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thepunkmuppet · 7 months

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the possible future of the hatchetfield series: hatchetfield halloween party livestream full rundown

again apologies if someone has already done something like this, but I’m procrastinating doing my coursework and just want to talk about hatchetfield I want everyone to be aware of this exciting stuff that was announced in the stream so here you go:

the next starkid musical to be released will not be in the hatchetfield universe.

the guy who didn’t like musicals will soon be ready to license.

nightmare time 3 was originally planned to be released in the same year as nightmare time 2 and will wrap up the overarching nightmare time stories (which seem to be miss holloway and the foster sisters respectively).

if they did a fourth hatchetfield musical, it would be about miss holloway and her backstory. it is already written. I am very very extremely normal about this fact 😃

there is a possibility of a hatchetfield movie, and workin’ boys was sort of a test for this concept. it would be a slasher murder mystery centering around the hatchetfield community players (zoey chambers and the cast of workin’ girls, possibly also with ruth, hidgens, alice and any other theatre-oriented characters but that part’s just my speculation). the transcription of the teaser description can be found below the nmt descriptions.

ok so here are the transcriptions of the nmt3 episode descriptions:

Story #1: Bottle Imps

Bill Woodward has been chosen to test CCRP’s latest and greatest product; Bottle Imps. These reality-bending buddies will bring their owner the one thing they desire most. When his new imp, Lovely, leads him to his soulmate, Bill decides to use his magical companion to play matchmaker. But to help Charlotte find the man of her dreams, Bill will have to bend the Imp’s rules. Rules he’s been warned, must never be broken…

Story #2: Frankenruth

Desperate to see a naked body, Ruth Fleming and Richie Lipschitz volunteer at the morgue of St. Damien’s Hospital. Their terrible plan becomes exponentially more terrible, when they become unwitting subjects in the experiments of the body-snatching madman, Doctor Laszlo, who claims to have conquered death itself. If Hatchetfield thought Ruth was bad before, then they will cower before the unspeakable horror of… Frankenruth!

Story #3: Becky Barnes Climbed a Tree

Becky Barnes is on top of the world! Not in a literal sense, of course. She’s deathly afraid of heights. After years of struggle, Becky’s life is finally everything she dreamed it would be. She’s engaged to her high school sweetheart, Tom Houston, and the two have a surprise baby on the way! But, as the couple prepare for the arrival of baby Marie, a shadow from Becky’s past returns to haunt them.

Story #4: Devil’s Night

Tim Houston has a crush. Unfortunately, it’s on his older, mature and totally cool babysitter, Grace Chasity, who he fears will never see him as anything but a snot-nosed little kid. But when a devilish maniac with murderous designs on Grace attacks Hatchetfield the night before Halloween, Tim must protect his beloved, or join the killer’s growing body count. It’s another slashing adventure on the night HE came home… Devil’s Night.

Story #5: (long special episode) Miss Holloween

It’s Halloween in Hatchetfield once again, and Miss Holloway is celebrating the same way she’s done for decades, staving off the horrors that go bump in the night. But when Duke gives her an invitation to his wedding, the dejected Miss Holloway begins to chafe under the terms of a contract forged many years ago. She strikes a new bargain, but unfortunately her creditors are known for their tricks, not treats. Just as Miss Holloway gives up her powers in exchange for a mortal life, a monstrous new threat rears its ugly head. As All Hallows Eve descends, and all Hell breaks loose, Miss Holloway must save the town or die trying… for real this time.

Story #6: (long special episode / season finale) Orb Weaver

Lex Foster had a life once. A home. A boyfriend. Now there is only the road, and her sister, and the fear of the men who are hunting them. As Hannah Foster watched Lex sink deeper into despair, she is certain of only three things: Webby is gone. She cannot help them. They are alone. Elsewhere, an old soldier awakens from a catatonic state. Returned from some unimaginable Hell with a mission. He knows that somewhere, two magical girls require immediate evac… then maybe some coffee.

very important: if you want nightmare time 3, WATCH NIGHTMARE TIME 2. BUY A TICKET TO THE LIVESTREAM. SHOW THAT THERE IS LOVE AND DEMAND AND IT’S WORTH THEIR TIME AND MONEY I AM BEGGING YOU

hatchetfield movie: Cast Party Massacre

The Hatchetfield Community Players. You will never find a cattier troupe of two-faced thespians. But when the blood begins to flow at their latest show’s cast party, they must consider: is there a secret murderer in their midst? And more importantly, who amongst them is a good enough actor to pull off such a performance? Can they set aside their petty squabbles and tangled romances, or is it curtains for this ensemble? Who will survive… the Cast Party Massacre!

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starryluminary · 7 months

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Ridonculous Race but Noah is friends with Owen part 7: It’s the little things.

Sorry this one’s kinda lame… I just watch this episode and get upset that we returned to status quo as if Ridonc and Roll meant nothing. The slightest of dynamic shifts would of been enough, as long as SOMETHING changed. It really is the little things sometimes

Transcript:

Image 1 Kitty: Ugh-! it stinks so bad down here!

Image 2 Owen: Well… There could be any number of reasons for that.

Image 3 Owen: I mean who can really say what- Owen: Wait. Owen: I know those forehead wrinkles… You’re mad at me!

Image 4 Owen: You’re mad at me… And you’re biting your tongue… Noah: ?

Image 5 Owen: AWW, BUDDY!!!

Image 6 Owen, offscreen: YOU CAAARE ABOUT MEEE!! Noah, offscreen: SHUT UP!! LET ME GO!! Kitty: Aww ♡

Image 7 Kitty: Why can’t we be like that? Emma: Keep your head in the game and maybe we can be. Owen, offscreen: And my feeeeeeelings~ Noah, offscreen: STOP IIIT AAAAARRR (the text turns into scribbles, signifying incomprehensible yelling.)

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writerdownacross · 10 days

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I’m firmly in the “Buck should have a love interest that feels like a person” and “If Buck’s happy, I’m happy” camps

But don’t forget this all too important fact: it’s still too easy

Of course that’s apart from the whole identity-shifting-in-your-30s part. But the people that matter to Buck won’t give a damn that about his sexuality (we sadly can’t say the same for Eddie which is a whole other thing I could scream about for days)

But back to Buck’s latest match: it’s THE SAME PATTERN

Unless they come in with a twist of some sort, BuckTommy is following the same structure:

Someone flirts

Someone makes a move

They go on a date and it goes bad (4 out of 5 times to my memory)

They reconcile and keep up the relationship until ReasonsTM break them up

Now I would love to see Buck explore his first queer relationship and be happy (for once). I want that man to have the chance to shove his tongue down Tommy’s throat in peace. I would even love to see this explored well into Season 8 like Buck in a healthy relationship would be revolutionary

But don’t get it twisted. 911 has defined its view of love explicitly and continues to elaborate on those themes through its main couples.

For reference:

“When you’re at your worst and they’re at their worst and you have every reason to give up but you keep trying.” “Isn’t that what we all want in a partner? Someone who has your back?”

Love is HARD in the world of 911 - for everyone.

I’m not saying they couldn’t explore this and build up Buck and Tommy or any other love interest to the required level of soulmateism. But only one Buck pairing currently fits the bill.

Also look at all the other main couples on the show and then look at 911’s criminal record. They would NEVER pass up on the chance to create the most traumatizing scenarios to put their lovers in so they “come out in the other side stronger.”

First date Madney ends with one stabbed and one kidnapped. Let’s not even TALK about what they put Henren through. You don’t even have to look too far - the TSUNAMI EPISODES??? Bathena went through SO much if you really unpack it???

These guys eat angsty couple moments for breakfast - especially early days couples (the serious ones anyway)

Anyway the point of this post is: Buddie endgame

But they’ll have to suffer (a lot) to get there.

#buddie #buddie 911 #evan buckley #eddie diaz #911 abc #911 on abc #911 tv show #ryan guzman #buck buckley #oliver stark #Tommy kinard #bucktommy

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starryalpacasstuff · 5 months

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The subversion of faen fatale in Last Twilight; and why I love it

Can I just talk for a moment how much I appreciate P'Aof dismantling faen fatale tropes, as well as the notion of 'guys and girls can't be close friends' that is so prevalent in Asian society? Because not only did he do a fabulous job with Ink in Bad Buddy, but he's going above and beyond with it in Last Twilight. We have Gee, who could have so easily been someone who was interested in Day, and come in between their relationship (I was praying for her to not turn out to be a faen fatale when she was introduced). But instead, she's a great friend to Day, and she helps him regain another piece of his life by pushing him to join her at the bar. And then we have Porjai. She's Mhok's ex girlfriend, and the narrative has presented chance after chance for her to regain feelings for Mhok, and present problem for Mhok and Day in so many different ways, but none of them were ever taken.

And part of this feels very intentional to me. Showing us two female characters that could have very easily become barriers to the relationship, they didn't. We see it in the preliminary interactions between Day and Gee, where there's some time where Gee's character could have easily gone one of two ways. And you will not believe how immensely relieved I was when the show made it abundantly clear that Gee is a friend to Day, and nothing more. Similarly, Porjai is introduced to us as Mhok's girlfriend, and later as his ex. It would have been so easy for her to 'catch feelings again', like when Mhok comes to her aid with her ex (forgot his name, won't bother reminding myself). I feel like the show is trying to put the point forward that guys and girls can be friends, and that the girl doesn't always have to be a homewrecker.

And let me tell you this, I absolutely adore that P'Aof is doing this. The trope of female homewreckers, (or faen fatale as we like to call them) is extremely prevalent not only in bls, but in asian media in general. I've seen it everywhere, from bollywood movies to add drama, to serials that have been running for half my lifetime, to keep the viewers watching. I've watched it enough times to have a genuine hatred of it. There's a number of issues with the trope that I'm not going to get into right now, but I'm sure you're all familiar with. But the greatest point is, that it often takes away from a good story. It's a tired trope that serves only to add drama and disinterest the viewers from the story. Last Twilight (and Bad Buddy too) has had a very concrete storyline from the start. The purpose and aim of this story have been clear from the beginning, and in the most recent episode, the show has started to dig a little deeper into Day and Mhok's stories, relationship, and shown us how they're growing together. A faen fatale would absolutely ruin the slow, delicate journey these two are on of growing together, which is where I come to August.

Honestly, I was a little afraid when I realized that Day liked August. Because Day and Mhok have been slowly, but surely growing closer, and they're slowly letting down walls built up due to grief, and loss. But August only serves to help us further understand Day. I'm struggling slightly to put this into words, but in the single episode we had with August, I've learned so much more about Day, and how he works. And, his introduction also highlighted Mhok's caregiving instinct once more, his tendency to always put Day first. There are rare instances when introducing a past crush does so much for a story (another being Bad Buddy, P'Aof the wonder that you are), and I'm absolutely eating this up.

The last scene absolutely crushed me in a way that only Ep 5 [4/4] bls by P'Aof can. Once again, the resubversion of the Faen Fatale trope. When I first saw August, my first reaction was expecting faen fatale, 'and now he's going to take away Day's attention and Mhok's going to leave the flower and we'll all be sad". Well, the last part happened but it was so much more heartbreaking the way it was done. Once again, proving how much better a story can be without the trope that with. I won't lie, I'm still scared about how the knowledge that Day likes August will impact Mhok's actions toward Day. But, it's more of a fear for the characters, and less of a fear for the narrative, as in I'm not afraid that it will take away from the story.

Bad Buddy holds a legacy for subverting an innumerable number of tropes, and I'm glad to see that Last Twilight is holding it's own in the department too. The purposeful subversion of faen fatale made my heart incredibly happy (have you noticed how much I hate this trope? You probably have. I'm sick of it. Most Indian kids are)

Side note- I've seen a number of posts ghostshipping Gee and Porjai, and while it may not be very plausible, we did get InkPa, so it's never impossible

#i have a lot more thoughts but a theyr all extremely incoherent #this was my attempt at making sense of some of them #but seriously tho #p'aof is an absolute frickin genius #its insane how well the entire thing is orchestrated #im seriously having extreme trouble describing my thoughts because of how incoherent they are #theyre not even in words my thoughts about this show are in vibes and feelings #if that makes sense #it doesn't. i know #last twilight #last twilight meta #last twilight the series #faen fatale #subverting tropes #aof noppharnach

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chycoin · 2 months

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HUGE SPOILER AHEAD!!!

Watch “TRASH FRIENDS” before reading. If you haven’t watched it and still read this, pls don’t say I didn’t warn you 🫠👍

Just watched “TRASH FRIENDS” and the thumbnail really made me think this was going to be an episode focusing on the way Mario has been treated by Smg4 and his friends (at least that’s how I see it) but I wasn’t expecting an episode about Smg3’s insecurities and fears (mostly insecurities)

I really was caught lacking because I was expecting something and I got the opposite lmao. I should be familiar with this guy’s content already and know that the only thing expected from these episodes is the unexpected xD, but anyways back to talking about the video.

In previous episodes we see that he gets a little bit of customers such as in the episode “You used to be cool” and “CEO OF RIZZ” but in this last mentioned episode he tries to advertise his café after Boopkins’s date works out in the end and so does the same in “SMG4’s NEWS.”

At first you think “Maybe he wants more than what he has” but after watching this episode you realize he’s actually struggling with his business and last weeks episode you change your view from his actions and see him as more desperate rather than greedy after watching this latest ep.

Constantly trying to get more people into his café and taking every single chance he can see to advertise no matter the place or time, like life depends on it.

And talking about chances ._.xD

(This goober losing the video to a basketball, I’m dead😭)

Smg4 comes to this guy’s café for his help to get his “Michael Jordan Endorsement Video” back because boi lost it and he wants Smg3’s help because their “FRIENDS”

Of course Smg3 saw this as a chance to advertise his café because HOLY SHIT MICHAEL JORDAD!!! A famous basketball player that anyone would want to have the chance to meet and that’s a chance that Smg3 is willing to take because it means his business would BLOW UP *someone throws them a chair*

Btw when Mario shows up to offer his help, I expected Smg4 to be more happy that he has his avatar buddy always trying to help him but instead…

Don’t get me wrong, I know they got a little weirded out about the fact that Mario is a regular around the Junkyard due to him eating at that location but still, that dialogue still sort of hurt me man qwp

But anyways back to my review of this episode and giving my acoustic povs that nobody asked for.

They arrive at the junkyard and after being there for 5 seconds, they find the legendary pokemon that goes by the name of “Michael Jordan Endorsement Video” (sorry for my weak ass jokes, I just woke up and my humor is a little broken rn)

After having the video on sight, Mario pulls a Yoshi and beats the crap out of the spaghetti plate where the video so happened to land on, in one go. Obviously, causing the other two to try and force the USB out of him but both failed as Mario did a BLJ through the trash and forcing 3 & 4 to dig through everything to find him.

Now… the part I was dying to talk about and hopefully I can let out my thoughts the proper way.

As the two spend an entire evening just digging through trash, they start a friendly conversation until Smg4 touches the Smg3’s CnB topic which causes Smg3 to get nervous and lie about everything being fine because he has something that every human being has unfortunately, ✨I N S E C U R I T I E S✨.

Which I understand because bruh, 3’s been seen as a bad copy of 4 who’s the total opposite of him for a good piece of his life, if not his ENTIRE existence and now that’s he’s going through a change in his life for the better, he’s going to face a lot of these insecurity episodes because he’s so used to being seen as the bad guy, the bad copy, The Villain. Always people seeing what 4 does and never looking what 3 does which got him into that dark path.

Is like the Sun and the Moon kind of thing. The Sun (Smg4) can shine the brightest while the moon (Smg3) is just a floating rock shining the least. I’ll bring this up again at the end of the review.

But yeah, Smg3 has insecurities and is more shown when they reach the entrance of Mario’s hiding spot.

-Part 2 🫠👍-

#smg4 #smg4 review #smg3 #smg4 smg3 #I wasn’t planning for this to be a 2 part thing

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wen-kexing-apologist · 6 months

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The Greatest Kisses of All Time

So @neuroticbookworm just finished watching Old Fashion Cupcake and @waitmyturtles is never not watching Bad Buddy, and this naturally sparked a conversation around two of the best kisses of all time. The kiss between Togawa and Nozue in Episode 4 of OFC and the kiss between Pat and Pran in Episode 5 of BBS.

For as much as there are similarities in these four characters, namely that Pat and Nozue both exist for years without any understanding of Pran and Togawa’s feelings, and that Pat and Nozue both exist for years without realizing their own queerness. I don’t know how many people who may be reading this were around for the BL-Bracket Best Kiss competition, but myself and quite a few others on here were fighting tooth and nail for the final fighting ring to be Bad Buddy vs. Old Fashion Cupcake because these are just…such emotionally complex, beautifully shot, and masterfully performed feats of acting and filmmaking. But their kisses could not feel more different. So I wanted to take a moment to break these scenes down.

Bad Buddy, Episode 5

There is already so much want and hope and pain in Pran’s eyes when he turns around to face Pat. When Pran says “we aren’t even friends” Pat’s response is this extremely small, ironic smile and an exhaling of breath. When he responds to Pran’s statement, his is listing off all of these barriers to the two of them being together, the tow of them being friends with each other. But the way his voice sounds, the way the music supports makes the words and the emotions so dichotomous. Pat is listing all these reasons that they should not be together, but Ohm delivers these lines like Pat is telling Pran all the reasons they should be. And part of that has to do with the subtle ways in which he undermines the impossibilities of their friendship with the realities of it. “How can we be friends if we live next door to each other but can’t even talk?” but they do talk. They have spent their whole lives talking.

And I think you can kind of tell the way this kiss is going to go at the end (with Pran walking away) with how much sadder Pran progressively gets as Pat continues to talk “[when you were away] I was so damn happy” and Pran looks crestfallen. And again we get a dichotomy here with Pat listing off all these positives of Pran being gone from his life, but the tone that is being set by the irony in Pat’s face and the sadness in Pran’s is building on this idea. Pat is listing all these reasons why being apart from Pran was good for him, but Ohm delivers these lines like Pat is telling him all the reasons why being apart is not an option. The way that realization and hope comes in to Pran’s eyes, in to his face when Pat says “It was so depressingly lonely for me”. Like, that line is fucking tragic, this moment is fucking tragic. Pat admitting how lonely he was is sad, and yet it is the thing that gives Pran hope that finally finally his feelings may be reciprocated.

This is the constant trend. Why should the lines “Do you want to be my friend?” “No.” be so heartwarming and hopeful, so honest and pure, and raw when at face value saying you don’t want to be someone’s friend would not be regarded as a positive thing. The moment of happiness when Pat pulls away from their first soft kiss knowing something is right, the way Pran’s jaw sets in determination when he grabs Pat and pulls him in for more. Their kiss builds and builds and builds in its intensity the longer it goes on, the more time neither of them pulls away, how hungry they both are for it the more it feels right, the more things settle in to place. The look of pure and utterly joyous relief on Pat’s face when they finally part, everything having clicked in to place for him. Finally understanding himself after all of these years, only to have Pran, who has known for so long what he wants, how he feels about Pat, sobbing and walking away because he cannot allow himself to believe this is real.

I think I said this in one of my Our Skyy 2 posts about PatPran that Pat is someone that is unable to ponder. It may take him his entire life up to this point to realize that he has feelings for Pran, but the second that he does, he does not linger on the thought, he does not mull it over, he does not find shame in it. He is upset at Pran because Pran sang their song, because that song is important, because Pran is important, because he wants to be with Pran, and then he immediately goes to tell Pran all of this, to admit his feelings, to kiss him, to want to be together. While Pran has been sitting on this love, this knowledge for years, pining and in pain at all the ways Pat has kept him close while being completely oblivious to both Pran’s feelings for him, and his feelings for Pran. And, I don’t know, maybe it is just that hindsight is 20/20, or that Bad Buddy is so deeply ingrained in me at this point that I may be overestimating my powers of prediction here. But Pran walking away from that kiss was not a surprise. Pat’s reaction to that kiss was not a surprise. You can see every part of where this kiss is going, you can see the pain in Pran’s eyes, you can see the desperation in Pat’s. You know what is going to happen the second they break apart.

But Nozue and Togawa? I am not certain that I can say the same

Old Fashion Cupcake, Episode 4

Honestly throughout most of Old Fashion Cupcake, we do not get anywhere near the level of sexual tension we get between Pat and Pran, though the few moments there are are fucking powerful. Leading up to the Episode 4 kiss, Togawa has convinced Nozue to try to plank, and boy oh boy is it a good excuse to get this hot man on his bed. I do appreciate the fact that there does not appear to be any sexual tension to begin with. Togawa getting on Nozue’s back may look sexually suggestive, but it does not (initially) feel sexually suggestive. And that is in part due to the fact that Nozue is currently distracted, he isn’t tuned in to the sexual tension. And it is a testament to Takeda’s acting prowess that in a split second Nozue is able to go from laughing at being tickled to laying the tension on thick. We move in to the conversation about the positive impact they have had on each other’s lives. A complete opposite of Pat and Pran. This is an admission on Togawa’s part about his feelings for Nozue, even if he does not say that directly.

It is why he starts the conversation with his back to Nozue, it’s why it takes him so long to make eye contact. And Togawa walks away, while Nozue smiles fondly to himself, reflecting on the importance of Togawa to his own life, and I honestly do not think it is until the second that Togawa comes rushing back towards him, saying his name low and with such intensity that it really starts to click for Nozue what is about to happen, what is happening. Over the past few episodes, Nozue has been turning over these thoughts and questions about why he feels so irritable and out of sync when he thinks Togawa has ignored his email. But I do not think it is until Ochi-san calls Togawa and snaps him out of this moment, that the embarrassment kicks in. We enter the continuous shot, Nozue says he has to leave, and he will not make eye contact with Togawa.

And it must be said, that while do not in any way shape or form doubt that Ohm and Nanon could have absolutely demolished a continuous shot for their Ep 5 kiss, I think we rely too heavily on their microexpressions for it to have worked. But here, it is such a brilliant choice, because everything that ends up unfolding is spontaneous, unexpected in some regard. The episode 4 kiss being a continuous shot serves to express and highlight the motion of the scene, the energy of the scene, which is what we need for the eruption that will occur, where we rely more on seeing the difference in the words and the emotions that are coming out of Pat in Ep 5 of BBS. I think that Nozue’s feelings, his realization, his anxiety comes on suddenly, so suddenly that the camera does not have time to cut away. Nozue is panicking, and he is trying to stay emotionally detached in a way that Pat and Pran are not, in a way that Pat and Pran are incapable of. Because Pat has been oblivious and Pran has been repressed, while Togawa has been repressed and Nozue has been oblivious, and Nozue, unlike Pat, is a character that is prone to decision paralysis. His habit of maintaining the status quo because making different choices means something bad might happen, means that he is much more likely to keep things the way they were. To ignore his feelings, or to run from them, unlike Pat who is physically incapable of holding those feelings in his body.

There is desperation between Togawa and Nozue, just as there is desperation between Pat and Pran, but the desperation for Pat and Pran comes from Pat needing Pran to understand his feelings, while the desperation for Togawa stems from trying to stop Nozue from running from his feelings, while Nozue’s desperation is to flee. I love love love that Nozue’s approach here. Where Pat was listing off all these impossibilities for their relationship, that were tragic yet true, and delivered with hope, Nozue is trying to shut down. He is being as polite as he can muster, but he is absolutely not concerned with seeming like he is lying. Again, where Pat is rambling off a list of things that were true but had not been said aloud in years, Nozue is rambling off a list of things that were not true and are only said because Nozue’s brain is disconnected from his body. The first thoughts that pop in to his head are the first things that come out of his mouth, any and every poor and pathetic excuse, and Togawa’s desperate attempts to counter every argument, to try to keep Nozue here. There is a tension underlying the scene that we get through the background music, that is far more discordant than the romantic, hopeful swells we got in Bad Buddy.

Togawa grabs Nozue, and kisses him, and the music cuts out so that it is just silence. Nozue’s mind goes blank, and where we get the intensity of Pat and Pran’s kiss escalating from both sides as their kiss goes on, what we get from Nozue is a physical reaction that his brain has not caught up with. Because at every turn, Nozue kisses Togawa back. But his eyes are wandering, he’s very much uncertain about what is happening. Not in a “do I like this? How does this feel?” kind of way, in my opinion, but in a “how did I get here? What is happening?” kind of way. And then he drops, and Togawa follows, and we get the “I’m seducing you” confession. And for a while Nozue is just frozen there on the ground, but the longer Togawa speaks, the more Nozue’s brain and body finally connect, and the more he seems to relax. He tries to engage Togawa in conversation, they have switched roles as Nozue tries to stop Togawa’s ramble.

And Togawa won’t let him. Pran walks away because he cannot allow himself to hope that Pat is actually serious about liking him, Togawa puts his hand to Nozue’s lips to make sure that he Nozue cannot reject him. Togawa’s internalized homophobia will not allow him to dream of a world where Nozue returns his feelings. So he hurts himself by rejecting Nozue before Nozue can reject him. Togawa asks to be hit, just sits there bowing and waiting to be beaten for being queer, for liking his boss, and you can see the way it hurt Nozue to see that Togawa assumes that Nozue would resort to violence like that. Nozue gets this look of disgust on his face, this look of pain when Togawa tells him he can hit him.

And where I knew where the PatPran kiss was heading, while it was no surprise that Pran walked away at the end of that, I cannot say I know what Nozue would have done if Togawa hadn’t jumped the gun. I don’t think Nozue knows what he would have done if Togawa had let the moment linger. If Togawa had let Nozue speak.

Anyway all of this to say that I love both of these scenes so much, and it is a testament to the acting prowess of all performers involved that so much can be conveyed. That Ohm and Nanon had to film all the rooftop scenes for the entire show in one evening, had to change the nature of Pat and Pran’s relationship as the Qs progressed. That Takeda and Kimura could carry four minutes of an intensely emotional scene where the power and the comfortability must flow between Togawa and Nozue, where Takeda has to stay physically in the scene while ensuring that his character looks and acts like he is in two different places. Pat’s hope, Pran’s despair, Nozue’s understand, and Togawa’s fear are all so visceral, it is no wonder these scenes have made and maintain such an impact.

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jq37 · 2 months

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The Report Card – Fantasy High Junior Year Ep 6

Post Shrimp Jump Conspiracy Board Special

Hey y’all! Welcome back to Seacaster Manor where the shrimp party is still raging and the Bad Kids are balancing being cooler than ever with some serious sleuthing. We get a lot of new information this episode so I wanted to try out a new format for this week. I often talk in a metaphorical way about putting items up on a Conspiracy Board but I want to actually try that now that we’re a little over a quarter of the way in and have multiple overarching things happening. This is going to be a lot less linear than usual but bear with me. Gotta shake things up a little so I don’t get burnt out! There’s still fourteen more episodes to go!

The Rat Grinders

The Bad Kids’ de facto rival party got a lot of screen time in this episode, which makes sense: Adaine declared the party their nemeses over Goldenhoard or anyone else they’ve fought, which is saying a lot. Before this point, we knew the following facts about them:

1) They got their name because the only enemies they’re recorded as killing are low level ones (including rats) that they grind in the woods behind the school, showing a willingness to follow the letter but not spirit of the rules but also an impressive amount of dedication.

2) Their leader seems to be rogue, Kipperlily Copperkettle who is type A as hell and has a LOT of free time to kill having found the rogue professor (or at least having the rogue professor find her). She’s running for class president on a platform based around “fairness” which is a theme that’s come up more than once this season.

3) Also on the team are emo Bard Reuben (who seems to be related to the new Artificing teacher and who shares an agent with Fig) and nonplussed Barbarian Mary Ann (who is buffing herself magically somehow).

4) Kipperlily specifically asked about where Kristen was able to create a new god. Now how, where. An odd question.

This episode, we learned a lot more, so let's throw them on the board and make some connections!

5) The Rat Grinders have a new cleric named Buddy Dawn (something Kristen’s brother mentioned two episodes ago). He’s from Highcourt and moved with his grandparents. He’s got super Mormon+Southern “Bless Your Heart” energy and Kristen doesn’t like how familiar it feels. His vibes are clocked as well meaning but kinda judgey.

6) Buddy Dawn was *specifically requested* by the party. Of course, requesting a cleric isn’t weird–why wouldn’t you want one? And Helioism seems a pretty common religion in the region so odds are good that if you get a cleric is would be a Helioic one. But, paired with KP’s question about Kristen, it makes you wonder if the plan is to recruit a Kristen expy and try to get lightning to strike twice.

7) At the beer pong table, we meet the RG’s archer who is an elf named Ivy Embra. She’s got some flirty, catty energy (which we see when she interacts with Fabian and Mazey respectively).

8) We also meet the party wizard, Oisin Hakinvar, who is a Conjuration specialist with a focus in summoning. He’s a blue dragonborn which means that he has a great great great (etc) blue dragon ancestor he can ping when he needs barrels of diamonds, no problem. He has so many in fact that when Adaine lies badly that she’s also swimming in diamonds, he kindly offers to let her borrow some of his “extras”. But she turns them down, calls him great, and then panics and runs away to commiserate with Fabian who is also panicking about a flirty moment with Ivy. Oisin, for his part, seems driven to distraction and can’t make a single other shot all night. Cute! But–

9) As much as I want to wholeheartedly love Oisin (and honestly do and will until I am given direct evidence to change my mind) I have to point out that KVX, known evil bank, did change its logo from red (Goldenhoard’s color) to blue (Oisin’s Ancestor’s color) and there is a shot in the trailer of the party fighting a blue dragon. Connected? Maybe.

10) From investigating some yearbooks, the party also learns that the Rat Grinders have existed since Freshman Year but, at the time, they were called the High Five Heroes. They all look a lot more smiley and a lot less intense–Rebuen’s not even emo. It was the lineup from above, minus Buddy and plus a frost Genasi cleric named Lucy Frostblade. They learn that she supposedly died in their Sophomore year but specifically during a period near the end of the year where grades are locked and it wouldn’t affect their party comp which is…convenient.

11) Fig tries to investigate this by disguising herself as Lucy and seeing how Ivy and Oisin react. Only Ivy sees her but she doesn’t seem shocked at all to see her allegedly dead party member She just raises an eyebrow and ditches the game to talk to her. Fig bails (and rolls only a 12 to stealth away) so we don’t get any extra info but just the fact that Ivy reacted that way is pretty juicy info as is.

12) The other Rat Grinders don’t seem to be at the party but the members are skeptical about that. On the other hand, when Ivy leaves, it’s because Oisin pulls her aside and says, “Kipperlilly’s calling”. So it’s possible there was a Team A and a Team B for whatever the Rat Grinders were doing that night?

13) And speaking of what they're doing, we do have a theory. When Fabian checks some damage in the basement where Max and some other kids were smoking "gorgenfern" he sees that something called a cloud rider engine was smashed up pretty bad and in a suspicious way–gorgenfern doesn’t make you rowdy. Fabian checks the security tapes he obviously has and sees that some ice mephits came in and riled people up to the point of crashing into the engine. Adaine conjured some earlier in the party and as far as her arcana check can tell, they’re here, but there’s suspicion that Oisin–a conjuration wizard–could have done it. It’s certainly within his skillset. A cloud rider engine allows a vehicle to fly on clouds and it’s not clear if it was simply smashed or if something was stolen from it.

14) Max isn’t a Rat Grinder but he did ask them all if they wanted to smoke with him and Ivy offered Fabian snuff so Riz is suspicious that the RG’s are trying to get them kicked out of school for drug use now that they have a non-Aguefort principal who presumably cares about silly rules like that at the murder school.

That’s basically what we know about the Rat Grinders! So, to sum it up, I’d say the conspiracy board bullet points are:

Supposedly dead cleric Lucy Frostblade: What actually happened to her and why isn’t Ivy surprised to see “her”?

New cleric Buddy Dawn: Why was he specifically requested?

The High Five Heroes: What caused them to turn into the Rat Grinders? And, as they seem like they were more gung ho their first year, why did they never pivot to fighting things other than low level monsters?

Do they actually have beef with the Bad Kids specifically or are their vibes just terrible? Were they trying to sabotage them by offering drugs? Did they break the engine on purpose and, if so, why?

Oisin: Is he chill or is he working an angle? That question technically goes to Ivy as well but I’m almost certain she’s fully working an angle, lol. I’m getting straight up Aelwyn vibes from her.

Class President: What is KP’s angle re: running for class president? This seems like something she’d want to do either way with her personality but her policy of fairness dovetails too neatly with Grix’s appearance and Cassandra’s inability to say the phrase, “It’s not fair,” last episode.

How did KP find the rogue professor and is that relevant?

And finally, why did KP want to know about where Kristen created her Freshman year god? Well, that question may be partially answered in our next section.

God Stuff

There is a lot going on this season with celestial shenanigans between Cassandra and Galicaea and even Yes! So let’s mark out what we know.

1) Cassandra was possessed by some kind of rage entity via crystal shards that were expelled from her body. Her status is kind of up in the air right now as the party was shunted away to safety by Connor Counterspell (RIP) and all Kristen has left of Cass are some glowing, purple shards.

2) Earlier in the fight, while lucid, Cassandra said, “I thought you were dead” about some unseen entity. Later, Kristen heard from a creepy voice that said, “She is at my side once more”. It then threatened her and slid out the rotting corpse of Yes! as a sick joke. Likely that these are the same person or at least connected.

3) Gorgug identified that the rage stars are similar to what’s going on with Ragh’s mom, Lydia so it was put on the docket to get in touch with her about that–especially because Kalina specifically told them to track down Ragh with her last lucid words.

4) Tracker’s Galicaea rebrand is going really well. Her social media is really popping and the endless night probably didn’t hurt.

5) Kristen on the other hand, hasn’t been doing so hot. Due to a bunch of negligence based in lack of time management and personal uncertainty, she hasn’t been evangelizing much which means only she and Craig stand between Cass and her permanent destruction.

6) Kristen can’t contact Cass telepathically and says she can’t use her magic which is Not Great if you're as danger prone as the Bad Kids.

Alright, that’s all the old business so let’s move to the new business.

7) When Kristen talked to her parents, we learned that Helio doesn’t have a chosen one since she left but we learn that it’s more serious than that. Helio also can’t choose a new chosen one. He only gets one. With Kristen gone, the whole religion is without a chosen one.

8) At a certain point, Tracker finally gets a hold of Kristen and says some harsh but true things about Kristen but, more relevant to the conspiracy board, she talks about her girlfriend Nara and Adaine, as a fellow high elf, clocks her as coming from a family of moon goddess clerics in Falinel. That raises the question: is this run of the mill teenage rebellion a la the theme song, or is she some kind of plant? We’ll hopefully get some more info from Aelwyn since Adaine texted her about it.

9) The real juicy stuff happens when we talk to Ragh’s mom. The fiend in Lydia's gem is called Bakur. Her having him in there doesn't make her rage--she's raging to keep him trapped but that's it. Her personality is the same.

10) Bakur was a pit fiend and the right hand guy of a dead god whose name we don't know (hmm, another dead and nameless god). Bakur can't even say the god's name. It's like, weird god rules and Lydia explains in a weird vague way: gods not being able to use loopholes and saying names being powerful and rules changing for non-mortals when gods die.

11) The one very concrete info we get is that a god can only come back in a place where they were born or created. The reason Bakur’s plan failed is that he tried to bring back the nameless god in the Red Waste and not where they were created.

12) Rana (Lydia’s party cleric) is away and Cormyr (the party sorcerer) is dead but Lydia offers to put the party in touch with Rana and Cormyr’s family because they have more stuff related to this and they were the ones who knew more about this than her.

Following? Good. So let’s distill this down to bullets again:

Holy Helio. The corn god doesn’t have a chosen one anymore because Kristen up and left. What does that mean in a concrete sense? What can a chosen one do that a normal cleric can’t? Is Helio gonna ask Kristen to do anything this season now that we know that this is a special position that only one person can fill? Is it until she dies (or at least dies for real)? Would a fanatical Helioic person try and kill Kristen to open up that slot?

KP specifically asking WHERE Cassandra was created seems clearly tied to the info Lydia gave about only being able to resurrect a god where it was created. But what does that mean exactly? Is she trying to resurrect the same god as Bakur? Did she just assume that wherever Kristen made her god is probably where most gods are made and, thus, her best bet? What’s her angle? Is this an evil plan for just a “this will get me a good grade” plan?

Where in the world is Cassandra right now? She is MIA right now which means Kristen’s powers are too. Though I wonder if she can draw on those shards to cast spells.

We obviously can’t be sure but it seems like the voice Kristen heard and the person that Cass thought was dead is likely that unnamed god. What’s his deal? I’m sure we’ll have more info for this bullet soon.

Is Tracker’s new girlfriend Nara, much like Ecaf, a turncoat?

With Helio, Cass, and Galicaea all being in the mix, is there any kind of family angle being played. It doesn’t come up a ton but they are very much related.

MISC

This is a section for a few points that don’t yet fit under the main two headings of the season but still need to go up on the board.

Why would Aguefort program a robot that acts like Grix? Is he supposed to be like or is he hacked? If he is hacked, who would be able to do that? The new artificing teacher? The old one?

We learn that Aguefort has made a lot of contradicting proclamations and all of them are canon, so you’re able to pick and choose what you want to cite (I feel like I’m in law school again). Lots of room for loopholes which could be useful later.

Adaine, while very drunk, had an oracle vision of Kristen at a birthday party, giving a victory speech to a bunch of teens on election night as a crescent moon hangs in the sky. The Crescent moon potentially gives them a time frame if they look into it (and it specifically being mentioned makes me think of Galicaea even though not every moon thing has to be connected to her). And we know Gorgug’s birthday is near the Frosty Folk festival so maybe that’s why the hats.

Speaking of, we know there’s a connection between Riz’s mom defending someone for money crimes re: that Festival and Gorgug’s parents hosting it so that’s something to remember.

This isn’t something for the pin board per se but this season introduces a stress token system for downtime! I’m sure I’ll talk about it more when we use it for the first time next ep but, for now, gotta say he’s really ramping up the pressure on our kids! And, to that point, let’s do a quick check in with everyone and see what they’re up against!

Character Board

Adaine

-Adaine is still facing major money troubles. After last episode, not only is her job terminated, but she actually owes 2.5 gold for her uniform.

-It looks like she might be developing a bit of a crush on the cute dragonborn (yay) but he’s a Rat Grinder (nooooo). I will say though, cross party romance could be a lot of fun and also my favorite NPC in this show is Aelwyn whose top 2 traits are famously Criminal and Loves Adaine so I am honestly fine with this either way lol.

-Speaking of Aelwyn, I’ll put the sister stuff together: When Adaine calls her to ask for dirt on Nara she says, “Working, will call in five.” And when Adaine questions the fact that it's 5am on a Saturday, Adaine just gets a winky face emoji back. Suspicious!

Fabian

-Fabian has to juggle the new 150% course load (bard/fighter) as well as his new party house reputation.

-He has a lack of adult supervision which also means a lack of adult care and it seems to be affecting him more than he’s willing to let on.

-But honestly his biggest obstacle is probably himself right now, lol. He made himself a new nemesis in Gertie Bladshield and I am not confident he can handle this honey trap mission with Ivy without the tables being turned on him.

Riz

-Riz is also facing money troubles, but for him that’s kind of business as usual unfortunately.

-He has a TON of extracurriculars to keep track of but he so far seems to be handling it pretty well and is picking up some interesting allies (that double as votes for Kristen’s campaign–campaign manager is also an extracurricular he’s taken up): the aforementioned Gertie Bladeshield (Apiary Club), Sprak LeFevre (Aviation Club), and Molman Holden (Soil Club). Always good to have new allies and Aviation Club seems like it could be really useful later! I can see him making some luck checks to successfully say, “I know a guy” in a tight spot based on how many clubs he’s joined.

-He also has the Reliable Talent ability now which means he’s incapable of rolling lower than a 21 on things he’s proficient in which includes Investigation. We’re about to be getting some INSANE lore dumps.

Gorgug

-Gorgug has his insane 400% courseload happening and I didn’t notice this until it was pointed out to me but Zac actually leveled Gorgug DOWN in Barbarian to take an extra level of Artificer! That’s commitment. But I can’t imagine Porter, who already has a problem with him, is gonna like that.

Fig

-Fig would hate it if I didn’t start this list by saying that she hella misses Ayda and that’s her biggest problem.

-But she also has her album to worry about and we actually get the bombshell during a conversation with Mazey that she’s not even sure that she still wants to be a bard.

-On top of that, she’s taking Barb and Warlock classes along with the Bard classes she’s finally going to.

-She has her gnarly Gilear curse happening that’s seemingly connected to whoever the boss who owns the pride armor is.

-She has beef with Rebuen and is living her double life as Wanda Childa to try and learn whatever she can about him/the Rat Grinders.

-Both she and Wanda are wanted by the Solace FBI.

-On a positive note, she really endeared herself to Mazey by sweetly sticking up for her when Ivy was being catty. If Fig wasn’t so devoted to Ayda I could have read their interaction at the end of the ep as flirty. Regardless, nice moment and great ally.

Kristen

-Welp, her god is, if not dead, MIA which is arguably the biggest deal of anything on any of these lists, especially since it’s tied to her magic AND her grade.

-Next of course is the potato to her meat on her plate: her campaign. But that’s actually going really well, especially after this party. Her biggest issue is whether or not she can get Fetty Wap to homecoming and, lbr, in a pinch Fig can just disguise herself as him. When has that ever not worked?

-She also has this unnamed god (or whoever it is) taunting her and threatening her specifically which isn’t ideal.

-But I honestly think she was more fucked up by the conversation which Tracker where her ex basically outlined everything she needs to get together in her life and then posted a pre-written pic with her new girlfriend. That’s gotta sting.

And that’s it! I wanted to focus on the specific nuggets of info we got this episode and start to connect them with what we knew so far. Different format, I know, but I’m feeling experimental this season and I might switch it up a few more times as Junior Year goes on. I love covering Fantasy High but, like I said at the top, I have to keep it fresh so I don’t burn out. See you next time when Brennan makes the stress we’re all feeling an actual game mechanic! Fun!

#Dimension 20 #dimension 20 spoilers #d20 #d20 spoilers #fantasy high #fantasy high spoilers #fhjy #fhjy spoilers #spoilers #the report card #when I started doing these no one was doing proper recaps #now other outlets are and I'm thinking pivoting to commentary rather than straight recaps might be more fun #but I'll see how I feel

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justafriend-ql · 11 months

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times never let me go said: happy pride! 🏳️‍🌈 (part 2)

(recommended but not required pre-reading: part 1)

emo gay teen seeks refuge from the Horrors in the music club room that his father paid for

2. what's the point of learning mandarin if you can't touch the skin of other men while doing it (the rituals are very intricate)

3. nuengdiao's bombastic side eye

4. me sitting in my room having my gay little thoughts

5. "who are you thinking of when you pull the trigger" "i'm thinking i'm protecting someone. someone important to my life. someone that i love. someone that i really care about. someone who i can't live without." it's literally episode 3 gay people are so insane

6. chopper appreciating palm's arms (palmchopper nation i see you)

7. and what do you mean by that, sir?

8. "what do you want? i can give you everything." idk i think i might know what he wants:

9. gay rights but at what cost

10. the funniest screencap in the entire series. argue with the wall.

11. chanon: you can't date anyone because you need to focus on taking care of khun nueng. palm: there's this thing called a "loophole" and i am going through it :)

12. the look of utter horror on palm and nueng's faces when mam asks if nueng is another son of chanon's

13. palm i think there is something you should know about yourself

14. mam seeing palm touching nueng's lips and going "there is absolutely no heterosexual explanation for this"

15. i have been informed that they were not, in fact, dating at the time this picture was taken

16. mam #1 palmnueng shipper

17. what if we were soulmates? jk... unless?

18. well well well... look who watched bad buddy

19. imagine getting owned by a twink in a florida tourist shirt this is so embarrassing for him

20. pondphuwin you will always be famous

21. nueng doing academic research to rationalize his scent kink

22. the thugs hiding in the bushes watching palm and nueng finish having their cute "give me a goodbye kiss before work" moment before coming out to attack palm

23. they're literally so in love i want to throw up

24. uncle kit's homophobic ass getting shot by his own (gay) son and sent to prison it's what he deserves

25. sluttiest soulmate-coded first greeting possible (period drama edition!)

26. it's not even subtext at this point (it never was)

27. none of that "wife" shit here thanks :)

28. palmnueng 🤝 the homosexual agenda

29. the two men in question

30. palmnueng read their love vows and kissed under their soulmate tree and you expect me to believe that wasn't a wedding??

✨ HAPPY PRIDE ✨

#never let me go #never let me go the series #nlmg #palmnueng #nuengpalm #follow me for more inspirational content <3 #honestly could make a part 3 there's so much material to work with

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waitmyturtles · 5 months

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Last Twilight, episode 4: reflections

Ooooooohhhhh, yeah -- of course! What else would we expect from an Aof Noppharnach show at episode 4? It's getting good, it's getting GOOD, babies!

You know, I have been locked into huge Bad Buddy brainrot for a little under two months now -- my last Bad Buddy meta for my Old GMMTV Challenge project drops next week. Whenever I'm watching an Aof Noppharnach show, I'm always looking for parallels to his past shows. This episode of Last Twilight had parallels and references in spades, both visually and thematically, that just got my heart going.

As @grapejuicegay caught: Mhok singing to Day from stage harkened to He's Coming to Me. Gee waving Mhok into the photo with the badminton club, Mhok looking bemused to be pushed a little closer next to Day, and Mhok's arm going around Day's back -- yet another sneak picture snuggle at a reunion, à la episode 12 of Bad Buddy. Mhok sleeping on the floor, next to a bed, under a comforter -- where have we seen that before. (And it looks like we're going to get even more references next week.)

But besides the little lines and the visual cues to the themes and motifs that we know Aof loves in his shows, there's a bigger one that I want to meditate on for this episode.

In my last Bad Buddy meta next week, I'm going to meditate on the reasons why I think Pran felt comfortable and solid in his going to Singapore for two years, separating himself from Pat. Many of us BBS girlies picked up on this, but I'm going to meditate on the strength that Pran gained by having such a committed partner and family in Pat. "I can't live without you," as they say to each other in Our Skyy 2. And with that rock-solid foundation of love supporting Pran, Pran can spread his wings, explore himself, and find new dimensions of himself in a larger space of the world than he likely would have ever previously thought to occupy, if he had only his mother in his life as his foundation.

I see that Aof likes to explore this motif. And we see it in Day, in this episode. For the past year, Day has been locked up in his room. On his own volition? Likely, as Day has certainly been rocked with depression. But his family, his mother and his brother, also indeed enabled Day's behavior, and possibly/likely encouraged it, and adapted to it, and had Day adapt to their adaptations. The family also needed to process Day's tragedy, and holding it within the confines of that home was a part of how they did that.

I wrote last week that as ever, Aof loves to explore ideas of building community in his shows. Pran built his community, his family, with Pat. The same is now happening for Day, as he's able to explore the bigger world with Mhok and Mhok's support. Not just by going to the Chatuchak Market, but -- in this episode, Day will not hide from his friends anymore. He's able to talk to Gee, now, face to face, and to not be afraid of her potential judgment. He sees his friends trying to acclimate, sees Porjai literally asking how to engage. As he has Mhok at his side, Day can spread his wings, and like Pran, discover that there's a world again, out there, that can welcome him in his new state. Day rediscovers his old friends in a new light, and once again regains a community that he thought was previously lost to him.

Besides this big theme stuff, a small moment that really got me: the last scene of Day coming to Mhok in the middle of the night to try to see Mhok's face. Of course, Day would try to do that as they're sleeping, so as to not have Mhok catch him in the act. But -- without light, how was Day going to see Mhok's face, otherwise?

I love that it was the light of that fishtank that illuminated Mhok's face, giving Day a better chance to see Mhok.

That light improved Day's luck. With Mhok helping to fix the grungy fishtank earlier in the series -- he's brought light back to Day's life.

EEEEEEE -- we have an Aof episode 5 next week, EEEEEEE!

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i-got-the-feels · 8 months

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Facts about bad buddy episode 5 part 4/4

You never watch this part just one time.

The it was "depressingly lonely" for me will always get you

#bad buddy #pat pran #Not that anyone cares I am making a bad buddy and crying because fuck #Bad buddy kinnporsche and 2521 are three shows i wanna re experience watching it

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fallingdown98 · 8 days

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Shout out to Fantasy High Junior Year to get me to post original thoughts on here for the first time on years - Thought after Episode 15, The Last Stand, spoilers ahead

Based on what happened with Buddy, Brennan's callout of "what was loaded into that crossbow?", and Brennan saying in AP that killing Buddy was always on the table this is what I think Kipperlilly Clerickiller's plan was (Also ty Fandom I will be using this forever now)

1. Snuck in with Buddy when the Last Stand was being set up. (Saw some people questioning how she managed to get in, I truly think it's as simple as this)

2. Steal both Buddy and Kristen's diamonds to ensure no reviving can occur

3. I think the plan was to shoot the proctor with rage crystals, causing him to hulk out and depending on timing, no one to stop more monsters from arriving.

4. Based on where she was standing, I think the goal was to blame the crossbow bolt on Buddy and then leave still undetected with Oisin's prepped plane shift

4a. I still think Buddy dying was always part of the plan but I think the goal was to get the Bad Kids to have to ruin their own situation (Having to kill the hulked out proctor, seeing Buddy as an enemy and targeting him, being stuck because if Kristen had used her 7th level slot then they would at minimum be stuck for 8 hours assuming they all managed to survive if the monsters were still coming)

5. Theory here and we'll see if it proves correct but my immediate thought when Buddy died was that KLCK is planeshifting to the Celestial plane and hoping to use Buddy to sneak into Sol's office like when Aguefort snuck in through Kristin's backpack

6. Once in Sol's office, she would be where YES! Was originally created and the reason Bakur supposedly failed his ritual is that he needed to be in a place where a god had been created in order to rez a God.

7. Chaos ensues when corrupted Ankarna is brought back

8. Profit??? I guess??? Tbh the exact reasoning of the Ratgrinders is still the most elusive thing to me. I think my current most likely thought is that Jace is serving as manipulator and that KLCK is the most "lost in the sauce" as it were what with her pre-established anger issues.

Since we only saw a hand I'm reserving judgement on Oisin as he may have only been aware of his part of the plan and not the rest of what Miss ClericKiller has been up to. Not attached so I'm also down for him to be full evil but I'm just not sure yet.

Another thought I had is that the Ratgrinders may yet mirror the Bad Kids not just in class, but also in personal problems.

Ruben and Fig both having identity crises but Ruben has isolated himself so much he's turned to being a lackey

MaryAnn just doing what she's doing because she's good at it, not because it's something she's passionate about

If Oisin's dragon relative is evil and he's going along with the plot because of that, that would mirror Adaine breaking away from her own evil parents

Don't know enough about Ivy to have thoughts on her really, buddy and Lucy could probably be their own post tbh, and as I can't get a lock on Kipperlilly.

Jawbone seemed convinced she was just misunderstood and jawbone usually has a pretty good read on people. But then she's smiling while murdering Buddy and teleporting away. Why does she hate Riz specifically? Is it something he did or is it more generic jealousy (or a crush but I don't care for that theory personally and doesn't feel super supported currently)?

What's the deal with the rage soil and how did they place a rune of Ankarna's name on Yolanda/Lucy if it was unknown at that point?

Anyway, feel free to reblog or tag with thoughts, I'm so excited to unravel more of this mystery.

#fhyj #fhjy spoilers #rat grinders #bad kids #d20 #riz gukgak #kipperlilly copperkettle #oisin hakinvar #ruben hopclap #mary ann skuttle #buddy dawn #fhjy theory #adaine abernant #kristin applebees #Ankarna #the last stand

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telomeke-bbs · 8 months

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BAD BUDDY'S BASEBALL MOM – ROOFTOP RUGBY WITH LUCY IN THE SKY… OR ON A BASEBALL DIAMOND?

One of the most mystifying aspects of Bad Buddy was the decision to have Pat wear the now-iconic Baseball Mom tee for the Epic Rooftop Kiss at the end of Episode 5.

It's so utterly incongruous with the drama onscreen. The scene was a pivotal moment for the narrative, with Pat's big coming out to Pran followed by the very steamy demonstration of mutual emotions, after episodes of unending turbulence around where they stood with each other. And The Kiss they delivered was so stupendous, it rocked the Internet to its very foundations.

And for that hugely important moment, Director Aof decided Pat should wear – a big woman's t-shirt more associated with loud, overzealous American moms cheering on their kids at Little League baseball? 👀

At first I thought production simply wanted something open and sporty for Pat, to contrast with Pran being all covered up (mirroring their states of mind – Pat actively seeking to confess his feelings on the rooftop, Pran all closed-off and repressed). That line of thinking was definitely behind a lot of Pat and Pran's outfits, and I assumed they just used a random tee and cut off its sleeves for this.

But in retrospect this seems altogether too blasé an approach, especially since we can see how purposeful the wardrobe decisions were throughout the rest of the series. (The Soon Vijarn Recap video for BBS Ep.5 also makes it very clear Director Aof was closely involved in wardrobe selection, choosing all the outfits for their appropriateness to the narrative – see this link here, at timestamp 23.24.)

(above) The Soon Vijarn Recap video for BBS Ep.5 timestamp 23.49

The examples of the wardrobe reflecting the characters' inner states are copious. Pran's emotional journey in the first half of BBS – learning to open up, getting his feelings returned, and falling into a relationship – was mirrored by his sartorial journey, and he went from all colorless and buttoned-up to a wardrobe filled with more relaxed, expressive and colorful outfits when out in public:

(above) Pran all buttoned-up in his early whites (Ep.2 [1I4] 1.56, Ep.3 [1I4] 12.40 and Ep.5 [1I4] 6.03)

(above) A selection of Pran's more relaxed and colorful sweaters that he wore outside later in the series (Ep.7 [3I4] 2.52, Ep.10 [3I4] 0.26, Ep.12 [3I4] 6.36 and Ep.12 [4/4] 10.14)

Loud extrovert Pat on the other hand was decked out almost from the beginning in bright prints and wacky t-shirts (with some rivaling Baseball Mom in wackiness), all the better to broadcast his outgoing character and personality:

(above) A selection of Pat's bright and wacky tops (Ep.2 [2/4] 5.03, Ep.6 [3I4] 4.37, Ep.8 [2/4] 8.30 and Ep.10 [1I4] 4.52)

The mystery deepened further when the fandom tracked down the maker of Baseball Mom – it looks like a small, possibly home-based business in the US, and the t-shirt is part of a line, one of several related tops (see this link here). It simply wasn't a random tee from some small Bangkok shop (unless the vendor had gotten it secondhand off some American tourist, and was re-selling it locally). This looks like a t-shirt that was specifically procured for the show (possibly even sourced from overseas), rendered sleeveless with low-cut armholes to echo the openness of Pat's personality, and then put on Ohm with absolute intent.

But why?

I'm convinced that there is an element of subversion about this (not the least because the t-shirt undercuts the heavy drama of the scene so drastically). @ranchthoughts has already pointed out in this write-up linked here that the feminine Mom is an allusion to the subversion of gender roles embodied by Pat's character, and I very much agree. It's also possible that this particular tee was chosen because the baseball standing in for (and thus somewhat obscuring) the letter 'O' in the word Mom kind of makes the word call out to M🤍M or MLM. (And here's an afterthought that occured to me watching Only Friends and the promo trailer for My Golden Blood – the baseball bat is also visual shorthand for the emotional violence that Pat and Pran wreak upon their relationship when each figuratively beats up on the other – and on himself too – while acting out their strange, rambunctious relationship as enemies who are secret friends and later lovers.)

But I also do think that there's still more to Baseball Mom than the above, and this particular train of thought was triggered by an Ask from @pandasmagorica about Ep.5's rooftop scene (linked here).

I now think we can piece together a reason for Baseball Mom on the rooftop, but it's only fair to signal that this wackiest of wardrobe choices is getting possibly the wackiest of explanations (and it's a doozy).

Now what @pandasmagorica's Ask triggered for me was the realization that Pat's directness on the rooftop was actually almost the complete opposite of something that he'd been doing very often, right up until Episode 5 – and that was his propensity to torment Pran with the bait-and-switch.

Time and again, Pat would reach out with the offer of something precious to Pran – a smile, a kind word, a tender moment, a suggestion of intimacy – but then quite suddenly he would subvert the situation and switch out the proffered affection with something wholly discomfiting, crushing hopeful Pran's expectations.

There are several examples:

During their childhood, Pat returned Pran's watch after Pran saved Pa from drowning (Ep.1 [4/4] 9.46), signaling the start of his friendship with the lonely little boy next door – only to impose the caveat "But…don’t talk to me in front of people. They might think we're buddies."

That (almost shirtless) bedside conversation at the end of Ep.4 (beginning at Ep.4 [4/4] 10.43), when Pat kept bombarding poor Pran with personal, leading questions, half-begged to be allowed to share his bed and cuddle, before shattering his neighbor's heart by declaring that it was Ink whom he liked romantically.

Tending to Pran’s injured shoulder at Ep.4 [3I4] 7.07, before suggesting he only wanted Pran to recover so that they could compete in rugby again;

Returning Pran’s long-lost guitar to him, then ruining the tenderness of the moment with “I just like to see your face… when you lose” (Ep.3 [4/4] 10.30).

And with Pran deep in his feelings for Pat, the constant intimations of closeness and deeper feelings, shell-gamed away at the last minute, must have been soul-crushing for our poor yearning boy. (This is also what the lyrics of Pran's theme – Just Friend? – are all about, e.g., "I can’t make sense of what you’ve done"/"Are we just friends or are we more?"/"If you don’t mean it, don’t act that way".)

No wonder Pran was trying so hard to keep a distance from the cheerful boy next door, who was always invading his personal space (after having taken over his heart). So much so that Pran on the rooftop was expecting more of the same, which explains his blunt statement "Pat, you've got to stop doing this to me. We are not a thing" in response to Pat telling him that it hurt to see the song they co-wrote in high school played with someone else.

Pran saw this as more of Pat's teasing games, but irony of ironies Pat was being totally serious this time. And yet, even on the rooftop in Ep.5, Pat did a version of the bait-and-switch one more time, but with the polarity reversed for once – he listed all the ways Pran's exile should have brought him joy, only to end with "It was so depressingly lonely for me." 😢

I think Pat learnt early on that this is what you do to your loved ones – because there's actually an example of Ming doing something similar to his son at Ep.8 [2/4] 16.12. Helping to wash Pat's car, he quietly allowed his son to natter on about his day with fibs about rugby practice, before landing a sledgehammer blow saying "When did I teach you to lie?" at Ep.8 [2/4] 16.41. This was an ambush, intended to take Pat by surprise and inflict the maximum amount of damage – and judging by Pat's despondent moping after, Ming certainly succeeded.

But it's not only Pat doing this to Pran, or Ming doing this to Pat, that we see in BBS. Director Aof and his writers actually littered the narrative with other examples of the set-up and switch-out as well, doing it to us the viewers:

Pat may have started out Ep.1 a ruffian, but then we saw that he was really a cheery big kid who needed his popsicles and cuddles from Nong Nao for comfort (Ep.1 [4/4] 8.37 and Ep.2 [1I4] 1.36).

Ink was introduced as a demure girl from the north (remembering that northern Thailand is seen as close to the birthplace of Thai culture) in Ep.4 [1I4] 7.41; then she tripped and let out a curse word at Ep.4 [1I4] 8.01.

Pa's glow-up at Ep.7 [1I4] and subsequent story arc subverted her initial (albeit not very successful) portrayal as the frumpy kid sister with no life and no agency as a character.

BBS placed the emotional burden of Episodes 1 to 4 solely on Pran's pining shoulders, and then suddenly whipped it away in Ep.5 and dumped it squarely on Pat (kudos to Ohm, who gamely played Pat as a shining object of affection for the first third of BBS, before showing us that Junior Jindapat was so much more than a lovable, empty vessel himbo, and was instead someone who actually did possess an inner life that he could access).

And perhaps the biggest BBS bait-and-switch of all – Pran's unrequited love for inaccessible Pat turns out to be requited after all, but then without warning it's Pran who spins out of reach on the rooftop.

Looking at BL as a genre, the bait-and-switch is sometimes employed as a storytelling device to provide an unexpected dramatic twist (though whether or not it satisfies is debatable). For example there is the trap set for Lhong in TharnType, the aloof ice prince Sarawat turning out to have been carrying a torch for Tine in 2gether, and Nubsib's reveal in Lovely Writer as someone who also shared a past with Gene.

And if you think about it, all of Bad Buddy itself was kind of one big bait-and-switch as well. They set it up so that – at the start – it looked like the series would be shaping up into a run-of-the-mill, formulaic romance. The roadmap was laid out quite clearly – enemies to lovers, Romeo and Juliet or Kwan and Riam but the BL version thank you very much, star-crossed and kept apart by their warring families.

So we were expecting BBS to follow the usual romcom beats and rhythms, delivering the standard tropes, with the main storyline about how the enemies would fall in love against the odds, then find a way to beat the odds and stay together, or fall victim to it and be forever driven apart.

Except that Director Aof and his team pulled the rug out from under us time and time again, after setting this all up. The idea that Pat and Pran were enemies got turned on its head (they'd been secret friends since childhood). The process of falling in love didn't follow conventional beats at all – Pran was already in love, while Pat was… possibly already beset by emotions, just getting them all mixed up and projecting them onto Ink.

Instead of showing us the main couple falling for each other over the course of 12 episodes, this was firmly established by the end of Episode 5. Instead of their families being the primary conflict driving them apart, it was Pran's overthinking and emotional walls that drove a wedge between them in Episode 6. When family conflict finally did rear its head to threaten their relationship, well Pat and Pran just sidestepped it and carried on.

And the tropes? One by one they fell by the wayside as well. Ink turned up in Ep.4, looking like a formidable love rival for Pran (and he believed it too). Except that she wasn't the stereotype of the evil girlfriend at all – she turned out to be Pat's supportive bestie, while her eye (and camera) were focused on Pa instead. Any stereotypes overhanging macho Pat and pernickety Pran got subverted too, with Pat ditching sports practice for musical theater and Pran a credible street fighter and also a star player on his rugby team – so much for the seme and uke in this BL. The "gay for you" trope got put down (Ep.9 [2/4] 1.41), as was the "wifey" one (Ep.9 [4/4] 8.48). There are so many examples.

Even the end of Ep.11 was a bait-and-switch as well, when a large portion of the fandom was hoodwinked by Director Aof's Ep.12 preview into thinking that we were headed for a break-up. (Fortunately they switched it out for the happy ending that we got instead, thank goodness.)

There's so much of this going on, it seems as though BBS was actually celebrating the bait-and-switch (and in that way kind of subverting its use in BL as well). The thing is, nothing was ever what it seemed in Bad Buddy, and it was all intended to be so, from Day One, because it's solidly a thematic preoccupation underlying the series.

I now think Baseball Mom really plays into all of this glorification of and subversion with the bait-and-switch as a storytelling device. But in a really wacky way, as perhaps is only fitting for the wackiest of Pat's t‑shirts.

So looking back on decades of popular media, who's been crowned the Big Boss of the Bait-and-Switch, the Grand Poobah of Switcheroos, the Queen of the Short-Con, the House Mother of all Bamboozlers?

It’s this little lady right here: 😍

This is Lucy Van Pelt, from Charles Schulz's comic strip Peanuts. Lucy is many things in the Peanuts universe, but one thing she's iconic for is a bait-and-switch prank, where she holds a football and then goads Charlie Brown on to kick it. He usually takes a bit of convincing, but eventually he goes for it and at the last second, Lucy pulls the ball away and poor Chuck ends up kicking the air, sent flying in the process. It's a running gag in the comic strip, first appearing in 1952 and recurring every year after that:

So what's the link with Baseball Mom though?

Football aside, in Peanuts Lucy is also a member of Charlie Brown's baseball team – and significantly she's absolutely terrible at the game. She misses the easiest of pitches, and even when perfectly positioned she gets hit on the head by the ball instead of catching it in her mitt.

So while she may be totally, confidently in charge of the situation baiting Charlie Brown with the pigskin, when it comes to baseball instead of football – Lucy is completely out of her element.

The parallel with Bad Buddy is that master of the bait-and-switch Pat Napat Jindapat – the BBS manifestation of Lucy – was pulling different versions of the Charlie Brown football prank on hapless Pran over and over again, causing much anguish to the latter's battered heart.

But suddenly on the rooftop, the tables got turned and Pran pulled the big switcheroo on him instead – by confirming their mutual feelings with a kiss so dizzyingly sensational that Pat must have been delirious with happiness… only to send it all crashing down by abandoning him there without a word of explanation.

(above) Bad Buddy Ep.5 [4/4] 12.58 – an abandoned Pat stares uncomprehendingly as Pran walks away from the wreckage of their broken hearts

In that moment Football Lucy morphed into Baseball Lucy, from self-assured manipulator to incompetent klutz, all alone in right field when the ball came zooming in from way out left. And what better way to mark this moment than with a t-shirt loudly proclaiming Pat's newly-minted Baseball Lucy status on its front?

(above) The Baseball Mom graphic – BBS's own version of The Scarlet Letter

Yes, I know this explanation is outlandish; that's how it sounded to me too when it first took shape in my head. So I decided to test it, by looking for supporting information elsewhere in the context of Bad Buddy. And the findings are truly surprising. 👀

No characters from Peanuts actually appear (in canon form) within any of BBS's visuals (not that they could, I suppose, for licensing reasons). But Charlie Brown and his cohort of characters aren't unknown in Thailand – there is a Charlie Brown Café (79/335 แขวงช่องนนทรี เขตยานนาวา, Bangkok, Thailand, 10120) that was previously at MBK Centre and a Charlie Brown's Restaurant (315/303 ซ.นราธิวาส24 แขวง ช่องนนทรี Yan Nawa, Bangkok 10120, Thailand) at Belle Park Plaza/Fortune Condo Town:

(above left) Charlie Brown Café; (above right) Charlie Brown's Restaurant

And even though we don't directly see Charlie Brown, Lucy or any other Peanuts characters in BBS, there are oblique references. One of the more obvious ones alludes to Lucy's younger brother, Linus Van Pelt:

When we see Pran out in the world with his PP hobo bag (written up here) or Pat snuggled in bed with his beloved Nong Nao (written up here), we know by now that the bag and the stuffed doll-pillow are our boys' favorite comfort objects, providing psychological security even as they face their personal fears.

(above left) Bad Buddy Ep.2 [1I4] 3.01 – Pran and his PP hobo bag, that he deploys like a shield when outside; (above right) Bad Buddy Ep.2 [1I4] 1.37 – Pat cuddling Nong Nao for comfort when he's all alone

But another name for these comfort objects actually has a connection to Peanuts – they can also be called Linus blankets, after the security blanket that Lucy's brother carries around with him all the time. Just a coincidence? I'm not so sure. (I think it's also significant that all three objects have blue as their predominant color.)

There's also a nod at Charlie Brown himself later, on the rooftop in Ep.7 [4/4] – Pat's tee is an unmistakeable visual reference to Charlie Brown's signature yellow top with its zigzag motif:

(above left) Bad Buddy Ep.7 [4/4] 1.48; (above right) Charlie Brown in his own iconic t-shirt

After their roles were reversed on the rooftop at the end of Ep.5 (with Pran pulling the ultimate bait-and-switch move back on Pat by walking away after The Kiss), the mantle of Charlie Brown the football prank victim was thrust onto Pat instead, and that is what we see here in Ep.7.

The brand name emblazoned on Pat's t-shirt also rings some bells – it's Patriots, which immediately calls to mind the NFL team from New England, and is another nod at Lucy's American football. (There is also a Minor League baseball team called the Somerset Patriots based in New Jersey; not as well-known as their counterparts – compatriots? – a few states away, but still… 👀).

(above) Bad Buddy Ep.7 [4/4] 2.13

And looking a bit closer the Ep.7 scene on the rooftop (the last one to be filmed among all of Bad Buddy's queues) really starts to overflow with meaning because it's actually a parallel to Ep.5's rooftop bait-and-switch.

It's far too much to include here, so I've put it into its own separate post (see this write-up linked here) – the short of it is that Pat as Charlie Brown plays the bait-and-switch one last time on Pran in Ep.7, but for the very first time turns the last-second switch-out into a win for his beloved instead, rescuing Pran who was floundering with the musical. And this reversal of the bait-and-switch, a redemption of sorts, is what convinces Pran to end their courtship competition and enter into confirmed couplehood instead. 👍

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Now all that aside, there's still one more element in Bad Buddy that I think is a direct reference to Lucy's bait-and-switch in Peanuts – and that's all the rugby, doing its part as a stand-in for Lucy's American football.

(above) Bad Buddy Ep.4 [4/4] 2.04 – the boys face off on the rugby pitch

It would never have been possible to feature American (gridiron) football authentically in Bad Buddy (it's not a popular sport outside of North America, to be honest, and would have been totally alien in a Thai setting). So they shone the spotlight on rugby instead, most probably because the ball used for play there is ovoid and almost the same as the one used in American football – it seems like the rugby in BBS is pointing at Lucy and the American football she deviously deploys.

(top) Bad Buddy Ep.7 [2/4] 13.01; (bottom) Bad Buddy Ep.7 [2/4] 13.02

This would explain why Director Aof and his team opted to feature rugby instead of soccer –the latter is far more popular in Thailand, and would have been a more obvious choice. In addition, soccer would have been far easier to stage – all the BBS rugby scenes had to be filmed at a completely different campus from the primary uni location (Bangkok University instead of Rangsit University) because the latter doesn't seem to have a rugby pitch, though it does have a soccer one. In case you were wondering as I was, the goalposts are starkly different so they couldn't just pretend to play rugby on the soccer pitch – it would have been a terribly obvious fake-out if they had.

They couldn't substitute another team sport even if it was easier to accommodate, because rugby (or rather the ball) was integral to this aspect of the storyline. It needed to be rugby if the intention was to evoke Lucy's favorite weapon of torment.

Further evidence in support of this can be found when you look at the original (rough-draft promo) Bad Buddy trailer that was released in 2020 (I think) to promote the 2021 lineup, before actual filming of the series itself in mid-2021:

The rugby was present even at that early stage (and Toto was on Pat's team! 😂). But what's mindblowing is that they're actually using an American football (the AF500), not a rugby ball (you can tell from the laces, which modern rugby balls do not have). 👀 So the gridiron football was very much part of Bad Buddy's primordial DNA, way back at its inception, even before actual filming began. Another nod at Lucy in Peanuts here.

(above) A screenshot from the original Bad Buddy promo trailer at timestamp 1.48

(above) A screenshot from the original Bad Buddy promo trailer at timestamp 2.15

Now all of this is dandy I suppose, but even with Linus blankets, Pat dressed like Charlie Brown, the oval ball and BBS's insistence on rugby (masquerading as American football) over soccer, for the longest time the hardboiled skeptic in me still wasn't fully convinced that Pat wearing Baseball Mom was actually Lucy in disguise getting her comeuppance, Bad Buddy style.

UNTIL I DECIDED TO LOOK MORE CLOSELY AT THE RUGBY MATCH IN EPISODE 4. And that was the clincher, that cemented the intentionality behind Baseball Mom in my mind, because there actually is a sequence where Pat executes Lucy's signature bait-and-switch move, with the rugby ball standing in for an American football, and with Pran as his fall guy.

The sequence in question starts at Ep.4 [4/4] 3.33, when we see Pat running with the ball, coveted by Pran (in more ways than one).

(above) Bad Buddy Ep.4 [4/4] 3.33

Pran tackles him, but in a blink-and-you'll-miss-it moment, Pat flicks the ball away and before any of us (Pran included) can realize what's happened, Korn is off and running with it instead (and I think he scores the rugby version of a touchdown too).

(above) Bad Buddy Ep.4 [4/4] 3.38

Meanwhile, Pat and Pran are still locked in a full-body clinch – and if you look closely, it's Pat who's actually holding on to Pran, not letting him go (with obvious delight, even if he's unaware of exactly why he's relishing the contact so much).

Much of Bad Buddy is really chaste, but there's something about this moment here that makes it seem like a line has been crossed, and that things have turned inexplicably raunchy somehow. There's full-body grappling, legs spread wide, crotch jammed to butt, a whole lot of heaving and panting. Pat is clearly enjoying every second, almost as though it’s the successful climax of his great big plan to waylay Pran with this bait-and-switch. And of course it's the perfect cue for him to deliver that now infamous, golden line: "If you hug me this tight, you might as well take me as your boyfriend." 😂

Actually Pat had been teasing and taunting Pran with hints of romance even before the game (going so far as to acknowledge that his behavior was flirtatious, at Ep.4 [4/4] 0.48) so it's impossible not to see that body tackle on the pitch as anything but a close encounter suffused with sexual tension – and Pran would of course be the first to notice it. (It's possibly also a subversion of the accidental "falling on you" trope, since it's at once contrived yet consensual.)

If you break it down, Pat used the ball to get Pran to tackle him, only to switch it out at the last minute with something else (close, practically intimate body contact) that poor Pran (drowning in his crush) would have found absolutely devastating. This is practically a playbook version of Lucy doing the football bait-and-switch with Charlie Brown.

To be honest though, I'd always found this rugby clinch a little odd and confusing, and had wondered why they even had this scene. It was logistically complicated to set up (two whole teams of players!), and the bait-and-switch portion would have been extremely tricky to choreograph and film. The whole rigmarole was also a lot of work for just a few seconds of screen time. That the ball slips away unseen also makes it seem anti-climactic for the viewer – but not for master gameplayer Pat, who successfully got his planned payload nonetheless.

And because he did it using Lucy Van Pelt's signature move, I now think the reason for this scene is for it to be held up as the paragon of Pat's bait-and-switch traps in Bad Buddy, and a parallel for the Epic Rooftop Kiss when Pran slaps the old switcheroo back on Pat instead.

On the rugby pitch Pat baited Pran by pulling away (with the ball), and then crushed his heart with physical intimacy (hugging him like a lover, but making it seem like he was only play-acting at returning Pran's love). On the rooftop Pran baited Pat with physical intimacy (The Kiss, proof to Pat that his feelings were returned), and then crushed his heart by pulling away (and taking with him all promise of his love).

Atop Chana City Residence at the end of Ep.5, perpetual prankster Pat couldn't stop himself and went in for the bait (Pran offering himself up romantically), only to see it whisked away from him at the very last second.

Suddenly the rules changed and Football Lucy, the House Mother of all bait-and-switch bamboozles, became the victim of the biggest bait-and-switch of them all, and was thrust into a different game instead. Bereft of Pran and denied his moment of victory, Pat became Baseball Mom indeed. 😔

(above) Bad Buddy Ep.5 [4/4] 13.06

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P.S. You can order Baseball Mom (the t-shirt, not Pat 😂) from Amazon at this link here. (If the link doesn't work, you may need to change your "Deliver To" location at the top left of the landing page on Amazon to another country – not useful if you want to buy it when they don't deliver to your location, but useful if you just want to view the page, or get them to deliver to a third party who can then forward it to you. If changing the location doesn't work, try following the other instructions in this post linked here.)

I suspect the fandom has been buying up Baseball Mom like crazy, because it went from limited stock and availability on Amazon (selected locations only), to becoming available for other global locations and on Walmart.com as well – so maybe demand from the BBS fandom has boosted sales so much they started marketing it on more channels? Thai BL soft power trickles down. 🥰👍

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P.P.S. OK, just a little aside – this Peanuts fan theory for Baseball Mom is really wacky, but I think the universe is telling me to put it out there anyway because just as I was finishing the write-up, this random post about the Peanuts football bait-and-switch appeared on my dashboard.

What are the odds of it crossing my dash at the same time I'm writing about it, when I've not seen it referenced before throughout my history on Tumblr, ever? (There were a few random Peanuts and Charlie Brown posts that appeared at the same time as well.) I'm not superstitious, but I do think the universe has spoken. 😂

#bad buddy #bad buddy baseball mom #bad buddy baseball mom t-shirt #bbs baseball mom #bbs baseball mom t-shirt #bbs lucy van pelt #bbs bait and switch #bad buddy bait and switch #patpran #bbs charlie brown #bbs linus van pelt #bbs linus blanket #bbs peanuts #bbs rugby #bad buddy analysis

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ongsasun · 2 years

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Bad Buddy One Year Anniversary Rewatch

There’s only one month left until Bad Buddy’s first anniversary on Oct. 29th, which means we're all due for a rewatch soon! I talked Nuria @mrdumpling into doing this event with me, we haven't done this kinda thing before & we've been so excited about this (minus the part where GMMTV announced theirs first🙄 lol). We hope you guys will join us!

This event is from Oct 29th - Nov 16th. I wanted this to be fun for everyone, so the pace is a little slow— the schedule below gives us one day in-between episodes, minus weekends & the finale, so hopefully there's less stress over falling behind/finding time to watch.

HOW TO PARTICIPATE:

Reblogging your favorite BB content

Liveblogging your rewatch/watch

Creating your own BB content→ anything! All gifs, edits, textposts, video edits, fanfic, fanart, memes, artwork, etc. for the episodes are welcome.

Please use the #BadBuddyRewatch tag in each of your posts so everyone can find and reblog them! They will be reblogged to a separate blog @badbuddyrewatch during the event.

EVENT SCHEDULE:

Episode 1: October 29th

Episode 2: October 30th

Episode 3: Nov 1st

Episode 4: Nov 3rd

Episode 5: Nov 5th

Episode 6: Nov 6th

Episode 7: Nov 8th

Episode 8: Nov 10th

Episode 9: Nov 12th

Episode 10: Nov 13th

Episode 11: Nov 15th

Episode 12: Nov 16th

If you have any questions feel free to message me @patspran or nuria @mrdumpling

Please reblog to spread the word! Tagging people who may be interested below, the other half will be tagged in a reblog🤍

@abashed-the-devil-stood @ablazenqueen @actually-yikes @akksgaypanic @angelbesideme @architectxengineer @ardentlytess @athousandbyeol @baijingting @bearinglight @bevioletskies @billlkin @biwichapas @casualavocados @combeferret @cubedmango @deshimango @danyokz @dimpledpran @dimplespran @dragonsareawesome123 @dramaism @dribs-and-drabbles @earthfluuke @elnotwoods @epiphanjins @frostluvrs @ghostmagnetporsche @ghostpran @gilly-bean @hereforlou @inkpaa @ipromisedthesunset @isvisomewhere @jaehwany @jemmo @kaonoppakao @kinnkittisawasd @kookjis @kornin @laowen @liyazaki @loooreleii @loveisactivated @lovelyghostv

#bad buddy #bad buddy the series #patpran #inkpha #pat napat #pran parakul #badbuddyrewatch #ayesha made a thing

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telomeke · 9 months

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BE MY FAVORITE EPISODE 5 – A PADAWAN IN THE TEMPLE OF ENLIGHTENMENT (AND A NOD AT MARRIAGE EQUALITY)

I consider myself quite visually-oriented, but oddly I've not applied that so much to the dramas I watch, preferring to focus on the text and narrative as though they were a book come to life.

But this scene in Be My Favorite (beginning at Ep.5 [3I4] 1.55, when Pisaeng goes to see Max in the café) is so chock-full of meaningful visual details whacking you in the eyeballs that I've simply got to write about it.

It's not a secret that Max is portrayed as the wise queer elder in BMF. The narrative clearly shows him inhabiting that role, with his queer activism (Ep.8 [3I4] 5.43, Ep.10 [2/4] 2.58) and him doling out advice to Kawi (e.g., Ep.4 [1I4] 3.03, Ep.5 [2/4] 10.07, Ep.6 [1I4] 16.11, Ep.8 [3I4] 4.35) and tough love to Pisaeng (Ep.5 [3I4] 2.53) as they grow into their (queer) identities.

The visuals in the scene at Ep.5 [3I4] 1.55 really reinforce this purposeful portrayal as well.

First of all, the camera angle is pitched low, so that Max towers above all others in the scene, amplifying his physical stature (and drawing attention to his intellectual one as well).

He is also dressed in shades of yellow and rust, which call to mind the robes (that range in hue from saffron to cinnamon) worn by the greatly respected and influential Buddhist monks of Thailand. With this chromatic and cultural context, the colors of Max's wardrobe are meant to signal his seasoned wisdom and authority as he sternly counsels inexperienced babygay Pisaeng. (GMMTV has also used these colors to denote similar higher-thinking preoccupations and orientations in Moonlight Chicken and Bad Buddy as well – see this write-up linked here.)

Now the colors that we see in the café interior are also significant – the abundance of white with yellow and gold/metallic accents is a color scheme that is also used very often in the Buddhist temple architecture of Thailand. You can see this too in the scene where Pisaeng comforts Kawi after the funeral of the latter's dad (Ep.8 [2/4] 4.42):

(above) Be My Favorite Ep.8 [2/4] 4.42 – Pisaeng and Kawi talk on the steps of a Thai temple, most probably after the funeral of Kawi's dad (note the white, yellow and metallic accents)

A Google Image Search for "Thai Temple Architecture" will also bring up many examples; Wat Benchamabophit is a sumptuously typical one. The similar colors in the café are thus playing their part to emphasize the monastic theme and Max's role as the sacerdotal senior in these hallowed grounds.

Among all the pops and pings of yellow in the café décor is a prominent disk (likely a representation of the sun) that can be seen on the noren of the doorway behind the servery.

(above) Be My Favorite Ep.5 [3I4] 2.32 – Max and his halo while talking to Pisaeng

The cinematography has some shots carefully positioned so that the disk appears to encircle (in turns) Max and then Pisaeng like a golden halo – Max at Ep.5 [3I4] 2.32 and Pisaeng at Ep.5 [3I4] 2.47.

(above) Be My Favorite Ep.5 [3I4] 2.47 – Pisaeng and his halo while talking to Max

Significantly, the halo in Buddhist iconography is also used (as it is in Western art) to evoke holiness and/or enlightenment. In this BMF scene we see it first around Max, and then around Pisaeng, which suggests that the (queer) wisdom being imparted is moving in the direction from the former to the latter.

But the brightest splash of yellow must surely be the large sunflowers on display behind Max.

(above) Be My Favorite Ep.5 [3I4] 2.54

Aside from the higher-minded connotations associated with the yellow color, the choice of bloom is significant in a number of other ways. Sunflowers turn to face the sun's illumination as it moves across the sky, and this parallels how Pisaeng has come to the café to seek out Max, the haloed source of his enlightenment.

In addition, various Thai websites (including the Pantip forum, linked here) point out that in Thailand the sunflower is symbolic of steadfastness, which to me aligns well with Max's unwavering confidence in his LGBTQ+ identity and dedication to the cause.

And finally, the Thai words for sunflower (ทานตะวัน, pronounced something like taan dtawan) can be roughly translated as "to resist/oppose the sun", which also fits really well with Max's leanings toward LGBTQ+ activism and the peaceful protesting for equal rights in the face of searing opposition.

All of this fingerpointing to wisdom and high-mindedness is given an additional boost when we look at the prominent Thai lettering on the wall behind Max (that spells out the café's name "เจ-ดีย์", pronounced something like che-di).

More often spelt without a hyphen, เจดีย์ refers to the Thai chedi or stupa, which is also a Buddhist religious building in Thailand (usually bell-shaped and functioning as a holy reliquary and/or a place of meditation) within a temple complex. You can see a painting of a chedi on the café wall next to Pisaeng at Ep.6 [1I4] 6.27:

(above) Be My Favorite Ep.6 [1I4] 6.34 – Max and Pisaeng chat on the café terrace next to a painting of a chedi

The idea that Pisaeng has entered a hall of greater erudition is further underlined by the name of the café on the wall. However, in real life when using Roman letters the café spells its name Jedi, not Chedi (you can see this on their Facebook linked here, and also at Ep.3 [2/4] 6.17 and Ep.6 [1I4] 12.35).

(above left) Be My Favorite Ep.3 [2/4] 6.17; (above right) Ep.6 [1I4] 12.35

And although it's not a Star Wars-themed café, they do have a drink called the Yoda, drawing attention to the café's name as a pun on the noble knights of the film series as well (see this link here).

Remembering that the Jedi in Star Wars canon are a line of monastic, wise, peace-loving elder fighters (Yoda being a prime example), the café name behind Max also calls out to his senior queer activist role in Be My Favorite.

(above) Be My Favorite Ep.5 [3I4] 2.30

Coming back to the colors, it's impossible not to notice the streaks of pink in Max's hair:

(above) Be My Favorite Ep.5 [3I4] 2.49

In Thailand the head is considered the seat of knowledge and wisdom (leading to much unnecessary handwringing on foreign websites around touching a Thai person's head; see this link here that sheds more sensible light on the matter). As for the color pink, it's historically been symbolic of the LGBTQ+ community.

With his distinctive coiffure, it's not difficult to see that Max is being presented as radiating pink knowledge and wisdom. (Also worth noting is that the streaks in his hair fade to a somber gray in other timelines when he is not the sagely elder and/or the narrative has taken a darker turn, e.g., at Ep.7 [2/4] 3.10 when his standing is downgraded to popstar Kawi's put-upon assistant, and at Ep.11 [4/4] 1.45 when Kawi is in the ICU.)

(above left) Be My Favorite Ep.7 [2/4] 3.22; (above right) Ep.11 [4/4] 1.54

‌I never knew that all of this visual signaling in film actually had a technical name, but it does. This is called visual rhetoric, when details in the setting, props and wardrobe echo and amplify the same message being conveyed by the dialogue and drama on screen, and I learnt this from the wise and always-spicy @respectthepetty's posts on Reading the Visual Rainbow (linked here and here). RTP's posts have greatly enriched my understanding and enjoyment of the dramas that I watch, especially Thai BL, and I highly, highly recommend reading them. 👍💖

Anyway, if Max in this scene is the venerated elder imparting wisdom to his rapt congregation (and that includes the viewing audience too; it's not just Pisaeng), what is his message here? I think that there are at least two messages being conveyed.

At the level of the text, an exasperated Max is admonishing acolyte Pisaeng (beginning at Ep.5 [3I4] 2.53) for all of his bumbling around coming to terms with his queer identity:

"Listen. There are wars going on around the world. Our politics are crap. People get locked up because they voice their opinions. Ice is melting at the poles. People are killing people because of race or religion. Who are you? Are you that important? Why do you even think other people would care where you go or what you do?"

But Max's tone and choice of words are maybe a touch harsher than they need to be? Especially in Thailand, where jai yen (ใจเย็น, meaning coolness of heart; see this link here for more explanation) is so important in polite social interaction, his diatribe seems far out of proportion compared to Pisaeng's clumsiness, insensitive as it might have been.

I think this is because it's not actually Pisaeng that is the intended recipient of this rant – the message is actually meant for the larger viewing audience. In Thailand where queer people face considerably less risk to personal safety than in other countries but are nonetheless still subject to discrimination, Max's questions ("Who are you? Are you that important? Why do you even think other people would care where you go or what you do?") are not just telling Pisaeng that he should be worrying less about how others might perceive him, but are also highlighting that no one should even have to worry about been seen as different (and treated differently for it) in the first place.

Because – following the mention of wars, dirty politics, arbitrary detention, restricted speech, global warming and ethnic cleansing – idealist Max's questions can be directed to broader society as well, if you re-phrase them a little differently to encompass all queer people and not just Pisaeng, like this:

"Who are we (to you)? Are we that important (in the larger scheme of things)? Why should other people care where we go or what we do (if it's just us living our lives as private members of society)?"

Max is declaiming that on a grander scale, the fixation that conservatives have on denying queer people equal rights based on fictional, imagined reasons is farcically illogical and wholly unwarranted compared to the actual problems being faced by the planet. At its plainest, the message is: stop objecting to equal treatment for LGBTQ+ people, because surely it must be a non-issue that equality should apply to all, since it harms no one.

And all of this ties in to the second message of the scene, that is trumpeted loudly by the visuals – and it's about marriage equality.

I learnt about the most important part of a Thai wedding ceremony called รดน้ำสังข์ (pronounced something like rot naam sang; have also seen this reversed as sang rot naam) when I looked up a scene in Not Me The Series, in order to reblog a post by @wen-kexing-apologist referencing marriage equality in that BL:

During the rot naam sang, elders in attendance pour water from a ceremonial conch shell (nowadays replaced by a symbolic, cone-shaped vessel) onto the hands of the bridal couple, and this marks the moment when the pair are formally married. During that particular scene in Not Me, various elements onscreen came together (in another example of visual rhetoric) to form an unspoken comment regarding the issue of marriage for all in Thailand (more info in the post linked here).

Since then, anytime something shaped like a cone or funnel appears in a Thai drama, especially in the presence of water, I can't help but wonder if they're referencing a wedding somehow (remembering @respectthepetty's post on reading the visuals, and the scene in Not Me).

And this scene in Be My Favorite (starting at Ep.5 [3I4] 1.55) is absolutely doing just that, especially in the light of Max's little sermon on equality and Thai BL's years-long march in support of queer marriage in general.

When queer elder Max pours water into one of the cone-shaped coffee filters at Ep.5 [3I4] 1.55, the scene has been set up as an explicit visual reference to the rot naam sang, with the filters standing in for the symbolic conch.

There are two funnels in front of Max, but only one gets the water. Both pour-over coffee sets are identical in form, function and capacity (with only a superficial difference in the appearance – one has a metallic frame and trim while the other doesn't). But the funnel on Max's left (despite being the equal of the other) receives no water at all, emphasizing how only cishet couples in Thailand are allowed to get married, while everyone else outside that definition is denied. (The two funnels are actually separate filtration sets placed side-by-side just for this scene.) And then Be My Favorite unequivocally draws a line through this to show how wrong it all is, by having Max's arm physically cross out the visual of the two symbolic sangs or matrimonial conches (one filled, one empty) at Ep.5 [3I4] 2.24.

This is not the only time BMF shows up with drums beating for marriage equality – we see this on the activist signage display at Ep.11 [1I4] 11.27 and also when the doctor sidelines Pisaeng (at Ep.11 [4/4] 0.36) when discussing Kawi's health because he's not a blood relation or a legal spouse.

(top) The activist signage display at Ep.11 [1I4] 11.27; (bottom) the doctor asks if there are family members he might contact regarding Kawi's health, when Pisaeng is right there in front of him (Ep.11 [4/4] 0.36)

Given all of Be My Favorite's focus on this matrimonial LGBTQ+ cause, my hope for the finale of the series is that Pisaeng and Kawi end up in a timeline where marriage equality does become a reality for them (not a prediction though, just wishful thinking). And it's not just their own wedding that I would like to see. 😍

In different timelines, Pear ends up with nothing but heartache for choosing the wrong guy – e.g., Pisaeng absconding before their wedding vows in order to kiss Kawi in a drunken declaration of love (Ep.2 [4/4] 5.46), her relationship with Kawi souring because Pisaeng (apparently) came between them (Ep.7 [2/4] 11.28), and settling for a prison sentence with slimeball Not as her jailer because she's pregnant and doesn't want to wait any longer for marriage (Ep.7 [3I4] 4.00).

(above) Be My Favorite Ep.7 [3I4] 3.50 – a tearful Pear explains to Kawi why she's marrying Not

My hope is for the finale to bestow a Happily Ever After on long-suffering Pear for once. And with all the discourse around marriage equality in Be My Favorite – wouldn't it be a nice touch if her soon-to-be spouse James (whose name pops up on the wedding invitation at Ep.11 [3I4] 0.27) turns out to be somewhat different from the usual boring supermarket box-cake variety?

(above) Be My Favorite Ep.11 [3I4] 0.27

Whether it's trans, lesbian, nonbinary or another option, so many possibilities abound. As long as they make her happy... I can only hope. 💖

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#be my favorite #be my favorite episode 5 #visual rhetoric #marriage equality

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