIDN’T)—and that he should never have said such awful things to her, ever, and she was under so much pressure already with the weight of the country and everyone’s lives and futures and her religion and their whole party counting on her to do this impossible task because she’s the only one who can, all this unbearable expectation and hope crushing her, and they KNEW that but they thought they could skip to the ending as though her feelings didn’t matter at all, like helping her wasn’t as important as saving a little time—

until they’re just. in tears together, apologizing for all the horrible things they did in between complimenting each other’s strength and kindness and resilience and how much they admire each other and saying that no, everything you did was completely understandable, actually, the only one who sucks here is me. which neither of them will accept coming from the other!!

they’re so similar, in ways they couldn’t really understand, before.

warm, affectionate, perfect Mirabelle, the resolute hero, a beacon of compassion and hope for all those around her, who wears her heart on her sleeve, her fear making her courage shine all the brighter—nothing like the insignificant, forgettable Siffrin, too terrified to be known, too fragile to touch, too selfish and disgusting to bear letting go.

cool, mysterious, unflappable Siffrin, the worldly traveler, as charming and silly as they are confident and skilled, who brushed off losing an eye like it was nothing, accepting the risks of this journey with barely more than a shrug—nothing like the anxious, stagnant, undeserving Mirabelle, a fraud and a nobody crumbling under the weight of a mission too important to be entrusted to someone like her, doubting herself, doubting her friends, doubting her mentor, doubting her faith, too weak and brittle to bend and change the way the world needs her to without breaking.

not worth bothering others with their problems. they should be able to handle this alone. stay positive, stay calm. breathe in, and out.

they’ll struggle with it, still—the hiding, the minimizing—but now, they understand each other a little better. they can hold each other accountable for what they leave unsaid.

it’ll get easier, eventually. they have plenty of time.

[egophiliac]

since Eng is getting 7.5 soon(?), I felt motivated to go back to my Meleanor rig and make her a couple of lesson animations! ...except for alchemy, because the cauldron bubbles proved too hard to photoshop around, whoops.

maybe she just got lost on her way to the classroom...?

(credit: backgrounds are from the game, I just put her on top of 'em)

(aside from the backgrounds, this is not an edit, I drew her from scratch! please do not tag or treat as an edit!)

[whitebookposts]

I think that people who draw Hornet with giant boobs and ass are weak and cowards, cause clearly her canon physique is already peak

[cerealmonster15]

PITAYA DRAGON COOKIE PLEASE WEIGH IN ON YOUR BATTLE WIFE'S NEW LOOK

[friedricebunny]

i'm really so curious how deeply tbhx is gonna go with its whole premise of "heroes are made and gain powers based on trust" because i really wasn't anticipating that

1) moon/xiao yueqing has teleportation-based powers but because everyone wants her and nice to stick together, her teleportation leads back to nice which was INSANE to me

and

2) lin ling is becoming increasingly more worried about being clean and perfect which is a side effect of nice's image of perfection which is indicating that this whole trust system can have mental effects??? and that's horrifying to me???

we are 2 episodes in, how deep is this gonna go

[morganbritton132]

Continuing on a bit from this post:

Tim, complaining about Bruce grounding him again: It doesn’t even make sense! It’s like everything I do is a problem now but I’m not doing anything different!

Kon, who thinks a grounding is when you get sent outside to do yard work: Have you tried digging a hole? Like a lot of holes.

Bart, whose punishments are typically doing chores without powers: Or raking leaves?

Cassie, who knows exactly why Tim keeps getting in trouble: … Does Bruce know you’re at Titan Tower?

Tim: No, why?

Cassie: No reason.

***Later that day***

Jason: Why is Tim digging a grave in the front yard?

Dick: He got grounded again.

Jason: So… is it for him or Bruce?

Dick: Not sure yet.

[goryhorroor]

horror sub-genres: cannibal

[edwardsdeathcabcd]

i've said it before but it will forever and always make me insane that jacob's ending is to join the cullens for the sake of bella not having to give anything up. they find out jake will be immortal & tied to renesmee forever, so bella gets to smile & say "my family is finally complete! ^-^" but jake already HAS a family. he has a father and 2 sisters. quil, embry, seth and sam are like his brothers. jacob and leah were planning to run away together. he's always been welcome in emily's home, sue has been a family friend since before his birth. bella abandons her mortality by choice because she feels no connection to the people around her, but jacob has really strong bonds. it's clear that every character we meet in la push is like family to him, he's an active member of the community. jake would've graduated high school and been a mechanic, would've grown into a young man. a good friend, a fun uncle, a present son. he's set up to have such a rich life. and he's just magically compelled to give that up. beyond his control, he loses sight of everything, because his high school crush's baby is now the singular most important thing to him. he's perpetually 18 with his perpetually 18 year old girlfriend, running around vancouver or alaska or wherever with the girl who friendzoned him at 16 & her in-laws (who were antagonistic to him for months). and i'm just supposed to say omg yay now he doesn't have to let go of bella! everyone is happy! it's complete madness