#at least I put it only in tags now lol

[brutal-out-here]

I got good news and bad news (maybe) about me forgetting how to be a person yesterday

[machinerot]

[buwheal]

Hello, Spamton!

How's life? Also, do you have any opinions on the Addisons? (Pink, blue, orange, and yellow)

If so, what do you think of them?

[ghastlyaffairs]

for something as trivial and simple those feelings sure are hard to get rid of

also made a gif a version for fun + alt version with no tears under the cut

the gif is in very low resolution...this is a feature (i could make it bigger but that would require saving each frame individually and than glueing it all together. also i feel like low resolution suits it better. aesthetically and fits the mood)

[moogghost]

...so now that grandfest is over and the results were revealed am i allowed to say that some of y'all were such dicks to team present over their team choice for NO good reason ever since grandfest was revealed or am i going to get mauled for being right.

anyways congrats to the team past members who weren't assholes about their team choice and those team past members only every match against you guys made me feel like i was crawling in the trenches and it's very impressive 👍

[rosylix]

＼(_ _)

[ilovedthestars]

I wasn't kidding when I said I spent an hour just trying to sketch out the pose for this drawing! Sometimes you just gotta go through like 8 sketch layers to figure out what you're doing.

I also ended up looking at two references--this one from The Pose Archive, which I traced the legs from after struggling for a while to get proportions that looked right, and a photo of myself that I asked my roommate to take so I could figure out what to do with the arms. The process got significantly faster when I remembered I could use references and started working with them.

I think it's good to show some of the behind-the-scenes of your artwork every now and then, both because process is cool and because it removes some of the sheen of "whoa, i could never make that." I know I get discouraged at times by artists who "make it look easy," when really I can't see all the time and hard work that went into making something. I don't want to create that feeling for anyone else!

So, here's a glimpse into how much I struggled to get the pose right, and below is the timelapse where you can see how much I fiddled with the colors until I had something I was happy with. It was probably at least two hours of "i am spending way too much time on this" and "why does this still not look right" before I got to a point where I started thinking, "wow, this looks good." But I got there eventually, and I'm really happy I stuck it out!

[giantkillerjack]

Uh-oh! You are like, SOOO awkward!!

You're so awkward that it is occasionally mildly uncomfortable for people!

You're so awkward that sometimes people are confused by you and then there are awkward silences!

You're so awkward ...... that ultimately no one is harmed!!

Oh damn!!! What a vile crime you have committed! What an unforgivable thing it is to make a fellow human briefly confused!

Why, if *I* were ever briefly confused and kind of uncomfortable as a result, I'd be devastated.... by the absolute net zero change in my happiness and health! - From which I might never recover!! Yes indeed! No punishment can ever be enough for you!!

So you better absolutely hate yourself for it.

Better be SO MEAN to yourself about every single missed social cue so you don't forget your horrible crime! Meaner than you'd ever dream of being to someone else for the same thing! This is YOUR responsibility!

You need to show the world that you KNOW you are bad by punishing yourself constantly! After all, think of all the people who BENEFIT from you punishing yourself! - No, really! Think about it! Think about who benefits from your pain.

Think of alllllll the definitely-good people that your definitely-necessary self-torment definitely helps! I mean, you can't just cut off their definitely-life-sustaining supply of your suffering, right?? Sure, everyone else has a breaking point, but you're probably the only person in human history who doesn't, right? Best not to question it probably. Sure, it's a symptom that billions of people with trauma have had, but who knows? You could be a one-in-seven-billion exception. Anything's possible!

Instead, better just accept that idea that bullies carry like guns in holsters - the idea that people who have trouble with social cues deserve to suffer. Better carry on the burden they placed on you until you drop. Aid the cause of the callous by enforcing shame and suffering upon yourself extra hard; try your best to do their work for them. They're very busy.

Better not recognize that you need patience and kindness to heal from your trauma. Better not find out that it was trauma rather than personal weakness filling your head with self-hating thoughts. Better not find out it wasn't your fault.

Better not find out that awkwardness is not inherently harmful or unkind, and, in fact, the people who act like it is *are the ones enacting harm and being cruel.*

Better not get righteously angry when you realize just how much unnecessary damage this has done to you. After all, if you get mad, you might realize you deserve better. You might even feel brave enough to DEMAND better! You might build boundaries that keep you safe! You might make other people think they deserve to feel safe too! And we obviously can't be having that, so...

Better not show yourself even a little kindness a little bit at a time.

Better not make a habit out of it after all that practice.

Better not get confident.

Especially if you can't first wipe out every trace of awkward. (And you probably never will. Because people who experience absolute social certainty at all times tend to be insufferable assholes that enforce the status quo. And you just don't have the stock portfolio for that.)

Better not be confident and awkward because then you might confuse and delight people

- you might accidentally end up making other people feel less shame for their social difficulties

- you might make isolated, traumatized, and shy people feel like they deserve to be included in social situations

- you might even make them feel they can be themselves around you

- you might start loving the effect you have on a room

- you might enjoy conversations more

- you might forgive yourself and bounce back from shame more easily and frequently

- you might come to enjoy some of those moments of harmless confusion you cause because NOBODY expects the Confident Awkward, and that can genuinely be an advantage in social situations

- you might stop apologizing so much.

- you might find that socializing is like a video game: it requires practice but also a safe space for it to be fun and positive.

Or if you can't become assertive and confident, better not remain awkward and shy and quiet, and then love and forgive yourself anyway!

Why, it would be carnage!!

In either scenario, you run the risk of finding out that it's not your fault that safe spaces full of kind people can be really hard to find, create, and nurture. You could end up building a skillset that helps you do those things if you're not careful!

If you start giving yourself even the tiniest amount of grace at a time, you will find that you've accessed a gateway drug with extreme long-term side effects:

- You might realize that it was never your fault that it took so long to like yourself.

- You might realize that you were always worth talking to, even when you didn't like yourself and communication felt impossibly difficult.

- You might realize that you'll still be worth talking to even if communication becomes harder as you age and/or experience disability.

- You might come to know that you deserve to be heard even on bad days when words come slow and blurry.

You might discover that you were always deserving of kindness, first and foremost from yourself.

So. As you can see, it's FAR too much of a risk to start granting your awkward self free pardons for your many heinous and harmless crimes. Better to just leave it there.

[vargaslovinghours]

Fandom: Johnny the Homicidal Maniac (But really Vargas lol) Rating: Teen and up Warnings: No Archive Warnings Apply

What, exactly, did Scriabin take from Edgar when they separated?

My first multichapter fic for Vargas! :D Yay!

(Pls read Ch. 1 first - Ch. 2 is also recommended, but as long as you're caught up on the first, you're good to go!)

-----

Side B

What the fuck.

"It's, it's possible that if, maybe whatever happened earlier, whatever caused all that blood and for us to be knocked unconscious-"

What the fuck.

"-and if I suffered a head injury, then maybe-"

No. That's enough.

Scriabin pushed away from the closet door he'd defensively pressed himself up against and put his hands on Edgar's shoulders, which quieted him. He looked at him expectantly, with eyes that Scriabin somehow only just now realized were casually guarded, curious, uncertain in a way that denoted inexperience. That was so messed up, that was completely wrong. Edgar should've been on guard, absolutely, but only because he knew exactly what Scriabin was capable of. He really didn't want to look at him right now if this was what he was going to be seeing instead.

He spun him quickly and pushed him out the door before he could protest. He got one last look at those wide, confused eyes before he slammed the door behind him, bracing it shut with both hands for good measure.

What. The fuck. His head came forward, making a dull thud as his forehead connected with the door. He doesn't remember me? His fingers curled on the door. What does he mean he doesn't remember me?! How could he not know me?! One hand pushed through his hair; his scalp tingled and that was so weird, he felt it and it was so weird- We literally just- He literally just-! As if pulling him screaming into life wasn't bad enough, now he had decided to play some sick prank!

This can't be true. It's just like him to try and make jokes at the worst possible time, he has no tact.

There was a timid knock on the other side of the door. Scriabin jumped as it resonated through his skull, his elbow, pressed to the door with his hand buried in his hair, set his jaw. Then silence.

If he was really trying to get back in, clear things up, say he was only kidding, he'd actually try.

Nothing.

Scriabin's blood was ice as he went over it again. The way he'd said his name. The vacant look in his eyes as he said it, like his mouth knew its shape but none of the meaning. No fear, no realization, nothing that really felt like Edgar, just sound, just noise.

Maybe he really had-

Oh god. His knees gave out, and his arms had no practice at holding him upright, not yet. His hand slid down the door, his other hand guarding his head as his hair fluffed against the grain.

How could he do this

This is all his fault

Stupid, idiotic

He can't do this to me

I can't believe him

I can't believe this

How dare he leave me alone like this

Thoughts spiralling, and all he could do was hold himself down, press his fingers into the back of his neck, force his chest to his knees and maybe he wouldn't immolate under it all. He was shaking, from tension or fear he couldn't tell, his mind too hazardous and loud to cut through it all. He was shaking, dizzy, and if he moved, letting go would surely kill him.

He can't do this to me.

He breathed. And breathed. And swallowed. Eyes closed, heart pounding, sure. Confusion and dismay, whatever. Pain. Fine. So be it.

This isn't like me. A hand untethered from his vice grip in his hair, and he stayed attached to the floor. It connected with the carpet below him and became a new lifeline. He pushed up and away into a limp sit, arms already burning slightly from holding himself up after all that. He shook his head mildly. This isn't who I'm going to be in life. His body, this fear response be damned, he was in control now.

Regroup. Let's- a mental pause, barely a quarter of a second long as he turned the word in his head. Let's pretend it's all true- what does that mean?

He flopped over, leaned upright with his back against the door, heels of his fists pushed down into the carpet to scootch closer. Moving was so awkward still, very unfitting.

He was acting normal. Well, Edgar's baseline for "normal" had changed considerably, so maybe put an asterisk on that. Not that he was ever normal to begin with, but normal-for-Edgar, -ish. That means he has to have some memory.

Scriabin held out a hand, arm slung over his knee, one finger held out. He had recognized his glasses. One. The apartment. Two. Which key to use. Three. He had said Todd's name. Four.

His stuff can be discounted, he's had all that for a while. Back down to one. The kid is a new fixture. Which means he remembers the last couple months at least. He shook his head and brought his hand up to comb through his hair. Well...it's fuzzy for me, so it probably is for him, too. Scriabin remembered everything in as much clarity as the last couple months allowed, there was no way Edgar would know more even if he had all his memories.

Speaking of which, Scriabin could remember everything. He flipped through; the last two months and bringing Todd in, Edgar's parting words to Johnny, his and Devi's conversation - he grit his teeth - and further back, everything along the way, all the way back. False dreams, shared childhoods, everything that was once Edgar's alone, he still remembered it. Nothing was out of place which made it all the more strange!

This is so fucking weird, if I remember everything, then why would he-

He stopped short. His purported purpose had been to replace Edgar. Take him over completely. If he bought into the conceit for a moment, just to play in the space... He was alive now. That was not as intended; it shouldn't even have been possible.

Did he...give me his memories? Like, all the way? Not just to borrow, to shape him, give him legitimacy - he was alive now. His own person. Separate, embodied, and whole. Was this the price of life?

That's stupid. But possible, he couldn't discount. If this - he brought his hands up and looked down at them, watched himself touch his own chest and felt it beneath his coat, shirt, the nerves firing as his slid his fingers up himself - if this was possible, then...

He continued for a moment, curious and reverant, all of him new and privately exciting, to exist and to touch, to feel, smell, see, all of it clear and fresh and penetrated deeply into his mind, as if a layer of film had been lifted from his senses. The moment passed as the memories, unbidden but important, cluttered in around him again.

There were still a lot of questions, and most of them couldn't be answered without Edgar, ugh. If getting anything out of him before had been like pulling teeth, he was very sobered to think about how it might be now. Depending on how much Edgar remembered, maybe he could start piecing things together.

Did he do it on purpose? Did he know this would happen? There's no way he would have been willing to if he had- But he couldn't ask him things like that. Even if he did remember, admitting something like that...

He was just spinning his wheels at this point. Better to gather what he could from the man himself. He looked up, preparing to stand.

Ah-

The room was still in something of a state.

Edgar would be annoying, or at least distracted by trying to pick up the clothes and uncarefully unpacked items strewn about the floor from Scriabin's very successful excavation of his old glasses. The clutter would have to go if he wanted his full attention.

He grumbled as he pushed off the door to pick up the first few things. First day of life and I'm already his maid. Figures. He's always needed me to clean up after him.

Silence.

Somehow it only just hit him. Thinking alone in the late hours, planning things behind Edgar's back, it was nothing new. But a barb unsunk into his mental flesh was left out in the wide emptiness, poised to stab whoever happened upon it next, and he was the only one here.

He felt very small all of a sudden, and he didn't like it at all.

His eyes blankly scanned the room, looking for nothing, until they settled on the toy at Edgar's bedside. His toy.

He dropped the items he'd bundled into his arms and made his way over. He picked up the small simulacrum, turned it over in his hands once, and stared at it.

He wouldn't know this. Not really. He brushed a thumb up and over the little mouth, the contours of its small face. Retroactively, I've never been this at all.

I'm no one to him.

Does this mean we can start over? The thought struck him like lightning, freezing his heart in his chest. He was fixed solid, staring down at the small figure in his hands.

Before he could even think, he'd already thrown it through the open closet door, landing noisily in the box he'd dug through with a clatter. He grabbed up the fallen clothes and items and stuffed them back in the box, burying the toy in mundane detritus, then closed the cardboard flaps and slammed the door of the closet for good measure.

His breath was laboured and he glared, like wishing it gone would make the closet itself disappear.

Answers. He needed answers, more than anything.

He ripped the door open, and there was Edgar who looked up, staring dumbly back at him and carrying the clothes he'd shed earlier over his arm. Something in his mind clicked over, and he didn't think about it.

"Alright," he caught his breath for half a second, "what do you remember?"

Edgar just kept on staring, mouth open, eyes unconfident behind weak glasses. Scriabin huffed irritably, I don't have time for this, and moved towards him, arm outstretched.

"Come on." Edgar gave a small startled sound behind him as he grabbed his collar and dragged him through the doorway. He threw him across the room, not bothering to watch his arc as he closed the door behind him. The bed was that way, he'd be fine.

When he turned back, Edgar had managed to catch himself, though already halfway on the bed. Scriabin stood with his back to the door, feet planted and he crossed his arms. No more speculating around impossibilities, tangible and present as they might be, it was time for a proper interrogation. It was at least preferable to-

Edgar made a face at him and scooted back, offering a seat next to him on the bed. Equal footing briefly flashed through his mind and while he wouldn't consider it ideal, nothing today was really going his way. He sighed, then made his way over and sat across from Edgar, who was eyeing him with a certain degree of caution. At least the feeling was mutual.

"Spill." He re-crossed his arms and leaned towards Edgar. "What do you know?"

Edgar hesitated, apparently thinking, his hands laced and fingers agitatedly if quietly rubbing the backs of his hands.

"I want to verify some things first."

Scriabin snorted dismissively. Where had Edgar's overly-trusting nature gone? A serial killer, well he's an honoured guest, but Scriabin? He didn't even distrust him for the right reasons.

He gestured with an open hand, Go ahead, then tucked his arm back in.

"Todd's last name?"

Pfsh. At least it was proof enough that anything Edgar knew, Scriabin did as well. As expected.

"Casil. His stupid bear's called Shmee in case you forgot that too." Edgar shook his head. No he hadn't? If only he could just check!

"Do you know our phone number?" Obviously he did, so he rattled it off quickly, Edgar nodding in turn. He flipped his hair in time with the last digit, careful to keep his eyes covered. It was a bit of a timid attempt, being the first in this body, which was a minor blessing he supposed.

Edgar mulled over what he'd given him for a moment, then a moment longer, then a moment even longer. His eyes searched absently, gazing down into his own hand, his other on his chin, lightly thumbing his goatee. He was focused on names and numbers, but those were child's play compared to everything, everything Scriabin still wanted to know. It was frustrating on a visceral level, watching him struggle with such simple innocuous nothings while the most important person in his life was sitting right in front of him.

He was supposed to be the most important.

It was frustrating.

"You really don't remember anything, do you?" He didn't hide the sneer as it shaped his voice - odd the way his body just did that now, did things without him actively thinking them into being. Even things like the little waver that made its way in that he pushed back down and under. He was frustrated, angry, tired - any emotionality could be attributed to those, nothing else.

Edgar didn't answer, just kept his gaze locked to his face. That was almost worse. Watching him fumble through things, it wasn't fun, but at least he wasn't trying to pry. He could see him try to look past his bangs, and the fact that he didn't know better...

Scriabin looked away for a moment, then thought better of it. Best defense is a good offense.

He reached for Edgar's face, for those damn scars, ever-present reminders. Edgar shied away, not wanting to be touched suddenly by someone he didn't know. As if Scriabin had ever cared about that.

Well, things were different now. Maybe he didn't really want to touch him anyway. Not yet.

"Do you remember these...?" Instead he framed his face with his hands less than an inch from his skin, and even there he could feel the heat coming off him. Edgar reached for his face, looking away from Scriabin as he touched the angry red marks. He winced minutely, then glanced back at Scriabin, searching him, his expression guarded again. Scriabin could hear his own pulse in his ears.

"...Johnny?"

"Fuck." Fuck! "Of course you'd remember him but not me." God damn it! It wasn't right, it wasn't fair, just because Johnny came first by a hair's breadth, just because he wasn't in Edgar's head, with Edgar's fucked up little obsession with the murderous stick figure- It limited what he could get away with too, if he remembered that far back. Absolutely nothing was going in his favour.

"I'm sorry..." He sounded genuinely remorseful, and it stuck in his throat. Disgusting. "So you know Johnny, too."

"Unfortunately." Scriabin tucked his chin to his chest, arms crossed again in close proximity. This sucks. Edgar just kept rambling, unaware as ever. His excuses held this time at least, one point in his favour, no points for bringing his annoying habits with him despite everything.

"I don't think I've seen him for a couple months now? Everything's awfully..." He gave a vague gesture and Scriabin uncurled slightly. He was giving him room to contribute. He shook his head.

"You haven't."

"Have you?"

He returned to his tight coil of sulking. Not like he was keen to meet up and chat, but he couldn't explain why he hadn't had the opportunity to either.

"I remember he called, too."

"Ugh," barely above breath. Enough about Johnny! Again, Edgar continued obliviously.

"Although I don't really recall what we talked about, not for a while..."

Of course not. I took over for half of those.

He perked a bit, and Edgar focused more on him, patiently setting his hands in his lap.

"You know."

He could play this to his advantage. Give Johnny some well-deserved karmic justice for fucking him over so many times. It was almost better that Edgar didn't know - Scriabin had been trying to get him away from Johnny all this time, and if he really had forgotten everything, not just the moments when Scriabin took over but every moment they had shared, then that meant it coincided almost perfectly with his first meeting with Johnny. Blank spot after blank spot after blank spot, all lined up immediately after getting his face slashed.

He could work with that.

"It's probably trauma." Edgar startled and his hand shot to his temple, lightly touching his hair.

"Like, head trauma?" Scriabing almost laughed. Yeah, probably that too. But that wouldn't help his case.

"No." He leaned in, taking a more intimate, secretive tone. "Think about it. When did things start getting fuzzy?" If he was right on this - which of course he was, but not being able to verify, not being able to see that he was right, it was disconcerting - but if he was, Edgar's memories of Scriabin should start with that first fateful encounter, give or take. A bit of reframing here, a touch of implication there... It probably wasn't even an outright lie; if Edgar's memory were perfect after experiencing everything Johnny had put them through, that would be some kind of twisted miracle.

His only real concern was their "childhood" - how much had Scriabin pulled with him? Would that throw off his story? But that was so far back, there was no way Scriabin or Johnny could be implicated in that. As long as Edgar didn't bring it up before he thought his way around it...

Edgar stayed quiet for a long while. His eyes raced behind closed eyelids, searching, scanning, retracing - Scriabin could almost see the moments where he hesitated, stopped and went back, then starting recollecting again. He wished he could see it for real, watch him unfold himself, touch those memories again, hold up his own in contrast. Even just hear Edgar's thoughts as they went by, feel the emotions he felt. But he couldn't, so he just stared as unblinkingly as this new body would allow, just watched as Edgar went over everything on his own.

He finally opened his eyes, staring back into Scriabin's though he was sure they were still hidden. He felt naked and awkward and Edgar still hadn't said anything. If he could just see like he was supposed to, or if Edgar would just tell him, he wouldn't have to ask. I have to do everything around here.

"It was after you met him, wasn't it?"

"You think it's...mental trauma?" An unspoken 'yes.' Relief flooded him, and he pushed ahead.

"Edgar. He stabbed you." Edgar gripped his shoulder, his eyes closing again and he looked to be in pain. That was a very effective reminder at least. "Do you even know why?" He shook his head and spoke throught half-grit teeth.

"I must have made him mad, but I don't remember-" Of course not, I did that.

"Your mind is trying to protect you." Not. But one of us has to with your inexhaustable deathwish. Scriabin reached out to touch him properly, but Edgar pulled away. He didn't follow, still not yet. Play up the pity. "He messed you up so bad," with a curl in his tone, an I told you so that barely made it to words even privately; how long had he been holding that in? "Surely you must've felt like you wanted, you needed to get away from him, that he wasn't good for you, that you-" He'd told him so many times, some it must have stuck, some of it had to have-

"Then-!" Edgar's eyes shot open, wide and desperate with an edge of disbelief. A strangled gasp escaped him, half-choking him as he tried to speak. "Then why can't I remember you?!"

He almost began rolling off the cuff, but really, he still didn't know for sure. And it definitely wasn't like he could tell the truth even if he wanted to; who, who hadn't lived it, would believe him? Edgar certainly wouldn't, not with his lack of imagination. He had to dress this up, weave a narrative that was plausible, had the perfect mix of truth and falsehood to stand up to scrutiny.

Huh. Ironic.

"I..." No. Some of this was Edgar's fault too. "We...argued."

"Argued?"

"I... Mng." He wanted to aim for some kind of levity, but his throat had tightened on him. He just wanted to tell this stupid inside joke and not have it affect him, not have it mean anything, and here he was getting emotional? He'd say it and fucking mean it. "It's not like I'm in your head, so-" spat out in a rush, there, he'd said it. Haha, isn't that so funny. He swallowed harshly, pushing down everything he felt into his stomach acid. He was in control. He was fine. This didn't shake him. "I can't know for sure," another humourless laugh inside, "but I was against your relationship with Johnny. Maybe you shut me out so you could keep seeing him with no pushback."

It certainly wasn't outside the realm of possibilities of what Edgar would do to avoid taking Scriabin's extremely basic advice about fraternizing with serial killers. How many times had he been ignored up to this point, only to culminate in the ultimate 'I don't know what you're talking about.' Pfeh. I bet he wishes he'd thought of this sooner. It did nothing for his painfully stuttered pulse.

"You know, I've been trying to convince you to stop going back to him for a while, but, well..." He waved his hand at Edgar's hand still death gripped into his shoulder, and Edgar averted his eyes guiltily. At least he showed some remorse. Better than his nigh constant apologia.

He stayed quiet a moment longer, and just before Scriabin made to fill the silence again, Edgar struck him with an intense look.

"What are you to me?" Ugh. Of course. There was not a single good answer for that. Even if he told him everything- no, especially if he told him everything, there was no way Edgar would believe him. But coming up with a convincing lie on the spot, when they were so clearly something to each other - even he needed time to come up with something workable. How could he have ever prepared for a situation like this? It was never meant to happen, so many things were never meant to happen!

He continued at Scriabin's silence. "You know Nny," Ugh! Even his awful nickname. "And Todd. And...me." He couldn't refute it, so he nodded tightly. "Do you live here?"

Technically he had, and technically he hadn't. Still, going forward, it would be easier to let Edgar assume that he did. It wasn't like he had anywhere else to go at the moment anyway.

"Yes."

"Are we..." He searched him, looked him over as much as he could and he wasn't subtle about it. If only Scriabin had his proper glasses, he'd let him look as much he wanted, behold his spectacle! As it was, he just felt self-conscious and it was very unbefitting. "...family?"

The baggage on that. He did not feel like opening that particular can of worms in either of their current states. He turned his head and flipped through any number of halfway decent ways to phrase it until he hit on something Edgar would remember. Better not to contradict for now.

"You told Johnny you have no family when you met."

"That's true..." Edgar blinked, processing. "Wait, did I tell you that?" Scriabin startled. Even after he'd accounted for his memory! Of course he had to pick his story apart now, he never knew when to leave well enough alone.

"When you-" No, he had to be involved. "When we bandaged your face."

Edgar mulled on that for a few seconds, taking on a thoughtful pose. "I only remember being alone."

"You don't remember me at all. What do you want from me?" He huffed.

"No, sorry, you're right."

"Thank you." He was right!

Where had Edgar expected him to be? There was something weird about how he'd said it. He filed the thought away for later.

"So, if you've been living here, where..." Edgar looked around the room, then back to Scriabin. "Where have you been sleeping? Todd's already on the couch..."

Scriabin couldn't help as a smile sprung to his face. If he was going to present him with such a perfect opportunity, well, he'd better take it. He even had the decency to look nervous in response! This was too good.

"Would you believe me if I said right here, in bed?" He again tucked his chin, playfully this time, his hair falling further in his eyes. Even through the dark tangles he could make out Edgar's face immediately bristling with heat.

Ooh. That's such a fetching shade on you, my dear.

"But-! I, I haven't been sleeping on the floor!" He was visibly sweating!

"Correct." His smile grew. This was too easy, and he needed an easy win right about now.

"W-" He leaned forward on his legs, though refused to get any closer. When he spoke it was a harsh whisper. "Why...?"

Scriabin shrugged easily, not bothering to reign in his smile in the least. "I mean, where else, right?" He leaned in since Edgar refused to, and oh. He was blushing all the way up to his scalp. Hilarious. "You certainly didn't seem to mind." He couldn't hold back the slightly musical tone or his eyebrows inclination to move on their own. His body knew what he was getting at, and he could see it only increased Edgar's fluster. All the better.

"Well I do now!" Edgar darted up and away, stumbling in his hasty retreat. "If you'll excuse me!" though he was already practically in the hallway by the time he said it. What a display, and Scriabin's laugh was loud and natural.

Finally, something positive. He'd managed to fumble his way through, not his best work in lying or manipulation, but he'd set some important groundwork. He'd gotten some answers, and he could start to shape some more believable stories around them.

The biggest hurdles were Johnny and Devi. As long as Edgar didn't meet with them too soon - or well, at all would be preferable, but he doubted he could just keep him locked up, as much as the idea appealed to him. There were so many things that were possible now, things that he had the ability to do, given the right circumstances... All of that in due time. For now he had a yarn to spin.

He listened as Edgar fumbled in the hall, the sheer sound of cloth being pulled and folded over an arm barely perceptable. Was he really going to try to sleep on what little was left over? Maybe he'd give up once he realized the pickings were thin and beg Scriabin to let him sleep with him. Hah.

While he was out, Scriabin made his way over to the pajamas drawer. They were all old and soft, even just to his hand. They'd do for now, until he could get his own. It wasn't like he hadn't worn all this before anyway.

By the time he'd finished dressing, his clothes discarded on the opposite side of the bed to where Edgar had set up his little nest, Edgar had finally gotten himself a set of pajamas. He wondered for a moment if he'd dress with Scriabin in the room again, though maybe his intense stare drove him off. Who could say. He patted the bed with a wide grin when he returned and was dutifully ignored. He settled down to the side, and Scriabin laid on his arms to look down at him.

"Ugh, lame."

"I don't-"

"Yeah, whatever." He'd heard it all before. At least he could literally look down on him like this. He folded his hands and leaned just a bit further, looking him over. A desire he hadn't realized he had surfaced in the dark and quiet. "Give me your hand."

"Sorry?" Scriabin held out his hand expectantly.

"I used to hear your heart beat every day." Edgar looked at him incredulously, but Scriabin was unperturbed. "Let me hear it again."

He hesitated but eventually slowly offered his arm. "...Okay."

He pulled his arm up and placed his thumb against his wrist. He felt a strange mismatch - where he'd been expecting one heartbeat, there were two. He covered his surprise, near shock at the realization that of course he had his own body now, by pulling harder on Edgar's arm, directing him up to his ear.

"Wh-"

"Shh." Quietly. He had wanted this, wanted this body, this separation, this freedom for so long, and now... He spoke quietly, his voice betraying nothing. "I'm listening."

Edgar's pulse was erratic, but he hardly paid attention to it. His own fingers on Edgar's skin, warm and pliant, and Edgar's fingers twitching in his hair, he could feel it, he was trying not to touch him- This hesitation was killing him, every jerky movement away not from fear of what Scriabin could do to him, just uncertainty, like he was still a stranger- He pressed him harder to his head, and he could feel goosebumps under his fingers. He wanted to just hold him there until all the memories they'd shared poured back through him, into his blood, into his breath.

Where are you?

But he replied in that same uncertain, guarded tone that indicated he didn't know, not really.

"C...can I have my arm back now?"

He pushed him away. "Fine." Edgar curled his hand protectively against his chest, and he noticed he rubbed it slightly, he probably hadn't even realized.

He mumbled out a harried "Good night," and it was almost enough to make Scriabin smile. Almost. He could still affect him but this wasn't enough, it wasn't right.

He laid his head on the pillow, not bothering to pull his arm up over the side of the bed. If he twitched in the night and touched Edgar, well, that could mean anything. Maybe he was dreaming. Maybe he did it on purpose. Plausible deniability was one of his greatest assets.

As it was, he was just tired. Maybe he didn't pull it back because he hated the thought of sleeping alone, pushed out and forgotten, and hated it more that he was even thinking something like that. How pathetic. He didn't need anyone, especially not Edgar.

But he was tired. Not in his right mind.

Does this mean we can start over...?

The thought echoed and died, and he slept.

[blubble-lake]

it's been over 2 weeks and this thing (unfortunately) still has a grip on me

[spider-man-2o99]

Just wanted to say that I have been thinking of you and pre-emptively empathizing with the nonsense you are no doubt being flooded with and the psychic damage it must be causing. Keep stanning the king ignore the weirdos <3

thankg u.,, i feel like ive been trapped in a fuckign . Torture Labyrinth these past coupl days . but. wwe will. We Will Yet Persist onwards w/ our hand on the left wall till we;re either out or at the center i swear 2 fucking GOD,

[sysig]

If your eye causes you to [fear], pluck it out (P1 | P2 | P3 | B) (Patreon)

[tielesiti-eftu]

hey so remember when I posted a while back about stealing a character design from AI slop

this is Celia Whiterose and the art was somehow one of the last things I made in the process of making her. in between making the art, I wrote a fuckload of lore and character info. gonna paste a bunch of it under the cut

✨~haiiiiiii~✨

okay so. the lore I'm working with right now is that Celia used to be the Proper Actual Queen of Hearts in her Wonderland. aesthetics-wise for that Wonderland, I'm picturing a vibe like a mix of the Disney movie and the Tim Burton movie because Lol™. this Wonderland exists alongside a so-called "real" world, otherwise known as Fantasy Earth, and humans aren't able to see an entrance to Wonderland unless someone from Wonderland goes through it. the only Wonderland citizens that are able to go between the worlds freely are the royal family and anyone with one of their pocket watches. Celia, being The Queen, qualifies for that. she ran away into the real world after a mass breakout of a curse-disease-thing called "Unreality Madness," believing it would be the only way to be safe from it and potentially find a solution. she disguised herself (mostly by shrinking herself down to not be ridiculously tall) and left for the real world, where she lived for a long time. she tried to tell people about what happened, hoping for a solution, but people don't tend to believe that a parallel world exists that they can theoretically go to when they can't even see the entrances freely, and Celia was afraid to go back for fear of being (probably rightfully) called out for running away, so she just Didn't. she has depression because of it. her belief is that if she can get close enough with someone in the real world, maybe they'll believe her and she can try to fix the mess she left behind. unfortunately, a continuous streak of bad luck and cosmic joke coincidences routinely keeps that from happening.

some specifics on Unreality Madness: it's something that makes Wonderland citizens effectively disappear, dubbed "becoming not real," after going through extreme mood changes. stage 1 is always severe mania, and stage 2 varies between individual cases, but it's always able to be boiled down to experiencing one emotion at extreme levels, and different subsets have different titles (sadness would be Bawling Madness, depression would be Muted Madness, anger would be Fuming Madness, etc). the only thing that isn't a possible result is more mania. stage 3 is more or less a toned-down version of the person's normal self, but this is the point where they start to believe they may not be real, and this feeling gets worse as the stage progresses. if someone in stage 3 is fully convinced they aren't real anymore, they go into stage 4, which sees them actually becoming not real; this can be postponed by generally being around other people that believe they're real, but the funny thing about believing you aren't real is that you start believing others aren't real either, so if a large group of Wonderland residents came down with stage 4 Unreality Madness, then things tend to get a bit less exist-y pretty fast. once a person with Unreality Madness has been in stage 4 for long enough to also believe nobody else is real around them, and nobody around them believes they're real either, they vanish. technically, stages 3 and 4 can last indefinitely if at least one person without Unreality Madness regularly interacts with them.

personality-wise, Celia is very muted after everything that's happened to her. she's also very particular about time; if you agree to meet her for something, and you don't show up, she's going to find out why. she has a seemingly endless supply of pocket watches, which she uses as mementos to give to people that she considers friends. the watches themselves have some other properties; particularly, if you break one, you can temporarily project yourself back in time as a ghost, so you can see what happened but not affect things. Celia specifically is also able to break these with her bare hand, then jam that hand against a corpse to resurrect the person as something from Wonderland. she also has various props and treats from Wonderland; cookies that make you grow, small drink bottles that shrink you, paints that can alter the natural color of plants or animals, pipes with smoke that forms into letters, and so on. Celia can also create normal versions of any of these items without any effects, with a notable exception being her checkerboard cookies; unlike the frosted lofthouse cookies she can make, the checkerboard cookies are always just normal cookies.

the bracelets she wears are made of metal, and are able to transform into gauntlets similar to brass knuckles. Celia doesn't normally have to use them, hence why they turn into bracelets when they aren't deployed. these bracelet-gauntlets cannot be removed, as they are also her royal scepter, an heirloom passed down to the next-in-line when the acting ruler of Wonderland is unfit to rule anymore. it ordinarily isn't supposed to be altered in any way, but due to the current circumstances in Wonderland, Celia is giving herself some leeway. so long as it doesn't leave her side, it's fine in her book.

around people she feels safe around and truly cares about, Celia may remove her disguise and re-enter her normal form, a completely on-demand transformation that Celia performs when she feels like she has nothing to hide from. Queen of Hearts Celia is four times larger than her disguise and sports a different outfit, as well as her having a generally more cheerful default mood. her fur becomes pure white, her eyes change shape somewhat, the colors of her eyes shift around, the somewhat muted blues of her dress have shifted to vibrant reds and blacks, her dress has grown larger and now goes down to her ankles, her socks have changed to be red-and-black stripes with a black sole and red pawpads, her scepter regains its normal form, and the lofthouse cookies she produces have changed shape to appear like card suits (the checkerboard cookies remain unchanged). she now walks with a much more pronounced bounce on every step, and one can often see the latest winner of this royal rabbit's trust peeking from the front pocket of her dress. Queen of Hearts Celia has more control over the world around her, with enhanced time control by using her scepter that allows her to physically go forward and backwards in time temporarily, along with now being able to shape and transform it to mirror her Wonderland as she desires. this world-altering ability, which she calls "Wonderland Shift," is similar in execution to resurrecting someone as a Wonderland creature, but it now extends to non-sentient objects around her and even living people as opposed to only the recently-passed. Queen of Hearts Celia is also physically unable to harm things or people without intent; any building or infrastructure damaged by mistake is repaired by it automatically going backwards in time, passerby who fail to notice her approach and become trampled rise moments later without even a bruise, and so on. on the flipside, she is much more wrathful if upset, leaping into the air and growing thorny rose vines from the ground to ensnare and choke people that make her angry, sometimes even beheading them if she deems the transgression worthy of death. often, she reverts to her disguised form after the anger fades into apathy, and it tends to take some time for her to be able to return to her Queen of Hearts form.

[saline-coelacanth]

Sonic Prime actually made me cry man ow my heart

[dontwanderoff]

have filled six and a half pages of an a5 notebook for job interview potential questions and ideas for answers so far and my hand hurtsssss and the nerves are reallllllll

[peapod20001]

Anyways before I forget again,

Does anyone else have meanings behind oc color pallets? Both for an individual character and when they’re part of a group??