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#and they are also all very introspective - really getting into the character's heads
kris-mage-fics · 9 months
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📜 tell me your holler fics¡!
So there are two short ones I started and haven't finished. I like them both, but I don't know if I'll come back to them or not. (In reference to this post.)
The first is actually written and partly edited. It's based off of the Goop Teddy theory, with the my (incorrect) idea that he was the creature in the greenhouse. Obviously, this was before Episode 4 came out and we found out what's actually in the greenhouse. It's about Tabitha hating that she has to take care of Teddy (or 'it' in her mind, because she doesn't really believe what Pearlanne told her), but she's doing it out of a sense of family duty. Near the end is a line I still love:
“Tabitha.” Its voice crawled over her skin, leaving behind the residue of a sin committed over a hundred years ago.
The second is partly written, also before Episode 4, and is from Pastor Daniel's perspective. He's contemplating the implications of meeting a Talks to Animals cousin. Just really in his head about it, kinda freaking out, while trying to make Tulip a snack. The plan was to end it with him accidentally dropping a glass, and it shattering on the ground. Kinda as a narrative parallel to the way things in his mind shattered when he found out he wasn't alone in his ability.
Technically, there is a third. It's about Bo's thoughts one night as he's keeping watch over the chickens. There's some Madoka Magica influences to it. He also has a crush on Kaneeka in that one, which is inspired by Treevile's Chapter 1 of "On an autumn day in an autumn town". (Yes he knows, we had a lovely conversation about it!) It's fully written and edited, but I'm worried I didn't do Bo justice. I really need to get the courage to ask if any fan(s) want to beta read it for me. Otherwise I would've posted it months ago, lol!
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nihiltism · 2 years
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OK SINCE I SENT A DOUBLE BEFORE here's another!! um since you've mentioned sk recently hows abt your favourite order of no quarter member??
HMMM I don't have a specific favorite of the oonq so I am going to be resorting to semantics to twist this to a character I like (dark reize is like. he was Going to be made the last knight. it counts. it counts.)
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anyway I love him so much and no one understands this 14 year old edgelord the way I do. not even the guy who he's technically just his oc. he's MY oc. (he actually is I took most of my interp of him and put it into a separate au and put That into an oc so if you're ever curious where nico comes from its him).
anyway (slaps this bad boy) he has so many identity debacles and also a shitty mom and so many fun possible interactions that. never happen. so I just threw that out and made my own au where he sticks around postgame (circumstances vary, he either splits off from nromal reize, is part of normal reize, or Doesn't get turned back and just stays Like This) and gets to sort out his issues starring: Lingering Memories From A Person You Don't Recognize As You, Finding A Purpose When The Thing You Were Conjured To Protect Is Gone And Said Conjurer slash Parent Is Effectively Dead, and also Just Generally Experiencing Emotions And Not Being Introspective Enough To Sort Them Out So Instead Just Being Really Angry That You Have Them And Causing Havoc. I like him
#shovel knight is hard bc i keep wanting to hc them in like. modern scenarios#anyway in a modern au reize wakes up in the morning realizes his phone played infinite 80 times since hes last been on it and goes Ah !#i think both of them would listen to sonic music#ive got a few fun interactions between him and shield knight in my brain being (shield feeling somewhat responsible for Him In General#and feeling really bad abt it while dreize is just for once actually Afraid of her because shes like. shes Like enchantress but Wrong)#and id assume at this point hes had enough actual existence outside the tower that he'd know his time w enchantress was Horrible for him#so its all a very interesting situation in my brain but id like to think they work it out. theres a lot of apologies to be said there#even if it Wasnt shields fault by most accounts#theres other fun character interactions in my brain like him + normal reize and him + spec postgame but thats the main one#though i also have a hc that once the tower falls the Tower Inhabitants^tm stick around but just kinda take it back#mainly i like to think that gall made a community garden#and i have a scenario somewhere in my mind of dreize going back and not Entirely knowing what to do so just kind of. ripping up shit.#and it turns into gall going (hey if ur gonna can u at least rip up the weeds) and it becomes a good way to get dreizes aggression out#while also getting to rant to someone a lot more introspective than he is in the process#funnily enough i kind of managed to roll back to this interaction because i made ocs out of my interps of gall and dreize#so this Still Exists in my head its just with morty and nico#yeah tag ramble over i like this kid
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derinwrites · 2 months
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The Three Commandments
The thing about writing is this: you gotta start in medias res, to hook your readers with action immediately. But readers aren’t invested in people they know nothing about, so start with a framing scene that instead describes the characters and the stakes. But those scenes are boring, so cut straight to the action, after opening with a clever quip, but open in the style of the story, and try not to be too clever in the opener, it looks tacky. One shouldn’t use too many dialogue tags, it’s distracting; but you can use ‘said’ a lot, because ‘said’ is invisible, but don’t use ‘said’ too much because it’s boring and uninformative – make sure to vary your dialogue tags to be as descriptive as possible, except don’t do that because it’s distracting, and instead rely mostly on ‘said’ and only use others when you need them. But don’t use ‘said’ too often; you should avoid dialogue tags as much as you possibly can and indicate speakers through describing their reactions. But don’t do that, it’s distracting.
Having a viewpoint character describe themselves is amateurish, so avoid that. But also be sure to describe your viewpoint character so that the reader can picture them. And include a lot of introspection, so we can see their mindset, but don’t include too much introspection, because it’s boring and takes away from the action and really bogs down the story, but also remember to include plenty of introspection so your character doesn’t feel like a robot. And adverbs are great action descriptors; you should have a lot of them, but don’t use a lot of adverbs; they’re amateurish and bog down the story. And
The reason new writers are bombarded with so much outright contradictory writing advice is that these tips are conditional. It depends on your style, your genre, your audience, your level of skill, and what problems in your writing you’re trying to fix. Which is why, when I’m writing, I tend to focus on what I call my Three Commandments of Writing. These are the overall rules; before accepting any writing advice, I check whether it reinforces one of these rules or not. If not, I ditch it.
1: Thou Shalt Have Something To Say
What’s your book about?
I don’t mean, describe to me the plot. I mean, why should anybody read this? What’s its thesis? What’s its reason for existence, from the reader’s perspective? People write stories for all kinds of reasons, but things like ‘I just wanted to get it out of my head’ are meaningless from a reader perspective. The greatest piece of writing advice I ever received was you putting words on a page does not obligate anybody to read them. So why are the words there? What point are you trying to make?
The purpose of your story can vary wildly. Usually, you’ll be exploring some kind of thesis, especially if you write genre fiction. Curse Words, for example, is an exploration of self-perpetuating power structures and how aiming for short-term stability and safety can cause long-term problems, as well as the responsibilities of an agitator when seeking to do the necessary work of dismantling those power structures. Most of the things in Curse Words eventually fold back into exploring this question. Alternately, you might just have a really cool idea for a society or alien species or something and want to show it off (note: it can be VERY VERY HARD to carry a story on a ‘cool original concept’ by itself. You think your sky society where they fly above the clouds and have no rainfall and have to harvest water from the clouds below is a cool enough idea to carry a story: You’re almost certainly wrong. These cool concept stories work best when they are either very short, or working in conjunction with exploring a theme). You might be writing a mystery series where each story is a standalone mystery and the point is to present a puzzle and solve a fun mystery each book. Maybe you’re just here to make the reader laugh, and will throw in anything you can find that’ll act as framing for better jokes. In some genres, readers know exactly what they want and have gotten it a hundred times before and want that story again but with different character names – maybe you’re writing one of those. (These stories are popular in romance, pulp fantasy, some action genres, and rather a lot of types of fanfiction).
Whatever the main point of your story is, you should know it by the time you finish the first draft, because you simply cannot write the second draft if you don’t know what the point of the story is. (If you write web serials and are publishing the first draft, you’ll need to figure it out a lot faster.)
Once you know what the point of your story is, you can assess all writing decisions through this lens – does this help or hurt the point of my story?
2: Thou Shalt Respect Thy Reader’s Investment
Readers invest a lot in a story. Sometimes it’s money, if they bought your book, but even if your story is free, they invest time, attention, and emotional investment. The vast majority of your job is making that investment worth it. There are two factors to this – lowering the investment, and increasing the payoff. If you can lower your audience’s suspension of disbelief through consistent characterisation, realistic (for your genre – this may deviate from real realism) worldbuilding, and appropriately foreshadowing and forewarning any unexpected rules of your world. You can lower the amount of effort or attention your audience need to put into getting into your story by writing in a clear manner, using an entertaining tone, and relying on cultural touchpoints they understand already instead of pushing them in the deep end into a completely unfamiliar situation. The lower their initial investment, the easier it is to make the payoff worth it.
Two important notes here: one, not all audiences view investment in the same way. Your average reader views time as a major investment, but readers of long fiction (epic fantasies, web serials, et cetera) often view length as part of the payoff. Brandon Sanderson fans don’t grab his latest book and think “Uuuugh, why does it have to be so looong!” Similarly, some people like being thrown in the deep end and having to put a lot of work into figuring out what the fuck is going on with no onboarding. This is one of science fiction’s main tactics for forcibly immersing you in a future world. So the valuation of what counts as too much investment varies drastically between readers.
Two, it’s not always the best idea to minimise the necessary investment at all costs. Generally, engagement with art asks something of us, and that’s part of the appeal. Minimum-effort books do have their appeal and their place, in the same way that idle games or repetitive sitcoms have their appeal and their place, but the memorable stories, the ones that have staying power and provide real value, are the ones that ask something of the reader. If they’re not investing anything, they have no incentive to engage, and you’re just filling in time. This commandment does not exist to tell you to try to ask nothing of your audience – you should be asking something of your audience. It exists to tell you to respect that investment. Know what you’re asking of your audience, and make sure that the ask is less than the payoff.
The other way to respect the investment is of course to focus on a great payoff. Make those characters socially fascinating, make that sacrifice emotionally rending, make the answer to that mystery intellectually fulfilling. If you can make the investment worth it, they’ll enjoy your story. And if you consistently make their investment worth it, you build trust, and they’ll be willing to invest more next time, which means you can ask more of them and give them an even better payoff. Audience trust is a very precious currency and this is how you build it – be worth their time.
But how do you know what your audience does and doesn’t consider an onerous investment? And how do you know what kinds of payoff they’ll find rewarding? Easy – they self-sort. Part of your job is telling your audience what to expect from you as soon as you can, so that if it’s not for them, they’ll leave, and if it is, they’ll invest and appreciate the return. (“Oh but I want as many people reading my story as possible!” No, you don’t. If you want that, you can write paint-by-numbers common denominator mass appeal fic. What you want is the audience who will enjoy your story; everyone else is a waste of time, and is in fact, detrimental to your success, because if they don’t like your story then they’re likely to be bad marketing. You want these people to bounce off and leave before you disappoint them. Don’t try to trick them into staying around.) Your audience should know, very early on, what kind of an experience they’re in for, what the tone will be, the genre and character(s) they’re going to follow, that sort of thing. The first couple of chapters of Time to Orbit: Unknown, for example, are a micro-example of the sorts of mysteries that Aspen will be dealing with for most of the book, as well as a sample of their character voice, the way they approach problems, and enough of their background, world and behaviour for the reader to decide if this sort of story is for them. We also start the story with some mildly graphic medical stuff, enough physics for the reader to determine the ‘hardness’ of the scifi, and about the level of physical risk that Aspen will be putting themselves at for most of the book. This is all important information for a reader to have.
If you are mindful of the investment your readers are making, mindful of the value of the payoff, and honest with them about both from the start so that they can decide whether the story is for them, you can respect their investment and make sure they have a good time.
3: Thou Shalt Not Make Thy World Less Interesting
This one’s really about payoff, but it’s important enough to be its own commandment. It relates primarily to twists, reveals, worldbuilding, and killing off storylines or characters. One mistake that I see new writers make all the time is that they tank the engagement of their story by introducing a cool fun twist that seems so awesome in the moment and then… is a major letdown, because the implications make the world less interesting.
“It was all a dream” twists often fall into this trap. Contrary to popular opinion, I think these twists can be done extremely well. I’ve seen them done extremely well. The vast majority of the time, they’re very bad. They’re bad because they take an interesting world and make it boring. The same is true of poorly thought out, shocking character deaths – when you kill a character, you kill their potential, and if they’re a character worth killing in a high impact way then this is always a huge sacrifice on your part. Is it worth it? Will it make the story more interesting? Similarly, if your bad guy is going to get up and gloat ‘Aha, your quest was all planned by me, I was working in the shadows to get you to acquire the Mystery Object since I could not! You have fallen into my trap! Now give me the Mystery Object!’, is this a more interesting story than if the protagonist’s journey had actually been their own unmanipulated adventure? It makes your bad guy look clever and can be a cool twist, but does it mean that all those times your protagonist escaped the bad guy’s men by the skin of his teeth, he was being allowed to escape? Are they retroactively less interesting now?
Whether these twists work or not will depend on how you’ve constructed the rest of your story. Do they make your world more or less interesting?
If you have the audience’s trust, it’s permissible to make your world temporarily less interesting. You can kill off the cool guy with the awesome plan, or make it so that the Chosen One wasn’t actually the Chosen One, or even have the main character wake up and find out it was all a dream, and let the reader marinate in disappointment for a little while before you pick it up again and turn things around so that actually, that twist does lead to a more interesting story! But you have to pick it up again. Don’t leave them with the version that’s less interesting than the story you tanked for the twist. The general slop of interest must trend upward, and your sacrifices need to all lead into the more interesting world. Otherwise, your readers will be disappointed, and their experience will be tainted.
Whenever I’m looking at a new piece of writing advice, I view it through these three rules. Is this plot still delivering on the book’s purpose, or have I gone off the rails somewhere and just stared writing random stuff? Does making this character ‘more relateable’ help or hinder that goal? Does this argument with the protagonists’ mother tell the reader anything or lead to any useful payoff; is it respectful of their time? Will starting in medias res give the audience an accurate view of the story and help them decide whether to invest? Does this big twist that challenges all the assumptions we’ve made so far imply a world that is more or less interesting than the world previously implied?
Hopefully these can help you, too.
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darkcircles4lyfe · 5 months
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Behind the locked door
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In honor of Izuku’s mask disintegrating into rubble, I think it’s finally time for me to really dig deep into his character. I’ve been keeping this one in my back pocket for a while. Amid all the talk about Izuku’s fading narration, the “control your heart” subplot, I’ve been trying to find the words to articulate how I know exactly where this is going, at least on a certain level. Most recently, I read this meta from pika who brings up how the word “control” alone can be misconstrued (by us). And then I thought about how a while back I made a similar point, although I said Izuku was the one who got it wrong. At that time, I was holding back a huge piece of evidence because it was external to the story and I wasn’t sure it would be received well. As a result, my argument fell a little flat. Well, now—after 411, right before leaks for 412—it might be my last chance to play this card.
So about that external evidence. I struggle to bring it up because it’s gonna sound an awful lot like I’m projecting onto Izuku if I don’t do it justice. But… I look at the way his storyline has been going lately and I see a pattern emerging that I’m very familiar with. Fortunately, I don’t have to dump a bunch of personal junk on you in order to illustrate this pattern, because a certain personality typing system already has it all figured out: the Enneagram.
Now, hang on. I’m not one to put people in boxes. My trans ass? I managed to get a different result every time I retook the P0ttermore quiz. MBTI, zodiacs—not my thing. But the Enneagram comes the closest I’ve ever seen to covering all the bases and revealing actually meaningful insight, at least for myself. On top of that, I find it extremely useful for fleshing out fictional characters, hence this post will be taking advantage of that.
For those who aren’t familiar with it, here’s a quick overview: The Enneagram consists of 9 individual personality types, each arranged carefully in a sequential, circular manner. They are also simply named 1 through 9. While this might seem kinda basic, there is actually a surprising amount of nuance and fluidity involved. Typing is done largely through personal introspection (you don’t really have to take a test). Adjacent numbers share some core themes with each other, and according to a web of arrows between them, one type can take on either positive or negative traits associated with other types depending on how emotionally ‘healthy’ they are, causing a lengthy spectrum of different ways each type can manifest. That part gets kinda complicated to explain here, so for more info, the Enneagram Institute website is a decent place to start. I also highly recommend the Enneagram album by Sleeping At Last (and if you really want to dedicate some time, the accompanying podcast) to really get inside the heads of the types on a deeper level.
My interest in applying the Enneagram to Izuku comes from observing how differently one can interpret his character based on whether you read him as a 2 or a 9. And even though no one uses this language to talk about him, the distinction accounts for a bunch of different rifts in the fandom: whether you appreciate bkdk’s relationship, whether you can acknowledge Izuku’s flaws and weaknesses, the severity of his vigilante/rogue phase, and most importantly the gravity of his concealed heart, his rage, and what it all means—what he needs in order to grow and triumph.
Discussion of Enneagram types in the fandom is pretty scarce, but where it exists, I have only seen him labeled as a 2. Type 9 and type 2 can be similar at a glance in a lot of ways (actually, 9s can be mistaken for any type because they are like all of them combined). It’s easy to see Izuku as a 2 because he is the helping hero archetype. He puts others’ needs above his own and he is always ready and eager to help. If you listen to Sleeping At Last’s song for 2, you’ll notice that it’s all about care and noble sacrifice with the underlying theme of neglecting or even harming oneself: “I just want to build you up, until your good as new, and maybe one day I will get around to fixing myself too.” Sounds pretty obvious, right? Well, here’s the thing. You really get to know what your type is by how it hits you where it hurts, so I like to focus on each type’s basic fear and basic desire, first and foremost, as a tell. A 2′s basic fear is of being worthless and unloved. Consequently, their most basic desire is to be loved. And 2s have been taught through their negative experiences that love is conditional, something they have to earn from others. They need to be needed. So let’s say you think Izuku is a 2. This means you consider his heroic, self-sacrificing tendencies to be a result of his growing up quirkless and being told he is worthless and powerless because of it. Through this lens, he is trying to prove himself to the world by being useful. Along these lines, you may also assume he is trying to prove himself to Katsuki. Taking this train of thought even further, you may interpret Izuku’s relationship with Katsuki as an obsession of his, where he is either blind to Katsuki’s more negative traits in favor of gaining his love and praise, or else bitterly determined to prove him wrong. This is how a 2 might behave in an unhealthy relationship with an 8, which, yes, I do think Katsuki is an 8. That’s a tangent for another time, though.
But does Izuku ever “need to be needed?” It’s worth noting that while 2s’ search for validation might seem insincere, it is actually motivated by a deep, heartbreaking insecurity. They think they don’t even deserve love unless they are useful to someone, so they do everything they can to be worthy. Does Izuku show signs of this motivation?
If I stop to think about it, I can’t exactly see this in Izuku’s character. Yeah, his dream is to be a hero, and in his childhood, he was denied that dream. However I think we need to take a step back from that for a second if we want to dig deep. I mean, a lot of the other characters also behave heroically, act selflessly, and strive to help. Does that mean all of them are 2s as well? Of course not. So let’s instead turn to observe how Izuku acts with his loved ones, friends, and peers in other/adjacent contexts:
Inko: He is committed to protecting his mother from fearing for his safety. He wants to be good enough to not cause her to worry, rather than good enough to make her proud or make her love him. Idk about his father but at this point I think it’s safe to assume he is deeply unimportant.
All Might: I would describe their relationship as one of mutual responsibility. Izuku feels a responsibility to uphold All Might’s legacy, All Might feels a responsibility to teach him well. Because of this mutuality, I don’t think it quite makes sense to say Izuku deliberately seeks approval for its own sake. You know what I mean? They may be a mentor and a pupil but in practice they are almost more like co-conspirators. They don’t really have a power dynamic going on.
Shouto, Tenya, other friends: Izuku seems to take an interest in what makes his friends tick, and he sets himself aside in order to both analytically and intuitively determine what’s wrong and how to solve it. Examples include his fight against Shouto in the sports festival, and his stubborn concern for Tenya’s reaction to his brother’s forced retirement. He will put himself in the line of fire specifically when confronted with another person’s inner demons. This is not a labor that is asked of professional heroes, it’s just who Izuku is. You can also extend this observation to how he sees through Tomura to Tenko, but I’ll get to that later. Basically, while 2s seek to help in all kinds of ways, a 9’s strategy is always centered on the realm of the mind.
Kota: Adjacent to the paragraph above, before Izuku literally gets into a position where he needs to save Kota, he becomes interested in the boy’s point of view out of genuine curiosity. He doesn’t go “oh no, this kid doesn’t like heroes, I better get him to like heroes.” Instead he seeks out information as to why he thinks that way, and patiently listens. He’s sorry about what happened to Kota, and he understands. Twice (ch 71 and 72), he recognizes the fact that everyone has their own point of view on quirks, and he can’t really do anything about that.
Mirio: This might be one of the most telling examples. Mirio is the platonic ideal of an All Might successor. He’s “perfect.” He even looks the part. While this initially makes Izuku uncomfortable, he doesn’t become insecure and defensive over it. On the contrary, he easily comes to the conclusion that actually, Mirio should have One for All. Just like that (ch 172). If Mirio hadn’t dismissed the “hypothetical,” he probably would have gone through with giving it to him. That’s not how a 2 would respond. A 2 would double down and aim to be better than Mirio by trying to establish some relationship of need, fueled by the insecurity. Their shared subplot with Eri would have looked pretty different, I think.
Katsuki: I’ve mentioned before that I believe their rivalry only exists because Katsuki put it there. First of all, we can see that after the sludge villain incident, Izuku weirdly takes Katsuki’s dismissal of Izuku’s help as practical advice. Like, “oh yeah, I guess what I did was pretty stupid and dangerous, and I’m not cut out for this hero stuff. Now I can move on and find a realistic career.” Hello?? He accepted that so easily. So Izuku clearly isn’t motivated by a desire to prove himself to Katsuki. Even when he proclaims he’s going to surpass him, it’s like he’s happily mimicking Katsuki, not reacting based on insecurity or pride. Izuku is content to meet Katsuki wherever he is, and he’s satisfied with whatever kind of relationship they are able to have, including a rivalry, so he isn’t vying for his affection either. We can observe this when he gives up the role of reaching out a hand to save Katsuki to Kirishima, and also when he thinks about how “blessed” he is to even have a normal conversation with Katsuki. He doesn’t push things. It’s also stated in Deku vs. Kacchan 2 that Izuku doesn’t excuse or overlook Katsuki’s “bad side” but still admires him for his other traits. This is not at all characteristic of a toxic 2x8 relationship.
When 2s are at their very worst or pushed into unhealthy situations, they tend to become more needy and self-centered, even downright manipulative. But at Izuku’s worst, when he went rogue, he pushed everyone away to avoid being a burden. When the refugees at UA tried to prevent him from returning, he was like, “you’re right” and would have turned back immediately if not for his friends, loved ones, and other people who care about him telling him it was all okay. Meanwhile, Katsuki, in true 8 fashion, was pissed off at being rejected and having to deal with Izuku’s stubborn and evasive side (oh yeah, have I mentioned 9s are actually stubborn as hell?), but he made sure to establish that they are (he is) here to step in when Izuku can’t handle things by himself. Katsuki even opened up and admitted to his own weaknesses to show why mutual support is so important. Tbh, a lot of the above can be construed as just super healthy type 2 behavior, but not this. The way Izuku acts at his lowest, and his dynamic with Katsuki? Totally different. Dead giveaway for a 9.
Let’s get into the type 9 itself in more detail to show how it applies to Izuku more deeply—seriously, it’s beat for beat. One of the key differences is, while 2s seek validation, 9s are actually resigned to the belief that they aren’t important. Similar to 2s, a 9′s basic fear is of separation, but their basic desire is actually just peace or harmony rather than love. Notice how these motivations are just like a 2’s, except they have the “self” part taken out. With that in mind, they “achieve” their basic desire through selflessness in and of itself, without the need for recognition. That’s not to say that 9s are better than 2s. In fact, a 9 can be worse, in a way. If unhealthy, they will seek peace at almost any cost to themselves. In other words, they can be more self-destructive while still under the impression that they are doing just fine. “Peace” may refer to the expression of empathy, fulfilling the needs of others, sheltering someone, or mediating a fight—but also to repressing their own opinions and needs, not “rocking the boat,” ignoring negative emotions, or becoming a vessel for someone else to vent to.
What about inner peace? 9s value serenity, and thus they have a complicated relationship with the most tumultuous of emotions: anger. On the surface, 9s look like the type that is extremely slow to anger and highly tolerant. However, as much as they would like to believe this about themselves too, deep down, 9s are afraid of what might happen if they lose control. My phrase for it is this: I feel like a bottled tornado. Personally, I also think of anger as a basic desire to make others feel your pain—not necessarily sadistically, but in an effort to be known, to be understood. The difficult thing to grasp, especially for a 9, is that this is NOT inherently a bad thing. It isn’t wrong to seek sympathy. On the contrary, it is harmful to tell yourself that getting angry is wrong, because it’s like telling yourself that your pain is wrong, your pain doesn’t matter.
The problem is it doesn’t stop there. A 9, in shutting down their anger, ends up with such a low opinion of their own heart, their other emotions dull along with it. They cry less, laugh less, love less. It’s often said that they “fall asleep” to themselves. It all starts with anger. It’s interesting to note how different this whole mindset is from toxic masculinity—where men only feel allowed/able to express emotions through anger. This is sorta like the opposite. Anger becomes the dam rather than the river. For Izuku, I want us to consider that his suppression of anger carries with it the implication that he is hiding other things, too. It’s a given. There’s a whole sea of feelings out there, and we can only see the waves hitting the shore. This brings me to the whole “control your heart” thing. I do think it is worth mentioning that Banjou didn’t just tell Izuku to exercise control. He also told him that his anger could be useful if it is harnessed. With this added context, “control” here means “to master.” And Izuku seemed to grasp this concept… sorta. I think that if Izuku is like a 9, we can assume he has trouble understanding how anger could be a worthy source of strength. His emotions in relation to Katsuki feel more like a weakness to him, a character flaw in a hero, who is supposed to be detached and selfless. But he’s trying to understand, even though he’s afraid of it. He essentially applied the same strategy he used for mastering OFA itself: incremental strength training. Which, okay. Take a moment to absorb how odd that is, in relation to emotions, specifically. Does one learn to cry incrementally? Does one learn to use anger by bottling a fucking tornado?? Like, what, you think you’re gonna be able to let out juuust the right amount of air to avoid an explosion??? No, man… if you want to be the master of your emotions you have to be willing to sit with them. Confront them. Listen to them. Take them in completely and accept them as a part of yourself.
For someone like Izuku, though, it is very difficult to imagine how this is even possible. Tomura, as with every villain, can be used to reflect his hero counterpart’s greatest fear about himself. Tomura literally touches everyone and everything with his rage, and as a physical manifestation of that desire to pass his own pain onto others, destruction radiates from his fingertips. Thus, losing control in this manner must be Izuku’s worst nightmare, as if he would be completely unable to stop the collateral damage like an infinite line of dominoes. But his anger is not something he can overcome, as such.
An overarching theme in this heroes vs. villains conflict is that the villains are not merely obstacles to be overcome. Just think back to Himiko’s bitter rejection of the heroic sense of superiority. She demanded not to be pitied, condescended to, or lied to. Likewise, the answer cannot be that Izuku needs to restrain himself where Tomura doesn’t. What purpose would it serve to show that Izuku is better than him? Certainly not saving Tomura. If this was a battle against AFO, it might have been a different story. In that case, Izuku would have to overcome his emotional manipulation tactics. Tomura, on the other hand, is not so strategic. With his strangely childlike tendencies, he must relish making Izuku mad because it brings them closer to the same wavelength. It’s his own twisted way or seeking sympathy, or at least, the closest thing to sympathy he can get anymore, because he believes he is beyond saving. With that in mind, Izuku isn’t going to get anywhere unless he rises to meet him. Izuku has to match Tomura’s hatred with equally strong emotions of his own, whatever they may be, or else face the loss of OFA (as established in 305). This is not an easy thing to ask of a 9, once they have started to pull the blood from their extremities, become cold and numb. Bringing back circulation is painful and makes the skin crawl.
In case you’re worried about the focus on anger here, I want to reiterate that concealed anger in a 9 is just one sign of so much more. Back when everyone started fretting about Izuku’s habit of self-sacrifice, which would have been the only thing we need to worry about if he were a 2, I was freaking out because Izuku was also starting to look like a person who has too many secrets. You don’t even have to acknowledge the possibility that he lied about what triggered blackwhip. It’s written all over his face all the time these days. It’s especially noticeable when you contrast him with Katsuki after all his own growth. Katsuki confides in people. He acknowledges his weaknesses. He enjoys being himself. He asserts his place. He thinks about Izuku all the damn time and now he even lets himself be soft about it. All this warmth while Izuku is distant, muted, and blank. I know all too well what this state of mind is like. Man, I hate secrets. You get to the point where you don’t know how to talk about even the simplest most inconsequential shit. And the bigger things? They’re like a growing snowball of words in your throat that cannot possibly fit out of your mouth. The “easiest” way to cope is to simply fade into the rhythm of life. Go with the flow.
Since 9s have a natural curiosity about the interiority of other people, they may choose to focus on that in order to divert their own attention away from themselves. Taken to the extreme, they will lose track of their sense of self. Like I said, you can see Izuku doing this as he fights, analyzing the psyche of his opponent, and his match against Shouto in the sports festival was a fantastic early example. They became friends because of how observant Izuku is. His emotional intelligence and intuition are very strong, but gradually, as he has taken on greater responsibilities and experienced more trauma, he has gotten worse at applying these skills to himself. You know, we go on and on about how his narration has been reduced to nearly nothing, and it’s not just an absence of introspection, it’s an absence of self. It creates a lack of ownership over the narrative—what should be his narrative.
Right now, he’s focusing on trying to see Tomura as a person, figuring him out. I think it would be really satisfyingly ironic if in the process, he ends up uncovering insights about himself instead. It’s about time we learn what Izuku’s secrets are. I don’t actually think that Izuku mastering anger will constitute the emotion that is strong enough to keep Tomura from taking OFA. Moreover, he can’t expect to reach Tomura’s core, Tenko, unless he exposes his own. Rather, anger is the conduit for Izuku to unlock something else. Think of the way he described how Katsuki is his image of victory. The feeling manifests when he asserts a stronger sense of self (the urge to win) and he becomes more free with his words. I have no doubt that Tomura has the power to make unfiltered honesty spill out of him. He knows how to bring out his selfish needs, his pain, his pressure points, his fears, his insecurities. Hell, maybe Mt. Fuji erupting is a metaphor. I want to see Izuku explode while Tomura watches with mad glee. But then I want Izuku to Realize Things such that it finally sets him free. Then, instead of Tomura witnessing yet another person he touches fall apart, he gets to see someone become whole.
"I let the scale tip, feel all of it. It's uncomfortable but right. And we were born to try to see each other through. To know and love ourselves and others well is the most difficult and meaningful work we'll ever do." --Sleeping At Last, 'Nine'
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maxwell-grant · 2 months
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Any thoughts on Doctor Sivana?
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Nothing too extensive but Sivana rules in a way that doesn't really invite too much introspection. He's THE archetypal mad scientist comic book supervillain and he's more or less stayed as that, arguably the most influential of them after Luthor if not outright on par with him, because while Luthor is the comic book supervillain template, the pop culture image of a mad scientist (big head short body, ugly, big glasses, always with a labcoat, hunchback and big teeth optional) is pretty much taken from Sivana. But Luthor's status atop the ladder and position opposite Superman mutated him into varying kinds of villain and a complicated character over time, where as Sivana is Sivana and never really needed to be anything else, there's just a purity to him. They've tried to make him a Luthor clone and the movie ran with that, but who cares, we all know what Sivana is, you're not fooling anyone with that guy.
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He's got a pretty great thing going as not just an evil scientist, but the evil scientist head of an evil scientist family, with children split in either looking exactly like him or looking like chiseled models who look brutally dissonant next to their dad, and he genuinely loves his kids (at least usually or in his own way), in fact he's even show loving the ones that don't support him and turned good. If he's going to be the arch-nemesis of the superhero who introduced the concept of a superhero family, he can't exactly be lacking in one of his own, and that familial aspect he has towards his children has become just as important to his characterization as the fact that he spends most of his waking hours trying to destroy a child and failing.
They get some mileage out of how ruthless he can be despite his image (and people's tendency to overlook how dark Captain Marvel stories could get), he has enough basic standards to not go as low as other DCU supervillains and Thunderworld establishes a Hannibal Lecter-esque Sivana to hammer in contrast with the main one finding him unnerving, but I'll never forget this panel:
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Like I said, there's a lot of dark stuff in Captain Marvel/Shazam that gets forgotten, but I also like this about Sivana, that's the flip-side of that purity I mentioned. That he can and does have almost a Doofenshmirtz-thing going on, where he's playing such an over-the-top cartoon villain 24/7 that every mundane or decent thing he does becomes inherently funny via contrast, as is his loving relationship with his own family, but he is a guy who's very serious about taking over the world and very serious about destroying Captain Marvel even if that means killing the boy Billy Batson to do it and doesn't think for one second about that contradiction. Contradictions are for chumps. He may love HIS kids, other kids are just a thing in the way. Sivana doesn't need to explain himself, like some OTHER inferior bald guy who sold out to become a CEO or something, Sivana lets his deeds do the talking.
Besides, evil is his family activity, who's to deny the joys of it to him?
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wintaerbaer · 1 year
Text
things we don’t say: part 2 (kth)
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banner credit: @itaeewon​
summary: Three years after graduating college, everything seems to be falling into place for you: stable job, cozy apartment, and a long-term boyfriend with a ring box hidden in his desk drawer. But when a mutual friend makes a remark that your best friend of nearly two decades is clearly in love with you, you realize that life may not be as simple as it seems.
pairing: Taehyung x Reader (with some VERY brief Seokjin x Reader and Yoongi x Reader)
rating: 18+ (minors dni)
genres: best friends to lovers, idiots to lovers, slooooow burn, angst, fluff
word count: 11.4k
chapter warnings: IN THE SOOP TAE, swearing, alcohol consumption, feelings?, implied sexual situations (not for oc), that chicken fight game you can play in a pool (definitely not the animal cruelty kind, just want to clarify), bartender jungkook (who is also an absolute MENACE), infidelity, namjoon’s chest
a/n: we’re heading into the thick of things now! thank you to everyone who has shown this series love thus far. and even to those who may be silently reading, i appreciate each and every one of you. these characters have been in my head for years, and it’s so incredible to finally get to share them!
PREVIOUS // SERIES MASTERLIST // MASTERLIST
Read on ao3
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You’re starting to think you might be a terrible friend.
It's been a week and a half since Maya's art show when Jimin slides into the chair next to you in your office building's cafeteria. You've worked at the same company since graduation but in different departments, so while you don't see each other every day, you occasionally grab lunch together or pop over to each other's desk for a quick chat.
"Hey, stranger," he chirps, setting his food on the table before peering closely at your face. "Almost forgot what you looked like."
You roll your eyes at him. After the incident at the gallery sent your brain into an emotional spiral, you had decided to put some distance between you and Taehyung until you could figure out what the hell this all meant for your friendship. As a result, you hadn't been over to the guys' apartment since then—an unusually long amount of time for you to stay away.
Jimin frowns at your lack of a response, leaning forward until you look at him. "You avoiding us?"
"No," you say simply, busying yourself by taking a bite of your lunch.
"Sorry, let me rephrase. Are you avoiding Tae?"
You chew slowly, carefully considering your words before settling on, "Why would I be?"
"I don't know, that's why I'm asking. For a friend of course." Jimin shrugs. "He mentioned that you haven't really been talking to him—asked if I knew why. Plus, you missed two Sunday meal preps."
"I've missed them before—"
"Two!"
You purse your lips, guilt creeping in at the thought of Taehyung spending two nights cooking alone as you broke your tradition. "You can tell him what I told him—I've been busy."
Jimin frowns again, watching you stare at the table as you chew another bite. "Is something going on? Did he say something to you?"
"About what?" you ask, eyes snapping up to his.
"I..." he hesitates, suddenly uneasy. "I don't know. I just know that I've never seen you two like this."
"Like what?"
"Apart."
You give a dry laugh, more out of nerves than anything. "Chim, we're not literally attached at the hip, you know? We have our own lives."
"Yah, you know that's not what I mean." He sighs. "I can just tell he's missing you, that's all.”
If getting called out on missing meal prep nights made you feel guilty, then this is the true slap to the face. Taehyung may be mild and introspective by nature—a quiet force in his own right—but he holds close those who are dear to him, and you know he can't be pleased with your recent silence.
Still, any guilt tingling through your veins inevitably winds up outweighed by the memory of the flash of heartbreak that had crossed his face at the party, reinforcing your need for space.
"Well we'll see each other in a couple days," you murmur, a tiny burst of excitement breaking into your mind at the thought of your upcoming vacation.
Property of Jungkook's family, the beach house rarely used by his parents had become a staple for your friend group over the years as the go-to site for New Year’s parties and summer holidays. When Hoseok and Sunny had lamented the astronomical cost of the wedding and how they were going to opt out of having bachelor and bachelorette parties to help save money, Jungkook had offered up the house to do a combined pre-wedding bash to celebrate their upcoming nuptials.
Jimin taps his fingers on the table, looking at you quietly before accepting the change in topic. "It should be fun. Jace coming?"
"No, he has that conference."
"Damn," Jimin huffs. "Does that guy ever get a day off?"
"Guess he had to afford the ring somehow," you say, the corners of your mouth tilting up on impulse.
Jimin smiles back. "And here I was, wishfully thinking we might get a front row seat to a proposal this weekend."
“Not his vibe.” You scrunch your nose. “He never went to the house as frequently as everyone else. And I don’t know if he’d want a bunch of other people around. At least not people who know us.”
“Aww, why not?” Jimin whines. “We could all celebrate with you! And Maya could take pictures!”
“Or Tae.”
“Or—yeah, or Tae.”
You pretend not to have noticed his hesitation or the way he startled at that, and certainly not the way it made your pulse jump. Has everyone really been seeing this except you?
“Regardless,” you say, trying to ignore the sudden nausea rolling in your stomach, “I don’t think he’ll do it in front of you guys. And if he was going to ask Maya to take pictures, I think he would’ve done so by now if he was going to propose soon.”
When you had told Maya about the ring the afternoon after the gallery opening, she’d seemed genuinely surprised, clapping her hands together and immediately calling dibs on being maid of honor.
Go figure.
“Ah, well,” Jimin sighs. “There’s always the planning to help with.” He holds up a hand and begins ticking off his fingers. “And the bridal shower, the bachelorette party, rehersal dinner, eventual baby shower—“
“Woah, Park, getting a little ahead of yourself now, no?”
“Y/N, this is an exciting time for you! I’m excited for you!” He slurps down a mouthful of his noodle bowl. “And maybe I’m living a little vicariously through you. Maybe. A little.”
“Geez, Kook’s right, you are in a drought.”
“Oh, great. You too now?”
You giggle as he dramatically presses a hand to his forehead, food puffing out his cheeks.
“But really though,” he says, leaning forward again with concern in his eyes, “you are excited, right? After you told us about the ring, you seemed a bit off.”
Shit.
“I don’t know what you mean.”
He raises an eyebrow. “I haven’t seen you get drunk that fast in a while.”
“I was happy for Maya and Tae.”
“And yourself?”
“Yeah, and myself.”
Jimin stares at you for a long few seconds, clearly not buying what you’re selling. “Fine. Don’t tell me.” He leans back in his chair in a way that says he’s letting you off the hook. “But you’d better figure out this weird thing with Tae before he corners you at the house. Good luck avoiding him then.”
Okay, maybe not entirely off the hook.
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The rest of the short work week passes in a blink, and you quickly find yourself packing for your trip on Wednesday night, the plan being to leave Thursday morning and stay until Monday. Jace fiddles with his phone on the bed, occasionally glancing up to watch you flit around the room as you fill your travel bag with an excessive amount of clothes.
"Are you leaving for five days or a month?" he teases as you cram ten pairs of underwear into a side pocket.
"I like to keep my options open," you say. "Never know what could happen with the weather."
"Or your bladder, apparently."
"Hey, it's gonna be hot. I'll have to hydrate."
He laughs at that before his eyes settle on you with a warmth that has you shifting under his gaze.
“What?”
“I just love you, you know?” he hums.
Warmth blooms in your chest. “I love you, too.”
“It’s going to suck being apart.”
“I know,” you sigh. “I wish you could’ve come.”
At your words, you feel like you can literally see a light bulb turn on in his head as his expression brightens with an idea. “Do you want to take my jacket?”
He can only mean one jacket. You’d found it together a month after you started dating at a thrift shop downtown, and it’s been his signature piece of clothing ever since. Jace had pulled the bomber jacket and its bright green satin off the rack, and your first reaction had been to laugh. The thing practically glowed.
“You’ll look like a traffic light,” you’d giggled.
But Jace was already pulling the shimmering material over his shoulders. “Consider this your green light to jump my bones whenever you want,” he’d said with a wiggle of his eyebrows.
“I’d feel bad separating you from it, to be honest,” you say in the present. “I’m pretty sure a piece of your soul is tied to that jacket by now.”
He pouts. “You’ll be carrying a piece of my heart already; what’s a piece of my soul?”
“Smooth.” You poke at your bag. “I may not have any extra room in here though.”
“Fair enough, but if you change your mind, the offer still stands. What time are you leaving tomorrow?"
"Eleven. Should get us there a little before lunch."
"Us?" He pauses, setting down his phone. "You're driving with Tae?"
"No, Maya." A tinge of panic drops into your chest at the mention of Taehyung's name. Does he know? "Why?"
Jace shrugs, nonchalant. "No reason, just wondering. And you're back Monday?"
"Mhm, by dinnertime." You settle on the bed next to him, trailing your fingers along his forearm. "Do you want to maybe do a date night after work that day?"
He sighs deeply, tilting his head back against the headboard. "We have our conference debrief Monday, so who knows when I'll get home." You nod in understanding, but the disappointment must show on your face because then Jace is leaning forward to take your hand in his. "I'll tell you what, I know work has been keeping me from you lately, so let me make up for it.”
The pads of his fingers lightly dance along your jaw. "Fancy date night next Saturday? That upscale Italian place on Fifth that you love so much? I can make a reservation."
Your heart pounds as you will your eyes not to subconsciously drift to his desk, and you put on your best poker face. "It's a date."
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The drive proves an easy one for you and Maya as sunny weather and a surprising lack of traffic has you at the house in under an hour. As you drive through the iron gates, a small mansion, white and pristine, spreads itself out before you, and you're once again reminded of just how wealthy a family Jungkook comes from.
You had grown up very well-off, sure, but Jungkook’s parents and their vast real estate portfolio are on an entirely different level of rich. And while your parents had immediately cut you off right after you left for college, Jungkook’s parents continue to supplement his bartending income with a monthly allowance to this day.
The word “spoiled” is a bit of an understatement when it comes to your friend.
"You sure you don't want anything more serious with Kook?" you tease Maya, who sits in the passenger seat with her dark sunglasses over her eyes. "All this could be yours."
"As if," she scoffs. "Not worth it to have to put up with his ass for the rest of eternity."
You key in the code for the front door and are greeted by a multitude of voices, the cavernous open-concept kitchen/dining room/living room only serving to amplify those inside. Hoseok and Sunny are quick to reel you in, introducing you to Sunny's three bridesmaid friends, Hoseok's brother (who you’ve met a few times before), and—
"Joonie!"
Namjoon swoops in to pull you into a bear hug while lamenting how long it's been since he last saw you. Hoseok's best friend since freshman year of college, the former pre-med major had been a core member of your group of friends, but med school combined with helping to manage his family's restaurant means that you rarely see him nowadays in spite of him sharing an apartment with Hoseok and Sunny.
"How's the roomie search going?" you ask as Namjoon pulls Maya into an equally crushing hug.
"Mmph, still no luck. Though I may have an old friend from grade school moving into the city soon, so we'll see if that pans out." He throws a quirked brow at Hoseok. "But I haven't entirely given up on convincing these two to reconsider breaking up the dream team."
"Ah, Joon, you really wanna live with two newlyweds that badly?" Hoseok whines. "Just think about it for two seconds. Really think about it."
Namjoon clicks his tongue, cheeks now tinged with a dusting of pink. "Okay, maybe you have a point."
The light mingling continues as everyone settles in, and you find yourself taking stock of the kitchen and planning a grocery run with Sunny's friends when the last three members of your party come spilling through the door. Your companions head back to the entrance for introductions, but you stay firmly put, mindlessly busying yourself with plates and silverware, nerves alight at the thought of who just entered the house.
Voices still echoing from the living room, it's only a minute or so later when you sense the quiet presence of someone stepping into the kitchen, and, ever in sync, you don't need to turn around to know who.
"Hey, can I talk to you?"
You turn on instinct, your body responding to his voice before your brain can remind you of your avoidance. Taehyung leans against the kitchen island in a long-sleeved yellow shirt, baseball cap turned backwards on his head. Chin slightly tilted towards his chest, he's gazing at you from under his lashes, and you recognize it as nerves. "I, um, I'm about to go on a grocery run."
"I can come with?" he offers. "Keep you company, carry the heavy stuff—"
"I made plans to go with Sunny's friends, actually."
"Oh, okay." His shoulders drop ever so slightly, and you glance away at the shoreline crashing in the distance, anywhere but at your best friend looking like a kicked puppy in front of you because of your own cowardice.
"Listen, Y/N—"
"Later?" You quickly interrupt, not mentally prepared to have this conversation right now, especially with Jimin casting you looks from where he stands in the living room.
Taehyung licks his lips, seeming to scan your face for something before he swallows down words on the tip of his tongue, grimacing as if they're nails. "Yeah, okay. Later."
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When you said later, you truly meant it. While you and Sunny’s friends (Taehyung thinks their names were Iseul, Hana, and Yumi) run out for groceries, the rest of the group bustles around the house, splitting up rooms, settling in, and eventually migrating to the pool. Taehyung tries to catch you again when you return, but you hurry past him with a box of liquor, mumbling something about helping Jungkook set up the bar out back. Sunny’s friends dump the rest of the groceries on the kitchen island before scurrying away to the back deck with everyone else, which is how Taehyung winds up unpacking the bags.
Alone.
Nice.
He’s pushing a box of ramyeon on top of the fridge when he hears the back door click and slide open behind him.
“Need a hand?”
Namjoon walks into the kitchen, fingers poking at one of the bags.
“Yeah, sure. Thanks.”
They unload the groceries in a comfortable silence for a couple of minutes before Namjoon says, “So how have things been?”
Taehyung shrugs a shoulder. “Ah, you know, the usual. You?”
“Same.”
Quiet takes over again, and Taehyung thinks the conversation has ended before it even really started as he moves to place a bottle of orange juice into the fridge. But then—
“I heard about Y/N and Jace.”
Taehyung freezes mid-motion, the cool air from the open fridge slipping out and chilling his skin. When he looks up at Namjoon, the other man is studying him with a calm intensity that raises goosebumps along his arms. It’s not his first time being under Namjoon’s microscope, but he’ll never get used to the feeling of being simultaneously picked apart and comforted. Because while his friend may exude a quiet warmth, he always gives the sense that there’s also a million calculations going on under the surface at any given time.
It’s easy to let one’s guard down around Namjoon.
With that in mind, Taehyung opts for the simplest answer, slowly closing the refrigerator and saying, “Yeah?”
Namjoon nods, equally slow. “Are you alright?”
“I’m great,” Taehyung says, breaking the eye contact and closing the refrigerator to reach for another bag. “She’s always wanted this. And Jace is…” He finds himself rooting around his brain trying to find a descriptor for the guy. For someone who he’s known for several years, it’s bizarre how he can’t find a single word for him.
Weird.
“She’s happy with him,” is what he eventually comes out with.
“But is he right for her?” Namjoon presses.
“You think he’s not?”
Namjoon reaches up to put a few bags of snacks into a cupboard. “I don’t know. It’s like he was always around in college, but he was never truly present, you know?”
“That’s a Joon-ism if I’ve ever heard one.”
Namjoon smiles, a dimple dotting his cheek. “You don’t get what I mean?”
“No, I do. But that’s not important, is it? It doesn’t matter if we think he’s the right guy; it matters if she thinks he’s the right guy. And if she does, then I support it. It’s not my place to do anything else.”
The words settle in the room, and he means every one.
“You know, I’ve always admired the two of you,” Namjoon says after a moment. “The way you care for each other is…extraordinary, to say the very least.”
The sincerity in his voice makes Taehyung blush. “Well, we only had each other growing up, you know? She saved my life when we were kids. I truly believe that.”
“I know, you’ve said that before. She gave you a way out.”
“A way out, a purpose, a friend.” He crumples a plastic bag into his hand. “She chose me when no one else did. Not even my own family.”
And you had, when no one else seemed to want anything to do with him, there you were, hanging by his side like his own personal guardian angel.
“She’s the most incredible person I know, and I would just…do anything for her.”
“Including watch her marry him, apparently.”
“Yes,” Taehyung says. Unhesitating. “If that’s what she wants.”
“And where does that leave you?”
Taehyung has nothing to answer that with—his worst fear laid bare in front of him. It’s the thought that keeps him up at night, plagues the very marrow of his bones every time someone mentions that tiny velvet box. Your childhood friendship may have allowed you to grow together as one through the years, but just as trees grow apart as they grow upwards, it feels like only a matter of time before your branches no longer intertwine, drawn apart by jobs and relationships, life and love.
How long until you’ve outgrown him? How long until you’ve started your own family and left him behind?
He has no right to you, and he knows that. The last thing he would ever want to do is hold you back, but perhaps a part of him thought he’d have more time. Now, with you suddenly not talking to him for reasons he can’t even begin to grasp, he feels like he may have already lost you.
Namjoon puts him out of his misery. “Do you know what Plutarch said about friendship?”
“Who?”
“I don’t need a friend who changes when I change and who nods when I nod; my shadow does that much better.”
Taehyung stares, stunned and confused. Because Namjoon couldn’t possibly be suggesting…
“You’re saying I should tell her to say no to him?”
“I’m saying it’s possible to be selfless to a fault.”
It doesn’t sound terribly different in Taehyung’s mind, but he tries to consider Namjoon’s words regardless. Your happiness has always been his utmost priority, but could his unconditional support really be doing more harm than good? He likes to believe that if he felt your well-being were truly at risk, he would speak up.
Then again, with the way his friend is looking at him, he also can’t help but feel like he’s missing something important.
“What are you trying to specialize in again?” he asks, deflecting.
“Psychiatry.”
“Of course.”
Namjoon chuckles. “It’ll all work out in the end.” He winks, moving to rejoin your friends outside. “Life finds a way.”
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You’ve managed to evade Taehyung all day, but that doesn’t mean you haven’t felt his eyes on you.
The early hours had been easy, your supermarket run giving you an (albeit weak) excuse to put some physical distance between the two of you. But it’s becoming increasingly difficult to maintain, especially after your group gathered together to decide what to do tonight.
When you’d entered the living room, Taehyung had already been seated at the end of the couch, a free spot open on his left; with the way that his hand had been resting, it was almost as if he was saving it for you. Instead, you’d chosen an armchair diagonally across from him, squirming more and more the longer he looked at you. Throughout the entire conversation, as the group decided upon going to the beach bar down the street to kick off your first night at the house, you don’t think his eyes left you even once.
You’re being a coward, and you know it.
Now, you sit at the vanity in your room, struggling with your necklace and just about ready to give up on the damn thing so you don’t hold everyone else up. The clasp doesn't want to cooperate, your fingers can't seem to get purchase on the thin metal, and really, who are you trying to look good for anyway?
Right as you prepare to abandon the cause and stuff the offending item back in your bag, someone knocks on the door and you yell for them to come in.
Taehyung saunters into the room, now wearing a black t-shirt and shorts, his hair pushed back in such a way that you can tell he's been running his hands through it. His eyes skim your figure as he softly closes the door behind him, and you feel your pulse double in pace. "Need help?"
"It's okay—I, um—" but before you can stutter out an excuse, he's already taking the thin chain from your hands, and all you can do is try not to focus on how his fingers feel brushing the back of your neck.
"There. Easy peasy." He eyes you up and down again before clearing his throat. "Looks good on you."
"I, uh, thanks." Your voice is practically a whisper, and you busy yourself with your make-up case...which may have been an adequate distraction if not for the fact that you've already done your make-up and so your hands are only left to wander aimlessly. Glancing up, you catch Taehyung gazing at you over your shoulder in the mirror, and the intensity of his stare has you dropping the case back to the table. "What?"
"You're avoiding me." He states it as a fact, eyes unwavering, and you turn to face him.
"I'm not."
"You are." He searches your face as if to find the answer written there in big, bold letters. "Why?"
A tiny spider makes its way across the corner of the ceiling, and you find yourself staring at it as you chew on your bottom lip, not knowing what to say.
"Hey," Taehyung murmurs, pulling your attention back to him. "It's me, yeah? We don't keep secrets."
But still you hesitate. "You won't get mad?"
He reaches out to hook his pinky with yours. "Of course not."
Letting out a shaky breath, you ask, "Are you okay with Jace proposing?" The question hangs between you for a second, the air thickening with apprehension.
His eyebrows press together, confused. "Why wouldn't I be?"
"I don't know, it's just..." You pause to collect your thoughts. "When I told you about the ring at the gallery opening, there was a second where you appeared to be…bothered."
"Ahh, well..." He pushes his hands through his hair, mulling over his next words. "Do you want me to be honest?"
"Please."
"I know we're friendly, but I've just never been his biggest fan, even in college." Taehyung shrugs. "You know I want the best for you, and he seems like a good guy and all, I just—I don't know." Another run of his hand through his hair. "I just get a weird vibe from him sometimes."
You smirk at that. "A weird vibe?"
"Yeah, like," he licks his lips, still fidgeting. "I can't put my finger on anything in particular, just something about him rubs me the wrong way sometimes." You open your mouth to respond and he quickly cuts in, "But I will 100% support you! If he's who you want and he makes you happy and treats you well, then I will cheer you on the whole way. Hell, I'll even walk you down the aisle if you want me to." That draws a small laugh from you, and he smiles. "If you’re happy, then I’m happy for you. That's all I care about."
You take in his beaming figure and are reminded of how thankful you are to have this man in your life. But the voice in the back of your head is still not entirely placated and before you can stop yourself, you're blurting, "And that's really it?"
Taehyung's smile fades, lips slowly turning downward into a frown, and you silently curse yourself. After seventeen years of friendship, the man can practically read your mind and you know it. "What aren't you telling me?"
You sigh. Seems like there's no way getting around it at this point, and so you decide you may as well dive in. Tucking your hair behind your ears, you quietly ask, "You don’t…have feelings for me?”
Taehyung's eyes blow wide, and you're surprised his jaw isn't touching the floor. After several moments of stunned silence, he lets out a strangled, "What?"
"No, I just—" you stutter. "Look, someone said you did, and after you seemed upset about Jace proposing, I thought maybe..."
He's deeply scowling now, the crease back between his eyebrows, and a flare of his nostrils indicates that he's pissed. "Who?" he asks.
"Who what?"
"Who said that?"
"Tae—"
"No, Y/N, if people want to talk about me behind my back and screw with my private life, I have a right to know who."
He stares you down until you purse your lips and break. "Maya."
"Fucking hell," he says under his breath as he rubs at the lines in his forehead, and his lack of a denial has your head spinning.
"So it's true?"
"Y/N—"
"You haven't answered the question—"
"No!" He almost shouts it. "I don't."
"Because if you did have feelings for me, you could tell me. No secrets, right?"
He lets out a huff and stuffs his hands in his pockets, leveling his gaze back at you. "No," he says. Firmly. Definitively. "No, Y/N, I don’t have feelings for you."
You let out a breath you didn't know you were holding. But something in your blood continues to tingle.
"Okay."
And really? You should've known. Should've trusted to get the truth from him and not secondhand from your friends who, though they mean well, have been known to meddle and gossip (and sure, maybe that includes yourself at times).
The heightened tension has dissipated from the room, but the two of you are still left looking awkwardly at each other. After a stretch of time, Taehyung shifts on his feet and asks, "Y/N, are we good?"
There's a hint of fear in his eyes, and it has any residual worry you're feeling melting away. This is still Tae. Your Tae.
"Of course we are." You link your pinky with his. "Always."
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The beach bar is relatively crowded for a Thursday night, the warm summer air and mix of bodies driving your group to disperse around the venue. Some migrate towards the live band, while others choose to mingle (and flirt) with the other patrons.
Noticing the way one guy at the bar has been eyeing you since you got here, Taehyung sticks close to your side, just in case. That is, until Namjoon finds his way back to the two of you looking harried, drawing you in so he can gently rest his hands on your elbows.
“Y/N, can I borrow you?” His light smile and the way he leans in close are clearly meant to project the image of intimacy, but his eyes are desperately screaming for help. “There’s an intoxicated woman who seems determined to motorboat me, and I don’t know where Maya is. I need a fake girlfriend.”
You pretend to swoon. “Joonie, with a chest like that, I’d be honored to be your fake girlfriend.”
Something aches behind Taehyung’s ribs as he watches you walk away on Namjoon’s arm when he just got you talking to him again. Still, a bit of breathing room is probably for the best. His conversation with you has him rattled; he doesn’t think his pulse has fully returned to normal since you suggested he has feelings for you. At the very least, he was able to smooth things out, which has noticeably eased the weight he’s been carrying the past couple of weeks.
But speaking of your conversation, you being summoned away by Namjoon gives him the opportunity to address the other elephant in the room.
He scans the crowd, determinedly ignoring the woman who’s been trying to catch his eye from a few tables over. (She pouts in his peripheral vision, shifting the neckline of her shirt to sit lower on her chest.) Finally spotting his target making her way back from the bathroom, he quickly moves to intercept her before she can join you and Namjoon at the bar.
Maya startles as he tugs lightly on her arm, leading her to a quieter spot towards the edge of the beach before abruptly spinning to face her.
"What the fuck?"
"What?" she quirks an eyebrow as if in askance but her overall countenance says that she knows exactly what this conversation is going to be about.
"You know what."
"Maybe, but I want to hear you say it."
Taehyung takes a deep breath. He loves Maya like a sister, but that sibling relationship means that she often gets under his skin like one, too. "You told Y/N that I'm in love with her?"
Her other eyebrow joins the first one in climbing her forehead. "Are you?"
"No."
Maya scoffs. "I'm going to give you another chance to say that, but try to sound like you actually believe it this time."
"You had no right—"
"So you're not denying it now?"
"I said no."
"Okay, that time was better, but it could still use some work—"
"Maya, fuck!" He scrubs a hand over his face. "Don't do this."
"She needs to know! What did you tell her?"
“That I don’t—“
“I thought you two didn’t lie to each other.”
“I didn’t!”
“You’re full of shit, and you know it.”
He’d swear he can feel his eyelid twitch. Maya always seems to know which buttons to press to get a reaction out of him. "She's getting married, for fuck's sake!"
"No, she has a boyfriend with a ring box in his drawer."
"Same difference."
"It's not."
"It is."
"She hasn't said yes yet, Tae."
He goes quiet at that. It’s painfully reminiscent of his conversation with Namjoon, and yet he’s equally at a loss. What are they honestly expecting him to do here? What could he possibly do that would accomplish anything other than drive you away, and rightfully so?
Maya’s gaze rakes over his face, scrutinizing him with a mixture of frustration and pity. "Tell me it isn't killing you."
Taehyung licks his lips, looking out across the bar until he finds where you’re standing with Namjoon. The latter says something that makes you laugh, and his stomach flips watching the way your eyes twinkle with mirth as you toss your head back, hair spilling over your shoulders.
You’re radiant. Stunning.
"She's happy," he finally croaks, but it comes out like he's physically straining to push out the words. "Leave it the fuck alone."
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“Hey.”
You find Taehyung in the kitchen bright and early the next morning, already rummaging around and littering the counters with bowls and ingredients. The soft morning light drenches him in a golden glow, highlighting his honey skin, the slope of his nose, the long lines of his fingers as he works.
“Hey!” The smile he gives you is light and easy, the awkwardness between you having evaporated as easy as steam after your discussion last night. “Want to help me make breakfast?”
You jump in, immediately falling into rhythm with the way he maneuvers around the kitchen. God, you’ve missed this. It may have only been a few weeks, but cooking with Taehyung is one of your life’s greatest joys, and after missing two of your meal prep nights, it feels like a part of you has come home. There’s no doubt that you’re breathing a little easier today with the air cleared between you.
And honestly, how stupid to let a single comment from Maya drive a wedge between the two of you. You’ve known Taehyung practically your whole life. If he did have feelings for you, you would’ve figured it out by now.
Surely, he would’ve told you.
Lost in your thoughts, you don’t even notice that Taehyung is sneaking up on you until he’s already smeared a streak of waffle batter across your cheek.
“Augh, Tae!”
“What?” He quickly backpedals out of your reach, anticipating retaliation, but grinning widely. “You were clearly somewhere else. Had to bring you back to me somehow.”
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A while later, as Taehyung sets out the platters of waffles, fruit, and eggs, you begin making the rounds to let everyone know that breakfast is ready. Sunny and her friends thank you from where they’re hanging out on the back deck and say that they’ll be in soon. Moving back into the hallway, you greet Hoseok and his brother, Jiho, as they pass you; Hoseok gives you an appreciative high five when you tell them about the food. Namjoon and Jimin have their door wide open, so you only need to poke your head in, Jimin immediately taking off down the hall at the mention of waffles.
When you get to Taehyung and Jungkook’s door, it’s closed, a series of muffled groans coming from inside. Unhesitating, you knock hard, and the groaning stops, followed by a curse and the sound of shuffling before Jungkook is opening the door halfway, blocking your view of the room. Clad in only a pair of gray joggers, a light sheen of sweat coats his bare chest, and you raise an eyebrow at him.
“Can I help you?”
“Tae and I made breakfast. You’re welcome to join.” You nod your chin at the area behind him. “Unless, you know, you have better things to do.”
Jungkook smirks, amused. “Alright, I’ll be out in a minute.”
He moves to close the door, but you manage to stick a foot out to block him.
“Maya, you too!”
There’s a moment of silence as you stand there, Jungkook looking as smug as ever, before a voice sounds from inside the room.
“Okay!”
It's a cloudless, sunny day so your group heads down to the beach after breakfast. Jungkook's beach house sits down the street, away from the center of town and tourist areas, which allows you a relatively private, uncrowded stretch of sand. The air is sticky with humidity, only mitigated by the breeze coming off the water. It's an oddly soothing combination of hot and cool that has you pulling in deep breaths of the salty air. You could stay out here forever.
"This is paradise," Hana says, verbalizing your own thoughts. "I wish I could live here."
You're sitting on your towel in the sand helping Maya sunscreen her back, but you don't miss the cocky grin on Jungkook's face.
"Well, pretty ladies like you are always welcome here."
Maya's shoulders tense up under your hands, and you're tempted to say something snarky in her defense before Sunny beats you there.
"Not my friends, Kook!"
Hana giggles, Jungkook feigns innocence, and you think that's that, stretching out on your towel to sunbathe. But an hour later, Taehyung is plopping down next to you in the sand.
"I need your help."
You slide your sunglasses to the top of your head so you can look at him better. "Sunny trying to set you up with someone again?"
He blushes. "No, Kook wants to have a chicken fight."
You push your glasses back down your face. "No."
Taehyung is quick, reaching over to pull the shades off your eyes entirely.
“Tae!”
“Look,” he murmurs, leaning in close. “Normally I’d blow him off, but he’s pairing up with Hana, and Maya actually seems kind of bothered.”
You peek over his shoulder to where Maya is now chatting with Jimin, throwing furtive glances at Jungkook and Hana flirting by the water’s edge.
“I know they’re not exclusive,” Taehyung continues, “but you have to admit Kook is being a bit of a dick, and I kind of want to show him up.”
You’re still hesitant, lips turning downwards, and so he presses closer, until all you can see are big brown eyes.
“Please? For me?”
The past two weeks creep into your mind, two weeks of intentionally avoiding him—hurting him—due to your own idiocy, and that’s when you cave. You owe him.
“Okay, fine.”
You follow Taehyung down to the shoreline, where Jungkook grins widely at your approach and claps his hands together.
"A challenger!"
You shake your head at his antics and move to tie your hair up and away from your face. "Do we have any stakes?"
Jungkook strikes a dramatic pose: calf-deep in water, hands on hips, six-pack abs already glistening as he pouts his lips in thought.
Then, with a snap of his fingers, he says, "Loser cooks dinner tomorrow."
Well, that's much tamer than you expected. "Just dinner? No, 'loser has to go skinny dipping' or anything like that?"
His mouth forms into a tiny "o", eyes wide with excitement. "Do you...want that?"
"No," you're quick to clarify. "It just doesn't seem like much of a punishment for us."
Jungkook shrugs his shoulders. "I like your food."
"Okay, but what if we win?" Taehyung asks, nodding from your right.
The cocky grin is back. "You won't."
Seagulls circle above like curious spectators to your game as you get into position. Taehyung squats in the surf so you can scale his back, sliding your legs over his tanned shoulders. He wraps his arms and hands tightly around your knees to secure you as he walks deeper into the ocean until the water is up to his waist. Roughly ten feet across from you, Jungkook and Hana have assumed a similar stance, and you're not sure if it's the waves rolling in or if Jungkook is actively bouncing on his heels.
"Jimin, wanna count us off?" he shouts.
From his spot on the beach, you see Jimin cup his hands around his mouth.
"On your mark...get set...GO!"
The men charge at each other through the water until you and Hana collide, grappling at each other's arms. In spite of a tiny build, she's surprisingly strong and sturdy, and you already have to adjust yourself on top of Taehyung, who likewise rearranges his grip on your legs.
"You good?" he grunts from under you, and you assure him you're fine.
You change your tactic, moving to push at her shoulders and send her backwards, but Jungkook shifts his legs to keep the two of them balanced. This gives Hana the chance to bump you with an elbow, and Taehyung likewise has to tighten his hold on you again to keep you steady.
This back-and-forth goes on for a short while, your friends now cheering from the sidelines, until Jungkook pushes forward and Hana collides with you again. This time, Taehyung adjusts to the hit by sliding his hands upwards, his long fingers skating up the soft inner flesh of your thighs and digging in.
A flash of heat rushes straight to your belly.
The sensation forcefully jolts your entire body and sends both you and Taehyung tumbling into the water. You kick around trying to find your footing before he pulls you up, sopping wet and spluttering as Jungkook and Hana celebrate their victory with raised arms and whoops.
“Are you alright? What happened?”
Hell if you know. You’d swear you can still feel the pads of his fingers on your legs, and so you merely blink at him with a shake of your head.
A biological reaction, you tell yourself, as you wade your way back to dry land. Nothing more.
You will your body to get a grip as you settle back down on your towel. You love Jace, you’re taken, and you and Taehyung have just reestablished the platonic nature of your friendship. Letting his touch have that kind of effect on you is nothing short of wildly inappropriate on two counts.
Trying to shake the shame poking at your brain, you angle yourself towards the waves and snap a quick selfie to send off to your boyfriend.
You [2:05pm]: miss you so much, wish you were here <3
It’s not long before your phone chimes with a reply, and you open the message to see a picture of Jace taken at a similar angle. He stands in a sea of businessmen and conference booths, suit crisp and hair neatly combed. The smile he wears is bright, eyes crinkling in the way you love so much and setting of a flurry of butterflies in your belly.
J <3 [2:07pm]: i’d say i wish you were here but i wouldn’t wish this place on my worst enemy let alone my favorite girl lol
J <3 [2:07pm]: i miss you too, beautiful :(
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By the time the sun starts its descent, you’ve all moved to the pool on the expansive back deck, Jungkook immediately hopping behind the outdoor bar to make drinks.
“You know,” you say from your perch atop one of the stools, “I don’t think I’ve ever met someone who can match your enthusiasm for your job.”
He smiles, rattling a cocktail shaker. “It gets me booze and ladies. What more could I ask for?”
Yumi soon joins you at the bar top to ask Jungkook for a margarita, and is quick to strike up a conversation with you. Unsurprisingly for one of Sunny’s friends, she’s incredibly nice, and you learn she works as a hairdresser in the city.
“I’ll have to check out your salon!” you say. “I’ve been meaning to get a trim.”
She claps her hands together eagerly. “If you want to give me your number, I can text you the address!”
As you’re putting your contact information into her phone, she looks at you thoughtfully and adds, “Not to sound like I have an ulterior motive, but Sunny also mentioned that you’re going to be getting married soon, too?”
Heat creeps into your cheeks. “Ah, yeah, nothing official yet. But, you know, it seems like it’s coming.”
“Exciting!” she declares. “Just figured I’d let you know that I do weddings, too, in that case. And I know we’ve just met, but I’d still give you the friends discount. Sunny’s friends are my friends, as far as I’m concerned.”
“That’s so sweet of you. I’ll definitely give you a call to talk about it once we’re actually planning.”
“That sounds gre—“
“Sorry to interrupt.” Taehyung wanders up to where you sit, handing you a plate of steaming beef and cucumber salad. “Hoseok and Jimin got the first round of meats done. I knew you’d want it hot.”
The moan you let out as you take the plate from him is downright scandalous. “Ugh, you’re the best.”
You’re rewarded with a light chuckle and a signature boxy grin. “I know.”
As he heads back to the grill and you dig into your food, Yumi lets out a dreamy sigh. “It’s no wonder he’s planning to put a ring on your finger. I wish someone would look at me like that.”
A piece of food lodges itself in your throat, and you cough hard. Yumi stares at you in alarm until you regain your breath and turn to her with wide eyes. “Tae and I aren’t together.”
She looks back and forth between the two of you like she’s trying to solve a puzzle. “You’re not?”
“No.” You shake your head emphatically. “We grew up together. My boyfriend is at a work event.”
“Oh my gosh, I’m so sorry!” she exclaims. “I just noticed how close you were at the bar last night and how he’s always—“ She cuts herself off with a shake of her head. “Nevermind. That’s my fault. I shouldn’t have assumed.”
You assure her it’s fine, and she changes the subject, asking how you know the others and what college was like. Your chat carries on for a while longer before you excuse yourself to use the bathroom.
You don’t even make it halfway across the deck, though, before a tattooed arm is snaking across your waist, lifting you off your feet, and carrying you in the direction of the pool.
“Jeon Jungkook, don’t you fucking dare!” you screech, trying to wiggle yourself out of his grip to no avail.
All you hear behind you is a maniacal giggle before you’re tossed through the air and land in the water with a splash.
When you come up to the surface, pushing your wet hair out of your eyes, you find Jungkook cackling by the pool’s edge. You glare at him.
“Asshole!”
“C’mon, Y/N! It’s a tradition!” he laughs. “It’s not a beach house trip without—“ But he doesn’t get to finish that thought before Taehyung shoulders him hard in the back, propelling him into the water next to you.
You only give Jungkook a second to get his bearings before you’re hopping onto his back and trying to play wrestle him back under the water to the laughter of your friends. It’s hopeless really—Jungkook is basically a mountain of hard muscle that barely budges under your touch—but a few minutes of scrambling all over him with determination, and he eventually concedes and humors you by allowing you to dunk him below the surface.
It’s later, once you’ve clambered out of the pool and are toweling off on the deck when you hear him talking to Jiho behind you.
“He got you good. You didn’t even hear him coming, did you?” There’s a shuffle and a “Pow!” like Jiho is reenacting Taehyung’s takedown.
“Ah, it’s alright,” Jungkook laughs, no hint of a grudge in his voice. “I messed with his girl.”
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Your party stretches on into the night until the sky has turned inky black, peppered with stars that shine intensely this far removed from the city. Almost ironically, your group has mellowed out as the alcohol has flowed, settling into smaller groups scattered around the deck. Namjoon sits with Hoseok and Jiho, clearly getting philosophical around the fire pit. Sunny is gathered to the side with her friends as they sloppily braid each other’s hair, the occasional burst of laughter coming from their general vicinity. Jimin lays on his back at the side of the pool, drunkenly tracing constellations with his finger. And Maya and Jungkook are nowhere to be found.
There’s a sense of peace that flows through your veins as you watch your friends smile and talk while you grab yourself a beer from the poolside bar. You’ve always loved coming here. Sure, getting a free stay at a waterfront mansion is nothing you’d ever say no to, but it’s really getting to spend quality time with your friends—away from all of your real world responsibilities—that makes this place feel almost magical.
You look out to the shoreline and spot a figure sitting alone on the beach, staring out at the waves. You’d been thinking about joining Namjoon’s group by the fire, but that plan is immediately pushed out of mind as you grab a second bottle and make your way towards the sea.
You’re not loud in your stroll, the soft sand muting your steps, but Taehyung seems to sense your approach anyway, not startling a bit as you seat yourself next to him and hand him a beer.
“Contemplating the wonders of the universe?” you ask. From this angle, he looks almost like he did in Maya’s photograph of him—the same constellations in his eyes.
Taehyung stretches his legs out with a sigh, leaning back on his palms. “Where do you think we’ll be this time next year?”
You sip at your drink. Honestly, you can’t imagine things being all that different.
“Right back here?” you say. “I don’t think I’ll ever tire of coming here. This is my ultimate happy place.”
Taehyung hums in agreement. “It could be your pre-wedding party we’ll be having next year.”
“You think?”
His brow furrows at your doubt. “I’d expect you’d at least be planning then, no? Or you could already be married by then if you guys want to move fast.”
The thought sends jitters running down your spine. “Who knows?” you challenge. “Maybe you’ll be the one married. Maybe you’ll meet your soulmate tomorrow and elope because you know it’s fate, and there’s no point in waiting.”
Taehyung barks out a laugh. “That sounds somewhat out-of-character, no?”
“Hmm, true. You’re more of a wait five years to move in and another five years to propose kind of guy. Work on your credit score and establish a detailed financial plan before even thinking about merging assets. And don’t even get me started on the background check.”
“Geez, Y/N. Does Jace know you just casually talk dirty to other guys like this?”
You playfully shove at his shoulder, and the pink of his tongue pokes through his teeth as he laughs.
“Oh, wow, look.”
Taehyung points a delicate finger as a tiny flash blazes through the sky, trailing light and stardust in its wake. He turns to you, smiling.
“Make a wish?”
The words come out on a whisper like a secret meant just for the two of you.
As you sit there, gazing out at the shadowy horizon in the distance, you feel perfectly content. What do you wish for when you feel like you already have the world? Work has been going great, and after almost a year of unpacking boxes and rearranging furniture, you feel like you and Jace are finally settled in and cozy at your apartment. You think about Jace—his smile, the soothing feel of his hands on your skin, the little black box in his desk—and contemplate all of the joy you can sense coming your way.
And then you consider the man beside you.
His eyes are closed as he meditates on his own wish, his legs now drawn up so he can rest his forearms on his knees. It flashes you back to when you were kids, lounging away the hours in your room or hanging at your favorite spots around town—the park, the library, the ice cream shop where Mrs. Kang would often take pity and treat the two of you to free cones. When you were young, Taehyung almost always sat like this, knees to his chest as if he was trying to make himself smaller. As if he could make himself invisible to the shadows that followed him every second of each day.
Taehyung’s always been a positive person, steadfastly determined to not let his demons poison his perspective of the world. Though neither of you were fond of explicitly discussing your situations, Taehyung always maintained a bright outlook on the rare occasions when your frustrations would spill over. There’s still the family we can choose, he’d tell you. We’ll find them one day.
Still, though, you could always sense a certain anxiety lingering under the mask of his smile. It showed itself in the way he’d sit with his arms around his knees, in the way his forehead would crease during the moments when you’d catch him lost in thought. This had eased up in college, the change in scenery and your newfound friends loosening his bones and laugh lines. But since graduation, you’ve seen some of that tension return to his shoulders like he’s carrying extra weight, especially in the past year.
You consider the man beside you, and you think, then, that he deserves the world, too.
I wish for Taehyung to have everything he wants. You squeeze your eyes shut, casting the thought out to the universe with everything you have. Every last desire of his heart. He deserves it all.
No one in the world would be more deserving. Of that, you’re sure.
When you open your eyes again, he’s watching you with an unreadable expression on his face.
“What did you wish for?” is all you can think to ask, blinking at him.
“Well if I tell you, then it won’t come true.”
You roll your eyes, shaking your head with a teasing scoff. He smiles.
“Happiness,” he declares. “If I had to put it simply.”
You smile back at him, hoping those stars stay in his eyes. “Yeah, me too.”
He’ll find it. You know he will.
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It's Sunday morning when shit hits the fan.
After Saturday passes with ease, another lazy day by the pool punctuated with you and Taehyung collaborating on a fried chicken dinner as per your bet with Jungkook, you wake up on Sunday to the sound of Iseul's squeals over there being no hot water, a fact which is soon confirmed after the men team up to check the heater. Jungkook calls his family handyman (apparently those come standard when you have more houses than you can count on one hand), but the man is quick to inform him that he's getting ready for his granddaughter's birthday party and won't be able to come out until tomorrow.
"There's no way I'm making it through the day without a hot shower," Maya grumbles.
Jungkook wiggles his eyebrows. "I can show you a hot shower.”
She doesn't even look at him.
You're also not enthused about the prospect of having to either take a cold shower or skip one entirely. So when Maya suggests going home a day early, you're already leaning towards the idea as well.
"It won't be that bad," Taehyung says, lips turning down in a tiny pout when you tell him. "The key is to just go fast."
"I'd rather not have to do it at all." You giggle as his pout deepens. "We're going to stay until the evening. It's only like a twelve hour difference."
"But I thought we were going to do a movie night."
Okay, now you feel bad.
"Temporary reschedule?" you suggest, poking at his bottom lip. "Jace and I are going to dinner on Saturday, but my Friday night is free."
A hand rubs at his chin as he pretends to make a show out of pondering your offer. "Deal."
Later, you're sitting on a chaise lounge on the back deck, soaking up your last few hours of sun with one of Jungkook's signature cocktails in your hand when Maya sighs deeply beside you in a similar show of disappointment.
"It really is a shame though," she laments. "Tonight was supposed to be our big send-off, and now I cleared my schedule tomorrow for nothing."
"We could do a girls night?" you say. "I have this new cab sav I found the other week that we could split."
"Ooh, twist my arm."
Plans made, you pull out your phone. Jace has been texting you on and off from his conference all weekend—just brief check-ins and I miss yous—so you shoot him a quick message now.
You [4:53pm]: the water heater here is busted so i'll be home early tonight. maya is going to come too, might stay over. can't wait to see you <3
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The sky is a misty orange when you pack the car and say goodbye to your friends, Taehyung giving you a particularly tight hug. Things were great between you for the rest of the weekend, but you can feel the tension of your conversation lingering in the way he holds you that extra second.
You check your phone as Maya settles into the passenger seat and buckles her seat belt. There's still been no word from Jace. It's not particularly unusual for him to forget to answer his phone—especially since you expect he's busy wrapping up the conference—but a seed of worry still plants itself in the back of your brain. You hope everything is alright.
The ride is mostly quiet, you and Maya occasionally singing along to a song on the radio as the evening gradually turns to night. But about halfway back home, you feel the need to straighten things out.
“So I talked to Tae.”
She’s quiet for a second, her face shrouded in shadow. “Uh-huh.”
“He said he doesn’t have feelings for me.”
Maya shifts in her seat, angling herself towards you ever so slightly. “And you believe him?”
“Yes. Definitely.”  There’s no doubt in your mind. “He’s never given me a reason not to.”
Silence stretches itself between you, Maya entirely unreadable as she seems to be puzzling something out in her head.
“Okay.”
It comes as a surprise, and you jerk your eyes away from the road to glance over at her. “Okay?”
Maya shrugs. “Okay.”
“That’s it?”
“Do you want there to be more?”
You work your mouth in a stunned gape. Because she’s right; why are you pushing this?
“No. We’re good.”
When you get to your apartment, you swipe you and Maya into the building and head towards the elevators. You’re a little bummed that your time at the beach house had to be cut short, but you take solace in the fact that you get some time back with Jace.
“Do you want to watch a movie?” Maya asks on the ride up.
You grin. “We could play that Twilight drinking game I sent you.”
“Pfft, I know I said I have tomorrow off, but I meant I could handle a mild hangover, not alcohol poisoning.”
You fumble for your key at your apartment door, sliding it into the lock and pushing the door open. The first thing you notice is that the lights are on, so Jace must be home.
“Babe?” you call, as you and Maya dump your bags by the couch.
“Where’s that cab sav?” You nod in the direction of the kitchen, and Maya skips over to investigate.
A moan sounds through the apartment.
You and Maya both freeze, staring at each other. Goosebumps break out over your entire body, a frightening sense of impending doom slamming itself down on your consciousness.
A second moan, and now you notice the lights on under the closed door of your bedroom. There was no sign of forced entry, but the image of a wounded and bleeding Jace pushes itself to the forefront of your mind.
You rush to the bedroom door, fearing the worse.
“Jace?”
You swing it open.
And your entire world collapses.
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Taehyung can’t quite shake the feeling that you’re slipping through his fingers.
Movie night had been his idea, a way to get you in one spot (and mostly to himself, if he’s being honest) after your two weeks of silence. Now knowing the reason behind your push for space, he doesn’t blame you at all. Maya throwing that wrench into your relationship was surely unsettling, and he understands wanting time alone. But he’s missed you; he’s not going to deny that. And he’s desperate to prove that things can be okay between you. Things can be normal.
But the universe, it seems, is stacked against him.
He’s ambling through the house, wondering if Jimin might be up for a game of ping pong in the downstairs game room, when his phone blares in his pocket. It’s a jarring sound, violent in the way it disrupts the calmness of the house, and Taehyung frowns when he sees Maya’s name on the screen.
Maya never calls.
“Hello?”
“Tae, oh thank God.” Her voice is high and tight—clearly in distress. “You need to come to Y/N’s apartment as soon as physically possible. Grab Jimin and Kook if you need to drive them back—whatever. But just—as soon as possible.”
“Wait, wait, slow down,” he urges, hairs standing at attention on the back of his neck. “What’s going on? Is everyone okay? Is Y/N okay?”
“We got back to the apartment, and Jace he…”
Time seems to slow in anticipation of Maya’s next words—the kind of eerie stillness that precedes a storm, quiet and disarming in its disguise.
And then she drops the bomb.
“He was with someone else.”
Taehyung’s ears ring. There is no possible way he heard that right. “What?”
The breath that comes from the other side of the phone is heavy, like Maya can’t even believe the words coming out of her own mouth. “He was in bed with someone else.”
A chill drips down his spine, pushing its way through his veins until his entire body runs cold. This can’t be happening. Not to you. You’ve had enough pain and hardship in your twenty-five years of life—he’s seen it, weathered it with you. Things are supposed to be getting better; this is supposed to be the payout for years of heartache. Surely, the universe wouldn’t be so cruel.
But then it happens. A single, anguished sob rings out in the background of the call, sharp and pained in its grief.
His heart shatters, shards piercing the spaces between his ribs.
“Tae? Are you still there?”
“Yes.”
“She needs you. Please just get over here.”
Then line goes dead.
Taehyung is only frozen for a second longer before he’s bounding into motion, tearing down the hallway and into the living room where Jimin lays on his back on the couch. The latter shoots into a sitting position when he sees the look on Taehyung’s face.
“You okay?”
“Y/N—she—we—“ His mouth feels like it’s filled with sand, and while he stands there, working his jaw in agonizing frustration, Jimin leaps to his feet to close the distance between them, grasping Taehyung’s shoulders.
“What’s wrong? What happened to Y/N?”
His lungs burn as he finally finds the words. “Jace is cheating on her.”
Jimin goes still, the same stunned shock registering in his body.
“We need to—we need to go,” Taehyung gasps, and Jimin is quick to sit him on the couch.
“I’ll get Kook. We’ll take care of this,” he says, voice steady. Commanding. “You just wait here and breathe.”
The next several minutes are a blur as Jimin rushes to get Jungkook, and they work on packing the car, briefly explaining the situation to the others. Taehyung can’t think of anything but you, his focus reduced down to a pinpoint in his mind. You must be devastated. In spite of what he had said about his own feelings on Jace, he knows how much you love him, how you were expecting to spend the rest of your life with him. How must you be feeling to have an entire future ripped away? To have to bear witness to and suffer that kind of betrayal?
He’s not quite sure how it happens, but he winds up in the passenger seat of his own car, Jimin sliding behind the wheel and peeling away from the house and onto the highway. The air inside the cabin is thick, a stifling combination of premature summer heat and heavy silence, with even Jungkook sitting oddly quiet in the backseat. Taehyung is thankful for the absence of conversation; he doesn’t think he can handle talking about any of this until you’re in front of him and he can hold you, feel that you’re safe.
He realizes somewhere along the way that he’s shaking, your cry still ringing in his ears.
The trip from the beach house to the city only takes about forty-five minutes, but it feels like days, headlights and street lamps zipping by like tiny suns as Taehyung wills the car to go faster, faster, faster. He’s never felt further from you before, never been so determined to close the distance between you like he is now.
Whatever you need from him, he’ll give it.
Jimin finally pulls into your apartment parking lot, and the car hasn't even fully stopped before Taehyung is bolting out at a near sprint. Jungkook and Jimin catch up to him as he pulls out the duplicate access card you had given him in case of emergencies, swiping them into the entryway and down the hall where he pounds the button for the elevators.
"It'll be okay," Jimin says, staring Taehyung down where he seems to be vibrating in his shoes. "She'll be okay."
"She'd better be," Jungkook mutters, fists clenched tight.
(Jimin hopes Jace has long cleared out of the building, lest they run into him.)
The elevator ride is tense and slow, the numbers ticking upwards in time with the pounding in Taehyung's ears.
2...
The bastard was sleeping with someone else.
3...
You thought you were going to marry him.
4...
He'd spent time with Jace all through college. Even laughed with him at times.
5...
The sound you'd made on the phone, like you were physically wounded.
6...
If he ever sees that piece of shit again—
7.
The doors open with a ding that snaps the mess of Taehyung's thoughts into focus.
He's here. You need him.
It's a brisk walk to the end of the hallway, and then he's practically punching your apartment door, which swings open almost immediately as if Maya was waiting on the other side. She and Taehyung stare at each other for a brief moment, her mouth stretched into a tight line before she simply nods her head in the direction of the bathroom. Taehyung makes the final leg of the trip in five long strides before freezing in the doorway.
The fractured shards of his heart turn to dust.
You're curled up on the bathroom floor, a tangle of arms and hair covering your face as your body trembles with quiet sobs. They echo around the tile, filling the space between you until Taehyung thinks he can feel the sound burrowing itself under his skin, a morbid tattoo he doesn’t know if he’ll ever be able to erase. This image, he thinks, will surely haunt him for the rest of his life.
You. Completely and utterly broken.
He falls to his knees so he can brush your hair aside, the strands draping themselves over his fingers like a tether. Your face is red and stained with tears, and he reflexively wipes at the ones he sees rolling down your cheeks as you peer up at him, only now registering his presence.
"T-tae?"
"I'm here," he murmurs as his hands continue collect your tears, trying to carry them for you.
When you hear his voice, your cries start up again in earnest, and you reach out to clutch at his shirt. Taehyung immediately gathers you into his arms and tucks you into the haven of his chest, holding you like if he squeezes hard enough, he can press your broken pieces back together.
"T-tae...h-he..." you gasp at his collarbone, words failing you as Taehyung hugs you to him even tighter.
He runs his hands through your hair, presses kisses to the crown of your head, trails his fingers up the length of your back as you burrow into him, wails escalating.
"Shh, I've got you, baby."
He does. He'll hold you forever if he has to.
"I've got you."
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NEXT
a/n: thoughts? guesses as to what taehyung used his wish on? likes, reblogs, and feedback give me life :)
taglist is open!
a/n 2: oh, fun fact. when jace caught oc going through his desk in part 1, he wasn’t even thinking about the ring box when his eyes flicked to the drawer. he was worried she was going to find the condoms, which would’ve been weird since they hadn’t used them in like two years (oof) (this isn’t plot relevant, just a detail tidbit lol)
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zenkindoflove · 19 days
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Dear Lucien, Dear Elain: Reveal and Q&A
Before reading this post, make sure you go and read the final update to Dear Lucien, Dear Elain. Under the cut will not only be the reveal of who wrote who, but also a Q&A inspired by some of your questions of the writing process that myself and @crazy-ache took while writing this collaborative fic.
In our poll, you all were evenly split, 50-50, on who you thought wrote Elain and Lucien. Which really tickled us.
Now, to reveal (which maybe you already know if you read the fic lol)....
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art by @works-of-heart (thank you so much for putting this together last minute!!!)
So, are you surprised? Validated on your hunch?
We also asked you all what some of your questions were related to our writing process since this was both a collaborative fic and a very unique style (epistolary). It was definitely experimental for us. But we had so much fun writing it. It was really us stretching some of our creative, writing chops. And the epistolary style really was a great medium for writing a collaborative fic together.
Q&A with crazy-ache and zenkindoflove
How did you choose which character to write.
Crazy-ache: I chose to write for Lucien because I felt most comfortable in his head! I had dived deep into his psyche and motivations in a few of my recent works. I also had this vision in my head that Lucien is a very poetic, romantic writer given his rakish and silvertongue ways. My roots in writing are in poetry and I tend to be a flowery, verbose writer, so I felt like I could naturally tap into Lucien’s style. I believe I asked to be Lucien first and had a good inkling that Zenkindoflove had the stronger grasp on Elain’s character. She went above and beyond in giving Elain’s character and development the justice it deserves. 
Zenkindoflove: I was very relieved when Crazy-ache declared she wanted to write for Lucien because as soon as we came up with this idea, I knew I wanted to write Elain's letters. I think she provided the level of poetry and devotion that was necessary to convey in Lucien's letters. For me, I have always been an introspective writer. I like to be inside character's heads and have them actively work through their feelings. And for Elain, this exercise felt like it was an exploration into her working through her feelings for Lucien. Where I think Lucien has always been clear on his feelings for Elain. Or at least he's been sitting with them longer than Elain. I also relate a lot to Elain (and probably project a lot too though I argue that especially in her case where we haven't gotten her POV, authentic writing requires it a bit). I've always felt more comfortable in my other fics writing from Elain's POV.
General process/approach to writing
Zenkindoflove: We decided that the easiest way to write the fic would be to pick a character, stick to that character, and take a ‘yes and…’ approach to writing much like in improv or role playing. We very much treated it like we were the characters and writing each other letters. I would get so giddy when I saw I had mail because it felt like Lucien was actually writing me 😂. After we wrote the first two letters, we came up with a general plot that we wanted to follow once we knew the set up was working. We didn't know how many letters that would entail but we knew that we wanted to try to stay as canon compliant as possible and end on Nessian's mating ceremony where that would be the first time they would talk in person. For topics that were discussed, that was almost entirely unprompted and generally came from us answering each other's letters as the characters. So the emotional development was fairly organic throughout the whole process.
Crazy-ache: Something I want our readers to know is how organic this entire process was for us. What you read from each character is also mostly what we read as well. So we experience the same feelings of giddiness, sadness, disappointment, etc as you did. We just happened to have an idea of where the story was going, but not the words that would take us there on the journey. We truly got inside our respective character’s heads and created this story for you. It’s been one of the most fun, passionate writing exercises I’ve ever participated in, and I hope that rings true in your reading. 
Curious to know if either of you had veto power for when the other wrote something you didn’t like, or how you handled any differing opinions (if you even had any) on what the characters might say. 
Zenkindoflove: For the most part we didn't have many disagreements. A lot of our conversations consisted of us brainstorming or working through the logic of certain situations. The hardest situation to work through was what we did for Starfall. We knew we wanted to have this angsty moment where Elain stands up Lucien because of a vision, but we were working through the logic of how she could accomplish this without Lucien feeling her panic through the bond and coming to find her. That consisted of a lot of back and forths and crazy-ache wanted to make the situation even angstier by having Azriel actually be involved (only flying her away) and it contributing to Lucien's feelings of paranoia that there was someone else! That was the one time I said absolutely not because I didn't want us to go too hard because it was already a gut punch. Also I had to write the letter explaining everything! 😂
Crazy-ache: Yes Zenkindoflove had veto power for that situation and the next day I was like what was I thinking 😂 But it truly was a collaborative experience where we built off each other’s ideas. When it came to the letters, we had no idea what the other would write (other than an overarching plot we had initially agreed upon), but we respected each other’s creative decisions and just went with it! 
I wonder if either of you had a line that the other’s assigned character just had to say. Did you talk about this prior?
Zenkindoflove: Mostly this did not happen except for setting up some plot stuff. Like, hey did you get your Starfall invitation? That kind of stuff. We sometimes gave each other a few edits after reading. Such as if there was something that felt not properly addressed (cause let's be real, these letters got long at a certain point) that we knew would be good for setting up the next letter. Oh, in the beginning, we did have a really hard time thinking of the questions they would ask each other and we often referenced those lists on the internet of like 100 questions to ask on a first date. Those kinds of things hahaha.
Crazy-ache: Agreed, there was nothing we requested or assigned the other character to say in their letter. Everything we wrote was 100% true reaction to what the other person put in the letter. But like Zenkindoflove said, we would give each other small bits of feedback. Like hey, I think it’s little early to bring that up. Or, I think we need more on X. In fact, the line a lot of people seem to really like from Lucien wouldn’t exist if it hadn’t been for Zenkindoflove pushing me for more on one letter. I remember being like ugh you’re right you’re right….and I sat back down and worked on it some more. And I’m so glad she did because that’s when I came up with this line and paragraph: 
"Perhaps the Mother knew we would not be ready when our paths first crossed—our hearts, our minds, our circumstances—and so she gave us this immediate, unbreakable connection to ensure we never lost each other along the way." 
Zenkindoflove: Specifically I remember Crazy-ache holding me back from Elain bringing up the bond too soon which was 100% correct and I was getting too eager. And I pushed her in the end for Lucien to say “love" more since Elain had been using it after her breakdown. Which I think shows a lot of balance in how we approached emotional development.
Favorite letter you wrote?
Zenkindoflove: My favorite was definitely the last letter. It was challenging because I essentially had to write it as Elain telling Lucien events he already knew because he experienced them too. I wanted people reading to get the information they needed to know to visualize how the night went but make it feel like an authentic letter Elain would write. I also got to lean fully into Elain being as romantic as possible about her feelings for Lucien.
Crazy-ache: I am going to cheat and say 2 letters. The majority of my letters were written in one sitting, really emulating what it would be like for Lucien to sit down and read Elain’s letter and then just write his reaction immediately. But the two letters I sat on for a while….1) THE Starfall letter where we learned Elain stood him up and 2) the letter where he responds to her explanation for why. The starfall letter I was just so excited to write because I knew it would catch everyone in surprise. And the response was also exciting because I really, really enjoyed exploring what the bond meant to Lucien. 
Most challenging letter you wrote?
Zenkindoflove: It was definitely the letter after Elain stood Lucien up and she responded to his very angry curt letter. Crazy-ache sent me his letter and I was immediately overwhelmed even though I knew it was coming. I literally could not stand not answering his letter immediately. I just was so upset haha. And then as I wrote Elain’s letter, I had a complete meltdown in messages to Crazy-ache where I cursed SJM for the SF bonus chapter and making me have to explain the almost kiss. I think I said to her, “I feel like I cheated on Lucien but i didn’t!!!!!” Like, I was a mess you guys. Which is probably why it ended up the way it did - this stream of consciousness. I was imagining Elain just utterly broken, crying at her desk, writing the letter frantically, desperate for Lucien and hoping he would still write to her. With her sad little corsage on her wrist. 
Crazy-ache: The hardest one for me was Chapter 6 after Elain reveals Lucien had misunderstood her discomfort to the bond and she sorta calls him out on that. I really tried to get into his head the best I could for these letters--and I imagine hearing Elain say she always had desired him even when it was confusing and complicated would be overwhelming to read. Like the world just shifted for him because that wasn’t what he imagined…and after you have accepted a certain amount of love and affection, it can be even harder to accept more when it is presented to you. I was balancing all these things when writing his response and that would took me the longest to put together. 
Favorite line the other person wrote? 
Zenkindoflove: Crazy-ache is SO poetic in her writing. Especially as Lucien. Choosing one is incredibly hard. I will choose a few but know that I don’t even know if these are really my favorite favorite because so many of her lines were just BEAUTIFUL. 
“I take all matters and concerns regarding your trip very seriously. I will gladly accompany you across the courts, where you can trust I will be unhurried, diligent, and thorough in the pursuit of your greatest pleasures. I simply could not live knowing you were in the slightest disappointed, and will not rest until I know you are quite satisfied.” - the innuendo!!!
“I have done my best to be loyal, dutiful, and honorable. Only to turn around and discover my actions have only proceeded to write me as a villain in their narratives for those very attempts at doing what is right. There are reminders of my arrogance and recklessness every time I look in the mirror. I have certainly paid the price. You deserve to know these facets of me as well, most especially the bitter, pathetic parts of me.” - such a good summary of Lucien’s character and how he sees himself
“To put it bluntly, yes, your mere existence hurt me. Because my soul aches for you in ways I had never known it could hurt. What was painful and difficult was just how badly I wanted to know you beyond all reason and that terrified me. You, my lady, still terrify me.” - PAIN
“Please, I beg of you, to not mourn any fate of mine. I have survived worse possibilities thus far, and that was before you were mine. Before you were my reason to survive, to fight, to live and breathe. There is nothing that can keep me from you.” - THE ROMANCE
“Elain, if the bond is the sun, then you are the warmth of its light.”
“Fire may live inside my veins, but it is your actions and words that have sparked a flame to rival the sun, where I burn and burn and burn for all of you.” 
“Perhaps the Mother knew we would not be ready when our paths first crossed—our hearts, our minds, our circumstances—and so she gave us this immediate, unbreakable connection to ensure we never lost each other along the way. When I told you I wanted an anchor, someone to ground me, the truth is I wanted it to be you.”
All of these - I cry!
Crazy-ache’s favorites: 
“I suppose, I will have to trust in your wealth of experience and your steady hand to guide me through these desires. I would welcome a long, thorough exploration, as my previous travels ended too soon for my liking. So, I think it would please me to spend sufficient time, discovering new sights and experiences, and some clever bouts of spontaneity, to the point that I am tired and sated.” - NOT APPRECIATED ENOUGH 
“You call yourself disfigured, as if your scar could take away from the handsome features of your face or the ethereal quality of your essence. If anything, your scar is a story of a life of loss and daring, adding to the mystery and allure of your draw. I wanted to know immediately who marked you so I could cut out their eye as well. Because when I looked at your face for the first time, I knew you were mine.” - PLEASEE i will never forget elain wanting to cut a bitch
“And the truth, Lucien, is that you have always eclipsed every desire I've had. Since we met, every second that I am awake, and even hours that I am asleep, are touched by you.”
“I refuse to waste another moment that I have not knowing you. Not just knowing you through your words but knowing the way you smile when you tell a joke or the way your arms feel wrapped around me. I want to live in the moment and see what promise this little passenger in my chest has assured me.”
“So Lucien, to put it plainly, I both wanted your distance and I wanted you near.”
“I think we must be forever changed. It’s not only that the distance is gone, but we are different. I think there is no avoiding it, when soulmates finally find each other through the darkness.” - THIS IS MY FAVORITE AHHHHH
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narcoticwriter · 2 months
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This newest episode has done a lot more in revealing more of the character's personalities.
We have Pomni able to empathize with Gummigoo when he's undergoing a crisis as well as Kinger having a moment of sage-like clarity when he's talking to Ragatha about how long it took her to adjust to her new reality and comparing it to Pomni's current blight. Both of them have an insight and an observance gained through personal experience and being open enough to be vulnerable about these matters.
I would also like to highlight Pomni's introspection into how she felt (or still might feel) and how she talks about it. However hesitant she was, as she kept talking and replying to what Gummigoo said, you can sense the clear genuine and empathetic feel she has for him while trying to relate.
Then we have Jax, breaking the preconceived notion of him being an asshole with a heart by going completely off the rails and doing shit for his own entertainment. While I wasn't completely shocked that he chose and craved overwhelming violence and chaos at the expense of everyone else, it is impossible to not note how blatant it was as well as how he views everyone else as a means to an end for the sake of that goal.
Ragatha's perky and upbeat coping mechanism of a personality was harped on initially, but I find that this is just how she manages to get through the day-by-day. I can't blame her for it as well as going along with it because it keeps her sane enough. However, I will also note that she is more than willing to keep a level head (or as level of a head as she can given the present reality they're in) and attempt to ground the rest of the group in her way.
I feel as if we have yet to see all of Gangle, but from what we have so far, I find Gangle to be very sweet but very timid and easily taken advantage of. The drawing she made with Kaufmo means so much to her and really points to how much she cares about the others, but she is also constantly berated by Jax and seems to just... take it. I have my eye on her, as I am fully expecting her to snap and try and strangle him at some point.
What surprised me the most about the personalities of the characters, however, was Zooble. Zooble can easily be seen as someone who's standoffish and doesn't care, but she really does and just keeps it realistic. She's quick to voice what she doesn't want to do, but at least she's not running away from the reality of the situation and will face it regardless of what it is.
All-in-all, pretty solid episode for those. I really liked it and I can't wait for the next one!
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mickedy · 2 months
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do you have strong feelings about minnie? the way disney writes her bothers me severely, i'm trying to find out how to write her better and i'd like help!
she's always written as nothing more than a mickey genderswap, they have the exact same character strengths and flaws, i want to write her like how ortensia is written to oswald or daisy is written to donald (in. ducktales 2017 at least when they dont feel like being . so toxic.), theyre character foils and they work better together
for example daisy is more practical and sassy and headstrong?? while donald isn't very practical he is very emotional and in the moment and isnt as ambitious as her he's just a guy
but minnie doesnt compliment mickey in any way their relationship is just Same Braincell Teehee
and its like every time disney TRIES to have friction between the two its usually making minnie less interesting than mickey in the sense he's going off the walls insane and she has to fold her arms and make him stop, w donald and daisy donald has to ground daisy sometimes but minnie can usually do no wrong ever??
i want to write minnie as mickey's foil in a similar way because she's always a copy and paste mickey and she deserves so so so much more, but im also worried that making a foil for mickey would stray too far from minnie's personality range?? which is why i keep referencing donald and daisy specifically because they have similar personalities but still manage to be foils, and i ALSO dont want to make her copy and paste ortensia, WHILE ALSO NOT MAKING HER JUST LESS INTERESTING MICKEY AS THEY DO SOMETIMES by just writing her as feminine mickey without the character flaws he has, so its a really weird balancing act here
You hit the nail on the head with a lot of points here. I've always found Minnie to be the MOST sidelined out of the 5 in terms of characterization. She's almost always written as "girl mickey", very interchangeable with him, not really developed with her own personality in mind independent of her relationship with Mickey.
I guess on a lot of levels I consider Minnie and Mickey to be like... really sturdy nuts. They have these extremely tough shells surrounding them, they are two of the most private people you will ever meet. Outwardly friendly, outwardly pretty boring and unemotional, a pretty vanilla flavored couple at any way you look at them.
But, we don't really get to see what goes on under that shell. What they're like in private. My favorite stories with Mickey are the ones where they crack open the shell, even just a smidge-- and we get to look on the inside. What we see is almost always the same. Above all else, Mickey cares about his friends. Mickey cares about his friends so much that he would take a bullet for each of them. He would give up everything. Friendship means more than anything else to Mickey Mouse.
On the flipside, we don't really get that same introspection with Minnie. I can't think of a time where they let her be emotional, like that. She's sweet and patient and polite and filled to the brim with goodness and kindness, but that's just what her shell looks like. She's very, very reserved. Like Mickey, maybe even moreso.
A lot of this is definitely because the writers don't really care about Minnie on that level, because she's Woman and she's Girlboss and whatnot. When they show her being emotional, it's pretty much always played up for laughs because Women Are Emotional amiright wink wink nudge nudge 😁🔫 <- (he does not know he is playing into misogynistic tropes)
But I like to think she just has these incredibly sturdy walls around her character. You will most likely never get to see what her private self is like in the entire time that you know her. I seriously doubt Minnie's actual friends know that much about her.
Mickey cares about his friends, but what does Minnie care about...? Where Mickey is an optimist, I consider Minnie to be a pessimist. That is a very strange claim to make, I know. But I think the reason we never see her walls break down is because... there'd just be more walls. She's such an incredibly reserved individual, she'd rather stick her hand in a paper shredder than admit that she's got feelings.
She's pretty no-nonsense in that regard, too. Mickey is a compassionate guy, but Minnie is more quick to lash out and start kicking and yelling when someone pisses her off. Tying back to the whole "friendship is Mickey's emotional core" thing... friendship is definitely not Minnie's.
I'm not saying she's not friendly. She's incredibly friendly! She's such a sweet and affectionate individual. But it's all very much an outward thing. I think, if you're looking for a "foil", that's definitely where they clash in that regard. Mickey is a plain, unassuming guy who-- at his core-- is sweet and silly and compassionate, and motivated by his love for his friends. Minnie is outwardly sweet and silly and compassionate, but doesn't have that same motivating factor, the deeper you look.
In the end, this is all really my interpretation of Minnie's character. Because she is definitely a victim of misogynistic writing, which sucks 🤷‍♀️ But I do think there is a lot of potential to make her and Mickey clash a lot more often than they're shown to... because, they don't really show themselves to anybody! That sort of intimate exploration of their character is something that really only comes out with each other. Which leaves a lot of room to mold their inner personalities into something much more interesting...
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cosmic-navel-gazin · 2 months
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Finished Felvidek and had a grand time!
Thought I'd do a lil list of things/moments/details I loved off the top of my head:
gave cursed coffee bean to a chicken and it mutated. Did it for science
game's got some twin peaks vibes, some monty python, a tad of hylics, along it a bunch of other ingredients, but it feels very much its own thing with its own identity
pear man and his daughters deserve the world, wish we hung out more
there's a fight with an invisible enemy, all your attacks miss because your guys can't see shit and I was laughing just imagining Pavol and Matej swinging their swords at nothing hoping to slay the forest fiend. Very Don Quixote, I love it.
the PS1 style cutscenes are sooooo beautiful I love them to pieces, they drip with style and charm. I knew I needed to give this game a go the moment I watched the trailer and was greeted by the cinematics. God I love them so much. And not just the syle but the directing itself, the way shots are framed, god...
I love the character portraits for everyone. There's so much detail and everyone feels unique/like an actual person with distinct features. From the Priest's very punchable face, to Pavol's grin to Josef's sexy ass... From main characters to NPCs to enemy sprites, I love everyone's design and colour coding (don't know if it was intentional but the purple for the cultists was neat, seemed to subtly imply early on that they were being funded by rich folk, since pruple is associated with nobility, power and wealth)
speaking of character design, shout-out to this lil guy, look at him please
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Numnut the drunkard my beloved, I recruited him and less than a minute later he fell on flat ground into a nearby river (and drowns???). I reloaded a previous save to see if I could have him in my party a lil longer. I took a different path, got into a fight. "yay I get to see him in action!"- I thought. I used his one special move, called: 'good idea', and Numnut proceeds to punch his own face, dealing 90 damage (not even in the endgame did I deal such high numbers!). THE Character of all time, he drowned again after that and I'll never forget him.
BALLOON IN THE MIDDLE AGES! (possible Andrei Rublev reference? I can dream...)
just, the way things are worded:
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cutting people's ears after killing them as spoils (and giving the ears to a maiden, as you do)
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there's a quest where you have to cut a man's tattooed buttock to give to another guy, and it's all for nothing, you ruined a man's ass for nothing. I love it. The dialogue during this whole section had me dying.
I love that there's just this guy who lives in the castle's well. And our boy Pavol thinks it's a great idea to throw a bomb in there to make him come out.
this:
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there's these lil inisghtful and mournfoul comments on the dead bodies you leave behind. Like, expressing regret at all the senseless violence and death or how cheap life is here. And I'm not sure if it's Pavol or Matej making them. It makes more sense for it to be Matej but I kinda like the idea of it being Pavol's comments, these small moments of introspection and realization in the midst of a drunken adventure. You've been engaging in all the violence while pissed drunk but then after you kill your opponents and look at their corpses... and it's like this sobering moment, before you're back at it with all the merry-making (I also like that a lot of these bodies don't disappear and just remain on screen, and you can see the carnage your guys leave behind in their quest)
the whole adventure felt to me like, this series of odd little events in a knight's life before it's passed down, told by and retold by different people, and after many generations it's been touched up and made more coherent and noble than the clusterfuck it actually was. Before it became a narrative I guess is what I mean
it can get a bit wordy and hard to follow but I really like the old timey way the dialogue is written and its dry sense of humour
there's these little subversions of gaming tropes that I found really fun too! Like as soon as Pavol's wife and your falling out with her is introduced you may expect a reconciliation between the two, or a moment where you have to save her and prove your worth and love to her to win her heart. As you would expect from a story with a knight and a damsel. But no she hates his guts lmao tries to murder him too! (tho I do think Pavol took her in that balloon ride at the end). There's also the fact that I am not allowed to play minigames! Josef wants to play tabletop games but your character always replies no. No minigames for you son! And like, this feels especially catered to me as someone who, more often than not, will dread whenever a game will introduce some sort of card game or the like. I was so happy that wasn't forced on me for once! Couldn't believe it. Kinda felt bad for Josef tho, I'm sorry Pavol doesn't wanna play Pexeso wth you.
the battle animations! I'm particularly fond of the eating porridge one, or the chugging down a bucket of sour cream, and the petard
the little *slaps face* animation
Pavol and Matej as a duo and the whole tavern scene with the two exchanging clothes
the lil moments of humanity where Pavol talks about his broken life and sense of self
the rare moments when Pavol stops grinning
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it goes without saying but the art is absolutely gorgeous. Its nostalgic monochrome melancholy speaks to me on a deep spiritual level. Inject it directly into my bone marrow please. Shout-out also to the ost, it fucks and has tons of bangers. The Hrad track, the one that plays on Josef's castle... god... love at first listen, and have been listening nonstop for the last few days now while going on walks.
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rhinocio · 1 year
Text
ROTTMNT Fanfic Recommendations
Light
You Coveted This Prison by CaveDwellers (April / Donatello - Comedy / Character Study - WIP) THE April O'Neil character study. One part excruciating (for reader and supporting cast) slow burn romance, one part introspection on being true to oneself. Rated M but only for one chapter, which can be skipped. Riddled with laugh-out-loud comedy shenanigans and heartachingly tender intimacy. Hot takes all over the place because the author wrote this with very little fandom involvement, and intentionaly chose to be contrarian in as many ways as possible. April takes down her arch-rival! Raph locks her in a freezer! Casey Junior's keeping secrets! Donatello's wall of horrible fake sciencey souveniers keeps growing and it may or may not be a sign of affection -- he's going to crunch the numbers on that. An absolute blast of a fic, cannot recommend enough.
Tried To Grow Up Good by Sroloc_Elbisivni (No romantic focus - Character Study - Complete)
THE Casey Jones post-movie character study. Love is stored in the found family. Casey is an accidental felon. He and Cassandra are siblings now. Anatawa hitorijaNAI let's get the entire two timeline fam in here for a reunion so I can sob myself silly. Perfection. This author's constantly pumping out new fics, and often updating multiple at a time; I've read through and greatly enjoyed Tomato Maze (there is so much serotonin in the knowledge that these idiot turtle boys will do anything for watermelon), Sorrow Is An Autumn Heart (Leo/Usagi but make it a slowburn thriller-drama set in historical Japan), and The Passionate Pools of Salamandria (a post-movie Raph/Mona bodice-ripper with an amnesiac protagonist and a B-plot where the rest of the family fight space to find their missing brother). Honestly this author has the WILDEST takes and everything they write is fascinating.
Give Me Something That’ll Haunt Me When You’re Not Around by Taizi (Leonardo / Yuichi - Drama / Romance - Complete)
If you've decided you're finally gonna take a dive into the leosagi crossover ship and see what all the fuss is about, do it with this fic. The author has a strong grasp on how to make a character study about characters first and relationships second, and in doing so has crafted one of THE most tender romance stories I've ever read. Starts as a character study on Yuichi Usagi and the yokai perspective on the Kraang invasion, branches into an exploration of PTSD and what it means to recover, and ends with a friends-to-lovers quickburn that says, "because of you I'm learning to love myself." Leo gets a therapy dinosaur. Yuichi gets out of his head. The character nuance and showing-not-telling is godtier. Healing starts with telling the alien invaders to go fuck themselves. Do not pass this fic up, I promise you it's worth the read. It legitimately made me cry.
The Old College Try by Theashemarie (No romantic focus - Action / Drama - WIP)
Donatello cloaks himself human to go to college, and drags his twin brother along. This fic masquerades as a fun, comedy-heavy action adventure story, but under the surface is a really fascinating introspection on what it means to hide your true self in order to fit in. The queer subtext is off the charts! Leo babysits Baxter Stockboy. Mikey gets eaten by a bird. One of the grad certificates is definitely going to be made out to to the wrong Hamato entirely. This fic features an autistic writer writing an autistic character, and their personal experience shines through in the excellent way Donnie's awkwardness and affection are balanced. This author knows nuance; I also highly recommend The Hibernator (apocalyptic timeline and Raph's dead........ wink) and Very Thoughtful (a Donnie-centric low empathy study).
Aftermath by Bronte (No romantic focus - Drama - Complete)
The boys deal with the aftermath of the movie events in whatever ways they can. Donnie gets into pina coladas. Leo harasses his brother. Look at these disaster twins bonding! There's a flippancy to all the angst that keeps these lighthearted and love-focused without skipping the rough details. I'm literally never going to recover from the belly bongos scene and will probably end up making art about it. Fantastic read, made me viscerally emotional.
At The Bottom Of A Duck-Shaped Crater by CaveDwellers (April / Donatello - Drama / Comedy - Complete) One part worldbuilding for the apocalyptic timeline and one part heartfelt comedy from the perspective of Miyamoto Usagi. Leonardo adopts a babysitter. Casey Junior saves the war effort from collapsing under a dick-measuring competition. April may or may not be about to kill a man. CaveDwellers is among my favourite writers for several reasons, but this fic really highlights her strength in blending several different kinds of relationships in one story and building a plot that delivers achey-breaky sentiments without having to structure everything around romance. (We're also developing projects together; keep an eye out for the "next in series" button at the bottom of the AO3 page for soft apocalyptic stories of a similar nature!)
Superfight by Swordfright (No romantic focus - Drama / Comedy - Complete)
An easy-reading one shot! Leo comes to terms with being a teenager, Donnie calls his disability out for what it is, and everybody plays Superfight the card game. The author writes in a very Douglas Adams-y style, resulting in a wheezing-on-the-floor-funny reading experience. If you're burnt out on fandom angst and need a pick-me-up, this is 900% the fic for you. It got me cry-laughing with just the quick refresher glance I gave it to put this recommendation together.
Now That's What I Call A Vacation! by WayWardWatson (No romantic focus (?) - Adventure / Crossover - WIP)
This fic's a multi-feature! It's one part infodump about Japan's culture and tourist hotspots, one part study on what it means to cloak your identity to fit into the world, and one part surprise crossover with Usagi Yojimbo. I am OBSESSED with this author's takes on Splinter as a character; several chapters are dedicated to exploring his fixation on being "human again" and trying to juggle the life he once had as a star with the life he now has as a parent of mutants. Primarily this is a feel good adventure story about the Hamato brothers getting in touch with their heritage, but it comes in swinging with several different action/adventure plot points and drama beats to keep a reader invested. Legitimately have no idea where the author's taking things, which makes me all the more excited for the ride!
One Step Forward, Fall Forever Back by GriffinStone (No romantic focus - Action / Mystery - Complete)
This fic is one of those slight universe alteration stories that takes a one-off thought and runs with it: what if Casey Junior died on his way through the time rift, spawned into the past as a ghost, and Leo was the only person who could see him? Promise the execution is way less daunting than it sounds -- events move along at a breezy pace and characters never spend very long lamenting the whole dead boy situation. The final battle alone is so chocked full of found family ride-or-die energy between the two protagonists that it's worth the rest of the adventure playing out pretty similarly to the movie. Definitely a treat for those of you who are big on Leo-Casey interactions.
A Mixed Bag by MusingWordsmith (No romantic focus - Action / Comedy - WIP)
What if I told you there was a fic where the turtles of every major tv show TMNT iteration shonen anime-style battled their way through challenges in mixed teams of four in order to defeat a team of evil overlords who may or may not know what they're doing re: evillness? Trust me when I say this story is fun -- it blends comedy and drama flawlessly, and the author totally committed to the bit in keeping each version of the turtles loyal to the genre of their individual canons. The 1987 turtles are breaking the fourth wall. The Rise kids are absolute supersoliders. 2003 Michelangelo somehow ended up as the babysitter of his particular faction and is kind of having a crisis about it. I am so beyond impressed at how well this author distinguishes each character and keeps who's who from getting too confusing, which is a common issue in TMNT crossovers. Reading this fic feels like watching literally any version of the show as a kid on a Saturday morning. It is a blast.
Medium
Young Root, Old Rock by SiryyGrey (No romantic focus - Action / Thriller - WIP)  
Shortly after the Kraang invasion a mysterious file of an unreadable format shows up on Donnie's computer, and he's driven by an intense curiosity to decipher exactly what it is and means. This author goes HARD on creating tense, muscle-tensing atmosphere, which is balanced out by extremely tender character interaction. Casey knows something he's not letting on. Donnie makes himself a robo-brain. Leo blows up his brother. You ever wanted an adventure with the blorbos that was also an ARG? Cryptic messages are sprinkled throughout the chapters for readers to decipher. Mind the tags but absolutely do not pass this fic up!
No Rest For The Weary by Nekotsuki (No romantic focus - Action / Adventure - WIP)
Ever thought "hey what if the movie just kept going and we found out what happened to those other kraang"? Hello and let me introduce you to THE post-movie out of frying pan and into the fire fic. I have it on good authority that this author was a big name in the 2003 TMNT fic scene, and I suspect for good reason -- this story perfectly blends heart-pounding action with A+ belly laughs and solid found family energy. Donnie hacks cute animal emails and narcs on the enemy. April fights zombies back to back with Barold Draxum of downstairs neighbour fame. Raph gets tranquilizer-darted by his brother for being too emotional. 100/10 wild ride, cannot recommend highly enough.
I May Be Invisible, But I Still Look Good by Dandy (No romantic focus - Adventure / Thriller - WIP)
Several TMNT AU competitions have made this fic a household name, and for good reason -- the author's come onto the scene with a bold, fun plot premise: after a battle gone wrong, Leo finds himself alive but unable to be perceived via sight, sound, or touch. Naturally, his family assumes he's dead. While it starts on the angstier side, this story's got a lot of heart and shoves tenderness into every possible crevice; the longer it goes on, the more tears are swapped out for laughter, and anguished dialogue-heavy interaction trades place with high-octane action. Worth sticking with!
Creation, Haunted And Holy by Greenglowsgold (No romantic focus - Drama / Thriller - Complete)
I lied about the romance it's Donnie x Technodrome with a twist. This fic reads like fascinating poetry, and does right by its source material by taking one of the fandom's favourite angst catalysts and turning it into a demonstration of the strength of love. Looking for something wildly different? GGG's got you. Would also highly recommend their outside-POV slice of life fic Midtown Mutants!
Dark
The Lemonade Leak by TurtleSoupSwimmer (No romantic focus - Horror / Thriller - WIP)
How do you explain to your family that your twin brother's possessed when you have no evidence, aren't sure if said brother is still alive somewhere inside the zombie, and revealing you know something's wrong could get everybody killed? There is no describing how completely feral I've gone for this fic - the author's technique of starting chapters with small, raw, seemingly unrelated scenes that segue into the current plot and enhance the tone or underlying message of the story is just incredible. They've given the turtles a fascinating mutation feature that adds layers of intrigue to the plot. The character interaction is heckin' tender, we got a nice scoop of self-worth issues from Leo to deal with, and the scary scenes are grip-your-phone-and-stop-blinking scary. The author promises a happy ending but that doesn't make Lemonade Leak any less of an incredibly tense ride. This is a fic I jump on the second I get the AO3 email notification.
The Smoking Gun: A ROTTMNT Tactical AU by AlienMadame22 (Donatello / April - Action / Adventure - Complete)
Agent Bishop of the EPF stole four turtle mutants away from their father as children and raised them as militia; dad's gotten back in contact and intends to break them free. This author absolutely took off running with the tactical AU prompt that various visual artists started up, grabbed a handful of canon concepts to mess around with, and mcguyvered together a wild ride of a story that continues to catch me off guard. Strap in for a fic riddled with emotional complexity and character nuance, and come prepared to cry. Fear not the ship tag, as the fic is primarily non-romance-focused and the ship elements are handled in an interesting, convoluted way that works to further the plot and add comedic value. Smoking Gun is a refreshing new concept in a very busy fandom tag and I have been eating it up like candy.
The Dawning of the Hour (Series) by Faiakishi (No romantic focus - Horror / Drama - WIP)
Donnie is captured and brainwashed by a pre-Vegeta-arc'd Baron Draxum, who subsequently starts parenting the kid out of guilt while using his talents to fuel the canonical Mutate All Humans takeover plot. It's been often called the Donatello version of Like Father Like Son, but that does its storytelling a disservice - this series goes much deeper in the psychological and physical horror direction, has an underlying political intrigue plot, and spends a generous amount of time with the secondary cast (plus a few excellent OCs) in order to really ramp up the intensity of the premise's whole situation. The first story is very whump-heavy, but does a lot of setup for fic two: The Drax-Daddening, which gives Donnie a friend in Cassandra Jones and finds more space for affection and comedy. The author's ramped up the sources of conflict several times over in the first few chapters of the series' second fic, making rescue by the Hamato feel ever more impossible. Despite being a very complex and interesting read (grey-morality my beloved) I cannot stress enough how VERY not for kids this fic is, so proceed with extreme caution!
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witlesswitnesstm · 1 month
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I have been thrown head first into the Alan Becker fandom, so here are my headcanons for each of the characters
• Blue: He/him, 19ish years old
Only cis guy, totally a stoner, absolutely has blazed it with Yellow, has a genuine problem with netherwartz, has gotten really good at measuring by eye
• Yellow: They/them, 20 years old
Intelligent in most areas except socially and emotionally, has probably figured out a way to staple their glasses to their face so they don’t fall off in battle, second in command when TSC isn’t there
• Green: Any pronouns, 17 years old
The most tiktok fuckboy to ever exist, I think they’d legit love brainrot humor. I think they have the typical story of a confident front but they’re actually a bit of a softie on the inside. That isn’t to say her confidence is fake, but it’s not all there is to her
• Red: She/they, 17 years old (youngest)
The most passionate, feels very strongly about most things, probably debates TSC about a bunch of different topics. I think she has an inferiority complex and is trying to prove herself to everyone, but keeps failing
• TSC/Second: He/they, 18 years old
Aroace, Jaded shonen protagonist, very headstrong, a little sick of everyone’s shit but would sacrifice the world for them, very curious and excited to learn new skills. He can get pretty introspective, and has a math/science > English/history brain, probs also has insomnia cause he’s so tired during the day, probs has ADHD too
• Purple: He/him, probably same age as Red
Trans guy, very closed off, lets no one see his insecurities, seemingly unrequited crush on green, not good with emotions at all. I feel like he mostly relied on his facade of confidence until it just started cracking more and more. He desperately seeks approval from everyone even slightly older than him.
• TCO/Chosen: They/them, mid-late 20s
When they went to the outer net with TDL, they were mostly just looking for some kind of cathartic release from all the anger they held towards Alan, until they realized the consequences it had on real people and websites. They thought they were this kind of liberator figure when in reality, they were just pointlessly destructive. Them and TDL dated for a short period of time after they arrived in the outernet. They only had each other for a while and the shared trauma they had faced together sort of swept them up into a relationship. Also they have PTSD
• TDL/Dark: He/him, slightly younger than TCO
He never let go of his anger. They never went into the outernet with the goal to liberate, they went in to destroy as much as possible so they wouldn’t have to feel the pain of processing what they were made for. He figured if he could finally get rid of all computers, then his code wouldn’t force him to be aggressive anymore. He was genuinely proud of his project and thosught TCO had the same ideals as him. He also has PTSD
• Victim: He/him, early 30s
By far the weakest of the hollowheads, dresses very formally, and was fully aware of what he was doing to Chosen
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sneezemonster15 · 7 months
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I wonder why do you think Megumi and Itadori are portrayed as romantic, but not Suguru and Satoru? Sincerely I want to see your thoughts about it, since to me, Satosugu akways appeared as more ambiguous than Itafushi
Ah. You are right, SatoSugu is more ambiguous than Itafushi. But I really want to finish reading the manga, at least the currently available chapters before I write a comparison. I will though. I promise.
But see. A writer needs to establish certain things before he can establish a romantic dynamic between two same sex characters, to make it believable. It needs to be strategic to be believable in a seamless manner. If two men love each other in a generally heteronormative world, then the writer will definitely establish their sexualities because it's an instinctive response, the audience will wanna see it to believe it.
If two characters are gay, or not straight, the writer will show it. And Gege does. He makes Todo ask such a question to Megumi. He makes Megumi think about it. Megumi says - 'person' when he was specifically asked about a girl. Look at the specific choices the writer is making. He says he only cares for compassion in his prospective mate, and what is Yuuji's USP? Compassion. Yep.
Not Nobara.
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Yuuji.
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Anyway, from that, we are able to glean information about Megumi's sexuality. And it certainly doesn't look straight. This is all very strategic and deliberate. Megumi is characterised as a self assured person, a thoughtful and introspective person, who knows what he likes and dislikes. In fact, if anyone had bothered to ask Sasuke about his preferences, he would have answered similarly, with a similar attitude too. Hehe.
With Itadori, Gege makes it a point to talk about his sexuality as well. So Itadori is shown as a person who is indecisive. Gege describes him as indecisive. Of course if he is made to be in a position where he needs to think, he will. He is a bit slow, but not a complete idiot. He has a decent learning curve.
He likes tall girls, this is what is told to us. But we are SHOWN something else. When he is asked what girl he likes in his class, he says Ozawa, who was neither tall nor pretty at the time. Isn't it contradictory? Didn't we see the same kind of contradiction with Naruto? Like one would have expected a straight boy to react, he didn't. He didn't objectify girls, like most straight teenage boys would do without a second thought. There is so much conversation about what type of girl her likes. But when finally a tall Ozawa comes along, Yuuji isn't interested, not romantically. Todo asks him the same question and he is baffled so he says something he has been saying for a long time.
People get curious but you wouldn't wanna say something private like this to just anyone no? Especially when you are yourself confused about it. Yuuji is also not like Megumi.
So what you are getting from this is Gege is establishing their traits and sexualities without being too explicit. And we know writers can do it, we have seen it with Naruto. Sasuke and Naruto's sexualities are also questioned and established as not straight, not explicitly but it's clear to perceptive fans, no?
There is a lot of other stuff that confirms ItaFushi.
The characters of Yuuji and Megumi are influenced by Naruto and Sasuke, Gege has admitted it. And I am ready to bet that Gege knows what Naruto the story is truly about.
Gojo outwardly seems like Kakashi but he ain't in the most important way, he isn't a slave to the system, he wants to change the obsolete ways of the system, he is the protector of his students, someone who actually understands them. Sasuke and Megumi are quite alike but Megumi doesn't have Sasuke's conflict. Yuuji is like Naruto characterwise, but he doesn't have Naruto's insecurity. Nobara is like Sakura on the surface, hot headed and loud, but at her core, very different from Sakura.
JJK is like Naruto 2.0. I am not saying it's better or worse. They are two different worlds. What I am saying is that Gege is sort of correcting everything that went wrong with Naruto, in his own manga. Things that fans like us hate. There are a lot of notes I have made about this, but I want to finish the manga first before writing in detail.
I updated my stance on SatoSugu when I got a bit more into jjk. But the reason I am not sure is because we don't see their relationship with the same kind of development like Megumi and Yuuji. Yuuta makes a joke about Gojo finally getting a gf, which he dismisses. And I noticed. But we didn't see Gojo and Geto's relationship being developed from the beginning. By the time Amanai incident shows up, we see them as best friends, they are obviously very close. But it really doesn't seem romantic at that point of time. They mirror each other, they roughhouse, they fuck around together and then find out lol, but they really do seem like good friends. However, I noticed some things with grown up Gojo and Geto, which could indicate a romantic attachment.
The markers I need to see to believe Satosugu is definitely a romantic relationship aren't as established as Megumi and Yuuji's relationship. If it's romantic, the writer will give us this information for sure, one way or the other. But there is a lot to be seen yet. Gege's non linear storytelling will certainly come in handy.
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lulu2992 · 1 month
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This interview with Drew Holmes, now the IP Director of the Far Cry franchise, is two months old and I haven’t talked about it yet, but there are a few things he says that I really like and think (hope) bode well for the future of the series!
Like what he said during the 20th Anniversary livestream, the article confirms they’re aware many fans love the villains, but what’s even more interesting is that it suggests they know some people would like to have the possibility to side with the antagonists. This has never been an option (except in New Dawn, sort of) but we know it’s an idea they’ve been considering at least since Far Cry 4. When I read,
“Some players may see that the villains are going too far, but also see their point, and think: ‘If I work with them, I can make them see the error of their ways and change them.’”
or,
In continuing to fight the antagonist, all the woes of the world are not resolved; and in joining them, society does not collapse. “Defeating the bad guy may seem like the thing that you should’ve done,” he continues, “but what are the things that you’ve done along the way to get here? And if you joined the bad guy, is there a glimmer of hope? What happened to the people you met along the way?”
it makes me think they might seriously consider finally letting us join the villain(s) in a future game. As he implies, making such a choice would surely have big repercussions on the story and characters, but it’s part of the reason I would love to have this possibility. I’ve never seen that in any other game I’ve played, and I think it would be a bold and interesting decision if it became an option.
I like this as well:
Drew mentions that [Far Cry 3] holds a mirror to the player and asks: “Look at the things you’ve done. What do your actions say about what you value?” 
It’s pretty much what Jeffrey Yohalem (Lead Writer) and Dan Hay (Executive Producer and basically Drew Holmes’ predecessor as head of the brand) said about Far Cry 3 at the time (for example here), so seeing that they’re all on the same page is great. Of course, you’d expect an IP Director to have a good knowledge and understanding of the franchise, but since I’ve already seen Far Cry 3 devs completely contradict each other in interviews, that wasn’t guaranteed… At least, and even though he wasn’t even working at Ubisoft when the game was released, I’m glad he knows what he’s talking about!
I also really like the parts about how Far Cry games are supposed to make players feel uneasy or are really about how far someone (protagonist or antagonist) is willing to go for what they consider right because what seems “moral” can change depending on the situation we’re in, and everyone, in very specific and extreme circumstances, can potentially “become the jungle” that initially looked so scary and foreign to them.
Usually, in Far Cry, the characters’ motivations are clear, and even if we rarely agree with what they do, we can almost always understand why they do it and even have sympathy for them. As he concludes:
“When we help each other, what is the reason behind it? When we hurt each other, what is the reason behind it?”
These questions have implicitly been asked many times in the series, but no clear answer has been provided because, as the interview explains, Far Cry games are supposed to “evoke feelings and make space for introspection”. In the end, only we, players, by experiencing the stories and meeting the characters, can find out who we truly are.
In my opinion, it appears the franchise is in good hands, and for now, I have hope for the future :)
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skunkes · 7 months
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sorry if this is a silly question but do you like. sit down and talk with your ocs in your head? and they tell you about themselves? how do you get them to reveal information....i am begging mine to let me know them orz
I do! In several different ways ^_^ the trick is to think of yourself as a character in your brain theater... ill mostly be explaining thru examples and using silly language ^_^ and its more How I Do It vs a how to....
"Sitting down and talking to em" interrogation style only happens before they're fully formed. when talon still didnt have very many traits it was like we were in a white room with 2 chairs... although you COULD make a scenario out of this its usually the Before for me. final tweaks in the form of basic traits and info before sending em out for further development
the way i get ocs to tell me about themselves is more thru actions! with talon I "locked him in a room" with al in the form of imagining how they'd meet. because I set it in talon's decrepit home with no running water or electricity, there come questions like. would he be accommodating? would he explain the vampirism or just rely on flashing his fangs or hiding them until its time to bite? these arent questions i actually went into the scenario having, but as you Play Dolls its questions that get answered anyway, ykwim? (although you could also go into the simulation (lol) with questions you want answered!) And its your brain so you can do as many takes and tweaks as you want, and things develop as you imagine the same thing, or different things, which all inform a character.
Scenarios could be anything. Im a serial daydreamer so anything goes depending on how bored I am or what im doing... and just like with real people, every scenario is a way to learn more about somebody...! It's like improv in your brain as you think up how they'd react and respond to things, and what they'd say. But also, going with your oc to the grocery store or a restaurant or to slay a dragon could give you insight into their behavior but likely not any info about their trauma or whatever, just like real people (but it also depends on the person) (and the oc!)
I DO have "sit down and talk" scenarios once i feel ive learned enough standard, early level friendship stuff about em though. It's much fun if you set the scene in your mind to mimic a real life Deep Conversation session. Sitting in the backyard on those plastic chairs, or aimless car ride at night. right now the one I keep going back to is just. Loafed in bed when you're really sleepy and just starting to say anything about anything and maybe get a little sentimental. sometimes its just me talking but I obvs have the ability to imagine how he'd be interpreting that in his brain, ykwim?? You play several roles at once I guess. It's like the sims, switching back and forth between povs, but the level of immersion i get into never feels like I'm Making Them Say It, it just feels natural at that point because I've learned enough.
There's also information that's shared by you figuring out what they'd Think (as above) vs what they say which is also fun characterwise... AND ALSO while im daydreaming scenarios I do multiple takes to find their voice. Like, I'm an overexplainer, a detailed therapy-speak-er. Sometimes I catch myself giving ocs that Voice and I have to do a retake. Like hold on, Talon would NOT be introspective. He wouldn't share all that shit I just "made" him say even if it is true and now I know about it. He'd say something insanely vague and confusing if anything at all. Let's take it from the top. etc
It rlly is about immersion! You have to have fun with it! Sometimes it's so Real to me that I genuinely can't develop an oc further because I cant make something up for them and they wont "tell me", which means I just have to spend more time with em I guess! or maybe need to leave em alone for a bit. or maybe ill never know (<- which also tells me about em!) just like real people. treat the fake people like real people in your fake dollhouse brain theater sims lot puppet show simulation.... also i added more in the tags bc i didnt know where to put it in the main txt 😭
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weekend-whip · 11 months
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Ninjago Fic Rec Week: Day 3
Prompts: Angst / Kai Recs! *aka the best combo ahahaaaa*
Angst Recs (get ready for a lot of Wu being sad):
The Tale of the Teacher: BASICALLY a look at Wu's very tragic life through the eyes of Wu himself, and my personal inspiration for all things, well, Wu and tragic (and you do need to be logged into an Ao3 account for this one). A must-read for all Wu fans, and especially for those who are not~
Photographs: Wu reminiscences on all he's lost in the midst of Season 11 through pictures of times gone by~
No Eye For These: Wu reflects on losing his brother, right after just banishing him ;w;
It Will Rain Again Someday: Not necessarily angst but fills me with enough emotional damage to feel like it is, Wu adores his older brother so so so so much, even when they butt heads, even when they have opposing but equal opinions, even when they're on opposite sides of the battle field...probably the most potent Spinjitzu Brothers thing I've ever read. Changed my brain chemistry, man.
for want (for nothing): the staff corrupted!kai story that speaks to me very specifically snksnksnk Reading the gradually (or not so gradually) descent into enveloping himself in all that power is maddening and awesome and so very painful
Cry Me a River: Kai Post-Seabound; short, bitter, visceral, and powerful in the deliverance of emotions~
Married to the Sea: In case anyone wanted to relieve the pain that is Seabound's ending again, but with a Jay-colored coat of paint <3
half hearted-boy, maybe we'll have more connection: GUT-WRENCHING thing on parallels b/w Lloyd and Harumi. I am not the same person i was before. Tragedy does not have an age limit.
Kai Recs:
All I've Ever Known: One of the best kind of fics- Kai having to cope with team bonding during the events of the pilots <3(I have very obvious tastes). But! Has a lot of introspective Kai moments and outrospective (?) moments with him and the future team he's one day never going to imagine a time without.
Spice, and Everything Nice: Kai, in both a show of brotherly love and brotherly pride, attempts to outdo his siblings in a test of all things spice and chocolate. It's just so cute aaaaaaa!!!!
Bonfire: Lloyd wants to make a fire, Zane tries to offer suggestions, and Kai makes it personal. Slice of Life fic that would have made for a nice little episode during Season 2, honestly! And a nice look at the characters outside of their normally hectic settings~
Flicker: A story about Kai and the warmth he brings to himself and others, doesn't seem like much at first but you will be gutpunched by love and softness by the end~
Bucket List: In the category of angst and Kai with probably a guilty pleasure fic of mine, Kai strikes a deal with Morro and a horrifying journey of self-discovery ensues. It get a little dark but it's funny, gripping, heart-wrenching, and will probably have you looking at Kai in a new light by the end of it.
N Stands for Neutral: Kai teaches Lloyd to drive, chaos ensues, nuff said
Why Birds Fly: Probably not for the squeamish around eggs, insects, or ear-related agony (it's not nearly as bad as I'm making it sound I promise just being cautious) BUT another non-life-threatening crisis story that has an amazing dynamic between Kai, Cole and Jay, and their tendency to be both the best brothers you could ask for and the absolute worst.
The Process of Making Amends: Kai and Garmadon butting head and it's goes about as well as you'd expect....but, there is one thing they can reach a consensus on.
Going, Going, Gone: Vintage Classic on kai's take on Skylor throughout Season 4. Definitely Kailor, but also not exactly "shippy". It really is more of a character examination in the form of lil snippets and it lives in my mind rent-free.
From What It Was: Kai reflects on all the changes in the team post-s7. It makes me misty-eyed every time ;w;
Kai and the Futile Fist Fight: Anyone wanna see Kai and Jay have a real fight during Crystalized, with 50% more awesome fight moves and 50% more raw emotion and 100% more Kai being distressed over his sister in his own way? Here ya go!
"Mr. Smith" At Your Service: Kai pretends to be Nya's father. Nya gets far too much of a kick out of it, and it goes about a well as you'd expect snksnksnk
broken pieces: More Pilots!ninja bonding, short and sweet and ofc with a special focus on Kai! Left a very big impression on me, haha
this isn't how it's supposed to be: MOAR PILOT BONDINGGGGGGG and UNGH it's so BEAUTIFUL, especially love the character dialogue in this one!
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