#and yeah i have a history with some of these people and yeah tons of them either hate me

[polyamoryprincess]

Idk shit about Oppenheimer and there’s apparently some back and forth between people who think Oppenheimer is some flavor of propaganda/erasure and people who think they’re being unnecessarily obtuse or missing the point, and like idk one of the sides is using this as an opportunity to point out all the damage that the US still brushes over in relation to the atomic bomb and the the lead up to it and the other is convinced that biopics are actually based in reality and have any merit lmao

[marklikely]

i think as time goes on itll be easier to like the beatles as long as we keep up the trend of younger people not liking them.

[a-passing-storm]

I have forgotten that it is actually kind of Therapy Homework for me to post things online!

[rise-my-angel]

.

[metalandmagi]

In honor of Women's History month, I just want to remind people that some of the most influential and popular manga in the anime community are written/illustrated by women. And I'm not just talking about groundbreaking shojo like Sailor Moon, Fruits Basket, Card Captor Sakura, or Black Butler (or things like Chihayafuru, Migi to Dali, Sakamoto Desu ga?, Nana, Natsume Yuujincho, Revolutionary Girl Utena, Violet Evergarden, A Silent Voice, and a million more). To be clear, those series are also amazing, and I'm not demeaning them in any way. They deserve just as much respect as everything else.

But right now I'm talking about shōnen series or series that are usually marketed towards men specifically or have appeared in shōnen magazines. I mean things like:

Beastars, made by Paru Itagaki

Gangsta, by Kohske

Magi: The Labyrinth of Magic by Shinobu Ohtaka (which I promise isn't what my screen name is a reference to, even though I love this show).

D.Gray Man by Katsura Hoshino

Dorohedoro by Q Hayashida

To Your Eternity by Yoshitoki Ōima

Mushishi, made by Yuki Urushibara (aka Soyogo Shima).

Noragami which is written by two women, collectively named Adachitoka, similarly to romance author duo Christina Lauren.

Blue Exorcist by Kazue Kato

Inuyasha (and Ranma 1/2 and Urasai Yatsura) by Rumiko Takahashi, which I know for a fact served as a gateway anime for a shit ton of people across generations (but especially for people my age).

I have to shout out Posuka Demizu, who illustrated The Promised Neverland, which is my favorite manga series. She may have given the characters weird looking facial proportions, but damn if she ain't one of the most detail oriented (and sneakiest) artists out there.

And finally, a little story you may know called Fullmetal Alchemist, written by Hiromu Arakawa (who also wrote Silver Spoon, The Heroic Legend of Arslan and lots of other stuff but I wanted to highlight those two specifically).

There's also been speculation that a small hidden gem called...what was it again?...Oh yeah, DEMON SLAYER is written by a woman. But Koyoharu Gotouge's gender hasn't been confirmed so it's still just a theory.

idk, I just love women.

[eddie4bat-president]

Saw a drawing of Steve and now I'm suddenly thinking about artist Eddie who designed the Hellfire shirts and Corroded Coffin fliers and who draws the villains of his D&D campaigns to slap onto his DM screen for visual aid and doodles in class and-

And i'm thinking about Steve, in a relationship with Nancy, trying to ignore that things are rocky but knowing it all the same. He finds a notebook left behind in school and he only takes it because he forgot his own. He plans to use it for the day and then figure out whose it is and get it back to them in exchange, that's probably more than fair, right? And the person is really gonna want this back - it looks like half their life is contained in this thing; there is... a shit ton of loose paper stuffed between the pages and notes on all kinds of subjects and drawings and.... he doesn't even know what that is. Who is Vecna and what the hell is a... lich?

Anyway as he leafs through it he finds that some of the drawings are... actually really good. Like, absurdly good for being in a lined notebook that looks like it has taken a trip into a dumpster and picked up some debris on the way out.

Like! Those hands! Steve has no artistic bone in his body but he's heard people whine about drawing hands and - he looks at the hand not holding the book and back again - yeah, that's exactly what hands look like! And here - a few pages further (it's one of the most empty pages of the whole thing, mostly because this one seems to have started as a drawing and not as a page of notes that turned into a drawing) there are only a few lines on the page but it's still very clearly the back of someone's neck, the collar, one shoulder.... Then there's another one that is almost all lines, but they were all carefully placed to give the effect of perfectly windswept hair. Then there's one that he actually can't make sense of at first (he almost pages past it because it is just a few lines and dots taking up a quarter of a page of very annoyed... history notes? Maybe English.) It's just a jawline with some moles but... only the day before he had cut himself shaving a finger's width underneath those exact moles. And that's when it clicks. He goes back to the hair... yeah that- that could be him too. Maybe. He flips back to that one very detailed drawing of hands and... putting down the book he tries to get his hands into the same position - the angle is off but. Yeah. That's why they looked so perfectly...! Uhhhh... Handsy! Because they're his fucking hands!

Anyway Steve realizes that about a third of the drawings are or could be him. He realizes that he actually can't go through with giving it back because - what would he even say? "Hey found your notebook, nice shrine to me?" Yeah no. But he's... also reluctant to take it to the Lost and Found. There's something in the handwriting.... He has a feeling that it might not be a girl secretly drawing him. What if someone else connects the dots? What if they confront the mystery artist about it? Flashbacks to his fight with Jonathan, the line he crossed and immediately regretted. He doesn't want to be the cause for someone else getting called that. And unrelated to that, things with Nancy aren't great right now and it's... it's just nice to think someone is paying attention, alright?

Then Halloween happens a few days after. The Break-up(?), the demodogs, Billy and the tunnels- and afterwards it's nice to have the notebook to distract him from the pain. The mundane mystery of a schoolmate maybe having a crush on him. He might not even have to confront them - he can just figure out a way to slip it into their locker; it looks like at least half their schoolwork is crammed into this thing, no matter how half-heartedly done. They definitely want this back.

Man, I wish I could actually write this thing. Damn. Maybe I could even do a scene where Steve tries to Sherlock Holmes his way to Mystery Artist and confronts a (hatefully seething) Robin, because she sits behind him in that one class, only to find his own Watson in her instead. But alas. It cannot be.

[genderkoolaid]

there is btw, A LOT to be said abt how theres only one big leftist video essayist who is transmasc or adjacent. like the transmasc erasure in the leftist youtube space is RAMPANT

Oh GOD yeah.

And necessary statement of "transfems are marginalized and their inclusion is equally vital to transmascs and unaligned people, and they also experience a ton of exclusion and abuse in leftist creative spaces."

That being said, I feel like so often people just don't even recognize the absence of transmascs because of the masculinity/manhood. Like there are people who care about diversity and inclusion will make sure they talk about transfem history, promote transfem creators, and I don't think its out of malice, or even done consciously, but they think that transmascs don't need that same care because well. They're men, right?

& that's half of transmasc erasure. One half is erasing the manhood/masculinity (misgendering), but the other half is erasing the transness and acting like transmascs have the exact same positionality as cis men, and transmascs are essentially exchangeable with cis men. Our unique needs are not considered. When your feminism is fundamentally cissexist, you view it as "trans women are women and its important to support women creators." And again, I don't think this is always done consciously, but on some level people think "trans men are men, and men don't need to be promoted as much." Its ciswashing transmasculinity so that ATM isn't exposed and talked about in leftist spaces.

Its fucking wild when you start seeing transmasc absence as the presence of erasure, and you watch all these otherwise accepting people who put effort into promoting marginalized voices, to whom the absence of transmascs in their spaces and work is completely invisible. And when you point it out, people will come up with arguments like "I guess transmascs don't care that much about [x]?" instead of imagining that it might be because of systemic anti-transmasculinity. The reasoning for a lot of people is always that it must somehow be transmascs' fault that they aren't represented.

[am-i-the-asshole-official]

AITA for turning someone in for academic dishonesty?

I’m an American IB diploma candidate, and this ask does center around that, so sorry if we all just sound unbearably seventeen-years-old.

If you don’t know what the IB diploma is, think of it as if you had to write a bunch of essays and take a bunch of classes and do a bunch of service hours and then take AP tests on all those classes and add the AP scores together, and if they add up to a certain number, you get a special diploma that looks good to colleges.

Only eight people in the entire grade (we’re seniors and our exams are happening so we’re at the very end) are left in the IB diploma program right now because we made it this far and are all hoping our exam scores and essays. The program isn’t super popular at our school so we tend to have to mostly prepare ourselves for exams and such, so we’re all very proud of ourselves for getting this far and hoping that when our scores come out we get the diploma.

In short, we’ve done TONS of work. TONS OF WORK. And we haven’t received the amount of support that some IB schools are able to give. And suddenly, one of the IB diploma candidates admits in the group chat, “yeah, chatgpt wrote all of my IB essays.” If you know stuff about IB, she explicitly admitted to cheating on her Extended Essay, TOK Essay, TOK exhibition, Chemistry HL IA, History HL IA, Literature HL Essay, and Art HL Comparative Study.

That’s hours and hours and hours and hours of work that the rest of the diplomats candidates did that she’s just flippantly admitting she let an AI do for her.

but…….it also wasn’t really any of my business. So I wasn’t sure whether I should tell or not—especially since I’m the known goody-two-shoes of the group and I didn’t want to be viewed as a tattletale.

I asked two of the diploma candidates I’m friends with what they thought. One of them said “don’t be a snitch,” and the other said she wasn’t sure and kinda felt like I should talk. So… split response.

I was leaning towards “don’t be a snitch,” but eventually I just felt really indignant that this girl and I might receive the same end result for doing wildly different amounts of work. And I had evidence that she cheated—she admitted it herself. So I went to the school’s IB coordinator and I talked. I showed the screenshot. I essentially betrayed one of the candidates in a very tight knit group of students who are all breaking our backs to get this diploma with little to no IB-specific support from our teachers (our classes are all co-seated with non-IB-test-takers, who take up most of the class, which is an entirely different issue), but now it turns out one of us wasn’t even doing the work the whole time…

So I did it and it went to the administration and they’re “deciding how to proceed.”

Reason I’m worried I’m TA: she trusted us with that information and I told on her

Reason I think I might not be TA: it feels unfair that we should have the same shot at getting the IB diploma when the nights I stayed up crafting the perfect extended essay were the same nights she asked chatgpt to write her an essay and then moved on with her life and somehow did it well enough to not get caught.

AITA?

[moonstruckme]

Glad your back love! I have a request if that’s alright. Remus and reader going on a bookstore date and lunch or something!! That would be so cute. Imagine how excited both of them would be picking out books and being affectionate. Just a lot of fluff and cuteness. Thanks sweetness hope you enjoyed your break!

Thanks for requesting sweetness!

Remus Lupin x fem!reader ♡ 1k words

You’re feeling a bit guilty about the teas you’ve snuck in, but if there are two people who can be trusted around books, it’s you and Remus. He takes a careful sip as he leans in to skim the titles, sticking one hand in the pocket of his pants. 

“Island of Love,” he reads, amusement lilting his tone. “Original.” 

“I think I’ve actually read some of that author’s stuff,” you say. 

Remus quirks a brow at you interestedly, hand coming out of his pocket to pull the novel from the shelf. “Let’s see, a summer wedding, the groom’s brother and bride’s maid of honor hate each other, but—oh, he’s frustratingly attractive…and something about passionate summer heat.” The corner of his mouth twitches. “Wonder what that could be alluding to.” 

“Alright.” You steal the book from him, slotting back into its space. “I never said this stuff was, like, literature to be studied at Oxford. If you’re going to disrespect my section, run along to yours.” 

“Fairly sure it’s considered rude to abandon your date,” he muses. “What’s my section, by the way?”

“Depressing stuff.” 

“Oh?” 

“Mhm.” You take a sip of your own tea, trying not to fluster under his attention. You scan the shelves idly for a distraction. “It’s all rather doom and gloom. Very well-written doom and gloom, to be fair, but I’m not always looking to have my life changed. This stuff is fun, at least.” 

“I see,” he hums. “Oh, this looks familiar.” 

You turn to see him holding up the shiny new version of the worn and waterstained paperback that rests perpetually on your nightstand at home. 

“How do you know about that?” you ask him. 

Remus smiles. Your heart flutters. “It was on the coffee table when I was over last week. Are you rereading it?” 

“Yeah.” You shrug, turning your eyes away from him. “I reread it a lot, it’s my favorite.” 

“Mm, I noticed it looked fairly battered.” 

“Well-loved,” you correct him. 

He chuckles quietly, and you grin because you can’t help it. “Right, so sorry. My mistake.” 

You brush a piece of hair out of your face, slotting it behind your ear. Watch Remus’ eyes track the movement. “So what’s your battered book?” 

“Hm?” 

“Your favorite,” you clarify. “The book that’s all war torn and full of nonsensical annotations.”

He thinks for a minute. “I’m not sure,” he admits. “I have a few I go back and forth between, but lately it’s been The Secret History.” 

You have to cover your mouth with a hand to hide the full breadth of your smile, and Remus narrows his eyes at you. 

“What?” he asks.

“That book is so depressing.” You shake your head, delighted at being so right. “I mean, it’s beautifully written,” you amend. “Really gorgeous. I’m just not sure I found the plot as compelling as the prose.” 

His mouth actually drops open. You can’t tell how much of the shock is teasing and how much is real. “You thought that book had no plot?” 

“No, I mean, plenty happened.” You turn to face him, forgetting about the books around you for a moment to focus on this one. “But I felt like it happened so slowly, and there was so much in between that was just tons of description. It was like they almost skimmed over the murder part! There were so many plotlines that were brought in and then just disappeared, though I guess I can respect the ways in which it reflected real life.”

You think for a second that Remus might argue with you (he should, really—it’s his favorite book and you’re slandering it), but he keeps his mouth shut, watching you interestedly. 

“And don’t you think Richard was a bit passive? Henry and Bunny had so much going on, but the narrator could have literally been a fly on the wall the whole time. He kind of reminds me of Nick Carroway, you know?” 

“From the Great Gastby?” He tilts his head, eyes squinting a bit (it’s devastatingly cute). “How’s that?” 

“Just, they’re both such flat characters.” You frown. “I don’t really think either of them needed to be in the story at all. I mean, having a narrator that’s a character with no personality is effectively the same as having a non-omniscient third-person narrator, right?” 

Remus is biting the inside corner of his lips like he’s trying not to smile. “Right.” 

“What?”

“I’m just thinking that I need to get you talking about books more often,” he says. And that’s real affection in his eyes, mixed in with the humor. 

You look down, grinning at the front of your shirt, but his little smile doesn’t waver. 

“Shouldn’t be hard,” you say. An awkward, obvious sidestep of the compliment, but he lets you get away with it. “Your turn. Let’s go to your section.” 

He shrugs. “If you think you can stand it,” he says, but starts moving in that direction. You notice he’s still holding the copy of your favorite book. 

“Aren’t you going to put that back?” 

“No.” He doesn’t need to look down to know what you’re talking about. “You’ve already torn one of my choice novels to shreds, now it’s my turn to read yours.” 

A little bite of nervousness snips behind your belly button even as his sidelong look lets you know he’s only joking. “You could always borrow mine.” 

Remus blinks. “I’m flattered that you’d trust me with it,” he says, and it almost has you blushing again, that he knows the significance of you offering him your copy, “but I think I’ll read the un-annotated version first. But if the offer still stands after I’m finished, I’d love to read your thoughts on it.” 

He says it like it’s nothing. Like taking the time to read your favorite book twice, just so he can get to know you more thoroughly, isn’t the sweetest thing anyone’s ever so much as thought of doing for you. You worry that if you look down, your heart will be glowing right through your shirt.

“Alright.” You muster your courage, taking him by the hand. “But now we also have to find one to read together.” 

Remus has looked down at your joined hands, something like shyness coloring his expression, but he looks up to quirk an eyebrow at you. “Are you so sure we’ll be able to find something we can agree upon?” “So long as it involves a main character that actually does something, I think we can manage.”

[kidsinsaturn]

Can I plz rq hcs for being married to both shisui and Madara? Like how would they be with their s/o, domestic vibes, etc?

uchiha bride

[🗼] yesss I love this idea!! I've been in the madara feelings lately hahah I wanted to post this yesterday but I ate way too many tamales I felt sick

characters: shisui uchiha; madara uchiha

genre: sfw

warnings: gn!reader; possessiveness; mentions of discrimination ?; mention of manipulation; stalking; obsessive traits

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-shisui husband of the year!! hellooo, this uchiha is just so sweet and mindful of you all the time

-your wedding was probably very traditional although very small. both shisui and you didn't want a lot of people there. he is a very private man after all

-if you are not uchiha, you must learn all to their customs and their culture, im sorry. shisui may disagree with some of his clan's ideals, but he still finds some of them very important and he loves them

-but of course he will also be very very open to learning more about your clan's traditions and if your clan has something special (like a kenkkei genkai or a physical feature), he wants to learn all the history behind it

-as we all know, the uchiha can be a bit hostile to foreigners, so if you were of another clan or even another village, shisui can even feel a bit pitiful that you have to go through all of this because of his dumb clan

-he assures you all the time that you are the perfect person for him, regardless of the loud, rude words that you can hear on your way to his house. which may lead to shisui and you moving to a house a bit secluded from the others, but still in the compound

-yeah im sorry but I sincerely do not see shisui dropping his duties as an uchiha and as a villager of konoha just for you. yes he loves you tons, but he always manages to divide equally his commitments. he will stay in the compound because he is an uchiha and has his own obligations in the clan

-even though it was a bit hard at the beginning because you were expecting different, shisui will not treat you any different. as a boyfriend, he was the best the version of himself, and now as a husband, he still is the best version of himself. he believes he shouldn't treat his spouse worse or better just because they are married. he always gave his 200% ok

-very domestic husband although he is out for work a lot. there are times he feels guilty for leaving you alone too much, but he is a provider okayyy he needs to work hard enough so you have everything

-which is why he will try to convince you to stay home if you are a shinobi. if he succeeds, he is deeply happy and relieved that you are safe now. but if you decide to keep your job as a ninja, he just lectures you to always be cautious and blah blah blah he is just worried okay? he doesn't want to lose his boo

-shisui will come with you to the gates of the village to bid you farewell with the longest, knee-dropping kiss. you only wish to end the mission soon so you can come back to have another one of his amazing kisses

-on canon universe, you only knew half of what was happening with the village and the clan. but on his final day, he made time to tell you everything, and just love you one last time oh no im not ok

-other uchiha and of course other villagers would respect you a lot of course. you are the spouse of sunshin no shisui hellooo. people will know of you immediately since shisui was quite the popular in the village. and ohh!! I am convinced many girls would be jealous of you because you took shisui first aughhh I wanna elaborate on this idea more haha

-madara is the most sensible and sentimental uchiha out there istg. he does not fall in love, and if he does, then i'ts over for the person, either they die or they both get married

-no but seriously, I don't want to get too much into this, but I deeply believe canon madara would not really get married because he is way too traumatized and obsessed with peace and war and dreams. so let's pretend this is another kind of au where madara is kind of normal and sane

-as much as you both wanted a small, quiet wedding, you just couldn't get it. madara is the clan leader and let's not forget he has the most booming, extrovert, and simple-minded best friends so of course it couldn't be a simple wedding

-hashirama wanted your wedding to be very special, and even though it was a bit too extravagant for your first ideas, it ended up being very cute and nice. madara is deeply in love with you, and from now on, you become his

-not that wasn't like that before. you were his everything the moment he realized his wanted you, and you were his from that second too. it's just that now he can say it out and wouldn't be called weird haha silly guy

-you gained the title of madara's spouse and by no means is that to take unseriously. all the uchiha clansmen respect you, at least in front of you. if you were from a different clan, you are to be judged there sorry. at least they are not dumb and do not say it out loud, but there are still whispers and well-masked judgmental faces every time you walked through the compound

-madara decides it is best for you two to live in the compound, and you can't really complain since he is clan head. however madara makes sure you are satisfied every day. always obtaining what you want thanks to the servants madara assigned you. and of course when he is home with you, he is very attentive to you

-you are never alone. if you're in your house and if madara is not there, there is always someone there with you, either the housekeeper or your servant. if you are out, there is someone there following your every step. when you realize this, you get mad at madara. he promises he will stop though he only reprimands the shinobi for being too noticeable and replaces him

-you get to know two faces of Madera. the one he shows everyone else, and the one he is with you. at first you are a bit taken aback by his sudden changes of demeanor and personality. he is firm, dominant, and stoic in front of others, even of his clansmen. his essence is dominant. but with you? he still is but a lot less lol

-he just can't help it at first, he says some things so bluntly that they even hurt. but he learns that you are no enemy, that you are his temple, he shouldn't be harsh to you. he ends up being very soft, you become his weakness, if you say something, he complies

-BUT the only thing he can't get rid of is his possessiveness, you are his, why do you need to go with someone else? you have him, is he not enough? do you want him to make some shadow clones so he is always your first choice? madara doesn't like seeing you with a lot of people; he has a mental list of the only people he is okay with, please respect his list

-he always needs to know what you do, where you will be going and what you will do. if you don't dare to spare any details, he will find out himself, though he will be hurt and disappointed

-and lets be reals guys... madara will at some point, manipulate you. either he doesn't like something you're doing or someone you are seeing, he will be very subtle with his words and just guide you toward a decision he wants you to make. he isn't stupid and tells you right there, no. he wants you to feel some sense of control of your actions when in reality, he is in charge of them

-he is a great husband though lol a bit insane but he deeply deeply loves you. he fears somethings happens to you and that's why he wants to control your life

[auckie]

I think the things that offend me most nowadays in like, smaller interpersonal interactions rather than grand, sweeping trends in culture, are when people chose to not partake in a wide set of things. Like musical close mindedness, or refusal to try different foods from different cultures. Not watching an entire subset of films bc they’re ‘french’. Avoiding reading bc you say you have adhd and it’s too hard. Like dude I get it, I’m busy. I can be picky. Everyone can. But the willful ignorance of closing yourself off to those VAST portions of the human experience, and not having curiosity and a lust to learn and explore art that was made by someone worlds apart from you either in terms of their culture, era, whatever. I dunno man it just pisses me off so bad. I think it’s arrogant. Like oh you’re comfortable in your safe little bubble huh? And you’re enforcing its barriers with the excuse that you’re autistic and have sensory issues. With music made by black people?? lol okay. It is pretty presumptuous for me to assume malicious intent but I think those prejudices are borne from either the comfort of being someone who’s wealthy and probably white not feeling the need to learn past what they think is enough, or it’s a reflection of a society that’s taught you to prioritize what it shills— popular, current (white, depending where you live ig) artists who are making streamlined, easy to digest content. Often when I meet people with these issues they’ll have one particular ‘niche’, and it tends to be like. 70s music. Victorian literature. Anime and Japanese games. But they’re still not really investing beyond the media presented. Like there’s so much more to Japanese culture than liking some cartoons put out between 2010-2020. You don’t gotta become some sorta Einstein who learns the background of every little freak in FGO yeah. But don’t you wanna aim higher? Aren’t you interested in any of the historical figures? And nothings wrong with hopping onto a trend. You read Dracula bc of that Dracula daily thing. Cool! Read more. Some people will say they’re chronically ill or disabled and can’t get outside. That’s okay. The internet is full of things you can read other than fanfiction, YouTube has a shit ton of free music. There’s Wikipedia and free articles online if you have questions about things. Yeah nobody is spending four hours a day looking at the national archives website and studying art history but it’s imbued in the things around you, and youll absorb it ambiently as you go along. you dont have to be a jack of all trades and cover every major genre of every major medium, but it never hurts to try! I really love seeing ppl ask too. Bc it can be kind of humiliating to admit to what seems like some jackass hipster that you’ve never delved into, idk, Serbian films (lol not that one). And hopefully if whoever you’re asking will give you honest good recommendations and not berate you. I’m kind of berate a straw man rn I guess. The hostile tone def doesn’t lend to an atmosphere of sharing but I cannot tell you how many times I’ve rbed anything involving specifically jazz only to see someone rb and add the stupidest comment on the post, or in the tags, or go into my inbox to be like waaah I don’t like jazz bc it’s boring and old and for pretentious hypocrites who hate neurodivergent people! Like what are you TALKING about. Fine if you don’t like it but don’t try and rationalize that as a moral standing you shit lark. And just as they’re allowed to dislike jazz I’m allowed to not really enjoy people who don’t like jazz. Or country. Nautical knots. Knit wear. Watching urbex YouTubers get their shit rocked by squatters. Korean food. Pachuco fashion and stupid ugly low riders. Bollywood films. and they don’t want to try any of those things either yknow? The next thing I’m getting into is circuit bending.

[undreaming-fanfiction]

Eddie's mom was a free spirit who got taken too soon but educated her son in anything and everything that she found interesting. And she found A LOT of things interesting.

Eddie still secretly keeps these interests and sure, some of them are expected (weed and the best strains), some less so (obsessive reading and perfect knowledge of Edith Piaf). Eddie can even make fantastic mixed drinks ("My mom worked as a bartender for a bit and she practiced at home, what are you staring at, Henderson?!") and can quote most of Le Fleurs Du Mal from memory.

Steve learns to accept and even expect this. Mythology? Of course. Random bits of knowledge from history? Of course. The man only knows SOS in Morse code but can tie nearly every single knot known to humanity? Weird, but it's Eddie.

But then he finds out Eddie knows a fuck ton about horoscopes and astrology. It only takes a single moment of distraction on Eddie's part - Steve is complaining about his latest date, a girl Eddie knows from his class, and he scoffs.

"Well, duh. Of course it didn't work out, Steve, her Moon sign's an Aries and yours is Cancer, that's a recipe for a short fling, not a long relationship."

Steve just stares at him.

Eddie's eyes go wide as he realizes what he's just said. "Uh, I mean..." he scrambles for an explanation, "...she...sounds really stubborn?" he says slowly.

Steve blinks once. Twice. Then his mouth twitches upwards. "What is your Moon sign?"

Eddie feels like it should be a joke, but Steve is patiently waiting for his answer, encouraging smile and those fucking delicious moles. "I'm...uh. I'm a Scorpio. Moon sign, that is," he mutters and hypnotizes Steve's left eyebrow. "Which is...you know. People think it sucks."

"And does it?"

He snorts and shakes his head. "Nah, well. You know, we can be kinda...secretive? But Moon signs are all about your emotions and the inner you, so...it takes a while to get to really understand Moon Scorpios, but then we're the most loyal bunch you'll ever find."

Steve just nods, still smiling. "That's cool, doesn't sound bad at all. But - are you compatible with a Cancer Moon?"

And Eddie probably should have asked "hey, what the fuck," but someone is asking him about his interest, no irony and all that, and that isn't something frequent according to the Munson doctrine. "Oh yeah, absolutely. I mean, Scorpios can be a bit intense, but they're both water signs, you know? And it depends on the Sun sign and rising too, so..."

Somehow, they spend the whole evening discussing astrology. Well, Eddie is. Steve is just listening and asking questions.

Somehow, Eddie manages to calculate both of their charts (because Steve asked).

Steve asks a lot of stuff. "How would you make someone with your chart open up?", "What would be an ideal date for that kind of person?", "Is there something I should be careful about?" and Eddie answers everything but somewhere deep thinks man, I really envy the girl he's doing this for. She's lucky she shares the same birthday and place of birth with me.

It only clicks two weeks later when Steve invites Eddie to hang out and takes him to an alleged haunted mansion. Which...might have been one of the more outlandish ideas Eddie gave him, but he said he would actually love that and that it would fit with the Scorpio dark and brooding aesthetic, if Steve's girl is like that.

He stares at the haunted house, at Steve's sweater (the one Eddie told Steve suits him the best) and a small picnic basket and he realizes.

I gave Steve Harrington a complete guide to dating me.

Steve smirks at him and gently touches his hand, careful not to spook him. "So, what does your Scorpio Moon say?"

Eddie groans and, after briefly checking that no one is around, quickly presses his lips to Steve's cheek. "Apart from "Eddie Munson, how the fuck didn't you notice sooner?" It's purring."

The younger man laughs and Eddie could bask in that sound forever. "Pretty sure scorpions can't purr."

"With you, pretty boy? They sure can."

[artbyblastweave]

Recently a post has been doing the rounds about military propaganda in the latest COD, yea yeah, sky’s blue, fork in kitchen, et al et al. This got me thinking about the shooters I actually play, and one thing that strikes me about the multiplayer shooters I play is that a lot of them dodge that same major discourse bullet by expressly grounding themselves in amorality and Kafka-esque dysfunction- a structural fingerwag towards their own content, acting as a paradoxical green-light to enjoy the game with no sense of moral injury. And there’s a big example of one that didn’t do this that kinda winds up with egg on its face as a result. 

To start with, I’m thinking about Team Fortress 2. The original Team Fortress, inasmuch as it’s possible for a game where you shoot each other with real firearms to be apolitical, was fairly apolitical. The soldiers had no markers of identity beyond their arbitrary team affiliation; the fighting was over no discernable real-life resource or point of political tension; the environments were decontextualized labs and facilities. It was platonic violence. 

Team Fortress 2 rolls around. Now that the general novelty of a 3d multiplayer class shooter has eroded, development stalls out on the following aesthetic problem; you can’t have semi-realistic militaristic character models rocket-jumping themselves across the map in the early 2000s. The cartoonishness is too dissonant when you’ve got similar semi-realistic militaristic characters in much more “grounded” games. Eventually they resolve this by taking the other tack, leaning into the cartoonishness, crafting character models so completely bombastic and over the top that no action taken in gameplay, no matter how absurd, will ever feel dissonant. This philosophy extends into the map design; the environments are farcical. Military instillations built mere yards from each other, with paper-thin pretenses of being civilian facilities despite the constant gun battles occurring inside. It’s self parody. And when the game extends to the point of having lore and worldbuilding, the idiocy becomes diegetic. This is a conflict fought on the behalf of idiots, by idiots, over idiot-goals, in spaces designed by idiots. It’s completely amoral, but it’s also contained amorality, since the fighting doesn’t spill out of these Helleresque Designated Pointless Fight Zones- and that leaves the mercs sympathetic enough that you can play them as protagonists in stories that take place “off-the-clock” without a ton of tonal dissonance. I can’t stress enough that the TF2 protagonists are amoral PMCs who work for callous megacorps. In a vacuum, this is not a well-regarded Kind Of Guy around here. There is some implementation of this broad concept that would invite a shitload of discourse that I’ve never seen materialize!

A lot of hero-or-character-based multiplayer games do this, abandoning any pretense of player heroism or productivity in the conceit in a way that shields them from a lot of moral and logical criticisms. Apex Legends and Monday Night Combat are explicitly in-universe bloodsports. Atlas Reactor and Rogue Company are cyberpunk corp-on-corp warfare. Dirty Bomb is about loosely affiliated mercenaries picking over the remains of an evacuated city. I think that Valorant is PMCs in a resource war (Not completely sure on this one.) The never-released Battlecry was expressly tied to actual nation-states, an alternate history where great powers fight wars via singularly-powerful champions instead of via traditional warfare. And in Battleborn the PCs were a hastily-assembled coalition of smaller hastily-assembled coalitions, which means that it makes perfect sense that any combination of these people might be fighting alongside or against each other, at any given time.

Here we see commonalities. Amoral participants. Larger governing bodies delineating clear fight zones centered on specific, if deliberately silly or petty, goals. Most crucially, PCs that are very loosely affiliated with each other, such that you’d see them in different configurations, fight to fight, day to day, as they’re contracted or shuffled around by the powers that be.

You know a game that doesn’t do any of this? Overwatch. 

Overwatch gets 80% of the way to being a superhero universe; it falls short primarily because Blizzard chose not to explicitly market it as such, but it’s got everything short of the purposeful brand designation- powered heroes, super science, codenames, Faceless Hydraesque terrorist groups with shadowy, powered enforcers. There are specific allegiances implied by this; specific policy and interpersonal goals implied by this that aren’t really reflected in six-on-six grudge matches in a smattering of inexplicably depopulated civilian environments. There are roughly half-a-dozen villains associated with Talon, four or five independent villainous mercenaries, and everyone else is a would-be superhero. Why is most of the core roster of the world’s premier superhero team performing some kind of terror attack in London? Why is a woman who murdered a civil rights leader trying to stop them, with the help of two avowed anti-Omnic mercenaries and three Omnics? Why did a cryogenics researcher weaponize her tech and come along for the ride? Why are a dozen envoys from tech conglomerates, grassroots movements, and paramilitary defense forces throwing down over a Gazebo in a charming Greek resort? Fuck if I know. Fuck if the writers know!

So, to round it out, I think that there’s a structural difficulty for multiplayer shooters to stand for something, or advance a philosophy, or whatever. The smart ones embrace this by shielding themselves in ablative nihilism, preemptively deflecting criticism by painting the gameplay as hollow and barbaric, but fun! But Overwatch- Overwatch 2′s tagline is “Get back in the fight.” What Fight? Why? Against Who? Call Of Duty might be a horrific mouthpiece for militarism and imperialism, but when it valorizes the military, it’s at least picking a side! Overwatch is just so strange to me because it’s somehow got the worst of both worlds- it uses these heroic, aspirational language and visuals to hype up a gameplay loop that’s ultimately the exact same kind of cynical, aimless abattoir as the games that are smart enough to explicitly be about amoral paid killers!

[fumifooms]

do you happen to have that page that talks about the beauty standards of each race?

Yeah sure. While scavenging pics for this I found this neat reddit compilation & chart & theory talk too. I had um, way more to say than I anticipated (I know you only wanted the one page. I have nothing to say for myself. Like most topics in Dunmeshi things snowball because they’re so interconnected. Mercy…) so, many races and observations are only mentioned near the bottom.

Beauty standards and race in Dungeon Meshi

Not pictured there’s also how elven society is harsh on visibly disabled people, and how the demon took away Mithrun’s silver eyes and ears to take away his pride. There’s also how Senshi might have fit in with the orcs more easily because of the dwarven wide body shape, and how they tend to have more body hair too I suppose. In the extra on orcs we see Senshi living with the orcs and he gets judged because of the hierarchy rather than his looks.

What is fashionable also differs from culture to culture, and there’s how tattoos only seem common with elves, though dwarves and others do also sometimes have some. They seem to not raise much brows, which makes sense since for many essentially they’re for professional (magical) purposes especially with elves. Gender roles also differ in type and importance, but generally they are similar to irl ones for the races we see. Elven society seems to be the least gendered, which would be an unsurprising logical outcome of having lesser sexual dimorphism aka they look more androgynous. Comparing fashions and gender roles and how they affect beauty standards would be a whole other compilation and conversation. Kui has great worldbuilding partially because she’s got such a good grasp on sociopolitics and geopolitics. History affects cultures and beauty standards greatly. Kui’s oneshot Distant Utopia was very eye opening on her way to worldbuild and the consideration she gives these things, I do really recommend reading it.

Out of the big 5, we know the least about gnomes, but their sheet does say both culture and region are similar to dwarves’ and they end up being confused together often, so we can imagine the beauty standards are similar to dwarves’ as well.

I wanted to touch on this in a post eventually, but how one daydream hour page said half-foots tended to be curvaceous like in the artwork below puzzled me for a long time, all the half-foot characters we see during canon are rather slender and lanky after all, Chil’s succubi also being more curvy than plump. Economics are for sure a factor in that I imagine, the half-foots characters we see are all implied to be some flavor of poor or malnourished, as are half-foots depicted as empoverished oppressed minorities in general. Even comparing the artwork with the half-foot sheet’s depicted average half-foot, the ones on the left seem bigger. Wouldn’t it make sense though, if unlike dwarves half-foots don’t have similar naturally wide bodies, yet due to idolizing dwarves they work towards having a similar body shape/type to emulate them?

It’s said half-foots tend to stick to pretty ethnically homogeneous regions (aka half-foots-only communities) unless they move to the big city with ambition to try and make it big (like Chilchuck and his wife & kids did), and that’s interesting imo because then that would mean that in a ton of half-foot communities, they rarely see or interact with dwarves whom they try to emulate. Of course, one thing about beauty standards is that when they get adopted, at one point it stops being "this is how dwarves look and so this is how half-foots should look" and just becomes "this is how half-foots should look", most people feel as though beauty standards aren’t learned but innate, so I figure the half-foots wouldn’t have any problem still seeking dwarvish traits when there are no dwarves around.

There’s also stuff you can glean here and there if you want to extrapolate more. Like how in the race swap artworks, Mickbell is only smiling in the dwarf portrait, and Rin’s elven portrait looks very close to her elven one- Rin who is stated to be beautiful in her profile blurb. Benichidori’s extra does teach us tallmen can definitely have harsh beauty standards, but also since the text portrays her as very dysmorphic that’s likely reflected in her thoughts to a much more intense degree than is common, not an accurate strict baseline to go off. Ah, Kabru’s blue eyes are also why he and his mother lived a rough life in Kabru’s hometown, but that seems to be regional. Good post here on the topic of Kabru’s blue eyes and ties to irl history. There’s a lot to be said about Kabru being a man that in many ways is close to elven beauty standards, and how that might have affected or been affected by his upbringing with elves + his persona as someone that can effortlessly charm most people. Marcille’s section here in this essay also goes into Marcille’s struggles to fit in with the ideal image of an elf.

Looking human

Also notable are beastkins and demihumans: Demihumans are all dehumanized which makes people treat them worse. So if you differ from the visual idea of "human" (an in-world subjective categorizatiom just as much as demihuman is) most people do judge you negatively. Elves and dwarves get to fight about which type of human is considered the prettiest, but demihumans are below tallmen and half-foots, they are considered as simply below the beauty contest, incompatible with it.

Onis are perhaps the demihuman people we know of with the least cultural influence on the dunmeshi world, and with less intensely different appearances than other demihumans, but even them are treated as lesser than human, treated as beasts to slain for reputation points or useful strength to have around and command. It’s said their "magnificient horns" and fangs are often shaven off when the oni lives in tallman towns, so you could easily make the argument that onis are denied the right to have their own beauty standards, having to conform to other people’s and going through mutilation to take away features they might otherwise have taken pride in. Inutade was bought by the Nakamotos from a dangerous sumo fighting ring that got one of Inutade’s tooth broken on her first and only fight. Remember when I said different fashions existed in dunmeshi and how those could also affect beauty standatds? Like the elves, if you look at the portraits pages that include a lot of characters that aren’t in the story you can see distinct cultures within the same races, for example one young elf is bald which is in sharp contrast with usual elven long luscious hairstyles, and that’s especially true for onis I think. Maybe not only from different regions but different eras as well… They have a bit of population in the very north of the western continent, so I like to think some of the ogres live in very cold, maybe even subarctic conditions. The point I’m getting at here is that within a race, culture/ethnicity like with Kabru as well will also influence them, different communities will have differing beauty standards. The oni history blurb and third row first collumn portrait remind me of Mongolia (which historically was a lot of different nomadic communities with different cultural identities as well. Something something, the oni empire experienced a decline and then tallmen overpowered them, and now they’re governed and split apart by stronger social classes & slavers and the richness of culture was hurt for it), but obviously many of them are dressed and look rather japanese, makes sense considering living in/close to Wa, and first row second collumn portrait reminds me of ainus which again would be logical considering geographical placement, though I’m far from an expert. Interestingly, ainus are indigenous people both in Japan and Russia- Perhaps the northern western continent ogres are meant to be closer to Russia than Canada like I imagined? Ok tangent over.

The kobold sheet says they’re especially sought after as slaves because they’re "adorable", but locally in the western continent they’re repeatedly said to be seen more as ferocious and dangerous. The dehumanization is most apparent in the first comic below. The language barrier and conflicts no doubt worsen this by a lot, but I think it’d be hard to deny that their canine appearance makes the dehumanization worse. "They’re ferocious beasts, they’re demihumans, they can’t be communicated with". Most characters in Dungeon Meshi’s world are desensitized to slavery and most characters are prejudiced one way or another. Point being, kobolds are fully removed from human beauty standards, but no doubt for kobolds, other kobolds are more beautiful than humans are. They’re assumed to be an uncivilized bunch, but just like any other people they like to aforn themselves with nice clothes and jewelry and keep themselves clean and groomed; they too take care of their appearance and take pride in it.

And the orcs! This one we have the most contact with in canon, with not only there being foreigner characters from the ethnicity or hearsay of their homelands and culture but full on contact with a community. We get to see up close what they’re like and what they think, and of course in turn they’re our introduction to how demihumans are harshly looked down upon and seen as inferior, less human and thus less worth valuing and less dignified. It’s text that orcs are ugly to most humans and humans are ugly to most orcs. Since I judged they didn’t need accompanying explanation the pictures showing this are in the pictures dump at the top.

God forbid you sell vegetables to orcs my god- but then again they do basically mandate adventurers to kill any orcs they come across so yeah the world isn’t above that even a bit.

So yes, my main point here is simply that orcs are yet another evidence of the physical ideal of "human" being an important beauty standard for human societies globally.

Izutsumi is our glimpse at how beastkins are treated in the world, and in Wa at least that’s ending up being caged and mistreated as part of a freak show. Izutsumi hates her appearance and wishes she could leave the feline part of herself behind to only be human. Interestingly, not that we have a lot of info on them so this is very much a take with a grain of salt situation, but there seems to be less stigma around artificial beastmen, those who can shapeshift at will. The main difference is of course appearance, that most of the time they simply look like average tattooed humans. Artificially creating humans is an illegal practice, and no doubt it’s not well regarded, but being able to hide that makes them less likely to be discriminated at any moment, or even just discriminated less intensely. Again, looking human is important, not only for belonging but for safety’s sake. Beauty standards rule the world with harsh hands.

Mermaids and fishmen

Ok we’re done now right? Right-! But wait… Wait…! Mermaids and fishmen are said to be demihumans too, special separate cases to the main three demihuman species however, which is also represented by how mermaids and fishmen both are in the Adventurer’s Bible chapter Monsters meanwhile ogres, kobolds and orcs are in the chapter World. They’re an interesting topic because they directly tackle this topic, not only in a meta way for the readers but also making characters themselves struggle to quantify their humanity with the goal of knowing wether they should be eaten or not, especially Chilchuck. Chilchuck’s "is it really just a matter of feelings?" mini arc.

The party asking themselves "Should we eat this?" is very common, and often they end up playing a little loose on morality, like eating the red dragon’s meat despite it having digested Falin. Not unsimilarly Marcille freaks out a little over the vegetables they harvested having been grown with fertilizer, aka largely human poo. Half of the motivation of "should we eat this perhaps sentient creature" is out of consideration and compassion, but more strongly and more often, the characters struggle with a sense of taboo at eating something too closely related to humans. Even, feel uncomfortable because of the deepseated impression that eating it would dirty them in some way. Cannibalism is an interesting and relevant topic in many ways, but what I want to mention is how there’s the more or less universal belief that committing cannibalism inherently taints you as a person and turns you more monstrous, morally but also literally depending on some myths such as w*ndigos and onis in some cases, like in Touge Oni. Marcille and Izutsumi both express a fear of eating monsters turning them monstrous. Maybe this is part of what Laios was hoping for, honestly. There are two fears here, if eating a demihuman monster constitutes as cannibalism or not, and so, will eating it taint you because it’s a human, or will eating it taint you because it’s a monster? You are what you eat, until it’s a little too literal. You morally are the means by which you get your food, and you physically are the result of your nutrition. Dungeon meshi manages to mix an exploration of humanity with the theme of food because our relationship to food is very deep and complex, psychological as much as physiological.

In the end, the characters sort of shrug and accept that they’ll never quite understand the world of mermaids and fishmen and how they operate, and what that means about them. Laios is the one always challenging these notions other characters take for granted, it’s not obvious to Laios why people are softer on mammals than other animals and plants, it’s not obvious to Laios why people would be afraid of eating a monster just because it’s a monster, it’s not obvious to Laios why some food is gross to Marcille but not fish testicles, it’s not obvious to Laios why you should immediately regard orcs and kobolds badly.

"Cows are probably closer to humans [aka closer to being human] than fishmen, though they’re clearly intelligent", dehumanization to lessen empathy towards them to be able to eat them. Meanwhile, mermaids seemingly have a less noticeable "civilization" or intelligence, they hunt in groups like fishmen, but they don’t use tools and such, they feel more primal and similarly instinct driven, and yet… Do they attract sympathy more? Mammals, humans, is it because of their nature or because of their appearance?

Both the nature and appearance of fish are ones people don’t typically sympathize with. "Fish don’t feel pain", "goldfish only have 5 seconds of memory", "it’s okay to keep in bowls too small and empty for them until they die", so many lies and misconceptions exist that make people less considerate of them. The average lifespan of a goldfish is 10-15 years, the record is 43, but they’re not seen as lives that really matter, so a lot of goldfish die in a few weeks of bad aquarium conditions. There’s a lot of research on animals evolving to look cute and appealing to make some predators want to kill them less and parents want to care for them more, including humans. First good google research result gave me this credible short article on the topic. In Chilchuck’s weighing wether a fishman is far enough from being human or not, "face is 100% fish" is his biggest argument for it being more acceptable. The face, the most important thing for empathy and recognition. The face, the decapitated fishman one that falls into his hands next chapter.

To quote @room-surprise: "Chilchuck can't explain why it's wrong to eat the merpeople, even though it's NOT complicated. But the problem is Chilchuck would have to accept and acknowledge that the merpeople might be people? And that's outside of the worldview he passively believes, so he can't just say that, because he doesn't think that's true. But that IS why he "feels" it's wrong. And it's all you'd need to say for Laios to understand! But it would require acknowledging that maybe the way they're treating and talking about the merpeople is wrong."

The idea of Chil not being able to grapple with how maybe some monsters are more humans than they seem, him who had been an advocate of half-foots rights, half-foots who get undermined and treated as inconsequential sacrifices… Grappling with how he could relate to the merpeople’s situation almost, and pulling away because it’s so existentially horrifying. I do not want to see myself into an hostile fish-faced warrior I can’t communicate with. In a way this also relates to Chilchuck being the only party member who doesn’t see Izutsumi as a cat in the relationshio chart, the only one to treat her with full human dignity. He knows the struggle to be taken seriously, he knows being infantilized and he knows what it’s like to be treated as less than human.

Below, you will see Chilchuck draws the line of where they become not okay to eat as when "they already look like mermaids". Above, there’s speculation that the algae hair is partly to mimic "the mermaids’ beautiful female form". Is it because mermaids are their enemies and the ambiguity might give them extra seconds to attack or flee? Is it to trick adventurers instead? It’s striking to me that this is what works, with the adventurers. Sure the fishmen are intelligent, but explicitly here, what makes them no longer acceptable prey to Chilchuck is that they look close enough to a mermaid, close enough to human. Mermaids who of course themselves have this form to entice and seduce and charm the adventurers they prey on. Chilchuck considers the intelligence due to the tridents, but most of his internal debate centers around their appearance, and the image of a fishman skewered sickens him. The power of mimicry… Mimic being a beautiful human woman. Mimic being cute, babies being wired to make us feel protective and softened. Half-foots, sometimes pretending to be children for scams or help or avoiding trouble.

The mermaids are only concerned by their differences and not their similarities, and have no trouble treating the fishmen as food rather than peers. To an outside perspective like us, the audience, all these categorization of "more human" and "less human" between onis and orcs and elves and tallmen etc seem stupid and unfounded, but to the people living in Dungeon Meshi’s world, elves may as well be mermaids while onis are fishmen, not alike at all, unworthy of empathy and thus fine to eat.

Ultimately, Dungeon Meshi promotes unity. It’s about seeking to understand the unknown and the misunderstood, the dehumanized and the inhuman. It shows the good that comes from seeking to understand what you do not, even when that’s one another.

[qqueenofhades]

I also think leftists view liberals and centrists as worse than right wingers because liberals and centrists maintain the status quo, thus prolonging capitalism. In the case of accelerationists, they think a revolution is only possible if people are desperate enough to want one and so they often align themselves with right wingers who they know will make things worse (see MAGA communism as one example). To them it doesn't matter if the fascists will take power because they believe fascism always fails and communism will naturally follow. All the deaths will be worth it in the end.

I hit ask before I finished. I meant to add in parentheses that all of that is of course an oversimplification, but those are pretty much the arguments I saw in multiple leftists subreddit, on tumblr and twitter in the past few months. I know leftists irl are more normal.

See, this is what I mean when I point out that Online Leftists have become just as much of a zero-sum radicalized death cult as the MAGA Trumpists. They're willing to embrace any atrocity, global disaster, terrible people, and massive death toll as long as they think it'll bring their Shining Ideology (TM) to fruition, and then of course this will last a thousand years and never be changed and humans will bow down as a group to this Shining Ideology and destroying everything will be Worth It In The End. Apparently. This is complete ahistorical genocidal nihilistic gibberish, where any progress to fix the world and make a better future for the billions of people alive right now is actually Bad because What About the Glorious Revolution?!?! It is Totally Real! It Will Work! O Bow To Us Great Keyboard Warrior Dipshits! If You Don't Want to Violently Die With Everyone You Love, You Are Part of the Problem!!!!!

Now, I don't know about you, but I sure as fuck don't feel like sacrificing everyone and everything is a great tradeoff for whatever Communist Utopia these cosplaying pissbabies think would be the ultimate fruition of their labors. It's lazy, it's dangerous, it's stupid, it excuses them from ever having to do any effort to make the world better right now, and it feeds into the worst impulses and movements of humanity and the same mistakes that have been repeated in history over and over. This is basically what the late 19th-century and early 20th-century Communists thought: people would rise up in a Great Socialist Revolution, overthrow capitalism and fascism and every other bad thing in the world (which would somehow never ever come back, I guess) and then the future would be bright and shining forever. In practice, it resulted in tons of bloody and pointless deaths, a lot of failure, and some communist regimes that were absolutely zero improvement whatsoever on the oppressive systems they had replaced (and often were in fact MORE oppressive, but online leftists don't listen to people who actually grew up in these regimes and are not eager to see them come back). And guess what? Capitalism and fascism were not actually defeated Once and For All Time! Because yet again, you cannot just Violently Revolute your way to Ultimate Morally Pure Power once and for all, kill the Right People (aka everyone) and then everything is fixed forever. If it was ever going to work, it would have already done so. It has not. This fallacy is the cause of pretty much all the evil in human history. So. Yeah.

[complete-clownery]

Okay I wont get to work on this any longer tonight so imma just post this

So this morning I have realised some stuff about my Macaque home hc

So first of all you can see the human disguised Macaque with Bai He,

and so Bai He wasnt there or "planed into the house" three days ago, but I decided that, that just wont do, I want her with Macaque, so im going to have to go back and alter my original ideas so it would fit the concept of Bai He also living there with Macaque (I have quit a lot of ideas for that, but ill get to them when I have the time)

But its not the main reason I wanted to talk about this even with half finished ideas under constructuion in my head

The big thing you already saw the random old lady and the antic Store/shop, so its no suprise im going to talk about that a for a bit,,, not a lot tho cuz I dont really got the energy for this

Soo--- She does not have a name, but Ill work on that, shes not fully thougt out, but nothing really when it comes to my ideas and headcanons (its kinda like eating halfbaked dough)

so shes 73 years old divorced lady running a little antic shop in the outer cirkles of Megapolis. I was thinking maybe it was her who originally selled the whole building to Macaque and rented the free space under the dojo.

She has a daughter and a grandkid (didn't decide on gender yet)

Shes kinda inspired by @/ladygreenfrisbee's oc in the fanfiction sunbreak, a snarky but sweet old lady whos not taking any shit from the brooding, shadow the hedgehog wannabe.

When she was younger she worked in a Museum in Megapolis, working with antient historical artifacts and megical weapons, but she pretty much knew everything about anything in there, with history and old stories being one of her passions,

Thus after she retired she decided to open and antic store. Even tho its an antic store, she can be one of those people that you bring an old piece of furniture or object in and they can tell you if its legit or not. She is also willing to trade and buy stuff from you if its to her likings. She's fair and not a con artist, she has just enough money for herself and thats completely fine by her, shes a simple woman when it comes to living.

She has a ton of degrees, Dr. And Phd tytels and what nots, extreamly smart and knows a lot about history and mytology and different eras of the past, making it easier for her and Macaque to connect over old stuff.

Also I was thinking, even tho she couldnt tell that Macaque was the Six Eared Macaque himself, she knew that they were wearing glamours, She studied artifects and worked with demons who were experts on the field of magics and glamours, she knows her shit

And even tho She had a decent relationshipp with Macaque I dont think Macaque would willingly let her see his true form, maybe after he was very exhausted, and injured after a fight they couldnt hold it up and were like-- fuck it who cares (maybe it was after the final fight with LBD) and she obviously knew who they were imidietly seeing his Six ears (that even tho he let her see one time hé continued to glamour like he would usually, only letting go of their human disguise)

So after that she would start asking him a whole lot of questions about the past and what was it like, carefully avoiding the questions involving the great sage equal to heaven, cuz she knew what happend from jttw

But yeah Macaque found it funny how a child and an old lady are looking at him with similar shimmer to their eyes as they interrogate him on the past

She loves a good tea and has her own little blends that calm the nerves and ease muscle pain and stuff like that. After She and Macaque became more friendly with eachother she gifted them some tea that helps him fall asleep better and relax. Macaque checked them for poison twice and couldnt find anything, but still wasnt willing to drink from them until he had a very fucked up breakdown yippeee ✌️

After Macaque lived there for some years they somewhat warmed up to eachother, they would hold little tea paties and talk about stuff (annoying husbands and divorce) after Bai He started living with Macaque these tea parties increased in numbers, sometimes the ladys grandchild joining in when Grandma was watching over them, maybe they get along well with Bai He, maybe they had a rocky begining to their friendshipp, but they warmed up to eachother and now are pretty good friends (maybe, ill think about it more)

BUT!!! this was it for now its already 2:40 am and im waking up at 6:40 so even tho I have more to say ill be going now

Bye thank you for reading ✌️☺️