#art isn't about efficiency

[darkwood-sleddog]

been talking about it a lot on my personal blog, but the whole AI as a replacement for creative work makes me feel sick to my stomach and i just needed to share my feelings with the wider audience i have on this blog. like physically it makes me feel ill.

[rawliverandgoronspice]

The Hero of Time returns home.

(sort of)

[james-stark-the-writer]

you know, i appreciate the work Susan Sontag has done for people appreciating Camp and stuff but i feel like if you are still using Susan Sontag as the authority on Camp in the year of your lord 2023, using notes that were written in 1964, as if the landscape of art and our relationship to art hasn't fundamentally changed since then,,, it's like, you need to catch up babes, a lot of those points are still really relevant, i'm not saying throw it out, but like update your understandings of Camp beyond that one authoritative text that's at this point almost 60 fucking years old. Susan Sontag is not the fundamental authority on what art today is or would be considered Campy, build off of those basics, please dear gods, evolve your understanding of what Campy art today actually looks like rather than trying to apply a prescriptive label from a text that can kinda boil down to 'Camp is whatever you feel like, and you'll know it when you see it because it won't be like traditional art' because the attempt to define it is so wide, calling every non-traditional piece of art campy is fucking pointless and not how anyone is obviously using the fucking label, people are very deliberately talking about one specific feeling they get from the piece of art, and it's got very little to do with aesthetics, at least as far as TV shows are concerned (movies are a different conversation), and much more about presentation and tone and intended effects and what the whole fucking point of the piece of art actually is, which is a lot more than what is afforded to most things considered Campy, like 90% of the shit people call campy at this point is just called campy and then it's left there, because it's a "oh you can't say anything about it because it's campy" like at this point it almost functions as a conversation ender because anyone you're talking to about any aspect can just go "yeah that's meant to be that way, it's campy" and it's like. okay, where do we go from here? should the piece of art not be analyzed as a work of art? does it not deserve to be evaluated in good faith and treated like any other piece of art? i understand the urge to defend the use of the term, as like "oh we're using it because people are misunderstanding art and what it's trying to be", and as a Riverdale-truther (as in genuinely love it as a piece of art and what it says and does, it's not fucking campy i swear to god, none of you fucking know what pulp art is!), and as a TASM2 truther (best Spidey movie after ITSV, and definitely best general movie after ITSV, and i don't care what your opinion is) i understand the urge to want to defend it as camp, but like, what's the piece of art actually doing and trying to say, what are the deeper layers at play? or are you really just satisfied saying something is Campy and stopping your analysis of the piece of art there? is your soul really okay correcting someone's interpretation of a show and saying it's campy and not doing anything beyond that? what does it being campy actually change? what the fuck does it actually do for the piece of art, if the piece of art is even campy at all?

[lunarharp]

never done one of these so i thought i'd try it.

my 2nd full year as an Artist.... developed a lot. looking back at stuff from a year ago is painful as usual. first half of this year was mostly takarazuka. in march i started "painting", in the summer i started doing "lineless", then i realised that's basically painting but now i understood it and was having fun.

in september i started doing tons of black and white stuff to clear my head and because i was so inspired by witch hat atelier.

i want to keep improving

[sera-wasnever]

People who latch onto ai as a buzzword thing to hate are both a) buying into the marketing of everything called 'ai' being the same magic artificial intelligence technology and b) entirely limiting their idea of what it is to how it personally affects/might affect them. You will not stick it to the exploitation of artists by loudly condemning like... Sci-fi that explores the concept of artificial nonhuman sentience just cause they refer to it as artificial intelligence.

[akutasoda]

in the morning light

synopsis - what it's like sharing a bed with them

includes - aventurine, gallagher, sunday, robin, boothill

warnings - gn!reader, fluff, slight angst, i have no clue what im doing, might be ooc, wc - 1.2k

a/n: i have absolutely no clue what this is... im trying to write requests but i feel weirdly rusty and so i needed to do something random and well... this is it i guess?

aventurine ★↷

↪he has settled for a very long time to have bare minimum as his bed, practically nothing in some cases, and so now he over indulges himself. we've all seen the official art and the animation, he has one of the comfiest beds known.

↪anything you need, he's got it for you no questions asked or thought about. he does care quite abit about how he presents himself so he has quite the nightly routine but it's not that extensive, so if you wish to do yours alongside he wouldn't mind one bit.

↪naturally a light sleeper - the slightest sound or movement can wake him. aventurine is also quite prone to frequent nightmares which cause him to wake up in a cold sweat everytime. he doesn't wish to burden you however and so he tries to keep his movements to a minimum when your beside him.

↪he doesn't say anything but he always loves it when you wrap your arms around him and let him rest his head on your chest. it's very comforting to him. he feels safe in your arms and listening to your heartbeat brings him that reassurance that you are real and there for him.

↪unfortunately due to his work he can get very early morning calls which cause him to wake up early and begrudgingly leave you behind - he'd never wake you but places a kiss on your forehead before leaving. however if he has the day off, he becomes extremely clingly and refuses to move and further intertwines his body with yours.

gallagher ★↷

↪as a bloodhound, he doesn't normally stay the whole night as he might be called out to deal with whatever problem penacony has then. this can feed into a reluctance to join you in bed as he knows he wouldn't be able to leave if he did so.

↪he isn't one that cared about comfort or a good night sleep, so his bed was always bare minimum with one or two pillows and a blanket. although if you're one for more than he wouldn't mind buying anything you wanted to add.

↪doesn't really have a bedtime routine. most of the time he gets straight home from work and is very content to just collapse onto the bed beside you without even changing. most of his routine is spent in the morning trying to make himself look a bit more presentable for the day - he is very prone to drastic bed hair.

↪if he knows he wont be called out or has the next day off, he will happily join you in bed and becomes dead to the world. can be a very heavy sleeper if he knows he can allow himself to be.

↪gallagher can also be extremely clingy - on purpose. he enjoys holding you in his arms knowing that he can protect you and keep you close. so good luck if you have places to be because gallagher will have you in a tight bear hug which he won't let up any time soon.

sunday ★↷

↪he is normally very busy as the head of the oak family but he knows how important it is to keep up with things like sleeping to be able to actually function, so he tries his hardest but does has a tendency to put work first.

↪that being said, he does have a very high standard when it comes to his actual bed - he's sort of a mix because he likes having the comfiest things but he wouldn't complain otherwise. therefore he can be very accommodating to your needs.

↪he cares about his public appearance very much and so he has a very quick but efficient nightime and morning routine, he doesn't like spending time on such trivial matters but he needs to look pristine. sometimes if you're lucky enough you can see his wings looking very disheveled in the morning.

↪he probably didn't like the idea of sharing a bed to start with but he'd warm up to the idea much further into the relationship. although he isn't exactly one for cuddles, he much prefers that you have your own seperate sides of the bed - he'd be rather insistent on having his space.

↪sometimes you'd forget he's sleeping beside you. he barely moves at all and stays way too still to the point that you get a little weirded out, the only sign that he's still loving is the occasional flutter of his wings.

↪gets up super early. like way too early but he doesn't press you to get up at the same time unless you have somewhere to be. even if he doesn't have anywhere to be he gets up early because it's a habit for him.

robin ★↷

↪she can be equally as busy as her brother but most of the time she'd love nothing more than to end her day cuddled up beside you - her daily schedule can be much more accommodating to having a healthy sleep schedule.

↪as a very popular singer, she does need to keep up her appearance and so she has a very extensive and detailed nightime routine that she doesn't mind you joing her for if you wished. same goes for her morning routine.

↪robin is quite used to having many things and that translates into her bed as it has very fluffy blankets and lots of pillows. although she doesn't mind changing a few things if that isn't exactly your style.

↪a surprisingly light sleeper but she can move around quite a bit in her sleep. not exactly drastic movements but more small scale actions to readjust herself very often. she can be a massive cuddle bug so sometimes she does accidentally move you around with her.

boothill ★↷

↪chasing one bounty after another doesn't leave much room for somebody to lay low and have a proper rest. being a cyborg doesn't really help that case either as he doesn't exactly need to sleep to function - does he even need to recharge?

↪boothill really only started caring about sleep or 'recharging' when you came along. that being said, he doesn't exactly have a permanent place to stay so you might have to accommodate a cyborg into your room - but he is very adaptable and respectful of your space.

↪it becomes a moment for you two just to relax and unwind, he no longer has to worry about anything and can spend his time holding you. he probably can 'sleep' as a way to recharge but he becomes like a log and doesn't move at all until he's ready to go.

↪he does have a love hate relationship with having care routines, i do believe that he probably values his hair alot as it's the only remaining part of him from his life as a human but other than that he only looks after the rest of himself to make sure he doesn't malfunction.

↪he doesn't dare wake you unless you've specifically asked him too. so sometimes you may wake up to see him staring at you but you would learn to deal with that...

taglist - @little-miss-chaoss, @teddirika, @frankiesteinn

[o-blivia]

AI isn't a threat to creative professions because it can actually make passable art that humans enjoy (it can't). It's a threat because in a capitalist system, employers would do literally anything to not have to pay humans living wages (or any wages, let's be real).

We've been in a productivity boom for the past 60 years, but the one area where production cannot become more efficient is the arts. It takes the same amount of time to write a novel or compose a symphony now as it did a hundred years ago. That's just the creative process.

AI represents a shortcut to making art that has had executives salivating since LLMs and AI art generators hit the internet. It means more content faster with the benefit of not having to provide salaries, sick days, parental leave, time off, or healthcare. It means not having to deal with unions and labour laws. It means cutting humans out of the most fundamentally human activity we do – making art.

All those headlines and clickbait articles about AI annihilating the human race are a hyperbolic distraction from the actual problem we may soon be facing where people won't have the possibility of supporting themselves making art (not that it's particularly easy to do as it stands).

If making art becomes a luxury only for the affluent, we will stop hearing the voices, stories, and perspectives of marginalized people. And our cultural tapestry will stop being so vibrant, diverse, and vital.

[srvbryn]

Luke Castellan. Stolen kisses

Luke Castellan X f!reader

summary: for someone who's widely admired — Luke castellan has never had a first kiss, well you're here to kiss him isn't it?

Warning: just kissing ^^

A/n: watching ATLA & Solo Leveling 🎀🤭

The afternoon light poured through the curtains, casting an inviting glow across the room as (Name) and Luke found themselves seated on the couch, textbooks pushed aside.

"Okay, so," (Name) began, clearing her throat, "kissing is... well, it's kind of like a dance. You have to find the rhythm, the right moves."

Luke, shifted uncomfortably. "I've never really thought about it like that."

(Name) chuckled, her nerves matching Luke's. "No worries. It's just practice, right? Nothing to stress about."

She took a deep breath and continued, "So the first thing is about being gentle, you don't want to go too fast and too slow. It's all about finding that sweet spot."

As (Name) explained, Luke listened attentively, making an effort to understand everything that was said.

She gestured with her hands, imitating the movement of a kiss, occasionally looking at Luke, who was becoming increasingly flustered.

"Okay, now, um, let's try a simple move. You can start by gently cupping my face," (Name) suggested, her cheeks turning a faint shade of pink.

Luke hesitated for a moment, his hand hovering uncertainly near her face — (Name) gently guided his hand.

Luke gulped nervously, trying to hide the subtle fluttering in his chest.

"Now, lean in slowly," (Name) instructed, her voice soft. "Close your eyes and let the moment take over."

Luke complied, bringing their faces closer. The room seemed to hold its breath as the distance between them drew closer.

(Name)'s heart rate increased, and she felt a mix of nervousness and anticipation. As their lips were about to meet, Luke gathered the courage to close the remaining gap, kissing (Name)'s lips quickly and sweetly.

Startled, (Name) blinked, taking a moment to register what just happened. Luke pulled away, a nervous smile playing on his lips. "Like that?"

(Name) sat in stunned silence for a beat before bursting into laughter, the tension dissipating into the air. "You caught me off guard, but I'd say you're a quick learner, Castellan."

Luke's cheeks flushed with embarrassment. "Well, I didn't want to mess it up, you know?"

(Name) grinned, her eyes sparkling. "You definitely didn't mess it up. Just maybe a little too efficient."

They both laughed, their awkwardness giving way to current comfort. (Name) put a comforting hand on Luke's shoulder. "Hey, that was a good first try." Kissing is all about understanding your own technique, which you'll accomplish with practice."

Luke nodded, a shy smile tugging at his lips. "Thanks for being my... kissing coach?"

As they continued to chat and share laughter, the afternoon sunlight cast a warm glow over the room.

In a moment of understanding, (Name) leaned in, her lips gently brushing against Luke's.

This time, it was an intentional move, a conscious decision to step into uncharted territory: shared emotions.

Luke reciprocated, closing the gap between them, the soft press of their lips creating a moment suspended in time.

The room seemed to disappear as they lost themselves in the innocence of the kiss. It was a tender exchange, a delicate ballet of feelings that went beyond words. The world outside the room vanished as they discovered the art of kissing together.

When they finally pulled away, a warmth lingered, both in the room and within their hearts.

Luke, breaking the quiet, spoke gently, "So, how was that? Better?"

(Name) chuckled, a glint in her eyes. "Definitely an improvement. Maybe you're a fast learner after all."

Luke's expression shifted from nervousness to a more confident smile. "Well, I had a good teacher."

[threewaysdivided]

New Desktop Dash, No Bueno

Okay so, new dash layout on desktop.

As seems to be a common reaction: not a fan.

Let's talk about some of the issues:

1. Really visually cluttered

The new sidebar crowds out the dashboard content and the bright blue popup notifications (now at the side AND top) and create-post bar pull your eyes in different directions. There is no space for the eye to rest on anymore - it's all noise. The end result is that everything flattens - there's no focal point anymore.

It's also pretty overwhelming - even for someone like me - so I can't imagine it would be very user-friendly to someone who was photosensitive or struggled with visual overload (especially when paired with the high-contrast 'true blue' default site palette and animated icons for the changes-on-tumblr/staff-picks/trending buttons).

2. The activity pop-up now covers dashboard content

This is really bad from a usability standpoint. In the old layout the activity pop-up used to drop down over the recommended blogs sidebar. Now it actively gets in the way of looking at core content. The dash is why we are here, burying it like this is baffling.

The search bar now drops down over the recommended blogs banner instead, but where the old design had non-critical space on each side of the dashboard to visually allow both features to pop in, this new layout is way worse for efficiency. And for what? Having a rarely-used former drop-down menu now permanently active? The old banner with quick-links for the key use-features (notes, messages, askbox) made much more design sense.

It also means that the activity pop-up gets now completely covered by the blog pop-up that opens when you click the notification, so double demerit there. 0/10.

3. It's harder to navigate to the activity page, and the new page-stretch means you can't see new notes without scrolling down

That first bit is kind of a nitpick but cramming the 'See everything' link down at the bottom of a browser window isn't a great navigation choice. (Again, the visual signifiers and eye-direction in this new design are incredibly poor.)

That the main activity page now requires you to scroll to even see the top note due to the new display ratio is really egregious. It makes another key site feature just slightly less convenient and accessible in a very irritating way. Bad choice.

4. The new ratio pushes the Radar and Main Sponsored slot completely off-screen

This one is directed the tumblr staff: that's also a bad choice, guys. That's your main ad-slot for people loading into Tumblr so hiding it is going to hurt both your ad-impressions and your ability to promote the ad-free option. The new layout ratio also means that the in-dash ads are going to be a lot more invasively screen-filling - and let's be real most users will either add-block or leave before purchasing ad-free. I have no idea what the new layout is trying to achieve but if ad optimisation is the goal then this ain't it, chief.

To be honest I cannot comprehend the rationale for this change. I guess it's visually a bit more like Twitter... but that site is currently being demolished from the inside by poor management decisions so maybe it's not the best aesthetic to be aping.

Well then, what do?

Okay so, new dash bad. And so, in true Tumblr spirit: we complain. However, to get results we must deploy the art of kvetching productively.

If you want the old dash back (or at least, a better new-dash design that corrects some of these big weaknesses) what you should do is head over to https://www.tumblr.com/support and lodge a feedback ticket pointing out the problems. The more users who do that, the more likely you are to see an effective response.

Remember, tagging @staff and @support in posts won't fix this. There's no guarantee they'll see it among the notes barrage.

Also: please don't be rude or abusive when you lodge tickets. Whoever is manning those blogs and inboxes probably isn't the person who forced through this change. Save an intern, be polite.

Go forth in disgruntlement to keep this hellhole a hellhome.

[daily-dose-of-imagines]

The Badass that she is!

_________

@sacredwarrior88 asked: May I please request headcanons for Zoro, Sanji, and Ace reacting to their girlfriend having a badass martial arts fight with an enemy and kicking major ass?

_________

Hello and thank you for requesting with us! I do hope you enjoy this!

- Admin T

_________

Zoro:

He would be one proud man, to see you kicking as much ass as you are, and so efficiently!

He knows not to help or worry about you as he fights his own battle.

He isn't surprised when you win almost every battle you are in, and how you do so easily.

Zoro would swell with pride and adorn a small smile on his lips as he easily cut down his opponents and enemies.

As you use your skills to take your enemies and Zoro takes down his, he would come up to you and tell you how well you doing, and how amazing you are in his own way.

When nobody was looking, he'd give you a kiss on the cheek and whisper in your ear that he couldn't wait to spar with ou later.

Sanji:

Unlike Zoro, Sanji would be more boisterous in his reaction to you kicking some ass with your amazing martial art skills.

He would whoop and holler, "You go, baby!" with a huge smile. He wouldn't even bat an eye to the enemies he was winning against, never taking his hands out of his pockets.

When you have one enemy a lethal roundhouse kick to the chest while simultaneously punching another in the face, Sanji would react with a resounding, prideful yell of amazement.

Sanj would be very affectionate afterward, telling you just how much he is proud of you and much of you a turn-on you are to him whenever you are kicking ass.

Afterward, you won't be able to escape his grasp of love!

Ace:

Ace would be a mix of Sanji and Zoro!

His reactions wouldn't be as boisterous as Sanji's were, but not as quiet as Zoro's would be.

Using his flaming fists to fight his opponents, he would see you in his peripheral kicking major ass with our skilled martial techniques.

You wouldn't even bat an eye as more enemies rushed toward you.

Ace would be scared for you the first time, but once he sees that you can hold your own, he would leave you to it.

He'd feel a little sorry for the people that you pummel into the ground, but oh so amazed and proud and how strong you are.

And in his head, he has to remind himself to never get on your bad side, lest he also get pummeled into the ground by your fists!

_______

[noose-lion]

Maybe it was just my childhood special interest in martial arts and combat, but the bsd fandom drives me absolutely crazy on how they talk about the characters.

Specifically in combat abilities, fighting 'stats', body builds, ect. ect.

I mostly blame the anime, because it made everyone into twigs, but still. Some of my fellow fans out there are sometimes outright drawing lines over a character in a manga panel and going 'Look at this snatched waist' all the while ignoring basic perspective and forshortening rules. Chuuya is victim to this a fuckton.

For a starting example I'll talk about Kunikida. (Because if I start with Dazai or Chuuya I'll get the "He's petite it's not a crime to call him that" hecklers again).

Because remember folks, no need to get heated about fictional characters that were made up to tell a story.

Kunikida is a martial artist. He has a strong center of gravity, and a great deal of muscle mass. He's shown, (even in the anime mind you), to be competent against opponents who have both the height and mass advantage (that one time he swapped with Dazai mid fight, doing the cool grappling hook switch thing). He's a tall guy and he's drawn in the main manga as very broad shouldered and thick limbed. He's your average combat driven male. Built like a boxer.

He's not really the main talking point I see though. He's usually never called petite or delicate or any of the, quite frankly, ridiculous descriptors for a man of his size and build. It's usually Chuuya and in extension Dazai.

First off, ripping the bandaid off quick and easy. Chuuya isn't petite. (Sure technically petite only means short, but ancient also technically only means old. It's about the connotation.)

Chuuya is also a martial artist. Unlike Kunikida, who relies heavily on grappling technique and using his opponents own momentum and mass against them (a defensive fighter) Chuuya is almost purely offensive (most defense being left to his ability). His center of gravity is less stagnate, more fluid. He's acts quickly, crushing his opponent with efficient and well calculated brute force. Chuuya's body build reflects this. He's got a strong torso and thick limbs, strong shoulders that are lined with cords of muscle that absorb the impact of his attacks. He uses his legs a lot, kicks and jumps, and there is muscle concentration in his thighs and calves as a result. In the main manga, he's drawn with a lean torso, broader shoulders and thicker thighs. He's got a baseball player or a mixed martial artist build. (Broad shoulders and large thighs paired with his choice of suit cut is what creates his 'hourglass figure' so many of yall are obsessed with.)

Second bandaid I'm ripping off. Dazai isn't weak or delicate or whatever, but he is not buff or a tank either. And against men built for combat like Kunikida and Chuuya he's at a fairly large disadvantage.

Most of the athletic ability we've seen Dazai exhibit is evasion based. In the main manga he's drawn broad shouldered and thin, usually cloaked by his coat. Dazai has lean, muscle concentration in his shoulders, upper back and core. He doesn't have the thicker limbs of a boxer or martial artist. He better resembles a swimmer, gymnast, or even rock climber. He's not a stick, as flat as he may be. He's also probably a good deal softer then his martial artist counterparts, not living the stricter healthy life style most martial artist adhere to. Dazai doesn't do well against large heavily muscled opponents, he just doesn't have the needed mass for it. If he doesn't get the upperhand quickly he will loose. Evident in how he struggled so much against that one guy he did the cool grappling hook swap thing with Kunikida.

All this to say, almost every individual in bsd is built for their combat filled life, specialized to fit their fighting styles. It's not a big deal, but I find such thinking and analysis fun.

[febuary30thday]

Flora, Fauna

Okay, but I'm imagining a demon reader, who uses chlorokinesis as her BDA. But the catch is that she seems so comforting and warm with no ill intention until it's too late.

She is the New Upper Moon Six as a replacement for Daki and Gyutaro, and very often interacts with the Uppermoons so they happen to go yandere for her.

This man is powerful, and he very often makes it known.

He's a cold, terrifying demon who cares very little about human emotions.

He's ruthless and strict, so he bottles up his heart

So, when he meets his....match? He's not letting go.

When you were first introduced as an Upper Moon, he didn't think much of it

He just acknowledged your presence and that was it

That changed when he stumbled upon you devouring an entire village of people, still looking elegant and poised

That surprised him slightly, normally all the demons all crazy when it comes to battle, and let themselves go

He is humble, and you ask him to join you in your feeding session.

With that elegant smile on your face, how can he say no?

You are quiet and he finds himself enjoying your presence more and more

You carry yourself in a very elegant way, and over time, he falls in love.

But then things get dark from there.

He doesn't want you to leave him, always accompanying you when you hunt for humans, using his position against you, and not allowing you to interact with the other Uppermoons, and his threats are not empty promises.

"Kokushibo, I need to leave, I'm going to go hunt."

"I'm coming with you."

"There is no need. I insist I can go by myself. I'm not going to die."

"That wasn't up for discussion."

Good luck with him.

(He is so daddy. I'm sorry, but he is)

Muzan isn't loving, he never has been

He believes he is the perfect being, and that you are an extension of his perfection

Anything you do, connects back to him

He can read your thoughts and read your emotions and actions very well, so he can basically read you like an open book

This man sees potential in you, so you receive much more blood from him, and are promoted to the status of an Uppermoon.

He's seen your blood demon art before, but can't find it important enough to remember what it is

All he remembers is your carnage and chaos he had stumbled upon as you killed the last human in the village

He didn't bother caring about you

Until once again, he stumbled upon your chaos, only this time, he got to observe it, firsthand

He watched as you danced calmly in the streets, your voice ringing a strangely sweet sound in his ears

As people came out of their homes and watched, listened to you, enraptured by your voice

It was annoying watching you, so he went to leave until he heard a scream

It ended just as abruptly as it began.

He wasn't mesmerized, but he did enjoy your rather fast and efficient way of killing, but then he watched in surprise as you placed a hand on the ground and a red spider lily bloomed

He calls you over.

"My Lord! Forgive me for not noticing your presence earlier."

My darling, please tell me, what it was that you just did.

"Please forgive me, My Lord! I didn't mean to..."

"Answer me."

"Do you mean when I bloomed the spider lily? Did that inconvenience you, My Lord?"

"Tell me, what other flowers can you bloom?"

"Anything I wish, My Lord! I just need to know what it looks like and then I can make it!"

"No matter how rare?"

"No matter how rare, Muzan-sama!"

"My dear, you've done well. I have one simple task for you, if you can complete it, I'll be extremely proud of you."

"Anything!"

"Can you make me a blue Spider Lily?"

"Yes! Of course Muzan-sama!"

Out of simple excitement, you made quite an abundance of them, and he scooped you up and the flowers with one hand an all-to-knowing smile on his face.

"Good job, my perfect darling."

You are never leaving his grasp again.

"I wonder when Muzan-sama is going to let me leave." You thought, a puzzled expression on your face.

There was a smirk on his face as he studied the flower, not truly believing that this was real, and that it was all a fever dream.

"You don't get to leave, my darling. Stay in here and be a good girl, and I'll reward you with more of my blood."

This man can't feel a thing, so when he meets you and his heart skips a beat, he is instantly intrigued

You catch his attention pretty quickly, with how humble and elegant you are in comparison to him.

This man is flashy and sort of gaudy

He follows you around like a lost puppy

So much so, that Kokushibo has started to get annoyed with Douma following around his beloved

Even if Douma was assigned by Muzan to make sure you didn't step foot outside the Infinity Castle, that doesn't mean he could be obnoxious about it

Douma is very affectionate, so expect plenty of hugs and cuddling and stuff

He is forceful in his affections but you'll just have to learn to accept that!

What? What do you mean you need to leave and go hunt?

Muzna assigned him to make sure you stay alive and healthy and never leave

Don't be stubborn now!

He also occasionally leaves kisses on your cheeks, arms, and hands

Just because he's obsessed doesn't mean he's possessive, right?

Wrong.

He is clinging to you like a baby and legitimately feels discouraged when you aren't around

He guilt-trips you a lot

Fake crying, begging, the like, he has even ripped out his heart to offer it to you

You can use his vulnerability to your advantage, like crying as well, pouting, sulking

He hates seeing you sad, and when you are sad, he does his best to reassure you, even if it means he has to leave to get you food to bring back

He showers you in affection and makes his followers worship you too, proclaiming you a goddess because of how beautiful he thinks you are

He buys you everything and anything

He offers up his prey to you so you can eat together, thinks of it as a date

He loves spoiling you, so just don't leave him, alright?

"You don't get to leave, snowflake! I have all sorts of things planned for us today! Behave, okay?"

[djungelskog-oblivion]

the yosuke problem

ok the thing that pisses me off most about the yosuke storyline is not that the homophobia is like bad and morally wrong or whatever. BUT THAT IT MAKES HIS CHARACTER WORSE.

in canon, he's homophobic cause he's an asshole. full stop. i guess the "best friend" character is just an asshole now and you like him less. LAME.

give him a romance route and his character becomes so much more layered. he's lashing out at kanji because he's scared of himself and his own feelings.

when he confesses to you, he's also confessing to himself, accepting a piece of his identity he doesn't want to. you know, the theme of the game? accepting uncomfortable truths about yourself and finding joy through it? it also shows that self-acceptance isn't a one day thing, we don't have just one shadow, but multiple different demons that we have to conquer throughout our lives. ah, depth and thematic coherence, how homosexual thou art!

its straight up more interesting storytelling, it's efficient, meaningful and its not in the game because ATLUS ARE TOO COWARDLY TO MAKE GOOD STORIES >:((((((

[thewebcomicsreview]

I'm hardly the first person to notice this, but good god webcomics are the least time-efficient possible way of telling a story, aren't they?

I've been trying to figure out a better method of telling a story so that I could finish it before I die of old age (or, perhaps more relevantly, before everyone loses interest). It seems like no one really wants to read prose on the internet, but also people don't really like a comic that takes a year to go anywhere.

The main bottleneck is dialogue. You can only get 2-3 lines in a standard comic panel, so even a short conversation of character texture can take several pages. It makes me wonder if the Single Panel With Text Beneath It style (like ForEach) isn't just the Objectively Correct™ way to tell a comic on the internet. It's very efficient on the art, you can include narration if that's your jam, and it's very easy to make it work on mobile. (Also the art being separate is a boon if you want to make marketing materials). But everyone will correctly call you a Homestuck rip off.

Though the other thing Homestuck did was make these sprites of the characters that could be used to crank out a bunch of panels for scenes where nothing visually interesting was happening. You don't really see that copied as much

Not openly, anyway. There's a stigma. I've thought about rebooting Legend of the Hare as a visual novel, where that kind of thing is arbitrarily more accepted, but it does start raising the question of why you're bothering with the visuals at all. I don't think the kind of person who makes webcomics is usually looking for an excuse to get out of drawing, even if it lets them increase their page output dramatically. Making sprites that don't look like absolute ass is also really hard. Homestuck sprites have a really specific janky charm to them that I've never really seen any other comic pull off.

And, yeah, you could always just use a simpler art style, like Order of the Stick does, but it's super hard to get anyone to read a webcomic with great art, let alone simple art designed to maintain a high page output. And, again, why are you making a comic if you don't want to draw, unless you just naturally happen to draw that way and be really fucking good at it like Rich Burlew is?

It seems like the only really good way to tell a story in a reasonable amount of time as a webcomic artist is to make enough money off it that you can work full time, and, um, that's not really feasible either.

I don't have an answer I like. I guess just kill yourself in the content mines working webcomics as a second job that doesn't pay you anything.

I don't have a conclusion, capitalism is a nightmare.

[canisalbus]

Hello! I'm not a furry either so I'm not sure how I stumbled upon your art, but I'm glad I did because I love everything you do for Machete and Vasco and I admire your art and how much effort you put in fleshing them out. They're gorgeous, and your colouring style is very pretty, too! I'd like to ask some things about them, if you don't mind.

1) Are they specific dog breeds? (I remember you said you're inspired by Borzoi fur for Machete's neck fur!)

2) Are dogs your favourite animal to draw?

3) How did you decide on their names?

The question about the names is because, fun fact: Vasco is an extremely popular football team from Rio de Janeiro, and right now they're competing in Brazil's largest football championship to become the country's champion. So I've been imagining Vasco dragging Machete to a football match and being wildly into it while Machete looks lost in the rambunctious crowd lol but also because I'd like to know if you're applying a nationality to them at all. Their clothes have picked my curiosity!

Thanks for sharing your art with us!

Ah, thank you! I'm glad you like my art and little guys.

1. Both of their breeds are fictional.

Vasco is a scenthound type of dog, if you applied Segugio Italiano's colors to Ariégeois/Porcelaine bodytype you'd get very close to what he's supposed to look like.

Machete is a sighthound and his closest real life counterpart would be Ibizan hound. He's mostly just a little fluffier here and there.

2. Yes, dogs are my favorite thing to draw. Canines in general. Sighthounds in particular.

3. I created Machete almost 16 years ago, I think I was simply reading about weapons and thought the word sounded sharp and had a good rhythm to it. In-universe "Machete" isn't his real name at all, it's something of a mean-spirited epithet/nickname he's acquired from his colleagues (mostly for being efficient at powering through mountains of thankless work, his severe (and increasingly cut-throatish) personality and the fact that he's originally from the part of Italy that was ruled by Spain at the time). His actual name (the one Vasco uses) hasn't been revealed.

I had liked the name Vasco long before I assigned it to this character, to me it sounds friendly and energetic but also noble somehow (but that's just my impression, I don't know any Vascos personally). One of the deciding factors was his color palette, I wanted to aim for shades that would resemble gold. In Finnish, "vaski" is an archaic term for warm colored metals like brass, bronze and copper. It's far fetched in retrospective but when the connection popped in my head I had to go for it.

As for the nationalities, they're both Italian. Vasco is a proud Florentine and Machete is originally Sicilian and now lives in Rome.

I can see how Vasco would be into football, Machete less so.

[genericpuff]

On this week's episode of "Webtoon Controversies That Could Have Been Avoided If Only They Had Some Damn Quality Control"-

Oh boy, prepare yourselves, there's some TEA on this one.

Quantum Entanglement, a new Webtoon Originals series from creator Arts Angel (aka Sarah Ellerton) is uh... a teeny weeny painfully obvious that it was made with AI.

AI is getting better, but when it comes to comics, there are still a lot of "tells" you can pick up on once you know where to look. Hands are certainly one of them.

Not knowing how to draw hands efficiently and consistently is definitely an Artist Problem(tm) but it becomes a lot more obvious it was made by AI when you get weird little off-putting mistakes like a fingernail being just a little too long or missing joints (hot dog fingers, eyo) or the distinction between fingers not being clear.

But there's also hair and other detailed parts that are often lost in the translation process between prompt to final piece. Jewelry, text on a screen, phones, that sort of thing. The insinuation of a 'thing' is there, but it's like looking at it through a fishbowl.

And ultimately, a lot of AI art tends to just be a little too 'perfect'. Everything is just a little too smooth for it to look like it was naturally made by a person. Faces end up veering into the uncanny valley territory and there are inconsistencies between the eyes and the rest of the body. Backgrounds become lost in what I like to call "AI goop", becoming nothing more than weird blurred/filtered out insinuations of what's supposed to be behind the character.

Basically, at this point, it's undeniably clear that AI is being used to create this comic. While there are also plenty of signs in the handiwork that show a human was involved in some parts, there are other places that are undeniably filled in with the use of AI. So it's not necessarily a 100% made-by-AI comic, but it's absolutely AI assisted.

But what's REALLY absurd about this whole situation? The creator denies it. To the point of including a disclaimer in the first episode trying to "get ahead" of people who are assuming it's AI by saying, "No, it's not made with AI, here's the proof! Don't look at the blood on my hands or the body in the trunk of my car!"

Now, first off, the absolute absurdity of making yourself look guiltier by trying to prove your innocence before people have even started to suspect you... I'd like to think that this was edited into the first episode after the initial accusations started rolling in but considering it's an Originals series, it's hard to know if it was, as creators typically don't get as much control over just editing their episodes on the fly like Canvas creators do. Typically it's their editors who do that sort of thing for them. And even if it was edited in afterwards, it's still there for people who have no idea going into the comic blind and might not automatically assume it was made with AI, so it just looks like you're bringing up the potential of AI being used completely unprovoked. By planting the idea in your audience's brain that AI is even a question, you're making them suspect everything.

It's kind of like when Dream was suspected of cheating in a way-too-lucky-to-be-real speedrun of Minecraft a couple years back, so he went to all these painstaking efforts of hiring a quantum physicist to "prove" his innocence with a straight up THESIS documenting all of the reasons he couldn't have cheated through math and figures and jargon. Ironically, this just made Dream look guiltier, and sure enough, he eventually admitted he had cheated.

That said, did you notice something in that "art process" pic?

That finished panel isn't even what showed up in the final comic.

So the absurdity of this all, again, just makes Arts Angel look a lot more guilty of actually using AI, especially when it's basically undeniable in so many of those panels above. People don't paint like that.

But that brings us to talking about Sarah Ellerton, aka "Arts Angel", the creator. Many long-time readers of her work are defending this, claiming that she has, in fact, "always drawn like this".

What's insane? She actually is who she says she is. This isn't like some kid who came out of the woodwork with AI and claiming that they had 20 years of experience, Sarah Ellerton's main site, The Seraph-Inn, has been live and crawled by Wayback Machine as far back as 2005.

And you can see the art evolution over the years, starting with Inverloch-

-into Phoenix-

-and all the way to Immaterial-

But here's the thing about that last comic. The main protagonist is, apparently, the same girl from Quantum Entanglement, the newest installment in this series where it becomes abundantly clear the creator has started using AI.

You can see the effects of this being parsed through AI, because she's gone from being a unique character with two-toned hair and darker skin, to being turned into a generic Instagram anime girl. And lemme tell you, AI used in comics has NOT gotten better at depicting darker-skinned characters (I actually tested an AI-coloring tool WT was planning on putting out a year or two ago, it was uh... not great.)

But the most damning thing about Sarah?

She works in IT.

That on its own wouldn't be so telling if it weren't for the 20 years she clearly spent actually honing her craft, only to suddenly switch to using AI as a crutch.

Quantum Entanglement was picked up for Originals in July 2023. It launched two days ago, with four free to read episodes and 6 more under the FastPass paywall. Three months after it got picked up. That turnaround speed is insane for an Originals series. Now, I'm more inclined to believe that maybe she's using the exact same pages she used in the Canvas version (there's unfortunately no way of checking through Wayback, it never crawled the Canvas version, so unless someone has backups of the Canvas pages they're willing to share, we'll never know) but that short turnaround time is insane for a comic that's this insanely detailed. It likely means they didn't need much pre-production time to get a strong buffer going, and that it doesn't take them as long to produce these episodes on a weekly basis so they could be under way less crunch than creators who do this by hand.

By comparison, the winners of the Call to Action contest from last year are STILL working on their pre-production. Many other greenlit Canvas series are known for getting picked up and stuck in pre-production for several months and even a year or more simply due to how the company operates with when it chooses to launch these series and how much pre-production is necessary. Some creators have literally said that their pre-production was done, but WT still kept them waiting to launch. So three months for a freshly greenlit Canvas series to launch is NOT the norm.

All that said, I feel for the people who are trying to defend her. But it's so undeniably AI with the creator herself providing fake proof that it makes it really sad to think that this person was honing their craft for 20 years just to wind up utilizing AI. Being a good artist does not make you immune to the temptation of using cheap methods or developing bad habits. Going through "the struggle" does not make you immune to taking shortcuts that wind up cheapening your work or taking advantage of the work of others.

Now, maybe Sarah trained AI around her art. If this didn't play out the way it did, I'd be willing to give her benefit of the doubt and assume that. Training AI off your own work, while still up for debate as to how ethical that is, at least doesn't hurt other artists, because it's your own work the AI is "stealing". There are definitely ways AI could be used to make life easier for artists without replacing the art process entirely, the same way artists have learned to use 3D assets and digital art filters to make their process more efficient and boost the quality of their art up to the next level.

But the fact that she's being so cagey over it, claiming she's not using AI period when she very clearly is, providing "proof" that actually proves she definitely used AI, while operating under a penname that's strangely similar to a name Grimes - former tech wife of Elon Musk and staunch supporter of AI - used for one of her studio albums-

- that's what makes it a lot more clear she's using it maliciously.

The AI is very likely trained off another artist's work. Maybe someone whose art style is similar enough to hers that she could integrate it into her own and pass it off as legitimate. Someone whose art style is cartoonish but still modern, like if Disney made anime. Someone who's so prolific and consistent in their stylization that training an AI off it would seem like a no brainer to those who want to replicate that style quickly and easily.

Damn. What a disappointment. Do better, Sarah.

And for god's sakes, Webtoons, pay more fucking attention. I've been steadily picking away at moving the entirety of my comics over to other platforms on a weekly schedule, but at this point I kinda just wanna dump the last 30 or so chapters onto ComicFury all at once so I can ditch this platform for good, especially if it turns out AI comics getting greenlit is a feature, not a bug. The ratings for Quantum Entanglement have dropped significantly overnight, now sitting around 5.09 and still dropping, but is Webtoons going to do anything about it? That remains to be seen.