#because its not like they do not understand that everyone has their own perspective

[amazingdeadfish]

i'm reading 'quest for the skeleton key' again and damn, chief tought that destroy the world was not a big deal so.. they tought/think Macaque trap them in the calabash for nothing? just for an impure world? 💔

Yeahhhhhhh pretty much ｡⁠:ﾟ⁠(⁠;⁠´⁠∩⁠`⁠;⁠)ﾟ⁠:⁠｡.

I mean its not like they realised that straight away, but, they probably realised that at some point. Or more like, they had to realise at some point.

But Mayor is not ignorant. Not in the slightest. They do know what Macaque had his reasons for doing what he did. Macaque quite obviously preferred living over death. Although they do not understand it fully, they do understand that everyone has their own opinions.

It is simply the fact that they believe that Lady Bone Demon's opinions are simply above everyone else's. That her logic is 'right'. But that doesn't mean that they do not understand that everyone else has their own sense of morality.

So anyways, they understand Macaque but are hurt regardless.

[faultsofyouth]

It's fucked up that the sober population straight up ignores how a huge portion of addicts have chronic illnesses

[tyrantwombat]

That said, as cool as the visuals are, they made the choking thing so dramatic again. I get the visual medium thing, and needing those high energy beats, but Sung Hyunjae is just so casually menacing about it in the novel and Yoojin just.

Barely registers it.

Can't be bothered.

[ursie]

Brennan’s statement on Palestine :

[ ID: Statement from Brennan Lee Mulligan, on Instagram. It consists of three black squares with plain white text. The text reads as follows:

"I'm calling on my government officials to immediately demand a ceasefire and de-escalation in Gaza.

I applaud anyone and everyone calling for peace, with the understanding that real peace only exists if it deeply and honestly accounts for and fully ends violence in all its forms. Real peace addresses and corrects wrong-doing in the past and guards against it in the future. It goes hand in hand with justice and requires truth, restoration, reconciliation, reparation.

Peace cannot co-exist with collective punishment, ethnic cleansing and forced displacement. It cannot co-exist with blockades, embargoes, or with 2.2 million people, half of which are children, trapped with no hope of escape or political recourse. it cannot co-exist with murdered journalists, bombed hospitals, or years of protesters being shot and killed at the border. it cannot co-exist with illegal settlements, segregated roads, and the silent, imperial chill that settles over the gaps in the violence - the unspoken geopolitical consensus that a group of people need to unflinchingly accept permanent subjugation and occupation.

My hear breaks for every Israeli person who lost loved ones during the attacks of October 7th. It breaks for every Ukrainian person who has lost their loved ones. It breaks for every Congolese person who has lost their loved ones. I do not speak on behalf of Palestinians now because some lives are worth more than others. I speak on their behalf because I, and all Americans, have a responsibility to pressure our government because we are responsible for this. Some have said that this situation is complicated. The Unites States government clearly disagrees. It has definitively, categorically, militarily chosen a side, and I do not agree with that decision.

In wiring this, I have been wrestling with what I am sure many people like me wrestle with: There is a powerful narrative surrounding violence in the Middle East that asserts and ever-moving goalpost of self-education and study in order to even be qualified to have an opinion. As someone with a love of research, I have at times in my life fallen into the trap that I am not educated enough clever enough, or aware enough to have a worthwhile perspective, and that three more articles and two more lectures and one more book will do the trick. Unfortunately, democracy doesn't work that way - we, the citizens of any democracy, cannot possibly be experts on every aspect of the policies of our governments, and yet if we do not constantly weigh in an make our voices heard, the entire experiment falls apart. Not only do people constantly doubt themselves and the things they can see with their own two eyes, but old shortcuts for political action can fall apart as well: This specific issue exists along a raw, charged and unique faultline in American Politics. Nobody I grew up with has ever challenged me on my support for abortion rights, LGBT rights, Black Lives Matter, anti-capitalism, anti-fascism, none of it. The people in my country who would despise me for those positions are, for all intents and purposes, strangers to me. But there are people who I've broken bread with and shared honest affection with who will see the words I've written here and incorrectly conclude that I do not wish for the security, dignity and happiness of them and their loved ones, and that breaks my fucking heart. Full-throatedly condemning the actions of the Israeli government while battling rampant anti-semitism at home is an urgent moral necessity, and doing so is made unnecessarily challenging for the average person to navigate by the pointed obfuscations of cynical opportunists, bigots, and demagogues on all sides of the political spectrum who see some advantage in sowing that incredibly dangerous confusion.

So, I'm calling my representatives. I'm having hard conversations with friends and family. I'm here, talking to you. I should have done it sooner. If you're Israeli and hurt by this statement, know that I want freedom, dignity, security and peace for you, and that every ounce of my political awareness believes whole-heartedly that the actions of your government are not only destroying innocent lives, but doing so to the detriment of you and your loved ones' safety. If you're American and feel lost and confused - I understand and empathize. This, the whole country, only works when we get involved. I am constantly haunted by the specter that maybe I missed some crucial piece of information on this, or any, important world event. I'll just have to make my peace with that self-doubt and trust my gut by going with Jewish Voice for Peace, Amnesty International, the Geneva Conventions, the United Nations, etc. And if you're Palestinian and reading this: I unreservedly support your right to life, to freedom, to happiness and human flourishing, to full enfranchisement and equal rights, to opportunity, prosperity and abundance, to the restoration of stolen property and land, and to a Free Palestine." End ID ]

[avaisdramatic]

Putting this comment on here because I feel like I’m actually going insane…

It seems like nobody in the comments even watched the video, complaining about how paying for content is difficult in this economy, like, that's why they are doing this! They cannot continue to make the content they want for free based on ads and sponsors alone. If you have paid attention to the "Making Watcher"s of recent years, their company is not, and has not been profitable. They are so dependent on advertisers for funding that it is becoming a restriction to the content they want to make (y'a know, like Buzzfeed was), so they had to find a solution. I don't know why you all seem to think you are entitled to free content, I understand not everyone can afford it but Watcher doesn't owe you content personally. Frankly, I doubt they wanted to put their content behind a paywall, but if it's that or not make content at all, of course they are going to try to find a solution. So no, they aren't "turning into Buzzfeed” because the massive problem with Buzzfeed was its restrictions on creative freedom and exploitation of its workers. If Watcher wants to produce fulfilling content that gives their editors, designers, producers, etc full creative freedom and a livable wage, this is the best option. If you want them to pay their workers the bare minimum and tailor their content to advertiser interests just so you can watch it for free, that's fine. Just don't pretend that they are some evil media mega-corporation and you are the anti-capitalist shining hero for saying it. You don't have to like it, and you don't have to continue to support them, but don't try to shame and demonize them for making an already difficult decision.

Many of you DO have an understanding of the difficult position our current economic system puts people in because you have experienced it, but you are so unable to extend that understanding beyond your own point of view. Look past yourself for a moment and think critically, and maybe you will understand their perspective. Much love for all of the talented people within Watcher who are doing their best.

And just to add, their format going forward is almost IDENTICAL to CollegeHumor-Dropout's streaming service format (even down to the free premieres and advocating for sharing accounts with friends), which most people praise to high heaven as "the only ethical streaming service." As a huge fan of both companies the stark difference in response here is actually astounding...

[j4ygyu]

🫐 - jake! maybe about reader having some hardships during her pregnancy but baby daddy jake would be ready to do anything for her comfort !!

rejecting his kisses | sjy

pairing: husband!jake x wife!reader

genre: fluff bro what else i write 😭😭

synopsis: reader is growing sensitive day by day to touches and snaps at jake, jake being a mature husband handles the situation well.

everything felt so much more overwhelming, jake kept a family dinner and everyone was over, his members and his family. 

“how are my babies doing?” jake said as he nuzzled his nose in your neck as you moved back in annoyance. 

oh he noticed it but shrugged it off, maybe it was just a silly reaction right?

the sound of everyone talking at the same time in their own conversation rings around in your ears making it hard for you to keep up with everything jake had his hands on you the whole day, hugging you from behind, talking to his friends and family with a hand on your bump, rubbing your nose agaisnt his, kissing your cheeks, lips and forehead. yeah sounds cute but not when you’re feeling everything a little too much. 

what is going on. 

it was so bad that you had to shut your room door so loud and settle on the bed, 

there you were, pregnant and finally on your thrid trimester with your annoying husband being extra touchy anywhere he could find you at.

rubbing your temples you sat on the bed, grabbed the water from the beside table and starting chugging it down. 

meanwhile, jake who already spotted your absensce in the living room came in “bub?” you heard his voice and your brain gave a reaction not again. 

he walks in as you don’t even dare to look at him in the eye, your eyes closed as you take deep breath. 

“did i do something” he leans over to your face while staring deep “no..” u say as he hums in question he sits beside you, wrapping his arm around your shoulder “are you oka-“ you cut him off,

“no- just no- please okay? please just get your hands off of me please jake. stay away from me i am not feeling all your touches just leave me the fuck alone.” you say raising your voice. 

the next thing you see is tears in jake’s eyes as he looks away from you trying to hold them in. 

“i am sorry.” 

a moment of complete silence goes by as you rest your head on the headboard.

you notice him avoiding your looks and turning to the other side, hesitant to ask you if you need anything again.

“did i do something wrong?” he asks out of curiosity “i won’t touch you if—“

“no i dont know.. i am sorry i dont feel like getting touched i dont know.. i don’t know why i am being like this i don’t know” as you’re saying he turns around and comes closer to you.

attentively listening as he brings a hand to tug your hair strand back.

“hey no no it’s fine, its completely fine yeah, this is super normal for pregnant women to feel..” he says as tears start spilling from your eyes because of how understanding he is. 

jake has always put your perspective before his, always understanding everything you did, always finding a reason for your actions and letting you express yourself, god you think what did you do to deserve him. 

“b-but jake” you say as he holds your face in his hands and squishes your cheeks trying to calm you down.

“at this stage you’ve grown more sensitive. to touches to words to noises to everything” he says bringing his hands back to himself, “isn’t it?” 

you nod in agreement as he adds “so don’t ever blame yourself about all this okay? i love you just how it is. nothing will ever change that” 

you look at him and take his hand and place it on your belly, he makes sure to keep it exactly where you kept and not rub it because of muscle memory 

he pauses and lets out a little laugh as he feels the baby kicking where his arm is placed “just try not to be as aggressive as you were okay?” you nod once again as he kisses your cheeks wiping your tears off his lips. 

“baby doesn’t like hearing mum and dad argue does it?” he says as he feels another kick to his palm as you both laugh out of surprise. 

it makes you giggle, mood swings are crazy.

[fipindustries]

i already mentioned in the past that a friend of mine trained an AI on my drawings so that it could replicate my artstyle, a fun thing is that it fed it a bunch of drawings i made of myself so most of the things it creates look like self portraits i could have done

other just look like random cool guys i could have come up with

(i fucking love the guy with short hair and lipstick, he looks fucking sick, i am 100% using that design)

first of all, i cannot begin to descrive how mindfucky and trippy is to see drawing that *could have been done by me* but werent. every time i see them i have to catch my self for a few seconds wondering "wait, did i do these and forgot????"

second, because i didnt do these they are not worn on my eyes like a drawing i would have made, these are fresh images to my brain. i dont have a memory of having done every line and curve and having observed it a million times as i was doing them, thus the illusion of life is a lot more stronger for me.

so with all this is mind, this little excercise is allowing me to do something i always craved for but that i could never get. to see my own art from an outsider's perspective. to be able to appreciate my work from the point of view of someone else. how does my drawings look to others. i can do that now with these.

and let me tell you, not to sound too conceited but, damn, i really like what i see. i can now see what everyone else sees in my artstyle, its fun! its dinamic! its really expressive in a way i never noticed! and yes, the noses! oh my god the noses! and the way the lips curl and tighten.

on top of that, as i said, a lot of the overfitting in the model is directed towards self portraits that i made of myself, so the AI will tend to use many of the faces and features i use to depict myself. now you have to understand i identify quite strongly with my own drawings. i said often that i see more of my self in my drawings than i do in a mirror.

with this in mind its also super trippy that my friend basically has a fip generator.

every time i see things like this i cant help but go "OMG, THATS ME! THAT IS ME!"

(this final piece was actually done by me, lol)

so yeah, this has been all very illuminating

[sunkissedchld]

𝐏𝐥𝐚𝐧𝐞𝐭𝐬 𝐢𝐧 𝐭𝐡𝐞 𝟕𝐭𝐡 𝐇𝐨𝐮𝐬𝐞

in astrology, the seventh house is associated with the zodiac sign libra and the planet venus. oftentimes, people only think of the 7th house in the context of marriage and other partnerships - which is fine to an extent since it is connected to those things - but when it comes to having personal planets in the 7th house, it can feel very irritating to want to know information about yourself and only ever finding out information about others or someone you haven’t even met yet. this post is an attempt to look more into the 7th house outside of its association to others and instead look into it from the lense of one’s personal introspection.

𝐒𝐔𝐍

the sun represents our life’s purpose, our sense of self, and our driving energy force. those with their sun in the seventh house may feel as if they always need to perform a balancing act in their lives. they may be careful in their thought processes and with their words when it comes to speaking to people. they may come off as relatable and charming to people, and strangers may feel comfortable telling them seemingly private information within the first few minutes of meeting them. their life’s purpose is to look at situations from a full perspective and view all sides of the field rather than being biased towards one or the other. they also aim to connect to the collective and show compassion to those who may not always receive it. showing their understanding of human nature and emotions is their forte.

𝐌𝐎𝐎𝐍

the moon represents the way we understand and express our emotions. those with the moon in the seventh house may have a strong understanding of how their emotions function. they might have been the kids that found it easy to voice why they were crying or how someone hurt them. as a result of their comfortability with their emotions, it’s easy for seventh house moons to connect and empathize with others. seventh house moons may prefer to do more introspection to understand their emotions. although they understand others when they struggle with feelings, they are one of the last to openly express when they are actively struggling with their own. they may be playful when it comes to expressing the emotions they may be uncomfortable with talking about in public, so they may joke around or use self-deprecating humor sometimes.

𝐌𝐄𝐑𝐂𝐔𝐑𝐘

mercury represents the way our mind works and the way we communicate. those with mercury in the seventh house may be very diplomatic with their words. they may be careful about what they say and who they say it to. they may do a lot more active thinking about their words and way of thinking than they let on. everything they say has meaning and is intentional to their speech. they may be very particular about grammar! they may not have just one way of learning but instead do well when having a mix of tactics. for example, instead of learning well through just music, seventh house mercuries may learn well through music and repetition. seventh house mercuries are very well-versed in their communication.

𝐕𝐄𝐍𝐔𝐒

venus deals with our values and how we express our love and fashion aesthetic. those with venus in the seventh house value balance and harmony when it comes to human connection. they want everyone to get along and have the desire for a more rosy view of the world where everyone is nice and all things and people are treated equally. for love, it may be hard to feel “loved” by those with venus in the seventh house because it may feel as if they treat everyone the same. sure, they might kiss or spend more time with their significant other, but they may come off as being flirty with everyone because of their charming nature. when it comes to fashion, they may prefer more neutral tones like black, beige, gray, brown, or other related colors. they dress for whatever occasion is specified but may prefer to have a “clean” look overall.

𝐌𝐀𝐑𝐒

mars represents our actions and willpower. it also tells us about our physical and mental strength and what we desire. those with mars in the seventh house may be a little indecisive at times, but once they’ve finally made their mind up (or someone else has done it for them) they give their all to their given task. seventh house mars willpower reminds me of aries in that there’s a strong dedication, but their dedication is out of genuine passion or wanting to do good instead of to prove a point or just out of competitive nature. those with mars in the seventh house may find it easy to gain muscle when making an effort and also may have good mental fortitude when making the decision to stay positive. seventh house mars may find it easy to fall into self-fulfilling prophecy (good or bad). additionally, those with seventh house mars desire a type of stability and peace. they may be more sentimental when it comes to their desires and actions than they let on.

𝐉𝐔𝐏𝐈𝐓𝐄𝐑

jupiter details what we believe in and how we grow and expand our minds. those with jupiter in the seventh house believe in a diplomatic way of living where everyone and everything is harmonious and equal. they may be a little gullible because they may see the good in everyone or everything, despite that not necessarily being true. they grow through being willing to listen to every perspective, even if they disagree. their intent is to try and understand where people are coming from, and that is how they gain knowledge and expand their way of thinking. also, those with jupiter in the seventh house remind me of people with mercury in the seventh house in that they both may be really good at persuading others because of the seventh house placement with those specific planets. 

𝐒𝐀𝐓𝐔𝐑𝐍

saturn represents our boundaries, limitations, and what we need to gain responsibility for. those with saturn in the seventh house may be chronically indecisive. they may prefer when people tell them what to do versus making decisions themselves. also, they may find it debilitating being alone. they may insert themselves into everyone’s business in a way but only because they don’t want to be alone with themselves. those with saturn in the seventh house need to gain responsibility for their own true thoughts and feelings. they can’t keep looking to others to find their own answers if that makes sense. there is also definitely a need to be open with someone - likely a potential future spouse or significant other. there’s a responsibility to seventh house saturn’s self to learn how to be vulnerable with other people and with themselves.

𝐔𝐑𝐀𝐍𝐔𝐒

uranus tells us how and when we rebel and where we are innovative. those with uranus in the seventh house may rebel when it comes to traditional relationships. they may be open to polyamory, or they may be a part of the LGBTQ+ community. they may not like the idea of having societal contracts; they may possibly be interested in or agree with ideologies like anarchism. they may also like untraditional hierarchical structures in relationships, the workplace, government, etc. those with seventh house uranus want to push the boundaries of societal relationships and make an effort to bring people of various walks of life together.

𝐍𝐄𝐏𝐓𝐔𝐍𝐄

neptune details our dreams and imagination and where we want to find freedom from societal limitations. those with neptune in the seventh house may have vivid or (moreso) grandiose dreams. for example, if they have a dream about a school they once went to, the replication of the school in their dream will be pretty exact even if it’s been decades since they last saw it in person. their dreams may feel so realistic that it’s hard for them to recognize if they have woken up or not, or it may be hard to decipher whether a memory happened in real life or was a dream. also, they may dream of outside landscapes often - like vast forests or gardens. there’s a sense of wanting realistic people and scenery in their dreams but wanting to up the grandness of real life in their dreams if that makes sense. additionally, they may find themselves communicating with their friends, family, and future spouse through dreams.

𝐏𝐋𝐔𝐓𝐎

pluto deals with where and how we transform. it also tells of how we confront our fears. those with pluto in the seventh house ultimately transform when it comes to how they understand relationships with themselves and others. they will eventually learn to have more independence and self-trust rather than being overly reliant on others. they will learn to be comfortable with being alone. additionally, they transform through meeting with other people. i’m reminded of the saying that “everything comes and goes for a reason”; there may be people in seventh house pluto’s lives that they feel are so important that they can’t live without that they eventually lose or stop talking to. it’s through these building and loss of relationships that they eventually confront their fears of being alone. through this, they learn to lean on themselves and feel comfortable in their own silence.

[ancientgoddessofegypt]

JUPITERS THRONE : ASTRO OBSERVATIONS ON JUPITER PLACEMENTS

Jupiter square ascendant - Difficulty in spaces where their idealistic views and beliefs can piss off certain people. It is because they are more open to the universes astral possibilities and sometimes can be around others who will try to make them 'tone down' there optimism. Sometimes they will have to spend time alone to understand the path they are embarking. It is not until they leave that environment, that inspiring mark they leave on others transforms other people around them.

Venus Sag - Talented in music, arts, spirituality but they have their own twist to it. The seekers they are, they find new ways to bringing out their interest in a light that makes you ponder on it a little. Very intriguing love lives, eventually they let go of all the standards they have over their relationships and make new ones. Trying anything new in their relationships give them the wisdom they need to move forward on their journey.

Don't get your feelings hurt, tho... they are always in charge. Whether you like it or not.

Jupiter Conjunct Moon - The power they have. Whew. They are good orchestras of emotion. They have the ability to cast a spell on you with their large auras. Its hidden in plain sight. It's not until they express their emotions in a way that has people trembling at their feet. Could be amazing performers or people of intellect. They have a lot of knowledge hidden inside them. You just have to be on the other side of their overflowing emotions ;)

9th House Saturns - A long time journey with changing their beliefs through time to time. These people should go on frequent trips to the cabin, and enjoy the mountains for time to time. This will ground them and help them change their perspective a little. A little more outside time will do the trick.

Neptune/ Jupiter aspects - Your subconscious beliefs need to be above the roof. If you have a lack mentality jupiter will extend on it ten times more. Having more faith within your belief system will help you enjoy the fruits of your labor. It's all in the mind, and your luck comes from the infinite consciousness that is your imagination.

Sag Rising - These individuals possess a star light on their appearance that awakens enlightenment in other people. A dream come true in a way. Can have a persona that is of the likeness of a celebrity and have a very powerful energy to them. Something about them screams 'force'. They just got it. The mystery has yet to be solved.

Mercury Trine Jupiter - They could have an audience who just adores their opinions if they just spoke! These people are fascinating to listen to and get their point of view on things. They have a likeable aura when it comes to their speech. The ideas these peeps have within them can be used to change the minds and perspectives of others helping them expand. Can receive divine insight on what needs to be shared, learned or even be expressed in their thought waves. Deep thinkers, but in a way that philosophies whatever it is they put their mind too.

Pluto Trine Jupiter - A POWER HOUSE PLACEMENT!! These are the people who end up wealthy, famous or politicians. Naturally come into positions of power with ease. They know exactly how to get there and what they gotta do to keep it.

Sun Conjunct Jupiter - Popular. Well known. Attractive. Lucky. Lucky lucky lucky. Their faith gets them exactly what they need to fly. Even when the world throws them obstacles they wake up and keep trying. Very inspiring and influential. You can't take that away from them.

Neptune in the 9th - Believe in yourself. The world may not understand you and your own ideas but it isn't for everyone to appreciate, just simply to absorb and allow the consciousness to unfold its gifts into new horizons. Your vision is inspired by the ethereal realms around you and your environment. And you find new ways to gift others a new sense of enlightenment on each persons journey.

[cringefail-clown]

Jakehal is very fun. But why dirkkri? I dont understand what's appealing about it :? confused

theres a lot of things i like about dirkri and honestly i dont even know where to start lmfao

first of all, and its mostly a funny reason - davekat on crack. like some traces of davekat are still there - the arguing about shit, stoic facade vs emotional mess, all the good stuff, but its also so much more exaggerated it makes it this much more ridiculous. gets even better when you consider them under the lense of swap aus like alphaswitch or tbau, where they land on the meteor together. theyre most likely hunting each other for sports by the year two

second of all, the funney. theyd be so fucking funny together. their smallest arguments would take like twenty pages of non-stop flow of red-orange text to resolve, and not because they came to a consensus but because some third party physically dragged them away from their electronics. it doesnt do any good, since it only gives them both time to think over new arguments to use, and theyre back at it as soon as they get their phones back. like if we had a tournament about which ship would do the most collateral damage to the overall group, i think these two would be Up There. karkat would gauge his eyes out from frustration, because now not only does he have to deal with his piece of shit, know-it-all other self, but now theres also Fucking Dirk thrown into the mix. their home life is absolute insanity, a small jab about the other forgetting to buy sugar once again devolves into a screaming match about the merits and flaws of communism or some other inane shit. and theyre doing it for fun, they enjoy debating with each other, because often times they have vastly different opinions, and comparing their beliefs challenges them intelectually and morally. from the outside perspective theyre one of the most dysfunctional pair in the paradox space, when in fact thats simply how they want their relationship to be, and it makes them better people overall.

third reason is that theyre thematically delicious. dirk is a control freak, micromanaging his and his friends constantly. hes terrified of losing control, but hes also desperate for someone to just tell him what the fuck he should do. dirk doesnt think he should be in control of others, because he believes hes a naturally evil person capable of horrible acts, at the same time he doesnt trust anyone else to get things done but himself. hes a whole collection of contradictions.

kankri desperately needs to be in control as well. hes constantly injecting himself into conversations he has no business being in, trying to find someone thatd listen to what he has to say. hes wants to guide others, but his efforts are flawed, because he doesnt listen to other perspectives - hes got tunnel vision, as he thinks hes the one in the right while everyone else is wrong or ignorant (cringefail seer literally). he doesnt trust anyone else to make decisions for him, and becomes defensive when he thinks others are attempting to coddle him. his ass was definitely culled on beforus.

theyre also both so fucking lonely. dirk conciously tries to put difference between himself and his friends, worrying hell "corrupt" them. kankri tries to connect to his friends, but his behavior alienates him from them to the point of no one except maybe porrim want to have anything to do with him.

my point is, kankri wants to guide people but has to learn to listen to others and reflect on his own flawed opinions. dirk has to learn to trust that people closest to him can get shit done on their own and loosen up, as well as realise hes not evil at the core. them helping each other out - dirk teaching kankri about different perspectives, kankri teaching dirk about letting others do their thing - is something i think about a lot.

also i like to think theyd spar for fun a lot as well. its not really a reason and wholly my own personal headcanon but i wanna mention it as well bc its so funny to me. i like the idea of kankris behaviour being a complete reverse of karkat - where karkat is all bark no bite and doesnt like fighting or violence, kankri puts up a front of the beacon of love and peace and tolerance, but in his free time he gets his rifle and goes shooting at the fucking squirrels or some shit. i think he wouldnt have the same qualms about strifing as karkat. like dirk would try to jokingly jab his finger at kankris side and he would just fucking flip him over his shoulder and onto the table breaking it in half, because he doesnt like being touched unexpectedly and by gods dirk when will you fucking learn. he goes from 0 to 100 real fast. its such a hysterical concept for me.

[sunkissedchldrecon]

𝐈 𝐀𝐦 𝐌𝐲𝐬𝐞𝐥𝐟 & 𝐍𝐨 𝐎𝐧𝐞 𝐄𝐥𝐬𝐞

𝐏𝐥𝐚𝐧𝐞𝐭𝐬 𝐢𝐧 𝐭𝐡𝐞 𝟕𝐭𝐡 𝐇𝐨𝐮𝐬𝐞

𝒘𝒉𝒂𝒕 𝒊𝒔 𝒕𝒉𝒆 𝟕𝒕𝒉 𝒉𝒐𝒖𝒔𝒆?

the seventh house in a birth chart is associated with the zodiac sign libra and the planet venus. oftentimes, people only think of the 7th house in the context of marriage and other partnerships - which is somewhat fine! but when it comes to having personal planets in the 7th house, it can feel very irritating to want to know information about yourself and only ever finding out information about others or someone you haven't even met yet. this post is an attempt to look more into the 7th house outside of its association to others and instead look into it from the lense of one's personal introspection.

𝐒𝐔𝐍

the sun represents our life's purpose, our sense of self, and our driving energy force. those with their sun in the seventh house may feel as if they always need to perform a balancing act in their lives. they may be careful in their thought processes and with their words when it comes to speaking to people. they may come off as relatable and charming to people, and strangers may feel comfortable telling them seemingly private information within the first few minutes of meeting them. their life's purpose is to look at situations from a full perspective and view all sides of the field rather than being biased towards one or the other. they also aim to connect to the collective and show compassion to those who may not always receive it. showing their understanding of human nature and emotions is their forte.

𝐌𝐎𝐎𝐍

the moon represents the way we understand and express our emotions. those with the moon in the seventh house may have a strong understanding of how their emotions function. they might have been the kids that found it easy to voice why they were crying or how someone hurt them. as a result of their comfortability with their emotions, it's easy for seventh house moons to connect and empathize with others. seventh house moons may prefer to do more introspection to understand their emotions. although they understand others when they struggle with feelings, they are one of the last to openly express when they are actively struggling with their own. they may be playful when it comes to expressing the emotions they may be uncomfortable with talking about in public, so they may joke around or use self-deprecating humor sometimes.

𝐌𝐄𝐑𝐂𝐔𝐑𝐘

mercury represents the way our mind works and the way we communicate. those with mercury in the seventh house may be very diplomatic with their words. they may be careful about what they say and who they say it to. they may do a lot more active thinking about their words and way of thinking than they let on. everything they say has meaning and is intentional to their speech. they may be very particular about grammar! they may not have just one way of learning but instead do well when having a mix of tactics. for example, instead of learning well through just music, seventh house mercuries may learn well through music and repetition. seventh house mercuries are very well-versed in their communication.

𝐕𝐄𝐍𝐔𝐒

venus deals with our values and how we express our love and fashion aesthetic. those with venus in the seventh house value balance and harmony when it comes to human connection. they want everyone to get along and have the desire for a more rosy view of the world where everyone is nice and all things and people are treated equally. for love, it may be hard to feel "loved" by those with venus in the seventh house because it may feel as if they treat everyone the same. sure, they might kiss or spend more time with their significant other, but they may come off as being flirty with everyone because of their charming nature. when it comes to fashion, they may prefer more neutral tones like black, beige, gray, brown, or other related colors. they dress for whatever occasion is specified but may prefer to have a "clean" look overall.

𝐌𝐀𝐑𝐒

mars represents our actions and willpower. it also tells us about our physical and mental strength and what we desire. those with mars in the seventh house may be a little indecisive at times, but once they've finally made their mind up (or someone else has done it for them) they give their all to their given task. seventh house mars willpower reminds me of aries in that there's a strong dedication, but their dedication is out of genuine passion or wanting to do good instead of to prove a point or just out of competitive nature. those with mars in the seventh house may find it easy to gain muscle when making an effort and also may have good mental fortitude when making the decision to stay positive. seventh house mars may find it easy to fall into self-fulfilling prophecy (good or bad). additionally, those with seventh house mars desire a type of stability and peace. they may be more sentimental when it comes to their desires and actions than they let on.

𝐉𝐔𝐏𝐈𝐓𝐄𝐑

jupiter details what we believe in and how we grow and expand our minds. those with jupiter in the seventh house believe in a diplomatic way of living where everyone and everything is harmonious and equal. they may be a little gullible because they may see the good in everyone or everything, despite that not necessarily being true. they grow through being willing to listen to every perspective, even if they disagree. their intent is to try and understand where people are coming from, and that is how they gain knowledge and expand their way of thinking. also, those with jupiter in the seventh house remind me of people with mercury in the seventh house in that they both may be really good at persuading others because of the seventh house placement with those specific planets. 

𝐒𝐀𝐓𝐔𝐑𝐍

saturn represents our boundaries, limitations, and what we need to gain responsibility for. those with saturn in the seventh house may be chronically indecisive. they may prefer when people tell them what to do versus making decisions themselves. also, they may find it debilitating being alone. they may insert themselves into everyone's business in a way but only because they don't want to be alone with themselves. those with saturn in the seventh house need to gain responsibility for their own true thoughts and feelings. they can't keep looking to others to find their own answers if that makes sense. there is also definitely a need to be open with someone - likely a potential future spouse or significant other. there's a responsibility to seventh house saturn's self to learn how to be vulnerable with other people and with themselves.

𝐔𝐑𝐀𝐍𝐔𝐒

uranus tells us how and when we rebel and where we are innovative. those with uranus in the seventh house may rebel when it comes to traditional relationships. they may be open to polyamory, or they may be a part of the LGBTQ+ community. they may not like the idea of having societal contracts; they may possibly be interested in or agree with ideologies like anarchism. they may also like untraditional hierarchical structures in relationships, the workplace, government, etc. those with seventh house uranus want to push the boundaries of societal relationships.

𝐍𝐄𝐏𝐓𝐔𝐍𝐄

neptune details our dreams and imagination and where we want to find freedom from societal limitations. those with neptune in the seventh house may have vivid or (moreso) grandiose dreams. for example, if they have a dream about a school they once went to, the replication of the school in their dream will be pretty exact even if it's been decades since they last saw it in person. their dreams may feel so realistic that it's hard for them to recognize if they have woken up or not, or it may be hard to decipher whether a memory happened in real life or was a dream. also, they may dream of outside landscapes often - like vast forests or gardens. there's a sense of wanting realistic people and scenery in their dreams but wanting to up the grandness of real life in their dreams if that makes sense. additionally, they may find themselves communicating with their friends, family, and future spouse through dreams.

𝐏𝐋𝐔𝐓𝐎

pluto deals with where and how we transform. it also tells of how we confront our fears. those with pluto in the seventh house ultimately transform when it comes to how they understand relationships with themselves and others. they will eventually learn to have more independence and self-trust rather than being overly reliant on others. they will learn to be comfortable with being alone. additionally, they transform through meeting with other people. i'm reminded of the saying that "everything comes and goes for a reason"; there may be people in seventh house pluto's lives that they feel are so important that they can't live without that they eventually lose or stop talking to. it's through these building and loss of relationships that they eventually confront their fears of being alone. through this, they learn to lean on themselves and feel comfortable in their own silence.

[bulbabutt]

if i can be corny for a second i wanna talk about the greatest strengths of the 2003 tmnt series and why it speaks to me (esp as a queer person)

so i might have alluded to this before, but let me say it outright: each show is definitely a product of its time, and the ideals of whatever generation its from. whether talking about the humour, the story, the dialogue etc, its always important to remember that these shows will always come off in a way due to the generation theyre from. and thats not a bad thing! it just means its important to think about them from that perspective.

2003 is a show of my generation growing up, and a thing about that era that maybe some people younger than me wont understand is there is so much more language commonly available to describe yourself now than there was then. you can take this in any context; mental health, sexuality, gender identity, or even just the ability to describe your relationships with more (idk if this will be the right word) therapist language.

in 03 we have a family unit of splinter and his sons, each with their own strengths and weaknesses. we have a splinter who hasnt opened up to his sons about the trauma hes experienced, but not in a way of shutting them out, simply because it isnt their responsibility to know as they are teenagers. he tells them of the mutagen that created them, but not of his past with his master yoshi, who he calls father when by himself, but never around his sons which is just an interesting concept to think about.

(i do not intent this next sentence as ragging on the two shows after this when i say it, simply from a character standpoint) this is the splinter who completely doesnt make his problems his sons problems, but he also is very willing to tell them the truth when he knows they're ready. this is is the most idyllic version of splitner out of all of them, even when comparing to his mirage counterpart (who hes the most based on) due to that splinter raising them to be ninja specifically to make them fight shredder. this one is just their father who loves them and wants to keep them safe the best way he can, and he was never a human in the first place to even know how to be that. so this whole family dynamic starts with him, and the way he raised his sons reflects his parenting.

so, the setting and year this show is made is 2003. something very relatable here is how there isnt a lot of language for the personality quirks of the turtles. there's so much evidence here for mikey having adhd, his brothers will say things like "why doesnt mikey have to help?" and the answer is "well, he'd be bored. and whats worse, mikey not helping or mikey being bored?" its this beautiful moment of, "hey, we know its not fair, but thats how mikey is, and its better for everyone if we just respect that thats how he is" mikey cant keep his hands off stuff, they know this they dont yell at him for behaving that way, they just stop him. this coding feels the most specific, but like i said. its 2003. we dont have the words to describe what this is yet, and if we do its not common knowledge.

another example is in the classic episode where raphael meets casey jones. raphael is sparring with mikey, and he lashes out and nearly kills mikey. everyone reacts to this by getting him to stop, and no one is more upset than raphael himself. they all tell him to go get some air, which he does. theres no moment of any of them screaming at him for losing his temper, its very clear that they all know he's going to do that himself. and he does go get some air. they all know thats what he needs. he goes and meets casey jones, another hot head, and raph has to help coach this hot head on his anger. when he comes back at the end of the episode after having let out that aggression, he apologizes and no one is upset with him. there's a very clear understanding among his family that he cannot help it, but the best thing they can do is give him his space when he needs it. watching this from a 2023 perspective (20 years later) im sure we could analyze this as a few things going on with raph, my mind comes to autism but at the end of the day it doesnt matter why he behaves like this, the point is that he does and the best thing his family does is just...help him. which they do. and they never hold it against him.

when leo is going through his ptsd arc hes at his closest to raph as a character, the show draws a lot of parallels (like having him go let out some aggression with casey) and we get to see the dynamic in reverse. in "i, monster" (the rat king episode) leo is losing it, taking on rat king alone and not wanting to let up. raphael is actively holding his brothers back when they say "we shouldnt leave him to fight alone", raphael says "if leo gets in trouble i'm the first one in there, but right now it looks like leo's got more than one monster to work out of his system" raph doesn't exactly know what leos going through, but he recognizes it. he knows he needs to fight alone, so raph lets him. its only when the building collapses and leo is no longer in a safe position that he says "leo lets go", which leo wordlessly agrees with and actually listens.

this is what i think is the best part of these guys, the unconditional understanding they have for the way they are. we still have our "raphs a big hot head" "mikeys annoying" jokes, but they feel like genuine good natured sibling ribbing because they know each other on that level.

and to go back to the fact that this show is set in 2003, there's something so specific about the way mikey constantly makes references to liking women's clothing, to being fine with feminine language, and to being open about being the pretty turtle who "has that effect on minds of men" speaks to me as a queer person. this could easily be intended as homophobic jokes and probably is, because again.... its the mid 2000s, thats very much what media was like, thats what the jokes were. especially with the girly screams mikey does being one of the first jokes of this nature.

but theres something that happens in season 4, where an alien is attacking mikey, and donnie rushes in and says "hey, thats my sibling" that sticks out. and it happens again in fast forward. when talking to the dark turtles leo says "you and your brothers" "me and my siblings"

because of the way this family unit just understands each other without ever having a conversation about things, it feels like its not a joke. theres some kind of affirmation happening here. even if it seems like i could be reading into it too much, its specific! and it keeps happening!

and by the end of the show, when mikey says he wants to be maid of honour, even if that line in the media itself was intended to be a joke, no one in their family treats it like one. of course mikey is the maid of honour, he asked to be one! the only real offence taken is when april says bride's maid, to which he is offended because hes so much more important than that!

so from a story standpoint, this show doesnt have the intricate complexities and butting heads of latter iterations, there isnt much relationship growth to be had (in fact once we get to around season 5 the flanderization of the characters kind of begins and it loses some of the more complexities) but thats because its just not the focus of the story! the story is more about what they go through together, and thats fine! thats what our shows kind of were at the time. not saying there isnt any relationship growth, but its very much not the focus because these turtles? they already understand each other in a healthy way.

so to me, these guys are kind of the most wholesome family unit

[venus-haze]

Homelander x Supervillain!Reader Headcanons

Note: Mildly fem-coded reader, but no other descriptors are used. This is mostly from Homelander's perspective. I always thought it was interesting how apart from the "superterrorist" arc in season one (and into season two), supervillains aren't really a thing in The Boys universe, pretty much everyone with superpowers is affiliated with Vought.

Warnings: Violence, some mentions of sex, Homelander being Homelander. Do not interact if you’re under 18 or post thinspo/ED content.

Your powers emerge later in life, so you aren’t one of the many lauded child prodigies who accidentally burned down their own birthday parties or took out a school bus, but almost as soon as you spit at a cat-caller and the side of his car melted from the acid, Vought had its eye on you

Unfortunately for them, you aren’t interested in the slightest. The money’s good, but signing your life away to a mysterious corporation was never in the cards for you. Why let a bunch of suits call the shots when you were the one with powers? Pretty soon you’re melting bank vaults, wreaking general havoc, and living on the run. You love every minute of it

Homelander knows he can take you on, but to his shock and fury, he finds himself in a meeting with Stilwell and the marketing team who tell him that having a supervillain “arch-enemy” would further mythologize him. As much as people love having someone to root for, they’re just as intrigued by the evil thing that goes bump in the night. Besides, you mostly damage property, not people, so they figure you’re not too much of a threat to the general public

He thinks it’s ridiculous, not letting him laser you in half or snap your neck makes him look weak, or even worse, that you’re as strong as he is. The first time he takes you on, you spit at him as a Hail Mary, and to both of your shock, he hisses in pain and his skin blisters–comparatively mild to the outright bone-melting your toxin was capable of, but it cements your space in his mind as his arch-enemy

To his frustration, the suits at Vought are right, social media posts that mention you in regard to Homelander get a lot of engagement and the general public sees him even more as an otherworldly protector figure

You don’t have a supe name, but Vought dubs you ‘Rosethorn’ because you’re “beautiful yet deadly.” They slap your face on comic books that fly off the shelves. You find it ironic that Vought still finds a way to make money off of you despite your refusal to work with them

Homelander isn’t nearly as amused. The first time he sees one of the Homelander Vs. Rosethorn comics he sees red. “More like thorn in my fucking side,” he growls at the cartoonified version of you. He resents you for taking half of his spotlight, but part of him knows his resentment comes from the fact that you don’t have to answer to anyone. You do whatever the hell you want, and some people regard you as a kind of anti-hero rather than an outright villain. He doesn’t understand, you’re a criminal. You rob, cheat, and steal, and just because you hand out fistfuls of dollars every once in a while, you’re turned into some kind of underground folk hero? 

Social media is buzzing with theories that you’re actually a Vought plant to make Homelander look good or that you’re stronger than him and holding back. Naturally, people begin shipping you because of course they do. He has mixed feelings the first time he sees #Roselander trending on Twitter. It doesn’t help that sometimes you leave notes at your crimes scenes that read ‘Give Homelander my regards, XO’ 

Despite the internet frenzy and Vought marketing, you and Homelander have only been face to face a few times following the first encounter, each one giving more fuel to Homelander’s fire as he broods, stewing in his resentment toward you. You laugh at him, taunt him, literally spit at him, and he can’t do shit because Vought says not to

He definitely fantasizes about hate-fucking you, they’re all extremely deranged and elaborate. Overall, he has a lot of really complicated emotions when it comes to you. There’s some underlying affection that he’ll deny to anyone who asks. Sometimes he lets his mind wander, and in the ideal situation you’d reform and join Vought and–who the fuck is he kidding, part of him wants to break the invisible chain that keeps him tethered to Vought and see if the grass is really greener on the other side

Homelander decides he’s going to end your reign of terror once and for all when Vought indicates they want supes in the military. They now think your existence is just one of the barriers standing in the way of that, making the other Vought supes, but especially him look weak and incapable. With you out of the way, it’ll show their supes can handle military missions

Easier said than done, because when he finally corners you, ready to laser you in half like he should have all those years ago, he hesitates, and that’s all it takes for you to pounce

“Why do you let them tell you what to do? You’re stronger than them. Why do they call the shots?” you ask, and he doesn’t miss the conniving ass twinkle in your eye. He knows what you’re doing, and his gloved fists ball up at his side as everything in him screams to just kill you already. He knows you’re right. He’s the one with the real power, but he lets them order him around like a dog

“Shut the fuck up,” he hisses through clenched teeth that he wishes were clamped around your throat–except he doesn’t, not really. You’re giving him an out, but he can’t take it, he’s too afraid to. After all, who is he if he’s not The Homelander?

You give him a sad smile, the kind old friends give to each other in movies when they see each other for the last time. He lets out a shaky breath. He won’t miss you. He won’t even think about you once Madelyn hears what he’s done and he gets supes into the military and Vought a lucrative contract with the Department of Defense. Another success for Homelander

“I really do like you,” you say. “I just wanted you to know that before you kill me.” Your heartbeat is steady, gaze locked in on his glowing red eyes. No one’s ever looked him in the eye upon facing their certain death from him before

He grabs your face, resisting the urge to squeeze it hard enough to break your jaw, “You’re a real piece of work. I don’t answer to anyone, got that, Rosethorn?”

You whisper your name to him, your real name, and he repeats it softly before letting go of your face and taking an unsteady step back. “You owe me. I didn’t kill you, and now you owe me.” You nod in understanding before disappearing into the night

He returns to Vought covered in blood, claiming victory over his arch-enemy once and for all. He never played poker, but you’re an ace up his sleeve if he could ever have one

[makiandcheese]

i wanna share the genshin impact ships i enjoy and why (mostly rarepairs)

Rosaria/Kaeya - undeniable trust and friendship turned romantic interest. though capable of forming a relationship, their occupation and circumstances prevent them from fully pursuing it. Even if all factors could ignite mutual interest, the fear of ruining the friendship they harbored would stand in the way. What's important in a lonesome city is the same stranger who is looking for the same comfort you seek. Frequent liar or not, he's quite the personality to have around.

Jean/Diluc - everyone says they are exes turned lovers however I view them as the failed chance at love. They are friends who knew each other since they were learning to walk type of friendship. The first love you never forget. If they were given the chance, they could say what they want to the other. "You look even better after you became a stranger to me, pretty woman"

Yelan/Ningguang - The what could've beens. similar to jealuc but in ninglan it's focus is more on the one-sided, unrequited type of love. (using Beiguang for this example) watching the one you love fall for someone you know she deserves hurts. It hurts because you know you could've been with her if not for your own issues. thankfully she will never know you love her since that love will die with you

Rosaria/Jean - oh god where do i begin with this. The "outcast" meets the city's beloved individual. For someone who feels they never belong, its confusing to have the city's hope make excuses to see you. Rosaria and Jean's relationship begins with jealousy due to the nun and the idol deaconess' relationship. What makes Barbara look at Rosaria the way Jean always wanted? Filled with concern and trust that only families have for one another. Giving that to a complete stranger is agonizing.

Lisa/Jean - coworkers to lovers <3. A workaholic learning the simplicities of life from the reliable, easygoing, gentle person. When she'd forget to take care of herself mentally, she'd be there. Unknowingly providing comfort with just her presence alone.

Beidou/Ningguang - Two people who rule and have a significant influence on the community. Bickering and arguing over the smallest things yet loving each other for the same reason. What makes these two so wonderful is the fact that they both witnessed each other overcome difficulties in their own manner. They both achieved goals that brought them together in some way. Competing with which one would make the other prouder.

Venti/Zhongli - centuries have gone and past, and yet home always had the same eyes and breeze. When it comes to gods, the only one they could consider as equal are the same immortals who suffer with them. Why does meeting each other again bring so much comfort and pain? How many friends did they watch come and go like sand through the wind? Thankfully, they can overcome these uncertainties together. Until they could no longer control the corrosion within them.

Surcrose/Rosaria - When your curiosity leads to people questioning your character, the person you gravitate towards is someone similar. Sucrose would have a lot on her mind and would desperately need someone to talk to. Rosaria always wanted to learn more about the world but never had the guts to say it out loud. The mutual silence between them could be a conversation. "I have something on my mind, but I have difficulties saying it" and "Take your time. No rush."

Kaeya/Albedo - Understanding your past from the product of the past can be an interesting combo. Kaeya and Albedo are two perspectives of the Khaenri’ahn existence. The truth is never black or white, in fact, the truth is always relative. Messing around with your coworker because of mutual origins grives a sense of comfort in the city where everyone knows everyone.

Ganyu/Keqing - coworker who has false impressions towards each other. A tender and careful love formed from the desire to protect their city. Patience is a virtue especially for Ganyu. However, with all the years she had lived, days with Keqing always felt like love personafied.

Xiao/Traveler - what cannot be may be. One's duties always hinder relationships, but there will always be someone stubborn enough to reach out. Someone once said that unnecessary suffering is not a proof of strength. Relying on others is difficult but if it's with the person they love, one could only hope that they're not a burden. Thankfully, they don't give a damn about your stubbornness and go out of their way to talk and spend time with you. Since you know that these times wouldn't last.

Ayaka/Yoimiya - The different lives we live shouldn't turn us into strangers. In a life where expectations are laid upon you, finding freedom and happiness incarnate is like grasping sunlight. Ayaka knows she has her duties but spending time with Yoimiya makes her forget the time. Grief and loss often isolate us from relationships (including socioeconomic circumstances). Thankfully the eternal shogun's antithesis stays by your side.

Itto/Sara - Our beliefs do not align, but if someone talks shit about the other. Someone will be getting punched or electrocuted. Being a Yokai in human society always leads to discrimination unless you are equipped with power and unimaginable influence. Seeing each other's most vulnerable sides in the most unexpected times always led to curiosity. Curiosity leading to interest. And interest leading to fondness.

Al Haitham/Kaveh - Unconventional ways of saying "i love you" almost always lead to someone's wrinkly forhead. If turning himself into Kaveh's personal screaming outlet would let him relax, Al haitham would gladly do it. What happened in the past has long gone, and what's left is to continue. Is it so difficult to let him love you?

Candace/Dehya - Every neighborhood child's first loves daring each other. Duty is always the priority. Traveling the world will come one day but not today. If that is someone's belief, then someone will bring the world to them. Even if it's small material gifts, its treasured dearly. Just make sure not to come home bruised and covered in wounds. Else a medicated scolding (and some kisses) would be perscribed by the village's resident guardian.

and that's all folks tell me what you think.

[butchhamlet]

are there any shakespeare retellings you recommend? i really enjoy retellings but it's also difficult to find ones that like. actually understand the source material... i've read your novella duodecimal and really liked it btw! excellent take on twelfth night :-)

THANK YOU SO MUCH WAH... yes, i can recommend some retellings! i keep intending to make a big post with my recs, actually, but there are so many out there that i haven't read yet... so for now here's an incomplete list:

a thousand acres by jane smiley: the first one that came to my mind seeing this ask. it's a retelling of lear set on an american farmstead, and the adaptation is done beautifully and smoothly--it's just distinct enough from OG Lear that you can judge it as a book on its own but also as a lear retelling. and it's sooooo good. it starts a little slow, but the character work is so excellent and it almost made me cry (i will note that there's a pretty hefty cw on this one but... saying what it is is technically spoilers? but feel free to send another ask or message if you want to know up-front)

the last true poets of the sea by julia drake: books that made me have to turn my camera off in zoom class so i could bawl properly. books written for me specifically. this is a loose YA retelling of twelfth night (looser than some of the other retellings on this list) and it's like. perfect. the teenage dialogue actually sounds like teenagers. every emotional beat clubbed me over the head. the love triangle is present--and done really well; it's not present for drama but because sometimes being a teenager is confusing--but more than that this is a book about the relationship between violet and her sibling, and about mental health, and god it makes me CRAZY. also girls kiss in this one

rosencrantz and guildenstern are dead by tom stoppard: i mean. i think most people into shakespeare know r&gad. but in case you haven't read it yet, it's an absurdist play from the point of view of rosencrantz and guildenstern and it's absolutely fucking brilliant. not sure what else to say about this; you've really just gotta read it

teenage dick by mike lew: another play, this one on the modern side--a retelling of richard iii set in a high school, focusing explicitly on disability issues. kind of more a reimagining than a retelling, honestly, but i really like the exploration of r3's themes and also it's fucking hysterical. although i will say there's a kind of jarring tonal shift in this one near the end, so don't go to it for something 100% comedic

american moor by keith hamilton cobb: okay this isn't exactly a retelling but if you've ever read othello you have to read it. you just have to. please god if you've ever read a shakespeare PLEASE. it's a monologue from the perspective of a black man trying out for the role of othello, half-resigned to being pigeonholed into playing that specific role in a very specific way as directed by a white director, but also half-chafing against that resignation, and also exploring the complexities of loving shakespeare as a black man, and it's soooooo so good

exit, pursued by a bear by e.k. johnston: this one is kind of cheating because it's not really a retelling, in that it has next to nothing to do with the winter's tale except that there is a hermione character and a leontes character and a paulina character. i still think it's a very very well-done YA book, though, and one of the only ones i've read that deals head-on with abortion

foul is fair by hannah capin: okay, i will admit i read this one some years ago when i was more into YA, so i'm not sure i would still go crazy over it now, but the plot of this book is that the modern lady macbeth character gets assaulted by a guy at a party and decides to kill everyone who let that happen. and then she does. and idk i read it in two days it felt like being on crack

the wednesday wars by gary schmidt: this one is DEFINITELY cheating, because this isn't a retelling of anything. but if you like shakespeare and you're open to reading historical fiction about a kid in the 60s using shakespeare as a lens through which to understand the chaos of his life (from the vietnam war to his school crush)... it's so good. it made me nearly sob. beautiful book

i'm also a fan of ryan north's shakespeare choose-your-own-adventure books, but those aren't exactly retellings and also the humor will probably not work for everyone. but i like em <3

and finally, i would be remiss not to shout out the fact that @suits-of-woe wrote an INCREDIBLE retelling of the two gentlemen of verona that, like, redeemed the fact that that play exists. if you've read that play and you thought, "wow, i wish this were explicitly homoerotic, or not a rape apologia, or good in any way," you will LOVE macy's book. unfortunately it isn't fucking published yet but WITH YOUR HELP--

[hopefull-mindset]

A Much Needed Overview

I’ve been brought to a point of feeling the need to discuss the abuse depicted in Bungou Stray Dogs. This isn’t the brightest topic to speak about and I understand why people are reluctant to speak in detail about something as serious as this. It’s not easy, so I’ll be the brave face today because I feel disappointed about the lack of deep discussion beyond the popular topic of “The Abuse Cycle”.

I’m happy that it’s at least brought up amongst everyone as something that exists, I’m happy that people feel as though it’s something to talk about, but I don’t think most understand how to act about it. It’s never as cut and dry as how it’s depicted in most other pieces of media or how people speak about it in general. That is why I am thankful for its depiction here. Not saying that nobody speaks about it with clarity, but it’s not the majority, unfortunately.

I especially felt this was a good time to address this because of the reaction towards Asagiri’s thoughts on Dazai and Akutagawa’s relationship in the recent magazine interview. The outrage is not from nowhere, I was also taken aback at first, but to claim Asagiri “doesn’t even know his own story” is incredibly self-entitled considering the story isn’t done, nor are you the one writing this. If you read the story, no way is Asagiri justifying anything that happened. Please look at the question that is being asked, does it say “Do you think what Dazai did is morally right?” Of course, it isn’t.

Not to be rude but before you start questioning the writer himself if he’s read his own story, have you read it? Please keep in mind the fact this is only a magazine interview and doesn't reflect every nuance. Asagiri doesn't need to go “Oh yeah, this thing that’s bad is bad” every two seconds to explain himself. Asagiri’s writing decisions can be questionable and cannot be uncritiqued, but I’m going to have to defend him on this account.

I’m not sure if any warnings are needed concerning the subject matter considering most BSD fans know what I’m about to go over, but to be clear, please only read this when you’re in a well enough headspace for heavy matters such as this. I am not going to be talking lightly in any of this or dance around what’s happened between any of the characters, abuse is harder to talk about compared to other acts of violence that are objectively worse because it’s a more personal act that too many can find themselves in.

Finally, I do not want to speak about my own experiences online because I’ve only come to terms recently with it and they do not reflect everyone’s response to depictions of abuse in all media. Some things are very uncomfortable to admit about me that I haven’t told anyone, that no one would be able to take well even if they were my closest friend. This isn’t about me at all and there is no point in saying more about my reality, but I think my perspective might help people enlighten themselves on how truly complicated situations like this are.

What is Abuse?

Surprise, we need to go over this before any discussion about BSD happens because a lot misunderstand what abuse is. It's disheartening that the term has been so simplified that nobody knows what it means anymore. Don't substitute words for abuse or use abuse as a substitute for other terms. Abuse as a concept is quite hard to pin down with words and there are many ways to describe it, but by definition in the context that it’s directed to another person, abuse is:

To target and mistreat someone, causing them harm or distress in a repetitive manner

This by itself does not describe the grand scope of everything and probably might make you more confused, but it’s a great place to start and does describe what is directed to the victim. Many sources will use varied wording, but it’s the general knowledge that someone is being hurt to a fundamental level that makes it abuse.

Does the abuser need to intentionally hurt someone for it to be abused? Yes, but not in the way you think. Most abusers are not hurting their victims for the sake of just hurting them, that’s illogical, they’re doing it for something. Some examples include either for themselves in some way or what they think is for their victim’s “own benefit”. Even worse is when they genuinely believe it because they’ve also grown up in an environment that has that same mentality and reflects on themselves.

So yes, it’s intentional in that they’re doing it for a purpose. No matter their intention though, “selfless” or not, it’s still a selfish act in itself that they think that imposing their own will through harmful methods is what the victim needs. The abuse doesn’t need to be physically harming another for it to be abuse. As long as it’s harming you emotionally or otherwise and making you raise flags in your head, it’s abuse.

It sounds strange, but I'm saying it’s intentional because you’re still an intended target of their abuse whether they realize it themself or not. Abuse needs to repeat a form of distress in you to be abuse. For example, does one instance of physical violence against you count as abuse when it never happens again? Well, you need to think about the context. Usually, this would just be assault and that’s it, but is it left hanging in the air to happen again when you interact with them? Do you feel afraid for your well-being, even though it doesn’t happen again?

That’s still abuse, the psychological kind. Typically when abusers resort to physical means, it’s gonna happen again eventually. In this hypothetical instance, however, the point is that repeated distress does not mean repeated actions. It does not need to happen the same way for you to feel unsafe, it just needs to have power over you. Manipulation does not always equal abuse either. It’s a tactic used by abusers, but unless paired up with other actions, it doesn’t fit the criteria of abuse. Context matters when you examine what abuse is.

Here comes the tricky parts that are acknowledged less: When the abuser is someone you’ve relied on in your childhood, in a detrimental part of your life, or someone you care about that you put importance in, and it makes it hard to fully hate that person. What the abuser has done to the victim does not entirely reflect them as people, even if it’s still an important part of them that needs to be addressed.

Abusive people are not only defined by their awful actions, they’re not pure monsters like most love to pretend they are. It’s just easier to think that because accepting that they’re just a multifaceted human being hurts too much when you’re on the receiving end of their worse behavior. But what happens when you’re on the receiving end of both? You try to justify it the way the abuser is because you can’t accept that what’s happening is bad and not something everyone goes through. After all, they treat you decent enough sometimes.

Something so many people need to get into their heads already is that abusers can be victims and vice versa, but just because your abuser went through something themselves or is important to you, doesn’t mean you have to forgive them. Abuse is not forgivable just like that, you can rebuild a relationship beyond that if you’re able to, It’s not a “forgive-and-forget” thing.

Not everyone experiences and responds to abuse the same way, some hate their abusers fully, some can’t bring themselves to, and some don’t even know what to think, but there are so many who don’t feel one way that regarding all abusers as heartless monsters completely invalidates so many stories and their difficult experiences. I have a huge grudge against people like this who restrict abusive situations to just looking like one thing, this is why so many don’t even know that their situations are abusive.

Portrait of a Father

Chapter 39 reflects my points the most, and at the same time, it also turns out to be one of the most controversial chapters. It surprised me that it is, but maybe I shouldn’t be considering how most people on the internet act about abuse. It’s a lovely chapter to me personally and one of my favorites.

If you need a refresher, this is the chapter the Orphanage Director died in and leaves Atsushi in an emotional frenzy about what to think and believe. I know that the underlying message of this chapter is confusing to some, but it hit me in the face point blank on how this is about facing your abuser’s death without any personal conclusion with them.

Being sent on an investigation, Atsushi, after finding out the body was the Director, is stunned and scared because he knows nothing of the director other than his cruelty. He immediately assumes the worst and that he was coming after him again. Atsushi’s thoughts against him are entirely… on purpose in the director’s intentions because we find out that he has gone through so much violence and loss himself that he’s projecting his own will onto Atsushi and making sure he’d “survive in the real world”. So he became his first figure of hate and violence earlier in his life so he’d be “prepared for what comes next”.

I know so many take the backstory for the director as a way to justify what he did to Atsushi in the narrative, but it was just to put into context why he was so cruel. Abusers are never cruel for no reason, that never makes it right, but it’s reality. Atsushi was not the only one in the orphanage who was treated badly, he was singled out by the director most likely for an ability he couldn't control because the headmaster knew he’d get the most trouble for it, and unfortunately… he was right.

Akutagawa being his informant in this chapter makes perfect sense. He can see that what the director was for Atsushi is what Dazai is for him. No matter how terrible their actions were, it’s what kept them alive for so long. It’s not pleasant to confront, is it? Atsushi agrees because when he gets the information that the Director was going to congratulate him with the flowers he was going to buy by selling the gun he had on him, he freaks out. No way the guy he was raised so long to hate, the guy who put him through so much suffering, was going to congratulate him.

I know to some, Dazai’s talk with Atsushi sounded like he was justifying what happened because “it made him a good person in the end”, but that’s not what’s being said. This conclusion I’ve seen some people come to about this conversation confuses me. Dazai is just saying the obvious, you guys get all shocked and it weirds me out how easily it’s been glossed over that the reason Atsushi is so self-sacrificial and trying to do the good thing is because of the director. The reason he puts himself so much on the front lines is because he needs that worth in being good to live and prove the director wrong, he was raised to see that type of person is the most ideal person to live in this world.

After everything that’s been dumped onto him in such a short time, so much inner conflict of what to think of a dead man he no longer can have any personal closure with, he asks Dazai what face he should make, what he should think at this moment. Dazai tells him that they’re his emotions and he can think however he’d like, but commonly someone cries when their father dies. So he cries, because ultimately no matter his treatment, no matter the intent and its effects, it’s still the man who raised him. It’s flawed, but that’s what a father is stripped bare at its core definition and that won’t change no matter your feelings.

Now that I’m done summarizing this chapter and making sure you guys understood the point and how it spells out their relationship, I can finally talk freely about what was happening between them. When it comes to familial abuse, generational trauma is so prevalent it’s hard not to talk about. The director is quite reflective of so many parents who were raised to grow up too early in harsh environments, that they think they need to prepare their children for it too, even though it’s no longer needed.

You don’t need to like someone for them to be important to you, especially if it’s a parent in your life or someone close to that. That’s why Atsushi cries. He cries for the director, he cries for himself, he cries that it’s finally over, he cries for the kindness he could’ve gotten even if it wouldn’t have fixed anything, he cries for the father that never was, he cries because his father is dead. It’s perfectly normal to keep someone close in your heart that wasn’t perfect and to grieve their death.

Was the director successful in what he was aiming for? I want to say no, but he did. He succeeded in making Atsushi think of others in a good light and do good for them, making Atsushi resent him, and giving him the ability to keep going. Hell raised him right, but it was still hell. The problem is that his teachings were based on degrading Atsushi into being nothing but a life he should put aside in favor of others. Even if he continued hating the director like he wanted, he would still degrade himself for being a coward who didn’t hold himself to those standards. The result is not perfect because the director is not perfect, but in his position, this is a success.

The director for a while was his shadow of negative encouragement when he joined the agency, what kept him going in those moments, because he was what defined good, bad, and justice for him in his entire childhood. Even if he was dead, he’d still linger in his mind. I can’t parse out what to think about these hallucinations forming Akutagawa and Dazai to guide him later on, all it tells me is that he still can’t rely on or trust himself and he needs more development in his self-image issues.

I see why fans are confused, hell raising us right is a bizarre thing to say to a victim, so let me show you a perspective you're not seeing. Let's imagine you have an abusive mother who only wants you to be prepared for the things you're undoubtedly going to experience because of what you can't control. What she did does help you, but all that goes through your head is “Why couldn't she have done it differently without my own suffering?” The only thoughts that come rushing back when you think of those memories are the unnecessary pains. It takes a lot for a victim to acknowledge this on their own, they want to push back at the past so they don't have to see this plain reality.

Like anyone else that I’m going to bring up in this post, just because the abuse made them who they are or affected who they became, even when it keeps us going through life and benefits us in some way, does not make the abuse justified. Abuse is still abuse, I addressed this already and I hope not to address this again. I needed to detail an explanation because it’s quite easy to hate a man you know nothing about and has been painted in nothing but a bad light. The anger against the director is undebatable because abuse is not debatable, but to pretend the cruelty was nothing but for cruelty’s sake is mischaracterizing both him and Atsushi.

You can’t pick and choose what’s been told to you in the text just because you don’t like a character and lack the maturity for it. It gets quite hard to do that sort of thing when it’s a character you‘ve grown to care about, it’s no wonder Dazai is divided between so many. Speaking of Dazai, his involvement in this makes as much sense as Akutagawa’s. He’s currently in a mentor position for Atsushi, no matter what Akutagawa says, and shows interest in his development. So of course he’s going to purposely stick his head into something that would affect Atsushi greatly. Both Akutagawa and Dazai are viewing this through their lenses as people who grew up in the darkness of society, and it’s not that Dazai thinks what happened to him wasn’t terrible, you should have eyes to read the panels provided, but he’s generally unfazed and able to sound neutral because he’s used to that cruelty.

The Port Mafia’s Environment

(Aka: is it really “all Mori’s fault” or is it just the product of being literally in The Mafia™?)

I’ll go over the “Cycle of Abuse” in a second, but please keep in mind that you can’t just blame everything on Mori. Just like the Director, it’s so easy to pin the guy who’s just been the worst for every problem there, but it decimates the other characters involved as well and makes what they’ve gone through go flat because you’re restricting it to a misinformed presumption.

To make a bold statement, I need you to completely throw away your idea of what the abuse cycle is. The Mori to Kyouka pipeline being the singular “Abuse Cycle”? Garbage, needs to go away too. I've seen many fans use the term “Cycle of Abuse” too carelessly, and while from afar the way they're using it is not technically wrong, they have the wrong thought process behind it.

The Cycle of Abuse is simply the patterns of what keeps us in an abusive dynamic and negative mental state, either with an individual or environment, and makes it incredibly hard for anyone to leave. It’s not the actions you take that make it the Cycle of Abuse, and it's not just one straight line of people going through similar motions. You don’t have to be someone’s abuser to be the one who keeps them there, if you feed into it you’re still a problem. Even if you don't actively add to it yourself, just staying there as a bystander and not trying to do anything to change it or speak up for the victim when you clearly could also still make you responsible. Just with your presence, it validates what they've gone through as normal.

If you need more of an explanation, two opposite examples include Higuchi & Akutagawa and Beast Kyouka & Atsushi. Higuchi is a traditional example in that she stays in the mafia because of her relationship with Akutagawa, and stays by his side for reasons unknown. What we do know is that she’s incredibly indebted to him enough to care for him to an extreme extent, but their relationship is abusive all the same. Beast Atsushi and Kyouka sounds strange for me to bring up, but this is an example of a non-abusive person contributing to the Cycle of Abuse. Instead of taking her out of an abusive situation, he brings her back in.

Many characters are a part of this main narrative of abuse in BSD, so it's not inaccurate to say Mori, Dazai, Akutagawa, and Kyouka are a part of it as well using this definition as all of them are the reason or contributed to why someone was stuck in a negative, abusive situation or the victim themselves. I’m guessing none of you are genuinely referring to this though and are referring to intergenerational abuse, a repeating cycle of younger generations taking after their abusers when they're older, which is a completely different phenomenon. Both are referred to as cycles and have many commonalities, but it’s not the same. Not to sound like a total dick, but this barely even applies to them.

Not because the concept is based on familial relationships, it can happen with older figures in your life too, but because our oh-so-famous Abuse Cycle gang does not have that commonality to make that claim. They have narrative parallels, but that’s pretty much it. I will save what I have to say in their sections, but Mori and Akutagawa did not abuse Dazai and Kyouka respectively for this type of claim to have any legitimacy. Kyouka certainly broke a cycle, but not that kind since that would need her to continue it in the first place and then prevent her own experiences from even affecting the next child.

What do all Mori, Dazai, Akutagawa, and Kyouka actually have in common? They are/were in the mafia, using their natural talents of cruelty for the underworld.

The Port Mafia resembles something of an abusive household or community that sees so much of what’s done to others there as normal, and constantly compares it to how it was with their old boss and thinks, “At least it wasn’t as bad as that.” It’s quite like the Orphanage Director’s thinking but on a larger scale. Does that make everyone in the Port Mafia abused? Nope, unlike most abusive communities, the Port Mafia is quite literally the mafia. Everyone is there for different reasons, at different ages, and different experiences. Everyone is taken advantage of in these situations, no matter the circumstances, but it doesn’t make them abused automatically.

So it’s hard to have a stance on anything about them being abusive other than the mentor situations in the Port Mafia don’t see abuse as abuse and just another way to teach their subordinates to survive in their world if they deem it necessary. Was Chuuya abused, either by Mori or Kouyou then? I’m going to have to say I can’t tell you that. We don’t have enough information on either of his dynamics with them to say that they’ve directly had any repetitive behaviors of direct harm against him specifically, and there's no reason for them to do so either. I’m not going to use the argument that “Chuuya doesn’t hate or fear them, so that must mean he wasn’t” because again, that type of response does not reflect so many situations.

Chuuya was still harmed by being in the Port Mafia as a teenager because nobody should have been surrounded by this much cruelty at that age. It doesn’t matter if he shows visible distress or not about the Port Mafia, he was just desensitized to it since his sheep days. So was he an abuse victim under the idea that being a child in the Port Mafia is abuse? That depends on who we’re speaking of, but in Chuuya’s situation, I'm going to have to say no as he's already internalized their mindset from his own experiences separate from the mafia. Keep in mind that it also still holds true that you can find family in situations like this, it’s not mutually exclusive. Some just find more comfort in what they’re used to than what would be better for them. Kyouka is a better example of someone being a victim of an abusive community.

A false claim I've seen made many times are the ones where they have it as if Mori is the mafia itself or that he made the mafia what it was. It shouldn’t be too surprising, but it’s the opposite. Mori already held flawed, heartless, calculative methods when in situations he thought required them. We’ve seen him as a soldier and an underground doctor, but we know nothing else about him outside of his cruelty, just like the headmaster. What he does is never for what he thinks is for his benefit, but for the sake of something larger. Whether it’s for the city, the country, or eventually, the Port Mafia.

The mafia is the first time he’s been put into a position of absolute leadership and is not yet accustomed to that at the beginning of Dazai, Chuuya, Age Fifteen. He’s able to quickly fit the mold of a mafia boss, but there’s that bit of honesty that peaks through in this light novel in the first and last sections that’s ignored too quickly. First Mori complains about nothing going immediately right, questions himself about Dazai, and becomes genuinely stressed if it was the right decision to involve him, then confesses that he sees himself in Dazai to him (and him and Fukuzawa in Soukoku in private), and finally gives his honest take of leadership to Chuuya.

I already go over Mori as a character in one of my other posts and will speak more of him later on, so I don’t want to reiterate the same points, but here we have proof he has (albeit poor) humanity. He did not become the Port Mafia boss for his own selfish gain of power if you’ve forgotten, but because Natsume introduced him to becoming part of the Tripartite Framework to protect the city he loves, it’s where he’d excel best in this plan. The Port Mafia was already a shithole, Mori just made it livable again by becoming what an organized crime group needs.

It’s what makes the dynamic between Kouyou and him so intriguing because you have an abuse victim who has embraced the environment she was forced back into, but won’t let go of someone who’s proven to be more of a decent leader than her tormentor and can be relied on. For victims who couldn’t get help or realize they needed help, the easier path is to accept this is your life through some justification. While I said the Port Mafia resembles an abusive community, communities as such aren’t purely terrible and that’s what keeps them justifying it in their head. The family you have for yourself, whether it's a made one or the one you're born with, is what sticks for you.

Like it or not, Mori isn’t stupid. He takes risky gambles that backfire on him sometimes, but he’s good at his job. He’s brutal enough to prove his own against the people who didn’t think he should’ve been boss and outsiders who want to go against the Port Mafia, but he’s considerate enough towards his people and shows enough competency to be perfect for the job. He’s not a great human being, but what did you expect? He no longer had any room to express that humanity, he never had; there was no benefit from being a good person in his line of work.

The Heartless Cur

That looked like a great segue to talk about Dazai and Mori’s dynamic, but it’d benefit to go over Akutagawa first. For those who do acknowledge it as an abusive situation, Thank you for at least taking that step. Numerous don’t and it worries me at the state of what’s considered abuse vs. training. It may be both at times but don't excuse one for the other. Training needs formal consent and communication at some point during a session. Akutagawa is learning, but it’s the same as getting yelled at as a child for not doing your homework right, when again, you’re still just learning.

It might’ve been easier to see for those who do acknowledge it because of the visible physical abuse that happens, but let's not undermine the psychological abuse happening as well. Dazai has messed with his psyche on an abhorrent level through his degrading and threats, making him reliant to hear a single word of acknowledgment from his mouth. What happened to Akutagawa is beyond the mafia’s environment.

Akutagawa does not hate or want Dazai dead for what he’s done to him, but he does hold anger at the seeming abandonment he’s been put through… and at himself as well. Anger that he couldn't get to what Dazai wanted him to be before he suddenly left. So he proves himself by climbing the ranks and becoming someone feared. Spectacles of violence not because he enjoys the feeling of other’s suffering or the power over them, but to show Dazai that see? He's still worth looking at!

He stays in the mafia because he’s found a place there. Even if he could, there was no point in leaving the mafia after he disappeared because what would be left for him if he did? He will always be an unchangeable, horrific hound of the dark and there's no changing that in his mind. From an inference of his actions in the dungeon when they finally reunite one-on-one, he wanted to believe that he was above Dazai after all those years, but Dazai doesn't act impressed or scared or anything. After all that effort, he gets nothing but ridicule and mockery like he's back to being that little kid with an oversized coat too big for his body.

Worse is that he gets told that some new kid Dazai picked up, who didn't train to the extent he did to refine his abilities, is better than him somehow. He gets riled up and at first, takes out on Dazai, but all those threats about killing him and how he went against the mafia were empty. Even now he can't bring himself to hate Dazai, he needs his mentor to acknowledge him no matter what side he's on. He never let go of Dazai, his coat is proof enough of that. So he takes it out on the party that isn't responsible and is convinced he needs to overcome Atsushi to prove something to Dazai.

He doesn't hate Atsushi, not genuinely. He does the same when he’s told he’ll never compare to Odasaku, someone who objectively should’ve been the weakest member due to his status. He gets angry at Dazai’s words, gets angry at himself, then takes it out on the person mentioned, rinse and repeat. I’m not sure if I’m the only one to notice, but he genuinely believed that the meaningful life Dazai gave him laid in the mafia and being useful to its cause. He has no reason to be as loyal to the mafia if he didn't think this.

Dazai’s acknowledgment means more than just appreciation for his skills and strength, it means his life meant something by striving for being the strongest. It’s not about the acknowledgment at all. Whenever he critiques and shames Atsushi for how he lives his life, it just feels like he’s unknowingly shaming himself through him without having to acknowledge his wrongs. It makes me curious about how much the acknowledgment itself even matters to him and the validation it gives him to strive for this is an excuse to keep living so what he’s doing in the mafia even matters in the end. What counts as acknowledgment to him?

He's convinced his faults are what made Dazai turn away, he just doesn’t know how to do anything to fix it and can't fix it this late into the game. What does Dazai want from him other than being stronger? When Dazai directly asks him to do something important involving Atsushi, he’s confused. He has no reason to trust him to do these missions. He’ll take the chance to prove himself once and for all, but to be included means he's being acknowledged, so what gives? The number of times he visibly self-reflects can be counted on one hand because as soon as it shows, he goes back to justify his violence and ignores his faults.

As someone whose favorite character is Akutagawa, I’m disgusted that all people can take away from him is “Akutagawa is an obsessive fanboy that deserves no sympathy because of what he did to Kyouka” or “Akutagawa is a poor, miserable man that didn’t deserve what Dazai made him into and should be absolved of responsibility because it’s all Dazai’s fault”. Both are very shallow and very harmful to perpetrate as they continue the idea that a person can only be the abused or abuser. He's both and it's okay to admit that.

Quickly let’s clear up this: He is not the way he is because of Dazai.

What Dazai IS responsible for:

Akutagawa’s need for his constant approval and recognition

Akutagawa learning to hone his ability

Akutagawa’s toxic views of being useful

The reason Akutagawa’s still alive

The reason Akutagawa is the Mafia’s dog

What Dazai is NOT responsible for:

Everything else

Akutagawa’s lean toward violence, his one-track stubborn mindset, and his lone-wolf attitude are not a product of Dazai’s treatment, he’s always been that way because of his time in the slums. He got beaten down by adults frightened of his empty gaze, had to learn to protect himself and find something to eat to survive, helped take care of his sister Gin and his friends by himself, and everyone constantly dying around him. That’s the real reason his personality is like that. He is a victim of his circumstances in a society that deemed him worthless, so he also thinks of his life as worthless. That’s why Dazai means so much to him.

Dazai did not trick him into joining the mafia, Dazai expressed what he was going to go through was worse than what happened in the slums and gave Akutagawa an out that he could live a normal life with enough money, but he knew Akutagawa would not refuse because he still needed meaning in living, just like him. Gaining enough money to get by so he and his sister could get out of the slums would do nothing for him, he already felt that his life was worthless. He has no problem throwing it away at any time, he was gonna die young regardless because of his lung disease. It has manipulative undertones, but that's how Dazai usually is with even the people he cares about.

Akutagawa knows too well that a person needs a sign, someone to tell them it’s okay to keep going, and so does Dazai. Part of Dazai’s goal is to save Akutagawa from dying and give him a reason to live like he promised that day because he sees the potential that could come from his development. I don't want to sound like a dick again, but you’d have to be dense to think Akutagawa would still be dead by the end of this arc. He isn’t sending him off to his death, Dazai doesn’t know everything.

Even if he knew Akutagawa might die there, it's better than both Atsushi and Akutagawa dying at that moment. If Akutagawa didn’t want to die for him, he wouldn’t have, he chose to save Atsushi’s life. This is why I have to defend Asagiri. Let’s reread the interview together, to make it get across already.

(Twt link)

Q: Just like how Akutagawa and Atsushi's relationship has changed, I could feel the relationship between Dazai and Akutagawa moving forward too. Is it like what Akutagawa has said in Episode 3 of Season 5, that every order he has received from Dazai so far has been "a trial", "a part of a meaningfull life"?

First, the question being asked. They’re asking Asagiri about their relationship in the present, and how it’s developed. Akutagawa is no longer thinking he was abandoned by Dazai for a new, better student like he was made him believe, that was just to rile him up and interact with Atsushi more. Instead, he realizes that he’s not supposed to work against Atsushi, he’s supposed to work with him. How he decides to go about that battle with Fukuchi and whether or not he works with Atsushi like a partner is his trial. If this was Akutagawa before he met Atsushi, he would’ve no doubt escaped or might’ve thought defeating Fukuchi would prove himself to Dazai. He's not an obstacle to his meaningful life, his quest for a meaningful life lies with Atsushi.

Asagiri responds with:

Asagiri: Needless to say, Dazai is the most qualified person in this world to help Akutagawa grow. Dazai has a vision for Akutagawa's development, and he completely understands what it takes to achieve it. We, as obsevers, can only see bits and pieces of that vision. But I can at least say that Dazai's training plan has never been wrong.

Many find this answer questionable, I was stunned reading it myself. Asagiri is not wrong at all here though, Dazai is objectively the only person in this series who can find a way to help him. Atsushi is the endpoint, but Dazai has been guiding him to this point. Dazai himself said that he was planning to team them up the moment he met Atsushi, he was still thinking of him even after all these years. There are much scarier implications than thinking that Asagiri was wrong. It's that Dazai was doing everything intentionally to get Akutagawa’s mindset where it was. He didn't mess up with Akutagawa, he just couldn't personally teach him the skills he needed and chose a different route until he found something that could.

Asagiri is not saying the abuse was morally justified, but the intention behind it was not wrong in an objective stance. Dazai would know what to do the most because of his understanding of wanting to find meaning in living. Teenage Dazai couldn’t have achieved much by himself, even if he could understand since he also could not find meaning in life. That’s why he made him hang on to his every breath of validation so he would keep his faith in Dazai long enough for him to find a solution to this dilemma. The moment in life when he found Akutagawa was not ideal and he still did what he thought he had to do for him to survive in the mafia. Without his ability, he's incredibly weak and needs to be able to defend himself. A violent person could not have made another violent person unlearn their violence.

You could say he just wanted a weapon, but that’s not it, not even close. Many of you are stuck on the part that it was a suicidal teenager that picked Akutagawa up from the slums and that no way someone like that could teach another suicidal teenager anything, so it’s “comical that Asagiri thinks as though he’s the most qualified”. You’re not wrong in some sense, but this is still incredibly intelligent, “Black Wrath of the Port Mafia”, Osamu Dazai, and not just some suicidal teenager.

He’s also no longer a teenager. Right now we’re talking of Dazai in the present who’s grown and no longer needs to be how he was in the mafia, he has Atsushi now, someone who can help Akutagawa see what’s wrong in his outlook. The only thing he could’ve done back then was to shelter Akutagawa so he wouldn’t kill himself. It's horrible, but Dazai validating where he is now would do no good for either of them and fix nothing.

Q: What kind of person is Dazai to Akutagawa?

Asagiri: Actually, at the time of "The Dark Era", Dazai already spoke very highly of Akutagawa, as someone who would "become the Mafia's strongest skill user in the not-so-distant future". He just doesn't say that in front of Akutagawa himself. The reason he doesn't say it is that Dazai has to be "the presence that continues to give meaning to life" to Akutagawa. So far, that trial has been completely successful.

None of what Asagiri brings up is new information. He doesn’t say it in front of Akutagawa not to spite him, but if he gives these praises out too freely, he loses his distant, almost god-like presence in Akutagawa and will go back to being just a lone wolf with no exceptions that will carelessly get himself killed. Without any goal, he’s lost. Just like Atsushi and the headmaster and how Atsushi hinges on proving he can do a good thing to motivate his life, Akutagawa similarly hinges on the fact that if he fails, he won’t get Dazai’s approval.

However, his death was not fully about Dazai’s approval in the way he's been preaching. In chapter 87, he mentions Dazai’s approval like always, and when they fail the first time even after trusting and working with each other as Shin Soukoku should, It hits him. What came into his head I cannot parse out at the moment, but his actions speak so much louder than any explanation we could've gotten. Of course, he's helping Atsushi escape, but what does he do for that? He used his ability on his shirt, and not just on the coat like he typically does.

It doesn't seem like a big deal at first, he could've always done that, but when was the last time he used it on something that wasn't the coat Dazai gave him? The coat means many things. His new beginning, his path in being Dazai’s student and successor (as that was also Mori’s coat), but it also conveys Dazai’s will that keeps him alive and that he's only strong with his coat. Without it, he's defenseless, so he clings to this coat the exact way he clings to those orders. It's his encouragement to keep going when Dazai isn't there. This overwhelming, suffocating responsibility, an oversized coat, is a lot to give to a kid but it's comfortable and he’ll grow into it eventually.

It was already a huge step in his development that he gave Atsushi his coat, but to use his ability not on his coat means he's making an effort to overcome his fixation and do an action unrelated to Dazai for the sake of Atsushi’s life. His whole life after the slums, everything he's ever done was with Dazai in mind. Him saving Atsushi’s life was not because he was doing what Dazai wanted him to do, that he'd finally get approval for doing It, and in turn give his life meaning before he died. When he saved Atsushi, it would give his life meaning in just that. He shouldn't let himself be defined by the past the way he criticizes Atsushi for, so he’s going to choose his meaning. I wouldn't say he's moved past Dazai yet, but he's getting there.

Dazai and Akutagawa’s relationship is not healthy in the slightest, and Dazai’s crueler actions and words against him are not right, but they’re still growing and not stagnant characters. Atsushi and Akutagawa learn from each other and that's what's pushing them to change. Nobody will pretend those past means weren’t just abuse, they were, but there's so much more to it. Like I asked with the director, was he successful? Well from what I’ve said, yes it so far has gone the way Dazai hoped for in the best-case scenario.

In the main universe at least, this is one of the better ways it could’ve gone. Beast is a different story. Teenage Dazai of the main universe was unsure of Akutagawa’s future and did only what he could’ve done at that time, but Beast Dazai does have that knowledge and he decided that it would be best for Akutagawa to not be in the mafia, instead bringing in Atsushi. It wouldn’t have been good to let him pursue his violent tendencies more than necessary in the mafia in this universe when he knew there was a better option, especially with someone like Oda, who would take the time to care for him properly.

Even if he didn’t bring him in, he still gave him the motivation to keep living for something. The prologue of Beast is a mirror to The Heartless Cur, with instead it’s a distant relationship of hate Akutagawa has for him for taking his sister. For those who argue that since Beast exists, that means Asagiri was somehow “wrong about Dazai”, but it’s still Dazai from the beginning that’s the source of this motivation. Dazai, who's still guiding him. If we’re gonna be honest, Dazai was putting their development/capabilities in speed run mode with the logic and future information he had access to prepare them for a timeline he won’t be alive for. There are many factors for what he did in Besst, but that’s not the conversation.

What does he get from helping him? Who knows, Asagiri wasn’t being cheeky when he said we only see bits and pieces of his vision. We barely have any clue what’s going through that man’s head, so don’t act like you do. He wasn’t always planning for the next Soukoku. Maybe it was a thought that came up sometimes, but he’s only met Atsushi recently. What about Akutagawa was so different from any other powerful ability-wielding orphan? Well, we’re not gonna know any time soon.

The point is that Dazai is thinking about their future, even if the abuse or manipulation makes that hard to see. Please do remember that abuse is still selfish no matter the intention, but non-selfish intentions make it all the more complicated to process. Their relationship is not misunderstood by Asagiri himself, it’s just clear to me most don’t want to face the unpleasant truth that there is more to their dynamic. When I first realized what was going on, I couldn’t help but get unnerved and awkward when someone would ask me about these two. These are both characters in the spotlight that you’re supposed to care about, but what happened between them is rotten.

You’re not supposed to pretend it didn’t happen because Dazai still contributed to who he is and it shows whenever it’s on screen. Abuse doesn’t make us stronger, don’t make it as if that’s a message that Asagiri is spreading. What happened to him motivated his development, but with Atsushi, that’s the opposite. Their circumstances are different and victims process what's happened to them in various ways. Depicting it in a form less common than usual doesn't mean the author thinks in the same way the victim does, it's just nuance at work.

I did not add Akutagawa’s attitude towards his subordinates and newer members as Dazai’s responsibility because Dazai is not the one controlling his hands when he hits Higuchi. Dazai’s mentoring contributed to his toxic views of being useful, but it’s only Akutagawa’s responsibility once he raises his hand. Instead of thinking of this in the context of the most typical abusive situation you can think of, how about this:

Your parent was raised in an abusive household, but they think they came out of it just fine and that there was nothing wrong with how they were treated. They treat you almost the same way, and all you can take away from that when you find out is, “At least it’s not as bad as it could’ve been”. You still hold anger at the standards they’re forcing you to reach, but if that’s what it takes to get that approval, then you’ll keep going anyway. Even if you get yelled at and you know you shouldn’t be treated like this, it’ll feel nice when you finally get on their good graces, right?

Then you get a new sibling, and all of that comes crumbling down. They don’t treat your sibling anywhere near the same when you were that age. Years go by and you get angrier and angrier. Why is it only you that was put to that standard? Even worse is that they treat you differently now too. You finally got to those standards, but now what is it worth? They’re so much nicer now and you want to curse them out for only changing now. Why couldn’t have had that parent from the beginning? It’s so unfair, but you can’t take it out on them because you still need them, they mean so much to you. As angry as you were, they were doing it because they cared about you in their way, you think. It was what your grandparents did to them at least. So you start treating your sibling similarly to how you were treated because you can’t take it that they didn’t experience that hardship without destroying yourself first.

Question: Are you right in what you did? Was the parent responsible for what you did to your sibling?

Nobody in their right mind would say yes to that first question. It makes sense why it happened, but continuing abuse will never be the correct answer. You’re doing the same thing your parent did. The second question needs more exposition to answer, however. How responsible is responsible?

In the end, even if it was the parent who influenced it, you’re only responsible for what you’ve done on your own accord. The parent did not tell you to take it out on your sibling, you decided that yourself. The parent is still responsible for what they’ve done to you, never get that wrong, but if you say that your guilt is absolved because it’s all their fault, you sound no different from any other abuser in denial. Are you saying now that the parent is also absolved from guilt because it’s all their parent’s fault too? Listen to yourself, You hurt someone but it’s not your fault, but the person who hurt you is also somehow not at fault? If someone came up to you and said that, you’d be fed up.

For those who do the same thing with Mori, rethink what you’re saying. Is it that painful to admit your favorite characters are at fault and that they’re changing? This comparison isn’t perfect and ignores some key factors: Dazai isn’t Akutagawa’s or Atsushi’s father and is not much older than them, the Port Mafia is a violent workplace environment and requires you to be able to navigate it a certain way, and all three of them at adults in present time. I used this comparison to be more real to earth and something a larger audience could process themselves to truly get that the emotions here are not straightforward even in a realistic situation.

Re: Portrait of a Father

Just like the prologue, in chapter 3 of the Beast light novel, Portrait of a Father is mirrored and retold in brutal upset that does not hold the hopeful bittersweetness at the end of it unlike its original. Before the present day, against all orders Dazai gave him, Atsushi attacked the orphanage on the day of his birthday. On his birthday, he would be reborn from the ashes of his past being burnt away, and kill the director inside to release himself from the fear of those memories.

It’s what he says at least.

Playing out, the director was expecting him. There might have only been one person in his mind who would’ve attacked a rundown orphanage on this scale. It frightens Atsushi after all that planning and fear of losing to the director, he could still see through him, but confusion takes hold when he’s told that he was late for his graduation.

Graduation? Atsushi is in fight or flight mode, why is he approaching him with this box? He can’t imagine it being anything other than a weapon, nothing else would make sense for this cruel monster. The director won’t give him any straight answer, just repeating words he’s heard over and over growing up here. He uses his tiger hearing to glean what could be inside.

Tick. Tock. Tick. Tock.

There’s the proof, it had to be a bomb. He needs to protect himself before anything happens or he’ll die. He’s scared, he can’t move, but he has to fight. The director opens his arms for the embrace of his child… and death, plummeted into a bloody mess on the floor. Only out of the corner of his eye, only when Atsushi stopped, he saw what was in the box. It was a watch, brand new and high-end. Happy Birthday was what was written on a sheet of paper next to it.

His last words, whispered into his ear, were words of encouragement: “Yes… just like that.”

I was not kidding when I said this was brutal. Just like in the main universe, Atsushi learns why he did what he did and can’t place any of his feelings, but overwhelmingly guilt crushes him to keep protecting people with his life rather than just fear because he killed him. He finds out much earlier about what happened with Shibusawa, and how the director protected his identity as the tiger.

The director’s intentions are draining when you let your mind wander. As we’ve established, the headmaster as a figure of hate for Atsushi is intentional on his part. He doesn’t explain anything on purpose here to probe him into killing him. He bought that watch for Atsushi as a congratulations for growing up and becoming a new independent individual.

In the split minute before Atsushi took the first swing, he said his usual, “Those who fail to protect others do not deserve to live.” I have to question now if he was so willing to die there, even encouraging him to kill him, then has it been this whole time he still can’t live with himself for what happened to his friends… or is it because he couldn’t protect Atsushi anymore? Maybe I’m overthinking it and it was just that the headmaster thought Atsushi needed to kill him to remove an obstacle in his growth as an individual, to be a necessary sacrifice for his benefit.

It's too flawed though. The director will never leave him, not after all that he's engraved into Atsushi. The watch has become not a symbol of a person who's found himself, but a child that's latched himself onto his father's cold corpse that won't ever respond, but that child would do anything to have him wake up and say "Good job, Atsushi". The director also has a clock, but can he call himself a strong individual when he hasn't let go of the past either?

Time stopped for Beast Atsushi when he picked up that watch. If he had just followed orders, none of this would’ve happened. If he isn’t his father’s child, if he doesn’t uphold his last wish, then who is he? When he’s no longer in the mafia and has time for himself to think, he wanders.

He failed in becoming someone he could be proud of, he deserved to die for that but doesn't want to be dead… because It wasn't truly about the Director, just like how it wasn't truly about Dazai’s acknowledgment or saving his sister for Akutagawa. At first, that was the motivation, it's the reasoning they keep going with, but in the end, it was to save their own life and give it purpose to validate why they're still around. If they can die like this, then it's all the same. If they have their own life in someone else’s hands, then they no longer have to be responsible for their own heavy-hearted weight.

Beast Atsushi is given neither and is taken of his reasoning, but he keeps going. Aimlessly.

Luckily, it’s not where his story ends.

He wakes up in his old orphanage, and it’s no longer the dreary place it was when he was younger. Kids laughing outside, no chains on the walls or bars blocking off the windows, and the new Orphanage Director greets him. He tells him that he will go back to being a student of the orphanage until he can become independent again, under one of Dazai’s last requests before he died.

Still, there’s one thing he needs to do. The new director takes out the watch and tells him to break it. Atsushi is distraught by this notion, but he won’t let Atsushi leave if he doesn’t. The new director has good reason, there is no point in becoming someone the past director was proud of and this is what’s holding him back. Atsushi, eventually, tells him he will not break the watch. He can’t move on just yet and this watch is still proof he’s himself, yet…

He’ll keep going and move forward, just like Akutagawa told him after he spared his life. The new director finds those words to be enough, saying he can’t leave until he finds something else to define himself with, but he can keep living here as his son. He went there to burn away his past and came out of it not able to let go of the past, but now he can redo and process it healthily with someone willing to hold him like a father should.

The Man Who Raised Dazai

Everyone who’s read Beast has questioned it: Why did Dazai in his right mind have Mori take care of an orphanage? Why did he save his life? Better yet, why is he so nice?! I have come up with some speculation on why Dazai would.

“Beast Dazai recognized this potential of change either from the multitude of universes he was able to witness or recognized it in his own considering canonverse Dazai never does anything against Mori (even if he visibly dislikes him).”

“Possibility is one thing, the why is another. It was either that he saw potential and good that could come out of this in the long run, Mori’s intelligence and expertise still proves usefulness, less dangerous for Oda in the long run if he let Mori stay there instead of the Mafia, or all three.”

(Didn’t feel like rephrase them)

We can’t know anything for sure about his decision, but I do know Mori is the type of character to sacrifice his feelings for what he thinks would logically benefit the sum, and there’s no better way to release yourself from that too-calculative responsibility than to remove yourself from it and to be in a place where you’re allowed to care for others and express yourself when there is no greater purpose than to just grow.

What happened with Yosano is undoubtedly wrong, but Mori had put away any sympathy in those situations because he needed her to do what he brought her in for. I was confused by his declaration that violence should never be used to educate children when I read it, especially out of his mouth, but now I understand. He would know with certainty that it’s not the right way to educate children, particularly because this is a Mori that hasn’t been in the dark for these past years and has grown to care for these children at the orphanage without any greater intention for them.

He’s not like the Old Director because he has no reason to think these kids would end up the way he did. They’re just kids that need someone to raise them with kindness, kindness will be what gets them through life as functional adults. Abuse has too many drawbacks to be called an optimal solution here. Is it surprising that all it took to change Mori was the kindness and salvation Dazai offered to him when he took over? Can you believe it was that simple to treat someone like a human being instead of a figure of hate?

What sticks out to me like a sore thumb is that when he’s introduced in Beast, he’s referred to as the man who raised Dazai. He is, regardless of what you think, the closest thing Dazai has to a father figure. In regards to how the fanbase speaks of their relationship, it’s hard to think that he cared about Dazai, but he did and the extent of how bad it got between them is grossly exaggerated.

As many comparisons Dazai gets with Yosano, their relationship with Mori is very different. Unlike Yosano, he did not need to be forced to do anything with psychological abuse and he did not need to be torn down to do what Mori asked him to. We don’t know what happened to him to become like this, but it wasn’t because of Mori. Yosano had light in her and a motivation to do the right thing, but Dazai didn’t. Dazai is no stranger to any violence or using violence himself even before Mori if he's this desensitized.

It’s useful that Dazai is like that when he meets him, up until it isn’t. He’s moody and actively looking to die. Mori can’t predict him that easily and Dazai can see right through him. There’s another huge difference between them though: Mori sees himself in Dazai. We don’t have enough insight in his head to make conclusive statements, but I think this is why he cared for Dazai. It’s not because he saw a child struggling that he cared, but grew some fondness because he saw a little mini-him. When he drove Dazai out of the Port Mafia, he expected him to come back and take back his vacant seat.

Eventually, Dazai will come back and realize that petty anger about someone dying is illogical in somewhere like the mafia. But because of him not being able to see through Dazai and seeing himself in him, he also expected him to eventually usurp his seat if he stayed any longer. That is why he had invited Mimic at the time he did and manipulated the situation so Oda, someone he knew Dazai cared for, would go and take care of the situation flawlessly. He’d be sacrificed and Mori could get something out of it, a Skilled Business Permit. A perfect plan… in theory, but Mori was wrong and miscalculated on many levels because of how many assumptions he made about Dazai.

First, he wouldn’t have known that it was Oda who held the words that would convince him to leave the mafia and go into the world of light. Dazai will never come back to his own volition. Second, as those panels quite literally tell you, Dazai was never planning on killing him. He saw his place in the mafia and saw that he was needed there. When Mori finally realizes his mistake with Dazai 4 years later during the Guild Arc, he can’t go back. His plan was still perfectly sound and he still got what he wanted out of it. He shouldn’t regret it, but…

Now that’s been paved out, where does wanting to save Dazai fit into this? If I had to assume, it’s the same reason he didn’t shoot Dazai for leaving his office during Dark Era. He cared about that boy, for 4 whole years he left him and his seat alone when the logical thing he should be doing was replacing him, but as much as he might’ve cared, he needed to put the mafia first. He didn’t let him die because of his use, but also because of their so-called “common destiny” in his eyes, a diamond in a rough he might’ve disposed of otherwise if he didn’t see his potential. There’s not much he could’ve done for Dazai here except keep him healthy and alive. Mori gets tons of flack for not trying to help him, but there's nothing he could've done, not in their position.

He can't cultivate his potential if there is abuse involved because there is no logical reason for him to do anything to Dazai. You guys have to stop assuming the worst when it comes to Mori, you’re missing huge character details that are right in front of you. The difference between Mori, the Boss of the Port Mafia, and Mori, the Orphanage Director is that he had time to rekindle his humanity so he’s able to care about him like a normal human being, feel guilt, and admit regret after Beast Dazai has died. Mori at most was responsible for ingraining tactical strategies and theories and molding him into the perfect Mafioso and right-hand man.

Not to say any of those aren’t a bad thing. He’s still a child and having him use his desensitized, intelligent mind to build the potential in what he could do for the mafia, it’s just that he’s responsible for very little in Dazai’s personality. The only answer I could give about Dazai being abused by Mori or being abused under the credentials that he’s a child in a violent, unsafe place is the same answer given earlier for Chuuya: in his case, not really.

Regarding this, I retract my statement about anything I’ve said about Beast Atsushi not being a victim in his time in the mafia, but I still hold my stance that he’s not the victim of the port mafia. I want to say the same thing about Beast Dazai and Atsushi that I do here, but considering he picked him up and trained him like how he trained Akutagawa, there’s a great chance Dazai emotionally abused him when you read their interactions. Not physically as that would make him too much like the headmaster, but just enough emotional distress in bringing up traumatic moments to manipulate him into doing what he needs of him.

It’s not a good relationship, but Mori wasn’t targeting Dazai in any real way like the Director and Atsushi or Dazai and Akutagawa. Unlike every other section, I have to conclude that he didn’t do anything to Dazai in that regard other than treating him like another adult when he shouldn't have. I don’t have much to say negatively about their dynamic otherwise. Just a weird, terrible son with his weird, terrible father. It’s more like someone who's taking after their mentor’s teaching and methods rather than an abuse victim echoing their abuser. This is why I don't accept the “Cycle of Abuse” as how the fandom understands it. It tells me a lot that people resort to the blame game.

I wonder what Dazai and Mori’s relationship would've looked like without any of this in the middle. Maybe something in cadence with Ranpo and Fukuzawa, but I can't help thinking that accepting Atsushi as his son in Beast instead of a student wasn't just for Atsushi’s sake. He was about to call him his student too, but immediately changed his mind. He already admitted he was helping him because of what happened to Dazai, so it can’t be a huge jump to think that in the same way this is Atsushi’s redo in building a relationship with a father figure, this is Mori’s redo to give him some atonement for the boy he failed.

A Mother’s Love

Kyouka, when we first meet her, appears as a force to be reckoned with. With skills a young girl shouldn’t have, and a demon shadowing behind, she’s a terrifying opponent. Quickly though, that appearance falls short in tragedy when the bomb Atsushi’s after is found on her own body and when he asks if she truly wants to kill... She has no answer, but her actions speak clearly. She gives him the defuser because she doesn’t want any more people to die, but the man behind the phone will not let it defuse.

So Kyouka does the next best thing to save more from dying: falling off the train with the bomb that’s about to go off. As long as she dies with it, nobody can use her and her abilities to massacre the people on the train when the bomb eventually fails to do what is necessary. Because that’s when Atsushi realizes that she cannot control her ability herself. No matter what she genuinely wants, she will never have the ability to obtain it because of this one fact. She can only be what people tell her she is.

We all know this story well, she gets saved by Atsushi and the man behind the phone is Akutagawa. Atsushi offers her the same kindness Dazai extended to him regardless of his reputation and destruction because it’d only be the right thing to do. He knows her incoming fate of eventual death for her crimes, he can’t do much, but she should at least experience normalcy this one time.

When she’s about to turn herself in, Akutagawa stops her and tells her she did her job well as a decoy for him to capture Atsushi. I don’t know if you’ve noticed, but there’s a peculiar oddness about Akutagawa here in his attitude towards Kyouka. In all logic, even though she is a strong tool to the mafia, she’s a low-level member, a disobedient one at that, and should’ve been killed on sight for her betrayal considering how quick he is to violence, but he talks as if nothing even happened. He brushes off any thought of her dying as she’s spouting nonsense and that she’s going to go back to the mafia as normal.

But then he spouts off about how she’s better off dead on the ship if she stops killing. What’s up with that? It’s not completely obvious at first, but he’s projecting his own experiences in the slums and beliefs formed from Dazai’s mentoring onto her. From his time when he wasn’t in the mafia, he tells her there’s nothing left out there for people like them, there’s only rock bottom. He can confidently say that there is nowhere that would accept her for her ability, demon snow, because it’s the same for him.

The only way her life can have value is to kill to be useful, just like any good mafia member. It’s exactly why that flashback with Dazai happens here. He’s the one who fed him these thoughts he’s lived with for these past 6 years, and what she’s been believing for 6 months. He doesn’t loathe her, he sees it as doing a favor for her. What else can a little girl who can kill be use of except to kill in her circumstances?

Contrary to popular belief, he is not her abuser and is not the same thing Dazai was to him. He neither trained her nor did we have information on their relationship to come to that conclusion. The only thing we know is that he was the one sent to pick her up by the Port Mafia. We can prove she is not the way she is because Akutagawa since Beast, well, exists. She is one of the few characters I can confidently say was a victim of the Port Mafia itself and not just a person of the Port Mafia specifically.

Akutagawa was trying to be what Dazai was to him, but he is selling a bastardized version of it to her. The person who was her Dazai was Atsushi, the same person who was given Dazai’s act of kindness. Someone who has experienced the same things Akutagawa has and is living proof that she can hope for something better.

He could see that the same revenge and lack of regard for her life in her eye was the same kind he met Dazai with. Despite that, these lessons he’s internalized have helped no one, not even himself. She can’t find meaning in something that is the root cause of her suicidal ideation. This life is unfulfilling for people like them who need meaning in life. Akutagawa doesn't realize this because he still has Dazai to be his motivational goal. That’s why he failed to help Kyouka, Dazai’s efforts would’ve been considered an utmost failure too if he wasn’t actively trying to fix that misunderstanding. Kindness is what actively saves us and helps us grow, the harm in abusive environments will only stunt us. But what happens when kindness is offered to us, but nothing comes out of it except proving us right that we’re unsavable? Then you have Kouyou.

Kouyou is the second person I could say was a victim of the Port Mafia. She has the same belief Akutagawa had about people like them being unable to be saved, so the only thing they can do is embrace it. I can’t claim she was Kyouka’s abuser either as we again don’t know enough, but that doesn’t change that her behavior is emotionally abusive, and is a much better contender than he is.

She’s doing the same thing Akutagawa was doing himself. Seeing themselves in this child and doing what she “needs” instead of what she wants. Just like him, she views this as saving her from the hands of light that will never make room for them and will ignore everything else she says. When Akutagawa is faced with her “disillusionment”, he… accepts it when she refuses his will and chooses another path, but almost kills her to spare her from that decision that would “doom” her.

Kouyou is much less accepting, opting to kill the root source of this hope itself, Atsushi, because her fondness for Kyouka prevents her from leaving her for dead. In contrast to Akutagawa’s attempt at being what gives her life meaning, Kouyou wants to stop Atsushi from being like the same man who also gave her hope that they could escape to the world of light. She can’t bear to see Kyouka go through the same realization she did far too late.

I can see what you're thinking, why am I reluctant to call either of them Kyouka’s abuser? Even if Akutagawa doesn't count, shouldn't Kouyou count because she seems to have an actual relationship with her and her effects are prevalent in Beast, the same points I mentioned to debunk accusations against him? Sure actually, but think about it like this. What the Port Mafia does have in common with real situations is that this is a community that is full of victims who refuse to process their traumatic experiences for any reason, and bring down others to their level when they don’t fit in their narrative to justify what’s happened to them.

There isn’t just one abuser weighing over you, there's this collective pressure from so many who aren't your abuser but they still contribute to your abuse with their presence itself. If Dazai wasn’t there in the mafia, would Akutagawa's situation have changed? Yes. Now if Akutagawa or Kouyou weren’t in the mafia, would Kyouka's situation have changed? Not at all. She’d have fewer examples to refer to, but she’d still be abused. If it’s easier to imagine, think of it similarly to cult mentality and how they keep you in cults. That is the reason I emphasized being a victim of the Port Mafia instead of an individual. Kouyou, Q, and Kyouka, while you can pin their main perpetrators on certain people, their overall situation doesn't change.

Now why doesn’t she just use the phone herself instead of letting people call Demon Snow for her? Wouldn’t she have more agency that way? Atsushi proposes this, but she rejects it instantly. It’s a very simple answer, it’s the same reason she can’t bear to look at it outside of when she’s forced to use it in combat. It’s her ability that killed her parents and why she was forced into this position.

It’s not hard for a little girl to believe she’s nothing more than a killing machine when she sees that night her ability would mercilessly kill her parents. She eventually caves when Kouyou points out how quick she is to vindicate violence to protect that hope she desperately wants a part of, and how she will never change. Her first mission with the Armed Detective Agency is proof in itself. Was Atsushi going to keep extending his kindness after hearing what she could only blame herself for?

Kouyou is a character I’ve seen that gets a lot of double standards compared to all of the other characters I’ve mentioned with abusive tendencies and is almost purely liked. She’s not seen as an absolute monster (The director, Mori) or controversial with one side containing pure dislike and another pure love (Akutagawa, Dazai), it’s only that she’s a well-written, sympathetic badass girl boss. It’s either because she’s a woman, that she doesn’t use an overt intimidation style, that her motives are more obvious in their emotional influences, or all of the above that she’s not treated the same.

Kouyou’s motivations are not special, as I’ve said. The only thing that differentiates them from the others is that they’re not covered by a mask of indifference. As fond as she is for her, she’s not much different from anyone else who holds the mafia up in high regard. She weaponizes her words in where they’d hurt the most so Kyouka would come with her. The entire last section of their battle sums up with her saying, “Kyouka come with me, they’ll only use you for your Ability when they get a hold of it. Even if the mafia did the same thing, at least they’ll accept you for who you truly are: a natural-born killer. You don’t have to fight anymore, I’ll protect you.”

When Atsushi finds Kyouka once again subsequently in her disappearance, she chooses to embrace her violence to help the Armed Detective Agency in this fight with the Guild. After her walk in where she used to reside, she comes the the conclusion she no longer belongs there. Against Kouyou’s wishes, she will brandish her blade for a home. That blows up in her face the moment she starts. Atsushi gets taken, and it’s just as Kouyou said would happen. If even her violence doesn’t get her wish, then what can she do besides leave herself to her fate?

As someone who’s seen another with a talent for killing walk the path of good and is on that same path himself, Dazai talks to her. He tells her about how she hasn’t gone through her entrance exam yet, how she isn’t an official member because she hasn’t proven her will or life on the line to help people she doesn’t necessarily know. Kyouka doesn’t believe she could’ve passed if that’s what it takes, but Dazai doesn’t agree with the points she’s brought up. So what if she’s killed or considered dangerous? That doesn’t make her less qualified to be a part of the Detective Agency, everyone there is from different backgrounds.

She can’t know everything, not even about herself. Nobody does, but it takes others to see more of yourself. Excelling in one area doesn’t prevent you from nurturing your potential in another. What would that make someone like Atsushi, a person who’s been her guiding figure throughout—but was never seen as anything more than a threat or a beast because of his ability before he joined them? The truth is, our lives aren’t defined by one purpose the moment we’re born, it’s only something you can make for yourself. We’re not the places we’ve been raised in, not the ideas people apply to us, and we’re especially not defined by the traumatic experiences we had no control over.

All of it accumulates the person we are today, and we can’t change that no matter how much we resent parts of our image that don’t hold up to what society deems as right, but it shouldn’t take control over what we want for ourselves. It isn’t fair for the victims who were forced into a life where they had to fend for themselves, the children who had to navigate an adult’s messed up world that didn’t have room for them to grow as kids should. Forced into a box where they stay unaware that they’ve ever left their mother’s womb, break out in fury with eyes that grew up too early—only to become lost and thrown away, or rot in that box without a single person knowing they were a breathing, living human being.

I deem abuse selfish for this very reason. Kouyou is wrong for this very reason. If she finds comfort in her reasoning, then I can’t critique her for her own choices and will have to respect her for choosing to stay in the mafia even when the old boss is dead, every abuse victim is different, but not a single person is born evil or good, in the dark or light. Not a soul has to stay in one place because they started there. It’s going to be a hard journey to truly achieve what you long for, results aren’t immediate and not everyone gets there no matter their effort, but still try. Try because it’s still worth trying, because you’re still worth more than you think.

In parallel, you can only get there as long as you’re seeking it. Too many see the Armed Detective Agency as something that will automatically save characters just by working there, but the only way it can help them is if they seek out their help themselves. The ADA is not the right place for every character, but Kyouka does want a place there. After her conversation with Dazai, she knows what she wants to do now. She will smash the drone she’s in into Moby Dick so nobody will have to die, but sacrifice her own life in the process. She’s chained to this place, but her choices aren’t.

She doesn’t have to die with regret, with this she can pass the entrance exam and become an agency member like she wanted. She made a difference for herself just by this act. It’d be a pretty melancholy arc if it ended like that, thank god we know it doesn’t end like this. When you become a full agency member, you gain more control over your ability, meaning—

She’s fine.

The exposition is over, let’s talk about Kyouka. Her arc is beautiful and the neglect to talk about her when it comes to her abuse story besides saying, “She’s the one who stopped the abuse cycle” and then nothing else is heartbreakingly superficial. She didn’t stop it, it’s impossible to, but she did break out of it. Kyouka’s section has more exposition than the others but I expected that. I wanted to save her for last because she’s the only one whose arc has come to a peaceful conclusion and not unfinished, and the lighter message felt nice to leave off on.

I shouldn’t berate Kouyou too much, the only reason she stayed in that room after being captured by the ADA is because she did want Kyouka to experience what she never had, and speaking with Dazai helped reassure her that Kyouka would be able to achieve her dreams. It’s no longer the age of the old boss. As well as her shedding the truth about her parent’s death so she wouldn’t have to resent her ability as not an avatar of massacre, but a product of her parents’ love that will always stay with her. She didn’t let go of the phone she’s had this entire time because her mother told her not to let it go.

Me going over Kouyou in this fashion is not me saying you shouldn’t love her character, I like her too. It’s just that it’s passed over so fast what she did, but somehow Akutagawa is more at fault here is mind-boggling. I’d get it a little more if this is because she redeemed herself by wanting the best for Kyouka over what was best for the mafia, but I doubt that’s the case when that moment is talked about so little as well.

I genuinely need you all to understand that not every character is going to have a satisfying, clean conclusion like this. Akutagawa’s story is most likely not going to have a conclusion that satisfies everyone and you should respect it when it comes. There’s no perfect way of writing abuse, but there’s no correct way of doing it either. I don’t think Dazai is going to have the repercussions you want him to have any time soon. If you got the message from Beast, getting revenge on an abuser doesn’t make us feel better or let us process what happened to us. Total resentment keeps us stuck.

The only thing that will heal us is the kindness so many offer in this series. You in no way need to extend that kindness to an abuser, you don’t need to forgive them or let them into your life again, but be kind to yourself and don’t let resentment prevent you from focusing on yourself. Forgiveness and reconnection are not the same thing. Don’t be angry when a victim does want those things. Unless it’s character inconsistent, that’s not something we shouldn’t have any opinion on as the right or wrong way to go about their lives. What if later they do change their mind and want something different from what they originally planned? That’s fine too. Everyone is different. Don’t give unsolicited advice to people who do not want it, let them decide for themselves. It is the best thing you can do.

The worst abusers are the ones who refuse to change and see wrong in what they’re doing, but what about the ones who do want that? Then also let them heal. They did something awful, why isn’t it a good thing they want to stop it now? You don’t have to let them in just because they changed though. Apologies don’t fix the damage already done, but to some victims, it feels nice to feel that what’s been done to them is acknowledged. You don’t want them to hurt others the way they’ve done to you, and neither do they. It hurts to let them forgive themselves when you haven’t and never will, you want to see them suffer, but that’s the only way things can change.

Dazai has changed, is he a good person even after what he’s done? I despise this question for any character of this series. He’s grown so much, and if you don’t think so, reread his conversation with Kyouka I beg of you. It is a far cry from his mindset in the mafia. A better person for sure, but a good person is hard to define for anyone in this series. The mafia is still the mafia, do any of them qualify as good people? The government, even if it’s the position of the right in society, is still an unjust system.

What a good person is cannot be an objective answer, people think there is but it’s not. A good person is how much we know about them and where our position in life affects our viewpoint. Prejudice values don’t make you correct in what you think a good person is, being convicted of a crime, one you might not even have committed, doesn’t automatically make you a bad person, being associated with a group doesn’t mean anything about who you are, etc. It’s all subjective in the end.

Meaning someone like Odasaku is essential in a story like this. He still has a presence in this narrative, even if he died in a light novel, because his existence pushes the boundaries of a “good person” in the fact his contradictory existence establishes itself. He failed in walking the path he wanted, but he doesn’t regret it even in his dying moments trying to.

Afterthoughts

The themes of morality and humanity go hand in hand with the abuse present in Bungou Stray Dogs, so it was hard avoiding talking about this when it was necessary. I don’t think it’s right of us to judge a character’s path that isn’t finished, in a story that’s nowhere near done. Ultimately, I’m only talking in a place of experience but never will it make me exempt from any personal bias. I tried to be as objective and nuanced as I could about this, and I hope it shows.

Abuse isn’t one of those things that I can analyze from any logical stand point or take resources to back my statements up about abuse. Of course everything I say can be backed up, but abuse is a personal, human matter and we’re just human being trying to figure out more than we can handle. I just couldn’t be comfortable with how people are now choosing to talk about Asagiri and needed to shed some light in what you’re missing.

Now I could’ve gone over Higuchi or Lucy because their stories also involve abuse, but I don’t think I could say anything new about them without repeating points I’ve already said. We know very little about Higuchi and what made her so devoted to Akutagawa, and Lucy is pretty quick to summarize considering her story is just like Atsushi’s. Q is also a character to be brought up but I don’t have enough information on them to say much about any abuse itself that happened.

Yosano was also an option but I don’t think anyone had any trouble understanding her backstory. Well I was only really aiming to speak about what’s not been spoken enough. Thank you for reading haha, god this thing is monstrous. Already got to 14k words by the time I was officially done…. I didn’t know if I wanted to lean into character analysis or just exposition, I hope it’s a good enough mix of both. This took way longer than the 4 days I was planning to write this in.

I was later reminded that I could do a post on how their abilities functioned and reflect on their abuse/traumatic events, but I didn’t think I’d have enough room for that here. It could be a bonus post eventually? I don’t think I did Kyouka enough justice in that aspect, but i’d just be beating myself up again about not making this perfect.

I hope I don’t come off scary or a very serious person? I’m very open to requests or discussions people want to engage in. Oh jeez, I’ll just embarrass myself if I keep talking. Writing this was a bit much, never really liked writing stuff myself. Sorry if glossed over anything, I wanted to stay on topic and not detail into something unnecessary.

The message BSD has is a pretty normal one, but there’s something very special about how it’s written here and I’m happy it exists. Maybe I shouldn’t have made this so long? But there’s so much to express sigh……