#and she's such an interesting character!!!;; or to me there's so much to explore

[too-many-hyperfixations]

Transformers One Megatron Character Analysis

The movie calls him something else for a lot of its runtime. I’m calling him Megatron because that’s what we know him as and it’s cooler. Spoilers for the movie and a TON of paragraphs ahead.

Megatron’s arc in Transformers One isn’t primarily about betraying Optimus, it’s about his trust in authority is shattered and how that affects all other forms of trust for him.

We meet Megatron in this movie before he believes himself on the level of the primes and thus not having taken up the name of one. This movie is Optimus’ movie, as most transformers movies are, so we have to encounter Meg through him. Meg’s first time speaking his own mind rather than just covering for Orion is on the train shortly after his initial onscreen appearance, where he chided Orion for breaking into the archives yet a g a i n. The reason he does this is interesting to me though!

See, Megatron doesn’t just point out that it’s dangerous because this isn’t the first time security has chased him down, he says it’s an unnecessary risk. Meg cares as much about the source of the planet’s energon being revitalized as anyone else, but he wholeheartedly believes that their leader is not just looking in the right area in the first place, but that he is fully capable of wrenching free the matrix from the forces that be on the surface! Mind you that these are forces he nor anybody else can verify. Only Sentinel and his personal cabinet (who have everything to gain from keeping their mouths shut) have ever actually BEEN up there!

For all the faults of Orion in this movie before the consequences of his actions force him to discover what it takes to become a dependable leader, Orion forces Meg out of his comfort zone in the ways he has to be to grow as a person! This is what leads to Megatron getting into the race, which is the first time we see Meg having to make split second decisions, and doing really well at it! The two nearly get first by a close margin!

The next time that Orion manages to talk Meg into a situation outside of his comfort zone is when he gets them to go all the way to the surface, and even explore there, instead of going home! Meg’s journey on the surface marks the first time he really starts making choices for himself, because although he has a friend he trusts enough to follow the decisions of with him, there’s no authority up here with him. Sure, his former manager is there, but she was demoted earlier and he followed Orion’s judgement over hers even then. Megatron is now making decisions as part of a group in a situation with nobody qualified to give orders. Even when a sudden mountain formation starts taking out the tracks, listening to Bee and running is a conscious decision made in the moment rather than one made because he does this every day this is what you do. He can make decisions in a split second for himself, he's done it with hiding Orion in his cart, but never without the safety net of someone to defer to. When the quintessons are scanning, Meg is at equal standing in the group with their discussion agreeing that those ARE quintesson ships and then helping decide their course of action about the danger. This all comes to a head in the cave, when Megatron, loyal Megatron finds out his life is a lie. His own words on his LIFE BEING A LIE! The minute he fully processes that this information is real and what it means, he goes into a pretty brutal explanation of how he wants to kill Sentinel! This doesn't just break his trust in authority, however, he starts questioning if he can trust ANYONE he's meant to trust! He takes the capsule of proof the original prime gave them partly because he doesn't trust others with it, and partly because he now has a need to be the one in control, including over how that crucial information gets used. If he can't trust the person whose integrity is the most important for their entire society, can he even trust his friends? By the time they reach the Old Guard, Meg has already decided that the answer to that question is no. Even while running over Sentinel with a TRAIN, Optimus is set on using the power of broadcasting and entrusting truth with the people to do the right thing with it! Megatron believes Starscream's philosophy even before he's told the words of it, the strongest bot gets all the power. His trials out here have been those of combat as well, that have fortified his mind, made him worthy! The problem isn't in the system, it's in this one specific person who needs an example made of him for all time! "The rebirth of Cybertron cannot begin with an execution!" Says Optimus. To Megatron, it was always the only way. The strongest bot deserves all the power.

[simplynims]

I remember awhile ago an anon over on audio roleplay confessions mentioned how in audio roleplays the audience seems to forget the 'roleplay' aspect of this type of media. As in you're playing a 'role' of a character in whatever series you're listening to and people tend to forget that when said listener character does something they deem as out of character for themselves.

It got me thinking and I've noticed that I really enjoy it when the listener characters have more defining personality traits and a bit of backstory! It's a much more engaging experience to listen to, especially if the listener character has a lot of their own flaws shown in the writing. I've also noticed that in this specific genre of content, a lot of creators are very hesitant to give any negative traits to the listener character other than faint sweetness and a blank slate that the audience can project their own characters on to.

I'm not going to bash anyone who likes this style of writing with what's supposed to be a self insert, but at some point it does get boring when their default actions in every other video falls back onto those same characteristics. I know it can be limiting especially since the listener is basically the y/n of audios and they want to be inclusive. But when creators realize that they don't need to confine themselves creatively with this, it's a much more fun experience for them AND the audience.

A great example of this type of listener character is Dennys from Escaped Audios. What I really liked about her is that she's a bit of a hot mess, an alcoholic, implusive, has lowkey anger issues, the type of girl that could absolutely give you a mean left hook and overall a character that 'says' and does INTERESTING! THINGS!! You don't know much about her but that's where you, the audience, can insert your own details in because you have the bases of her personality shown through out the My Greasefire Life series to use to blossom your own creativity!

Another example of this is Darlin' from Redacted Audios, you can tell right off the bat through the first few episodes what kind of person they are. They're hard headed, stubborn, distant, a fighter who cares heavily for the very few people they trust and love. Not only that, we're given a bit of backstory of WHY they're like this but it's vauge enough so that the audience can still put themselves in the shoes of Darlin'. It suits so well with the story line because they have depth!

A few more honorable mentions I'd like to also add in is Faithful from Good Boy Audios, Casper from YuuriVoice, the villain listener in Fall of Titans from Pebbles ASMR, etc etc. I know it can be difficult to pull this off without someone complaining that it's not immersive, but people are always going to have something to say whether that be negative or positive. Have fun with it and explore those options!

[genericpuff]

Was your Kore/Persephone portrayal inspired by dissociative disorders? I interpreted it more as her dark internal monologue that she was suppressing. Like when you have dark thoughts of know things inherently, but try to rationalize your way out of thinking them. I figured it was just a more dramatic way of portraying intrusive thoughts.

Ahh this isn't really a question I can answer with a simple "yes" or "no". Especially when considering everything you just listed are often inherently symptoms of many interlinked mental disorders like DID and BPD haha (especially when it comes to the suppressing).

As I mentioned in my previous post I've been writing these types of characters for years. Uzuki is a big one that comes to mind. I love writing conflicts of the self, mind vs. reality, identity vs. instinct, past vs. present, etc.

CW: BLOOD/GORE, GRAPHIC VIOLENCE, DEPICTION OF TRAUMATIC BREAKDOWNS AND DISSOCIATION AHEAD!!!

(note the black and grey pages are read right to left like a manga, this was from my weeb days LOL)

It wasn't until years later after I was diagnosed with ADHD and autism that I realized my love for those tropes was rooted in something far more internal. Sure, sometimes a trope is just a trope, but now I fully understand why I've found myself pulled back to that trope time and time again, because I myself have struggled with a lot of the same internal conflicts that characters like Uzuki and Kore have struggled with. It wasn't just me loving a trope, it was me finding solidarity and representation in characters who shared my experiences, even if they were largely hypothetical or for the sake of creative expression.

That realization came long before Rekindled, of course, but it hit me like a sack of bricks when it did, as any realization of an undiagnosed disorder tends to do after years of thinking you're just "broken". That said, it's allowed me to explore these topics with even more nuance and understanding, while also pointing out my own weaknesses and blind spots in the pre-conceived notions I had about myself that I was then able to challenge once I knew what was really going on. It was still challenging as it was so personal, but it ultimately made me a stronger person and a stronger writer.

Skip to the future though with Rekindled, everything I just explained is why I was so interested in LO's AoW plotline to begin with, because a lot of it played to my own interests in those sorts of characterizations - consequently, it was one of the plotlines I wanted to overhaul the most when I started coming up with the basis for Rekindled, as I was disappointed that it was forgotten about over the course of S2 and completely retconned by the trial arc. In a weird way, it almost feels like all the time I spent working with characters like Uzuki was preparing me for a character like Kore/Persephone. And conversely, writing about Kore/Persephone has helped me harness my skills more which I can take back with me when it comes time to continue Uzuki's story.

All that said, mental disorders and neurodiversity were never "inspiration" to me when I was learning how to write and/or designing these characters, but that didn't make them any less intersectional. It was more like something that just came naturally to me as someone who is neurotypical and has diagnosed mental disorders (I am my own worst inspirations LOL) and I wanted more characters like that who weren't just automatically "villains". I try to always treat them with care to ensure that I'm being kind to both the characters as well as myself as someone who heavily relates to these experiences, but I'm also not really afraid to express the more "ugly" sides of those experiences either. Especially with characters like Uzuki who are largely problematic to their core in their actions - much of those actions, as I would learn about myself in my own healing journey as well, are often spurred on by a lack of care, empathy, and understanding in their unique struggles.

There is so much I'd love to say about Kore and Persephone's characterizations and what led them to this point, but I got about a paragraph in before realizing that it would be WAY too massive of a spoiler LOL I'm really, really excited to get into it - though nervous too - but I hope that, at the very least, readers can have patience for her as she goes through everything that's on the horizon. There are times it may get ugly, even outright bleak, but that is simply one side of the coin that represents her duality as a goddess - the dreaded Bringer of Destruction, and the merciful Goddess of Spring.

[saintsenara]

Hello! Just binged all of your Remadora works! I love how you write her, and your take on their relationship. I’m an unapologetic Lupin stan (PoA had me at ‘werewolf professor’, nothing beats that), but I do hate when the incredibly compelling character of Tonks gets thrown under the bus to favour his characterisation. So I just wanted to say thank you for writing amazing work! I’m also aware Remadora is surprisingly not that popular of a ship - why do you think that is?

thank you so much, anon! this is extremely kind of you.

i've got some longer thoughts on remadora as a pairing here:

but i think the reasons for its relative underappreciation in the fandom come down to the fact that:

a. a chunk of the fandom are primarily wolfstar - rather than lupin - fans, and are therefore disinterested in seeing how his character can be explored in another pairing - particularly one which is so deeply intertwined with his negative characteristics [his cowardice, his self-loathing, his capacity for cruelty] which are often less present in wolfstar fics.

b. a chunk of the fandom are primarily happy rom-com couple fans, which is a genre remadora don't lend themselves to massively well if an author's intention is to keep things vaguely canon coherent.

c. tonks is a woman, which means lots of fans who prefer m/m slash think she doesn't - and shouldn't - exist.

d. tonks is a woman in a canon endgame pairing with a man, which means lots of fans who prefer m/f writing are reluctant to engage with aspects of her [and lupin's] canon characterisation which suggest that she might not be straight or cisgender, which has led - in my personal opinion - to a lot of the more interesting character work on tonks being done in writing on non-canon, usually f/f, pairings.

[the person fighting the good fight against this is @evesaintyves - do yourself a favour and read her searingly correct take on how uncomfortable a lot of this discourse is; then visit her ao3]

[nitonitonito]

          I KNOW I KNOW BUT HEAR ME OUT-

[yellowsubiesdance]

i think i’ve learned a lot when it comes to not applying my own values to the media i consume

for my script analysis class yesterday, we discussed two gentleman from verona, and nearly every classmate of mine was up in arms about how sexist the story is.

and i'm not saying it's not, or that it's not infuriating to read. but i'm also not putting my energy into getting upset about something written 500 or so years ago. and i'm not about to put my own beliefs onto these characters that are not me. i'm going to let their choices speak for themselves, and interpret it in the context of the story.

all that said, this now brings me to the point of alastor in episode 5, and how viscerally people are responding to it. those of you up in arms about the choices he’s making, and the violent threat he gave husk, you’re missing the entire point of his character, of this place they’re in, of the story being told. he’s an overlord, and he became an overlord by killing much bigger overlords and broadcasting their deaths over the radio.

HE IS NOT A GOOD PERSON.

if you started this show with the belief that every character working the hotel is a good person, you’re in the wrong place. watch the good place if you’re looking for a good wholesome story about getting dead sinners into heaven, because that’s not what this show is about.

you’re more than welcome to hate him after seeing the way he exerted power over a being whose soul he owns, but you’re doing the media you’re watching a disservice by writing it off so quickly. if you don’t like to be uncomfortable watching media, watch something else. this is an uncomfortable show, it handles uncomfortable topics, and it’s going to be an uncomfortable ride, and if you’re not up for something like that, then you should take a break from it and pick up something else. you don’t have to get online and defend your own ideals while you watch a show that goes against your ideals.

[solradguy]

I started writing a t4t4c Sol/Jackie/Axl fic today (~1500 words). Haven't gotten to the Axl part yet, so it's just t4t right now still. They're at an amusement park and Jack-O' brought nefarious supplies

[r0semultiverse]

The implication that Terezi is stronger/immune/indifferent to Dirk's narrative writing/reality-warping powers is interesting. 👀

I am so excited for the new writers to explore her character more.

Hopefully this also means we'll be seeing more classpect & god tier power exploration as well!

[fromtheseventhhell]

No offense but trans-masc/trans-man headcanons about Arya are so incorrect, I'm sorry. I can't even take them seriously considering this fandom's desire to separate Arya from girlhood/womanhood. I would love it if people would stop trying to divorce female characters (and real women) from their identities as women just because they aren't traditionally feminine.

If we're talking about actual good-faith interpretations, ones that actually work with how Arya is written, then trans-femme is a much better fit. Arya has never had the desire to be a boy or be seen as one, she is fiercely insistent on her identity as a girl and corrects people several times, she doesn't consider herself a "real" Lady because she's not one in the same way her mother and sister are (!!!), she has self-esteem issues from her looks and ability to perform feminine tasks, she actually spends time pretending to be a boy but never considers herself one or enjoys doing it, as time progresses she loses the ability to pass as a boy (!!!), etc. Look at the material!! There's so much there to discuss from that perspective! Arya's non-conformity and how that fits into a society with such strict gender norms is fascinating and there's a lot to discuss there, but calling her trans-masc is one of the laziest interpretations to come up with.

[novablisters]

moffat did a painfully horrible job at selling elevenriver because why is every interaction between them hyper-sexual flirting or yelling and fighting like??? you want me to believe they’re married?? I mean maybe to some people that’s what marriage is like but river and the doctor are old, eleven is at least 900 and at most 1100 and river is anywhere between 20-200 at any given point(probably older than 20) and rory and amy have a perfectly fine romantic marriage, which contrasts elevenriver to be WORSE

ELEVEN CALLS HER A DISSAPOINTMENT ON THEIR WEDDING DAY. worse vows than the ones that trend on tiktok of men vowing to “slap that ass every chance I get” tbh like???

and river is SO INTERESTING but the show BARELY actually shows us her life outside of her being the doctors “psychopath” wife until HER LAST EPISODE

her entire arc revolves around him but he’s hardly affected by her, which makes no sense because. they’re. married.

we get told constantly that they’re married and in love but they never actually show them being in love, and no, the flirting doesn’t count.

there’s years of them together off screen but they should’ve had more of it on screen because there’s just so much potential there but instead we get a marriage where the doctor treats his wife considerably worse than his 19-year old girlfriend he only had for like? 2-3 years?

it’s no wonder she doesn’t believe he loves her back

[icewindandboringhorror]

Lineup of all of the characters that appear long enough to need a visual representation of them in the game lol

[the-eclectic-wonderer]

I always think about how in multiple episodes it's basically canon that Blanche is bi but considers dating women to be more hassle (which is a whole rabbit hole to go down - does she struggle with societal homophobia when she's with women? Has she only been with fellow high maintenance femmes when shes really after a Dorothy type? Has she internalized the idea that her attraction to women isn't 'real'? Her reaction to Clayton adds to these questions). Not to mention how this goes together with her relationships with the girls; making to kiss Rose that one time (and Rose multiple times seeming very aware of Blanche's proclivities), begging Dorothy for 'relief' and being convinced she's attracted to women too.

Yes, anon! It’s really interesting to delve into Blanche’s psyche about all this stuff!

I started writing down my thoughts and ended up with a long ramble -- allow me to place it all under a cut, so I don't clog up anyone's dash, haha.

Personally, I think she has some strong mental blocks when it comes to her sexuality because of the way she was brought up. I mean, she grew up in Atlanta approx in the 1930s/1940s — I’m sure I don’t have to detail the kind of casual bigotry she must have seen around her during her formative years! Just look at the story she recounts in S1E13 A Little Romance:

“Now, you have to understand that in those days in the South a lot of things were still taboo. Certain people were not to mix. So Benjamin and I had to meet in secret. Oh, we knew if any of the bigots in town found out about us, there’d be a terrible scandal.”

And all of this because Benjamin was a yankee… can you imagine what ‘the bigots in town’ thought about homosexuality? Yeah, I’m pretty sure Blanche learned to suppress that part of herself very early on. We know she turns to denial when she’s faced with uncomfortable truths and emotions she can’t deal with, so I think she likely just refuses to acknowledge that part of herself most of the time, and it only comes out (pun intended!) when she’s not paying much attention to things, or when there’s something more important going on. See the two examples you point out: when she tries to kiss Rose she’s concerned with not being kissed at midnight, and when she propositions Dorothy she’s, well… she’s desperate to get some, if we can be frank.

When she’s in a more rational state, her reactions tend to be more measured… but not by much. She does advise Rose not to date women (S3E10 The Audit):

“Oh, no, honey, don’t do that! No job is worth having to date women!”

But she’s also really flattered at receiving lots and lots of phone calls from women, after her appearance as a ‘lesbian’ on TV (S7E15 Goodbye, Mr Gordon):

“By the way, Dorothy, if I were a lesbian, I sure would be a popular one. Look at this, 20 calls.”

And of course we can’t forget her reaction to finding out that Jean has a crush on Rose in S2E5 Isn’t It Romantic?:

“Jean has the hots for Rose? I don’t believe it, I do not believe it! […] To think Jean would prefer Rose over me? That’s ridiculous! […] Now you tell me the truth: if you had to pick between Rose and me, who would you pick? Who?”

All of these are (likely) intended to be jokes about her vanity and her libertine nature (in the same way as Rose’s observations are), but considering a lot of the writers of this show were queer themselves, it wouldn’t seem strange to me if they were intentionally peppered in to suggest that Blanche might be a bisexual in denial. It certainly fits her character!

I haven’t spoken about her reaction to Clayton’s coming out yet, but that’s immensely interesting too, of course. I think Blanche has the same attitude towards homosexuality that I see in a lot of (mostly older) people in my Country nowadays: it’s fine as a general concept, but when it comes to her family (or, God forbid, herself) then the problems come out. See for example what she says about Jean:

“Well, I’ll never understand what Jean doesn’t see in the opposite sex, but if that makes her happy, that’s fine by me!”

Which isn’t a homophobic attitude at all! If anything, if you take her upbringing into account, it’s pretty accepting. But then, when Clayton comes out to her (S4E9 Scared Straight) and tells her he wants to get married (S6E14 Sister Of The Bride), this is what she says:

“Oh, Clayton, please be serious. You're just saying that so I won't set you up with any more women. […] Well, then you're saying it 'cause you're trying to get back at me for something. Clay, I know you too well for this. After all, I know it can't be true. You're my brother. […] Clayton Hollingsworth. You look me in the face and tell me you really are… what you just said you are.”

“I'm having a little trouble putting this all together. Clayton, I just feel like I don't know you anymore.”

“[…] Dorothy, that's different. We're talking about going out in public. Oh, what are people gonna say?”

“Will you tell me why you want to put yourself and Doug through this? You know how people can be.”

“Oh, look, I can accept the fact that he's gay, but why does he have to slip a ring on this guy's finger so the whole world will know?”

Quite the difference from her attitude towards Jean, wouldn’t you say? I think there’s three elements at play here.

1) When Clayton comes out to Blanche, she feels disoriented because this is life-changing information Clayton has never shared with her before. While her reaction as a whole isn’t ideal, personally I think it’s understandable. Clayton is her baby brother; she’s known him as straight all his life, he’s been married to a woman for years before his divorce, and she recounts an episode from their adolescence when he was on a date with a woman and very clearly implicated having a physical encounter with her. He's done everything in his power to pass as straight until this point in time -- I don't find it strange that Blanche would be shocked at his coming out, especially given her upbringing (and the fact that this is set in the 80s! We can't expect modern sensibilities from the characters!). Once again, her reaction isn't the best (she can't even bring herself to say the word 'gay' at first...), but the shock per se isn't that surprising, imho.

2) Blanche is scared because of societal implications above all. She doesn't necessarily see being queer as something wrong, but she's been taught it's not socially acceptable and acts accordingly. Notice how she's worried about what people are going to say, and she struggles to accept that Clayton wants the whole world to know about his relationship with Doug.

Societal expectations in general are a big theme for Blanche's character, and often drive her development; another big example of this is her attitude towards Rebecca's decision to get artificially inseminated, but it's a bit of a baseline issue for her, I feel. She has this whole thing about her beauty and her (supposed) youth and her attractiveness that has some inherent elements, but it's mostly an issue of how other people perceive her, I think, and her response to her brother's coming out is easy to relate to this theme. I mean, she even says it to Rose in S7E15:

"Well, I don't mind being labeled a lesbian, honey, but since I'm not, you just ruined my social life."

So yeah. I think it's safe to say her main concern is societal disapproval of queerness: she wants to be accepted and celebrated by the people around her, and she thinks that being openly queer will destroy her place in her social circle (and she's worried about the same happening to Clayton too, of course).

3) This is sort of related to point 2, but it felt distinct enough to treat it separately. I think she might have reacted so badly to Clayton's coming out (and especially to his showing up with a partner) because he's open about his sexuality, and she's not ready to face what that means for her. My lovely mutual @\hecatesbroom recently published her latest amazing work the odd one(s) out, on the relationship between Dorothy and her brother Phil and how Phil's open queerness might have impacted Dorothy; I think a similar situation might have occurred between Blanche and Clayton after his coming out.

Blanche has a sort of advantage on Dorothy because of her bisexuality, in the sense that she has 'passing privilege' (I really dislike this concept, but allow me to use it to make a point): it's painfully clear that she loved her late husband with all her heart, and she's obviously attracted to men as well, so she can pretend not to like women without too much of a hassle (whereas, if you believe Dorothy to be a repressed lesbian, her situation is much more complicated).

The issue with this is that this 'advantage' is a double-edged sword: she might have the comfort of being socially acceptable, but she's had to suffocate a big part of herself to obtain that comfort. And so, what happens when Clayton -- her baby brother Clayton, the one who's always been just like her, who's grown up with her same environment and influences -- begins openly living as a gay man? I'm sure the situation must have had a strong impact on her, even if just on a subconscious level; I've always found it curious that she seems to have a harder time accepting Clayton in S6E14 than she does in S4E9 (she even calls his sexuality a phase), and while a part of it may be attributed to the higher social exposure Clayton's commitment to Doug brings, I think this may be a result of her inner conflict, provoked by watching her brother live openly while she's been suppressing a part of herself all her life.

Here I'm assuming she's never acted upon her attraction to women before, but there's some space to believe she has done so and has decided it's too much of a hassle, as you say -- likely because she'd for sure do it in secret, given her fear of societal condemnation. If she has been with women before, and decided to give up on it, I still think she'd be greatly impacted by Clayton's coming out: it means her baby brother is a) braver than she is, and b) going to openly face (and likely suffer because of) the same social issues she's run away from. In this lens, I find it interesting that she cautions him about how people can be, almost as if they've both experienced it.

Whew. Wow, this was a lot more than I'd originally meant to write, haha! Seems you sparked a big train of thought, anon! I think all of the Girls (with the possible exception of Sophia) are really fascinating to analyze with a queer lens, and Blanche is always interesting to me, of course. As a final note, I'd like to point out that she does come around to Clayton's sexuality and his relationship, in the end: as often happens, she just needs the Girls' help to put things back in perspective, understand she's hurting someone she loves, and correct her actions. I'd like to think living with the Girls might lead to her becoming more accepting of herself, too.

[sskk-manifesto]

Ep 5!!!

[yuukei-yikes]

funny to think while ayano & haruka were plagued by The Horrors shintaro was just an asshole for NO apparent reason other than he felt like it and takane was just. living her damn life. just a girl in the world....

[merlinmerlot]

I could play one of the most beautiful well crafted video games on the planet and it will never be as appealing to me as one that kind of sucks shit but has soooo much potential

[void-and-virtue]

Writing fanfic is so dangerous bc whenever I see the name ‘Seth Gordon’ now, my brain just goes “SETH!! My man!!! My dude!!! Allison and Renee’s platonic husband!!!!” And then I have to take a moment of silence as I remember that oh. Oh, in canon, he is first an asshole and then dead