#because it's kinda implied or would be a thing

[jwsverse]

𓈒ㅤׂ 𝜗𝜚 timestamp 03:09

pairing ⁝ jake x f!reader

synopsis ⁝ in which jake tells the boys all about his crush on you, and he's way too downbad

genre ⁝ fluff!!! , reader is implied to be "cold", jake is in luv and the boys are real goofs, oh reader os also said to have bunny teeth (sawry if you guys dh it cause i do so im sorry for being self indulgent 😥)

word count ⁝ 0.8k

author's note ⁝ ummmm idk what this is but i wanted to make tbis like black cat x golden retriever typa shii... kinda wanna write a long fic for this icl!' also fhis is NAWTTT proofread

“you like who?!”

jake stumbles back a bit at the loudness of jake's voice. he chuckles awkwardly, glancing around at the boys who are now gathered around him. even heeseung, who was about to make his leave for his next class, turns around with wide eyes.

“uh, i like y/n?” jake scratches the back of his neck shyly, flushing under the eyes of his friends as well as from his confession, “what's wrong?”

jay jumps from his seat, leaning across with his palms flat om the table as he hurriedly says, “but why? i mean like how? what about y/n? why her?”

jake is a little confused, and it's clear, so sunoo quickly clarifies, “there's nothing wrong with y/n! she's our friend and we love her!” then a pause, and his face scrunches up as he hesitates, “but it's just... you know, y/n. she's not the most cheerful nor is she the friendliest! and you've known her the shortest among us! so you know, we're just shocked.” sunoo ends his ramble with a stiff tilt of his head as he leans back into his seat.

“oh,” jake utters out quietly, flushing red, “but y/n's great. she's not very cheerful or friendly. but she cares a lot! especially for you guys!” he defends.

he doesn't quite understand what the guys are trying to say here. he knows that amongst all of them, he's known you the shortest, considering he joined the friend group late after transferring here. but, feelings don't need explanation, right? there's no reason for liking someone, it's a ‘just because’ kind of thing.

“and she's super pretty! especially when she smiles and laughs, which i know is rare, but she only ever does it around you guys, you know? she hates it but, when her bunny teeth shows it's the cutest thing and i think that makes her so unique. and she may seem cold, but i think she really cares for you guys! like whenever we go to parties, she doesn't drink cause she know you guys would get drunk, so someone has to take care of you guys.” jake rambles. he takes a deep breath, only then noticing the boys' wide eyes all staring at him.

“what?”

sunghoon, who has been silent all this while, shakes his head, gesturing for jake to go on.

“y/n's... well she doesn't show it. but she's actually really sensitive. every time you guys tease her, she may flick you off but deep down, she does get hurt! i mean you can just tell by the way her eyes shift downwards and she goes quiet for awhile.” jake frowns at a fresh memory from just last week when the boys joked about you rejecting a boy who confessed to you too coldly, and you had looked hurt for a second, before masking it up into annoyance.

“she hates it when people see her blush, but when she does, her cheeks don't turn pink, her neck does. and she always tucks her hair back when she's nervous and she'll never make eye contact with you! she's always the happiest when she's with us, and you'll miss her subtle smile if you don't pay attention. her eyes always go brighter and her way of showing care and love is by rolling her eyes and being childish.”

“i like y/n. i really do, i know i've known her the shortest and there are still many things i need to know and understand about her, but i just want you guys to know i'm really sincere about her.”

jake has to take a deep breath once he's finished. his face is red, and his mouth is dry from all the rambling. even so, he wants to go on, and he intends to, until heeseung cuts in, with his palm in his face, stopping him.

“okay that's enough. we get it jake, we trust you.” heeseung utters out with a smirk, finding the flush on his friend's cheeks awfully funny and cute. “we know you're a good guy and we think you'll be good for y/n! let's just take this slowly, okay? let's discuss after class.”

heeseung grabs his bag and heads for the door, turning back to jake as he winks, “don't worry, we won't tell y/n.” he twists the door knob and immediately halts.

right behind the door, stands you with wide eyes in shock and your hand about to knock. the heat is evident in your neck as you glance from heeseung to jake then you look away immediately.

“i...” your throat dries up as you snap out of it and tuck your hair behind your ear in a hurry, “i just wanted to grab my book.” then without looking at any of them, you cover up the side of your neck, sneak pass heeseung to grab your belongings and you run out of the room.

sunoo chuckles awkwardly, “well... at least you got her behavior on point.”

© jwsverse

[just-my-latest-hyperfixation]

A family thing

Written for the September pop-up challenge of the @steddieholidaydrabbles blog

Prompt: Anniversary

Rated: T

Tags: Post-Vecna; Everybody lives; Recovery; Disabled Eddie; POV Wayne Munson; Good uncle Wayne Munson; Implied sexual content; Domestic fluff; Found family

The sounds coming from the kitchen pull Wayne from his sleep much earlier than he'd like after a night shift. He lies awake for a while, cursing the government. Sure, they covered Eddie’s medical bills and bought them the new trailer, but would it have killed them to get one with thicker walls? He doesn't need to hear everything the boy gets up to. 

He's almost managed to drift off again when a clatter and a string of swear words make him shoot upright. He barrels out into the corridor that separates the living space from the bedrooms, almost colliding with Steve, who has just barged from Eddie’s room. His eyes are bleary, his hair a tousled mess. He's wearing boxers and a familiar guitar pick necklace, and that is it. 

“Ed?” Wayne asks, ignoring how Steve freezes at the sight of him. “What happened?” 

Eddie, on the kitchen floor in a heap of gangly limbs and fallen crutches, groans. “Wayne! You weren't supposed to wake up.” 

“Yeah, you're making that kinda hard,” Wayne mumbles, eyeing the shattered plates and spilled food on the ground. Toast and bacon and pancakes. There's something stuck in Eddie’s hair that looks like scrambled eggs. 

“What the hell?” Steve mutters, bridging the few steps into the kitchen and dropping into a crouch beside Eddie. Wayne stays where he is and watches. The way Steve wraps his arms around Eddie’s waist to pull him up, careful not to hurt him. How Eddie slings bony arms over Steve’s shoulders, fingers grazing the scars on the boy's back. 

“Why didn't you ask me for help?” Steve asks. The rising sun basks the kitchen in oranges and golds, and for a second, Wayne is overcome by the thought that he mustn't blink, or they'll vanish. “I could've-” 

“What, on this highest of holidays?” Eddie asks, gesturing dramatically as Steve lowers him into one of the kitchen chairs. “Have you no respect for tradition? It is my responsibility and my duty to do this alone.” 

Steve blinks, then looks over at Wayne. 

“Okay? I don't get it.” 

Eddie cackles, gently pushing him aside to beckon Wayne closer. 

“Happy Uncle's Day!” 

“Yeah, yeah,” Wayne grumbles, bending at the hip so that Eddie can hug him, but there's an annoying sting behind his eyes. For a moment all he can think is how close he came to losing all of this.

“What the fuck is Uncle's Day?” Steve asks. He's eyeing the calendar on the wall like he's expecting it to spout an extra holiday. 

Eddie scoffs. “Only the most important holiday of the year? You need to stay up to date on-” 

“When Ed was nine years old,” Wayne explains, making his way over to the coffee pot, “he came home one day, seething and spitting venom, ‘cause his teacher had them making Father's Day cards.” 

“Why would I be making that asshole a fucking card?” Eddie grumbles. A pink blush has erupted from the collar of his shirt, but Wayne isn’t sure if it's because of the childhood story or because of the way Steve has pulled out the chair next to his and is finger-combing bits of egg from his curls. “The only thing I should've given him is a kick in-” 

“That's exactly what he said back then,” Wayne says, pouring himself a cup and leaning against the counter. “So we came up with an idea.” 

Steve frowns at Eddie. “Uncle's Day?” 

Eddie beams. “The anniversary of the day Wayne took me in.”

“Dunno if took in is the right term,” Wayne hums around his first sip. “You pretty much let yourself in and refused to leave.” 

Eddie waves him off, as if to say that he won’t argue about the technicalities. Steve’s eyes, meanwhile, have grown large. 

“Wait,” he says. “That's today? Why didn’t- … I’m sorry, I had no idea.” 

Eddie cocks his head at him, smile bright and incredibly fond. It makes a familiar warmth spread behind Wayne’s collarbone, one that has nothing at all to do with the coffee. “Why would you be sorry?” 

Steve gestures awkwardly at the mess that is the kitchen. “This is a family thing. If you’d told me, I’d have left you alone.” 

Eddie laughs. On the tabletop, his fingers find Steve’s. 

“Exactly,” he says. “This is a family thing. You're right where you belong. Ain't he, Wayne?” 

Wayne regards them - two men littered in battle scars, leaning into each other in the hazy morning light - and thinks of a hurt little boy who was too scared to let anyone in. 

“Can't argue with that,” he says. 

Steve's face lights up as if he'd just invited him to spend Christmas morning. 

“I- … thank you,” he stutters, and Wayne gets a feeling that he, too, is still learning to let people in. “Let me clean this up, and then I'll make us new-” 

“Stevie,” Eddie says, and hooks one finger into the necklace to pull him back. His next words are a murmur against the shell of Steve's ear, so low Wayne almost misses them. “Maybe get dressed first, darling.” 

The last thing Wayne sees of Steve as he flees into Eddie’s room is the blush coloring his neck and shoulders. 

“Do you have to tease him like that?” he asks, starting to gather the broken plates off the ground. 

Eddie shrugs. “He can take it. I think that's a basic requirement for joining this family?”  

His eyes find Wayne's, searching for a reaction. 

“Ed,” he says, picking up the crutches and handing them over. “My only requirement ever was for you to be happy. I think your boy has long proven himself in that regard. Now, run over to the Mayfields and ask if we can borrow some eggs, yeah?” 

As Eddie bolts out with a blush matching Steve's, Wayne settles into the newly vacated chair, allowing himself a long sip of coffee and a content sigh. 

It's gonna be a good Uncle's Day. 

[year2000electronics]

What is your take on Relativity Falls Fiddleford?

SO. UH. i very much still do not have any sort of concrete, finalized take on relativity falls (there are just so many possibilities to do) but i think fiddleford specifically i always like to highlight in that au when im talking about it because to me he can kinda start one of my favourite conversations, which is "just what are the 'swapping' rules when you make a 'swap au'?" when do you break those rules, if there even is the point of making rules in general, and is there swap aus where you only swap one thing and so everything follows that change in tandem?

and i bring this up specifically because a lot of the time, in relativity falls, fiddleford's role i'd specifically classify as just

"isnt he a stand-in for candy/grenda when he's the stan twins' friend?" NOT NECESSARILY. because even when they play it the most straight and have fiddleford swap with, like, candy. right. everybody really likes fiddleford! most of the time, relativity falls fans and old mystery trio fans DIRECTLY overlap. so fiddleford isnt just candy or grenda, because he is implied to have so much more screentime/serious moments than candy and grenda do. because we like fiddleford and want to see more of him!

but that begs the question, do you just pretend really hard that fiddleford is just a direct stand-in for candy & grenda, or do you acknowledge that when one cast of characters swaps ages with another cast, and by extension, swaps stories, it's not going to be an exact even split?

and once you get over THAT, you can REALLY start having fun with aus like this. because if youre like "well fiddleford doesnt necessarily have to be a direct parallel to candy and grenda, it doesnt always have to be an exact 'character swap'"! you end up going from this sort of uphill battle of having to do things like making dipper and candy be portal partners to something like, i dont know, PACIFICA filling in fiddleford's role while she also takes on a bit of a lazy susan role! and fiddleford can just be the kid friend of the stans' since YOU CAN JUST DO THAT!

...but if you asked ME, what i would do with fiddleford? well, i would make him the stans' friend, obviously, but i think i would make him the handyman of the mystery shack. ...yes, taking soos' role.

why? well, soos is the best tritagonist for dipper and mabel, usually! he's also someone who tinkers with stuff, just like fidds! it feels like a natural fit for mystery trio-esque shenanigans, no?

but of course, that begs the question "mothra, fiddleford is 12, mabel couldnt legally HIRE him, right??" great point! fiddleford basically begged mabel to let him work there so he could have access to power tools. you wanna know how they cover up the fact that mabel is kinda letting a kid work at the mystery shack?

yeah. thats what i would do.

so where does that lead soos in "portal incident" story? is he the equivalent to mcgucket? i dont really know. he doesnt necessarily have to be. he could be anything. maybe hes the mayor. i dont know

[realmsalot]

I've been obsessed with Relativity Falls au for some reason lately so of course I've been turning around my own version in my head lately. And with Fiddleford I keep flip flopping on who I would switch him because there are many good options. Like

Fiddleford <> Pacifica:

This seems to be the most popular option, I've seen many old woman Pacifica designs, but I personally cannot see McGucket be the snotty rich kid that Pacifica was at the start. I CAN see how he could be rich (Tate McGucket probably invented something and got a lot of money for it) but CAN'T see him be anyway snotty about it. I think the best way to make Fiddleford fit this role is through a series of misunderstandings. He is trying SO HARD to be nice to these twin brothers who are spending their summer in Gravity Falls and he just keeps messing up. He tries to make a robot to help them out but it end up turning evil and they assume that it was ment to sabotage them from the start. He tries to have a nice conversation with them but because he's rich he's just out touch enough to come off rude and show offy. FIDDS IS TRYING TO BE NICE FROM THE START!

Fiddleford <> Candy

It is easily the second most popular option here. There really isn't much to say with this one it's probably the one that makes the most sense. I can easily see Candy going to Backupsmore and telling Dipper/Mabel about the weird things shes seen in Gravity Falls. The idea that Stanley and Fidds became friends first before Ford and Fidds is interesting. My main grip with it is that if we're going with the version where Dipper is swapped with Ford, it implies that Mable and Candy never really became friends in this universe, which I find really sad. Honestly I think that the main reason this swap exists in that context is because of that one episode were they go on a road trip and Candy got crush on Dipper mixed with fact that many people ship FiddleAuthor.

Fiddleford <> Soos

Hear me out, hear me OUT! I've seen a few versions where even when Soos' Grandma is swapped with Soos, they also add Fidds as a handyman at the Shack anyways. But why not go the whole way, ya'know? Soos was a friend that Dipper met and shared a dorm with in Backupsmore. Soos was still older than Dipper. Soos and Melody were already married with a kid on the way, and Soos was also Gravity Falls' local handyman. He decided to get college and get like a mechanical engineering degree or maybe a trade in something there because even in the small town of Gravity Falls technology was only getting more and more complicated and Soos wanted to be able to keep up so he can keep making money for his family by fixing things. During their time at Backupsmore, Soos would tell Dipper about some of the crazy things he's seen living in Gravity Falls, and that inspires Dipper to go study it after college. And then the rest of that rolls out predictably. I can easily (and sadly) see Soos becoming the local kook. I imagine that it will also be much sadder for the locals to see Soos acting up because many of them have memories of him coming to fix their microwaves and stuff. And as for Fidds, he's the Mystery Shack's handyman. You can make him around the same age as the Stan twins, we know that in cannon that Soos started working there around that age, so he doesn't have to be Soos' cannon age. I think this works best with Dipper and Ford switching places because in cannon Dipper and Soos were friends, so it kinda easily transfers, ya'know. I've put a lot in this one.

And uh yeah that's my incoherent ramblings...

[oswildin]

Debated making this, but oh well, here we are…

I rewatched the Loki series.

Going to add here quickly that I have been a fan of Loki since 2012/2013, and I personally relate to his character for a multitude of reasons.

Now, I enjoy the series, but I wish they made it more character focused than they had. I do feel like they prioritised story in terms of making it fit the next phase over exploring and expanding on Loki’s character to some degree (a lot of it was surface level).

For example, I would’ve loved to have seen:

Exploring Loki’s Jotun heritage, even if it was a variant of him in the void that embraced it, dropped his aesir form, a conversation between Loki and his Jotun variant as they explain why they chose to embrace it, giving a different view to maybe how our Loki sees himself/the Jotuns. If ‘What If’ could have a frost giant Loki variant, why couldn’t the show?

Expanding upon what happened to Loki during that year after his fall from the Bifrost. The reason for this is self explanatory really, it would add more lore/depth to his experiences/actions during the Avengers. Maybe address the trauma he has from it.

Loki fighting with his so-called ‘desire’ for a throne more. By this I mean, I felt he flipped pretty quickly from his plan to overthrow the time keepers to just following along with Sylvie - which is fine, but I kinda thought there would be more push back from him. I get it was a life or death situation and Loki’s whole thing is ‘survival’, but it would’ve added to their dynamic and the fact the writers clearly wanted to push how Sylvie was different to other Loki’s.

Exploring Sylvie’s backstory more. It really did feel like it was an afterthought, which is a shame. I suppose they left it ambiguous for certain reasons, but I think they should’ve had more flashback scenes of what Sylvie could remember. I think it would’ve helped people understand and relate to her more. (I do love her though).

Actually showed Loki’s gender fluidity & shapeshifting ability more. Again, self explanatory really & important to his character, plus the whole implied only ‘woman variant’ thing with Sylvie should’ve not been a thing, like at all.

They should’ve given Loki more time to process everything. This show really should’ve had 8 episodes each season, I get that’s not the writers fault, likely Disney/marvel’s doing. Perhaps then the shift in his character wouldn’t have felt so jarring, especially considering he’s 2012 Loki. I do agree they wrote him as if he was Ragnarok!Loki, and that’s not necessarily a bad thing, but it just felt jarring considering the last we saw of this Loki was Avengers. But then I could also argue that maybe he thought ‘what’s the point of it’ because the TVA know everything about him, but I digress.

Used Sylvie more in S2. It did feel like they didn’t quite know what to do with her, her and Loki clearly just needed to sit and discuss the citadel fight, but the closest thing we got is in EP3 where Sylvie says ‘this is all rather familiar, isn’t it?’, referencing their different/opposing opinions on the TVA/He Who Remains. And also maybe the pie room scene, but it’s very vague/not directly addressed.

Explored the fact that Mobius is not a good guy more. Because, he isn’t. And that’s okay. To me, the whole point of the show is based on Loki’s quote of ‘no one good is ever truly good, and no one bad is ever truly bad’, and whilst they do reference Mobius’ own morally grey actions/traits, they don’t particularly make it clear and most just see him as this ‘happy go lucky old man who likes pie and loves Loki variants’. In fact, I actually really liked the scene where Sylvie confronts him - which is a very unpopular opinion to have it seems, lol.

Delved into the psychology of Loki further than surface level/what we already know about him. Yes, we know he’s the God of Mischief. Yes, we know he isn’t evil. Yes, we know he is redeemable. Yes, we know he’s cunning, manipulative and selfish. We get that he projects this ‘illusion’ of himself, but it was only really mentioned in S1 EP1, maybe slightly EP2, before it’s never really mentioned again. I suppose S2 does this to a degree with the bar scene and EP5 of S1 in the time cell with Sif - also I think they tried to take the narcissist angle from the pov that it’s because of his low self-esteem as to why he needs validation and it’s a defence mechanism, but they didn’t particularly make that clear and made it seem like he just thinks highly of himself.

I know it seems like I have a lot of issues with the show, and I do, but I still enjoyed it. It’s okay to be critical of a piece of media and still enjoy it.

I do prefer S2 to S1, mostly because I prefer the direction they took it in and whilst I, of course, wanted better for Loki, I can’t deny S2 EP6 is a stunning finale. I sobbed so hard during the ending and still feel the grief that I actually lost someone I knew personally. But I also have hope that this means Loki is now a main player in the next phase (am I delusional? Maybe).

I enjoyed the dynamics, the back and forth/chemistry, the story was interesting, the set & costume design, the acting, the directing/colour grading, the music (Natalie Holt, you are genius), the emotions, the fun, the characters…

So this is not a hate post by any means, I will once again state, I enjoyed the show. But, I do have issues with it, and that’s okay too.

Please, dni if you’re just going to be argumentative or confrontational. I also don’t want to hear that just because I enjoyed the show that I’m ‘not a real fan’ lmao. I’m sorry, but I’ve been a Loki stan for over a decade, and I will not have someone tell me I’m not a real fan because of a piece of fictional media. Also, please do not mention anything regarding ships on this post, I do not care for it because it always ends up in arguments and I am a multishipper so I don’t tend to fight for any side. Thank you! :) /gen

[thatrandomlemononyourcounter1]

The Problems With TMNT 2012 April O'neil (And Why It's The Writer's Fault)

(side note this accidentally low-key turned into an April O'neil defense post, and I apologize.)

Hello everyone! This post was seven pages on google docs so that's fun :D

When I was younger, I thought April O'neil was so cool. She was part Kraang, had multiple guys chasing after her, and was training to be a kunoichi.

As I got older though, and rewatched the show, I realized that while her character was cool, there were a lot of issues with said character.

Now, before I really start, I want to clarify, I do not dislike April! In fact, I still think she's a really cool character with a lot of potential. Unfortunately, said potential has been lost to the grasp of time and space, but that's not her fault.

A lot, and I mean a LOT of people don't like April. The most common complaints I hear about her are as follows. A, she led Donnie and Casey on. B, she's a Mary Sue. C, she got too powerful too fast. D, she's just annoying and two-faced.

Let's start with point number 1.

The Love Triangle between Donnie, April, and Casey is one of the most controversial things in the show. Some people love it, most people hate it, not that I blame them. The biggest point against the love triangle was that it deterred from the characters, and was honestly just kinda gross and cringey.

This could not be more true.

I could make whole other posts on why Donnie and Casey's characters would've been so much better without the love triangle, but this is an April post, so let's talk about April and the first point where the writer's screwed up.

Introducing April as a love interest

If there was one thing that I could take away from TMNT 2012, it would be the fact that they introduced April not as her own character, but a love interest. The fact that they did this set the stage for what April's character was meant to become.

If they had simply introduced April as her own character, then we would've been able to get a better grip on her personality.

But no.

April had never really been a love interest in the iterations before tmnt 2012, and that was because she usually stood in as an older sister figure for the turtles. Yes, some fans shipped April with the turtles, but it was never implied in any of the previous shows that any of the turtles had a crush on April or vice versa.

I don't know why TMNT 2012 decided to change that, but they did.

Making April the same age as the turtles wasn't the problem, and honestly, neither was shipping Donnie and April in the show.

It was how they did it.

In shipping the two of them, they dumbed April's character down to just a love interest, and made her seem bitchy. They wrote her having romantic moments with both Donnie and Casey, and supposedly turning both of them down at other moments.

A Foot Too Big is one of the most controversial episodes in TMNT 2012 period. The episode consists of Donnie rescuing Bigfoot. Bigfoot then proceeds to follow Donnie around like a lost puppy, invade his personal space, touch him without consent, blah, blah, blah. This causes Donnie to realize that just like how Bigfoot is acting is making him uncomfortable, how he's acting around April is probably making her uncomfortable. He then proceeds to tell April that he was going to try and start leaving her alone, and that he understood he was probably making her uncomfortable.

Then, in one of the most controversial moments ever, April grabs him and kisses him, saying "You're my mutant."

Yeah.

Prettttyyyy bad.

I think this incredibly out of character for April, and I think that the entire reason this scene happened was so that they wouldn't lose their most played gag, well tied with making Mikey look stupid after proving him to be smart time and time again, but that's a post for another time.

An excellent point that I've seen made by others was that the whole love triangle was never planned to have a solution, it was there to be played for laughs, which in turn, made April's character suffer for it.

I do believe that April's character would've thrived if not for the love triangle, and I believe that Donnie and Casey's characters would've been better off as well.

Point 2: April's a Mary Sue

Boy oh boy.

First of all, let's look at the definition of a Mary Sue.

"Unrealistically lacking in flaws or weaknesses."

So...people want to call April bitchy, and then call her a Mary Sue, as if being bitchy isn't a character flaw?

This is argumentatively one of my LEAST favorite arguments against April's character, because usually the argue-r defeats themself when they say the statement.

"She's annoying." That's a character flaw.

"She leads people on." That's a character flaw.

"She let herself get controlled by the stupid crystal." That's a character flaw.

April has a lot of flaws, and that's one of the reasons why I think her character could've been really interesting!

Let's take a look at some of the things that build April's character, and therefore make her not a Mary Sue.

April is shown from the very beginning of the show to be more of an action-oriented person, not always thinking things through.

(i.e. in S1 EP6 Metalhead when she went to go investigate the Kraang warehouse by herself or even in S1 EP1 Rise of the Turtles when she tries to come up with a plan to escape the Kraang's holding her hostage)

This is a character flaw, and it's one that we see a lot throughout the show.

April is also shown to be very empathetic. You can see this in multiple instances, such as when Karai admitted that she believe Splinter was her father, and April believed her.

This isn't necessarily a character flaw, but it has gotten her into trouble a few times. Usually her empathetic attitude helps more than harms.

April stands up for what she thinks is right. This is an important piece of her character that ties into her empathetic attitude.

April is sassy sometimes.

April can hold a serious grudge.

But, she can also be forgiving.

April is stubborn.

So, as I've pointed out, April definitely has a personality. It's just that usually, these elements of her character were ignored in favor of the love triangle, dulling down her character overall, and making her sometimes seem like a Mary Sue.

Speaking of the Mary Sue argument, let's take a gander at another requirement for being a Mary Sue, which is "everyone likes them, and people who don't like them are shown to be wrong for not liking them."

This is NOT true for April.

TMNT 2012 had no problems making Karai and April have serious beef, and Karai was never shown to be in the wrong for disliking her, except for when Karai took it a step too far.

Obviously, most of the other characters (who aren't villains) like April, because the other characters that are shown are her friends, or friends of friends.

Another aspect of the Mary Sue argument was that the character was usually too powerful without a reason, or out of nowhere.

This also ties into point number three:

April got too strong too fast/April's too strong

Okay!

So let's get into this point.

When I was a little younger, I used to think that people who argued this had a point, but again, as I've gotten older and applied my critical thinking skills, I realized that this isn't actually true.

Some people didn't like that the show made April half-Kraang, claiming it was too strange, just a way to make a female character seem like a 'girlboss', and of course a variety of sexist comments.

I am among the lovers of half-Kraang April, mostly because I think it was a really interesting take on the character.

But! A lot of people claimed that her "kraang" powers were too strong, making her unlikeable.

You want to know how the writers remedied this?

By making April get possessed by the Aeon crystal! (In my opinion, this was actually a really interesting writing direction)

Whiiichhh...of course a bunch of people also had a problem with.

Look, I can't make you like the Aeon crystal writing choice, and I'm certainly not about to try, but, by making April get possessed, the writers inadvertently added a flaw to their apparent "flawless" glorified love interest.

Now, it's been a hot minute since I watched any of the later seasons of TMNT 2012 (mostly because paramount plus is my mortal enemy (side note if anyone has seasons 3-5 downloaded feel free to DM me wink wink)), but I think I remember April losing some fights.

It wasn't like the narrative made her invincible, is my point.

So yes, April was strong, but she wasn't insufferably strong to the point where it was annoying.

I often see this argument used against Captain Marvel from the MCU as well, and I loathe it with my entire being so.

Now for the "April got too strong too fast" complaint.

I just gotta ask, did we watch the same show? /hj

April was shown to have something strange going on with her since season 1! Her powers were alluded to multiple times, so it wasn't like this was a last minute writing decision.

Her power grew stronger as the seasons went on, and there were a few episodes in each season that showcased this, such as S3 EP7 Eyes of the Chimera.

Yes she was strong in season 5, but that's because it was the last season!

As for her ninjutsu skills, it's the same thing. She'd been training since season 1! She grew as a ninja over time.

Now, for the last point:

April's just annoying.

Yeah, if this is you, I don't know if I can change your mind. Also if this is you, there a many times per season where I agree with you!

But let me tell you dear reader the same thing I tell myself.

It's not the character, it's the writers.

Unless the very idea of April O'neil makes you mad, my guess is that most of the gripes you have with her character are the writers' fault. The not choosing between Donnie and Casey, the 'character trait swaps', all of that was the writers.

None of those things are April's character.

Conclusion:

If you made it all the way down here, and read all of it, I applaud you.

Overall, I can't make you like April, but I can attempt to analyze her character and give you the finished analysis, that is mostly just me blaming all the problems of her character on the writers.

April had the opportunity to be an amazing character, and that opportunity was poured down the drain.

But, there are still some redeeming things about her character, and those things are the things that made me like her.

So, like most things in life, if you focus on the positives, you'll be okay.

This was CJ and her April O'neil analysis, that accidentally turned into a defense post.

Sorry if none of this post made any sense, I wrote it at midnight after a very long day.

[triannel]

HI!!! I adore how you write bill, an my own birthday is tomorrow an im ✨Terrified✨✨,, n was wondering ifff. You could do a sorta angst-fluff where its the readers birthday, but every single one of his birthdays has been awful. And like, now that bills here with the reader he feels like maybe he wont have to Just survive his birthday? That even with his god awful family, it might be ok. Like yeah the meds help, but it doesnt fix anything if the people youre with are why youre fucked yknow? IDK and maybe bill decides to take it upon himself to remove the readers family😋 cant be a neglected middle child w all the responsibilities of the eldest if youre an orphan/J AN I DONT MIND HOW CLOSE YOU STAY TO THIS I LOVE YOUR WRITING ANYWAYS!!

(,,,o n also the reader maybe be a grungey scene kid kinda guy? Lots of piercings, an is more feminine than his parents think he should be, especially as a trans guy, So thats smth. Love bones n bugs and shinies an is like if a dog n crow were a guy,, n supr srry if this is a bad req!! Im jus excited cus i love bill, and im also stressy out cus of my burthdayy >_<“) SO NO PRESSURE TO RESPOND ESPECIALLY IF THIS IS TOO LONG OR ANYTHIMG!!!/gen

-🌙

Hello and Happy Birthday 🌙 anon! I've managed to whip this up and I hope it gives you at least some sort of comfort for today. I really do hope you're situation gets better soon, take care of yourself and have a great day! (Also, don't worry, I never really do mind long asks.)

BirthDate

Oneshot | Bill Cipher x Reader | Fluff/Comfort?

Warnings: Mention of Death, Implied Abuse, Implied Trauma, Implied Bad Birthdays, Bill Cipher lol

Quickly stepping upstairs, you lock yourself in your bedroom, blocking all the noise emenating from downstairs. Exhaling, you drop to your bed, letting yourself relax into comfort of the soft mattress and fluffy pillows.

Only needing rest by this point, you close your eyes. Wanting nothing more than to leave this place behind.

"WHOA, DIDN'T EXPECT TO SEE YOU SO EARLY!" A voice suddenly spoke, booming loudly for you to hear.

Ah yes, there he is. You can't exactly say he's your best pal, but right this moment, you truly do feel more at ease with him than being back there.

"It's honestly been a long day so..." You shrugged for a moment before continuing, "Does it bother you?" You ask, giving a lighthearted smile.

"NOT AT ALL, I WOULDN'T BLAME ANYONE BY WANTING TO MEET YOURS TRULY," he spoke, blinking slowly in a dramatic way to show off his 'impressive looks'.

You chuckle slightly, shaking your head, "I mean, I don't think I'm exactly the one to choose to be here..." speaking your thought aloud just to perhaps tease him a little as you glance at him for a moment before slightly chuckling once more.

You never really did know how you even get to meet him to be honest, he somewhat always manages to show up in your dreams, so overtime you guessed that he might be the one approaching you...That, or it might be because of something else entirely.

For a moment, you thought you saw him become nervous for a second, but maybe it didn't happen at all as you only saw it for less than a second.

"WELL, JUST WANTED TO CHECK HOW YOU'RE DEALING WITH KNOWING YOU'RE ONE YEAR CLOSER TO YOUR DEATH," he flatly said, in a weird, eerie way. He always did love being weird so this type of behaviour wouldn't be uncommon by this point.

"Right... Well, what's the agenda for this time then? Or are you busy?" You ask, avoiding your 'birthday' in question. You'd much rather not talk about your birthday at all to be honest. Not a single one ever went well...

Adjusting his bowtie, he started to speak, "WELL..."

Snapping his fingers, your surroundings completely change.

The rest of your 'dream' went on a relatively good note. Having a cup of tea, playing chess, you both did the usual activities you both would do when meeting in your subconscious mind. But the only thing is that, he seemed to be more...well a bit more charming and noticeably, but only slightly more open to your suggestions on what else to spend time on.

He'd usually take the wheel and drag you through any activity he wants, but this time though, this time he was a bit more...considerate.

Now playing a board game with him, you take the dice and roll it. Getting one, Bill chuckles slightly at your misfortune for a second before taking the dice from you.

He might be treating you like this because it's your birthday, but you'd doubt it... Well at least for now-

"EY, IT'S YOUR TURN TOOTS," he snapped his finger a few times in front of your face.

Chuckling, you mutter an apology before taking the dice. Rolling it in your hands, you then let it go. As the dice lands on the floor, it lands on a six, letting you be the winner for the match.

"Yess, I won!" You raise your arms, smiling back at him.

"CHECK AGAIN." Bill spoke, pointing at your piece. Looking down at the board, you see a newly added tile in front of your piece, moving the finish line out of reach. You raise your eyebrow, giving him the side eye.

"WHAT? I DON'T MAKE THE RULES," he raised his shoulders, smiling mischievously with his eye.

Shaking your head, you chuckled at his silly banter while giving him the dice for his turn.

It's unexpected but, this dorito triangle man truly has made a significance on making your birthday much more bearable. Be it his choice to do it or not, you're honestly just glad to at least have some semblance of joy sprout on this day.

I haven't been able to post for a week because unfortunately I became rlly busy at the moment and it isn't helping that I do tend to procrastinate at times. I'll post more regularly later, but for now at least, I'll post this here. Once again, happy birthday 🌙 anon!

[capseycartwright]

ok i am going to get uncomfortably personal on main for a second please don’t make eye contact with me. this new trend of people vehemently saying that any storyline eddie may have about religion this season doesn’t ~ have to be ~ about his sexuality is genuinely a little upsetting to see because it’s not just oh it can be about something else anymore. so often recently i have just seen over and over the implication that it’s somehow wrong to so desperately want it to be about his sexuality - and maybe the intention is not for it to come across that way, but it often does.

as someone who grew up in a deeply religious, frankly strict, catholic environment (my school had an on campus priest. like that’s the level of catholicism we’re talking about here. i was in the big leagues) i freely admit i am clinging to the idea of eddie having a sexuality related storyline that revolves around his faith because i want that and i needed that when i was fourteen and struggling to come to terms with my sexuality because i was such a devout fucking catholic. i have done all the sacraments. i spent my entire life in catholic education. i didn’t miss mass any sunday for eighteen full years of my life. i was fucking religious. and i am bisexual. and i could not accept it. i didn’t even begin to accept it until i was 21. i didn’t even want to accept it then. i will have that religious trauma for the rest of my life. and i don’t even know how to articulate myself properly when i talk about it now, years later, but it’s not just the unlearning of your own faith that’s traumatic - it’s the loss of a community you spent your entire life in. that’s gone forever for me and it leaves behind an ache that’s hard to describe.

eddies faith journey could be about anything, sure, it absolutely could. but i need it to be about this. and i will make it about sexuality in every fic i write even if i don’t get it on screen - and i really hope i get it on screen. i am not the only person who feels that way. and this new wave of ~ discourse ~ where you’re somehow wrong to want eddies faith storyline to be about his sexuality because it couldn’t possibly be about anything other than heterosexuality and him feeling like a failure because he was going to get divorce and no longer have a nuclear family makes me feel about as small as i did when i realised the church i had loved (and still frankly love - despite it all, despite how much i wish i didn’t) my whole life would never love me back. we all have our interpretations of what these things mean, and are more than entitled to those differing interpretations - but what you’re not entitled to do is imply those of us who see our queer, catholic journeys in eddie are somehow stupid or wrong for seeing that.

i don’t like talking about this stuff. i write fic where i make eddie talk about it instead. that’s my way of processing. i just think a wee bit of empathy when it comes to things like faith and queerness - knowing so many of us share the same story about religion and sexuality, and intimately know how hard that story is to live, regardless of what faith you followed - is important. you might not see queerness in a storyline about faith or believe it’s there but lots of us do, and being so dismissive of that is just kinda mean, actually. ok bye.

[rachelsfav-queer]

We’re lucky that Incorrect Quotes are inherently funny, because wouldn’t it be simply monstrous if someone were to, say, make one where it’s implied that Wednesday’s ashes are stored in the cup? The same cup that Enid has slept with every night, ever since that day?

…

Yup. Good thing no one would possibly do that to us.

Damn, I know you sent this a while ago but it did NOT age well lmaooooo

Also, this is simultaneously kinda funny but also heartbreaking as hell, how could you? /j

[doctorsiren]

he’s mad she ratted him out

[my-name-is-apollo]

Why is Hera so hostile to Leto in a manner that she isn't with the other lovers of Zeus? I can't think of any other woman who was targeted so much by Hera. One could say she didn't want Leto to give birth because her children would be a competition to Hera's children, but why bother her even after she had already given birth? Is it because Leto herself is also a threat to Hera?

Sort of I guess?

I don't think Leto would ever be a threat to Hera's role as the queen of the gods but Hera might see her as a competitor for Zeus' affection, even though I think Zeus would not marry someone else and replace Hera.

The twins are definitely a big reason why Hera begrudged Leto - it is outright stated in the Callimachus Hymn to Delos that the reason Hera especially targeted Leto was because she was told that Apollo would be dearer to Zeus than Ares is. Zeus is very proud of Artemis as well. As he himself puts it, he doesn't mind facing Hera's wrath for children like her.

But the continued hatred even after the birth of the twins (like sending Tityus to rape Leto) could have been for different reasons. This wasn't like one of those affairs Zeus would have with mortal women where he'd leave them behind once the child is conceived. Neither could Hera, despite her many attempts, get rid of Leto like she did with the other lovers. Not only did Leto give Zeus children that he loves dearly, she also stayed on Olympus despite Hera's hatred towards her (which isn't directed to any of Zeus' other divine mistresses, btw). It might have also been because Leto herself is dear to Zeus, if the way she's treated on Olympus is any proof. In the Homeric hymn to Apollo, Leto stands next to Zeus - in the Olympian assembly - to welcome their son. Hera is completely absent from the scene, as if Leto had taken her place even if temporarily. Now you could say this is because Apollo himself is such a powerful and glorious son in a way that no other son of Zeus is, so of course Leto would get such an honor (the hymn itself presents it this way).

But here's another instance - in the Iliad, when Hera goes to seduce Zeus, he is obviously very smitten but before getting into the action, he lists some of his lovers (I believe these were his favorite lovers, as a lot of others are not mentioned):

"for never has such desire for goddess or mortal woman so gripped and overwhelmed my heart, not even when I was seized by love for Ixion’s wife, who gave birth to Peirithous the gods’ rival in wisdom; or for Acrisius’ daughter, slim-ankled Danaë, who bore Perseus, greatest of warriors; or for the far-famed daughter of Phoenix, who gave me Minos and godlike Rhadamanthus; or for Semele mother of Dionysus, who brings men joy; or for Alcmene at Thebes, whose son was lion-hearted Heracles; or for Demeter of the lovely tresses; or for glorious Leto; or even for you yourself, as this love and sweet desire for you grips me now.’ (Book 14, trans. A. T. Murray)

Notice how when talking about most of them, he also mentions the children they bore to him but when Demeter and Leto are mentioned, he doesn't bring up their children at all despite them being some of the most accomplished kids of his. What's more, he takes Leto's name just before Hera's. I mean, this is an interpretation but it looks like not only did Zeus love Leto the most out of all his mistresses - giving her a place second to that of his wife, but also his love for her wasn't necessarily only because she gave him two amazing children.

Nonnus does something similar in the Dionysiaca (but this time Zeus is enamored with Persephone instead of Hera) but more notably, when Typhoeus attacks Olympus and Zeus is discouraged, Nike takes the form of Leto to encourage him and it's pretty telling of what Leto meant to Zeus.

One interesting similarity between Hera and Leto is that they both had a giant try to rape them. Porphyrion tried to violate Hera (Zeus inspired him to do this) and Tityus tried to violate Leto (upon Hera's order). Though both of them were killed, only Tityus got an eternal punishment in Tartarus of having his liver/heart eaten out by vultures so Zeus seems to have taken a greater offense at Tityus trying to assault Leto.

Again, I don't think Zeus would ever take anyone other than Hera as his permanent wife - she is irreplaceable to him. There's an entire myth about Hera leaving him and Zeus winning her back. Their relationship is obviously complex and involves all kinds of emotions including love and hate. But Leto is continually dear to him as well and that's something Hera can't do much about.

[sysig]

Softly, slowly, I want to love you anyway (Patreon)

[year2000electronics]

(Resent ask) Do the people who were born in the town like Soos and Wendy + her friends go through puberty and turn into monsters or are they born that way? Was Wendy born dead?

OKAY YES PERFECT i meant to say one thing but i accidentally implied another. ive established before that the curse takes at least a year to happen to people USUALLY (right. like half of the twist with dipper and mabel is that it happens to them rapidly) but i dont think that means that monsters will automatically have monster kids if you know what i mean

for example, one of my friends or maybe a commenter proposed that one of the reason soos' dad ran off (aside from being a jerk deadbeat) is that maybe he realized the town was cursing him and was like "im gonna get the heck outta dodge" leaving abuelita and soos behind

SO i think this is my internal logic of it. right.

dipper and mabel: kids who got cursed almost immediately (not normal)

people who move to gravity falls and stay there (ford, fiddleford, stan): curse doesnt become permanent until the transformation is complete, which takes about a year. think about it almost like theyre first-generation immigrants

people who were born in gravity falls: the curse takes them eventually, but it usually happens slower than usual because it's almost "taking its time". like its in no hurry. because its a lot less likely any kids are gonna leave the town during that time

so to give an example, wendy would be a ghost, but shed be born as a human and then slowly get more ghostlike traits until the curse kinda finishes, id say around puberty/being 12 or 13

but of course thats a bit of a strange example because it sounds like wendy is like. DYING? lol... i imagine the corduroys being "ghosts" is more in the luigi's mansion boo sense where ghost is just like. a Species.

^basically wendy if you think about it

[kuzunoha-xiv]

much to think about........

[mla0]

i hate when people portray michael and/or patrick as some kind of master manipulator who was terrible to shaun and stormy. like, in the past, michael sometimes got portrayed with little autonomy, or as childish and overly innocent in a weird way. that in itself is an issue with the treatment of mentally ill characters (infantilization), but the solution isn't to argue that he's actually a monster who only wanted to hurt and mislead people. the same goes for patrick. i don't enjoy the "goofy flirty mass murderer" interpretation for very similar reasons, because in the canon patrick did indeed do some wild shit but i think it's a stretch to say it was out of malice, except maybe towards eric lol

obviously there will be different views of these characters and this isn't meant to be gatekeep-y or anything, i'm just concerned with how certain portrayals can quickly slide into negative biases towards mental illness. i think if you're going on this route you might want to ask yourself why, and consider how it could make the mentally ill people within the fandom feel when they see their own symptoms portrayed by their peers as synonymous with being dishonest or manipulative

[taxi-boi]

free my man! he did all that shit but he was [stigmatized disorder] coded and all of his actions were the result of ableist/sanist writing decisions made by the author.