Tiny Hut: has a 10ft *radius* which means it is a generous 20ft across from side to side, or 314 sq ft
Artists and Writers everywhere, absolutely correct: it's small enough that whoever's in it simply must all pile together like a basket of puppies
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THIRTY-ONE DAYS OF GHOST ⛧ DAY ONE
first song you heard — Mary On A Cross
September 1969; Papa Nihil and the beginning of the Ghost Project take to the stage at the Whiskey a Go Go club in Los Angeles, under the watchful eye of Sister Imperator. Fifty-three years later, in Tampa, Florida, Papa Emeritus the Fourth performs Mary On A Cross, unaware that he is singing the story of his parents—and that of himself.
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god i can’t stop thinking about how the (core) death family really is such a well fitting puzzle that when even one piece js gone it shows and affects the rest :(
like the death family is incomplete without qmissa, he carries such a huge role in the emotional wellbeing of things, he shines were qphil lacks; the death family is incomplete without qphil, the man consistently keeping the kids alive and fed, he can keep the kids alive but he struggles with the things beyond it, things beyond mere survival; and the kids, we saw how thoroughly their absence affected qphil and qmissa, how tallulah sleeping alone at her old home made the bunker feel so empty and incomplete, how without chayanne this little family would’ve never been formed in the first place. they all fulfill roles that no one else can perform in their place, tallulah and qmissa carry the artistic side and emotional knowledge of the family, qphil and chayanne carry the survivalist aspect of the family with experience and cooking. the family has had to adapt to the absence of members in the past, especially when the kids disappeared, and the toll it takes shows so clearly every time. they are only truly complete with each other, they are a family with so many troubles and ailments that could so easily be fixed by just them all being present, and yet they’re cursed to always miss one. they are always stuck adapting and filling roles to make up for an absence, and crumbling under the pressure each time
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i haint watched the dang chibisode and idk if ill actually watch it with sound on sdfjk but i have a hurt feeling about them casually imbuing perry with speech for a one off gag because the idea that he needs to talk to communicate is fake. we had 4 seasons of wacky magic hijinks cartoon where perry never needed verbal speech to communicate. they couldve done this gag at any point in the show but they didn't, and the fact that they didn't felt significant. perry's muteness is such a core part of his character, to me, to the way i conceive of him/write him. i don't wanna overreact to a goofy little side cartoon (even tho i'm doing it anyway) but it's still the characters, and it still upsets me! ok that's it i've said my piece
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Texting the crew (Alice, Melly, and Frederick) after surviving a, psycho human (Orpheus) piloting a mech he made out of radioactive garbage, attack
from THAT au
Updated: I was at work and thinking about the fixes I needed to do was driving me actually insane LOL
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a friend showed me a stupid meme, and i was like "this... this is Xie Lian flavoured..."
So please enjoy this silliness.
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of all the things one can say about episode 33, one ive been thinking about a lot recently is disrupted sleep. like, the day/night cycle and character's sleep schedules alike are being messed with here. akio's fucked up endless highway is perpetually night, so that certainly contributes to it, but i just think-- there is something so viscerally upsetting to me about spending the day at an amusement park, going to bed in a hotel, and being driven home from that hotel when it is still dark. you know? i thought about anthy's disrupted sleep in the black rose arc too, and how akio wakes utena in the car by brushing her cheek. that idea of being in and out of sleep, of not getting enough of it... and then the (family) day-out nature of this trip to the hotel, the way utena is so thoroughly positioned as a child in this episode. what if i got stabbed to death by some swords real quick
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do you agree that a convert to reform judaism is just a goy appropriating jewish culture? or do you think reform conversions are just as valid as any other?
"Do you agree" feels like you're already presupposing what my position ought to be - if so, what's the point in asking beyond validation? Perhaps it's a misreading of your tone, anon, and if so, I apologize. I can become quite on edge because I have seen a lot of disappointing "discourse" about this topic.
If you've put the work into being a jew, you're a jew. The second you leave the mikveh - the second you become a jew - there is nothing for you to appropriate. Most jews in my country (U.S.) are reform, in fact.
A jew is a jew, and I hold love, admiration, and appreciation for all jews. In fact, it's written about extensively in my bio (not my pinned post) because I want this to be welcoming for everyone, not just people like myself. This is something I will not negotiate about. I am not interested in negotiating this because it only, ultimately, divides and hurts us all. Reform isn't for me personally in the stage of life I am in and what I want my judaism to look like. If ever there was a time that this changes when I am jewish, I will plan accordingly in any direction. I don't want my conversion to be validated simply due to potential distaste one might have for the reform movement - I and my community have been putting all this work in for my jewish life.
Reform judaism is so much more nuanced and complex than I think many people are willing to give it credit for. To me, it is all judaism. And I hope with my extensive blogging on this account that you know how I feel about judaism as a whole.
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