#and this is a fun style to draw in when i dont feel like putting too much effort

[eeveekitti]

i have Thoughts and Feelings abt spearmaster

[buneok]

im actually rly proud of this,, ik it’s a simple lil drawing but i rly like this style and this is what i want my art to consistently look like what do y’all think

[charliecuntcicle]

“rossmos artstyle doesnt fit the book” the book is about tim living in a boat based queer communiy and beating up old poetry it deserves silly fun art

[13eyond13]

.

[dexaroth]

it's kind of a fun move to make my very very personal blog also the one I post my drawings on

ive purposefully done it to not create that kind of environment where it's just an account posting art, a one-dimensional abstract thing that's so detached that if I were to post something like 'teehee I tried to off myself so I'm opening comms to pay the bills' it'd be met with utmost surprise bc it'd break the illusion yknow?

but sometimes I do want some drawings to not have context. to be as impersonal as a vintage figure whose sculptor has never been fully known or a golden locket with the picture of someone who you don't know anything about

I want both, to be honest. it's always been a struggle of the need of external validation but also to not want to taint everything with myself

I want to draw a pet portrait for someone and not have it be judged with all the ramblings and half-jokes about how everything sucks every now and then.

I want to draw a guy being mechanically separated for no reason and not have it show up besides someone's pet portrait and having to explain to the average person I don't even know why I like gore so much besides rendering it is fun

it's all like a cycle of making it clear who is behind the art for context but also sometimes wanting everything to speak for itself and wanting a sort of pure reaction to it

and it culminates into that overly familiar feeling.. of wanting to be consistent. to have a feel, a look that you can maybe hope someone will identify as yours.. and the question is always the same - for what? why? why does it matter?

if anything the first thing I'd ever say to someone who remotely showed interest in art and wanted to know my side of it is that nothing matters and everything is subjective and that there will always be people who see too much meaning where there isn't and people who miss the point entirely. and that diversity is just as good as quality and not a binary switch that you have to pick for the rest of your life. and that often by trying to achieve perfection you just end up dumping what gave your art a personal touch because it wasn't absolutely on par with the version of you that you so desperately want people to identify you with or the vibe you want to give off or whatever else

it's kind of a problem that also has different connotations depending on the way wherever you post works, too

on devart and I think insta too favorites and likes are the easiest way to show a kind of support that happens to streamline everything into images on a page instead of actually taking in most detail, the title or description or lack thereof, maybe even a message or line or music lyric intended to aid in the perception.. that ends up getting completely ignored because it takes extra effort to do. and it gets exponentially worse the more people you follow

then, well.. tumblr. because of the way the posts are organized and at least show captions it has a bit of a leg up, but then the sideblog stuff comes up. posts 95% of the time only give traction to the account that posted it, so a sideblog where you reblog your art is pretty much just a gallery for the convenience of whoever follows them. if you post on that sideblog however, then that facilitates no one visiting your main and just looking at the drawings, leading to the art-artist detachment as it is also plenty of extra steps and effort

then, independently, the path you choose is hard to undo. choose to be unknown and be bound to the façade you have to keep and not break your persona, or put all bits of yourself out to the public and there will forever be an image/ background version of you that will contextualize everything you do

try to turn around and choose to hide and it will put people off and affect how some will look at your new stuff now that you're less of a social butterfly because of the instinct of curiosity and wanting to know what happened , choose to show yourself and now you're too real and people don't want to associate with you because of the things you express or how it hits different knowing x and y or just not caring about you enough to be bothered to keep up with your life with sporadic drawings inbetween

it's all ironically about your own self-image and knowing others who know you

oh and it just hit me the financial side of things too. but that's too much for me rn and it's sort of a bonus to my point anyways

idk man. I feel like I'm having a stroke while an influencer tries to explain branding to me

[grimark]

man i think i fucking forgot how to draw again

[syscardinal]

hihi!! i love your art sm !!

im curious on how you draw your chibis? they are so squishy and theyre like mochis and blueberry muffins (in the best way o m gee) !!

like hows the anatomy/posing work for you? tips would be super super helpful wow

Hi! First of all, thank you! This is a hard one cuz I dont usually draw chibis ehe, but I will try to aid you with the few knowlegment I got. As you can see, I have a lot of styles when it comes to draw cheebs but I think i can resume it in one word: SIMPLIFY

For example, here's a drawing of Gaming I did. Let's dig into it!!

First I tried to replicate the same pose Gaming has in his official art, notice that this not have to follow exactly the same guidelines. "Why?" Well because when drawing a chibi, theres some limitations since the body shrunkens, there is a variety on how cheeb anatomy works but I'll get to that point later-

Forget about detailing too much, like putting in the cheeb every wrinkle of the clothes, every strand of hair or every little costure. With this I am not saying that you have to get rid of ,for example, Furina's decorations in her hat, instead you can simplify them!! If you consider that detail important enough just draw it! (See the image for a example on how I do it)

Negative Space oh man my art teacher used to talk about this a lot and in chibis this is SUPER relevant. A good negative space always leads to clarity, and since cheebs are a really little thing,what we want is exactly that, clarity. Try to make a clear silloutte of what you are trying to convey in the chibi, this will make it look 10 times better for starters.

Lastly, dont forget that cheebs follow the same rules as a normal drawing(like line of action, perspective, etc) In case of cheebs though is usual for the heads, eyes and mouth to be bigger, I'll explain in more detail this below!

Here's the speedpaint for more detail:

Lets go now with Anatomy and Proportions, as I was saying above, there is a lot of variety in cheebs anatomy. I dont think there is a wrong or correct way to draw a chibi here, there is just a lot of ways to draw them altough usually it follows these points:

Chibis are no more than 3 heads in height, after that it just stops feeling like a chibi drawing.

Eyes tends to be bigger, generaly eyes occupies 1/3 of the head. In my case I like to make the ears also just as big as the eyes with the shape of a bean or simply a circle. Moving to the mouth, I draw a simple shape of a triangle, just including the teeths when they smile.

Depending on the proportions you choose, it will give you different results, here you have to choose what you want for your chibi, for example: A proportion of the size of 2 heads + It gives you the liberty of draw more details and complex poses. On the other side a proportion of 1 head or less makes the chibi simpler but at the same time more cute to look at(see my examples at the end of this post!)

Last but not least, use this chart just as a reference, you can draw the bodies roundier, taller, tinier. Its up to your liking!!

Hope that this was not too overwhelming haha, I am not an expert on drawing cheebs but they are fun to try! I tried to summarize my own knowledge and mixed it with some google search(ehe)

Please dont hesitate to try as much as you want, there is a lot of ways to draw the tiny ones and none of them is incorrect. Hope this helps you and thanks for reading!!!

Here are the examples I mentioned above!!

[missn00tson]

Yoo Wooin headcanons

Hi, the Wooin landscape is barren af, so Im here to offer my headcanons abt him.

Hope you enjoy!

Nb!Reader

Sfw:

He's Bi, or def fruity in some shape or form.

I once read abt him being in a poly relationship and it has been ingraved in my mind ever since.

Def the type of guy to do a lot of pda. He likes to slap your ass in public, a lot. He's not the type of guy to be gentlemanly and open the door for you, but when he does he will slap your ass as he enters after you.

How comfortable he is with you changes a lot about how he acts with you. When you've been a thing or sortof thing for a long time he will get less... annoying? Dont get me wrong, he's still a litle shit but shows more of a caring side of his. It also ups his aftercare, like, he doesn't leave u or kick u out right after sex.

True to the story he's a little shit always up to somthing, and up for anything. He'd prolly not think twice if you suggest to do smth strange or dangerous.

Would spoil u excessively w gifts. I cant promise u theyre pretty (you have seen his fashion style, its not for everyone) but they will be expensive for sure.

Buys you matching clothes and expects you to wear them so he can show you off.

Will ask you to draw anything and get it tattooed. No mater how good your drawing skills r, if u can hold a pen you're good.

He's pretty good at drawing himself, but just like the rest of him his drawing style is rather... unique. He had been interested in becoming a tattoo artist for a while, and would become one if he didnt get as much money from illegal activities as he does.

Would do drugs and other types of substances with you for fun. He especially loves doing it before and after you've fucked.

He has the most obnoxious alarm ever (if he even feels like getting anywhere on time) and takes too damn long to turn it off.

Types with the most incoherent text messages ever. His texts r abbreviations from hell and as short as they can be. The only emojys he uses r 😎 and 🖕🏻

If you use the middle finger emoji tho he'll tell u it means u have a small dick just to annoy you.

Leaves you on read when you dont ask for a specific answer. He wont answer with an "okay" or anything either.

Would randomly call u at 3am and ask u if he was with u last night when the cops ask him for an alibi. It doesnt matter if he did it or not, he'd lie.

Dont expect him to cook. If you're eating at home it's just simple cupnoodles, otherwise he goes to eat out for every meal.

The guy walks so. Tremendously. slow. Like, showing off walking all badassly but walking slow like a SNAIL

Has the most annoying morning alarm ever (if he even feels like getting somewhere on time) and takes an eternity to turn it off.

Doesn't include you in his job, but isnt super secretive or apologetic abt it at all either.

He's total shit at talking about his feeling other than "annoyed" and "horny", same goes for consoling you about yours.

When you're not close yet he will most likely leave you to yourself as he has no clue how to deal with it other than letting it pass. He might offer you to do something you like to put your mind off it.

If you're more of a serious (for how serious it can be) thing he will try to console u in his own way. He will stay by your side, most likely uncomfortably staring in the distance until u tell him what you want him to do.

Strangely so, these are the moments where he's uncharcyeristicallt distant. Usually he's a guy with 0 personal space but then he just lets you be until he gets told otherwise (sounds submissive to me ahEm-)

If your just a bit down (and he has outruled the possibility that you're mad at him, so you wont atack him outta nowhere) he will try to cheer u up with stupid dirty jokes.

Nsfw:

Would be into crossdressing. More so himself than his partner, but I can see him wearing a short skirt for shits nd giggles once and realizing things abt himself.

Looooves doggy style. Esp when he tops. He loves watching himself sliding in and out of you while you fuck, it just awakens something inside of him.

Would be the type to push u deeper while youre giving him head.

As an adrenaline junky he loves the idea of fucking and teasing in public. Even better if someone else watches.

Def some sort of sadist. He esp loves hour long edging followed by overstimulation. (I dont make the rules. I do but I dont :)

Loves the idea of phone sex, until he gets too horny and wants to do it himself.

But moments like those r the easiest moments to dom him. Yes, he's a switch, a brat for sure.

Even if he doesnt like to admit it, during spicy time is the only moment ur allowed to order him around and having a chance of him listening.

Dont overdo it tho, if he doesnt feel completely at ease w u yet he'll snap right out of it again (esp when he was planning on domming) and rail u even harder.

His rythm is slow and teasing at first, trying to tick you off, but as his own high nears he rams into you with short but quick thrusts.

Continues to fuck you even after you both came, enjoying the pain it gives him and the strangled moans and grunts tou let out.

Loves it when you beg. He loves feeling superior and being worshipped.

Though when hes subbing. Degradation kink. Im telling you. D e g r a d a t i o n

Hes not a gentle guy, he get turned on by seeing your tear stained face. He'd lick off the drops while he's pounding inside of you, wishing you'd cry more.

When he praises you he'll always degrade you at the same time, often using degrading nicknames. "Such a pretty slut for me" "This pathetic doll is taking me so well, aren't they?"

Loves when you bite and scratch him. It sends him straight over the edge when you scratch his back while he's fucking you.

Especially when he's bottoming he loves it when you leave bite marks allover him. On his neck, hut also his inner tighs make him weak in the knees.

You can bite down pretty deeply. If it draws blood, he'll slightly spread his legs further for you to lick it off.

Loves it when you moan around his cock.

Def a hair puller while recieving head, bobbing your head forcefully up and down making you gag.

He asks you to show your tongue after you've swallowed.

Loves calling you "my good slut"

Enjoys having his hands tied back while you ride him. He loves the way you body bounces while you move atop of him while he strains his hands in his cuffs.

He loves when you use him, ignoring his needs and pleasuring yourself.

The idea of his partners useing him while he's tied up and gagged, unable to stop them from edging and overstimulating him. One on top of him and the other eyeing them like a predator. Man that's maybe even better then drugs for him.

He loves hunting. Whether it's chasing you in a haunted house before taking you against the wall or you chasing him before making him crumble under your fingers.

Even though he's a shit, he knows the importance of knowing what your partner wants, and he'd make sure to get to know your prefrences beforehand. After all, what fun would it be if you're not up to do what he wants?

Aftercare after quickies is rare but when you have played a scene with him he will help you clean up and ask you about your opinion of the scene.

He knows no personal space. He cuddles with you until you both fall asleep, but leaves in the morning after showering and eating. (ofc depending on how close u are. If it's just a one night stand he leaves for sure, unless u put some magic on him. If youre more of a regular thing he'd make himself comfortable until u wake up and leave afterwards)

I have no clue how many words this is, but thank you for reading! :)

IHis lips also look so pink and juicy in the newest chapters, did he buy him some lipgloss or smthh?? I love itttt

[arugan]

Dream sweet in sea major ft. ssc

explanation below ⬇️

Second stage children are the most interesting characters to develop, drawing them was so fun.

i had an graphic designer assignement, it was about creating art, our path to create. but i didnt really understand the meaning of the assignement tbh so i gave this, with a silly explanation of how i create at the end lol. the song is Dream Sweet in Sea Major, from Musical Miracle. very good band i recommend.

i tried to give a meaning to each illustrations but to be honest my mind is not that smart, youll have shitty explanations and i hope i make it short lol.

"It feels like flying, but maybe we are dying" this lyric remind me of the whole group in general. second stage children have a limited life time, they have to make the most before its too late, their fightning style is compared to "flying" and their causes of why they do is because they are "dying" (ssc genes may dιε quicker since they dont live long (?)). i picked garo for this one, he is the one who fights alot

"A cosmic confluence of pyramids hologrammed" tbh i dont understand the meaning of the lyric 😭 i know it has a deep meaning in the song itself, but still. cosmic confluence symbolize the different timelines, all the ones that made saru forgot, which is the chalk trait he is tracing. he wanna make fey's head clearer as possible so he (fey or saru) can complete his mission. "pyramids hologrammed" remind me of all the hologrammed moments in cs, with el dorado.

"She knows you heard her" "Staging music murder". this time ill talk about the illustration. there is a part of the circle, it illustrate a clock, i was supposed to put "8" behind, why ? cuz they die at 20. sadly if i added a number next to all these typographies it wont come out great. instead i drew their logo team as clock hand. pointing in front of them. meaning time is going to kill them at "8". which explain the music murder.

"In line before the show began" that is so conceptual all the things i explain but bear with me 😭. in line -> zanark got enough talent/skills -> changed team everytime = reason why he appears 3 times cuz everytime he was in line to play again (show = match) (i drew him with braids because it PISSED ME OFF HIS HAIRCUT i had enough)

"To be where I am". "where" is pixelited because he is always looking for his place, he always moved on to other places, either its for matchs or looking for skills. and he only "found" his place when he miximaxed with clara j + joined chrono storm.

"Children born of one emotion", very basic and understandable. SSC were motived by one reason, people denied them the whole time, they grew up with one strong emotion : anger. (and saru is the only one to command the whole thing too, tiny detail)

"Our devotion's deepest ocean" this is one hell of a lyric but sadly i couldnt come up with a very nice illustration or meaning. their motivation is so strong they wanted to conquer the entire world.

anyway, sorry for the disappearance haha, i didnt have anything to post yk, homeworks and stuff. my first year end this 25th may, it went so fast

[adawngswife]

sean diaz + daniel diaz modern hcs

i kind of forgot this was exclusively modern at the end just ignore that LMFAO

- sean has no social media presence whatsoever

- a lot of people from school follow him but he only follows lyla and his track team back 😭 popular loner energy 🥀🐺

- i feel like if sean went to hs now hed be sm more popular esp w girls but hes rlly humble so he doesnt see it at all

- hes stupid and just thinks theyre being nice

- it gets on lylas nerves bc he refuses to believe anybody wants him 😭

- all his stories are like fireworks he posted when he was thirteen that he never bothered to delete

- its titled Highlights bc he doesnt know how to make an aesthetic instagram

- if anything, if he posts now its skate videos, drawings, or funny pics of daniel

- sean def takes 0.5x photos of daniel where his eyes go two diff directions and threatens to send them to lyla whenever he starts acting up

- daniel always throws a tantrum and esteban gets mad and tells sean to delete the pics (he doesnt)

- speaking of daniel he def got wayyy into skibidi toilet

- daniel tries to explain skibidi toilet n sean just tunes him out and says “uh huh” every so often

- hes those impressionable kids that gets into literally anything on the internet. among us, squid games, ROBLOX FOR SURE. sticky ipad baby energy overall!

- sean plays roblox with daniel on very rare occasions. i can imagine daniels avatar is decked out with limited items and sean is a bacon haired woman 😭

- daniel has definitely swiped estebans card a couple times under his nose for his robux…

- daniel purposely chooses games hes good at to watch sean struggle and die over and over again

- daniel watches weird kid youtube videos like… among us 24 hour challenge with spiderman and elsa giving birth kind of videos. sean gets really pissed off partly bc theyre rotting daniels brain and partly bc daniel always put it at max volume in the living room

- once sean gets paid he always goes thrifting. he fs goes to the bins and finds dirty dookie drawls every weekend 😭 but its worth it bc he finds cool shit

- as a skater boy i feel its obligatory for him to wear those afflication types of clothing as well as ironic graphic tees

- sean def wears baggy jeans in 2023 🙅‍♀️ none of that straight leg jeans from the game!!

- he also probably loves those ironic wolf shirts w the galaxy print n thinks theyre so funny

- sean also buys clothes in his style for daniel from the thrift n records 360s of daniel in his skater outfits

- “can i go play roblox now?” “no u have to cover ur nose when u turn around”

- got a buzzcut and surprisingly it looked really good

- esteban, daniel, lyla, and practically everyone else in his life kept making fun of him for being bald and would rub his head like a genie bottle tho

- daniels go-to is “well- well at least i don’t look like… look like caillou!” bc i imagine he tries to make funny comebacks but always stutters in the middle 😭😭

- eventually grew it back out bc he got annoyed at everyone making fun of him. they dont see his blond album cover early 2000s vision 💔

- daniel has no room to talk bc sooner or later he goes to the barber and gets a fucked edgar bowlcut

- sean laughs until he can barely breathe 😭 when lyla sees she TRIES to cheer him up about it but its too late

- even esteban laughs a little but only when daniel cant see bc he knows how much itd hurt him

- back to the blond album cover… sean LOVES music. his playlists are hours long

- i feel like he indulges in a super LARGE range of music likeee from bad bunny to deftones to pinkpantheress

- everybody hates it when he has aux and boos him off

- when esteban orders mexican food, sean and daniel both get horchata. sean dgaf if hes grown he still loves it!!

- i imagine esteban slowly stopped enforcing mexican food and culture overtime. bc of this, daniel knows barely any spanish and has 0 spice tolerance. sean always makes fun of him bc he goes gets water after a couple hot cheetos

- daniel tries to recreate those videos of people eating carolina reapers in hot sauce to prove a point and almost dies

- sean absolutely LOVES halloween. horror movies, costumes, the weather, everything abt it

- a part of him always gets jealous of daniel bc hes no longer considered trick or treating age anymore

- lowkey hed be willing to pull up in a full body costume just so he can trick or treat again

- when watching horror movies, sean will get way too immersed and start judging the people in the movies 😭

- daniels not allowed to watch but he peaks around the corner when estebans not watching

- “why the fuck is she just standing there? RUN! WHAT THE FUCK DUDE?!”

- “language mijo”

- he acts like he cld fight off the killer and explains his mastermind plan during the movie

- he doesnt admit it but he gets jumpy after a horror movie 😭 esteban and daniel take advantage of this every single time

- sean daniel and esteban are a tight knit family REGARDLESS of sean’s moodiness and daniel’s annoying gen alpha brainrot theyre so 😢

yes im aware that 2016 wasnt tjat long ago but i dont want to imagine sean diaz enjoying dank memes and saying boi 💔

[wasyago]

Your art is such a huge inspiration for me , i was wondering if you had any tips on anatomy ? Your way of doing it is so fluid and fun to look at and i struggle a lot with stiffness .

welp, long post incoming, sorry i really didn't want to write all of this on the canvas, so most of it will be in text + pictures

(also please keep in mind that this is not a 100% correct way to do this, but this is how i do it)

first, a little secret you need to know. none of my drawings are actually anatomically correct-- its more about proportions and lines of motion than it is about anatomy (since you said you struggle with stiffnes). now, of course anatomy is important, especially if you're going for something more realistic, but i'd say its not the first thing you should focus on. for me, anatomy is something i learn slowly and gradually as i go and as i need (and forget soon after).

i think proportions are in a way a lot more helpful than anatomy, because you can easily change them according to the character's needs and it'll still look believable. so like.

arms from wrist to elbow and from elbow to shoulder are roughly the same size, same with legs.

character's open palm is the same size as their face from chin to hairline.

the thickness of the neck depends not on the size of the head but the size of shoulders. so, if the shoulders are broad and muscular the neck will be too. if the shoulders are small then the neck will be thinner, etc.

when hands are pressed to the body, elbows are in line with the waist and the palm is roughly below the hips.

length of legs in relation to the body is directly responsible for how tall the character looks. if they're the same size - character looks average, if the legs are shorter than the body the character looks shorter, and if the legs are longer then the character looks taller.

and then for the face.... i literally forgot everything about face proportions uhhhh. well. the ears sit in the middle of the head and are in the same dimensions as the nose. the spaces from hairline to eyebrows to tip of the nose to chin are all the same size. mouth sits on 2/3 between the nose and the chin, leaving more space for the chin. eyes are the same size and the space between them is equal to the size of one eye. (this is much easier to explain in a drawing)

and then to make your character stand out and look unique you change some of the proportions. make their eyes bigger, ears smaller, arms longer or legs shorter. the difference between knowing the proportions and breaking them on purpose vs not following the proportions at all, is that when you know what you're breaking it looks intentional and it has a meaning and it makes sense to the viewer, instead of you breaking all the rules without knowing what they are. just remember to emphasize it enough for your style, because if you overdo or don't do enough it might look out of place. again, its all about balance.

and now for the lines of motion... i dont exactly know how to explain them, because there's not really a correct way to do them? but basically its a line that follows and sets the motion. yeah. its what makes the characters look less stiff. and its not exactly imaginary lines, but they're not simply visible either. its the lines that the silhouette of the character follows, the direction their limbs or elements of clothing create. you're basically creating those patterns that the pose follows, and you know us humans we sure love our patterns, so the brain subconsciously recognizes that there's a pattern and the image then feels more structured, more real in a sense?

i have no damn idea how to put it into words, but. um. diagonal lines are dynamic, straight lines (in relation to the canvas) are stiff. its like a square looks stiff but a rombos looks flowy even if they're basically the same thing. so to make your characters look more dynamic you need to build the pose on diagonals and not straight lines. and if you want the pose to look stable then you need to balance it out with lines of motion that go in an opposite direction. sort of like you put two rocks on the ends of a plank to balance it out instead of putting no rocks at all because the plank will balance on its own. it creates flavor and weight and intention, sort of like "this plank balances because of the rocks" instead of "the plank balances because there's nothing". sorry i get carried away with the metaphors--

you can use the stiff/dynamic thing however you want for whatever purpose you need. for example making the bottom of the character who is standing still be parallel to the canvas, but keeping their body diagonal and dynamic, helps to make the character feel stable and set in the drawing, like they're standing on firm ground. keeping a background or some element of the drawing stiff but making the character dynamic emphasizes the movement and focuses attention on the character. but making both the background and the character dynamic creates a fully dynamic composition and the feeling like everything is in motion. its an interesting balance but the more you draw the more you understand it.

hope this helps :D

[mrghostrat]

"He needed an internet connection so he could download an app to draw with, but the whole point of setting the thing up in London was because he knew Crowley understood all of this a whole lot better than he did."

Okayyyyy I just got violent flashbacks to the s2 finale this is evil 😭😭

But in all seriousness, I LOVED the new bnf au chapter, I mean the kiss??? I audibly gasped, it was soooo good

I was wondering if the witch and the witchfinder are a canon couple in the nice and accurate prophecies? Or are they just a very popular fanon ship? Or is it like good omens, where people saw the romantic subtext in the book and where it was made explicitly canon in the show?

I just think all options would be really interesting, given that Crowley and Aziraphale are both middle-aged queer people and the book came out thirty years ago. So they either would have had some representation back then, or they recognised themselves in the story and even though it wasn't canon, maybe those ideas would later explicitly be confirmed by Agnes Nutter nonetheless? Since all these options have really interesting implications for the way they both interacted with the source material, I'm really curious what your thoughts on the matter are.

Thank you so much for all the beautiful things you create for the fandom, both your fics and your art give me life and I'm so grateful for them ❤

omg you have no idea how excited i am about this question 😭 as i've written BNF, i've been quietly fleshing out more about their fictional fandom, and accidentally gotten reeeeally invested and am dying to talk about it 😭😭

i'm actually tempted to make some fanart of the witch & the witchfinder, using michael and david as facecasts to go full meta thphptftf. in b4 i write it as a fuckin book series for real

buttttt i'll put all my N&A thoughts under a cut so i dont ramble too long on your dashes 💛

The Nice and Accurate Prophecy: Agnes Nutter's book series (turned play, turned film, turned tv series); the fandom in my fic Big Name Feelings

the idea of using Agnes Nutter's "Nice and Accurate" book for the in-fic fandom was taken from @tawnyontumblr's fic New Messages (i just thought that would be a fun fanon consistency to follow), but all the details about the story and characters are me.

N&A takes inspiration from Good Omens (as a story, and as a fandom) but isn't intended to be a direct copy of it. the original paperback series is a few books long, and each adaptation of the books are considered good, accurate, canonical content. the tv show (a HBO series) is the most recent, highest quality, and most popular. The Witcher style, high fantasy quality.

agnes is loudly supportive of the lgbt community just like neil/david/michael are. but i imagine that for the series to be so "marketable" over the last 30 years, there isn't an explicit queer relationship between the witch & finder. there are canon queer side characters but the witch & finder are a little more nuanced.

the witch and the witchfinder aid each other through time, working together to defeat the evils in the story (like Aziraphale and Crowley from GO). there's tension between them, but boundless love, and plenty of flirtation, despite the running "we shouldn't, we're meant to be enemies" theme. they would canonically get together at some point in the story, probably towards the end after they've spent some time dancing around each other.

the thing that makes this vague is: the witch reincarnates through the story, almost doctor who style. they're a trans icon, much like how the GO fandom looks at Crowley and all his gender ambiguity.

when they finally tryst with the witchfinder, they're female. it's by pure happenstance that they're female presenting at that stage of the story, but still widely critiqued over the years. the thing that canonises the mlm relationship is that the witch is said to carry their consciousness through each reincarnation— they're not a new person like The Doctor is when he regenerates.

the start of the book series spends more time on "Crowley and Aziraphale's favourite male reincarnation", while the movie and tv show only briefly montages through some of the witch's faces. the mlm side of the fandom most definitely lost their minds over the brief few minutes of screentime that they got of the male witch, and has absolutely gifsetted it to death.

i've done it like this because so much of (every) fandom has always been seeking out representation and filling gaps where the original content lacks. there's something to be said about the solidarity of queer fans creating more queer content for themselves. except, in the case of N&A, they're getting to work from a source material that is genuinely queer supportive, unlike fandoms like SPN and BBC Sherlock that are fighting against the tide of queerbaiting and buried gays.

it also gives aziraphale and crowley a chance to band together in the next chapter when they talk to a dickhead at the party:

i haven't exactly decided what happens with the witchfinder, like if the story takes place over hundreds of years and he keeps reincarnating as the same lookin dude (like how jack whitehall plays both Thou Shall Not Commit Adultery and Newton Pulsifer) or if it's set over one lifetime and the witch just gets killed and regenerates a lot. i do like the idea of there being some "through the ages" shenanigans, and a canonical "modern day" setting like GO has.

but i gotta be careful bc i genuinely can't stop thinking about this fake story that's barely mentioned in my fan fic or i'll end up writing the damn thing myself

[littledigits]

Hi! I absolutely love your work and your art style (and I think Hilda is one of the best animated shows ever made!!) I want to dip my toe into drawing, mainly because I want to be able to do little sketchy character drawings for my D&D campaign lol. Is there any particular book or course you might recommend for getting started? Thank you!

thank you so much ! <3

I would say if you want to start drawing , do whatever makes it accessible and fun for you to start. I cant go hardcore into learning, i need some indulgence to keep it fun.

Its hard for me to recommend anything off the top of my head. there is SO MUCH GOOD STUFF OUT THERE NOW ADAYS. also you may look at a book or a course and the way its explained wont make sense to you, but someone else could put it a different way and it could click better! Everyone has a different workflow and different methods, so what i'd recommend is just poke around in some youtube videos and just watch a few beginner ones, see what methods you vibe with. But at the end of the day do what you feel like is most fun and dont sweat the details

DONT BE AFRAID TO REFRENCE THINGS! When I was in school for animation, one of the first things you did to learn to draw on model was draw overtop of the model sheet and break down the proportions. (how many 'heads' tall is it , how many 'eyes' wide is the face). If you see a style you like, learn from it !

Drawing overtop of a character and breaking it down is a great exercise if there is a style you want to mimic. Understanding the proportions helps because then when you draw, if it looks -off- you can test out your own . Who knows, maybe you accidentally made the body too long or short! People are afraid to trace or draw over, but its a great exercise as long as you dont take credit, especially if you're not just doing it for something to look pretty but you want to *understand* how it was done. This helps a lot in building your own style ! my style is a mish mash of everything i've loved and worked on over the years, and it changes over time. So if you see something and you're like 'ooo thats COOL how did they do it' , save it , break it down , maybe you'll learn a few new things !

also I recommend to start with simple shapes ! I put some screen captures from rough sketches that Scott Lewis did, who is a senior animator on hilda. Even as an experienced animator he knows how important the fundamentals are (which is why hes good at his job haha). I think if you want to do fun sketchy things for DND , keeping it simple is the way to go :) you'd be surprised how much expression you can get out of shapes ! I hope this helps you get started on drawing all the endless DND shenanigans that I'm sure live in your head :D .

[whumpster-dumpster]

(this ask ended up getting much more rambly than expected haha)

hello, i love your blog and whump in general and i would like to try and get involved in the community.

thing is, i feel really weird/embarrassed for liking whump (even before i knew the term). like ashamed i guess? (im not sure how to put it into words exactly). so i dont want to tell any of my irl freinds that im into it/put it on my main since some of my irl freinds follow my main.

and i do draw and i used to write but i dont really know how to draw/write whump yk? (though i have written whumpy things before, when i was like 10, they were really shit though by virtue of me being a 10 year old) and i feel too shy to put any of my work out into the internet for all to see, espcially my writing because i havent actually written prose fiction in. years. i have played dnd (and my campaigns do tend to get pretty whumpy) but i dont think the experiance of roleplaying it really translates well to the internet?

so i was wondering if you have any tips for 1 getting involved in the whump community and 2 managing feeling embarrased about liking whump

Here's an equally rambly answer! First off, welcome to the community! You're definitely not alone in liking it or in feeling embarrassed about liking it. A lot of us, myself included, have our moments where we feel weird for our interest.

I can't tell you how to get over that because I still feel embarrassed sometimes but pinpointing your reasons for liking it can make it easier to explain if someone inquires. Is it the aesthetic? The drama, the adrenaline? The character development? Is it a coping mechanism? A kink? We've got community members whose reasoning is all across the spectrum. Understanding your reason can be reassuring and help it make sense.

As for the shyness, a lot of us make side blogs for whump content, so it can be a little more isolated/private if we feel awkward about IRL/main blog followers seeing. If your art style is easily recognizable as yours, that might not be the best solution but also remember you don't have to post what you draw (or write.) You can create whump content just for you (and if you decide you do eventually want to post some, that will have served as good practice.)

There are whump prompt lists coming out all the time that can be used for art or writing if you don't know what you want to make. You should look up the whump wheel, it's a fun one!

Re: getting more involved in the community: believe it or not, there are whump roleplayers floating around in the tags pretty often! They'd probably enjoy another roleplay partner on the scene! Beyond that, liking people's posts, reblogging them to that side blog if you decide to make it, coming into their inboxes to say you enjoy their content, sending in prompts if whump fic writers are asking for some, posting prompts of your own if there's a type of whump content you notice lacking and want to inspire someone to explore...There are monthly whump events happening all the time too if you want to participate or just reblog to help promote them. You could also ask if another whump artist wants to do an art trade with you. Those are some of the best ways to dive in!

I hope that was helpful. Have fun!

[rileyclaw]

Hii! First off i just want to I'm such a big fan of your art and animatics! Your art is just so expressive and unique its addicting to look at 💞💞

I was wondering if you could go over how your process or tutorial in making an animatic? Whenever I try to start to make one, I get jumbled up and end up ditching it lol

I'm sorry if you get this question a lot 😭

So sorry it took me so long to answer this- I was in a Busy time (diseaseridden with covid and being punched by finals) when I got the ask and wanted to answer it with some stuff Im using for my next TOH animatic!!

I'll say one thing first: I get jumbled up and ditch so many animatics. For every one animatic I release, there are three to five more I have that have NEVER seen the light of day (yet). And that's okay!! It's fun just to make them for me, and I hope it is for you too!! Animatics are scary because if you're working on it alone, it can be really hard to be your own cheerleader to keep up the mojo to keep going. So that makes it really special when there is that project that makes it to the finish line- cuz you can look at it and go "holy crap I made this. holy crap i MADE that look how SICK that is dude!! all that work and look at the turnout!!"

The following stuffh is just my personal process and is by no means representative of a professional animation pipeline, but this works for me as a Lonely Artist! It all begins with the idea - whether it's a song, or just a story you wanna tell. In the case of the one I'm gonna demo here with , I wanted to animate Hunter's first day as Del's apprentice!

The first thing I did was write a script. Not fancy or AO3-quality, but enough that I understand the pacing and the visuals of each shot. I usually just put this in a doc or put it in a script format, if I feel fancy.

Then, I take that script and find music that I think would fit for it- and remix it (if needed) to fit the pacing/mood/etc! This is what this new animatic looked like before I began ANY artwork- this is a me thing because I'm super inspired by audio as opposed to visuals first. But you might be different- this is just how I like working personally!

Then begins the research! I find references for characters, background layouts, and create a style guide for the animatic that tells me how thick lines will be for characters, backgrounds, if there'll be tons of value or no. I make a turnaround for each character so I can refer to them because Im gonna be drawing them over and over a LOT and want to be consistent! Luckily TOH has no shortage of references, so I based my work off them.

THEN, I can begin drawing. I'm a little,,, (a lot) ADHD and may not always do this process, but if you're new to animatics or daunted by the task at hand, make beat boards of the entire project.

This is just a page of rough thumbnails that get your visual idea down - look how rough and quick these are!! I try not to spend over a minute on each beat board if I dont have to, unless it's a particularly complex shot.

When it gets to the stage where you're ready to begin the actual scenes, I personally tend to do backgrounds first because I like to set characters into backgrounds - and for every animatic, I have the Awkward Blue Sketch Stage which is basically my beat boards timed out as an animatic.

I used Storyboard Pro for this (Toonboom, not free ): icky), but the process can be replicated across most art platforms in whichever way you feel most comfy with! This is so I can time the drawings before I devote time cleaning them up-- which can make for some Pretty Funny looking little guys but theyre important!! trust!!

Once a big sequence of shots is cleaned up (I usually do 40-60 second chunks at a time), I export the .mov and send it to my editing program (which in this case is still Premiere Pro) - and then repeat this process again and again until.. it's done??

Here's like a TL;DR list of basically everything I said summed up:

• Make a loose script or bulletin of the idea! Do your research!

• Depending on what kind of animatic you're making, time it to music!

• Make a beat board of very loose gestures for your shots, and time them - then move on to refinement & cleanup!

• Combine all shots, refine music cues and timings, add any last needed VFX, and export!

There's no secret recipe or anything, it's just learning a pipeline that best suits you, whether it is for something professional or something you want to make for fun because you just love to make!!

[petricorah]

i wanna start making comics but like. i dont really know how??? are there any tips that you could give me perhaps?

hi!

i've been working on trying to compile a list of resources for people (@aangsfrogs--i didn't forget!) who want to make comics for a long time. It would consist of some of my personal tips and a lot of links to other people's PDFs and youtubes. But that's...a hefty project, so if you had any specific questions for the meantime, my askbox is open!

But, for just beginning, here would be my tips:

Read comics. Read manga and webcomics and cartoons and medical comics. There is so much out there, and reading is such a big way to learn. If you see something you like, take a moment to think about why you like it. Are the expressions or colors appealing? Did it make you feel a certain emotion? Analyze what the artist may have done to get across what they did. (Is it the camera angle? the style they chose to draw in? the paneling? the pacing? the color? etc.) Doing this over time will help you recognize the tools available for telling stories through this medium, and you'll be able to put them in your own work.

Try to think about what you want to make comics about. What moves you? What topics interest you? What ideas or tropes do you love in media or think about often? What do you hate and wish was done better? What characters are you drawn to, or what characters do you want to create? (What about them compels you?) I find it's hard to create an idea out of thin air, but if you start writing down random ideas you have, you'll start thinking about them, and over time, you'll have a bank of things to pull from when you want to create.

Lastly, anatomical skill or knowledge of color does not a comic make! You don't have to know much to begin, and there aren't rules. Just start drawing what is meaningful to you!

This is just cursory and doesn't get into super specifics like paneling or scripts or plotting or colors or thumbnailing or....etc, but I'll try to expand my list of resources and get that out! And, hmu if you have any specific questions on topics!

happy drawing~

Book list under readmore:

Scott McCloud's Understanding Comics and his Making Comics. These books are taught in like, every comic class ever. While not my complete favorite, they do a good job of showing some history and fundamentals, and how easy it is to make comics even if you don't have a lot of drawing experience.

99 Ways to Tell a Story: Exercises in Style by Matt Madden: Really good if you don't know how to start analyzing comics. (Also it's just a fun visual exercise.) It shows the same short story done in 99 different styles with different emphasis on different moods and points of view.

The PreHistory of The Far Side: A 10th Anniversary Exhibit by Gary Larson and The Calvin and Hobbes: Tenth Anniversary Book by Bill Watterson: Two great books with work from my two favorite cartoonists. They both have writings from the author about getting ideas, developing stories, and being a comic artist.

Uncanny Bodies: Superhero Comics and Disability, edited by Scott T. Smith and José Alaniz and Black Comics: Politics of Race and Representation, edited by Sheena C. Howard and Ronald L. Jackson II: These two aren't really about making comics, but they are great collections of analysis about old and new comics alike.

By no means a complete list, but some good ones that I can think of off the top of my head.

There's also the book Webtoon School: Everything you need to know about webtoon creation and story writing. To be honest, I didn't read this completely through because it was a bit more fundamental than I was expecting, but it gives a good cursory look of how to write comics if you're just starting out! It covers some history, how to write stories and arcs, etc.

Also, look to your favorite writers! A lot of webtoon/webcomic artists do tutorials or youtube videos. for instance, velnxi has this great tutorial up I really suggest looking at here.