#and that isn’t always fun but it IS important

[writers-potion]

Hi! How do I write a mafia novel?

How To Write A Mafia Novel

The term “mafia novel” makes me think of a few possibilities here. It could be (1) an action-thriller where our hero is either fighting the mafia or is a part of the mafia or (2) a mafia romance novel, where the love interest(s) come from rich mafia backgrounds.

If you’re writing an action/adventure story where mafia are the bad guys:

They need to have a cause – a twisted one. No matter how bloodthirsty these mafias might be, no one works so hard for fun. 

They’re struggling financially. This is a great motive for the bad guys to attack the hero, or use more cruel methods than usual. 

The ones who are going against the mafia would be independent investigative agencies or the Federal Bureau of Investigation, not your typical cop or police. 

They’re allied with other crime groups, even with some backdoor government organizations. I don’t think the depiction of mafia groups as a self-sufficing group always exchanging insults with other groups in inaccurate. Also, this raises the story stakes when your back guys combine with other bad guys to get back at the hero.  

They can’t be threatened with just an incriminating recording or photo, especially if they’re obtained illegally – which means they’re unlikely to have power as evidence.

Mafia leaders realistically won’t force their children to take over – in fact, they’ll want to keep their family out of it altogether. 

If you’re writing an action/adventure story where mafia are the good guys:

Give them a motto that gives them a cause for the higher good. Like ‘manners maketh men’ in the Kingsmen movies. In a loose sense, the Kingsmen are mafia too – they’re a secret society with lots of money, etc. 

A running theme would be that you can afford to use questionable methods as long as the outcomes are good. The mafia would kill, steal, imprison and murder – but they always have a convincing reason. Plus, the bad guys are doing a lot worse. 

The mafia organization is flawed in a critical way. This can be anything – a newbie who starts to question the mafia’s practices, or a corrupt leader, etc. This flaw will cripple this apparently sturdy organization at the end of Act II, raising the stake sky high. 

Give them secret codes, special weapons, a quirky dress code, a tattoo? 

Show how the mafia are tightly networked among themselves, often in a good way. The senior mafia mentoring the newbies, colleagues struggling through their probation periods together, etc. The mafia are a tight-knit organization. 

For a mafia romance, what the mafia really does or how they’re structured, etc. isn’t that important. As long as you get the black suits, expensive Jaguars, and exclusive clubs/hotels vibe right, you have enough mafia worldbuilding. What’s important are the characters. 

If you’re writing a male mafia love interest:

They’re high-ranking, filthy rich, intelligent, and cold-minded individuals who are powerful beyond your usual realm of rationality. The absolute unrealness of these sexy competent men is what’s appealing. 

The mafia background becomes the “hurtful dark backstory”. One of the main selling points of dark mafia love interests is that on the inside, they’re fractured puppies in need of some sunshine to soften up. Give them a good reason why they’re assholes to your female love interest in the beginning. They’re repressed – high time.

They must be able to draw a line between being adorably overprotective and unreasonably controlling. The same goes for their use of violence. Sure, a male mafia love interest may kill that stalker who’s been bugging our heroine but don’t have him putting bullets in the heads of people who just mildly irritate him – that’s a huge turnoff. 

If you’re writing a female mafia love interest:

Your heroine is a clear-minded, physically fit, confident, and competitive mafia queen/princess with both eyes fixed on power and success – until the male love interest comes along, either as an enemy mafia or a clueless softball. 

Alternatively, they’re oppressed by their father/brother(s) who are hard-core, bloodless men. These heroines are capable in ways that are not approved by their mafia family (like a career in social services or running a bakery, whatever) and need someone to understand and remove them from their toxic family – our male love interest. 

Again, feel free to use the mafia background as a source for some juicy, traumatizing backstory.

Hope this helps :) 

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[beenbaanbuun]

ateez as muppets

i have work in the morning but muppets are more important than sleep

fun fact about me! the muppets was the only film i watched for a period of about 2 months. i would watch it at least once a day, sometimes twice, and i had the soundtrack downloaded so i could even get my muppets fix on the move… anyway🧍🏻‍♀️

kim hongjoong - beaker

hear me out!!!!! despite being a little orange tube who makes zero sense when he talks in ‘meeps’, he is smart (not really)! he’s a scientist!! he is dr bunsen’s right hand man!!!!

he also just carries the aura of hongjoong about him with that dainty frame and red hair. hongjoong and beaker are twins, i’m sorry

park seonghwa - kermit the frog

i can tell i’m losing you here and honestly, i’m losing myself but let me explain!! kermit is caring. of all his personality traits that one sticks out to me the most

this muppet would give it everything he has for the other muppets and that’s a trait i see a lot in seonghwa. he loves his team, and kermit loves the muppets

jeong yunho - fozzie bear

what can i say other than the guy is just silly? he lives his life on where the next pun is coming from and he’s willing to put in the work to find reasons to make a joke

he also just kind of looks like yunho? look at this fuzzy little fuck and tell me you don’t see yunho buried behind those beady eyes. i need it for halloween, yunho PLEASE

kang yeosang - miss piggy

it was between miss piggy and rizzo rat but i thought about it for a few more seconds and realised that miss piggy is literally just yeosang… like come on

the beauty, the sass, the elegance, the love she shares for her fellow muppets despite not always being able to show it. tell me that’s not yeosang, i fucking dare you

choi san - rowlf the dog

i love rowlf. he’s so chill and yet he’s a man of many talents! sure, he’s a dog first and foremost but did you also know he’s an actor? a pianist?? a veterinarian??? just like san, this dog can do it all

i also just kind of want to hug him in the same way i want to hug san. i just know in my heart of hearts that it’s such a warm, gentle hug

song mingi - animal

i was struggling for mingi until i remembered that oh yeah! animal exists and just like mingi that muppet is just an unstoppable ball of energy who thinks he’s so cool

mingi gives me drummer energy which is why i have written him as one multiple times. animal is also a drummer, and a pretty sick one at that!

jung wooyoung - rizzo rat

the main reason i picked rizzo for wooyoung is bc he’s a chatterbox. it’s not necessarily the most helpful or intelligent of things but it is being said whether you like it or not

rizzo is mischievous and fun and he makes me giggle and if that isn’t wooyoung?? he also has a lot of love to give! watch a muppets christmas carol and you’ll see what i mean 🙂‍↕️

choi jongho - gonzo

gonzo just feels so jongho to me. from his exasperation with the other muppets to his daring nature (bro fires himself out of cannons…) he’s just so jongho!!!!

gonzo has that divorced dad of 3 drip that i know jongho would look stellar in. you’re telling me jongho wouldn’t rock a floral shirt?? some suspenders??? he’s a dilf! of course he would…

[i-like-forcefem]

PURELY hypothetically speaking, how EXACTLY would you go about forcefemming a guy who’s sooo masc, like he thinks he’s the ALPHA SHIT, he thinks he pulls all the ladies and is the most manly man to ever man… and turning “him” into an adorable little girly princess :3c asking for a friend

For a hard boiled egg like this it’s very important to get her alone in an isolated location for an extended period of time! It always takes a little longer then they’ve got pride, but honestly that makes it so so much more fun when they crack

It’s a bit of a staple, but I think I’ll use my Basement, yes it’s generic, but it’s tried and true, and a girl like this isn’t a time to experiment

Getting her to the basement is usually easy enough, just invite her over for tea or something and apply a little posion of your choice that will have her immobilised, sleepy pills work, but I personally prefer it when you can see the fear in her eyes when they get fully paralysed

I always have my basement prepared for new arrivals, this means a firm lock, and plenty of hand cuffs around the walls and girly furniture for if I want to move her around

The first time she wakes up is always so important and so so fun, so I’ll pick out a good spot to tie her up, I think the plushy couch would be good for this cutie, and make sure to pick a good outfit

For a girl like this I think it’d be best to start with her in just a pair of pink panties, just being handcuffed in a hugging position with a plushy against her skin should be enough embarrassment for the wake up, I’ll also be sure to use my princess gag just to make her first impressions extra cute as she makes muffled screeches

Then I’ll wait till she wakes up, I usually monitor a camera from outside the room and wait to enter, I want her to get a feel for the room and her situation before she sees me, 2 minutes is usually enough for her to glance around the overly girly room, notice she’s tied up, and to start her muffled screams

Then I’ll calmly enter and tell her how she’s my doll now, she’ll have objections of course, being a big bugle “man”, but it’s pretty hard to do anything about your situation when tied up like that

And then I’ll play it slow

I think I can have her docile by the end of the day, dress her up in her first dress (the basement can get very cold so if she doesn’t want to wear her dress that’s fine by me, but she’ll give in by the end of the second day, and to survive that long I’ll probably get some adorable footage of her willingly snuggling up with her many many plushies, hard to think a “man” would do that)

Any food I give her will obviously have hrt inserted into it, but in this case in particular I want to try something new, next to her (estrogen filled) meals I’ll also give her some placebo pills I’ll tell her are actually hrt, and if she’s a Good Girl and takes her pills she’ll be rewarded

Obviously she’ll refuse at first, willingly taking pills is one of the hardest milestones for a girl to pass

But always giving her the option always gives me to opportunity to punish her, and to tell her just how easy it’d be if she just submitted, became my pretty little girl

Now some of the girls have a surprising amount of determination to not become happy, so this might take a while, which is why I’ll give her her hrt anyway

Since it will be so so fun to tease her for it, I could maybe even gaslight her into thinking she might be taking the pills anyway, or her body wants to become a girl so so bad that’s it’s making estrogen all on its own

You’d be surprised how much gaslighting you can get away with if you’re a persons only outside contact

So… I’ve got some plans to say the least!!! I’ve got a whole laundry list of activities we could try every week to keep it fresh (from shock collars to vibrators to bondage, to “toy” pink weightlifting products that are 10 times the weight it says on the box, I will have so much fun breaking her :3)

Now do you have any idea where this hypothetical person is? And do they prefer tea or coffee?

[artist-issues]

you're fun to talk to about media so I've got something to ask.

what do you think of this trope where a lie or misconception becomes commonly accepted as truth by the characters in story? especially as a resolution.

example: in the finale of "Kubo and the two strings", the Moon King(main villain) loses his memory, so when he asks who he is, the townspeople lie to him and say he was a kind member of the community, rather than the dictator he really was.

I don't like it. I see a falsehood being widely accepted as a tragedy, and I'm just left imagining what happens if/when the characters find out the truth. I can't really take something as a happy ending when it's.. y'know, fake. I imagine you feel similarly.

but hey, I could have totally missed the point of the ending of KATTS, if you watched it, you might have seen something I didn't.

I haven’t seen Kubo in a really long time; I don’t think I was thinking critically about it the first time I watched it, so my opinion now is an afterthought. I’d have to see it again to be fair!

…But I do seem to remember that the villain is defeated with some importance placed on memory. And the identity of the monkey and that beetle warrior also have to do with the sacredness of memories. So, if that’s the case, then yeah, taking his memory away as a “good resolution” can kind of hamstring the whole theme of the movie. Unless you tilt your head and squint and go, “no, see, if all you have is bad memories, then it’s just as powerful to take those away—the point is, memories have power either way!” But even that feels a little half-baked, gymnastics-brainy.

Basically, I agree with you. A story that resolves with a character, or characters, accepting a lie as truth is always going to be a fumble of the whole story…unless it’s intended to be a tragedy, a cautionary tale. I can think of three where that’s super evident.

1 ) A Streetcar Named Desire

In this movie the main character, Blanche, is lying about who she is, for the whole story. She even has this great symbolism thing with light—she hates bright light, on the surface because she’s vain and doesn’t want anyone to see signs that she’s aging. But under the surface, the character is really an immoral, lust-filled, broken person who knows she can be cruel and isn’t deserving of love. She doesn’t want anyone to know that side of her. She hides it all under vainglory and pride. So she pretends to her sister, Stella, that she’s upright and moral and has simply fallen on hard times. But her sister’s brute of an abusive husband, Stanley, who is always 100% his authentic, awful self, sees through Blanche when she comes to stay with them. In the end, Stanley rapes Blanche and then carelessly shrugs her accusations off.

The main point of this example is that Stella, the wife of the rapist Stanley, has been portrayed the whole movie as sometimes-leaving her abusive husband…but only as far as the apartment above their own, literally right above him, so that she can easily go back to him. And at the end of the movie, when Blanche is being taken to a mental institution because she’s broken-down after being found-out as a fraud, then raped, Stella lets them take her away. And then Stella goes up to the apartment above, where she always “pretends” to leave Stanley. It’s such a halfhearted, lazy way to end a movie that’s all about desire-versus-truth. Because what it implies is that Stella is leaving Stanley for now, like she might believe that he raped her sister…but she’ll eventually go back to him. And in the meantime, Blanche goes off to the mental hospital, with this iconic line “I have always depended upon the kindness of strangers.” By which she means, “strangers don’t know what a two-faced monster I really am, so I can con them into thinking I’m a morally-upright woman fallen on hard times, and they’ll take pity on me—so sure, I’ll go with you, strange doctor I’ve never met.”

The central point of the movie is “as long as nobody looks the truth in the face, everyone can go on getting what they desire.”

Of course, that’s true. But the other truth is that, if Stella accepted what her sister and her husband really are—her sister is broken and her husband is a monster—then she could choose to rise above “animal desire.” She could choose to take care of Blanche, and Blanche would see that “someone seeing who I really am” doesn’t always have to lead to ruin and damnation. Stella could then, also, choose to really leave Stanley, for good, and be at peace, while Stanley’s “desire” would be rewarded with ruin.

But instead the opposite is what happens. Blanche goes away believing, in her broken mind, that her womanly wiles and faking will protect her from further injury, even though they never have—Stanley ends the movie exactly where he began it, screaming for Stella to come back and knowing that she will—and Stella, too, ends the movie going away from Stanley…just for a little while, until animal desire convinces her to just pretend Stanley isn’t really a monster, Blanche must be crazy, except this time, when she goes back, she’ll be carrying a child into that abusive lie.

All characters wholeheartedly embracing hurtful lies so they can keep riding their desires. I hate that movie. You could see it as a cautionary tale. Most don’t. Most see it as a movie with “hot Marlon Brando” who “really loves Stella—all the characters ‘really love each other,’ they just don’t know how to express it healthily!” 🙄

I think the worst part is that the movie behaves as if it is true that every time Blanche reveals her own brokenness or is vulnerable, the world STOMPS on her for it, nobody loves her despite her brokenness. That’s the real mistake this movie makes. It has an opportunity to show unconditional love and it leaves the audience thinking Blanche was right, and there’s no such THING as “unconditional” love, instead.

Anyway.

2) X-Men Origins: The Wolverine

This one is less thematic. But it’s just dumb because the whole movie the main character, Logan, Wolverine, is being taught that “Giving in to Bloodlust Makes You an Animal—Compassion For Those Weaker Than Yourself Makes You Human.”

So in that context, the whole narrative is centered around the exploration of “Who is Logan/Wolverine?”

…Which makes it really stupid that the movie ends with him losing his memory. So…the movie asks “Who Are You?” and right after the character figures it out, he forgets and ends it with the answer: “I don’t know who I am.”

That’s just a waste. That’s silly. It allows you to take the character to real, hearty, coming-of-age, hero-forged-in-fire, a man-born-of-tragedy places…and then just shrug all that stuff off at the end. “Never mind. But it was a fun ride, wasn’t it?”

Especially because they built it all around the dichotomy between Logan and his brother, who’s little more than an animal—and Logan and his wife, who could be an animal, but chooses compassion instead, and reminds him of his choice, too. —and then she dies, and it’s implied that maybe his brother does too, but who cares, cuz he forgets. Who cares? Not Logan. So why should the audience?

I get that they “needed” to do this so that the end of this movie sets up the beginning of the X-Men Movies, which already established that Logan can’t remember “his past.” But like…then don’t make the point of the movie “Who Am I?” just to end on “…Okay, So WHO AM I?”

It’s a fine movie up until that point.

They should’ve made the movie center around “Can’t Change What You’ve Done; But You Can Be Redeemed.” And then show his memory loss around a moment of self-sacrifice. So that it’s still tragic, but at least when he wakes up from the self-sacrificial act, he’s “a new man.” Then later, in the third X-Men movie, when Logan chooses that mutant kid over “learning the secrets of his past,” it all comes full circle, because his “self-sacrifice moment” can stay where the Old Logan died.

Anyway. You didn’t ask me to re-tell X-Men Origins: The Wolverine. But it’s the same basic premise—a movie ends with a character losing their memory, or believing a lie—whatever.

You know, actually, this one isn’t so much “believing a lie” as it is “going back to considering the lie (that he’s an animal) because all the work done to convince him of the truth has been stupidly erased”

3) The Dark Knight

Saved this for last because nobody would read all that if they saw me scratching up the beloved Christopher Nolan Masterpiece.

But The Dark Knight is a perfect example of what you’re actually talking about.

The movie is awesome until the end.

It’s not hard to guess what I’m going to say. Harvey Dent is supposed to be a shining example of a good guy, and the goodness, that Gotham is capable of. The Goodness that will ultimately defeat Evil. And Evil is represented as Chaos.

Bruce sees that and that’s why he’s willing to give everything to make Harvey succeed as the hero Gotham needs. Because if Gotham sees that evil can be conquered by doing things the right way, the orderly way, that will get Gotham out of it’s “Justice is Broken, Vengeance is The Only Form of Justice” cycle.

Then there’s the Joker. He doesn’t believe there’s any such thing as Good—it’s all just Chaos (which is evil.) And his big mission is to prove it. It’s ironic that he twists Harvey’s sense of “justice” around to this viewpoint—where Harvey uses “chance” as just another form of “retribution.”

Anyway. All of that’s interesting.

But the movie both perpetuates a lie and does so by having the characters end believing a lie.

The lie it perpetuates is “The Joker is right, there’s no such thing as Justice or Good—it’s all just chaos, but pretending it’s not can get you through the day.”

That’s the lie it perpetuates!

And how does it do that?

By having the “city of Gotham,” and Bruce himself, believe a lie.

They believe Harvey Dent really was a good guy who died a hero. Bruce believes Rachel died still waiting for him, which symbolized her supposed belief in the good of Bruce and capability of Bruce to let it all go.

And why was it important that they believe those lies? Because the supposed truth is too harsh—that there’s no Good, it’s all Chaos. And if they believe that supposed truth, they’ll all turn out like Harvey or Joker. If Bruce believes Rachel chose Harvey, he’ll supposedly give up on something important in himself.

Okay but the problem with that is you have characters believing a lie because of a truth—that isn’t the truth. It’s the same problem with Streetcar.

The people of Gotham, the worst people of Gotham, aren’t always going to choose evil. There is such a thing as justice and good. And Harvey turning into Two-Face doesn’t change that. The movie could’ve shown that. It started to, with the prisoners on the second boat choosing not to kill the civilians to save themselves.

But it chose not to make that the point of the movie. It chose to make “The Joker was Right, Good is a Comforting Lie, & the Closest You’ll Ever Get to Justice is Vengeance & Chaos” the point of the movie. By having Batman convince the whole city to believe the comforting lie, what you’re saying is, Bruce believes that the truth won’t set Gotham free, only wrap it in chains.

That’s the problem with these movies.

And that’s why I think Captain America: The Winter Soldier licks The Dark Knight hollow every time, and is all-in-all a better movie, hands down. In this continued essay—

[alarrylarrie]

How was the new music you listened to today?? Anything you would go back to? I’m always looking for some new stuff 👀

Oh my gosh yes! I really enjoyed The Snuts and Fletcher’s albums. I went and listened to Joy Oladokun because someone suggested it and I adore her. I also started on Luke’s album but then I had to drive my kiddo and they have vastly different tastes from me lol so we listened to their playlist. 😆 So I’ll come back to that one later.

On the way home I listened to the Yeah Yeah Yeahs new album because I had totally missed the drop and I really liked it! Tomorrow I’m gonna listen to bad bunny while I clean, I think.

[vvienne]

The thing about wen ning is that his character would only truly be satisfying for me if he got truly pissed at wei wuxian JUST ONCE. Like he does in fact have the right to be I think!!!! This is just my own preferences but WHERE IS THE CATHARSIS. Wen ning clearly has soooo much rage ( see his reaction to jc lol ) but it’s so carefully not pointed towards wei wuxian it’s almost telling to me. I want to pull that thread. I like to imagine that in post canon shenanigans they will hash all that unspoken history out bc ningxian is so profoundly Not Wholesome to me in so many ways….

[twentyfivemiceinatrenchcoat]

sometimes i remember that gojo wanted to tell geto “we’ll meet again, right?” just before he died but forced himself not to knowing it would have cursed him and then i start thinking about how kind and thoughtful gojo is as a character and how he hasn’t been able to lean on another human being since geto defected and then i want to . Scream

[starlooove]

Ppl will say fanon v canon doesn’t matter and it’s all jokes and I’m sooooo close to going sure sometimes and then I remember y’all removed a major role of one of the if not THEE most prominent black character in Bruce’s story who was created a whole decade before tim and gave it to tim based off a run where he literally handed the role back! Like IN THE COMIC Tim was CEO in name only and handed it back to Lucius relieved when he didn’t need to front anymore like.

[ritz-regrezzez]

made some flags for myself!!

☆ fanged regressor

when regressed you like pretending to have/do have fangs! this may include chew stim toys, biting, touching your teeth, or wearing prosthetics!

☆ monster regressor

regressing to a general monster, rather than any specific creature! this may include biting/hitting/scratching, becoming quieter, chew stim toys, wearing prosthetics/accessories, not feeling connected to any particular monster, growling, play-fighting, attacking stuffies, or just general monster behavior!

[monsterfuckermilligan]

i am not anti sam but i sometimes find myself hating sam because some samgirls are super into bio/gender essentialism whether or not they realize it. sam is a woman and dean is a man and sam is the victim and dean is his abuser like what show are you watching?

[squidd-ink]

Started another playthrough of new vegas recently（＾_＾）so here’s my courier and an arcade

[wallissa]

did I ever talk about the fact that I wrote a fic where Homelander has a wet dream about Starlight and Soldier Boy*. What an intense ride. Really fun stuff though.

*he's there for moral support. With his shield and everything. top notch stuff I have to say.

[hey-scully-itsme]

i want to start learning violin but I know the second I tell my parents they’re gonna know it’s because of jack aubrey and they will laugh at me about it. like that old tumblr post abt someone who wanted to learn violin and their parents asked them what anime boy played violin. i will survive this great trial but at what cost

[thedreadpirateholmes]

Happy first day of NaNoWriMo!

Good luck and remember to have fun with your writing!!

[glitchinginhyperfixis]

i journeyed to reddit...

https://www.reddit.com/r/StrangerThings/comments/v9c4a3/the_double_standards_are_crazy/?utm_source=share&utm_medium=ios_app&utm_name=iossmf

[sparky-is-spiders]

More on my tma/dredge stuff. Anyway I think the first abberation fisherman!Jon should catch is this. Maybe they’re trying to ignore the fog and the strange red light to the west at first, but barely a day after his arrival and they find this writhing on the end of their hook. And they Know with a capital K that this isn’t of the eye. That there has been something deeply, horribly wrong with this ocean before they even got here. There is another power at work beneath the waves, and god if he doesn’t want to know more.