#associated problems

[asvidema]

a bit late, but i decided i'd give it a shot anyway

hansry day 1 - flowers

[zu-is-here]

tee hee (*´∇｀*)✿

[apollosgiftofprophecy]

Concept: In The Burning Maze, I think it would have been cool if one of the crossword puzzles in the labyrinth had been a mathematical equation.

Specifically, a mathematical equation on mathematical logic, such as negations.

Why? Because Apollo is the god of mathematics and I think it would be funny if Grover and Meg were standing there, staring with horror at:

~(~(p^q))

"What is this nonsense?" Asks Meg, a literal sixth grader who has never before encountered college-level math.

"I...I don't know!" Responds Grover, anxiously wringing his hands. He also has never come across something like this before. "I never went to high school!"

"Is it code for something?"

"The little carrot there looks kinda like a Greek Delta- is Daedalus related somehow?"

"A carrot-what?"

"The carrot!" Grover points at the symbol between the 'p' and 'q'. "It looks like the Delta symbol!"

"Oooh. Okay."

The sentence below the odd thing reads;

Solve my riddle,

Or play second fiddle,

You can find me in education,

For I am the ________!

"...What does that mean?" Grover whimpers.

Meg looks stumped.

"...negation," Apollo's staring at the strange equation. "'Solve my riddle, or play second fiddle. You can find me in education, for I am the negation!'. That's the missing word in the rhyme."

They stare at him. "How do you know that?" Grover bewilderedly asks. "It makes no sense!"

"Math logic," Apollo simply says. "This particular one is...about first, second-year level in college, I'd say."

Grover closes his eyes, muttering; "No wonder I couldn't solve it." as Meg stares first at the equation, then at Apollo.

"What even is a negation?"

"That," Apollo points to the squiggly lines. "It cancels the truth values out, giving you the opposite of what's inside the parathesis."

"...What?"

Apollo huffs. "The 'p' and 'q' both represent something, like two parts of a sentence. The carrot can be upside-down or right-side-up, representing 'or' or 'and' in that sentence."

"Which way is up when?" Grover looked to be on the verge of tears as the realization math did not, in fact, end with numbers or numbers and letters.

"Uh..." Apollo made a 'V' with his hands. "If it's like this, it's 'or'. If it's like this," he made a tiny pyramid with his hands. "It's 'and'. Imagine a line through the center, like an 'A'. That's 'and'."

Grover rubbed at his eyes. "Too much," he whimpered. "Too much."

Apollo gave him an awkward pat on the shoulder. "In this case," he said. "It's saying 'and'. The negation, well, negates their values, so it becomes-" he pats his pants and looks in his pockets. "Anyone have a pen and paper...?"

Blank looks met his. "Okay, then...then just imagine a squiggly line in front of the 'p' and 'q'. That's what the first negation does. Then the second one negates that negation, taking the squiggly lines away."

Breathing in, he finished with; "So our mathematical answer would be, 'p and q', written with the carrot right-side-up- like the 'A'."

The tunnel was silent.

Then it was broken. "How do you know all that?" Meg demanded, looking extremely confused. "That makes no sense. I thought there were numbers."

"There are," Apollo patiently explained. "But this is a logic problem, and they don't do numbers."

"Never before have I been grateful to not to have to go to college," Grover rubbed at his temples. "Algebra was bad enough. Now this?"

"Hey!" Apollo looked slightly offended. "It's all quite fun, really, when you figure it out! Besides, we didn't even have to solve it!"

"Then why did you?" Meg asked.

Apollo stared at her. "Because you asked me too-!"

"Nope." She blew a raspberry. "None of us did."

He closed his eyes, as if praying for mercy.

"Anyway," Apollo gave both of them the stink-eye. "Math and music were quite intertwined back in the day, so the Muses and I are quite adept at it- Thalia's the geometry queen, and whatever you do, do not say 'Bet you can't solve this in a minute' to Urania. She will make you look stupid."

"Bet that's not hard."

"Oh, shut up."

insert cackle from Meg

"ANYWAY," Apollo gives her the stink-eye. "Ancient Greece was a breeding ground for mathematical minds- Pythagoras, for one, who was my son to boot! Even Hestia enjoys looking over Hephaestus's construction equations in her spare time."

The other two stared at him, as if shocked the gods would find math, of all things, fun.

Apollo awkwardly glanced away from them. He didn't know what their reactions would be if he told them of the many contributions he has made to the world of mathematics. For some reason, silly mortals didn't seem to appreciate the hard work put into them!

Sighing, he said; "Uh, Labyrinth, the answer is 'negation'. We got side-tracked there for a bit."

One hallway in front of them glowed with the answer. Without another word, they quickly speed-walked down the passage-way.

[aipurjopa]

New unstable video dropped, more lives were changed, the usual.

[arodykeism]

but my heart is like a claw machine

[gomzdrawfr]

shopping💛🍮🛍️💙

[wherevenusholdssomeofficespace]

"The I don't even drink Coffee I can't do anything right" line is both so funny, but also drives me insane.

Candace is cripplingly insecure. This is of course, obviously part of her busting motivation. But it also informs a lot of how she interacts with Jeremy, particularly early in the series. She is super cool, but she's constantly living in the shadow of her little brothers so none of her accomplishments seem significant. But for all of Candace's bravado she feels she has to prove her worth.

So this mug?

Candace this is a gift for you. It is supposed to be something YOU appreciate. It is a gift. No strings attached.

Phineas and Ferb didn't HAVE to make her something of course, but as a gift it is on Phineas and Ferb to get something she likes. But it doesn't even cross her mind that Phineas and Ferb could have done something wrong, but that the problem lies with HER.

She does often lash out her brothers. She usually does blame them for her problems, even when it doesn't make sense. So it's not that it never occurs to her to blame Phineas and Ferb. But it's also kinda clear its not what she truly believes. It's easier to pretend that "Phineas and Ferb ruin everything" than acknowledge that "I'm pathetic and worthless". Just like its easier to pretend "Phineas and Ferb are super annoying" than acknowledge that she's proud of them and that she thinks everything she does is horrible anyway.

She literally sees something Phineas and Ferb did for her as something she is responsible for reacting to correctly. There's lots to be said in regards to Candace and positions of authority. But in some ways sees everything Phineas and Ferb do as something SHE is responsible for, even when its explicitly not. To some extent the fact that she can't keep her brother's under control is something that she sees as a personal failure.

[mollysunder]

The biggest tragedy of Jayce's raid on the shimmer refinery wasn't just that he killed Renni's son, it's that that kid died slowly without any sort of comfort or aid. That boy was alive and wheezing by the time when Jayce and Vi slowly (kind of reluctantly) made it down to the ground floor and was still alive enough for Jayce to look directly at him as the light left his eyes.

What's worse is that he died surrounded by shimmer, a single drop could have saved his life! Anybody at the refinery that could have helped him, even in theory, was held at gunpoint by the Enforcers Jayce and Vi brought and could only watch him die. And then his body's just left there for his mom, Renni, to see. This boy was the kid that pulled the alarm on the Enforcers in the first place, he absolutely knew why shimmer was so important to their operation and once Piotover got involved he's deprived of it's aid.

[tiredandoptimistic]

RvB tarot cards

I have once again cooked up a hypothetical tarot deck for a show I enjoy. I didn't make any art because I refuse to attempt Halo armor, but here's my pitch for which RvB character I'd assign to each of the major arcana.

0-The Fool: Franklin Delano Donut. The fool symbolizes new beginnings, and someone who is so excited to be on an adventure that they stop paying attention to the dangers around them. Donut is of course known for his vibrant enthusiasm, but he may not be the most mindful person. Despite all the dangers and near death experiences he's faces though, this plucky private just keeps on being fabulous.

1-The Magician: Frank "Doc" Dufrense. The magician is a powerful character because he stands outside the limits of the four suits, much like Doc's place beyond the constructed binary of Red vs Blue. He doesn't belong wholly to any group (and his mind doesn't even belong wholly to himself), but that won't stop him from showing up every day to make people more comfortable while they die. He is an outsider who comes to help others; it's just a question of whether he can live up to his own good intentions.

2-The High Priestess: Agent North Dakota. As an almost parental figure, the high priestess is often sought for advice and encourages cooler heads to prevail. North's place amongst the Freelancers was often defined by his role as a peacekeeper, serving as an advocate for calm and reasoned thinking in the face of bizarre circumstances. It's because of this logic and empathy that he was able to recognize Freelancer's corruption and ultimately defect from the project.

3- The Empress: Agent New York. The empress is a leader not through force but through nurturing. This suits York, who was consistently one of the highest ranked and best beloved Freelancers, in large part due to his amiable personality and willingness to listen to others. He often acted as a more passive or supportive member of the group, but his defection from the program proved that he was still an independent thinker and a leader in his own right.

4- The Emperor: Agent Carolina. In contrast to their counterpart, the emperor is the leader who maintains control through strict discipline. Carolina was the head of her squad in Project Freelancer due to her raw strength and combat ability, but she often allowed this reliance on rules and structure to go too far. She not only allowed the ranking system to control her life, but she expected her place as #1 to allow her to control the lives of others. After her time with the Reds and Blues she allowed herself to loosen up a bit, but she still maintained her domineering personality and commitment to victory.

5- The Hierophant: Col. Sarge. The hierophant is another leadership card, this one coming from a person who is entrenched in a place of authority and perhaps a bit too reliant on rules and history. Sarge is certainly a creative leader in many ways, but he also depends upon the army as the arbitrator of right and wrong; focusing heavily on receiving orders and passing them on to his subordinates. Sarge isn't completely unchangeable though, and we see in season eight onwards the sort of wild maneuvers he'll cook up on his own time.

6- The Lovers: Lopez and Sheila. This card is fairly self explanatory, I think. Two people in love! It just so happens that in this case, the happiest and most functional relationship is between a robot soldier and the enemy tank.

7- The Chariot: Agent South Dakota. The chariot is all about go-go-go. It's a card of action and movement, much like South's fiery and passionate personality. Though her impulsivity often got her benched, the limitations placed on her by the Director only added to her frustration and prevented her from getting any of that energy out in a healthy way. After Project Freelancer her main mission was always to keep moving and keep finding something new, no matter what destruction she had to leave behind.

8- Strength: Michael J. Caboose. While Caboose is of course strong in a physical sense, that's not exactly the meaning of the strength tarot card. Strength is the lion, but it's also the young woman who fearlessly scratches the lion's ears. Caboose can lift a tank, but his real power comes from the strength of his friendships and his willingness to trust anyone who comes his way. This endless optimism and determination to keep seeing the bright side of everything (even a killer robot) is what led the Reds and Blues out of many tough scrapes.

9- The Hermit: Dick Simmons. The hermit is a guy by himself, plain and simple. While Simmons craves the company of others, he often finds it easier to keep himself isolated than to deal with the complexities of humanity. If the Reds don't respect him he'll simply join the Blues and take over an empty base. He's smart, yes, but he sees his own powers as ultimate and doesn't want to be on the team if he isn't seen as essential.

10- The Wheel of Fortune: Agent Florida. As a symbol of fate and destiny, the wheel of fortune is suited to a character like Florida who may appear chaotic but ultimately pulls the strings of Blood Gulch. His personality can be a bit unpredictable at times, but Flowers is still completely in control. It's just a question of whether you've figured out his plan yet.

11- Justice: Agent Connecticut. While all the members of Project Freelancer were supposedly fighting for peace, CT is the only one who took it upon herself to keep their agency in check. The others followed of course, but she was the first whistleblower to really challenge Freelancer and uncover the twisted secrets of their organization, and she was more than willing to sacrifice her life if it meant getting that information to the right people. Though it didn't come to pass until after his death, CT was still the one who brought Project Freelancer to justice.

12- The Hanged Man: Lavernius Tucker. While the hanged man isn't exactly a cheery sounding card, what it's really about is looking at difficult situations from a creative perspective. Tucker was constantly tied up in the schemes of others (The Director, the Sangheli, Felix), but he always maintained his distinctive attitude and determination. While he would have preferred to stay the same guy he was in Blood Gulch, he proved again and again that he was more than able to adapt and evolve; thriving in lethal conflicts and becoming a hero unlike any other.

13- Death: The Meta. The Meta, like death, is not cruel or sadistic. It is simply coming for you, and you will not escape. Looking deeper though, the death card in tarot symbolizes the end to old systems and the transition to something new. The Meta was once Agent Maine, until is underwent a transformation more horrible than simply dying. It went through a metamorphosis, and in the process brought about the end of Project Freelancer and the beginning of a new era.

14- Temperance: Locus. This card is one that symbolizes balance more than anything else. As a man desperate to become a machine, Locus tried to maintain perfect control over himself. He wanted to appear solid and unshakeable, up until the bedrock of his partnership with Felix was shattered. After he turned on his partner, Locus struggled to maintain a different kind of balance; between the man he was and the man he wants to be.

15- The Devil: Felix. Well this one is pretty simple. The devil as a card is about evil, yes; but it's also about control and creativity. Felix found joy in his ability to wrap the people of the New Republic around his finger, and he thrived in command of an army of space pirates. More than that though, he had fun with it. He always came up with innovative ways to destroy his enemies or intimidate his allies, and he was completely free of guilt the entire time.

16- The Tower: The Director. While death and the devil sound scary on the surface, the tower is really the most powerfully negative card in the deck. Much like Dr. Church, the tower brings misery and despair to everyone associated with it. More specifically, the screaming people falling from a lightning struck tower symbolizes divine retribution for humans who saw themselves as gods. The Director spent his later years trying to build a program that could win a war and bring back his lost love, and his favorite tool was manipulation. He always wanted nothing more than to establish his own power and prove that he could maintain complete control over the world and people around him, but it was only a matter of time before his ship crashed into Sidewinder and his bitter children found his hiding place.

17- The Star: Dexter Grif. The star is another symbol of balance, though this one is more about fairness and hope. Grif is someone who may act discontented but clearly cares deeply about the people around him, and his unshakeable demeanor holds the Reds together (as much as Sarge would hate to admit it). While he doesn't literally nourish the land and water like the star, he stays calm amidst a team of fiery tempers and is able to keep the warthog running if they ever need a getaway vehicle.

18- The Moon: Agent Washington. The moon is all about changes and illusions, perfect for someone like Wash who spent so much time blending into different personas. While Wash, like the moon, can appear dark and mysterious; he's ultimately a force for positive change amongst the Reds and Blues, who in turn inspire him to change into the best version of himself.

19- The Sun: Kaikaina Grif. Simple joy, that's what the sun is all about. In a canyon full of shitty people and a show full of angst, Kai is one of the only characters who's just here to have a good time. As crazy as things get for her brother and his friends, she'll always be waiting back at Blue Base with enough music and glowsticks to keep the party going.

20- Judgement: Agent Texas. Much like the angel on this card descends to judge mankind, Tex was dragged from the afterlife to separate the worthy from the corrupt. While she was created as a sort of toy in the Director's grief, she quickly established her own sense of identity and justice. She saw the truth of Project Freelancer and made it her mission to destroy it, doing her best to free the Alpha. In Blood Gulch and beyond she acted as a sort of avenging angel for the Blues, swooping in to save their asses and punish whoever she deemed to be worthy of punishment. In the end they all learned something from Tex and her fierce determination. Church became his own protector, and he could finally let Allison rest.

21- The World: The AI fragments. The world is a card of ultimate completion. Much like the many fragments who came from a more powerful AI, many symbols surround the vast and vibrant landscape of this card. Delta, Theta, Gamma, Omega, Beta, Sigma, Eta, Iota, Epsilon, and Alpha are all characters in their own right; but they're also pieces of a whole. They were never able to reunite fully in Red vs Blue, but they live on in the memories of Epsilon and all of us who return to the show year after year.

[jackshiccup]

[anarchieroad]

TWOISM. (inspired by the boards of canada album of the same name)

[httpiastri]

yet again missing your oscar hand dumps 🙃

my sincerest apologies

[smile-files]

a blackhole of happiness, greedy for the light it cannot give back

[blepsalot]

Do hp fans even read the words in front of them I fear they learned not to in order to get through those shitty books in the first place and are now applying it to everything 😩

[autumnwhistles]

(ft synthesised voice, also this isn't quite the start of the song but it works better as an excerpt)

[burningcheese-merchant]

The relationship between Burning spice and Pepper Jack reminds me terribly of the relationship between CrowFeather and Breezepelt

of warrior cats

you just inspired by them?

Oh my God... Jesus, Mary and Joseph... Warrior Cats........ Got sent back in time like 15 years with this ask. I feel so old right now.... Live footage here

No actually, I wasn't thinking of Crowfeather and Breezepelt 😅😅😅 in all honesty I've been taking a lot of inspiration for Burning Spice and Pepper Jack's relationship from Kratos and Atreus from God of War (4 and 5). The sort of redemption arc/change of heart and post-redemption attitude/behavior I gave Spice in my canon bears a bit of resemblance to how Kratos behaves in GoW, and while I was imagining his relationship with Jack I remembered what Kratos goes through with his own son and realized I could maybe learn from that and see how I could make my version work with these two characters instead. Former mass-murdering, vengeful lunatic who's calmed down and realized the error of his ways and is just trying to carve out a decent life with his new family, having some issues connecting with his son because they're so different from each other in so many ways, and also because the father is hiding the truth of his dark past out of shame and fear of what the son will say and think. (Obviously I don't want to just straight up rip off GoW, just take inspiration haha. I think I've made my own take unique enough that I don't have to worry about it much)

I do want to draw Spice and Jack dressed up as Kratos and Atreus one of these days though :P maybe for Halloween or something. Gonna title it "God of Destruction" instead of God of War. It'll be cool I promise

... Chat, should I try to depict the family as cats from Warrior Cats now? I'm getting hit with nostalgia so fucking hard rn