#anyway this show was great!

[fairweathermyth]

I think about you all the time. But we say it's just pretend. Fuck work, you're here. Every day's the weekend.

ALEX LAHEY Every Day’s the Weekend live at Johnny Brenda’s 

[daisywords]

One of my biggest nitpicks in fiction concerns the feeding of babies. Mothers dying during/shortly after childbirth or the baby being separated form the mother shortly after birth is pretty common in fiction. It is/was also common enough in real life, which is why I think a lot of writers/readers don't think too hard about this. however. Historically, the only reason the vast majority of babies survived being separated from their mother was because there was at least one other woman around to breastfeed them. Before modern formula, yes, people did use other substitutes, but they were rarely, if ever, nutritionally sufficient.

Newborns can't eat adult food. They can't really survive on animal milk. If your story takes place in a world before/without formula, a baby separated from its mother is going to either be nursed by someone else, or starve.

It doesn't have to be a huge plot point, but idk at least don't explicitly describe the situation as excluding the possibility of a wetnurse. "The father or the great grandmother or the neighbor man or the older sibling took and raised the baby completely alone in a cave for a year." Nope. That baby is dead I'm sorry. "The baby was kidnapped shortly after birth by a wizard and hidden away in a secret tower" um quick question was the wizard lactating? "The mother refused to see or touch her child after birth so the baby was left to the care of the ailing grandfather" the grandfather who made the necessary arrangements with women in the neighborhood, right? right? OR THAT GREAT OFFENDER "A newborn baby was left on the doorstep and they brought it in and took care of it no issues" What Are You Going to Feed That Baby. Hello?

Like. It's not impossible, but arrangements are going to have to be made. There are some logistics.

[mydairpercabeth]

season 4 is gonna hurt me i fear

[carnivalcarriondiscarded]

he's squeaky toy. to me.

[coldasyou]

maybe I am just sentimental and easily impressed but tbh I disagree with the whole “yes local theater is almost always bad but it’s still important” thing bc I think a lot of local and amateur theater is really good actually! like yes I also agree that it’s important to support local arts no matter what the quality so I don’t think it’s necessarily a bad message but I also think if we really want people to go out and support community theater it’s also important to remember that there is a lot of talent outside of broadway or major touring productions so yeah going to see community productions is not something I feel I need to begrudgingly do just out of principle it’s something I genuinely enjoy.  

[hailsatanacab]

A Persuasive Argument - dpxdc

"Great!" Danny says, clapping his hands together to get everyone's attention. The dinner table falls silent as everyone looks towards him. It's a full house today and, honestly, Danny's a little nervous. "I'm sure you're all wondering why I gathered you here today."

"It's dinnertime. In our house." Duke mutters, while doing a very bad job of concealing his yawn. He holds his fork poised over the braised beef, but, just like everyone else, still looks towards Danny before tucking in. It's intriguing enough to wait.

"Yeah, no one misses Alfie's dinner." Dick says, with a brilliant smile that Danny can't help but return.

"Precisely! What better time to talk to you all than when you're all actually here!"

"Wait, I thought you came round to work on our English essays?" Tim asks, blinking owlishly.

"I'm afraid I've lured you here under false pretences, Tim."

"This is where I live."

"I would still really appreciate help on that essay though, I mean, what the hell is Hamlet even about? I just don't get that old time-y language, like 'Hark! A ghost hath killed me!' - absolute rubbish, what does that even mean?"

"The ghost never kills anyone in Hamlet, he's there to tell Hamlet that he was murdered. Have you actually read it?"

"No, but it sounds like you have. Tim, I want this guy to help me with my essay instead. I know for a fact that you haven't read Hamlet, either."

"So? We don't need Jason, I've read the Sparknotes."

"Hi Jason, I'm Danny, pleasure to meet you, summarise Hamlet in three sentences or less."

"Am I auditioning to help you write your essays? I can't believe you’ve gone through your whole school life without reading it, it’s good!"

"Hamlet, along with a number of other classics, was banned in our house because it portrayed ghosts as intelligent and sympathetic beings rather than evil, animalistic beasts. I didn’t even get to see The Muppet's Christmas Carol until last year with Tim! It was surprisingly good, and I hate Christmas because everyone always argued and it sucked. But we're getting off topic. I—"

"No, no, please go back to that, because what the fu—"

"Boys, please." Bruce interrupts, looking to the world as if he wants to hang his head in his hands. "Danny, you were about to say something?"

"Oh, yeah, Mr. Wayne! Thanks!"

"Please, call me Bruce."

"Well, that very succinctly brings me to my point, because I'd actually really like to call you dad."

Nobody says a word. Nobody even blinks, all as shocked as the other, watching open-mouthed as Danny pulls his laptop out from beside his chair. Bruce can definitely feel a headache coming on.

"Before you say anything, I've prepared a 69 slide PowerPoint presentation on why you, Bruce Wayne, should adopt me, Danny Last-Name-Pending. Please save your questions, comments, and verdict until the end, thank you."

[decaffeinatedpartymuggoop]

Instead of the “Jason vs Percy” rivalry we should have gotten Annabeth vs. Jason but instead of a fight for power it’s them having a battle of autism cause their special interests were Greek myths vs Roman myths.

Jason calls a Greek god by their Roman name and Annabeth pops up out of nowhere and goes “erm, actually”

The 7 is talking about some landmark and Annabeth and Jason start arguing about which pantheon it was dedicated to.

“It’s amazing right? It was dedicated to Athena.” “Erm, it was actually built for Mars…”

[stil-lindigo]

when worlds collide

[splankie]

is blowing up a volcano after ur first kiss couple goals

[egophiliac]

IT'S BUNNY TIME EVERYBODY

(feat. Dilla)

(bugle accompaniment by Yuu)

[bumbleboa]

I have been talking a lot about how I want to be less precious about my sketches but still end up hoarding everything in files that never see the light of day because I think they don't measure up (to my own expectations).

But you know what? This is fanart, it's not meant to be polished since it's just for me and maybe someone else gets a kick out of my doodles as well, so let's end 2024 with a bit of a sketch dump from my files.

[expelliarmus]

[pacificwaternymph]

I love Arcane because on the one hand you have this bitter, angry young woman who was kidnapped and illegally detained in a federal prison for pretty much the entirety of her teen years, and when she's finally set free she finds that nothing is as she remembers it, all the people she once knew are either gone or irreversibly changed, and she doesn't know where her place in the world is anymore.

And then on the other hand you have this rich girl nepo baby rookie cop taking two steps outside her own neighborhood and being hit with the realization that her government REALLY FUCKING SUCKS.

And they're gay.

[ambipotentsbestie]

i need to talk about how much i love the pjo show's way of introducing annabeth's character's backstory, specifically through her getting used to percy's chronic loyalty

the way she attacks him with a hug both times she thought he might've been gone forever??? (the arch and after he returns to chb) this girl who doesn't hold her breath over people staying around for her, who is so so relieved everytime percy comes back to her

the way she is absolutely appalled by percy's insisent reassurance. his "i'm perfectly comfortable with that, people make mistakes" his "people who love you shouldn't treat you like that" his "you are better at this than me, you just are" this is just percy being percy, always seeing the best in people, and never once treating her like she has to prove anything to him to be treated with care

and she's so caught off guard every time!! she tells grover to tell percy to pull himself together. she tells him "i guess so" when he asks if he has to earn it with her too. she is IMMEDIATELY at a loss for words when percy tells her that she's the one meant for the quest. that she's better at this. that he's not trying to sacrifice himself for his own glory, it has nothing to do with him, he's only thinking of her

and that's so new to annabeth!! someone who isn't trying to make her prove anything! someone who from the beginning saw her worth! not someone like her mother, who would see her die because she felt embarassed by her. not someone like her father, who loved her at first and because of someone else, began to not(or at least she thought so). not like Thalia, who made her prove herself, who for all valiance, still died, still left her. not like Luke, who promised family, and then betrayed her.

she's not used to someone who stays just for her

or in her own words,

"He's not like that, he's better than that"

i love annabeth chase

[kaladinkholins]

yall i just KEEP doing back to mizu and taigen's wrestling scene in master eiji's forge and like i know that taigen literally got a boner from it BUT THE THING IS out of all the scenes these two have together, this scene actually has the least sexual tension ?!? cuz like the boner aside, this scene is actually very soft and emotions-driven rather than pure passion or lust.

arguably, a more passionate and sexually-charged scene would be their previous brawl in the snow with the chopsticks, which is tense and angry and also the scene that mizu thinks about when madame kaji talks about being honest with one's innermost desires.

but THIS scene in the forge? warm colours. their laughter and their smiles that both equally genuine. the WAY taigen looks at mizu in that scene, staring first at her lips, her smile, then looking into her eyes. and you can see by the framing of the scene and the look on his face that he is, for the first time, seeing her eyes as something beautiful rather than off-putting or frightening.

like before this point he's already come to not only respect mizu as a person and an equal but also admires her as an incredible swordsman and as someone who is kind and honourable* for having saved his life at the expense of her revenge quest. so as of the time of them tussling in the forge, taigen has already put aside his prejudices about mizu's blue eyes and no longer finds them as any cause for disgust. but in this scene he's not just indifferent about her eyes, but attracted too it.

and i'd also like to argue that his boner is not from the physical exertion or the act of wrestling itself, but from the intimacy of a playful spar, enjoying each other's easy company after having established a deep trust with each other (taigen endured torture for mizu and helped defend her from archers in the chasm while mizu saved his life from fowler's castle)

and all this while in the safety of mizu's childhood home while both of them are still recovering from near-death, amplifying their vulnerability with each other.

like when was the last time mizu cracked a genuine smile, let alone a laugh that's more than a little wry chuckle?? and for this to happen at such a low point in her life also speaks to the comfort this little friendly spar gives her.

because like, this is after she failed her mission to kill fowler. meanwhile her sword--the embodiment of her soul--is broken, and ringo who is her closest confidant is now angry at her and barely even looks at her. it just further lends to the inherent tenderness and intimacy in this scene. and i just. AHHHH i love them your honour....

* ALSO as a side note about taigen believing mizu to be honourable: he later realises that this assumption turns out to be quite false when she reveals that she'd not only allowed akemi to be taken away against her will but also has said nothing about fowler's impending attack on edo. also i find it very interesting that out of the two revelations, taigen is less angered by mizu letting akemi being married off (he sighs angrily and marches off saying he has to go to edo to find akemi), but much more angered by mizu's refusal to save the shogun and the shogunate as a whole. this is more proof that taigen's central principles are firmly rooted in the bushido and the concept of honour that comes with that. it's why he lashes out at mizu. because he'd believed mizu to be honourable and righteous, but was proven wrong. that's not to say that taigen is in the right for calling mizu a demon, not by any means. but i just find it a very interesting part of his character and it relates to his relationship and perception of mizu

also while rewatching the episode i found this very funny they just lyin there in the cart like this 🧍🏽‍♂️🧍🏽‍♂️

[carnivalcarriondiscarded]

there is something so so so Appealing about angry/irritated Barnaby. it scratches an itch in my brain. somethin somethin comic relief characters getting to break their mold and be outwardly unhappy