A little nitpicky thing that drives me crazy about Disney's Narnia movies: Oreius the centaur. His name doesn't follow Narnia's centaur naming convention at all. (And I see this as symptomatic of other, larger issues that I have with these films.)
There are three named centuars in the series: Glenstorm in PC, Cloudbirth in SC, and Roonwit in LB. All of them basically have compound names made from alliding common words together to create something indicative of the centaur's skills/disposition (which makes sense given that Narnian centuars deal with prophecy). Two syllables, mostly nouns.
Fauns get Latin names and obviously characters pulled directly from mythology (Bacchus, for example) do too, but beyond that naming convention for Narnian creatures tends to be descriptive (Farsight, Bricklethumb), phonetic (Reepicheep, Bree), or follow some invented culture-specific pattern (the dwarves and most of the humans fall into this category). Oreius is not a centaur name that Jack ever would have come up with.
This may be a bit tinfoil hat-y, but I kind of suspect that because Narnia has a more eclectic style of worldbuilding than, say, LotR, the filmmakers just kinda pulled sorta generic stuff out of thin air? But just because Narnia doesn't have any conlangs doesn't mean that Jack didn't establish patterns in the way he uses words. He's actually remarkably consistant about names throughout the series, and it adds a lot!
Narnia is a rich world and it's very much its own thing. One of the big stylistic failings across the board with the Disney movies is that they just kinda treated it as "generic children's fantasy/knock-off Middle Earth." I find that approach really insulting tbh.
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Thinking about that psychologist that was convinced that the hability to draw good was a gift people were born with. He couldn't understand how I had the patience to draw illustrations like I do. I convinced him that he was wrong.
(whoops, ramble)
I just find the process mesmerizing, my process of art. I can spend hours in the same 1/10 part of the canvas and not get tired. Some artists get tired if their artworks aren't finished in less than 2 hours and abandon it, others spend a year working on the same piece. And each artist has their own tools and techniques. It took me 8 years to find my main artstyle and I'm still exploring what I can do with my art program and custom brushes.
Not everyone learns at the same speed, not everyone has the patience to learn, heck! Not everyone is searching to learn how to draw. Some people draw just because and unintentionally learns something along the way.
Just because you don't understand it doesn't mean that it's a gift you have to be born with.
I don't have patience for fishing, or to learn all of the fundaments of music, or to complete 200 trophies of a game. That doesn't mean people that do have patience for it are gifted.
I will never understand people who think I'm gifted just because "you draw so good and I cOuLd NeVeR dRaW aNyThInG aS gOoD-"
No, you simply have: not enough patience for it, some kind of inability* that makes it difficult for you to learn or you just want it to have it easy.
* I say this because my brother tried to learn to draw in the past but couldn't because he has no perspective vision or background vision, he can't figure out shapes or shadows. Other people can't draw from memory.
Still with all of this there are people who draw.
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What's p/p?
Ah, I meant to say, pp, Psycho-Pass. I usually add slashes to avoid unprompted rambles to show up in main tags, sorry if that resulted confusing.
I love Psycho-Pass. I already made a post about why bsd fans might find it enjoyable, but honestly, there's so much more to it beyond what it has in common with bsd.
The prompts for reflection this series offers are just wonderful: on the relationship between citizens and government, on pervasive systems, on freedom of choice and free will, on safety vs. freedom, on discrimination of minorities and creation of scapegoats, on propaganda and brainwashing, on the increasing and treacherous presence of technology in everyday life, on how government uses technology to control and manipulate people, on fighting the system from the inside vs. fighting the system from the outside. I should watch it again too. It's crazy good.
Akane Tsunemori - the coprotagonist of the first season, the protagonist of the second season and overall the true core and heart of the franchise - is one of the most complex and beautiful characters I ever met. Her growth and character development is truly amazing: the way she starts off as unknowing and naïve, and grows so so much from there; how her writing finds this perfect balance between becoming more mature / hardening and staying true to her beliefs - even when everyone, the system, the people she relies to, the people she looks up to - tell her that there's no other way, that it can't be. It's breathtaking. She is a breathtaking character. The way alone that no matter how conscious and aware she becomes of how cruel the world is, how unredeemable people are, how beyond saving the system is, she still keeps believing in humans… It may sound cliché by itself, but believe me, it's wonderfully executed, and her character is truly amazing. Not to mention, the way she mirrors the coprotagonist Kougami is fabulous, but this is not really about him; she's an amazing character of her own right, and I will die on this hill.
The female cast in general is all amazing honestly. Don't get me wrong, the male characters are just as complex and multilayered (and I LOVE Gino and Kou, how couldn't I), but that's… Something we're more accustomed to, while finding well written female characters is objectively much harder. Female characters in Psycho-Pass aren't written as female characters, they're written as people, just as much as their male counterparts are. They have their fears and hopes and strengths and weaknesses just like any other character. I love Yayoi for being strong and coolheaded. I love (LOVE) Shion for being her fabulous self, kind and flirty and confident and with an heart so big, and for her subverting the trope of guy in the chair by being a glamorous woman who's also incredibly competent at her job of analyst. I love Akane's friends and I don't like season 3 but Mai is genuinely awesome and a joy every time she's on screen. I love Risa so much I could die, I love how strong and independent she is, I love the dilemmas she had to face, I love her choices and how they might have been the wrong ones and how it still haunts her, I love the tragedy of her character in general, I love the doomed friendship that used to be between her Gino and Kou. I love love love Fredrica, I love her being bossy and confident, diligent and determined. There's just a lot of… Strong and independent women in Psycho-Pass, and it's not just a way of saying, they really are.
I LOVE women loving other women, canonly, on screen. The confirmation may be delegated to a small moment in the last episode of the first season, but the fact that it's still there nonetheless, and how it confirms that all the previous moments and exchanges were indeed moments and didn't leave it to ambiguity… It's nice, to say that the first season of Psycho-Pass came out in 2012. And you might have to wait eight years, three seasons, five movies for it, but the phrase “I just want to go outside, dine somewhere nice, and go for walks with someone I love” may make it worth it.
And I LOVE how all the leader positions are filled by women. It's a little funny, honestly, in the best way– despite what I made it look like so far, the Psycho-Pass cast is still men-dominated (or at least a pretty equally split 50/50?); yet all the leader positions are always filled by women: Akane and Mika and Kasei and Frederica and Karina, it's always women.
Also, Mika is a brilliant character. Of course I love her. I'm so so sorry for how much hate and criticism she gets (over being a purposely annoying character! Insane! When Dazai exists!), when she does really and excellent job at conveying “look! A fucked up brainwashed individual in a fucked up brainwashing environment! I wonder how that could have happened!”. Not to mention that her growth, her long and devious way to admitting that the system is flawed, is truly well made, too. Unpopular opinion, characters with big flaws, characters who are unsufferable and make lives impossible to everyone around them, characters who mess up again and again, are actually great to watch.
Again, don't get me wrong, I absolutely adore Gino and Kou too ahah. They're both great!! But that you can probably see by your own. Gino in particular used to be my favourite, how his character does a total 180° turn. I love to see men admit their mistakes and make the choice to be better tomorrow.
About that, the relationships between the characters are AMAZING. Especially the main trio Akane / Kou / Gino, all the combinations within it are beautiful and deep and brilliant, so so enjoyable to explore and with their fair share of canon content, while still never straying to romantic territory (I mean, Akane/Kou may be going in that direction, but if that's true, that's the slowest slow burn I've ever witnessed in my life).
What's more. The world building / general premise - a dystopian world, where your predisposition to do crime can be measured and the government makes use of such technology to monitor and control the population and guarantee everyone's safety - is genuinely interesting and compelling. The aesthetic is genuinely cool (AH, now that I think about it, I've got my unfair bias for people in suits, and pp has a LOT of people in suits… ). The opening and endings feature great artists like Egoist, Ryo, Who-ya Extended and Cö shu Nie, so you're sure to love them!!
(Also, Psycho-Pass is something I used to spend entire nights talking about with a friend, and I'm always thinking about her and hold her tight to my heart in every moment so. That's worth mentioning for me, pfffttt. I love my friend so much.)
Finally, because the other Psycho-Pass post I made here keeps haunting me for the lack of trigger warnings, please be aware: Psycho-Pass DOES have trigger warnings. Pretty much for eveything you can think of. Sexual assault and gore and body horror on the top of my mind, but it's quite dark and gritty at parts in its entirety, so please please keep that in mind if you decide to pick it up.
Well, this is the end of my Psycho-Pass love letter for now. Please give it a chance if you can! I'll go rewatch it now. General watch order, in order of release, is season 1 → season 2 → movie → Sinners of the System movie trilogy → season 3 → First Inspector movie → Providence movie. I don't really like the third season or First Inspector movie (the characters are still great tho, even the newly introduced ones), and I've yet to watch Providence. The first season later came out with an extended edition of added scenes between episodes, and they're quite nice, so if you can't get ahold of it, you might want to look up for a compilation of the missing scenes still.
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So, I just know all of Tumblr was wondering, "hey, you remember that really weird ZoLaw fan with the annoyingly overly stylized post? I wonder if she's seen this and if she has any theories or thoughts, an observation or two?"
Well, allow me to set your wandering mind at ease, fictional Tumblr fan. The answer is: No. No, I really don't.
I have like three hundred.
[I also spent time just trying to track down as many translations as possible. Is Tera A Criminal's Daughter or The Daughter Of Thieving Bandits! These are CLEARLY separate things and can ENTIRELY change how her utter nonpresence in Zoro's life shaped him! Though I can take comfort in knowing that, regardless of what kind of crimes her father was committing they were more important than anything his daughter ever did in her entire life.]
And, hey, as might as well jump right into that whole mess.
1. Wait, Zoro's mom is dead? Thank goodness, I was worried Oda forgot one!
(AKA: Stop. Murdering. Moms.)
I'll go first, I don't mind saying when I was wrong. True, in the past I may have suggested that the vast majority of female characters in One Piece come off as ever so slightly, "leaning into sexist tropes with unadulterated joy; it's the misogynistic tropes equivalent of a child running naked through a grocery store. It's right there, everyone sees it, yet people shut up and continue shopping in part because, well, these days you just expect most people to cover that junk! What would you even say? And if you DO speak up and call out the inappropriate, be prepared for blank stares and tantrums; but THEY don't mind! THEY don't think it's wrong! You're just being mean!"
More or less a direct quote.
However, I see now that I rushed to judgement and the reality of the situation is far more nuanced. With that in mind, I was just wondering if someone could help answer some of the questions I have.
Like: Why does Oda believe that it's illegal for (maternal) female characters to survive other character's backstories?
More importantly, why hasn't someone just reached out to explain the misconception!? It can't be that difficult. If nothing else, just have a lawyer or judge or other expert in censorship on hand. Or is the one of those cases where back in highschool his friends made something up and then kept pretending it was real to see if he'd believe you and not only did he fall for it, it took over 20 years before he learned that, what, no that's not illegal. That would be crazy if it were an actual law. Cause you know, after the first 10 years I think yeah you have to just lean into it. Pretend it's a creative decision on your part and definitely not because you were terrified of being sentenced to a slow and humiliating public death.
Just to be clear that's definitely what's up, right? I mean, I'm struggling to think of another reason....able excuse why a story that I really enjoy keeps playing the same old sexist tropes cards again and again to the point of absurdity. It would just help if I had a valid excus- explanation. I almost mistyped the word explanation.
....
....
So I imagine it went like.
"That's the third mangaka they've had to Publically Execute this week!"
"They've started taking this law way more serious lately."
"This one really deserved it though! I heard his main character has a mother in her late forties!"
"That does seem old to have your first child."
"No, he's the middle of three and 22 years old. The story even has flashbacks of defining moments in his childhood and never once did she try to sacrifice herself for him, get murdered by his enemies, or die in meaningless unrelated accidents."
"Damn, that's cold to be there for all the protagonist core moments and not die and help him develop and grow a character? They must have a very antagonistic relationship. Is she actually the villain."
"Not that we know, and when they asked about this being a possible plot twist since - obviously if she's evil no laws are being broken."
"Well, of course, that's the whole reason Statue 2-dash-57 exists; if creators can show they have consistently been building up to a surprise twist then the female character in question can continue to live so long as she continues to be unrepentant and unlikable until the resolution of her arch by the protagonist."
"That's the thing! Under oath not only did man present no evidence to support her identity as a secret villain, he went on the record stating he wanted to depict their relationship as one of a normal modern 20 year old and his mother."
"That can't be true! What publishing company would even print that!?"
"It gets worse. I told you he was a middle child? Well, according to those who've read the actual manga, his younger sister was really sick as a child."
"Oh, well, at least-"
"It was just a fish allergy. She's perfectly fine."
"Sometimes I feel this law is unnecessarily harsh but.... Then you hear stories like that, and you realize that some people really are monsters."
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