#and thats a problem for another day!

[florallychaotic]

Guys I'm not even done with the fourth section of thirty three

[writer-room]

Obsessed with Lloyd never mentioning his grandfather is the First Spinjitsu Master, apparently to the point even Arin didn't seem to know, because "eh, it never came up". Cause like, yeah, sure, my grandfather is God, what of it? Normal day for me. Shit happens. My dad is also evil, you wanna talk about that? I sure don't.

It's also funny from a character arc perspective. Here's itty bitty baby first season Lloyd, loudly proclaiming he's the son of Garmadon, and probably also making sure everyone knows he's God part 3 electric boogaloo. And then one Tomorrow's Tea and a few more years later and he's doing everything physically possible to NOT care about his heritage. In fact he'd probably rather his parentage was literally anyone else. Dude could care so less he forgets about it most of the time. King behavior.

[solcarow]

seafood trio portraits !

+ some alts. with spoilers !

[layraket]

Where normally the pressure and touch would be too much, this feels…good. The urge to dart away; to flinch when someone reaches out is dulled. They’ve all built faith with Wild and he finds he can trust them implicitly.

I needed to draw my favorite scene from chapter 6 of Saving You by @breannasfluff. Please go check her works and Linked Moments series!

[moeblob]

idk if it's a fun fact or not but! Right's favorite color is green. He never wears green but it's his favorite color. then I've been working on silly emotes for my OCs and they're "disappointeddad" and "tryme".

(Also there is an AU where these two are knights along with Paul and Evelyn while Brent/Caspian/Atticus are princes. Chris is basically Caspian's personal guard while Right just runs around trying to do everything to stay busy even when not on duty which stresses Chris out. But since he's kinda busy with the crown prince it defaults to Paul having to babysit Right.)

[mikuyuuss]

Even though it's canon that Makomo never actually met Sabito and Giyuu while she was still alive, I love how many people (including me) still pretend that they are a trio regardless. The vibes are just too strong.

But it makes me think though, if Gotouge may have originally intended for them to be a trio, but maybe scrapped the idea when they realize there's no hint of Makomo in Giyuu's design, except just having a slightly similar hairstyle.

[bottombaron]

there really does need to be a queer person in the writers' room on every show with queer characters, if only to explain how to better describe 'profound' relationships.

bc this happens all the time with showrunners fumbling for ways to describe a not-necessarily-sexually-prioritized relationship between same-sex characters

it's like somewhere in our evolution 'straight' men forgot that you can express your Profound Emotions with sex or other physical ways just to experience closeness and love.

like sexual attraction can evolve from profound emotions. they aren't inherently mutually exclusive. you can have two people who aren't initially attracted to each other and then over the course of knowing each other attraction blooms from simply caring for that person.

it's wild that ppl don't get that. is it a straight person thing? Do you have to be horny for a person from the go or it doesn't count?

like i'm absolutely serious, there needs to be studies on this phenomenon. there's something here in the miscommunication of what love can look like that is fucking fascinating.

[feline-evil]

Hiding my shirt that says 'i am not normal about narratives that imply an inanimate inhabited structure is a living breathing organism' as i walk into a board room and pitch my idea that we should make more horror revolving around living architecture

[love-3-crimes]

ouch!

[defeateddetectives]

what if i was glad you were obscured from my view because even if i cant bridge the distance between us the thought that i might understand you better than i'd expected to hurts far too much to think about

vs.

what if i tried in a small secret moment while you were sleeping and couldnt see me to see the world through your eyes in hopes it could help me understand you and maybe even bridge the distance between us

[rearranging-deck-chairs]

Hi hello I watched all of carmilla in a weekend when I was 17 because a student teacher who in retrospect I had a bit of a crush on mentioned that she knew one of the actresses. also I am pretty invested in all your recent vampire stuff because I watched iwtv in 2 days last week because your edit intrigued me

oh hiiii 🫶 thank you for indulging me. thats so cool that you watched iwtv! did it live up to the expectation?

i also watched carmilla at 17! or like, 17-19. i found it when s2 had just started and followed it to the end. did something permanent to my brain but i think it was a good thing. on rewatch now im like, i was right to like this. like it's a solid show, it's good. it has its flaws obviously but it's well written, the emotional moments still get me, i can see why i liked it and i still like it now even when it's not anymore, you know, meeting every need that baby gay me didnt even know they had

what it doesnt reaallyy do though - i dont remember if i posted abt this or if i left it in my drafts but - is explore vampirism as a concept. their subject matter is more lesbianism than vampirism. which is great! thats what they wanted to do and they did it and it's very good. but reading interview with the vampire the book rn im realising how much potential vampires have to be metaphors for like so many things and i started wondering like 'wait, did carmilla just not really engage with it or did it all go over my head'. but it just didnt really engage with it all that much. which again is fine bc that wasnt what they were doing. im glad they were more about the lesbianism than the vampirism

but there's this interesting difference in framing, because in iwtv they keep calling armand 'ancient' right? and emphasising how old he is. and he's like 500? and i was like 'wait isnt carmilla like 400?'. she isnt, shes 340, but still, thats getting there, you know? and we know quite a lot about her history, but kind of just the Big Events. when she was turned, the events of the novella, coffin of blood, silas. thats sort of what we know. but none of the long lonely slog of history day to day you know? with armand i feel like we can really feel how much time everything takes. how every one of those years is made up of single days. with carmilla i dont feel that as much. i keep kind of thinking about daniel, when louis calls him a boy in the first episode, saying "im an old man, with all the triggers that come with it"

because carmilla might look 18 (or mid twenties at this point) but she has lived all that time. shes also seen her native land be claimed by like a succession of ruling powers, right? like armand. shes been buried alive, like louis. when lestat is born, shes already 80 years old, shes lived a whole human lifetime, and the entire adult part of it shes been a vampire. shes lived through 1680-1870 being a lure. i compared her to abigail hobbs in some tags on a post, i dont know if youre familiar with hannibal the tv show, but i do also kinda keep thinking about that comparison

if youre not familiar, in the first episode of hannibal the murderer of the week is this guy garrett jacob hobbs who kills and cannibalises girls who resemble his daughter. and later on it turns out she was made to be his lure. like they'd go places and he'd sent her to the victims to make friends and maybe get them back to their home or smth. not sure if they specified all the details. but that's what carmilla did for mother. and in s2 we hear from mattie that while every couple of decades carmilla had to lure victims for the fish god, she also seemed to just enjoy humans between those times, right? like the doctor, gets lonely, gets a new companion. but we've only sort of got mattie's mocking word for it ("dont eat him, hes a poet! or her, shes got such a wonderful voice. or that one, shes just too pretty to ruin"), we don't know exactly from carmilla's point of view what she was doing or why. if mattie's talking about stuff that happened after the blood coffin, 1950-now, then i think it's a fair assumption based on what carmilla says in the s1 sock puppet show that after she'd figured out what the real situation was and what her role in it was, when she'd started trying to save girls from being sacrificed, that she mightve been doing the same trying to save people from becoming mattie's victims. it's probably more likely that she was just trying to find excuses to stop mattie from sucking someone dry rather than actually having like an aesthetic based morality. but it might be a bit of both. im still trying to figure out what her philosophy actually is, like i dont know what existentialism actually means ghkfjghkj but i will

i also found it pretty striking in the movie when shes turning back into a vampire she says like "this was supposed to be done, you know? the blood lust, the self-loathing, the sleeping tied to a chair in my own bedroom". thats what defines her vampirism, wanting blood and hating yourself for it (the third part is a joke/reference to s1 but also i think meaningful for how she sees her relationship with laura when she IS a vampire. little bit of that 'she will reject me for my monstrousness' shining through). and thats what defines vampirism for lots of vampires across the genre obviously, but i dont know, it struck me. we dont get a lot from carmilla's pov, we know a fair amount about her, but the story is always told through laura. we get laura's diaries, but just snippets here and there from carmilla, what shes thinking, how shes feeling

and i love that shes a philosopher. i love that thats how she seems to try and find something to hold onto, in a world that kind of moves around her, having been murdered, kidnapped, turned and groomed to be a lure on the cusp of adulthood, never having been properly loved (the relationship with her father wasnt good she says in s3, and her mortal mother i dont think has ever been mentioned (like laura's)). the only good relationship she seems to have had for the better part of 3 centuries seems to have been mattie, and mattie seems to love being a vampire. i can imagine carmilla just sort of going along with anything mattie wants to do just because shes so desperate for that friendship. not like, against her will necessarily really. but more like, she hasnt even had the space to develop her own will, you know? and philosophy lets you do that. philosophy gives you frameworks to understand the world and to develop your own opinions on it. and by the 21st century she seems to have developed those opinions, she has a sense of her own values, but shes also still stuck in that same situation. shes jaded and cynical in the face of laura's optimism and strong moral code a lot of the time in s1 because she feels probably pretty powerless. like she does what she can to save some girls but at the end of the day shes scared of her mother and she has nowhere else to go really, right?

i like how she grapples with that over the course of the series, in tandem with laura grappling with her black and white morality. she sort of jumps ship from her mother to laura bc theyve fallen in love, but then laura still stuck in her hero thinking refuses to see her monstrous side. not literally bc i think the biological vampirism never seemed to be a problem for laura, but morally. the having murdered. carmilla needs laura to see that and love her while seeing it bc the last girl she loved rejected her for being a vampire.

but you see her kind of swing back and forth in s2. she softens first with laura but then they break up and she leans back hard into the sarcastic cynic defense mechanisms, leans hard into "im a monster, dont expect heroism from me". but thats like, it's sort of learned helplessness i think. it's powerlessness, resignation. bc morally shes not a monster. maybe she doesnt have as strong a drive to help other people as laura does and is a little more selfishly hedonistic in that she just wants to enjoy her/their life, but she doesnt hurt people for fun, she never has. she just sort of didnt have another option for a Really long time. so she pretends she doesnt care. "im a vampire, this is what i do, this is who i am". but clearly from the way she talks about it when she turns back into one, she doesnt enjoy it

and i like how she goes even further in s3, where she starts swinging even more to the heroic side, bc she sees hope. shes like "wow if we kill my mother, i'd be free". theres hope and she becomes like a lot more active. and shes like that at the start of the movie too, a lot happier, a lot more relaxed, and then vampirism is back and bam depression gfhgkjh like shes immediately more gloomy, ashamed of her past and her self, retreats into herself

sorry i just took this as an opportunity to dump all the carmilla thoughts floating in my head on you. you didnt ask fhkghgjh consider this an open invitation to you or anyone else to come talk to me about carmilla

[incorrect-riordanverse]

im so mad that this is a side blog account and not a main account. i started this blog when i was still relatively new to tumblr and i think i was… like. fourteen years old or something. i never thought i would continue for this long, and i never knew so many people would like the content i put out here (i have over 9k followers which is literally mind-blowing, like wow….).

because this isnt a main account, i cant respond to replies left on my posts, i cant really reply to anyone unless i reblog !! i cant even follow people with this blog, it just comes up as my main blog (which is not pjo-related… rip my failed attempts at organising my fandoms to different blogs). so my avenues of interaction with a lot of you are seriously impeded.

so i just want to say i am so thankful for all of you, i read every single person’s tags who reblog my stuff, i read all of your replies and every time im crying screaming rolling around on the ground in agony over the fact i CANT REPLY!!

i know my posts are super inconsistent these days, im glad so many are still here! i think i may change some of my content eventually (never gonna get rid of the incorrect quote stuff, i’ll just be adding some other things like pjo headcanons or analyses or something), just to spice some stuff up on here.

[svnflowermoon]

i am so unexplainably sick of things being called basic as if that's a bad thing. so what if someone listens to mainstream music and makes aesthetic instagram posts and watches popular tv shows because if that makes them happy then it's no one else's business. focus on yourself rather than putting other people down for doing what makes them happy.

[ehnoshima]

new years means new reflections which means i went back thru my archive and realized i havent posted photographic evidence of myself in over 3 years here. see you in THREEE MOOOREE YEAARRDSSS🫶

[the-pikachu-hat]

Me: $255 a month isnt too bad.

*rereads the word year*

...oh...

[todayisafridaynight]

tbh I really wanted the 3jimas to win that fight, to have Kiryu realize that his actions have consequences and that maaayybeee the people he keeps disappearing on to only reappear briefly to make demands of are finally sick of it and the rose tinted glasses of admiration have come off

no absolutely i really needed kiryu to just. //shakes him//

another thing i really wish we got from IW was daigo going off on kiryu- like he STARTED to but i needed that Y4 shit RIGHT NOW. if Y4 did anything right, it definitely helped broaden daigo's character in how having the chairman title pushed onto him was stressing him out and having him express this to kiryu was SO cathartic, even if daigo's words ultimately mean nothing to kiryu (or at the very least, kiryu did a bad job on understanding daigo's grievances and helping him afterwards)

it really is agitating that the jimas ended up going to the tower anyway too. i get that saejima and majima are kiryu's ex-colleagues and daigo's practically his son, and the fight was supposed to be a 'wake up call' for them. but it just diminishes the anger we saw from daigo in that first scene (and as if i have to say it, daigo becoming angry is a rare thing so that when it does happen its so jarring and it's meant to be serious) and it continues to excuse kiryu's general disregard for others if it means he gets what he wants.

its unfathomable to me that after nearly two decades of holding a position daigo didnt want for the sake of his idol, he finally gets to break away from it. and now his idol's just waltzing back into his life- after acting like he was dead for three years- asking for ANOTHER favor. and daigo's just supposed to accept it. if kiryu wasnt literally dying i just know he'd keep doing this until his last breath and no one would punish him for it because despite how many times he claims to understand daigo's woes, it's evident he doesn't care enough to leave him out of things