#and then along comes stede

[starrywangxian]

ofmd season 2 spoilers!!

i am a blackbeard stan and a gentlebeard shipper until i die but i don't dislike izzy (he is growing on me and i 100% support his redepmtation arc in season 2 if there is one - which i suspect there will be!!)

i don't however ship izzy and ed because for me, it's pretty clear where things stand.

"i have... love for you"

"i loved you. the best i could."

a perfect example of the 'in another life' troupe. they both loved each other in different ways. ed loved him like a brother and izzy loved him, well, isn't it obvious?

and that's why i'm beginning to like him a lot because ultimately, i can relate and i'm sure many other queer people can. loving your best friend, the one you've always stood by and watching as they fall in love with someone else. it's an experience a lot of queer people go through and although, no, this does not excuse izzy's actions, it sure as hell puts them into a different perspective.

[polikate]

ed saw a damaged house and called it a shithole

stede saw it and called it a fixer-upper

[divorce-enjoyer]

the only thing that can turn a tragedy into a romantic comedy is stede bonnet

[cryptidcalling]

Just finished watching OFMD. So desperately would like someone to create a Selkie Izzy Hands AU where he gave his pelt to Blackbeard when they started sailing together.

[oldmanffucker]

also grief is a pretty key element of the ceramics au and i was doing some year math and i realized that when izzy's sister died in this timeline it was 2004 which means the photos of them together can be so mallgoth and so cringey silly i cant wait

[confusedraven1]

my favorite thing so far about season 2 is how, no matter what, the crew of the revenge actively chooses their found family, over and over again

• swede loves and is married to jackie, but double crosses her anyway because of his love and “life debt” for his family

• stede leaves ricky at jackie’z, despite ricky being inexperienced, because he’s fucking around and they all need to leave. stede’s not gonna risk his family just because ricky wants some sort of recognition for something he barely helped with

• oluwande leaves zheng yi sao because he’ll be damned if he leaves jim, who he’s reiterated that they’re family for him

• frenchie and jim disobeys ed’s orders and save izzy’s life because, as jim says, “he’s THEIR dick.” archie follows along cause she knows it’s fucked up and wants to stay by jim’s side

• izzy has chosen ed over and over again, and would’ve continued to if ed had accepted the help he desperately needed, but ed isolates himself and pushes izzy to the point where he HAS to choose the rest of the crew instead

• roach, wee john, and pete all get jobs on the red flag that play to their strengths and they enjoy IMMENSELY, but they go back to the revenge cause there’s no world where they wouldn’t. buttons had the opportunity to probably get more sea witch info and tools from auntie, but he also wouldn’t ever choose that over the crew

• lucius is PISSED at stede, and has a ton of ptsd to work through. i imagine he probably felt somewhat safe finally on the red flag. but after talking things through with stede and pete, i know that it was a no brainer for him as well. he’d never give pete up again after that kind of separation

• even though stede is loving the experience of seeing zheng yi sao doing what she does best and the (seemingly) warm and comforting environment on the red flag, he chooses to rescue the crew, even izzy, and take back their ship. because he knows they would choose him (and did during the act of grace, minus izzy). he’s bringing their family back together despite everything else

• i would say that the crew still with ed DID choose him, constantly. any other crew would’ve mutinied WAY before they did, but they love ed and hoped things would get better despite his behavior saying otherwise. the only times they didn’t choose him was out of self-preservation

• ed became a self-fulfilling prophecy and isolated himself. i would argue that he’s the one exception here. he actively chooses to disregard his family because of his self-loathing and deluded himself into thinking they wouldn’t choose him. BUT, in the end, he finally does because stede cast him that line. he chose to live for himself, of course, but i like to think that that decision was also to come back to the one person that truly felt like family for him

i am so fucking excited to see all of the other ways they’re going to choose each other, yet also keep each other accountable for the things they do. because they’re family

[and-fishing-equipment]

you don't understand. ed is gonna come back and NO ONE is gonna have faith in him. lucius thinks he's "just broken". his crew certainly believe he's gone completely mad. even izzy who never stopped believing in him has lost all faith in him, saying "he's a wild dog and we dealt with him like one". and least of all ed believes he could ever be redeemed enough to make it worth trying. and along will come stede and say i have tracked down all of your crimes and seen all your atrocities and i still know that at heart you're gentle and kind. i have sailed across the ocean to find you with the help of lists of everything you've done by people who want you dead for it and i still have faith in you. i've seen who you long to be and you can never hide that person from me again.

[something-about-sunflowers]

ALRIGHT, *cracks knuckles* let's get into that teaser, shall we?

Should I itemize this? I think I'm going to itemize it lmao.

So:

Starting here because this is a baseline for Stede, he's got no neckerchief here. This is likely early in the season, probably the very start.

Man's got a fuckin' ARM.

This is Ed. You can see the bare right arm in both shots.

Red neckerchief. Ed's scrap of silk? Beat to shit if it is, which, he did toss it out to sea so, it would be.

Ed's not wearing the knee brace. Or gloves for that matter. I know the knee brace being an actual mobility aid is unconfirmed canon/fanon but it does make me :(c to see him without it. Either it wasn't actually considered as a mobility aid or he's lost it like he's lost his gloves OR he's going without it because he doesn't care if it hurts.

Closer shot of the neckerchief.

I just wanted to point out all the knives stabbed into the table. Also, those look like bits of paper on the windows, did they keep some of the books to repurpose for window blocking purposes?

THERE HE IS!!!!!!!! Other people have already pointed out the makeup and his ring still on his tie, along with the whip on his hip cjizzy real. He's got a new baldric but I also think his clothes look. Darker? Than in season 1? This is a darker/heavier contrast setting but it carries into other shots of him too I think? Like they're less sun/saltwater faded or something?

Other thing to note: If I have my orientation right, this is to the right of Stede's bed nook and to the left of the library, which means this shelf is the one with the auxiliary wardrobe opening mechanism. Which I bring up because:

This little guy seems to be in the place of the mannequin. Ed kept the auxiliary wardrobe and gothed up the mannequin to justify it still being there.

SO much here. This is, I'm fairly certain, Benjamin Hornigold. This camp he's set up (along with what he's wearing) looks like it was made out of a shipwreck. Ed's barefoot and missing his jacket and gloves, and his shirt's torn up at the sleeves. Definitely where he washed up from his dip in the ocean.

Note the trees and the lighting, that comes up later. Ed shoots here and Ben moves with the shot but it doesn't look like he was actually HIT by it to my eyes.

'Wanted. |Blackbeard| Villainous Pirate. Murderer, thrice over. $400 Reward for the criminal responsible for: theft - brigandry - larceny - arson - tax evasion ➡' Presumably there are more crimes/info on the back, though we see the reverse side in the next cut and it's either blank or all in very small text, I couldn't quite tell.

The poster to the right says 'Port' something which has me wondering Port Royal but that's just the only 'Port' something I know, could def be somewhere else.

(Also, just for fun:

Here's how much abouts Ed's capture would be worth now.)

Wider pic than it needs to be but I didn't wanna cut out Olu lol. ANYWAY. Neckerchief again. Also the back of the poster, see what I mean about it either being blank or very tiny?

Babygirl. . . But also that Bride Ed figure kinda slays. Little bralette with the midriff showing, I see you Babygirl. When will he be allowed to just rest and do silly little crafts WITHOUT heartbreak looming over him?

Well. Four is not nine. So. There's that. The other five could be used or out of frame though, of course.

OH. He's back to his fingerless gloves! They might actually be different from his original ones though, they look different at the wrist to me, not quite sure though.

The BOYS!!!! Frenchie looks like he's having a GREAT time. Considering he suggested they turn the hostage into a table and complained about the Republic of Pirates being a bit gentrified I'd say this is more in line with what he's used to in piracy. I 100% buy he was going along with Stede's way because he knew it was an easy ride compared to real piracy. This wouldn't necessarily be a return to form for him but definitely something he's more used to? And he gets to be kitty :3c

And FANG!!! Look at him showing a bit more skin!! Good for him!!

Everybody say 'Thank You David Jenkins'. Right now. Look at this Mad Max shit. Fuckin' Imperator Jimenez right there. LOVE that tye added the 'beard' after the 'fuck's wrong with your face?' bit in 1x10. Full 'it looked weird on you but I slay' energy.

Jim

Izzy

Fang

Near as I can tell at least. I can't make out if Frenchie is in the shot and I'm pretty positive Ed isn't cause he stayed by the cake when they charged in.

Man, yknow I know we were all kinda clowning on it a bit at the end of 1x10 but this look really is so JARRING. Like, in the dark it's menacing but in the light? It's unhinged and that reads as more dangerous imo.

Also just for comparison's sake the pre-Ed-ified version of the bride figure. He really did full on customize that thing lol.

I DON'T THINK ANNE KISSED STEDE HERE. It feels out of character of the show to pull the 'It's fine if a woman does it to a man' kind of thing with regard to unwanted kissing. This is the frame the scene starts on in the trailer. She's leaning back from him and isn't nearly close enough to his mouth to say for certain that's where she was coming from. My money is on her leaning in to whisper something into his ear, maybe under the guise of it being an advance/intended kiss, which would also explain the annoyed look when she's interrupted. She either got ACTUALLY interrupted or it's part of the act. Stede doesn't look nearly as uncomfortable as he would be if she'd kissed him or tried to, he looks confused.

Izzy going for his sword when this guy tries to get the drop on Stede. He either is starting to care or he knows how much Ed needs him alive.

Also, this is the other potential source of Stede's neckerchief. Mr, Knife right here has a red one and Stede doesn't have it in this scene. I do think this one is a little less distressed than the one Stede has though so it could just be coincidence.

See? No neckerchief. He DOES have a sword at his hip tho! So this, I think, is after Izzy's started training him.

Also, he actually looks really good in red lol.

Baby. He's definitely missing the ring in this shot. It sits higher than the baldric is covering. I want to give him a little kissie on his ouchie and then let him have a nap, he needs that.

The pants match the coat. Also, black shirt. Stede is kinda slaying ngl.

Still missing her head :(c. Isn't that bad luck?

Maybe yall didn't hear me properly with the Jim pic. I'll repeat:

EVERYBODY SAY 'THANK YOU DAVID JENKINS'.

I can't get over how Stede's just standing there politely with his arms behind his back lmfao.

Also, Izzy's got his right leg up, he's putting his weight on his left. . . 'foot'.

I SAID EVERYBODY SAY-

I know tits and all but also. The belly. I would like to. Bite.

*ahem*

ANYWAY. On the left (our left) side of the barrel you can see the tip of his right boot so he's def got that leg off the ground. Perhaps someone is trying to relearn their footwork? Now that they've got a different balance than they're used to? And perhaps a difference in sensory input in the leg he's standing on? Possibly?

This is the same beach Ed was on when he did the fuckin' RAD takedown of the other officer but it definitely looks like different times of day. Having both in the teaser is def meant to be a red herring. He doesn't have the neckerchief in this shot either.

Bra för honom. (Is how google translate tells me you say 'Good for him' in Swedish.)

Is Jackie's hair the same here as it is in the VF pic with Ed? Or like, similar enough to be a 'later in the day after some Fun™ messing it up a bit'?

Roach!!! Fully sleeveless now, added a belt, got some flowers tied to the strings/straps of his apron. Looks like he's having fun lighting that cannon lol. Pretty sure this is the same scene as that one leaked photo of him dancing with Fang and Izzy's green screen sock. He had the flowers in that, right?

[Ran out of allowed images, please hold]

[thehappyfeminist-22]

I haven't come across a still of this incredibly beautiful moment, so I thought I would leave this here. I just can't stop studying every detail. The soft, romantic lighting. The way their bodies are pressed so close, there's not a sliver of light between them. The way Ed has his arms wrapped around Stede like he's his greatest treasure. Stede's hand in Ed's hair, cradling his head so gently. Ed's thumb stroking along Stede's ear. Just. The way they hold each other. The gentleness. The closed eyes. They have longed for each other and now they have each other.

[soupbtch]

getting emotional thinking about the fact that ed has probably never had a boyfriend before and maybe he’s wanted to be called someone’s boyfriend in the past but he held back because he’s fucking blackbeard man, and he’s had it engrained in him for years that that shit is too soft.

and then stede fucking bonnet comes along with his frilly shirts and his letters in bottles and his undying, unwavering love and shows him that men can be tough and soft, and those things are not mutually exclusive.

then ed finally lets himself accept that love and believe he is worthy of it and confess his undying love in return and then — even though they maybe might die — stede bonnet, incredible man that he is, calls ed his boyfriend right there in front of the entire crew. and everyone’s watching and this is a life or death situation, he knows, but hearing the words on stede’s lips hits ed with such unrelenting force that he tries to keep it cool, but he can’t fucking help the skip in his heartbeat or the smirk that tugs on his lips like—

fuck yea, he’s someone’s boyfriend. fuck yea.

[piratecaptainscaptainpirates]

In general when it comes to things that were apparently cut from Ed and Stede's scenes in s2, I often feel that I would've agreed with the decision to cut them out even if it weren't for the episodes getting cut down the way they were. A prime example is the bts photo we have of a take where Ed made his bride cake topper push over Stede's and knock it around a bit; while his anger is 100% understandable, keeping that in would've undercut the eternally gentle love Ed has for Stede. A kiss during the mermaid scene is along the same lines for me; the fact that the scene cuts before Ed can touch or kiss Stede makes their real kiss more impactful. I don't mourn that Ed tenderly touching Stede's face underwater isn't in the final cut.

However I think Stede asking if he can call Ed his boyfriend and Ed saying "actually I fucking love it" is canon to me. I wish it had stayed in the final cut. It's so important to me actually that they finally feel able to define their relationship on their own terms and it feels so easy and joyful for both of them.

[clairegregoryau]

Through the Looking Glass

From fairytale in Season 1 to stark reality in Season 2 of Our Flag Means Death- meta ported across from this Twitter thread by popular demand!

This thread contains spoilers for the entirety of OFMD Season 2

First OFMD S1 rewatch since S2, and holy shit, if you haven't done that yet... do that. A thing that it made instantly clear: they told us *all along* where this was going, but there was a reason we didn't see it. Because we were living in Stede's world then. Now it's Ed's.

I know that a lot of us have felt that the tone shift at the end of S2 was... jarring, compared to what's come before. This felt like a show that wouldn't go there. One where being run through was a temporary hiccup. We've travelled all the way from this to this.

But we haven't jumped there without a journey in between. And from the minute we started hearing about Blackbeard, the show never tried to hide what Ed's world and his specific life was like. Not once. In fact they told us over and over and over.

But Season 1 told us a lot of those things through song and story and fuckery. It blended reality with fiction.

Stede met the Blackbeard he knew through books and tall tales, and the real man was even more wonderful than he'd imagined.

We, along with Stede, were comfortable thinking that all those other tales were exaggerations and misrepresentations, and a lot of them very likely were.

The Ed Stede got to know was a person who was capable of whimsy and silliness and loved soft things and doing something weird. Yep, he was also capable of violence and rage, but when he was with Stede, he didn't feel it so much.

This was a vacation from that life.

To Stede he was absolutely lovely... oh, and also a bloodthirsty killer. And Stede loved (and loves) everything about him, and both of those things can be true. This is a perfect example of a spot where (in watching Season 1 without the benefit of hindsight) I assumed that everyone else in that pub was wrong, and Stede was simply trying to protect Ed's fearsome reputation by agreeing on the bloodthirsty bits. And I think from Stede's perspective that was largely true. I think that's how they wanted us to see Ed, through his eyes. Now, after watching both seasons, I think it wasn't the whole picture.

They told us, we heard it, we saw glimpses of it. But we (and Ed) were in Stede's run-away-to-sea fairytale the whole time. It wasn't until Stede left that we saw the reality- the Ed we knew had been, to a degree, a fictional character all along. I always saw this scene as Ed putting a bit of distance between himself and reality; it always felt like the Blackbeard of Stede's storybooks was the fictional one. But now it feels like the softer Ed that Stede knew was much the same- neither of them the whole story of who Ed was and is.

The one person who refused to live in Stede's fairytale was Izzy. I've seen people say it before, but he always gave off that vibe of the only human in the Muppets movie, or the guy who was in Black Sails while everyone else was in Pirates of the Caribbean. He saw the real risks clearly.

And in that light, the end of S1 has shifted an inch to the left for me, and I'm seeing it at a slightly different angle.

Izzy ripped away the healing Ed was doing, but in some respects he did it by tearing away the fairytale we'd all been living in, shoving Ed back into the Blackbeard story.

And that's where we pick up again in Season 2.

The fairytale reference came back in S2 in two notable places, those being Jim carrying that legacy forward in the darkest times, and in Izzy invoking the wooden boy against Ricky's efforts. Stede's made himself into a real boy. Ricky, nope.

Now that I've watched both seasons together, the tone shift doesn't feel so jarring at all, actually.

It feels like sliding through the looking glass, out of Stede's world, and into Ed's- a world that existed all along; we were just seeing it, la vie en rose, through Stede's eyes.

At the beginning of S2, Stede's gone, and we're seeing it unfiltered through Ed's reality.

But Stede wasn't lying when he said he loved everything about Ed. He made a promise to come back and find him- he went down into Ed's darkest place and reminded him that no matter how bad things got, there WAS someone waiting for him, ready to love him.

The contrast between S1's fantasy and S2's reality (excluding mermaids and actual bird guys and cursed coats) is stark, but it really is that.

We have the same settings, the same people, and very different ideas and outcomes at different times.

But it was always there.

Things do come back to a state of (precarious) balance once they're all together. Apologies are made, whether they're spoken out loud or through actions. Things go right, things go wrong. Healing happens. Izzy continues to have the steadiest, most real through-line in the story as he tracks toward redemption, finds acceptance, and to an extent finds himself.

Once again, I hate that they went here with the ending and I wish they hadn't. But it got a fraction easier for me looking at it not as a continuation of Stede's fairytale, but of the grounded-in-pirate-reality arc Izzy was always on, even while we lived in Stede's world.

Where does that leave us? We're not going back to the fairytale, but we're not going to be living in Black Sails for S3, either. We've hit a fusion point where S1 ended with each of them going to separate, miserable homes, but S2 ended with them in the same place, ready and willing to make a go of it.

Season 3 is going to give us their world, together.

I LOVED the moments in this season where the deep emotions were in balance with the silliness I've always adored about this show. Eps4-6 were wonderful like that. Clearly we're not done with drama, either, but like Ed and Stede, I think we'll find a middle ground.

Anyway in conclusion, a rewatch of S1 after S2 somehow made me love the first season even more, which felt impossible? It's now gained /even more/ layers of depth than it had before. No matter how you feel about S2 I think it's worth that rewatch.

Adding one more bit of clarity for myself: I think we got a bit (intentionally) seduced in S1 by the idea that the Ed of the storybooks, the Vampire Viking Clown with the nine guns, was a version of him that others saw, when Stede saw the REAL person who 'worked' for Blackbeard.

In hindsight I think it's clear the Ed Stede go to know was also not the complete version of himself- the reality is, there's a whole spectrum between the two, and they've landed in the middle of it now. Ed intentionally leaned into the unlovable Kraken image to protect himself.

It very much didn't work, just like being just... Edward hadn't worked to protect himself, either. This season has been very much about pulling those two extremes together and finding all the parts that make up Ed overall (another thread on that here on Twitter, which I'll also shift across to Tumblr soon!)

And I think one of my favourite things in S2 has been seeing the way Stede SEES that- he knows what Ed's done, everyone's told him, but he still loves Ed. sees his trauma and how it affects him, and believes he's a good man regardless. He IS lovable; he's not forever broken.

And together, they can heal.

[spenglernot]

STORIES TELLING: NED LOWE AND THE DEATH OF POOR REPRESENTATION IN OUR FLAG MEANS DEATH

In history, Ned Lowe was one of the most sadistic and violent pirates in the early 18th century, so he’s an obvious choice for a villain for season 2, episode 6 – Calypso’s Birthday.  What is interesting is what the OFMD writers chose to do with him.

Lowe announces himself to the crew of the Revenge with great fanfare (cannon ball attack) and gets right to the point.

Ed is thoroughly unimpressed.

Cut to Ed and Stede tied up while Ned attempts to set the mood so he can monologue about why he wants to kill Ed.

Ed knows what’s coming. He is going to suffer but he still can’t be arsed to meet Ned with anything but vaguely bored dismissiveness (and Stede is happy to play along).

Up on the deck, Ned prepares the crew for his big, dramatic moment of symphonic torture.

Note that the Revenge crew is tied down, braced by vices and generally unable to protect themselves from imminent torture and possible death, but their spirits are up. They don’t seem terribly fussed.

Then Stede uses his people positive management style to happily orchestrate a worker uprising in Ned’s crew.

Ned’s crew responds instantly; severing their allegiance to Lowe and telling him off.

The crew sails away and talks profit sharing while Ned dully threatens to hunt them down.

Ned is now a prisoner of the Revenge crew and seems entirely disinterested in his own survival.

And Ned sinks to the depths, without struggling at all.

There is a lot going on in this episode: pay and labor equity direct action, gay love engagement bliss, kink humor, Stede being a hero and saving his crew by playing to his strengths, then having to decide whether to kill in cold blood and feel the consequences of that choice. Ed having one more reason to be done with piracy (while being so impressed with and fond of Stede), and then watching his man make a fraught choice and having to deal with the fallout from that. (And, damn, I haven’t even mentioned the passionate sex bit.) Anyway, back to the point.

Now for the the meta part

The Ned Lowe sequences are perfectly in keeping with OFMD’s signature blend of madcap violence, humor, and big emotional gut punches. But something about Ned Lowe just strikes me as off for this show.

Ned is seriously threatening the crews’ lives, so why don’t they take him seriously?

Why does Ned have such a boring, throwaway backstory?

Why is Ned so nonchalant about his own death; like it’s a foregone conclusion?

Why does Ned have a silver violin and silver spurs on his slip-on dress shoes?

Why is Ned sartorially monochromatic?

And then I realized who Ned reminds me of.

This guy,

Earnst Stavro Blofeld in the James Bond film Diamonds are Forever (1971)

And this guy,

Scar in Disney's The Lion King (1994).

And this guy,

Xerxes, 300 (2006).

And it sure seems like Ned Lowe isn’t just an episodic villain. He is an archetype of the one-dimensional, stereotypical queer-coded villain that has been endemic in film and television throughout history. The OFMD writers have a lot to say about what to do with this kind of character:

Don’t respect him.

Feel free to openly mock him.

Don’t let him take your joy, even though he will hurt you.

He won’t disappear on his own. You have to throw something at him (take action) to make him go away.

Once he’s in the water, he’s content to drown. He’s not into what he’s doing any more than you are.

Oh and, just to be clear,

The LGBTQIA+ community has a very long history of turning shit media into better stories. So, hey, big media, prepare to have your crap characters wrecked (improved).

Now, back to our transformative pirate show with rich, complex queer characters and a multi-layered plot that surprises me every week and makes me feel big feelings - most of all, joy.

Final thought: I do wonder if Ned Lowe is monochromatically silver as a tribute to/poke at, Hollywood and the silver screen.

This meta was written before OFMD season 2 has fully aired. No idea what’s going to happen in the finale (and I’ve generally fled social media to avoid spoilers). I’ll be back, looking at everyone’s fascinating posts after episode 8 airs.

[lavenderprose]

"Would you love me if I was a crab?"

The responses are immediate and exactly what Ed should have expected: Stede's eyes go big, he offers a wide smile and his voice goes high and indulging as he says, "Of course! I would make a special little tank for you--"

Izzy, on his other side, rolls his eyes and says nothing at all.

There are a few crabs scuttling along this stretch of beach, washed ashore by a storm last night. They're still trying to get their bearings and make their way back to sea, presumably. Ed has counted four of them as they walk. He doesn't know if they're the kind of crabs you eat. He doesn't know if there's such a thing as crabs you can't eat.

Stede is still talking.

"Of course, we would have to make sure that the water is of the right salinity, and it might be hard to communicate, but perhaps we could invent some form of semaphore involving pincers--" Here he forms his hands into two approximations of claws and snaps his thumbs against his fingers repeatedly. "Snap snap. Something like that."

"No way to live," Izzy says then, and when Ed looks at him it seems like even he's surprised he spoke. He looks uneasy with it, like the thought had escaped rather than being released. He's been walking somewhat separate, his pace matching that of Ed and Stede but several feet further up the beach where the sand isn't so damp. Stede has had his arm looped through Ed's and they've been walking in lockstep, murmuring to each other about the lovely bright morning sun and the crisp smell of the ocean, and about Stede's newly-bought swim-cover he's wearing and about lunch. Come to think, this is the first time Ed has heard Izzy speak all morning.

"What's that, dear?" Stede asks, still distracted by his own hands. He mutters something to himself that sounds like And this could mean I'm hungry as he pokes his pinched hands towards his stomach.

"In a tank," says Izzy. His arms are folded against his body, he's turned towards Ed and Stede and the calm surf washing up the beach. The sun hits his eyes and makes them look brighter, green like seaglass. "If you were a...crab."

"Say I wanted to live in a tank?" Ed mutters, feeling weirdly defensive. "If Stede wanted to put me in a tank and keep me safe--"

"No way to live," Izzy says, shrugging. "Might be nice for a little while, but you'd get bored in a tank. You'd start trying to escape, try to wedge your pincers through the lid of--" He moves his hands for a moment, almost as though to pantomime like Stede, then scowls at himself at stops. Shrugs again. "We couldn't keep you."

"Would we know it was you?" Stede asks then, like this is crucial information. Ed doesn't know why the conversation has taken this turn, even though he was the one to ask, but he feels like his heart might break a little if they can't come to a consensus about what to do with Crab-Ed.

"Yeah," says Ed, "You'd know it was me because it would be like...a sea-witch curse or something."

"Oh! Well then we would just find a way to break the curse." Stede nods, smiling sagely and confident in his wisdom.

"You can't," Ed says, hurriedly and suddenly nervous. "It's permanent. Can't break it, I'm gonna be a crab forever."

"Would you still think like you?" Stede asks. Izzy, utterly quiet, stares towards the horizon like if he glares hard enough, the sun will descend from the sky and end the conversation.

"Yeah, yeah. Ed Teach brain, tiny crab body."

"Well that complicates it--"

"Why are we talking about this again?" Izzy mutters, still squinting towards the sun like it's personally insulted him. "If Edward were a crab, he'd have to do crab things. We'd do human things. End of."

Stede frowns. "Well the question wasn't about what we would do with our Ed-crab. It was would we love him."

Izzy snorts, and Ed feels a strange spike of dread right up until Izzy mutters, "Of course," in a way that says he thinks the answer is very obvious, and the question very redundant. When he realizes that Ed and Stede are both staring at him, he shifts his stance and cards a hand through his hair. Slowly, with obvious difficulty, he says, "I couldn't keep him in a tank. Wouldn't be fair. Of all people, I should know that." His eyes flick to Ed for a snap moment. Ed doesn't know what his face does, but whatever it is it's enough to relax the line between Izzy's eyebrows. "He'd have to go. But I'd remember him. I'd hope he was...happy. Doing crab things. I'd love him."

From somewhere next to Ed, the inelegant sound of Stede's sniffles breaks the moment they might have been about to have.

"That's such a sweet sentiment, Izzy," Stede says, wiping under an eye. "I was going to say that we could ask the sea-witch to turn us into crabs as well. That way we could all do crab things together."

"There's an idea," Ed says enthusiastically. "We could make a crab house and eat crab food and have crab se--"

"I'm not turning into a crab," Izzy says, and turns back to face the direction they'd come. "Are we done with this? I'm fucking starving."

He marches off, leaving Stede and Ed to walk in his now-determined wake. Obviously trying to escape the sentimentality of his own words. Ed exchanges a knowing, saccharine expression with Stede as they follow.

"Izzy?" Stede calls up to him, paces ahead and legs pumping. Izzy barks out a vague response. "Would you love me if I was a crab?"

Izzy stops and turns completely around. There is a smirk on his face and hidden laughter in his eyes.

"If you were a crab," Izzy says, "I would have a crab fucking boil, Stede Bonnet."

[actualhumantrashcan]

I can understand a silly workplace comedy about pirates not being everyone’s jam but I really can’t understand the amount of queer people I see hating on ofmd.

like for one thing most of the debates turn into gatekeeping queerness (which I think has a lot more to do with the ages of the main couples than actual concerns about authentic representation but that’s another post) and the rest are just hateful because it doesn’t directly name or label it’s queer characters but like why do we need that at this point?? listen I love heartstopper with all my heart but it is exhausting to watch them explain queer identities sometimes (even though I do think it’s super useful for younger audiences I’m just not the target demographic!) and ofmd is an explicit, violent, adult show that doesn’t NEED to explain it’s character’s identities.

queer people past their 30’s are usually very well aware of their queerness and have had (hopefully) plenty of time to go through the arc of discovering that. so why would we need to see Stede or Lucius or Ed going through turmoil because they’re attracted to men when they have already come to terms with that at this point in their lives?? i for one find it so fucking refreshing to watch a show where the characters being queer is not their main arc, they just ARE queer and life is still happening to and around them. maybe that’s just the millennial gay in me talking, but it gets emotionally exhaustive to watch show after show where the queer character’s arc is overcoming homophobia. yes obviously homophobia still exists and yes obviously if ofmd was trying to be historically accurate these characters would be living in a very dangerous time to be queer but it isn’t trying to be accurate!! it’s trying to be fun and diverse and kind!!

and also, they aren’t pretending homophobia doesn’t exist!! it’s just addressed in a different way. Stede was emotionally abused by his father for his entire life for being “soft” and then was chased down by his homophobic childhood bullies, one of which explicitly told him that he “defiled” the great pirate Blackbeard by simply falling in love with the man behind that name. Meanwhile Ed was forced into the world of piracy at a young age and developed the entire persona of Blackbeard (who fits the toxic, violent masculine stereotype of the time) to hide the fact that he’s actually an incredibly sensitive and deeply queer man! and is told multiple times by male figures in his life that sex with other men is fine but it is absolutely unacceptable to be in love with a man. both of their arcs contain homophobic rhetoric that is still present in society today, but its never presented as a problem that they have to wrestle with. they don’t have to come to terms with what it means to love each other, they just have to overcome some trials that go along with the complicated lives they both lead as a pirate and former aristocrat. the homophobia in ofmd is woven into the backstory of each and every character, it shapes them into the people they are at the beginning of the show when all of their walls are up and they are performing the “pirate” roles they are supposed to play. and then we get to see them grow and realize that they are in a safe space, part of a community not just on the ship itself but in the life of piracy (which in the show is pretty much explicitly an allegory for queer lifestyles.)

anyway, I could rant about this all day but just truly why do we have to tear people down for enjoying something? why do we have to find reasons to hate something so obviously created with sensitivity to it’s queer audience and with so much queer joy? if historically inaccurate gay pirates going on silly adventures and falling in love are not your thing, fine! but perhaps just let people enjoy things and find your own things to enjoy.

[follows-the-bees]

Filmmaking analysis time!

How cinematography, blocking, and camerawork in S2 eps 6&7 show Ed's and Stede's emotions.

Since season one, red has been used to show the love for each other: the red of the silk and Stede's new red shirt in both moon scenes. We also know that purple comes out more as Ed falls in love with Stede.

So let's talk about Calypso's Birthday and Man on Fire.

The lighting during this scene is full of color, the reds, purples, and blues. Besides being classic bi lighting, it incorporates the red and purple that we know represents Ed's and Stede's love.

They are swimming in it. Yet, they aren't the same blockingwise, they aren't as close as last season, there is still stuff between them that needs to be spoken. They are standing by each other, their bodies turned inward, and a giant red flower sits bright and center between them, showing how large and full the love they have for each other is.

These purples and reds diminish when Ned Lowe crashes the party. His presence brings a screeching halt to the healing and good times the crew and particularly Ed and Stede are having. He not only crashes the party but right before Ed and Stede were about to dance. This giant wrecking ball that symbolizes Ed's pirate past brings in the harsh blue and green lighting and ups the trauma for both men. Green lighting is used to show that things are off, it is off-putting and fills the scene and audience with unease.

Gif credit

The purple lighting stays very subtle during this whole scene, but as Ned insults everyone, and brings up all of the still unspoken insecurities of the men, the blue shines more, especially on Stede as he makes his choice to have Ned walk the plank. We see immediately how that affects Stede, his trauma comes roaring back, he's shaking, and has tears in his eyes. He retreats back to his cabin.

Ed on the other hand is also experiencing trauma here. While helping out and being around Stede, he has been treading water, trying to figure out what he actually wants in life. And the embodiment of that, when he was at his lowest after S1, when he was trying to break the record has come back to taunt him and the man he loves. He chooses to check in on Stede.

This is when the lighting and camerawork change. We are now inside and the lighting is warm, glowing from candlelight. Ed has a yellow glow behind him when Stede opens the door, like he is the beacon of light in this storm of emotion and trauma that Stede is experiencing from his decision to kill Ned. To cross that boundary when with the rest of the crew he used his usual positive people management style.

Pay attention to their positions here, cause this upcoming choice makes this scene feel off. The pull into the room and the subsequently slam into the wall and kiss are flipped. Along with the quick movements in each shot, this triggers a little part of our brain that realizes something is off even if we don't know why. Read more about the mirror shot in this meta analysis.

When Ed and Stede decide to be together for the first time, to numb the traumatic pain in their desperation and love for each other the lighting is different. It turns a warming orange/yellow glow, showing the softness of the situation.

These men desperately love each other and want to be together. They both agree to this night, Stede pauses before kissing Ed, waits until Ed nods his head and gives consent then pulls Stede in.

And when Stede closes the curtains, the lighting is back to red and purple. The two colors symbolizing the love these two have for each other.

In the morning, the bright yellow lighting is back. The beautiful morning sky in the background looks serene and idyllic, but it also puts our characters in a shadowy haze in the foreground.

They are still in the warmth, the afterglow of being together. Ed gets nervous and brings Stede breakfast in bed. (A parallel to Doug and Mary). They have an intimate conversation where Ed opens up about seeing mermaid Stede while in Purgatory. They have now been intimate in all forms of the word.

But there is still something off, just like with the mirrored images. Stede is shirtless, open, feeling safe. Ed has ditched his leather clothing, his Blackbeard persona, and is now in fine clothing. And I can't confirm but the inside of the robe looks purple. But his robe is closed, which can be read as still hesitant, even if it's subconscious. And they have the same body language of all of the last episode. They are sitting apart, not touching, but still comfortable facing and leaning into each other.

And this bliss continues outside where they open up more. The lighting is bright, pretty, they are surrounded by greens and tans, glowing still. Stede tells him about the multiple letters in bottles he has written. They are opening up about things but they are still avoiding what needs to be talked about - the trauma, their different paths that seem to be emerging.

And then finally, when the fight happens, all of the uneasiness from the mirrored shot, the close but not yet close enough body language, all of these choices come crashing down just like the relationship.

The light is muted. They have spent part if not all of the day apart. So the lighting indicates that it is approaching sunset not only in time but in their relationship, the foreshadowing of Ed breaking up with Stede and leaving.

Ed has already made up his mind. He is leaving to be a fisherman. He thinks what happened the night before - and by that - the moving too fast part was a mistake. While they both love and want each other, Ed is self sabotaging - in a direct parallel of last season - thinks he has ruined Stede, spiralling and choosing like he's done in the past to completely run away from the darkness. He needs to learn that he can embrace both (all) sides of himself without losing himself.

Stede tries to save it. Responds to Ed saying "this can be whatever we want it to be." But then things escalate, things aren't explained. Stede doesn't realize what the fish means to Ed, and saying he lied about the quality of the fish is Ed's view of them, "they are the fish."

They need to talk, about what they want, their diverting paths, finding common ground, and learn how to be in this relationship.

They believe the exact opposite of the truth. Ed thinks he's ruined Stede and that Stede won't love him if he's not Blackbeard (the chin convo!) And Stede thinks he isn't good enough for Ed (and everyone, that is why he goes a little crazy when people recognize him - in a direct parallel to Ed during the dinner party in 1x5.) And Ed doesn't love his softness.

All the lighting reaffirms just how much these two love each other, but the blocking, mirrored camerawork, and fast movements show the underlying unresolved tension that has been building up and ultimately leads to this rift.