#and where his hands are resting

[andy-clutterbuck]

9x04 | The Obliged

[turtleblogatlast]

AU where Leo is trapped in the Prison Dimension for months instead of minutes and the only way he gets by with his sanity intact is through recording himself talking to his wrist comm.

When they finally manage to get Leo back and make him rest up to heal, Donnie can’t help but listen to the recordings left behind.

He’s not sure what exactly he’s expecting, only that his subconscious is screaming at him that it has to be heartbreaking, that it has to be torturous.

Instead, what Donnie is subject to is a full thousand hours’ worth of Jupiter Jim and Lou Jitsu crossover fanfiction. More than one part in the series. Spanning well over a million words.

(The worst part is that it’s actually good.)

[twsted-seas]

Rook.

From one archer to another.

Put your fucking finger down.

[scisac]

newtmas - the death cure 2018

[mayasaura]

Actually tho come to think of it, after Nona the Ninth I'm wondering if maybe the Nine Houses don't use guns because John saw everyone he loved shot in front of him at close range once and he's holding a grudge about it

[ninzied]

a snippet of fic about henry's hair

Henry likes to sleep on his side. Sometimes on his stomach, depending how exhausted he is—a challenge Alex takes very seriously—but mostly on his side. Curled up with a hand under his pillow, sleeping like the dead as if to make up for all the sleepless nights that came before it, before them, and that is perhaps the thing Alex takes most seriously of all.

Anyway, as for Alex—Alex likes to sleep as close to Henry as he can possibly get.

It doesn’t always start out that way. Certainly not when they first moved in together, because David was used to that side of the bed, and there was an adjustment period in which Alex was thisclose to drawing up a shared custody agreement but ended up bribing David with a dog bed shaped like a Jaffa Cake instead.

(“He’s a dog, love,” said Henry to him, patiently. They both watched as David immediately plopped himself with a soft thwump onto the cushion, which looked less like a Jaffa Cake and more like someone’s idea of a Jaffa Cake now that Alex was seeing it in person.

“Yeah? And?”

“Oh, nothing,” said Henry wryly. “Only that, you know, you just tried to buy off a dog.”

“Not tried,” said Alex, mouth sliding sideways into something triumphant. “Succeeded.”

And if Henry rolled his eyes at him, Alex let it pass because they both knew Alex was the sore winner here. David had already ceded most graciously to him, having long gotten used to being kicked out of their bedroom even when they weren’t using it, strictly speaking, to sleep.)

[ballpitwitch]

[mattodore]

finished making the hair ties i wanted! plus now theo has them too since they’re for his hair anyway :)

[peaches2217]

Things that make me weak: a comprehensive list

1. Any and all references to and/or visuals of Peach’s soft, small hands in Mario’s large, strong hands

2.

[turtleblogatlast]

I still think about how Leo’s ideal day out for the fam’s venture into the Hidden City was basically just an effort to get some rest and relaxation because boy does he never get that ever.

[introspectivememories]

do you ever think about how marco is one of the last people who knows how close shanks and buggy once were? do you think he ever looks at shanks and instinctively searches for buggy? i bet you marco looks at shanks surrounded by his crew and still thinks that shanks looks lonely. because back then, you could never find one without the other. if you insulted shanks, you insulted buggy and vice versa. they were attached at the hip. if you got one of them alone, you better savor it because in the next five minutes, the other one would come find them. like in my heart i know every time marco sees shanks these days all he thinks is where's the rest of you?

[to-the-all-blue]

On my walk home from the cafe I was thinking about Sanji (as one does) and how every influence in his life for 19 years screamed at him to hunker down, stay silent, and never appear weak.

As much as I love Zeff and know he loved Sanji, it's clear he has such a straight-laced and unflinching view of masculinity and what it means to be a man. The environment on the Baratie was an extension of that.

It was a machismo world where affection was hidden behind kicks to the head and insults. The kind of environment where cutting your hand or something gets a response of "what? You call that an injury? Don't cry over nothing". Where outright kindness has to be dragged out of people, and then immediately covered up with a half-baked insult.

Throw into that environmemt a little boy who is desperate to prove he's not the failure he was told he was, and out pops a man who wears his heart on his sleeve for "acceptable manly emotions" but who hides real emotions behind anger, and hides pain (physical or emotional) altogether so as not to seem weak.

Tack onto that the idea that the only surefire way to show love is through self sacrifice (his mom + Zeff), then of course Sanji will be all sorts of jacked up.

We see throughout the series how Sanji is so unwilling to be vulnerable or to even admit he's feeling hurt at all. Plaster a smile on, make some comment about loving women, and voila! He's the man's man everyone expects. No need to worry about him. After all: he's strong.

...🥺

[nightswatchdisbandmentera]

Something rubbed against his leg beneath the table. Jon saw red eyes staring up at him. “Hungry again?” he asked. There was still half a honeyed chicken in the center of the table. Jon reached out to tear off a leg, then had a better idea. He knifed the bird whole and let the carcass slide to the floor between his legs. Ghost ripped into it in savage silence. His brothers and sisters had not been permitted to bring their wolves to the banquet, but there were more curs than Jon could count at this end of the hall, and no one had said a word about his pup. He told himself he was fortunate in that too. His eyes stung. Jon rubbed at them savagely, cursing the smoke. He swallowed another gulp of wine and watched his direwolf devour the chicken. Dogs moved between the tables, trailing after the serving girls. One of them, a black mongrel bitch with long yellow eyes, caught a scent of the chicken. She stopped and edged under the bench to get a share. Jon watched the confrontation. The bitch growled low in her throat and moved closer. Ghost looked up, silent, and fixed the dog with those hot red eyes. The bitch snapped an angry challenge. She was three times the size of the direwolf pup. Ghost did not move. He stood over his prize and opened his mouth, baring his fangs. The bitch tensed, barked again, then thought better of this fight. She turned and slunk away, with one last defiant snap to save her pride. Ghost went back to his meal. Jon grinned and reached under the table to ruffle the shaggy white fur. The direwolf looked up at him, nipped gently at his hand, then went back to eating.

Jon I, AGOT

It's interesting that GRRM would dedicate several paragraphs to a seemingly unimportant exchange between a boy, his wolf, and an unfriendly third party. But there's just something about this passage that has continued to nag at me for years since I first read it because, considering how heavy handed GRRM was with the foreshadowing in AGOT, this feels important.

Jon is sitting at table full of squires - aka would be knights. We don't really know who they are or what families they belong to, but it's safe to assume that they come from a certain level of privilege; this is considering the fact that it cannot be financially easy to be a squire. And these boys already have a slew of tales detailing all their previous knightly exploits regarding "battle and bedding and the hunt" which suggests that they have some capital. So you have boys who will soon be men. And they will, presumably, become men of some power.

These lads eat their fill of the chicken until only half remains, which Jon then gives to Ghost. The direwolf's name is not so important here but what he represents is. Throughout the series, we're told that Ghost is reminiscent of the weirwood trees (because of his red eyes and white fur). He's stated to be of and from the Old Gods and since he's a personification of the weirwoods, he might as well be one of them. It's almost as if Jon is presenting whatever is left on the table to the Old Gods (Ghost). He lets them devour his offerings while he silently watches. And the motif of watching is so interesting here because it's kind of like Jon takes on a stewardship role - to watch over land/people/etc. He oversees Ghost eating the chicken, so he's overseeing whatever has been given to the Old Gods. This is not new imagery to his arc. As a brother of the Night's Watch and eventually its leader, we have several instances where he leads people to adopting the Old Gods in some fashion. In ADWD, several recruits swear their vows to the Old Gods while he watches on as their Lord Commander. The Old Gods are also primarily of the North and we're told that Jon has more of the north in him than his brothers; interesting that this also includes Bran. So perhaps whatever is being offered to the Old Gods relates to the North.

We must also note that Jon initially thinks to give only a small portion, a leg, before pivoting and providing the entire thing. It feels to me a bit like the process of carving up a kingdom or something similar. The lords (represented by the squires) take what they want and leave aside what they don't; or perhaps they have eaten to their fill and can take no more. Then when his time comes, Jon first considers a small piece of land/group of people before eventually absorbing all of whatever is left behind. The concept of carving up a kingdom rings harder considering that we have several callbacks to the ideals of kingship in this chapter. Robert, Jaime, Tyrion, and even Mance though we don't know it yet, all play into this. And then there's the aspect of Jon letting the chicken slip between his legs which evokes birth/fatherhood, a very curious choice when GRRM could've just had Jon place the chicken on the floor. So land/people are carved up and Jon then uses whatever is left to birth his own type of kingdom. And this kingdom is one for the Old Gods.

This also touches on something that has been quite prevalent throughout Jon's arc. It's the concept of accepting the "others" or "those left over" who live apart from the accepted social norms. Arya (a tomboy), Sam (a gender non-confirming boy), the Night's Watch (criminals, extra sons, and men who have no future left or place to go), and even the wildlings are all examples of this. And Jon takes on a leadership/paternal role to every single one of them. He looks after them as a leader would/should. Sometimes, in the case of Arya and the wildlings, he's equated to a king. He's a steward/shepherd/king. There's messianic undertones to this:

Come unto me, all you who are heavy laden, and I will give you rest. Take my yoke upon you and learn from me, for I am gentle and humble in heart, and you will find rest for your souls. For my yoke is easy and my burden is light." (Matthew 11:28-30).

If you're familiar with Judeo-Christian tradition, you'll know that Jesus is often personified as one who spent the majority his time among the outcasts. The idea is that he came to save them too and that anew kingdom (or new earth depending on your translation) would spring up after the end of the world where he would forever rule as king; which presents the idea of a final king after the earthly ones are done away with. Now GRRM isn't so heavy handed with Christian allusions as other authors out there, but he does have a Catholic background and Jon is so overtly a Jesus figure. And in Revelation, Jesus is king and god at the very end....

One last thing: the mention of the mongrel who challenges Jon has always been rather interesting but confusing to me. A mongrel doesn't really relate to one specific type of dog. But it's interesting that Jon notes several roaming about where he is. They follow the serving girls who carry the food to be offered. Mongrels are used to describe antagonist/villainous groups in ASOIAF. Sometimes, they're used to describe slavers in Essos. But what's interesting is that most of the time, they're used to describe Euron's Ironborn especially in Victorian's POV. So I don't think the mongrel who challenges Ghost is a supernatural threat of death (i.e., the Others) but rather a human one. They represent those who are called to the scene once the lords have finished playing their games. It almost feels like a feast for (carrion) crows....

But it doesn't really matter because this mongrel isn't much of a challenge for Ghost. Though the mongrel is much larger, the direwolf is able to fend her off very effortlessly. Given that "mongrel" is used to describe Ironborn raiders, could this exchange between Ghost and the mongrel point to reavers or sea raiders who rise and fail challenge Jon kingdom? There is a historical King Jon Stark who did this....

When sea raiders landed in the east, Jon drove them out and built a castle, the Wolf's Den, at the mouth of the White Knife, so as to be able to defend the mouth of the river.[1][2] His son, Rickard, followed him on the throne and annexed the Neck to the north.

ref.

So this might shed some light not only on Jon's already published arc, but also on what we can expect in the future. We have some foreshadowing through Jon's ADWD dream that he will not only rise with the dawn (thereby live through the Long Night), but will be in a position to lead people (wildings in that chapter) to a new peace after a hard fought war. Also remember that the wildlings, rather enthusiastically, swear oaths to him as if swearing oaths to their king. In this instance, the supernatural (a dream of the war for the dawn) is followed by the natural/human. So perhaps this particular passage (and Jon's dream) can be used to predict that Jon comes out on top, and quite effortlessly too, as a leader. And he becomes a leader who rules by association with the Old Gods; or rules a kingdom for them.

To end, I think it's of note that this passage immediately precedes Jon's conversation with Benjen where he voices his desire to go out on his own - the hero's call to action. This is the adventure that's going to kickstart his growth as a man, warrior and most importantly, a leader. So it looks like before we even began, GRRM telegraphed how it would all end in just three short paragraphs.

[halohamilton]

this is actually so personal to me

[hobgoblinsandpeachfuzz]

no stay i don't care what you've said or done, don't go away, not now when life has just begun. come back and be the woman who i knew, help me to believe in you...

what on earth am i to do?

nothing gold can stay

[codakk]

dave "the only touch i know is my older brother's violence" strider and jade "i've long forgotten what the touch of another human being's felt like" harley both being lonely best friends struggling with their touch starvation but maneuvering through it and healing from it with each other's guidance and company