(Part 5, previous)
I end up in the cafeteria, staring at nothing. Mastication is the first step of eating. After getting food. After bringing it to your mouth. After the food has leapt into your hands, you can bring it up to your teeth full of cracks and holes, and you can fill them with pulverized chicken and rice and assorted steamed vegetables. And you swallow. And you’ll do this until you die, whether that’s in three, five weeks, or when you’re seventy-eight. Four days or so, if you don’t drink water. I wonder if Tyler has water, locked in the cage of my mind. I wonder if hallucinations need food, or if there’s some other sort of nourishment he needs. That I haven’t been managing to give him. I know he’d like to chew.
Maybe Tyler was onto something, walking around feeling like a bigger dick than God himself.
That night, I sleep like the dead, and I dream of it, too. The movie set of Paper Street yawns above us. I’ve got Tyler in my hands, his hair tight between my fingers as I fuck his throat. I’m curled over him. I’m giving something up. I’m more powerful than I’ve ever been. Tyler Durden has tears in his eyes and my cock in his mouth, and he’s not biting down. Not yet. There’s a heat to the world, and maybe it’s not ever. I feel drunk. He’s quiet.
We’re at fight club, a crowd of howling monkeys around us, and I won. Tyler’s on the ground, looking at me with pride over his shoulder. I’m pulling him apart and sinking inside. I’m fucking my best friend into the concrete. He’s not making a sound.
We’re in my cubicle. I have a large knife, and I’m gutting Tyler like a fish. And I’m burying my dick in him, and he smiles at me. His intestines writhe as I pull on them, hauling his body to me with each thrust. They want back in. I want back in. He’s warm to the core and cooling.
On top of the Parker-Morris building, I’m fucking a hole through Tyler’s shaved head. A cock is your gun, your gun is a cock, an explosion in one direction and I’ve blown mine though his skull. Pulling the trigger, over and over and over. His brain droops out of the hole. Twitching as cum and blood oozes out. Little bits of bone stick to his fried neutered testicle scalp. Rocky mountain oysters. I can see the head of my cock poking out when I fuck in. Out. In. His eyes are empty on me as I move my hands from his jaw to his temples and dig my fingers in. His brain is like plush velvet. It’s better than his throat. Better than his ass. Better than his guts.
Tyler could not cut a hole in himself better than the one I made for him.
I wake up with a rash on my dick from the pillow jammed under my crotch. They don’t bother with high thread counts, here. Might as well be steel wool.
I eat.
I take my pills.
I’m led to the visitation room.
Marla calls me, her voice floats to me through the aether to come out tinny on the telephone.
“Have you heard from Tyler recently?”
Out of the grave enough for speech and she already wants to butt back in.
I want to tell her, I don’t have any words for her. No messages. I’m sorry. My jaw could have rotted off, for all the use it is, and I stay silent.
“I found this new support group. You’d like it. Tyler could be your boyfriend.”
I’m the only one who’s left. Only Marla and I would know the truth if I smeared it like that.
I want to tell her that I hope she’s having a good time, in the real afterlife. That she’s not stuck some place like I was. I don’t want to ask about it. I don’t think we’ll be going to the same place. Marla might not be a good person, but I’m worse.
Regret and remorse don’t mean shit when you can barely even feel them. It’s cruel, how I’m keeping her ghost around. I was haunting her until death and I can’t even stop after.
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Me : well maybe it's not that bad?
Me : looking for radioapple art and immediately get hit with big buff Alastor and tiny shorter than in canon Lucifer, Lucifer in a dress getting fucked by Alastor, Lucifer in a dress getting fucked by big buff Alastor, Lucifer who look like 5 yo and 'suave sugar daddy' Alastor who holds him and each with thousands of likes and absolutely zero of anything else than that
Me : nope 🙃😔
Save me Vox/Al artists, save me
Man, I love Vox/Alastor art so much.
I just love the Vox/Alastor ship as a whole, be it one-sided, mutual, or anything in between, and a lot of it stems from Alastor still feeling like he's Alastor.
I mean, I think people make Alastor a little more cruel and heartless towards Vox sometimes, but overall he still feels like himself. He gets to be dangerous and manipulative and he gets to be silly and whimsical. It's perfect.
Adding a cut right here because this post got WAY longer than I anticipated ⬇️
I think with RadioApple, when it comes to Alastor, people lean too much into this:
And not enough into this:
It feels like his fun, sassy, and whimsical side gets stripped away and he's turned into a stereotypically tall, dark and menacing love interest.
Where's his flamboyancy? His razzamatazz! As Susan would say, "Where's the showmanship? Where's the pizzaz? Fucking mediocre."
If I'm reading a fic or looking at art and I can't imagine their Alastor doing one of his girly-pop wrist flicks -
- then I can't keep going. His girly-pop vibes are too important to me.
Of course, when it comes to tone in both fics and art, sometimes fun and whimsical aren't what the artist is going for. But even outside of NSFW art and stories, so often Alastor just feels...bland. He feels too stiff. Too much like a suave, old fashioned, smooth talking gentleman, and not enough like a fun, silly, and sassy little freak who loves trolling people.
And with Lucifer if feels like they lean too much into this:
And not enough of this:
I feel like any, if not all, of Lucifer's flaws are brushed aside so often and so easily.
He feels softened and watered down. Like he's either a sad & awkward UwU boi all the time, or he's the most flamboyant, seductive little minx there is. And to be fair, he is both a very sad boi and a seductive little minx.
But rarely does he ever come across as powerful to me. A lot of the time he feels too normal. Or too sad and naive. Literally, like he could be any other sinner if I didn't already know he was the kind of Hell. And that's so funny to me because we've seen him openly and extravagantly display his powers multiple times in the show--not to the extent that he did in the finale--but he was definitely flaunting all the things he could do, make, or summon for Charlie during his musical-battle with Alastor. He was 100% showing off how powerful he is.
Not only that, but, honestly, Lucifer feels too open and sincere because that man is judgmental as fuck.
Going back to the "Dad Beat Dad" episode, there are multiple examples of him being a self-righteous little shit: 1) he was incredibly critical of Charlie's hotel the moment he stepped inside, even if he tried, and failed, to cover it, 2) he didn't even try to hide his disgust for Alastor's bar, which he didn't even know was incorporated by Alastor (who he hadn't even met him yet) and could've been incorporated by Charlie or Vaggie, for all he knew, 3) he wasn't taking Charlie's hotel or her plan for redemption seriously from the start, he didn't even have his mind open to the possibility, he wasn't there to hear about her plans he was only there to see her, and 3) when the hotel was attacked by the loan sharks, instead of making them go away or preventing the hotel from being damaged - which he could have very easily done with no amount of effort - he hung back and smugly reiterated that he was right and sinners can't be redeemed and Charlie should just give up on her goals/dreams because it's just not possible so there's no point in trying.
Like, Charlie was very clearly in distress over her hotel being attacked and destroyed, but he was too busy boasting about how he'd been "proven" right to see that.
He's very easy to anger and his ego is so easily bruised. Alastor got under his skin immediately and effortlessly - though I also believe that's on part that Lucifer doesn't have a high opinions of sinners anyway - and Lucifer 100% escalated the conversation/argument he had with Alastor during their first meeting.
See the whole scene of him referring to Alastor as a "has-been" and insulting the name he'd given the hotel, especially when you take into consideration that until Alastor said that he named the hotel, Lucifer thought it was Charlie who came up with it.
And I'm not going to say that Alastor was an innocent, picked on little baby in that scene, he was 100% riling up Lucifer from the start, but also, like...Alastor's lines weren't outright antagonist like Lucifer's were. They were more subtle, slightly needling and passive aggressive, but nothing that could really be taken as a insult.
This is literally the dialogue, word for word, of their very first interaction:
Lucifer: What in the unholy Hell is that?!
Alastor: Just some of the renovations we had done. Adds a bit if color, don't you think?
Lucifer: And you are?
Alastor: Alastor, pleasure to be meeting you, Sir, quite a pleasure. It's nice to finally put a face to the name. You are much shorter in real life.
Lucifer: Who is this? Who is this now - are you the bellhop?
Alastor: Ah-ha, no! I am the host of the hotel. You might've heard of me from my radio broadcast.
Lucifer: Hmm, nope! I guess that's why Charlie called it the "has-been" hotel, hahaha!"
Alastor: Ha ha ha, it was actually my idea.
Lucifer: Ha ha, well it's not very clever.
Alastor: Ha ha, fuck you.
Like. That's their first interaction. And if you go back and actually pay attention to facial expressions and body languages, this was the first time he's seen Alastor, and Lucifer was immediately disdainful.
I went back and screenshotted Lucifer's face, right after Alastor's first line (which was a relatively innocent in and of itself and didn't even sound that antagonist), and:
That's a lot of disesteem for someone he literally just met. At most, you could argue that it was Alastor's smirk or tone that set him off ⬇️:
But even that is such a small thing to get upset over.
I'd say the only time Alastor really started getting openly hostile towards Lucifer was when he wiped his hand after shaking Lucifer's cane (which Lucifer didn't even see as he was too busy fixing his hat) and commenting on Lucifer's height (as a shortie myself, can confirm, that'll get on the nerves very fast).
My point is, Lucifer was immediately unfriendly towards Alastor and escalated the situation just as quickly, if not quicker, than Alastor did. Alastor implied that Lucifer might know of his radio broadcast, and Lucifer jumped right to calling him a "has-been." He doesn't even know him. This is their very first meeting. He was judgy and dismissive of Alastor at first sight, and, let's be honest, he kind of threw the first punch with that "has-been" line. Alastor said Lucifer was shorter than expected, but it's not like he laughed, pointed at him and called him a undercooked little chicken nugget. I'm sure a lot of demons/sinners who've never seen Lucifer would also assume he would be taller and more menacing at first glance, and I doubt this is the first time someone was surprised with his height (still not cool, Alastor. We vertically challenged folk have feelings too).
But Lucifer was prejudice from the start and antagonized Alastor just as quickly, and way more openly, than Alastor did to him. And don't get me wrong, this isn't me saying that's a bad thing on Lucifer's part! This isn't me criticizing or scorning him for it. I think it speaks so much of him as a character!
Cause we've seen the soft and tender moments he has with Charlie. We know how much he loves and cares for her. But he's also egotistical, antagonistic, and judgmental as hell, and that's what makes him such a fun character to write about. He's awkward yet showy, smug yet caring, depressed yet prideful. And by god, this man will show off his power without hesitation. He knows he's hot shit. He knows he's the strongest person in all of Hell. He knows he's the top dog and he can do whatever he wants - even if he has no love or interest in interacting within the Pride Ring (as far as we've been shown).
He's got a lot of multi-facets to him and I adore it, and that's why I get so annoyed when all of that is stripped away and he's turned into this soft little sunshine UwU boi who's just a sad, sweet lil lamb who's done no wrong.
No! He has done many wrongs! There's a reason he and Charlie were estranged and I don't think it was Lilith's fault - or, at least, I don't think it was all her fault (I have many thoughts about Lucifer and Lilith's divorce, okay)
I didn't mean for this to turn into a full-blown character analysist post LOL but alas I tend to get carried away. This was all to say, I really enjoy RadioStatic because Alastor typically gets to keep his sadistic and whimsical side, and I appreciate that. His silliness means a lot a to me, and if he comes off as too stiff or formal, it takes me out of a story.
Lucifer's flaws and sheer power also mean a lot to me, and I wish there were more fics and fan-art that showed that. If Lucifer reads too much like a normal, every-day person, I lose interest. I like the idea of people getting used to him, and getting comfortable around his presence, only to get a sudden and overwhelming reminder that he is, in fact, an ancient and immortal being with immense power that their brains wouldn't even be able to comprehend.
I have so many headcanons about Lucifer as a fallen angel and how his habits and lifestyle developed over the thousands upon thousands of years he's been in Hell. Habits he's adopted that unconsciously help him duplicate the mannerisms and behavior of sinners and demons, but also those small, indistinct tells that are quick and subtle reminder that he could destroy everyone in Pentagram City with ease if he decided to; and also, those times if you were to look closely and really pay attention, you get the faint, unsettling feeling that there is something very un-human about him. A subtle, unnerving shiver down your spine as your instincts yell at you that this person is not a person at all, he's just passing off as one.
That shit gets me. Give me ancient, eldritch Lucifer and I'll love you forever.
I am sorry Anon, I did not mean for this response to get so big 😅 You gave me a paragraph and I gave you a novel. But yeah, save me RadioStatic artists, save me 🙏 I rarely have to worry about Alastor turning into a big, buff alpha man or a soft little UwU when he's with Vox, and I appreciate that.
Edit: Adding a screenshot of my tags here because apparently I wrote down too many and it cut off the character tags.
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fuck it friday!
starting fuck it friday with an extract from the wedding timeloop in the hopes that it'll make me start writing again because i didn't write down buck's speech after my shower last night and i can't remember anything about it😭
"What the hell was that?" Maddie hisses at him, eyes wide and burning as she stares him down. Eddie doesn't know exactly what it is she's accusing him of, doesn't know if she caught his and Buck's moment at the altar, doesn't know if this is big sister protectiveness or just plain fury.
"I don't know," Eddie retorts, obstinate and desperate. He's a big brother, an eldest sibling, he can handle Maddie. "You're the one that yanked me into a supply closet."
"Because of whatever the hell happened up there." Maddie jabs an accusing finger at the wall, pointing through to the ceremony room. Eddie's heart freezes in his chest.
"I don't know what you're talking about," Eddie mumbles, cowering a little under her unimpressed eyebrows. She scoffs, folding her arms over her chest as she rolls her eyes in a move that would give Christopher a run for his money.
"Really?" She turns a little softer then, face scrutinising as she examines him. "You don't remember turning to face Buck so fast I kind of want to check you for whiplash?"
"Nope." Eddie swallows, thick and cloying.
"So then, you don't remember Buck looking at you instead of his wife?" The last word comes out like an accusation, and Eddie can only squeeze his eyes shut as it lodges itself between his ribs like a serrated knife.
"No," he chokes out, just a hiccupping breath as it falls out of him.
"Eddie." Maybe it's a Buckley thing, saying his name like it means more than it does. It knocks him sideways, and Eddie rests his shoulder against the doorframe just to keep himself upright. "What was that?"
"I don't know," he breathes. "I don't know, Maddie. I wish I did, but—" A sob rises in him unbidden, and Eddie presses his fist to his mouth like he's about to throw it up.
"Eddie, hey, what..." Maddie trails off as she steps closer, hands hovering just a few inches away from him like she's not quite sure if she can touch him without him shattering into pieces. It's a fair assumption, Eddie isn't sure either. And, really, despite all the people they have in common, neither of them know each other well enough to provide comfort. So, Eddie wraps his arms around himself and takes a deep breath. "Eddie, why did Buck look at you like he'd just seen you for the first time?"
and i shall tag @danielsousa @diazass @butchdiaz @shitouttabuck @try-set-me-on-fire if you guys have anything to share <3
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actually am intrigued by your writing process! writing ficlets just for the exploration and all that. can you tell me more about how this works for you/how have you come up with this/all that? and do you plan on publishing the senseific ficlets somewhere in one place?
wrote a description of the entirety of how I’ve been working on sensei fic and it’s very very long, so. under the cut. (excuse my self indulgence, i absolutely could have answered this more succinctly, but i thought it would be fun (to me) to talk about my process with senseific as a whole)
I mentioned it before, but I am not a planner when it comes to writing, so I just do whatever the hell I want. and this works great since almost all my writing is short one-shots! just start on something as vague as a feeling or as detailed as a fleshed out idea and just start rolling. see how it goes. and then I go over and edit, add and cut or refine. nice and easy.
unfortunately, sensei fic doc (or rather, “yagamikuwana school au.docx” as my literal document naming goes) currently looks like this:
this includes me writing down ideas and some half formed snippets/exchanges that i’m not sure will make the cut, so it’s not an entirely accurate word count, but the point stands. it’s hardly the longest fic in the world by a long shot obviously, but for me this is uncharted territory. I just… don’t write… anything this long. ever. so sensei fic has been kind of odd because I am still very much a “just do whatever you feel like” writer, except that process has been stretched over months and months. I jump around doing different things without necessarily a coherent order, deciding depending both on what I feel like and what needs to be done
I’ll try to outline the progress behind senseific as best I remember it:
well I first had the idea during my first stint with kuwagami after LJ in 2023… I can’t say I remember much from then. I started as I always do. with an idea and a dream. I wanted mundane romance kuwagami. I one day thought about if he’d somehow stay as kitakata and still met yagami. I pushed together as many pieces together as necessary to make it work (and tried to use what was already there because it would be too difficult to make stuff up on my own) – reuse seiryo high, put it in tokyo (it would be difficult to justify having yagami regularly go to the mrc if it was in another city and he didn’t have the main case of LJ to keep him around ijincho). amasawa and the club are a natural addition and an easy way to keep kitakata and yagami around each other despite an initial distaste for each other. I had a few ideas as to some of the exchanges I wanted them to have… some ideas as to fleshing out the new setting… and I did what I usually do and just riffed.
now here’s the main part of the process that I’m sure is already obvious by my saying I’m not a planner:
I try to think through the internal logic of the au setting or come up with a fun idea I want to include -> I make a note of it or start writing it immediately (regardless of its spot in the fic) -> I see where it takes me -> review, add, cut, refine, consider it in the context of the wider fic. see if anything else comes up. use my best judgment and do whatever.
some of the earliest things I remember writing for this fic is the intro, a scene with kitakata being an annoying flirt (kitakata taking yagami's cigarette was an image that stuck in my head hard), and one of the first scenes with the mrc. since I wrote quite a bit out of order, eventually I ended up focusing on bridging, following the natural logic between the scenes I wanted to write, trying to connect things. the scene after the intro. whatever makes sense after that. go over everything, edit some more, make sure everything feels as cohesive as I can make it. (I think somewhere in the middle of this I dropped off until I got my second wind on kuwagami, where I picked it up again)
I have something like: intro (setting up the au and making it all clear to the reader as quickly as possible. probably inelegantly but it was a start), which naturally progressed to elaboration on kitakata and yagami’s relationship, a school club scene, me trying to think of another way to get kitakata and yagami in a room together, kaito and kitakata meeting, whatever progressed naturally as a result from that, etc. go back over, adding more things as I thought of them, fleshing stuff out (hello sawa sensei!) and all that. Though I’m working out of order, eventually a sequence starts to form. The beginning is the most fully formed rn, since I have the clearest idea as to how things should be when they start, and what should logically follow. I also like starting my editing from the top unless I have a specific scene in mind to look at, so I’ve read over the beginning the most times of anything else.
obviously I always had vague ideas as to progression, but now that I was starting to fill in more gaps, I had to think about it more seriously to ensure consistency between older scenes and new scenes. I rewrite a bunch of things for senseific not just as editing, but to add new context that wasn’t there previously, and in some cases totally overhaul them to better fit the tone, to adjust the overall progression. one of the scenes in the middle, which I mentally call “are you seeing anyone", is one I really enjoy, so I worked hard to adjust that to better suit the new context so I didn’t have to scrap it outright. on the other hand, kitakata’s phonecall scene is one that got the total overhaul treatment, because the tone no longer matched – kitakata was originally more… hm… disagreeable there, and it wouldn’t have worked with the way the yagami-kitakata relationship development was panning out, so I kept the bones but wrote it in a different direction. since nothing is really planned, most of this fic is in a state of perpetual flux. everything is subject to tinkering if need be.
it’s probably pointless for me to refer to specific scenes since they’re not posted publicly but. well. I guess it’ll make sense later if/when I post senseific. at least I know what I mean for now.
anyway, since a lot of my initial writing in the “do whatever you want” phase was about kuwagami and the development of their relationship, my first attempts at planning and organising are also about that (though I did try to keep the school stories plot in mind at the same time). I had to try and take what I already had and marry them together, make some kind of logical order.
around this time I was already on tumblr and posting some other kuwagamis and just generally feeling great about writing. I ended up showing four-white-trees (excuse my favouritism) some of my starting scenes on sensei fic since it had mostly settled down by then, and it was certainly by this point that I was feeling More Serious about making sensei fic not only Real (and genuinely trying to make it complete), but hopefully good, LMAO. not just some “if it happens it happens" venture. But yeah I was thinking more seriously about my details and getting some feedback on it for the first time and just. Man. Shit got real for me. I want to finish sensei fic even though I started it not knowing if I could commit.
ANYWAY. I was trying to lock in a sequence of events for the kuwagami relationship progression, ended up making a spreadsheet for my fic so I had a more digestible timeline to look at and understand what beats happen where, how I can smooth out any inconsistencies, where my gaps were. I’ll probably be coming back to that sheet to sort out school stories plot… but yeah. not just pure improvisation anymore.
more details started to creep out of the woodworks. I originally wrote something incredibly stupid that I ended up trying to twist into something serious lmao, and that is the um. Maturity/immaturity throughline.
Fuck. God this is embarrassing. But. I once, half asleep, wrote Yagami comparing Kitakata’s insensitive/rude flirting with him as being like a kid picking on his crush. and um. I read back over that later and. My god. You can’t just mention bullying with Kitakata around and not have it mean something. So, well, I tried to talk myself through it and arrived at something with meaning. Kitakata has to learn to not be an asshole with his flirting. To be mature about it and be a little sincere and honest and maybe not mock Yagami to his face. Yagami also learns that he’s being immature towards Kitakata in some ways and has to grow past that. They both have to grow up and talk like some fucking adults, and that’s how they can move on from the conflict that defines their early relationship. Yeah. And of course the school setting and bringing in Sawa and the students as other comparison points will help develop the theme some more. anyhow, it's not something I’ve fully sorted out, but my point is that I stumbled on this totally by accident. unplanned. I hope I can tease it out in an interesting way because it’s not quite there yet, but it’s funny how it went from a thoughtless line to something that I think is… surprisingly defining… just gotta stick the landing...
but yeah, the big picture kitakata-yagami relationship stuff was coming together. right now I’m at the stage where that plotting is as planned out as it can be without the school stories side being completed. the next big step is getting my notes so I can figure out a proper school story progression that I can line up with my kitakata-yagami plot, see how they fit together.
with regards to exploration writing – while writing/thinking about the main plot, a bunch of details have come up in passing. and while I can be vague and try to write around it, it feels so fake? It feels so obvious to me when I’m writing around something because I haven’t thought hard enough about it.
I was writing a scene where… hm… how much do I say here… Yagami has to come to understand that it’s personally important to Kitakata to make sure his students are okay, and with that is Sawa alluding to what happened with Mitsuru. and to be clear, she’s not so tactless to say it outright, but I knew, deep in my heart, that I was writing some non-committal bullshit. I was writing about her talking about what happened without enough knowledge myself as to how I think it changed Kitakata. So I forced myself to understand how Mitsuru changed Kitakata by writing about what happened between them. That’s the ficlet. And then I could look over what I wrote with Sawa with full perspective and decide if it really did sound the way I thought it should sound. I really enjoyed writing that as a personal piece of art, but it was very much a tool for my own understanding.
It’s something similar for Itokura and Kitakata now. Because my focus is shifting towards the school story plot, it raises an obvious question: If Kitakata was changed by the Mitsuru incident, then shouldn’t he have tried to do something about what happened to Itokura? (I am once again thanking four-white-trees for poking me) I can’t write about the relationship between these two in the main plot without a proper understanding of this. And I prefer to write than to plan, hence the sunday six wip. I start with a vague idea and write and see where it gets me. when I do that I’ll have a better understanding of how I want these two to operate, in a way that’s more detailed that my initial vague ideas.
That’s basically it. It doesn’t need to go in main fic but I have to write it so I feel I can make the right judgment calls. I’ll probably do this as much as I feel necessary, and yeah, I don’t see any reason not to post them since, unlike the main sensei fic which always has things changing around, these explorations should be locked in. I did make sensei fic stuff into a series on ao3, so I’ll keep putting them there as they come up.
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