#and to make him feel seen

[alexjcrowley]

Max Bialystock and Leo Bloom are qpr goals and I will die on this hill

[ninja-knox-ur-sox-off]

Okay 3 things

1. I was thinking about an aroace Sonic who says things that can be taken as wildly flirty/romantic but he just means them genuinely. “You have beautiful eyes, I keep getting distracted while looking at them,” not cause he’s interested romantically in them but because eyes can be really cool and pretty man I dunno what to tell you he likes looking at cool things and he thinks his friends are neat. “You’re the most beautiful person here,” because he really thinks that, he loves his friends

2. Sonic randomly dropping heartfelt genuine comments on his friends out of the blue completely blindsiding them and then moves on like nothing happened while they’re left going ?????? Bonus points if he does something immensely stupid or jerkish just before or immediately afterwards and they can’t tell if he was serious or not with the compliment (yes he was)

3. Sonic usually being so allergic to truly vulnerable moments that when he expresses something heartfelt randomly Tails thinks he’s been stabbed or something and does not believe him when he reassures him that he’s fine he’s fine he’s not dying yeesh

[kylominis]

the duality of man [🍎]

[logicpng]

so, i have some thoughts. i feel like the game doesn't explore doey much, so i'm gonna take that as an opportunity to stretch him a lil.

in short, i see him as neither one whole nor 3 kids in a trench coat, but something in the middle of the two: a grown up who never really got to experience a proper childhood, the 3 originals in a blend with each other.

the time between creation and game events likely is enough for them to learn how to cooperate (up until. yknow). collectively or individually though, goddamn they need therapy

[ Description in ALT, text transcribed under cut ]

1st image:

point at head with teeth peeking: teeth may show more subtly, particularly when mischevious

point at hat: hat always at an angle

point at hand: stubby hands omg <3

point at neck: neck constantly bent in some fashion

Generally friendly and curious, may be more closed off and bitter if kevin is more dominant.

Collectively an adult due to passage of time and gaining experience, but still retains some more childish traits due to isolation from outside world and trauma, both collective and individual (holy shit do they need therapy).

Parts operate more or less seamlessly, but depending on situation some may show more or less of their traits.

When stressed, cooperation between parts may break down.

2nd image:

Kevin

present strongest when angry, most of anger processing goes through him.

not actually angry/cranky all of the time though, just a bit more gruff/edgy compared to the other two. tends to show teeth when talking.

over the years learned to control his rage better, can redirect it into being a bit of a troll w/ the others

understandably, safe haven's destruction made him revert and lose all restraint, resulting in lashing out, mixed with extreme emotions from others.

Jack

loved doey strongest before conversion (rip), as such expressions tend to default to his

learned to cope with constantly fighting for survival by cracking jokes and being more optimistic

present strongest when happy, may speak more childishly when in distress or comfortable

reverts into reliving trauma of death and family loss with safe haven's destruction

Matt

present strongest when focused on the leader role, strikes a balance between kevin and jack

through time learned to focus more on necessary action rather than allowing to succumb to past guilt

definitely still very stressed out from responsibility, especially after poppy leaving, learned not to show it through cooperation with kevin and jack

safe haven's destruction just plunges him straight into a guilt spiral

Note pointing at bottom notes for each: safe haven's destruction is a massively traumatic event for them, resulting in the three regressing into child selves from distress, mixed in with emotions from individual traumatic memories

[cybertron-after-dark]

Average transformers g1 episode:

Megatron is attempting to black out the entire sky across a hundred mile radius and funnel all the sunlight into one, concentrated solar death ray to target a heavy duty solar panel he's having soundwave and the cassetticons build in order to convert it to energon. Then he plans to hit the autobot base with the death ray just for funsies. Starscream plans to push Megatron directly into the death ray, also just for funsies.

Optimus sends Wheeljack and Spike to deal with it, along with two bots you're pretty sure have not been in this show before this point, but you're kind of past asking how many of these fuckers were on the ark offscreen when it crashed. One of them has the worst fake Canadian accent you have ever heard, and the other's name sounds inexplicably dirty.

Starscream tries to get Megatron to stand in the spot he told Skywarp and Ramjet to direct the death ray, but is interrupted when Rumble asks why Starscream stuck him with extra work (a task Megatron assigned specifically to Starscream). This vexes Megatron. The autobots show up and try to figure out what the point of the blacked out sky is while Starscream attempts to talk his way out of it. Then the death ray goes off two feet away from Megatron, which only pisses him off further.

The Canadian bot yells "AH BINARY-BEAVERS!!" because the death ray caught him off guard and completely gives away the bots' position. Soundwave immediately fires on them. Gratuitous robot violence ensues. Spike is generally useless and tries chucking rocks at Rumble. Megatron is too busy trying to almost-murder Starscream to bother with the autobots and just lets Soundwave handle it.

Probably-an-innuendo-name-bot is luckily a flier and takes the chance to see what's blocking the sun now that their cover's blown anyway. He gets up there and the seekers are sticking tinfoil on the clouds to make the tops reflective. The writers are really just hoping you don't think too hard about it.

Skywarp starts firing on dirty-name and calls him a nerd. Dirty-name takes evasive action. Skywarp runs out of ammo and starts just chucking tin foil at him. Dirty-name calls him dumb and says his processor is made of spare toaster parts. Then he crash lands and canada-bot asks if dirty-name's wings are spare toaster parts as well. Wheeljack yells that they'll all be spare toaster parts if they don't focus on the decepticons. The death ray goes off again and barely misses the autobots. Wheeljack corrects himself to Melted spare toaster parts.

Dirty-name gives Wheeljack the rundown on the tinfoil clouds so he can figure out a way to get rid of them while Canada-bot fights Soundwave and the cassettes in the background. Spike is kind of helping too sort of almost. Those rocks hes chucking sure are damaging. Ravage gets straight up drop kicked. It cuts back to Wheeljack whipping up a good old fashioned Device™️.

Starscream flies up past the tinfoil barrier while Megatron shoots at him. All the holes he's shooting in the blackout barrier are just making more, slightly shittier death rays and the main one is losing concentration. One of them hits Megatron right in the optic and he keels over with an over the top screech. Starscream descends, breaking another hole in the tinfoil to see a golden opportunity.

"MEGATRON HAS BEEN BLINDED!!! I, STARSCREAM AM NOW YOUR LEADER!!!"

Wheeljack finishes his Device™️: A grenade that makes tinfoil entirely invisible, thus rendering the whole weapon unusable. The writers are hungover, please do not think about it too hard. Pretty please. Dirty-name doesn't know if he can throw it into one of the holes in the barrier on his own since he can't fly in robot mode and he cant throw in altmode. Spike offers to get on his back and throw it in for him if he can get close enough. And he's just SO good at throwing things. The other two agree he's their best shot, they're so happy spike is around, couldn't do it without him.

Starscream is hovering in the air as he gives his Decepticon Leader Acceptance Speech he's prepared for this very occasion, golden light streaming in from the him-shaped hole in the barrier. Dirty-name and spike zip past him and spike makes the best goddamn throw of his life. Before starscream can properly question the Fucking Audacity of these autobots interrupting him while he's trying to have a moment, the invisible explosion goes off that the animators are just happy they don't have to put that much effort into drawing. Starscream gets knocked out of the air and crashes directly onto Megatron. This vexes Megatron.

Sky's normal again. Don't worry that there's still tinfoil there, don't even fuckin worry about it dude. Spike and Dirty-name touch back down. Round of applause for spike for throwing super good. Wheeljack comments that he's just happy it blew up the way it was supposed to. Cue uncomfortably long laughing. Megatron manages to roll starscream off him and calls for a retreat.

Back at the decepticon base, Megatron has an eyepatch and is skulking. Starscream yaps about how it makes him look like a proper tyrant, brooding and battle scarred, and, dare he say, darkly handsome? This vexes Megatron.

[inkedberries]

i have a headcanon that Yoichi trims AFO's hair because i can't help but compare AFO's nicely trimmed hair to Yoichi's and i thought someone had to have cut AFO's hair for him and it is only logical for me to assume it was Yoichi who did. I think AFO would only trust Yoichi to be so close to him with a sharp object like a pair of scissors lol

I think Yoichi would have also liked cutting his brother's hair at first, because it would make him feel helpful in a way? And I just think even when AFO put him in the vault, AFO would still go there to get his hair trimmed by Yoichi.

and once Yoichi joins the resistance, he offers to do this for Kudo as well.

[afterartist]

You have no idea how insanely bad I want an MTMTE / Shattered Glass Crossover

Is this just cause I love SG Sounders and want him to join the found family?? Maybe, shut up

Can yall guess who I like drawing vs who I don’t like drawing

[cheesenchalk]

i never know how to phrase it but something about the way beatles biographers and people in general view paul's reflexive placating persona and determination to smooth things over as manipulative or duplicitous and john's reflexive barbed persona and habit of lashing out as brave and subversive despite both being equally defensive mechanisms to shield themselves from the world that resulted in them saying things that weren't true says more about how we culturally view kindness or friendliness as inherently untrustworthy or flimsy and anger and carelessness as more believable as someone's true nature than it says about either of them in actuality

[melodead]

you know from experience that hungry students will go through many, many lengths to sate that hunger—and that’s why you’ve decided to hike a mountain on a school night.

you take a cutting of berries and slide them into the glass jar. hopefully, these aren’t poisonous. they’ll need to be checked by professor crewel first, obviously, but it’s better to be safe than sorry. grim might survive eating poison. you, on the other hand? not so much. a specialist would need to vet them first.

“i wouldn’t recommend eating those, if that’s what you’re planning.”

or a very knowledgeable student.

you turn your head. jade leech smiles politely at you from the long shadow of a tree, his usual suspicious demeanor offset by a knitted yellow cap and several layers of hiking gear. his lantern casts a soft glow across his face. you wonder why he has it out at all. the sun has only just begun to set, after all.

you must be staring too much, because jade steps out of the shadow and crouches down next to you, setting the lamp on the ground. “it’s good to have one in case of any delays. the mountains can be rather perilous, as you must be aware by now,” he explains. “one reckless act, and nature’s bounty can prove fatal,”—he taps your jar—“such as these.”

you blink at him slowly. his yellow eye almost glows in the dying light of day, but they are not predatory. not today.

“right. thank you for the notice.” you screw the lid back on, put it into your basket, and push yourself from the ground. he begins to do the same. “i’ll be leaving now. i don’t want to inconvenience you any further.” yes, he did just get here. no, you will not be acknowledging that.

“not at all. on the contrary, it is lovely to see you, prefect, especially on such a pleasant day. ah, but that reminds me,”—oh, sevens. please don’t say what i think you’re going to say—“seeing as we’re both here, perhaps you wouldn’t mind a bit of a hike to the peak? the sunset is beautiful this time of year.”

you swear. internally, of course, but the idea is the same.

you really hoped to avoid octavinelle after azul’s incident. it was one thing to be riddle or leona; they hadn’t targeted you personally. moreover, riddle has relaxed on some of his rules, and leona doesn’t bother you any more than he talks to you (which is very rarely). you got over it.

octavinelle, though, had contracted your friends into forced labor (it was mostly their own fault), stolen your house (you willingly agreed to hand it over), and sabotaged you in getting it back (in a deal you knew was sketchy). it was, it was—!

oh, who are you kidding? you feel hurt. that’s the long and short of it. it is juvenile and illogical and out of character for you and you hate it, but there is no time to unpack that, and the consequences for purposeful ignorance are little to none. jade leech couldn’t possibly have cared anyways.

“-efect? prefect?” he taps you gently. “are you alright?”

but you must have forgotten how entertaining the students find you.

you step back, hands gripping the strap of your bag. “i don’t think that’s a good idea. if i went with you, the sun would be gone by the time we got there. we’ll be better off going our separate ways.”

“i beg to differ.” his eyes glance at your bag. several jars clink emptily. “you’re foraging, yes? there happens to be a berry hedge on the trail down. i could lead you there, if you so wish.”

“that’s okay. it’ll be dark.”

“then i could accompany you on the way down,” he offers, “if the dark is what worries you.”

“i’ve faced worse—and i really should be getting back to ramshackle soon. grim will be hungry.” not to mention the three other teenage boys who might be ransacking the place.

“even so, you can never be too careful.” 

you cut the pleasantries. “and what would you get out of it?”

“pardon?”

“what are you getting in return?” your eyes bore into his. “i don’t have anything to give you, but frankly, i’m not interested in any kind of exchange if that’s what you have in mind. you won’t get anything from me.”

jade leech blinks at you twice in rapid succession, eyebrows raised, before his features school themselves into something neutral. concealed, even. you’re almost comforted by the sight of normal jade.

key word: almost.

“is that what you think of me?”

“how else am i supposed to think?” your eyebrows furrow. “i could never tell with you before, but i knew you weren’t malicious at the very least. i don’t have a clue where we stand now.” excuses. truths. you hold your basket closer. “does it matter, anyways? i don’t have any business with you.”

the sun is lower on the horizon now. the lamplight flickers.

jade leech sighs—sighs!—so inaudible you might’ve thought it was the wind. his eyes fall shut for a moment. when they open again, his left one shines gold. “you’re still nursing injuries, are you not? as vice housewarden of octavinelle, it would be remiss of me to ignore someone personally hurt by the actions of our dorm. i’ll ensure your safety against anything on the way down.” his gaze meets yours. “an eye for an eye, yes?”

you scrunch your face. “i don’t want your eye. i don’t want anyone’s eyes.”

jade blinks at you—(wow, that makes it, what, three times now?)—before unexpectedly giving into chuckles. it’s breathy, and true, and a whole host of other adjectives you wouldn’t normally assign him. that must be the floyd in him, you think as you stand there awkwardly. you wonder if you should just leave.

jade gets a hold of himself soon enough though, and he ushers you down the mountain under the guise of benevolence and whatever else he tries to sell to you on the way. you ignore it the best you can.

what you don’t see is the lingering grin tugging at the corners of his mouth, the entire trip down.

[sainz100]

2024 Brazilian GP | x

[mroddmod]

she’ll be alright because she had you.

[bunnieswithknives]

Thanks.

Prev

[bumblingbabooshka]

Thinking about marriage/women's rights on Vulcan Some may think that T'Pring not being allowed to divorce Spock was because he was going through the pon farr but if she were allowed to divorce him at all she probably would have done that a long time ago, confirmed by T'Pol when she's speaking with Koss, who isn't suffering from the pon farr. She says that he can choose another mate (without invoking a fight it seems: note the difference between a 'mate' and a 'challenger') and after he makes it clear that nothing she says will change his mind about marrying her, she finally threatens to declare a kal-if-fee. It's clear that Vulcan women cannot divorce/refuse to marry a man they've been betrothed to under any circumstances if A) He himself doesn't consent to ending their marriage or B) She doesn't have someone else waiting in the wings to be given to in his stead. Though, if the challenger she selects fails to win the fight, she'll have to marry her betrothed anyway unless (again) he decides he doesn't want her after the challenge. That seems like an incredibly unfair system, heavily biased towards men. SNW is an alternate universe in many obvious respects but most egregiously in that T'Pring has a lot of non-canonical agency over her relationship with Spock. It's interesting to me that Vulcan society has women in many positions of power and treats women as equal to men from what I've seen despite these laws. We don't really see Vulcans exhibiting a misogynistic attitude towards women in general but in TOS (perhaps because of its general writing style but it's still interesting to note) both Sarek and Spock take on patriarchal attitudes specifically regarding wives. Amanda says that 'of course' Sarek commands her because "he is a Vulcan and I am his wife." It's worthwhile in my eyes to note that she specifies 'wife' instead of attributing this attitude to women as a whole. Again, with TOS' writing style it wouldn't be out of place for her to say "he is a man and I am a woman." Spock, while in a pon farr induced irritation, states that it's "undignified for a woman to play servant to a man that isn't hers" - again implying that there's something specific about being a Wife in Vulcan society which is different from being a woman in general and demands subservience to a husband. This could perhaps stem from the extreme sense of ownership that Vulcan law has permitted men to have over women. A woman legally cannot point blank refuse marriage. There is no option which guarantees she won't have to marry her betrothed other than death. When T'Pau speaks of T'Pring she refers to her as being 'property' and Stonn, before being interrupted, states he's made 'the ancient claim' - we don't know what this is because he gets cut off but it's obvious they're both using the language of Vulcan law. Men are permitted true freedom to choose. If a woman wants to choose someone else to be with there is no option available to her other than the kal-if-fee which might result in the death of the one she wants to be with. And, if her lover fails, her husband can still just decide he wants to marry her and she'll be forced to. T'Pring gives two scenarios: One where Spock 'frees' her and one where he doesn't - it's still ultimately his decision which is clear when he ends the conversation with "Stonn, she is yours." This again isn't just because of the pon farr as T'Pol also goes through this. Koss can choose another mate and when the option is talked about there's no implication that this would result in any sort of fight (both by the casualness of its mention and by the fact that there's no formal word for it unlike the kal-if-fee.) Also, the fact that Koss does eventually grant T'Pol a divorce and it's all fine means that T'Pol isn't lawfully required to have another man waiting if her HUSBAND doesn't want her. It's ONLY required if SHE doesn't want her husband. Tradition must take precedence over individual desire UNLESS!!! You're a man. Then it's fine. Like, your parents might not be happy but legally you're golden.

[stagefoureddiediaz]

Thinking many thoughts about the fact that Ravi is a manifestation of bucks abandonment issues - in that he is essentially the ghost of Daniel - who always appears in the firehouse at moments when bucks abandonment issues are at their most pronounced.

Ravi first appears the episode after Buck finds out about Daniel in season 4 and has popped up at every critical point since - the sniper arc in 4 - at the moment when Buck is facing the possibility of losing Eddie.

He is there pretty much all the way through season 5 when Buck was facing Maddie being gone and then when Maddie returns, with Eddie leaving the 118 and breaking down.

In season 5 (defend in place) we also found out about him surviving childhood cancer and the parallels to Daniel become very obvious.

Then in season 6 he pops back up in the aftermath of bucks coma - when he’s wrestling with his own mortality and with the ghost of Daniel from his coma.

Then in season 7 he pops up during bucks bi arc - when buck is fearing Eddie’s abandonment (and his jealousy) because he’s hanging out with Tommy. Then he appears at the end of the season when Bobby is in hospital having had a heart attack. A representation of bucks fears around losing Bobby.

And now he’s turning up in season 8 when Eddie is going to be gone and buck is really having to face all of his abandonment issues - with Maddie being kidnapped, Eddie and Chris being gone and the end of his first queer relationship.

So Ravi seems to represent Bucks fears and issues rising to the surface - being consciously present and there for Buck to actually address. With Ravi disappearing again when Buck manages to rebury or repress them.

[madamemiz]

i request more kerfur and kel. it brings me nourishment.

same, have a comic

access denied/comforting presence

[bluerosefox]

Saying Sorry Will Never Be Enough

Feeling a bit angsty so I had this idea.

Danny is dating one of the Bats/Birds, and everything is going great, amazing even! They know each other secrets (from powers to everything etc), they have a wonderful place to live (even if its in Gotham), Danny is in college on the way to becoming a space engineer (and he does side jobs for unrestful ghosts), he's actually getting sleep again since leaving Amity Park, gets along with their friends and family (those who Danny or his partner still talk to, up to the writer), there is even talk about marriage and perhaps adoption/kids in the future between Danny and the Bat/Bird he's dating!

Everything is setting up for a good life in his future, something Danny didn't think could have after his accident. He was happy finally, and currently packing up his old apartment because he's moving in with his partner in a few days.

So he felt like his core was being pulled out of him when he opens his apartment door one day receiving a knock to find his parents, who had hadn't seen since they kicked him out of the house after coming clean about being Phantom (their words of anger and denial that their son was 'dead' and now a monster, still hurt)

Sure they didn't attack him or proclaim he's dead but still their last words and anger HURT.

Danny didn't give them a chance to open their mouths, both looking nervous and guilty, before he slams the door close and turns invisible, grabs his phone, and fly's out of his apartment to his partner's place in a panic attack.

His partner, isn't happy.