#anything with interesting character dynamics

[starlightseraph]

finished dead boy detectives!!! (spoilers ahead!)

quick disclaimer: i haven’t gotten around to the comics yet but i’ve been very interested since the sandman came out and i do plan on reading them eventually lol.

- edwin is my new blorbo cutie and i too would go to hell for him. also, his style is immaculate, exactly how i want to dress all the time.

- i am SO sad about niko. but i’m glad that it seems like she’s not totally gone? i hope she’s not an antagonist in the next series (the ending was a touch ominous), but i’ll honestly be happy either way. it’s so rare to find good western-japanese characters. it made me incredibly happy when she switched into a japanese accent when saying “osaka” because it’s something i recognise in my family and in me. i know people from lots of different backgrounds do that with words from their own languages, but i’d never seen a japanese character do it before so i was very tickled.

- charles. man. please fall in love with edwin. how tf are you quite literally dragging him out of hell and he confesses to you and you look him in the eyes and say that you love him but you’re not in love with him. i mean that’s the best possible way he could’ve gone about it, but if i were edwin i might just have gone back down to the doll face spider thing.

- i hope that crystal’s past doesn’t land her in jail or anything. i really like her dynamic with the others but i’m not sold on her and charles romantically, mostly because edwin is so fucking sweet and i don’t want his heart to be broken. he’ll be happy if charles is happy, but i cannot stand see him get hurt even the tiniest bit.

- jenny is amazing. she’s literally me fr. also i love how she just hands people cleavers.

- i found the night nurse’s breakdown when she was in angie’s stomach very relatable. i feel like that a lot lmao. and i love her accent. i will go to bat for my own weird ass culchie irish/valley girl hybrid, but if had to pick another accent…

- i need a wise and eternal south asian man to talk me down from the ledge. it’s almost finals week and a ring from kashina would be a big help.

- tragic mick (top tier wordplay name) is a sweetheart and i hope he gets to be a walrus again eventually. my first reaction when i saw the cat king was “oh my god, it’s the piss kink guy from You!” but that aside, he was ok in the end. so was monty. i hope the night nurse can help crystal drag david the demon back down to hell.

[fuckyeahisawthat]

One of the most interesting things about the Atreides characters to me is the constant tension between formal and informal power dynamics going on in that House.

Leto and Jessica seem to have a fairly equitable relationship where they genuinely love and respect each other. This rests entirely on the fact that Leto is generally a Good Dude on an interpersonal level, who like, sees Jessica as a person and recognizes and appreciates her intelligence, skills and political acumen. While concubine to the head of a Great House seems to be a fairly high-status role in their world, we know it is not equal in social standing to the role of a wife, and certainly not equal to the male head of the House. Leto does treat Jessica as his equal informally, but by the social rules of their world he certainly doesn't have to.

Similarly, Leto treats Gurney, Duncan and Thufir like trusted colleagues and confidantes, and while they formally treat him with a certain amount of deference (addressing him as Sire or my Lord and accepting that he will be the final authority on things), it's also clear that informally, none of them are hesitant to speak their minds in front of him, offer suggestions or contradict him on something.

Paul's relationships with Duncan and Gurney are similarly complex. They're both older than him and serve as his mentors/teachers. Neither of them are afraid to tease him, challenge him, or reprimand him when they think he's doing something risky. They love him in an almost-familial way and would protect him with their lives. It seems like Paul would like to be friends with them on equal terms. But formally they are both his servants. Or, more precisely, while Leto is alive they are his father's servants and know they have Leto to answer to if anything should happen to his son.

The moments when the formal power dynamics assert themselves are always fascinating. When Paul and Gurney are first reunited, I would say Gurney is still treating Paul like a Duke's son and not a Duke. He's loyal and he is overjoyed to know Paul is still alive, but he still calls Paul by his first name and talks to him like he's giving advice to someone who's still learning. But then there is that moment when Paul pulls rank and gives Gurney a direct order to go to the south and Gurney's demeanor immediately shifts. He only ever addresses Paul as my Lord after that, and he treats him with a deference that makes it clear they are lord and vassal, not friends or family members.

(And like, technically once Leto is dead, Paul is the Duke and everyone in House Atreides is Paul's vassal--including Jessica. Practically when it comes to Paul giving Jessica an order she does not want to follow...well I would like to see him fucking try.)

Leto's leadership style with those close to him seems very much based on creating a familial, mutually protective vibe that wins him intense loyalty. (It is really interesting to see him try this on Stilgar who doesn't buy it for a second.) We see Paul try to emulate that, possibly with an even more intense longing for relationships of genuine equality that's born out of growing up with no peers of his same age and status around him.

But there is still always a little bit of power imbalance, because the chill vibes rely entirely on the continued benevolence of the Atreides men, and that benevolence can be withdrawn at any time.

[mixterglacia]

WARNING: VIVZIEPOP CRITICAL, STOLITZ CRITICAL CONTENT.

I get fairly mean in this one, you've been warned.

I am so sorry, Viv. You can't convince me to see Stolitz as anything beyond a toxic, doomed to fail, train wreck.

I'm SO down for a good toxic ship.

In fact, I found their pilot dynamic far more interesting than the current writing seems to be depicting.

I refuse to feel bad for a man that caught feelings for a childhood """friend""" so hard he ruined his own life. Blitz owes NOTHING to Stolas. He agreed to fuck him so he could run a business that is barely discussed, even though it was the original point of the show.

Does it suck that Stolas had to deal with an arranged marriage that he never wanted with a mean wife? Yeah.

You know what else sucks?

THAT STELLA HAD TO MARRY A MAN SHE NEVER WANTED, AND HAD TO GIVE BIRTH TO HIS CHILD. ALL WHILE HAVING A FUCKING CREEP OF A BROTHER. ALL WHILE BEING TREATED AS A MONSTER BY THE FANDOM THAT CAN'T UNDERSTAND HYPOCRISY IF IT BIT THEM IN THE FACE.

Like yes, she's a cantankerous bitch. But you can't seriously pretend like she isn't also suffering in this relationship. The only difference is she turns her pain into external anger, where as Stolas has been turned into uwu soft bird who can do no wrong.

Even though he destroyed his family in an extremely public way. Octavia is going to have to live with the impact of her father's decisions for the rest of her life. You can't seriously expect me to feel bad for a man that is the agent of his own destruction.

You also can't tell me that Blitz just needs to get over himself just so he can be with a man who's father BOUGHT HIM FOR HIS SON AS A PRESENT.

To reiterate. If this was meant to be read as a terrible toxic arrangement that just keeps happening? I'm down for that. But this is not, and will never be cute or healthy.

Blitz doesn't owe Stolas anything. He keeps up his end of the bargain. It's purely sexual, and just because Stolas can't accept that doesn't make it Blitz's problem.

Stolas needs to learn how to accept rejection and move the fuck on. He knew he would catch feelings and considering he basically has Blitz on a leash, that doesn't make this any less gross.

The fact that he knows Blitz will leave if he's given the power to go to earth on his own proves it.

Blitz has frankly done very little IF ANYTHING to warrant being subjected to this level of obsession on Stolas' part. He's just trying to make a living.

Frankly, if you wanted us to actually think Blitz was interested, you've totally missed the boat with that one. This should have been worked on ages ago and it makes it feel exceptionally rushed and out of character on Blitz's part.

At this point I'm starting to think Fizz and Ozzie are a fluke of good writing in a sea of godsawful shit. Charlie and Vaggie felt like a literal afterthought in their own show. Husk and Angel are so rushed it felt like watching a relationship at double speed. Are we even supposed to think Pen and Cherry are actually a thing? Because if I was Cherry I would have punched Pen for that shit.

Christ. I don't drink but Viv makes me feel like starting.

Thank you for coming to my TedTalk.

[astrababyy]

i think the thing that frustrates me the most about feyre's character post-acotar — hell, even post-acomaf — is that she stops being a character past that point in the series. acomaf, i can still see elements of feyre's original character, but i think acowar and beyond (especially acofas and acosf) is where her character devolves completely into something virtually unrecognizable. and this, in my opinion, is because once she and rhysand become established in their relationship, her entire characterization starts to revolve around him.

prior to acomaf/acowar, feyre has a personality independent of the relationships she has with other people. her characterization has its flaws, as the first book is flawed as a whole, but she's generally a decently-crafted character. feyre is an interesting character because, in the first portion of the book, we learn that she's a jaded, clever huntress who is willing to kill to survive and make painful decisions for the good of herself and her family. she's bitter, resentful, and miserable, and the crux of her life revolves around survival.

but then we learn new things. feyre loves painting, and if she had a choice, she'd marry off her sisters and live peacefully with her father, spending her days painting anything her heart could desire. she's capable and an able killer, but her dreams and wants are for a peaceful life. these desires are expanded upon later in the book when we learn that, if given the option, feyre wouldn't kill. she's jaded and can come off as someone who'd be a stereotypical "girlboss," badass killer. but in reality, feyre doesn't like bloodshed. she doesn't like killing, and if she had it her way, she'd never kill another living thing again.

this is interesting. acotar!feyre is actually a very interesting and dynamic character when compared to who she becomes in later books. she has an internal conflict that affects every aspect of who she is, and it is this conflict that is so deeply tied to what she's forced to do in the climax of the story: either kill innocent faeries or watch as the love of her life dies before her very eyes. this final trial is so painful because it's been established that, in a peaceful environment, a killer is not someone feyre wants to be, and a killer is instead what she's forced to become.

then, of course, acomaf happens and yada, yada, yada. she's still a relatively interesting character on her own, if (arguably) ooc, but has an independent characterization regardless. it's after this book where things take a turn for the worse.

in acowar, feyre is no longer the character who protects the "little guy" and would give up petty jewels to make sure a faerie can eat. she's no longer the character who acts based on her morals and inherent humanity, rather than faerie logic. instead, she's the character who destabilizes an entire court on the brink of war, uncaring of the consequences to the people of spring. in acofas, she's buying another goddamn house while people in velaris and beyond are struggling to make ends' meet following the war that she and rhys dragged them into. in acosf, she's doing the same fucking thing to nesta that destroyed and traumatized her a few books previous, and she's become the glorified housewife to rhysand. she's having his kid when she's not even 25 yet. she's being paraded around like some prized horse. she's sitting around, painting and decorating houses, while rhys does all the actual politicking. she's exactly what she feared she'd become in acomaf, and there's no consequence whatsoever.

this is not the feyre of acotar. this feyre is the faceless, empty love interest to the real main character: rhysand. she's a reflection of him. that's why she went from the woman who feels uncomfortable wearing fancy jewels to the woman who'd spend her newfound millions on frivolous lingerie rather than do anything meaningful with her position as high lady. that's why she went from the character who had respect and a new understanding of nesta in book 1, to the character that'd do such horrendous things to her in acosf. that's why she stands around and lets rhys and amren bully and degrade nesta. she's not a character anymore. she's just rhysand's mate.

[invertedfate]

what prompted you to start making the mutual crush subtext in Chara and Frisk's relationship less "one possible interpretation" and more "explicitly the intended interpretation"? don't get me wrong it's a very cute part of the story that's pretty fun to watch unfold and an interesting way to characterize their dynamic, but i'm genuinely curious as to what specifically made you decide to make them be mutually crushing on eachother over the more common interpretation of them as siblings

To be honest, I just never saw them as siblings in IF and found it frustrating how people treated the siblings interpretation as hard canon when it's just one possible reading. Some people treat that interpretation's popularity as a reason to bully others for having other readings of the characters, but I just think it's important to be kind, 'cause I feel like interpreting Frisk's relationship w/ the goatfam as something else is VERY different from, say, misgendering them, since how Frisk views Toriel and the others is up to player choice. I didn't actually go into IF with any particular ships in mind, but it just kinda developed in that direction, I really liked the dynamic they shared, and it just... materialized the same way IF Papyton did despite me not having strong feelings on the ship one way or the other usually. That's not to say I have anything against the siblings interpretation, and I know that some people aren't comfortable with Charisk because they prefer them as siblings. I absolutely get that, and tbh it probably doesn't help that early IF had the dubious dad stuff with Asgore. While in later chapters, Frisk realizes they barely got to know Asgore and were too impulsive and Asgore shares a similar realization, it probably doesn't help in terms of setting expectations, and that's why for the updated playable version of the Asgore fight, we made some dialogue updates/additions to help better lead into things. I need to poke Phi about getting that uploaded and recorded, 'cause while we don't have any new Rift videos ready, I think a video of the canon route for the Asgore fight with the added Flowey and Frisk conversations would at least be something nice to share. The conversation basically involves Flowey and Frisk talking about what Asgore put Frisk through at the end of part 4C, Flowey pointing out how he warned Frisk not to get too attached/get Asgore's hopes up, and just gives a little more of Frisk having conflicted feelings after they spare Asgore as well (since even if they got a happier outcome, he still tricked them into killing him, which is... a lot to put a traumatized child through who already had a close call with Lilac).

[devine-fem]

Damian is not the “grumpy” character like in a way, sure but he’s not just that. There’s so much more to his character and Damian and Jon’s dynamic then it is “grumpy and sunshine” like Damian is a kid who has been dealt a hand and has to find his own way about life that fits him and not just what other people expect of him. Sure, his personality may rub people the wrong way but it’s certainly deeper than that with the environment he grew up in and the way he feels about himself.

Jon is not the “sunshine” trope, his personality is lax but he didn’t blindly follow or like Damian instantly. They fought profusely, like physically fought due to their impressions of each other. Jon is one of the most emotional characrers I have literally ever read before the age up, he feels deeply and cries in an instant, he gets angry as well, he doesn’t default to sunshine… a lot of his stories make him channel that anger, there’s a lot to talk about when it comes to his anger, and to Damian he’s more of person to lean back on then anything, not exactly just “a sunshine” as much as he’s “A light to Damian” in a way, but my point is that that there is way more to their characters then this…

I ask fans of these characters to just step away from the characterisation of “Jon’s a ray of sunshine” and Damian’s “a grumpy black cat feral/rabies etc batboy” and actually try and understand these characters because it’s much more interesting than that.

I also ask that fans don’t demonize super sons fans as a whole for having people do wrong by these characters.

[jjaydazo]

Why do you ship Sans x Frisk? As a person who ships them myself, what do you see in them, like about them? Personality traits, situations, tropes etc, anything that comes to mind, what makes you enjoy them and continue to breathe life to them?

when I first shipped them, I didn't know I could ship Frisk with Sans.

As I said before, when I first saw undertale, I didn't count Frisk as a character before. I thought they were just a self-insert because you can name them whatever. and hardly say anything whenever.

there were time i see some frisk x asriel or frisk x monster kid, but frans won me over. so much pretty art and fun comics.

Frisk is a misunderstood character. Everyone and a lot of the fandoms mistaken their character. "Frisk is a Blank character" - I think Frisk is a character that players will see themselves in. But Frisk isn't entirely Blank, they literally have a name.

one of the things that always interests me about Frisk is when Asriel asks Frisk why they went to Mt.Ebott

There so much to Frisk's character that I am fond of because it's like they're quietly their own person. And to pair someone like Sans is just a fun dynamic to be seen.

The au's themselves are just used for me to draw them in different ways and explore their personalities. I've grown fond to the community and it helped from my hard times before.

[2aceofspades]

Drawing asks

I have a lot, so you don’t have to answer everything if you don’t want to.

✏️ ☕️ 🎁 ✨ 🌊 🙊

No worries at all! I don't mind answering all of them :)

 ✏️ Do you prefer traditional art or digital to relax?

I prefer digital art at home and traditional art on the go ✨

☕ Do you do warmup sketches before drawing? (Bonus: do you have any to share?)

No, I just jump in with sketching. I hear it’s good to warm-up though

🎁 Do you prefer drawing fandom stuff or your own characters?

I prefer drawing fandom stuff for sure. I don’t have any of my own characters besides my persona.

✨ How often do you draw?

Every day, pretty much. It’s rare for me to have a whole day where I don’t draw anything.

🌊 What’s the hardest thing for you to draw? 

Hm…probably the turtle’s shells and plastron. Dynamic/Interesting angles and poses are also rather difficult because of perspective. Backgrounds are also not fun.

🙊 Share your latest silly doodle with no context

Okie :3

They're silly (:

[azaleas-x]

Radioapple roleplay search!!

HEEEY- I'm Axe (24, he/they and genderfluid, Bi) looking to roleplay them! I've been writing for about 6 years now so I like to think i know what I'm doing. 🐍

I'd love to meet someone who I can bounce ideas off of and who doesn't hesitate to do the same. MUST BE 18+

!!! Absolutely no minors, I'm not family friendly! ⛔

Relevant details-

• I have a lot of free time and am fairly active. I don't disappear for longer than a day or two without notice either, but understand if you do on occasion. Life happens and this is only fun when it's done for fun and not as a chore

• I write in the third person, anywhere between 2-6 paragraphs and can easily go over though I will match lengths/energy.

• Will gladly write for either

• Would love to introduce some dark themes and explore a toxic dynamic between the two of them. I've got a ton of plots in mind if you're running dry, but I'm down for almost anything. I love fluff all the same!

•I'm open to aus but generally stick to canon, including/especially characterisation

• I prefer them to be switch/verse but that's open for discussion! NSFW is necessary- I enjoy writing it too much lmfao.

• Triggers/Boundaries will always be respected! I have no triggers, but do disclose any on your end. All I ask is you not be dry or short in your responses and we'll get along great!

These two characters have been especially interesting to me and I'd like to delve into their minds. If this sounds to be of interest to you- my discord username is azaleas_x

I look forward to writing with you!

[mahuhumaling]

JATP Season 2 Wishlist

that i wrote in my notes app back in:

and realized i never posted it here? tbf i'm rarely on tumblr. but because i really miss them rn i want to share my ✨ brainrot ✨ that i had back when i thought they were getting a renewal.

Carrie Wilson

she was my biggest flaw in Season 1. I wish her "redemption arc" is fleshed out more in Season 2; give her either more context & backstory to validate her reason for unnecessarily antagonizing Julie, or screentime to properly address how she's just projecting an emotion completely different into bitterness and anger into Julie's recovery

show particularly her earlier dynamic w/ Flynn and Julie? Maybe as Flynn calls her out, we'd get flashback glimpses prior to Rose's death (maybe even Double Trouble temporarily being Triple Threat 👉🏽👈🏽)

for some reason i'm picturing a scene where she's in her dance studio (she has one in their mansion, of course) practicing some of her Dirty Candy routine when she keeps messing up and not in the right mindset to keep dancing. i feel like the best (maybe easiest but whatever) way to guide the audience into her artist mind is to make her be a perfectionist. in frustration, she blows up for a minute before slumping onto the ground and reminisces her fun times with Julie & Flynn

also when you have her develop, please don't make her lose her femininity and the bubblegum pop music, it's great

Old Songs Resurfacing

it'll prove how detailed & thorough you are as a screenwriter if you pay off the songs mentioned in Season 1 in passing to be actual songs in Season 2

Unreleased: Get Lost, Long Weekend, Crooked Teeth, My Name is Luke, and if that riff from the scene in EP. 5 that spurred on the Bobby reveal isn't from one of these songs, add that too

Demo Album: Late Last Night, Lakeside Reflection, In Your Starlight

Willex

imagine your queer couple gets to have their first kiss first than your het main couple, not only will that settle Madi & Charlie's statements about being uncomfortable in doing a kissing scene and maintaining the priority of Juke's emotional over physical relationship, it would also make an powerful statement

Reggie's Character Arc

i know that he initially had an arc that involved a romance with Flynn but because of the ages of who they casted, they scrapped it and didn't have time to rewrite the scripts for him as filming neared, so they have time to adapt to how jeremy portrayed him for season 2: a lovable dork who craves familial love

since there's a possibility that lifers can now see the boys, maybe some found family trope for Reggie and Ray Molina?

he has pretty much formed a parasocial relationship with him at this point

so why not instead of a love interest, Reggie can have his character arc develop & we see his family before thru flashbacks and paralleling those in the current times because he sees Ray as a father figure

picture this: it's raining, Bobby opens the garage door to the sound of knocking, the boys find Reggie soaking wet and out of breath when he tries to say he doesn't know where else to go then the boys immediately figure out another fight in the Peters household happened. Reggie tries to talk again when Alex (because even though they're the airhead-sarcastic duo, they know they love each other) runs up to hug him and tells the other he doesn't have to say anything

cut to a freshly showered Reggie, quietly watching tv with Bobby, Luke, and Alex in the garage, eating whatever

also a solo acoustic country song, pls. just to make him happy

The Aftermath of the Deaths

for both the boys and Rose

we get parallels about how Bobby dealt with trauma and grief to Julie

like, the reason why the clothes are still in there (are to have costume changes for the boys) is because Bobby immediately moved out of the house (therefore also the garage) and left the clothes there because he couldn't bear to burn it, or visit the boys' houses to break the news to their families and return the clothes, or donate it somewhere so he just...left it. it would make for a more solid reason (for costume changes) and an emotional context as to how Bobby really tried to forget them because it was "easier."

it would also make sense why Carrie and Julie ended up friends. Rose probably was there for Bobby when they discovered what happened at the alleyway, so they stayed friends over the years and had their respective families but still kept in touch, (bonus points if absolutely nothing romantic happened between them! yay to normalizing platonic male-female relationships) and why Rose would immediately think of Bobby's three late bandmates to send for Julie when she was on her deathbed

Bobby never really "moved on" (because grief is a really complex thing). it's showed that he has a therapist and everything, and this could definitely have some aftereffects on his daughter. Carrie growing up seeing her father be this amazing rockstar but a negligent father and only showing love in ways she doesn't need (like riches and fame and connections to the music industry) because he's actually a really lonely man on the inside and no one can see that except for Bobby's spouse and Carrie. it'd explain why Carrie is spoiled, and other negative character traits that Carrie has on the surface

it's even why Bobby changed his name to Trevor: 1) Bobby is so closely associated to Sunset Curve and it's an absolute pain to be reminded of that every day, 2) it's a stage name and artists really do get that

More Worldbuilding

they already had some pretty creative concepts/ideas in the first season, so why not expand/expound on them a bit more

the instruments are attached to their souls that's why the boys at first can only touch them, like how Willie's skateboard and helmet are attached to him

which is why when they attach themselves to the world of the present, they gather up energy and focus on touching tangible things like the picture frame

this may follow the logic toward the end where they are finally able to touch Julie because she has become attached to their souls. emotionally.

More Creative Collaboration

i believe in the principle that when a story is finally released/published/told to the world, the world shares it. this is also visible in film/tv where when the scripts are finished and actors receive them, the story becomes part of theirs to work on. which means that they have some sort of autonomy over their characters' motivations, a chance to be heard of their ideas and pitches, and why some certain scenes wouldn't work, etc etc. it doesn't just become the director's story nor the screenwriters'.

the actors' ideas such as Perfect Harmony and their solos from Nothing to Lose are great because they let them in. they took risks, and it paid off incredibly well. more of that please. have them be a part of the writing process, (also the story), but never forget what made the music production great in the first place. be coherent and don't be like others that let too many hands work on one piece—it will lose its sound, its identity.

Julie Knowing

that Nick is possessed by Caleb. ohmygOD. hear me out.

the same S1 ending will play somewhere in 2x01, but it will be revealed that Julie was watching through the window the entire time and when she opens the door to receive the flowers, that last look she gives him is actually her scheming.

determined to get Nick back, imagine The Promised Neverland's level of mindgames Julie could play with Caleb because we already know our girl's smart

Free Willie Willie's Freedom

since the boys feel indebted to Willie's help, they insist on helping him too with getting rid of Caleb's stamp

maybe through his connection with Alex? or maybe Willie's family or friends who are still lifers (which is unlikely but either way). he needs to be saved !!

Song Sequences Ideas

juke counter melody duet like Rini's "Even When/The Best Part," Shane & Mitchie's "Wouldn't Change a Thing," or dodie & Jon Cozart's "a love song/a non love song"

emotional carrie ballad paired with lyrical hiphop choreo

willex song - i absolutely have no idea where this could go directionally but maybe alex on an acoustic guitar with a really soft sweet tune

reprises of S1 songs but in the complete opposite of their original style (the fandom's lonelier All Eyes on Me version, i see u)

nick guitar solo - just because Sacha actually plays, idk how it'd fit in to the plot yet but hey

Nothing to Lose (Reprise) - back in the '90s, a producer manipulates Bobby to sign a record deal to become a star but on one condition: disassociate himself with Sunset Curve, to which he first declines until he slowly gets persuaded. (sort of like Todrick Hall's So Lucky to Be You meets Lyn Lapid's Producer Man)

"So how about it, Bobby Shaw? Do we have a deal?"

"Trevor."

"I'm sorry?"

"Call me Trevor Wilson."

i'm pretty sure someone made an animatic with this idea too but i cannot for the life of me find it !!

7. Season 2 starts the same way as Season 1 does before the opening song plays

Black screen that reads a text "Hollywood 1995"

a pan down to the Orpheum's overhead sign that reads "SUNSET CURVE SOLD OUT"

cut to the interior with Rose finishing up her cleaning when a stage manager calls out: "Sunset Curve!" to which Bobby abruptly stops his pacing back and forth to look up. he and Rose look at each other. music swells until...

cut to him running onto the alleyway, "are they still not finished eating? those gluttons are dead to me i swear—" he cuts off his own words when he sees the boys getting dragged onto stretchers. but we, the audience, don't see it. just a close up of bobby as the ambulance lights reflects his face. rose comes up behind him, still clutching their t-shirt.

[i honestly have no idea if Bobby should get on stage because it just proves Luke's theory of The Orpheum's opening bands eventually becoming big & successful so it'll explain the Trevor Wilson fame even though at first he only did it for the boys, or if he shouldn't because according to the article Julie googled he ran away immediately after they were pronounced in the scene] but either way, this is how the opening starts.

then it progresses to Rose and Bobby respectively having children so they could parallel each other blah blah

8. Julie plays a simple song on the piano while the guys watch her in awe

Storytelling through Props

let's dive deep into Rose's luggage/suitcase and use the props to head for Julie's emotional attachment with them

they already did it with the wardrobe: Rose wears the black leather vest in the pilot while Julie wears the same thing in EP 6

add depth to the characters' relationships like us finding out Julie's multilayered necklace is actually a gift from Carrie or something

SOYON ANN YOU'RE A GIFT FROM GOD. Bobby's necklace is present in both young and old!him

**Rose in flashback scenes should be wearing clothes we've already seen Julie in Season 1 just for greater effect.

The Bobby Conflict

definitely needs to be brought up again by Season 2; they only discarded somewhere in the middle because more pressing matters like the boys' existence blipping away was pushed to the forefront of the story

however, The Bobby Conflict changes. it'll be cleared up that he was offered a record deal as a solo artist by a manipulative producer. and given that the poor boy is only 17 (too, maybe), he agrees. what he doesn't know is the contract's fine print: giving up Sunset Curve's royalties

that information clears it up to the audience and the band, so the conflict becomes this: Bobby's Survivor's Guilt. god wouldn't that be so good tackling that in a kids'/family show.

[sunlightnmoonshine]

It is unfortunate that the writers intention was to make the audience feel sympathy for eunseung but lop sided writing meant irritation was only ever directed at the character. The ending that eunseung got was clearly an attempt meant to tug at sympathy strings especially the zoning in on the necklace and the dialogue prior, of him not understanding why he was unloved, but the issue is -

1. there has been no valid attempt to show us why he should be loved in the first place, every attempt to get haein was by ruining her life first, we don't even have a clear reason as to why he liked her in the first place except for pure obsession (which just seems weird now given we have that flashback now and know that he despised the family and you mean to tell me that one dog scene was all it did???). The writer could have even gone the route of saying his need to be with haein was so that he could be closer to his mother or something, like even that would have made more sene than what we got, and so when he looked at haein in with that hurt after literally being a jackass the whole series with no reason why she should have ever liked him it's difficult to give a shit about his death although it's clear the writer was aiming for that.

2. his relationship with his mother has been so poorly executed, we should have got this messed up dynamic in earlier episodes so that we could see how little moh seul hee actually cared about him and how eunseung was broken by this, instead we got a few mediocre conversations that always ended with him willingly benefitting from her plans, plotting with her, ruining characters with her, and all in all just being all "you abandoned me" one scene and then "that's what we need to do to maintain our wealth" the next. We could have had such character exploration by delving into his hatred and abandonment issues had they linked it to the story instead of just shoving his meaningless obsession down our threats.

3. there is little added to his character at all, he doesn't care about anyone, you dont see him meaningfully interact with anyone, even his business prowess is a lukewarm tell don't show situation, when da hye felt bad for him I was like why? there has been nothing shown to the audience where you have reason to feel bad for him, if anything his end seemed too kind after everything the main characters had been put through and more importantly outside of haein he hasn't had a single moment of kindness. Frankly he didn't have a single meaningful moment.

A good villain does not in anyway need to be redeemable, but they do need to be enjoyable to watch and it seems like the writer tried to create a complicated villain but fell short by just giving him three main traits "I have mommy issues, I am obsessed with a woman who has shown no interest me, and I hate the man she loves because I am not him" that for the most part were poorly unpacked and then failed to invoke feeling from a perceptive audience.

With all this said, park sung hoon did a great job working with what little he had and deserves all the praise and well so long eunseung I'll miss yelling at you every week.

[bitchthefuck1]

It's kind of funny that Kendall and Shiv are both equally delusional about their ability to charm people for business and somehow think they can do it even though they choke almost every single time, whereas it's like the one thing Roman is consistently good at despite being the "least legitimate" option.

I think part of this comes down to the fact that Shiv and Kendall both have very clear ideas of the versions of themselves they're trying to be and the images they're trying to project, and they're trying so hard to be seen that way that they end up coming off as a little desperate and off-putting. Meanwhile Roman "knows" that there's something wrong with him and he's worthless, so he doesn't get sucked into the trap of trying to force people to see his idea of himself and instead molds himself into whatever he thinks the other person wants from him because that's the only way he can compensate for "being him," which works very well in the short term but also means he's the least capable of maintaining any relationship for very long because he has no sense of self.

[lucy-ghoul]

can't believe a show based on a videogame (usually games adaptations are notoriously bad, which isn't the case here tho) gave me the beauty and the beast/twisted mirrors/enemies to traveling companions/ruthless antihero+optmistic but still badass heroine who takes none of his shit/age gap but make it sexy dynamic of my dreams. as much as i love maximus and i think he deserves the best writing ever because 1. he's a clever deconstruction of the aspiring Knight bro who's actually a bit of a loser and, as much as lucy, sees the world in black&white at first and then doesn't get what he thought he wanted but what he needs (or at least i hope he'll eventually get it), and 2. he's a cutie and i want an epic love story for him too, it's very funny how they tried to give us a puppy kind of romance and the tumblr girlies still fixated on the "toxic ~she bites his finger off and he cuts hers off and sews it on his hand in what we'll pretend it's a symbolic marriage rings exchange or whatever~ asshole who used to be a nice guy/good girl™ with a lot of spunk and hidden anger but unshakeable morals" kind of relationship.

[aq2003]

my personal hot take of the day is that you cannot fully appreciate ten if you don't also appreciate martha and the dynamic they have

[aroanthy]

i love how fraught and complicated discourse around various utena characters ‘dying’ is when anthy is literally stabbed to death eternally by a million swords imbued with human hatred. and then utena gets stabbed to death by them also. like. ‘death’ is incredibly interesting in rgu because most of the time it’s this ambiguous figurative thing that has interesting implications re: ohtori as a closed-off world one can escape. we are all trapped in our coffins. mamiya is the only named character with a grave. nemuro memorial hall functions as one all the same. ruka is implied to have died in the hospital— was he dead all along? who was the boy we saw for these two episodes? is this dead boy the same boy, or is this just another coincidence from the shadow girls, cutting like a knife? it’s heavily implied that akio and anthy murder kanae by poisoning her, adding to the previous implication that they were poisoning mr ohtori too, but there are no perceptible consequences of this. kanae’s absence is not felt. she’s fed an apple slice. what happens to the bodies? we know what happened to the 100 boys, but what about everyone else? and so on and so forth. ‘death’ is a tricky thing in utena, i think it’s constantly functioning on figurative and literal levels in very different ways for very different purposes. dios died. dios was dying. dios didn’t die. he grew up. etc etc

[natjennie]

the fact that from chilchuck's point of view marcille is "falin's annoying friend" is so funny actually. he basically said "reluctantly, my surrogate daughter and that annoying bitch that's always hanging around"