#and stay get more lost

[poorly-drawn-mdzs]

Game night ruined.

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[ruporas]

☀️

[ID: Digital illustration in color of Vash and Wolfwood from Trigun Maximum. It’s two 3 panel comics that illustrates the same sequence. The first focuses on Vash. In the first panel, he’s in a hurried motion with a worried expression. In the second, he’s stopped, huffing a breath out as he’s scanning for Wolfwood (not pictured). In the final panel, he breaks out into a relieved smile, eyes lighting up with warm cheeks.

The second comic focuses on Wolfwood. In the first panel, he’s looking downwards to the right with a cigarette in his mouth, wearing a neutral expression. On his face are notable scratch marks to indicate him being in a fight prior. In the second panel, he turns towards the viewer, lifting his head as he notices Vash (as from the previous sequence). In the final panel, he smiles warmly with teeth and holds up a peace sign. END ID]

[ID: Sketchy black and white drawings of Vash and Wolfwood, continuing off the comic. Wolfwood’s back is to the viewer while Vash’s profile can be seen, now by Wolfwood’s side. He has a bright smile as he says to Wolfwood, “You’re safe!” Wolfwood responses, bearing a grin too, “Who do ya think yer talking to? ‘Course I am. Look, I got them alive.” He points to two figures who are tied up and have comically large head bumps. Vash looks to them with an uncertain expression as he says, “Oh! You did, huh… Are you sure they’re alive?” Wolfwood, with a more irritated expression, responds “What, didn’t think I could do it?” Vash says, “No, no! I knew you could!” and pats Wolfwood on the cheek and his head comfortingly. END ID]

[thekidsarentalright]

patrick saying his we made it moment is seeing people stay for saturday is making me feel sooo insanely emotional because it’s like. such a personal metric of success?? like. saturday was never a big hit, but they chose to end every show with it years ago anyways. even when they could see people leaving during it, they chose to keep playing it. because it meant something to Him and to Them, and to the diehard fans too. and just imagining, as time goes on, seeing people choosing to stay. actively seeing peoples opinions and hearts change over time and decide that its worth it to stay, to feel the love and importance that song holds for the band. it’s beyond just a symbolic show that your music is resonating with people and making it into their hearts- people staying Literally shows that. all us believers still believe everytime we sing two more weeks, y’know? and with every show, maybe they’re picking up more believers. and That is how patrick measures his success— in how many people are choosing to believe and to stay.

[mayasaura]

I don't really know where this lands on the scale of basic to hot take, but I don't see the locked tomb as a very overtly political series. Like yeah, it has a lot of subtext you can interpret politically, obviously, if that's your jam. but to me, the series has always been an intimate exploration of existing as a badly uncomfortable and isolated person. there are a lot of different reasons people in the series are fucked up, but the important thing to me is that they are. and that they're being witnessed. To me it's a love letter to all the deeply fucked up people out there (esp the deeply fucked up lesbians) saying "you exist, and someone sees you"

Edit: Since apparently people are linking to this post to interpret and argue with it indirectly, let me clarify. I don't mean the story is apolitical. I mean that as I see the story unfolding, the central narrative is focused on the characters, and the heart of the narrative is human connection and character exploration. Of course there are political themes being explored—I've posted a lot about them myself—but that exploration is about asking a lot of questions I don't expect the series to necessarily answer.

Tamsyn Muir doesn't have the answer to colonialism. She does have the answer as to what will happen to two mentally unwell painfully lonely girls I suspect we've all grown quite attached to.

[psykoe100]

Congrats on the loss boys. Love Wins <3

[uncanny-tranny]

I love you smile lines and worry lines and grey and white hair and wrinkles and purple spiderweb veins and the process of aging and living in a body that is standing the test of times. I love you experiences that make you wiser and stories that make you laugh, and every little process that happens to get to the point where you have so many memories because you have the fortune to be here and be so radiant

[weaponizedmoth]

The Venture Family Group Photo (Hank, Dean, Rusty, and Brock) 😁👏

Bonus with Mr. Reachy ;3;" (I have no idea for Adding this for the venture family photo ^^")

(I usually make these B&W but I wanted to go all out for this one).

[lilaccatholic]

I am once again thinking about the reluctant ruler whose arc justly and correctly includes assuming the throne and taking responsibility for the people set before them

[martyrbat]

perpetual mourning – batman black and white (1996) #1

[ID: a black and white panel sequence of Bruce Wayne as Batman investigating a murder. He performed an examination of the victim's body and found DNA evidence to convict her killer and then performed an autopsy to examine her stomach contents — which led him to a little 24/7 diner. He walks in, disrupting the cozy scene with his presence.

Bruce internally reflects, ‘People think i'm a knight. A savior. But in truth, I'm only a vessel to hold the memories of those who've passed on. Those who've no shell left to store them. They must think I revel in my victories. It must seem like I never lose a fight. I lose plenty. The ones I couldn't get to. The ones I couldn't save in time. Those are the ones I carry around inside of me. Those are the ones I'll mourn forever.’

He shows the only waitress a photo of the victim's face and asks, “Excuse me. Do any of you know this woman?” The waitress gasps and holds her hand to her head in shocked distress. She stammers, “That's Chelsea, she comes in here all the time. Sits in the same booth, the same time, reads the same book... um, what was the title...? She, uh, left here only a couple of... Why do you... Oh, god. No. Dear girl...”

Back at the morgue, Bruce solemnly gazes down at the woman as she lays in an unzipped body bag. He thinks, ‘Luckily, you hadn't digested your last meal, Chelsea. There're only a few places in the neighborhood where you were found that serve blueberry pie at this hour of the morning.’ He carefully zips the body bag entirely. The identification label states she was a thirty year old caucasian female. The name ‘Jane Doe’ has been scribbled out to now be replaced with ‘Chelsea Rain’. Bruce continues to ruminate, ‘You only have your thoughts and dreams ahead of you. You're someone. You mean something. I'll remember. You're within me now. Forever.’ END ID]

[nerdie-faerie]

I'm once again thinking about the missed opportunities to have Klaus and Kol bond more. Part of Klaus' whole motivation as a vampire is to get his werewolf part back and to finally be stronger than Mikael (sort of, I'm simplifying) both of which can be obtained by breaking his curse. But Kol? Kol is the only other original that can relate to having a fundamental part of themself ripped away from them. Klaus might not have known he was a werewolf until he killed, but he likely still had a connection he couldn't explain, as evident by him going to watch the wolves transform. And something he'd never been able to explain was now gone. He might only be able to realise the connection afterwards through its absence.

Kol though. Kol had grown up with magic, a connection to nature and the world around him in a way the rest of his siblings supposedly didn't have. And then he gets turned. And not only has his baby brother died, his father has just murdered him and the rest of his siblings after forcing them to drink human blood, which he'll later learn. Now, not only does he have to deal with the grief of Henrik's death and also his own but also the loss of his magic. A loss that's likely only worsened by Kol being a self-proclaimed child prodigy.

Kol is pretty much the only one who could understand what Klaus is going through with the binding of his wolf. We know Kol searched for ways to get his magic back/carry on practicing magic in the same way that Klaus was looking for ways to break his curse. While Klaus likely could still feel his wolf there despite being bound, Kol has no access to his magic anymore. I just think they should've been able to bond or connect over their shared loss of an intrinsic aspect of their selves at the hands of their parents

[luck-of-the-drawings]

EPISODE 2 AND 3 HAVE BEEN SOOOO FUN im already so emotionally attached to each of these characters.. if anything bad ever happens to any of them im killing everyone and then everyone.

[multifandombullshitbabes]

(Context: im thinking abt my post canon au, i explained on my ao3, u dont even have to read it just know its there)

Mizu revealing her being a woman to taigen AFTER he confesses his feelings to mizu AFTER being bested during their duel once again is literally so fucking personal to me. Jesus fuck... FUCK. Like. How overwhelmingly loved she must feel. How SEEN. Truly for once n not just but loved and wanted!!! Its so personal to me. Just. Taigen, losing, n then immediately leaning in for a kiss. Mizu is lost cuz what?? Why?? N taigen just. Confesses, but hes holding back cuz mizus reaction was not great and he doesn't wanna ruin the friendship they've formed these past months, they've grown so close so fast n its scary but so exciting n so right but if mizu doesnt want this then nothing is happening n its ok he has a CHOICE. Like. FUCK!! N then mizu telling taigen to wait and that night she reveals it. And its just sooo fucking intimate. Its so soft. And maybe taigen is confused but one look at how small mizu is making herself, like shielding herself from him. Like he gets it. The danger of it all. And its his promise to protect her if she ever needs to that does her in cuz. SHE HAS A CHOICE. TO BE PROTECTED OR NOT. THATS SO IMPORTANT TO HER. Yes, she can protect herself. Yes, it feels good to be protected. Yknow??

Mizu revealing her being a woman to akemi totally by accident AFTER they just had an argument abt women's choices in society AFTER mizu accidentally took one (1) big sip of sake, n then deciding fuck it im gonna win this argument, guess what akemi. And that's how akemi finds out. N Mizu thinks akemi is going to hate her, n she does for a bit in silence, but mostly shes just hurt? For herself AND for Mizu. Cause she understands, so suddenly, so intimately, how hard being a woman is and how mizu has had to hide as a man to survive (not even for plot reasons that we know, mizu being mixed AND a woman? Death sentence). And she just hurts. And they thought they'd always have this weird rift between them but they cry and they let it out (for Mizu, for the first time in YEARS) and its just. Its so emotional n so important and so personal and intimate. Its maybe winter all over again, a year has passed since theyd seen each other in kyoto, so much has changed and yet not rly and. They've grown but in different ways. Akemi, in taking life by the reins n being assertive and strong and so dangerously intelligent like shes always been but now, now its crucial to be that. And Mizu in realizing that she truly, truly wants to be loved so badly but to be loved is to be vulnerable and thats what scares her the most, to be weak; but ure only strong if u can be weak too, and thats what she learns. And i think this is where they really get deep into their feelings. Before it was a crush, an annoying one. Now? Oh bby theyre down bad. Yes they are.

[synonymroll648]

headcanon that as sophie ages, she gets more and more off-put by how she still looks twenty at some age past 40. the only wrinkles she has are smile lines and a barely-there crease between her eyebrows that never leaves. no gray hairs. it doesn’t feel like there’s any physical evidence of how much stress aged her too fast.

(maybe she dyes more grays into her hair to feel better about her reflection, the more time passes by. maybe, on bad days, she contours wrinkles into her skin with makeup. maybe the bad days get more frequent as she ages outside the human lifespan. maybe.)

[jasontoddenthusiastt]

On the subject of gotham county line and batman noel and so on and so forth it’s pretty frustrating (from a watsonian pov) that anytime Bruce hallucinates Jason being loving/ caring/helpful/compassionate towards him it’s always as robin and never as his current self

[deoidesign]

.

[captainninej]

isn’t it funny how. just as everyone was learning how awful matty healy is and even her fans began to question taylor. just as everyone realised it was wrong to hate joe alwyn for absolutely no proof and that maybe taylor was unfair to him. she drops ‘you’re losing me’ and now everyone is on her side again, sending buckets of hatred towards him and even turning around and saying ‘matty is doing what joe didn’t give taylor’. ‘she was lying in lavender haze’ when she said she didn’t want to be married’.

i’m sick of the infantilisation of this woman and the petty way she weaponises her fan base against people in her life. the song is pretty and sad i’ll admit that, but this was *extremely* calculated to stop speculations about taylor cheating and instead send hate to joe again and paint taylor as the victim. take two seconds to extricate yourself from up her ass and it’ll become clear that the timing of dropping this was very much to get the public’s sympathy back on her side again.