#blame the brush

[akibarayuri]

*drops this and runs*

goobers being silly

[reds-skull]

Soap "dog-coded" MacTavish my beloved

(This took 5 weeks help)

[raphaerolo]

I can so clearly imagine him giving a speech to the council but hes just far too pretty for his own good and its distracting everyone

[elizabeths-storytime]

Some thoughts about how Team 10 does their hair

[pcktknife]

clip studio on ipad is actually really good guys 😰

[tinyspectre]

Gotta be alert, even when you’re amongst the stars

[criticalbeauregard]

pov u are walking through the woods minding your own business in early 18th century new england

(click for better quality)

[egophiliac]

Which art program do you use and what brush for scribbling/ sketching ?

I’ve always been curious cause I noticed your artstyle has different brush’s used for linear sometimes.

I use Photoshop for 99% of my digital art! (I don't recommend it! there's a bunch of reasons I use it, but there are significantly better and cheaper art programs out there.) as for brushes...I do go through phases and love affairs with different inking brushes. :') although I always end up going back to my old faithfuls from Alex Dukal's Pencil Gardens set; they're just the EXACT right level of pressure sensitivity and texture that I like! (I honestly only use like 10% of the brushes from that set but it is so worth it. hands-down the absolute best traditional-style pencil brushes I've ever found for PS.)

I have some other brush recs (both free and paid, and some for CSP + Procreate) in this post too!

[cabbagege]

6/6

[yuwuta]

yuuta is the boyfriend BAWLING when he has to drop you off at the airport. it doesn’t really matter how long you’ll be gone, he will be crying, and he’s gonna cry just as hard when he picks you up again too. but that’s not surprising, neither is saying that satoru smothers you in affection and soft gazes but waits until you’re gone and he’s back home to let the tears out. the real gag is that toji is also crying. it doesn’t happen when he drops you off, or when he gets home, and honestly he’s fine for the first few days—crabbier than usual, slower than usual, groggier than usual��but, fine. it’s somewhere around the third or fourth day of your absence that he finds himself crying, unintentionally. he feels the tears on his lips before he realizes they’re falling from his eyes, and there’s a moment of confusion and then a soft laughter of disbelief before he lets the rest of them fall. he doesn’t really know why he’s crying even while he’s crying. he doesn’t sob or make noise or smush his head into a pillow, but when he gets up to wipe his face, he’s confronted with his reflection in the mirror and that’s when it hits him: he’s sad. if you’d asked toji, he’d say he hasn’t experienced true sadness before that moment. despite all the shitty things in his life, he held a sort of neutral, it is what is attitude about it all—but that’s not the case with you. toji’s sad because he misses you and it’s probably the first time in his life he cries because he can Feel something is missing inside of him

[rhinocio]

it's all fun and games until

@turtleblogatlast dude your post really got me

[tls12lessthan3]

thinking about orvs metatextual engagement with its genre and specifically how that interacts with its women again. kim dokja is a self insert for the reader - what he thinks is largely meant to represent what we think, especially in the beginning before sing shong really fleshes out his character. kim dokja sees the world through tropes, directly acknowledging the genre around him and the cliches we expect e.g. the overpowered mc, the scheming villain, the beautiful heroine.

but a major part of his arc is deconstructing this reductionist view of the world in a way that parallels the author's deconstruction of the genre, and that plays really well with the way orv writes women. yoo sangah is perhaps the best exanple - shes introduced as the heroine, a one-dimensional pretty girl who in any other novel would become kim dokja's love interest. but the authors allow her to be her own character, directly challenging the stereotype of the heroine and calling attention to the genre's typical lack of depth for such a character. i think this undercurrent plays in the background often but really comes to the forefront when yoo sangah reminds kim dokja of her putting pepper in their bosses' coffee, a memory kim dokja had supressed because it didn't fit with the pretty girl persona he made for her.

i interpret that moment as yoo sangah pushing her way out of the mold of heroine often found in these stories, demanding a depth be added to her character, asking kim dokja - and thus the reader - to see her in her entirety, to see the heroine archetype for what she could be. orv is at all times in conversation with its genre, and its simultaneous writing of female characters with agency and depth and acknowledgement of the tropes these women are expected to fulfill is undeniably a part of that. and its a part i enjoy. most of the time.

[hmsdoodlin]

Final hug before Cacophony

[thousand-lights-temple]

holding it the right way makes his hand hurt…

[spoiky]

I had so much fun in @carlyraejepsans whiteboard fox!!!

Also this is the very first time I've posted about my Undertale AU; it's a very miniscule peek but still. Until now it has all just been in my head.

[darryscrow]

thinking about parry but Paul can shape-shift and doesn't take their break up well