#black people in sci fi

[eastsideofthemoon]

Black Star Trek Characters

Artist Credit: @Captain_Revo (Twitter)

I Wasn't able to tag every character. There are more Black Star Trek Characters than shown here FYI

[sleepynegress]

I Just Watched Hulu’s PREY (the latest Predator sequel)... YALL #THIS IS A REC

*whew!!!*

So, a little tidbit about me. Around 20 years ago, I worked on a rez.  They had a community center with a TV and a DVD player with popular movies the people liked.  Like any other people in America they had a collection of all the genres, including action blockbusters. But... there were only two or three actual Indigenous culture-based movies.  The rest were mostly Latine (I think owing to the fact of Latine cultures having a lot of Indigenous blood/culture within them). I remember at the time, it struck me, that even as a black woman, I was privileged in this.  NO PEOPLES have less representation in pop culture than the 1st Nations peoples... You hear me? And you can forget just a regular-egular Hollywood blockbuster movie. #PREY should have been that big Hollywood blockbuster sleeper 2022 summer movie theater hit, yall. It is now, my FAVORITE movie that has come out this summer. It gave EVERYTHING. Indigenous folks finally have a big great quality action sci-fi movie. 

And a Native WOMAN gets to be that badass (I tell u, I reverted to a kid cheering them big 80′s muscley yt men action stars from back in the day) It’s not gimmicky, quippy, or overly-faux-reverant of the culture in that cringey way yt media does with that ~wise magical NDN~ garbage...No they are just people living their lives.

It just does what it’s supposed to.  It patiently builds enough character so you care what happens to them. It gives that meaningful character journey, heart-pounding, edge-of-your-seat and badass-bloody action, and a satisfying ending.

Which is all you want in a action film. And even tho I’m not Native, the fact that it’s also in genre (sci-fi) something I know some yt folks don’t think marginalized peoples have a leading place in (i.e. woke/forced b.s.), just gave me chills and made me happy in that way BP did, -that another marginalized group is getting space at the table too (long overdue tho it is). Naru is THEE SHIT. SEE THIS FUCKING MOVIE YALL, espec. if you are an action movie stan, like myself and/or a Predator fan who has been waiting for the good quality sequel to the OG movie, and like believeable action woman leads. Just for the record, I like Predator 2 and Predators and don’t acknowledge the existence of any other sequels, except for that part where Sanaa and the Predator got along (I’m sorry yall, Predators are the Negroes of aliens in space, I don’t make the rules....They only gave trophies and ritual to the two black leads) But PREY????

...MUTHAFCCIN PREY??? It rivals the OG Predator, I KID YOU NOT. If you are planning to have an action movie night this weekend??? 

Cue this sucker up and get your popcorn. SEE IT!!

[talos-stims]

analog retro-futuristic monitor effect in photoshop | source

[obi-wann-cannoli]

Fantasy writers PLEASE start including some sort of ‘previously on’ intro chapter to your sequels. Not just a cast of characters (though that is also helpful). I can’t remember shit about my own life much less the political situation of the fictional fantasy world from the first book.

[cheeseanonioncrisps]

Every teenage girl has:

a) a society telling her constantly that the only thing she should be interested in is love and BOYSSSS!

b) a frustrated lust for violence

And the societal role of YA fantasy/sci-fi fiction is to act like it's just conforming to the former, while in reality appealing pretty transparently to the latter.

[rioblitzle]

im not even that active as a lurker anymore but I did always find it funny how clear the fan favouritism was in the gorillaz fandom through the fact that noodle has a classic wild over-the-top edgy first-oc backstory where she was raised as a supersoldier/living weapon in a lab as part of a government experiment and narrowly escaped being slaughtered alongside all of her peers- and yet I have barely ever in my life seen whatever the fuck was going on with that and how it might affect her touched on in fan content, but in comparison there's gotta be like at least a thousand fics centred around murdoc's backstory alone

[weyounbathwater]

I know I've said this before but I'll say it again black people literally define the sci fi genre for me. if your sci fi doesn't have at least one black person in it then it's not real sci fi to me

[pissfaggit]

Oh my god

[historyhermann]

My Dad the Bounty Hunter Season 2 Spoiler-Filled Review

My Dad the Bounty Hunter is a coming-of-age animated sci-fi adventure series by Everett Downing Jr. and Patrick Harpin. It is a continuation from the first season, which came out in February. It comes at a time when Black-centered animations are blossoming. This piece was written during the 2023 WGA and SAG-AFTRA strikes. Without the labor of the writers and actors currently on strike, My Dad the Bounty Hunter, being reviewed here, wouldn't exist.

Reprinted from Pop Culture Maniacs and Wayback Machine. This was the forty-eighth article I wrote for Pop Culture Maniacs. This post was originally published on September 4, 2023.

The second season of My Dad the Bounty Hunter picks up where the last one left off. Sean (voiced by JeCobi Swain) tells a story about his space adventures in class. Lisa (voiced by Priah Ferguson) acts like know-at-all to her science teacher. She declares that their dying planet and slow technology growth will ensure that outer space exploration is impossible. Their mother, Tess (voiced by Yvonne Orji) comes to school, learning that the school administrators see Sean as a genius, but they see Lisa as a problem student. She talks to her husband, Terry (voiced by Laz Alonso), who is working at a shoe store, telling him they shouldn't keep secrets. Everything goes awry when a bounty hunter captures him, which she, Sean, and Lisa see, traumatizing them.

And that is only the first episode. This season throws you right into the action with new characters like Blobby (voiced by Patrick Harpin), a scammer extraterrestrial who was once captured by Terry in his bounty hunter persona of "Sabo." Later, Tess puts herself, and her kids, in danger. She travels in Glorlox's stolen ship to a nearby prison. She hopes that Terry is imprisoned there, while there's an active bounty on her head. There are typical sci-fi elements like space warping and laser battles. Scenes in the space restaurant Bucky Quantos and A.I. like KRS (voiced by Yvette Nicole Brown) enhance this. The quick action and exciting plot make the series even more engaging. It draws you into the animation, by Dwarf Animation Studio, which has a smooth 3-D style.

The Conglomerate, officially known as Endless Horizons Conglomerate, are still the villains. With the death of The Fixer in the first season, Pam (voiced by Chelsea Peretti) is the organization's new CEO. However, there is a twist. The Conglomerate is not holding Terry in their prison. Pam claims to investors that the Conglomerate is trying to become "socially conscious." She boasts about reported rehabilitation of criminals to make them "productive" corporate slaves. She further champions the new food options at the ever-popular Bucky Quantos restaurant. The Conglomerate's changes ensure the restaurant is no longer a "glorious palace of meat and grease and cholesterol," as one character puts it. Instead, Pam declares that Conglomerate will connect people, and the universe, with warp gates. She is assisted by robot enforcers, such as Beta (voiced by Mara Junot), who calls Pam "the Creator."

This series reminds me of Okja. The 2017 film mixes the science-fantasy and action-adventure genres. Directed by Bong Joon-ho, also known for Parasite and Snowpiercer, the Mirando Corporation are the villains. The corporation has a similar goal to the Conglomerate. They plan to raise genetically modified super pigs to sell meat to the masses. However, when they kidnap one pig, Okja, its owner, Mija, a young South Korean girl, tries to get it back. She is helped by an animal liberation group to rescue Okja. The group plans to reveal the corporation's misdeeds to the world. Obviously, My Dad the Bounty Hunter is different from Okja, which focuses on the horrors of the food industry. Both have a strongly anti-corporate message even as they are on the streaming platform of Netflix, a conglomerate of its own.

Coming back to My Dad the Bounty Hunter, the second season shares similarities with space operas in the Star Wars franchise, like the third episode. In that episode, the fissures between the family members come to the surface. For one, Sean and Lisa can't enter the casino because they are kids. Only adults are allowed in. Secondly, Tess admits she grew up in constant danger when she was younger but doesn't want to talk about it, making Lisa suspicious. Thirdly, Sean begins to bond with Blobby, and Blobby with Lisa. She gives him tips on playing galactic poker. The episode hints at what is to come. The Widowmaker (voiced by Ralph Ineson) reveals that the Doloraam High Council kidnapped Terry. This terrifies Tess, confusing Sean and Lisa as to her reaction. She is implied to be non-human.

The third episode was the first time I had laughed during the season. The mother of Philip, a cat-faced creature, embarrasses him. She forces him to apologize for insulting Tess. It is moments like that which make me like the series even better. However, at other points, dramatic elements are more emphasized than the comedic ones.

The fourth episode continues directly from the third. The Afrofuturist themes come to the fore. This season is more Afrofuturist than the first season. The Doloraami royalty are revealed: Emperor Odoman (voiced by Adewale Akinnuoye-Agbaje) and Empress Gurira (voiced by Janet Hubert). Odoman towers above Terry, on the coliseum floor, and conducts the trial against him. Terry gets a sleazy public defender named Ja Boluu. Boluu's voice actor, Godfrey, previously voiced Kofi in Steven Universe. Kofi is a stern, and somewhat authoritarian patriarch, of the Pizza family in Beach City, and owner of the family business. While Boluu is different from Kofi, there are other comparisons between Steven Universe and this series.

In both series, the protagonist is on trial. In Steven Universe, Steven is on trial for his mother's crimes (killing a Diamond). He is accused of being his mother because of the pink diamond in his belly. (Blue) Zircon defends him. She finds a flaw in the Diamonds' case. She accuses them of being complicit. As a result, Yellow Diamond poofs her. The trial in My Dad the Bounty Hunter is quite different. Emperor Odoman charges Terry with spacecraft theft, assaulting a royal guard, and abducting Sa Janeera, princess of Doloraam. Also, his public defender has wronged many people.

As it turns out, Tess is Sa Janeera. Terry acts surprised, but likely knew already. Unlike Steven in Steven Universe, who barely escapes the all-powerful Diamonds, Terry goes through tribulations of fire to annul his guilty sentence. The pompous B'Caala (voiced by Keith David), a Prince-like cat man who desires political power, tries to make a deal. He suggests that Terry narc on Tess. He refuses. Terry loves and cares about her. This refusal shows his loyalty to her.

Viewers who watch this series may see similarities to Black Panther and Black Panther: Wakanda Forever, which have Afrofuturist themes. However, Africanfuturist animations like Kizazi Moto, or futuristic elements in Supa Team 4 are more apt. Black Panther has been criticized for embodying police habits and tendencies. Some have said it sanitizes "cop behavior and brand it as heroism." In contrast, the main characters in My Dad the Bounty Hunter, like Tess and Terry, are on the run from bounty hunters. They are the furthest thing from cops. This series doesn't have copaganda, even though the Kingdom has a retributive justice system.

One of the major themes in My Dad the Bounty Hunter is the importance and value of family. Those ties are tested in this season. Lisa is annoyed that Tess is keeping secrets from her. She ignores Sean's warning about not knowing the full story. This comes to a head in the fifth episode. Adja (voiced by Thando Thabethe) claims Tess made the "wrong" choice in leaving Doloraam. Although this is hurtful, it is nothing compared to Beta kidnapping Lisa and Sean. Tess loses it. She is paralyzed, unsure of her next steps. The credits further emphasize this by not having a music track. This encourages audience members to sympathize with Tess.

These themes mesh with Sean and Lisa's connections to their Doloraami roots. Tess also unlocks her long-forgotten Doloraami powers, allowing her to defeat Beta. Interlinking to one's ancestral identity is not unique to this series. For instance, the Kizazi Moto episode/films "Mkhuzi: The Spirit Racer" and "Hatima" emphasize similar themes, as does the lackluster episode/film "First Totem Problems." Similarly, Carmen Sandiego, in the series of the same name, investigates her Argentinian roots in an important sub-theme of that series. In addition, Amphibia and The Ghost and Molly McGee incorporate Thai culture into the storylines, with the protagonists examining their parentage and ancestry.

Like other nations in Black speculative fiction, Doloraam has independence to make its own decisions. Pam detests this. It puts her plan to seize the planet's crystals, known as Kalatite, in jeopardy. Like in the Kizazi Moto episode/film "Herderboy," with herding of cattle to gain crystals, to power their society, the Kalatite crystals are the foundation of their society. They are sacred and have been in hands of the Doloraami people for generations. It makes sense that the Conglomerate would work with B'Caala in hopes that the royal council will agree to the Conglomerate's terms. Even though the council is unaware of B'Caala's treachery, they are rightly skeptical of the Conglomerate. They worry whether they will be kings or if the Conglomerate will have control instead.

The Conglomerate doesn't put all their eggs in one basket. Pam develops a plan which aims to achieve the Conglomerate's goals. There is a huge demonstration of the "good" that can come from warp portals. This does not convince the royal council. As a result, Pam later grumbles that she is tired of being nice. This implies that she will soon show her "true" nature. Her expression changes after learning that Sean, Lisa, and Tess are royalty. She believes that returning them to Doloraam will cause the royal council to vote in favor of the Conglomerate. This is a major miscalculation.

Odoman and Gurira are glad to see Tess, and meet Lisa and Sean. Terry is freed, after Tess confronts her parents about his kidnapping. B'Caala is tossed aside like a used dishrag. Pam says that because she brought back Tess, she doesn't need him. To make matters worse, his tribe no longer recognizes his sovereignty, after he beats up Terry in a fight. His removal from the royal bloodline dashes his attempt to seize political power. B'Caala is further crest-fallen by Tess's marriage to Terry.

Pam cares little about B'Caala. She only wants the deal with the royal council so she can exploit the citizenry, like any imperialist. She does not want to get involved in leadership squabbles. The royal council gives Pam a container with gold bars for her trouble. At the same time, they reject the Conglomerate's proposal. Gurira says that they cannot, "in good conscience," accept it. She argues that the Kalatite crystals are part of the Kingdom, as are the people and their family. The Conglomerate's real plan manifests itself at the end of seventh episode. Their full-scale invasion almost resembles tactics of the Galactic Empire in the Star Wars franchise. The latter wants order and stability, while cracking down on any who disobeys.

The season's last two episodes involve the struggle against the Conglomerate. It is revealed that Doloraam is not defenseless. A shield protecting the city is activated, as are cannons to fire at invaders. An arsenal of weapons is also revealed. During this fight, Lisa connects with the Kalatite. She fights alongside Adja in the city, calming Tess's worries. Blobby and Sean work together to shut down the portal which is providing the Conglomerate with additional forces for their assault. In a scene akin to an Imperial cruiser falling toward Ryloth, in the Star Wars Rebels episode "Homecoming," the portal's closure slices a Conglomerate ship in half. The end is near. Despite this, Pam desperately attempts to finish the plan, at any cost.

The final episode of My Dad the Bounty Hunter wraps up everything, almost too nicely. The robots accelerate their extraction of Kalatite crystals. Pam has not learned the lesson that Elena (in Elena of Avalor) and Lunella Lafeyette in Moon Girl and Devil Dinosaur made abundantly clear: speeding up the timeline only leads to disaster. Glorlox and his crew gives a helping hand, as does B'Caala. He informs Tess about Pam's location. In a conversation with her, he reveals that he wanted to rule the planet, not see it destroyed. Following this is a great hand-to-hand combat scene between Pam and Tess. She pulls out Pam's neural link, implying that the ship she was piloting the ship remotely, like the robots. Of course, this isn't the end.

Tess fights Pam in a battle in a creepy swamp. The true form of Pam is revealed to be a huge alligator-like monster. Tess barely wins the battle. She is heavily injured, and Terry, Sean, and Lisa save her just in time. The fast-forward that follows is typical of many animations, either films or series. Kipo and the Age of the Wonderbeasts had one in the final episode as did Nimona in the end of that film.

The fruits of their victory are apparent. Tess (wearing boots made from Pam's skin) hangs out with her family, her mother (voiced by Leslie Uggams), her friend Adja, and other compatriots on Earth. Everyone bonds. Lisa agrees to show Adja (who has a crush on Glorlox) around Earth. Blobby works with Sean to turn his story into a movie. There is a good, but untrue, quip from Blobby about how "all the good books" get turned into movies.

The series ends on a slice-of-life note. All of them play football together. However, a cliffhanger post-credits scene, which shows a warp gate activating, and a ship passing through, hints at a possible continuation. However, a lack of continuation for My Dad the Bounty Hunter would not leave fans hankering for more, as they do with High Guardian Spice, which has which raises more questions than answers. While the central conflict in the final episodes ended too quickly, the second season finale is perfect. I'm afraid that having another season would ruin that ending for fans and others alike.

In my season one review, I noted that the series impressed me. I described the animation and voice actors as top notch, praised the music selection, and noted that many voice actors were well-known. I also compared the series to episodes of Dogs in Space, Cleopatra in Space, Star Wars: The Bad Batch, and contrasted it with more mature themes in Helluva Boss and Invincible. Those insights still ring true. New characters like Blobby bring more humor to the series. Joshua Mosley's score for the series, often including rap or hip-hop music, can make you excited to watch more.

The voice actors of My Dad the Bounty Hunter are a diverse bunch. JeCobi Swain has been in the entertainment industry since at least 2016. He has voiced characters in Eureka! and Firebuds. In contrast, Priah Ferguson, well-known for her role in the 1980s nostalgia trip known as Stranger Things, voiced Bailey in the subpar animated series, Hamster & Gretel. Yvonne Orji has range as evidenced by the fact that she also voices Gigi in Velma.

Laz Alonso has worked in the entertainment industry since early 2000s. His voice role in this series is one of his first voice roles, apart from some characters in Robot Chicken. Patrick Harpin, who is also this show's creator and a storyboard artist, provided his voice to characters in two Hotel Transylvania films. Yvette Nicole Brown has been very prolific in her voice acting. Brown voiced characters in Strange Planet, The Ghost and Molly McGee, Dogs in Space, Fairfax, and many others.

Voice actors Chelsea Peretti, Mara Junot, Adewale Akinnuoye-Agbaje, Janet Hubert, Keith David, Thando Thabethe, Leslie Uggams, and Ralph Ineson are just as talented as those previously listed. This series also features Venice May Wong (also called Venice Wong) as Halvey, a friend of Sean and Lisa. Apart from her role in this series, Peretti recently voiced Queenie in Adventure Time: Fiona and Cake. Junot voiced Shoola in Arcane. Akinnuoye-Agbaje is known for providing his voice for Bilal in the film Bilal: A New Breed of Hero. David has voiced characters in Firebuds, The Proud Family: Louder and Prouder, Final Space, DuckTales, and Young Justice. In contrast, this series is one of the first voice roles for Hubert, Thabethe, Uggams, Ineson, and Wong.

The show's cast is stellar, making the characters more relatable. The series is geared toward a Black audience and designed for families. This can draw people in, even those who prefer 2-D animation over 3-D animation. Those who watch it may connect with the messages, social commentary, or other aspects. They may also enjoy the show writing of Harpin, Downing, Justin Gordon-Montgomery, Shakira Pressley, Ryan Harer, or Tomi Adeyemi.

Gordon-Montgomery previously directed episodes of DC Super Hero Girls and storyboarded High Guardian Spice and Rapunzel's Tangled Adventure episodes. Pressley wrote for Craig of the Creek. Harer was a script coordinator for Centaurworld and Middle School Moguls. Adeyemi is a Nigerian-American writer best known for her Legacy of Orïsha trilogy of young adult fantasy novels, which have Afrofuturist themes. All these people comprised the majority-Black writers room for the series.

Overall, the series is fun to watch. It is almost as fun as some Cleopatra of Space episode. In my season one review I said that series was unique and shined. I described it as "not my favorite series ever." In contrast, I enjoyed the second season even more. There are many more series to compare it to now than there was in February. My predictions that the series will explore more about family dynamics and conflicts proved correct, as did the portrayal of a "loving Black family."

However, Lisa did not have a boyfriend or a girlfriend in this season. In fact, neither Lisa nor Sean had romantic connections to anyone else. I think this is purposeful. In fact, Sean cares more about the fate of Beta, and the control she has over her body, than any person, apart from his family and friends. Sadly, the dearth of fan fiction for this series on AO3 or Fanfiction.net makes views of fans on this subject unknown.

As I say with every show that drops on the same day, I would have preferred 1-2 episodes of My Dad the Bounty Hunter air every week. The same "binge" model has been followed for Kipo and the Age of Wonderbeasts, Supa Team 4, Carmen Sandiego, and latest season of Disenchantment. Hopefully, future series will follow the lead of anime and release only one to two episodes per week.

I liked the emphasis on storytelling, as shown through Sean wanting to tell his own tall tales, and trying to be true to himself. The latter has a parallel in Blobby reuniting with his other half in the sixth episode. It echoes how Steven Universe reunited with Pink Steven in the Steven Universe series finale, "Change Your Mind". Watching this season was worth it. I was glad I did so because this season is more Afrofuturist than the first season, as it addresses concerns and themes of the African diaspora through its speculative fiction and technoculture.

I'm glad I remembered that My Dad the Bounty Hunter even had a second season because I only was reminded when reading social media posts from fans about it. Unfortunately, mainstream reviewers seem to have ignored the second season's release. Despite the fact there are reviews out there, an online search indicated that major sites like The A.V. Club, IGN, Los Angeles Times, CBR, and The Hollywood Reporter have not penned reviews for the show's second season. I'm not sure the exact reason, apart from unconscious racism, but it does this show a disservice in many ways.

At present, the series is on hiatus. Its fate has not been determined. Fans on social media have praised the series as awesome, fun, sweet, beautiful, incredible, and enjoyed the attention to detail. Netflix also deserves criticism for not marketing the series, leaving that job to the fans and creators (and crew). It is a clear insult. On the other hand, the release of this series shows that original stories matter.

My Dad the Bounty Hunter comes out at a time that negotiations to end the strikes of writers and actors are ongoing, with no agreement in sight. Wildbrain's workers have said they are moving to form a union and the animation industry is under strain, with work drying up and studios cutting back on employment. Dwarf Animation Studios is not mentioned on a recently-circulated spreadsheet noting conditions within animation studios. Some reviews on Glassdoor were positive, describing it as having a good company culture. Others noted it can be disorganized or were more critical.

It is not known if Netflix will renew the series for another season. This series comes at an apt time, since many other Black animations are being released nowadays. It is worth checking out, despite Netflix's lack of promotion and mainstream reviewers completely ignoring the second season's release.

My Dad the Bounty Hunter can be streamed on Netflix.

© 2023 Burkely Hermann. All rights reserved.

[constantvariations]

Probably one of the most unfortunate things about RWBY is, for all it's inclusion of characters of color, there's no real cultural identity behind any of it

Outside of names, what is there to identify Yang or Ren or Sun as Asian? Other than skin tone, what marks Emerald as a Black woman? What marks Maria as hispanic besides her surname and clothes loosely inspired by Dio de los Muertos?

The few times crwby genuinely tried to tie these things together have ended in total failure. Flynt Coal is so unambiguously Black that his weapon and design are just Jazz... and that's his entire character. The Black One to counter our White Hero for 4.2 minutes, then claim he digs her style, thus negating every relevant real-world implication of a large, wealthy white family driving small time entrepreneurs of color out of business

Every single attempt at inclusion is through such a glaringly White lens that it's no wonder that people often mistake Sun or Ironwood as white despite being named after a Chinese deity or being modeled after their Asian VA. And that's so disappointing in ways I don't think I could ever truly put into words

[eastsideofthemoon]

This is a phenomenal interview!! If you're a Star Trek Discovery fan or an SMG fan of any degree, I highly recommend this interview.

[deviiancetv]

The only reason people are saying that the Forspoken game is “trash” is because there’s a black WOMAN as the main character in a fantasy world, and I don’t care what anyone says.

I feel like Square Enix purposely set it up to fail… cause have they ever had a black main character in a game??

[sketchy-galaxy]

.

[capsizedskeleton]

i’m going to be the slightly bigger person and not instigate a fight with someone over tumblr by telling them their interpretation of a story is absolute dogshit. instead im going to talk about it here

spoilers for black mirror s4 ep 1 (uss callister)

it is a very fun episode. very i-have-no-mouth-and-i-must-scream-esque except the god-like figure is a human asshole. the bait-and-switch on who’s the protagonist! the clear set and costume distinctions between the real world and the game world! the clearly defined universe/game rules and how the main characters use them to get out! shania!! nanette as a protagonist and how her passion for coding and friendly personality carry over from the real world but she takes on the role of a rebel and it doesn’t feel unnatural! the happy ending esp for a black mirror ep?

esp liked walton’s bit of im sorry i treated you this way (bc he was the guy who was most an asshole to robert daly irl) or i would be if you didn’t throw my child out an airlock in this universe. bc like 1. there’s a difference btwn being an asshole due to negligence/ignorance/for personal gain (all still not great) v. being an asshole in order to see people suffer? and specifically trying to hurt someone in the worst way? 2. robert obviously wanted that apology and you can see a bit of normalcy he used to have as like a human with feelings 

ok now in a half-response to one dogshit take what this human guy does when he is given power (literally take pleasure in being sadistic towards sentient clones of coworkers who have done. nothing that warrants this). it’s not hard sci-fi. it’s parodying star trek ffs! the clones are sentient in a computer and while it would be nice to have an explanation it’s not central to the story! the adventure is getting out of this guy’s power! and the guy is absolutely an incel and someone who would partake in fandom culture maybe some people are lucky to never experience that but those guys (sadistic “nice guys” who self-isolate and then become irate when no one takes an interest in getting to know them) exist

anyway deadly class was kind of a shit series but it was right about one thing which is a nerd in power can very easily become the worst type of person

[pynkhues]

This is purely because I saw you reblogged a It Follows post, but, does the seashell e-reader haunt you as it does me? Because I sometimes remember it and want to die because I can't actually buy it. Do I prefer actual books to e-readers? 1000% would I pay a ridiculous amount of money for that little seashell? You bet your ass

It DOES, oh my god. I love it so, so much and I seriously think about it all the time. I'm defs more into physical books, but it's the sort of thing I'd read fic on until the end of time, haha.

Horror never gets enough credit for the way it can really blur into sci-fi to lean into the uncanny / elements of futurism to make a story feel both resonant and out of time. Like, sure, everyone loves M3gan right now, and I know you and I both loved Censor, but I watched Sissy the other night too which I really enjoyed, and that plays around with the capacity of social media and livestreaming to look at trauma and wellness vloggers and the way pseudo-therapy can be weaponised. It was a lot of fun, and that understanding of tech really elevated it overall.

Just! Yes! Tech and horror is a lowkey fave, haha.

[theskyexists]

remember rewatching the part in strikers a couple years ago in which nanoha goes to save vivio, her adopted daughter, who is a girl of FIVE forced to become a magical super weapon no longer in control of her body and nanoha has to beam her so incredibly powerfully that nanoha becomes permanently disabled to a small degree and nanoha KNEW of that risk (could easily have been worse) and i was literally CRYING even with completely forgotten context because SOMEHOW this is just this series’ specialty where the most emotional moment is when Nanoha pulls it ALL OUT to stop somebody and in doing so saving them andhere it is extra powerful because vivio is calling out for nanoha to save her and nanoha can only do that by hurting her

SHES FIVE!!!!!!!!!!!

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA