#both netflix and tv verse | Explore Tumblr Posts and Blogs

joshuasumter · 4 months

Text

Across the Netflix-Verse: Joshua Sumter Meets She-Ra and the Princesses of Power

SYNOPSIS: When creative and autistic Joshua Sumter teams up with orphan-turned-heroine/warrior princess Adora, Etheria will never be the same! But together, they just might save the universe. Think you know the story of She-Ra and the Princesses of Power? Well, think again because Etheria will never be the same as Joshua Sumter stars (and returns) in his latest self-insert, Isekai-turned-multiversal, retelling epic that not only flips the script on the hit animated reboot from DreamWorks and Netflix by ND Stevenson to reimagine and change the events of the show...but also spans across the wild, the wacky, the scary, the magical, the mythical, and sometimes very mature worlds and universes of the Netflix-verse, a multiverse featuring your fan-favorite Netflix shows and movies. Based on the hit animated She-Ra and the Princesses of Power series and in the tradition of Space Jam (1996), it's an Isekai-turned-multiversal, dimension-spanning epic that reimagines the narrative of the show -- with the inclusion of Joshua Sumter as an unlikely, live-action hero who finds himself on a strange, animated world and beyond that is familiar but slightly changed.

Life was carefree for creative and autistic Joshua Sumter (That would be me) of Earth (Our universe, the real world) as he was enjoying yet another typical, relaxing day and cozy life eating food, reading media tie-in books and comic books, and writing fanfics. Everything was perfectly normal...that is, until he lands smack-dab into the war-torn planet that is oddly familiar but yet slightly changed. It is the planet of Etheria, the world and universe of the hit animated reboot series from Netflix and DreamWorks She-Ra and the Princesses of Power, where an ongoing, full-blown war ensues and rages on between the princess-led Rebellion that wants to maintain peace and harmony for all of Etheria and the dreaded Horde that wants to conquer the planet in the name of its leader, Hordak.

At first, Joshua believes under the impression that everything going on is all just a dream of himself being in a reinterpretation of the rebooted TV series from the 80s as a full-fledged guest star, taking the first steps of his very own Isekai adventure when he bumps into Adora, Glimmer, and Bow, hangs out with them, and unknowingly accepting the full invitation to join in on the fray as a feature of his dream (All the way from Season 1 to the Battle of Bright Moon). But Joshua's enthusiasm falls flat when he quickly gets wrapped up in some very serious stuff during that experience, letting his newly found zany antics and madcap-style wits guide his ideas and actions enough to make Joshua fully consider the oddest possibility...that this ISN'T a dream after all.

Not only that, but the soul and consciousness of the previous She-Ra, Mara, resides in Joshua's body, along with all her past memories, allowing her to control his body as the two experienced many battles as possible in order to increase their combined strength. This transferal-like link allows both Joshua and Mara to communicate with each other, as if living in their shared mind, providing guidance and advice. When Mara manifests in the physical world as a corporeal spirit in her ethereal appearance and bluish glow, only Joshua can see her. Despite this unexpected turn of events, Joshua and Mara formed a cooperative relationship, much to Joshua's little shock and ire of Mara living inside him*. (*Similar to the term 'Emblems' from Fire Emblem: Engage; the Soul transferal from Rise of the Teenage Mutant Ninja Turtles; the Soul Link System from Dragon Ball FighterZ; Jaden/Yubel's relationship from Yu-Gi-Oh! GX; Byleth and Sothis from Fire Emblem: Three Houses; and Yuma and Astral's friendship from Yu-Gi-Oh! Zexal in the trope of "Symbiotic Possession", "Fusion Dance", "Sharing A Body", and "Romantic Fusion")

Now forced into a whole, new universe, surrounded by characters he now considers his new Etheria pals, having the soul of Mara living inside him, and being completely aware that he's starring in his very own self-insert retelling of the animated show while helping Adora, Glimmer, Bow, and more allies like Perfuma, Mermista, Frosta, Sea Hawk, Spinnerella, and Netossa in their fight against the Horde, Joshua decides to flip the script on the She-Ra and the Princesses of Power series to make some changes around here his own way by reimaging and changing events of the show that'll help turn things around for the future of Etheria and Adora's destiny...sort of.

As Joshua continues to influence the characters with his twisted action makajalaka of awesomeness in the form of a hard-hitting baseball bat that acts as his holy-sword-like weapon, his sense of imagination, his Official Handbook-level knowledge and more while imagining his fights in the style of the Persona 4 Arena games, Adora and her friends can't help wonder about what they make of Joshua and his bizarre, other-worldly perspective and shenanigans, not to mention how he fights like an entirely different person, courtesy of Mara's soul possessing him.

Along the way, Joshua later gets into numerous comedic adventures across the Netflix-Verse, a shared crossover multiverse of worlds and universes based on and inspired by your favorite Netflix shows and movies.

But when things in Etheria got a little too serious and with the help of the soul and consciousness of Mara, along with the animated worlds of the Netflix-Verse, will Joshua be able to beat the odds by letting loose the looniness and wreaking some hilarious mayhem in the process to help his new Etheria pals Adora, Glimmer, Bow, the Princess Alliance, and the Rebellion out of a real jam by saving the world his own way from a much, bigger threat than the Horde?

Based on and inspired by the She-Ra and the Princesses of Power series by ND Stevenson and featuring the worlds of your favorite Netflix shows and movies such as "The Cuphead Show", "Green Eggs and Ham", "The Dragon Prince", "Tiger & Bunny", "We Can Be Heroes", "Lego Elves: Secrets of Elvendale", "The Sea Beast", "Maya and the Three", "Nimona", "Jurassic World: Camp Cretaceous", "Dragon Age: Absolution" and much more, be prepared for a block-busting, hard-partying, mind-blowing, world-hopping, fourth-wall-breaking, live-action/animation mayhem in this self-inserting tale that spans both our world and theirs. DISCLAIMER: In the tradition and style of Space Jam (1996) meets Epic (2013), the Kingdom Hearts series, Gwenpool, and other Isekai tropes, Across the Netflix-Verse: Joshua Sumter Meets She-Ra and the Princesses of Power basically reimagines and changes the narrative of the show (Seasons 1-5), but with the inclusion of, yours truly, Joshua Sumter, and new twists and different outcomes inspired by some of the She-Ra and the Princess of Power fan fictions than the ones in the actual show for "anyone who wants to enjoy an entirely, different story with some few changes".

The Netflix-Verse, as the name implies, is a shared multiverse of worlds and universes that are mostly based on, inspired by, and from your favorite Netflix shows and movies in the tradition of Powerpuff Girls: Super Smash-Up!, Sonic Prime, Space Jam: A New Legacy, and the Kingdom Hearts series. The main hub of the Netflix-Verse is a vast expanse of space between that resembles Netflix's home menu, composed and surrounded by posters that served as gateways to these worlds. From the wild, the wacky, the scary to the magical, the mythical, the epic and sometimes very mature, it's a dimension-spanning epic into these Netflix-based worlds.

Inspiration and allusions from...

Space Jam (1996) and Space Jam: A New Legacy (2021) – Just like how Michael Jordan and Lebron James are live-action superstars entering a spectacular animated world and teaming up with the Looney Tunes in their two movies, Joshua Sumter (That would be me) does the same as he gets forced into the animated world of She-Ra and the Princesses of Power to help Adora and her friends in the princess-led Rebellion in their ongoing war against the dreaded Horde.

Epic (2013) – M.K. is a teenager finds herself transported to a deep forest setting where a battle between the forces of good and evil is taking place. In similarity, Joshua is a grown, autistic young man who finds himself transported to a war-torn planet based on a rebooted TV series from the 80s.

Kanji Tatsumi’s storyline from Persona 4: Arena – In Persona 4: Arena, Kanji Tatsumi still thinks that everything in the entire P1-Grand Prix tournament is all a dream until he eventually finds out it is in fact not, so when Joshua first lands smack-dab in Etheria, he believes that his experience in Etheria from Season 1 to the Battle of Bright Moon is all a reinterpretation/Isekai adventure dream, that is…until he eventually later finds out that it’s not a dream when he reaches the first episode of She-Ra and the Princesses of Power’s Season 2.

Kingdom Hearts and PowerPuff Girls: Super Smash-Up! – The Kingdom Hearts franchise features Disney-based worlds and how Sora embarks on an epic journey across the multiverse and encounters Disney and Final Fantasy characters in their respective worlds and helps them while the Powerpuff Girls: Super Smash-Up! comic crossover mini-series is a dimension-spanning epic inspired by Batman: The Brave and the Bold where Blossom, Bubbles, and Buttercup visit other Cartoon Network universes. In Across the Netflix-Verse: Joshua Sumter Meets She-Ra and the Princesses of Power, Joshua did the same thing - this time, it features worlds and universes that are mostly based on and inspired by your favorite Netflix shows and movies. In actuality, the She-Ra and the Princesses of Power world Joshua was first isekai-ed into was one of the Netflix-based worlds in the Netflix-Verse, so he then later goes on a world-hopping journey across the Netflix-Verse and encounters main characters in their respective worlds like The Cuphead Show, Green Eggs and Ham, The Dragon Prince, Tiger & Bunny, We Can Be Heroes, Lego Elves: Secrets of Elvendale, The Sea Beast, Maya and the Three, Jurassic World Camp Cretaceous, Nimona, Firedrake: The Silver Dragon, Puss in Boots: The Last Wish, and Dragon Age Absolution and helps them out.

12 notes · View notes

1mnobodywhoareyou · 8 months

Text

A Bex verse deleted scene because I'm going to take it apart and repurpose it for other things that fit the main fic better but I want to share it as is anyway:

Alex unlocks the door and swings it open, walking into their entry hall with Willie and Reggie trailing him. They’d just come from yet another appointment to get everything settled so that their little family expansion could become permanent.

“Bex? Luke? We’re back!” Reggie calls out into the apartment. When he’s met with suspicious silence, he exchanges a look with his partners and all three of them finish toeing off their shoes before making their way further into their home.

Reggie stops short when they reach the living room, his face immediately softening into an expression that could only be described as deeply fond.

“Wha-?” Alex starts to ask, cutting himself off when he takes in the scene for himself. The ‘Are you still watching,’ Netflix screen is displayed on their TV and Luke is laid flat out on the couch with one arm bent at the elbow, hand under the back of his head. Laying directly on top of him is Bex, her cheek is smushed into his chest. Both of them are sound asleep.

All three of her parents breathe a sigh of relief when they notice her thumb is not in her mouth.

“Sh!” Willie puts a finger to their lips while quietly pulling out their phone, tiptoeing closer as they open their camera app. They snap a few photos and then creep back to where Reggie and Alex remain planted.

They watch the sleeping duo fondly for a few moments before turning toward the kitchen. Normally Luke probably would have had dinner ready for everyone when they got back but hanging with a two year old is exhausting so he very likely earned his nap.

Alex, Willie, and Reggie try to be as quiet as possible as they prep and cook, working together in the space like a well-oiled machine. You don’t live together for over a decade, both in the apartment and on board a tour bus, without finding a rhythm after all.

Dinner is almost done when they start to hear movement and whispering coming from the other room.

“Daddy! Papa! Nomy!” Bex cheers as she toddles her way to the kitchen. She reaches Willie first who scoops her up into a tight hug and nuzzles her with their nose.

“Did you have a good day with Unca ‘Uke?” Willie asks and Bex nods emphatically. She starts babbling in toddlerese about their day with the adults managing to catch every handful of words.

Reggie chuckles as he finishes up with his task, reaching for Bex so he can greet her properly. She immediately yields to the handover, circling her small arms around his neck.

“Hey Munchkin, Papa sure missed you today!”

“Unca ‘Uke,” she reminds him and he laughs again.

“Yeah, I know you had Unca ‘Uke keeping you company. It’s hard to miss Papa when you’re having so much fun, hey?” he kisses the tip of her nose just as Alex comes over and wraps them both in a bear hug of his own.

Bex squeals and lets go of Reggie’s neck to try turning toward Alex. She finds herself a bit trapped and grunts in frustration.

“Daddy!” she chastises Alex and he lets out a soft chuckle of his own before releasing the pair and taking her into his arms.

“Did you keep Luke out of trouble today?” he asks her and she nods.

“No trouble!”

“Good. That’s my girl,” he lowers his voice to just above a whisper, “it’s a hard job but somebody’s gotta do it!”

“Hey!” Luke exclaims from the other side of the counter, grabbing the dishes to set the table. “I keep out of trouble just fine on my own.”

“Mkay,” Alex hums with disbelief.

“And the last ‘disagreement’ with Caleb was what?” Reggie asks with a teasing grin as he takes the food to the other room.

“Completely his fault,” Luke defends. “And also irrelevant to my time with Bex. Though she does need someone to teach her about good trouble.”

“That’s my job!” Willie pipes in with a grin of their own and all three boys roll their eyes.

“I said GOOD trouble,” Luke clarifies.

“Potayto, potahto,” Willie replies as the boys settle in, Alex placing Bex in her chair between himself and Luke.

“No trouble is good trouble,” Alex states, directing pointed looks both Reggie and Willie’s direction.

Reggie puts his hands up in defense, “hey! I got it all out of my system. Y’all are all the trouble I need now.”

“Awww,” Alex and Willie coo at him while Luke pretends to gag. Bex copies Luke, causing him to beam and Alex to roll his eyes.

“Two freaking peas in a pod,” Alex mutters.

“You’re welcome!” Luke replies cheekily letting a massive, overexaggerated grin take over his face.

Bex smiles up at Alex and he returns it, booping her nose. “What are we gonna do with them, huh?”

“Luvem!” she exclaims cheerfully, causing all four adults to burst into laughter and for her face to scrunch up in confusion.

“Yeah, Bex. You got that right, all we can do is love ‘em. Trouble and all.”

#bex verse #deleted scene #luke and bex #jatp #nobody writes #willexie

11 notes · View notes

saintmeghanmarkle · 3 months

Text

The kookery of Meghans cookery show: a pictorial essay by u/Mickleborough

The kookery of Meghan’s cookery show: a pictorial essay Being really excited (just kidding) about Meghan’s mooted cooking program with Netflix (maybe she’ll feature some fabulous Southern food, like chicken legs and grift, I mean grits!), I try to find out more about it.https://ift.tt/lXqSbmn on the Vaseline, Meghan! ‘I’d like to make her look a little more attractive, how far can you pull back?’ ‘How do you feel about Cleveland?’After some lackadaisical googling, I come across a gushy article in Elle, which answers what questions it can (not much). Note the date: 11 April 2024 - a little over 2 months ago.https://preview.redd.it/lohrcc1dcl6d1.png?width=1515&format=png&auto=webp&s=b3469e9a46759fc2e53c832c3404e2f9162bf00cThere’s no much info (I may make fun of the piece in another post), but there was something for the nerdy: the people behind it:https://ift.tt/GMzgj5C too much time on my hands (not true: need to do the dishes), I google some more and discover:The Intellectual Property Corporation, which is producing it, DOES NOT MENTION the show: The IP Corp websiteLeah Hariton, supposed showrunner’s upcoming and last projects on IMDB, DOES NOT MENTION the show:https://ift.tt/0PBRqkN Holzman, supposed executive producer, upcoming and 2024 projects, IMDB, DOES NOT - you get the grift, I mean drift:https://ift.tt/f1hKJYp Saidman, supposed executive producer, upcoming and 2024 projects, IMDB (looks the same as Holzman’s as I think both are at The Intellectual Property Corporation), ditto:https://preview.redd.it/ezjew8ggel6d1.png?width=1640&format=png&auto=webp&s=2af5f35005c621a3c0cc0b55a7ce7c90452c1ddcThere’s no reference to anything that might remotely pass for Meghan’s cookery-poo. (NB It’s not Power of the Dream, as that dream has no power.)Perhaps someone better-versed in TV production can shed some light, eg a project would be listed only if it were in the process of being made. But we were told in April 2024 that filming was under way, at someone else’s home: Daily Mail archived / unarchivedDoes that mean that this audition video’s been all a waste? (It’s part-time vegan Meghan showing us how to barbecue burgers, as well as eating it sexily. It’s very instructive - even shows you how to display fleisch whilst grilling same.) post link: https://ift.tt/BxDEy3k author: Mickleborough submitted: June 14, 2024 at 10:14PM via SaintMeghanMarkle on Reddit disclaimer: all views + opinions expressed by the author of this post, as well as any comments and reblogs, are solely the author's own; they do not necessarily reflect the views of the administrator of this Tumblr blog. For entertainment only.

5 notes · View notes

kathryndaily · 8 months

Text

Cole Sprouse and Kathryn Newton Are the Screen Duo We've Been Waiting For (via WhoWhatWear)

Full interview under the cut.

When I click into my Zoom meeting with Cole Sprouse and Kathryn Newton, they're already debriefing about the SAG Awards Season Celebration party they attended the night prior with their Hollywood peers, dishing on who left when and how the night ended up. In that moment, I wished I could toss out the questions I'd prepared for them and just be a fly on the wall listening to their banter. If I didn't know any better, I'd assume the two have been working alongside each other for years based on the inside jokes and heartfelt compliments being tossed back and forth. In reality, the forthcoming comedy horror flick Lisa Frankenstein (in theaters February 9) marks the first time the actors are sharing the screen, and it's a duo so good it hopefully won't be the last.

The two have had parallel paths in the industry, something they admit to bonding over on set. Both came up in Hollywood as child actors, Sprouse from age 1 and Newton from age 4. They're each well-versed in the YA genre: Sprouse, of course, is a Disney Channel alum who starred in The Suite Life of Zack and Cody before graduating to a high schooler in the hit CW series Riverdale and featuring in rom-coms Moonshot and Five Feet Apart. For her part, Newton played the lead in Amazon's The Map of Tiny Perfect Things and a teen in Netflix's The Society. Whether because of or despite their career longevity, both have noteworthy side hustles outside of acting—Sprouse's esteemed photography portfolio and Newton's successful golf career. The commonalities run deep, yet in many ways, the two are opposites. Sprouse is cerebral and loquacious, while Newton strikes me as bouncy and lighthearted. Newton is perched in a pink sweat set with bow-adorned Ugg boots, her three poodles tip-tapping lightly in the background. Sprouse wears backless New Balance sneakers that he refers to as "dad mode" and admits to playing the video game Rogue Trader at his desk before our call. Despite these differences, their chemistry as co-workers and friends is palpable both on and off the screen.

This immediately became apparent a few scenes into Lisa Frankenstein, which has all the makings of the next cult horror flick. Set in the '80s, the classic coming-of-age story follows an angsty teen (Newton) and her love interest (Sprouse), who just so happens to be a corpse from the Victorian era. The film was written by Diablo Cody, the mastermind behind iconic camp titles such as Jennifer's Body and Juno, and directed by Zelda Williams (her dad is Robin Williams—maybe you've heard of him?) in her directorial debut. Lisa Frankenstein is 120 minutes of belly-laughing, jaw-dropping ridiculousness—a guaranteed wild ride from start to finish.

When they weren't dressed in '80s prom and Victorian-era attire respectively, I got caught up with Newton and Sprouse fresh off the set of our January cover shoot and on the precipice of a booming post-strike award season. The mid-20s actress and early-30s actor collectively have more TV and movie credits under their belts than some career actors double their age but none of the pretentiousness. They were eager to discuss their longevity in the industry and express gratitude toward the high school–aged roles that got them to where they are now. Whether it's '80s fashion, careers outside of acting, or getting to work with your best friends, it's impossible not to get excited by Sprouse and Newton when they're geeking out about what they love.

—

First of all, I'm so excited about the whole vision of this cover shoot with the retro car, the trunk luggage, and the Bonnie and Clyde references. How do you think the shoot went?

Kathryn Newton: First of all, Cole is the consummate professional because he's always just down to play. He doesn't say no to anything. [He does] the "yes, and…" thing. So together, like you see in the movie, we really go there. We just had a lot of fun. We leaned into the clothes, the sets, and the creative direction. Cole and I were just fully in Bonnie and Clyde mode, looking over our shoulders and pretending to be in love.

Cole Sprouse: I always geek out when I get to work with photographers [I admire], too, because we just sit and chat about cameras and whatnot. It's easy when you're working with someone like Kathryn, who's also just capable of pulling out the character stuff immediately. I think being an actor on that side of the camera is always a lot of play. It's always a collaboration between the people that are being shot and the photographer—the subjects have to push themselves a little bit if the shots are really going to turn out well. It's easy when you already have a rapport with the person you're being shot with, to just push it a little.

—

Cole, you've also built a photography career for yourself, so being that you're often the one behind the camera on fashion shoots, has that altered your experience of being the subject when it comes to promoting your own projects?

CS: I'm a big believer in every department just doing what they're trained and good at. I find the more that you try to be hands-on if your role is a bit more passive, the worse the shots turn out. If you're in front of the camera, just play and go. If it doesn't work, it doesn't work, and the photographer will know almost immediately. For me, it doesn't really feel weird. It's just the difference between if I want to be in a more passive or a more active role.

KN: I was wondering if being a photographer helps you create a shot. With some of these pictures, if the composition is right, the way you're posing is right, and the angle is better, it makes the image better. I feel like there are no guys who know their angles. You know how to make a shot a photograph. It was cinematic. There's an energy there. You're telling a lot of a story in the pictures with me but also in the solo ones I saw of you, like the one of you running. I love that one.

CS: Look, I don't hold back anything for the photo. It was hot out that day, and they put me in some shorts, which is a rare occasion. It's very rare to see Cole Sprouse in some shorts.

—

See that, people? You're getting an exclusive on Cole Sprouse's knees! Well, I'm excited to dive into Lisa Frankenstein because the movie had me laughing out loud. I thoroughly enjoyed every minute of it. How did you both get involved with the project to begin with? What were your initial thoughts?

KN: I had a Zoom with our director, Zelda Williams, and I remember being really inspired after getting off the phone with her. She sounded like she was a risk-taker. She was encouraging me because one of my biggest fears of the movie is the fact that my amazing co-star Cole Sprouse doesn't speak. I was like, "What are we supposed to do here? How are we going to make a movie?" Then it was pretty much a no-brainer after reading screenwriter Diablo Cody's script. She can do no wrong, and it was just so exciting and delicious and fun. It was nothing like what I thought the movie was going to be, nor was it anything like what we shot, so I was pleasantly blown away.

—

What would you say surprised you the most?

KN: I would say it was about how big my character became. I thought my character was the quiet one and soon realized you can't be the quiet one since Cole's character doesn't speak. It changed everything. I watched She-Devil and Death Becomes Her to get some inspiration and learn to take up space. But I wouldn't have been able to do it without Cole. It felt like we were all one—Zelda, Cole, and I. We were all on the same page.

—

Cole, you basically have zero lines in the movie save for a few animated grunts. In fact, your character isn't even granted a name. You're only referred to as "Creature" when the credits roll. You've known director Zelda Williams for a while, and with this being her directorial debut, what were some of those early conversations like?

CS: Those [grunts] weren't even part of the original [script]! Those were [improvised] on the day of. For me personally, I was excited to shut the hell up. I was like, "Damn, I've done a lot, a lot of talking over the last five, six years. What would happen if I didn't do any of that?" The script presented the challenge of needing a really strong female lead and a strong female lead that had a solid sense of humor. Kathryn came up because I had known Kathryn for a couple of years. Zelda and I put our heads together and were like, "Alright, are we going to beg? What are we going to do here to try and secure the Kathryn bag?" When she got on board, we knew that this was really going to work. Diablo's writing is like bubble gum. It's really big, but it requires delivery that is authentic and genuine in order to work, so you need someone that has a sense of timing and a sense of humor. Kathryn immediately brought the life that we needed with it.

—

Had you been a fan of Diablo Cody's work for a while?

KN: Jennifer's Body was the first horror film I ever saw. It blew my mind. It's still one of my favorite horror films. I've seen it a million times, and the soundtrack is on my phone. I was really nervous to meet Diablo because she's the mastermind behind it, and I didn't want to let her down. But she really handed it off and gave us the freedom. Even though Cole doesn't speak, the way he had created this character, no one could have done it the way he did with such care and grace. It's a really big honor to be a part of her Diablo universe.

—

Was there anything that you both had to do specifically to prepare for your respective roles? For you, Cole, it seems to be a lot of body language. For you, Kathryn, it feels a lot more about hitting the right tone with the lines and bringing that lightheartedness into it.

CS: I worked with a movement coach for three months. He was a mime, which I thought was a fun way to play with [my character's] voicelessness. He is a great dude. He drives a car that has a license plate that just says speechless, which I thought was really hilarious. We built on a lot of Buster Keaton, the old silent-movie stars. The groaning came later when we were on set. That felt like a character that was really desperately trying to speak.

So the grunting was something you just improvised?

CS: Yeah, after many years of smoking cigarettes, I can croak. Gravelly voice? I was like, "Alright, cigarettes are gonna make you some money. Silver lining. Let's go."

—

I know that you two had worked with each other prior to Lisa Frankenstein when Cole shot you, Kathryn, for a spread that ended up in Interview magazine in 2020. Was that the first time you two met?

KN: I actually met Zack and Cody ages ago. I was probably 8, and they must have been, I don't know, 12. I was at Bob's Big Boy, and they were in their booth, and I got a picture with them. [As for the shoot,] it was actually just a shoot we did in my house. That's when we made magic. We got couture gowns from Valentino. My amazing hairstylist Renato brought all these wigs. I really think it was a precursor to Lisa Frankenstein because it was a very camp shoot. I had all these ideas about how the character was a woman who kills all her husbands, and she's really wealthy now with all her poodles. The photos are some of my favorite photos ever taken of me. It was just [Cole] and his camera—really low-key.

CS: When Kathryn went, "I have three poodles," I thought, "I can go with this."

KN: He didn't ask for my dogs' availability call. You can't afford them, but they would have done it for free.

CS: Next time I need three poodles, I'll let you know.

—

In general, you're both used to playing these younger characters who are often in high school. What is it about these kinds of roles that draws you in? Do you feel nostalgic for your own high school experience? Do you feel like you get to go back and rewrite the script a bit?

KN: I think that there is an element of rewriting the script to do things you wouldn't have done in your real life. For me, though, the young audience is the most important one because they're going to continue to grow with me, and I want to continue to grow with them. I do projects because I feel like no one else can do them. I just hope that the audience does like [Lisa Frankenstein]. It's a coming-of-age story, but something that we haven't seen in a while. This one, in particular, gave me a lot of nostalgia for the movies I grew up with that are colorful and bright—[the movies where] you lean in and you don't ask too many questions. You just go on a wild ride and are entertained.

CS: I think I've just aged. For a while, yeah, for sure. But at 31 and playing a teen? It's just not as believable as it once was. I would be so lucky, though. I would be so lucky to play high school my whole life!

—

I think that's a good point to bring up. Cole, you just wrapped seven seasons of Riverdale, where you were on location in Canada for many months on end and many seasons on end. Do you feel ready to "grow up" as far as your next characters are concerned?

CS: I get this question a lot. To be honest, I don't think about it too much. I think there are really compelling parts all over the age map. The more that you build an idea and aim for it professionally, the less it comes true. The one thing I will say is that I would love to shoot in California. Yeah, that's the manifestation I'm trying to put out. Right down the street at the studio complexes. Come home for lunch to my own house.

—

Do you hear that, universe? Manifesting it for you, Cole. Well, I'm curious. Age aside, what are the things about the projects you take on that you're like, "Oh my gosh, yes." Is it something in particular or more of a gut feeling? I feel like for you, Kathryn, you've had such a great breadth of projects, from critically acclaimed titles like Three Billboards and Big Little Lies to Marvel movies. Is there anything that stands out in the process of choosing the roles?

KN: The thing that stands out to me is, What am I going to get to bring to this role? Who are the people I'm going to surround myself with? What kind of conversations are we going to have on set to make this story? My process for roles hasn't really changed much. It's always been, What can I do for this movie? The second thing is, Who am I gonna get to hang out with every day?

—

I want to get into the fashion in the movie because I feel like it's so good. Your looks really capture the '80s perfectly, but I also feel like you are so comfortable in this aesthetic. What were some of the references that you brought forth? Do you create a mood board before a project like this?

KN: [The costume designer Meagan McLaughlin] brought along actual vintage from her own closet, but then to supplement, we went to Hot Topic, obviously. I like a fit-and-flare on camera. I find silhouettes beautiful from old movies like Bringing Up Baby and Breakfast at Tiffany's, so I wanted that kind of silhouette because I thought that was very camp to have me always in a shirt and a skirt cinched at the waist. We see her character progress from wearing big gaucho pants to leaning into her powerful femininity. … When she becomes the most monstrous is when she's in her cutest outfit, in my opinion.

—

Both of you have these amazing creative outlets that you've cultivated outside of your acting. Kathryn, you are an avid golfer working with the LPGA and R&A, and you're competing and crushing it, which is so amazing. Cole, your photography, I would say, seems to be your biggest focus outside of acting. I see that a bit more with you two than with other actors in your peer group. Are these passions as necessary to your creative life as acting is?

KN: In life, you're always told you can only be one thing. I'm a golfer who acts, and sometimes, I'm an actor who golfs. If I'm not working, I go play golf with my dad on the weekend. … I just did a movie in Ireland, and one of the producers was a big golfer, so every other weekend, I got to go to these beautiful places in the country and play these incredible golf courses. I'm trying to create a space in this golf world for more accessibility for young people not to just start playing but to continue to be golfers their whole lives because it's been such a gift [for me]. It's given me a lot of confidence.

CS: You're talking to actors that were also kid actors, right? I think that comes along with a perspective on acting that is understanding it's a job. It's a financial pursuit alongside a kind of artistic pursuit. For me, the photography thing was one area where I could flex my own creative control in a much more active way alongside an acting career that you can't predict the future of and one where there's not a lot of security. I need to do something outside of this other arena if I'm going to have a healthy relationship to work. I'm a huge proponent of actors having another career alongside acting.

—

To your point, you've both been acting from such a young age. Cole, you've been vocal about the fact that it wasn't always a choice. It was often out of financial necessity. Kathryn, you've likewise been in the industry since you were 4. How does that influence your current approach?

CS: When a lot of people talk about acting, they talk about the beauty and the passion of acting, and they forget that it's also a job. The healthiest relationship is somewhere in the middle, where you can go, "Alright, I ideally want to do one for me and one for the coffers."

KN: We found a lot of common ground, and we had some amazing discussions about it on [the set of] Lisa Frankenstein. I felt like I was so similar in my approach, where we take it seriously, but we don't identify with it. I've been an actress since I was 4. Every experience I had has been like candy. It's just been fun. I went to real school my whole life, so there was this experience of "Is school real, or is the job that I'm on set for real?" Neither one of them felt like reality. I was class president, and I did the commencement speech and everything. I loved school and being a kid who was super uncool and then going to set and shooting 15-hour days and then going back to school and having to take five tests. These are the things that have made me who I am, and I wouldn't change anything.

I can't help but think that this mindset is really unique to folks like you who have been doing this job for so many years. It's essentially the defining experience of your life. Did you ever look back and maybe feel any type of resentment or regret about the way that the industry made you grow up quicker and faster than kids your own age?

CS: Great question. I don't hold resentment. It comes with an incredible amount of privilege, and also, you do kind of know what you're signing up for. I might not have had as much agency over career decisions as a kid, but it made complete and logical sense at the time as to why we were doing the thing that we were doing.

KN: What's funny is I feel like I'm just getting started all the time. Every time I finish a project, I feel like I'm never going to work again. To piggyback on what Cole is saying, the longer you do it, the less you need to do your job. I don't need anything to do my scene. I don't need a coffee. I don't need five minutes to get ready. If you say "action," I'm ready. [Cole is similar to me in that way.] I wonder if it's because we did grow up as child actors. The roles have required more of me as I've matured simply with age and material. Now, the material just asks more of you. I feel like I'm just getting started because now I'm at a new level.

—

I want to pivot a little to the topic of your relationship to the fashion world. You're both regulars at fashion week—Kathryn, I know you're a Ralph Lauren girl, and Cole, you attended your fair share of spring/summer 2024 shows during Paris Fashion Week as well. Is this a world that you are actively trying to further yourself in?

KN: I'm just constantly inspired. Cole is someone who I think has an amazing personal style. He says something with his looks. I don't think any of it is on accident.

What are some of the brands that you would say you have the best relationships with and that are the ones you keep coming back to in terms of your personal style?

CS: I like brands that are … unabashedly moving in a very particular direction. I think Versace leans into decadence and opulence in a really cool way unashamedly. I think Demna with Balenciaga is doing something really fun by not taking itself too seriously and creating a self-awareness that can be self-deprecating, which is so on-brand for me.

—

I am so excited to see what you both will pull out for the press tours for this movie. What are some of the conversations and themes that are being thrown around? Are either of you working with a stylist for your press outings?

KN: I know Zelda and I are contemplating if we all wear the same suit to the premiere or whether I should dress up as Lisa or if we should both dress up as Lisa and wear the wigs. I have a lot of vintage archival pieces that are from either the Versace 1997 collection or Chanel 1984. I'm in constant flux of whether I should just be myself and wear my own stuff or wear what's new. But I think vintage for this movie is where my heart's at. I think it's time to pull out the big pieces.

CS: I don't normally [work with a stylist], no. That's the first time on a press tour that I'm not working with a stylist. I actually feel way more confident when I'm just going into my own personal closet and throwing on what I wear.

Wait, I'm honestly shocked by that. I was expecting both of you to say that you work with a stylist—if not in an everyday capacity, then at least for red carpet outings.

CS: The beauty of the relationships that I think Kathryn and I both have to these certain brands now is that we can go, "Hey, I have this thing coming up."

KN: When I was 14 for the Bad Teacher premiere, I used all my money and bought a Valentino dress. I didn't know the rules that you can ask a brand for an outfit, right? So the person I bought the dress from was like, "You need to know [publicist] Katie Goodwin." So then, Katie met me, and she invited me to the Valentino show, where [Creative Director] Pierpaolo [Piccioli] knew the dress. I wore it again to my prom. It paid off so much that I just liked fashion and Valentino. Well, you've seen my looks. Valentino has been a huge part of my fashion story.

—

What a full-circle moment. I love how genuinely that relationship started for you. Clearly, you have such a good eye. Well, as much as I could keep chatting with you two for another several hours, I realize I've kept you way over our allotted time, and you've let me!

CS: You have some really great questions. I feel bad for you because you're gonna have to find a way to condense all of this.

#kathryn newton #cole sprouse #lisa frankenstein #news #interview

9 notes · View notes

shadesofnavy · 7 months

Text

Howdy, I’m a goofy lil farmer who loves soda and napping🥤

I’m VERY unprofessional and inconsistent with writing and art in general, but I love doing it, even if it takes me ages to get things done lol. I do traditional and digital drawings, may or may not open commissions someday in the future, who knows! 📝

Here's my AO3, and my art tag

I come up with [too many] AUs about my take on the FNF Funky Trio, each of them have their own tags, if interested check ‘em out. Here are my current verses

Burlington Bounty: Pico's School AU where everyone went to the same high school. Keith later becomes a wanted bounty known for ruthless murders, and he somehow manages drag his old friends in too. BFxGFxPico.

The Crooked Kind: Fantasy world AU where Keith is a reaper and Cherry is a guardian angel. Life seems okay before their school is shot up, and several other close lives are completely changed forever. BFxDarnellxNenexCherryxPico.

Mixtape : Swap AU where Keith, Darnell and Nene went through the shooting. Cherry is a rising rapper dating Pico the prosecutor who struggles to handle both his job and danger-magnet girlfriend. BFxDarnellxNene, GFxPico.

Animatronic : FNAF-based AU where Keith, after having became a successful musician and running a hit family entertainment restaurant, gets murdered and spirit now possesses the animatronic mascot of his restaurant. GFxPico

Prototype [ON-GOING FIC]: Regular Take AU where Keith's life spirals downhill. BFxPico, DarnellxGF (Be mindful of this fic's tags)

If you have any questions about them, feel free to ask : )

I try to answer as many asks as I get, just don’t bet on it. I also try to keep away from anything seriously controversial to avoid any kind of drama

My main obsession currently is Friday Night Funkin', but sometimes I'll reblog about other stuff I like. Here's some of my favorite kinds of media

Games: Sonic the Hedgehog, Call of Duty: Modern Warfare (2019), Battlefield 4, Cuphead, SSX Tricky, Undertale, Sonic the Hedgehogg, Minecraft: Story Mode (Netflix Interactive)

TV shows: Arcane: League of Legends, Ninjago, Trollhunters: Tales of Arcadia, While You Were Sleeping (K-Drama), Inborne Pair, Fermat's Cuisine, Avatar the Last Airbender, I Will Be Your Bloom, The Little Woman (K-Drama), Love Next Door (K-Drama)

Movies: Trolls, Nimona, G-Force, Ice Age (the first one), The Lion King (I cannot deny it)

Books: Warriors, Survivors, Bravelands

I'm mostly kid-friendly, (excluding my AO3 though, I suggest you back off if you're not into steamy fics) but I sometimes post about heavy topics, so just keep that in mind. I make sure to tag whenever it gets quirky. Expect to see a lot of angst now and then 🚬

#shades post #pin post #masterlist #blog intro #introduction post

14 notes · View notes

r3musmoony · 1 year

Text

Extended what might’ve been in my bio but ultimately ended up cutting it out because it was getting way too long (^з^)-☆

ʕ•̫͡•ʕ•̫͡•ʔ•̫͡•ʔ•̫͡•ʕ•̫͡•ʔ•̫͡•ʕ•̫͡•ʕ•̫͡•ʔ•̫͡•ʔ•̫͡•ʕ•̫͡•ʔ•̫͡•ʔ

pfp of myself at a recent renfaire <3

ʕ•̫͡•ʕ•̫͡•ʔ•̫͡•ʔ•̫͡•ʕ•̫͡•ʔ•̫͡•ʕ•̫͡•ʕ•̫͡•ʔ•̫͡•ʔ•̫͡•ʕ•̫͡•ʔ•̫͡•ʔ

Yes I smoke, yes I am also disabled, piss off if you think I can’t do both and get a better life

ʕ•̫͡•ʕ•̫͡•ʔ•̫͡•ʔ•̫͡•ʕ•̫͡•ʔ•̫͡•ʕ•̫͡•ʕ•̫͡•ʔ•̫͡•ʔ•̫͡•ʕ•̫͡•ʔ•̫͡•ʔ

this is also now slowly becoming an emo blog. I will not apologise, I am slowly falling back into my early teen ways

ʕ•̫͡•ʕ•̫͡•ʔ•̫͡•ʔ•̫͡•ʕ•̫͡•ʔ•̫͡•ʕ•̫͡•ʕ•̫͡•ʔ•̫͡•ʔ•̫͡•ʕ•̫͡•ʔ•̫͡•ʔ

Keep staring I might do a trick! 凸^-^凸　

ʕ•̫͡•ʕ•̫͡•ʔ•̫͡•ʔ•̫͡•ʕ•̫͡•ʔ•̫͡•ʕ•̫͡•ʕ•̫͡•ʔ•̫͡•ʔ•̫͡•ʕ•̫͡•ʔ•̫͡•ʔ

I refuse to cater to ableists, and yes that includes ableist disabled people. you are still being ableist even if you are disabled yourself

ʕ•̫͡•ʕ•̫͡•ʔ•̫͡•ʔ•̫͡•ʕ•̫͡•ʔ•̫͡•ʕ•̫͡•ʕ•̫͡•ʔ•̫͡•ʔ•̫͡•ʕ•̫͡•ʔ•̫͡•ʔ

I write fanfic, my ao3 profile is Eddies_Steve

ʕ•̫͡•ʕ•̫͡•ʔ•̫͡•ʔ•̫͡•ʕ•̫͡•ʔ•̫͡•ʕ•̫͡•ʕ•̫͡•ʔ•̫͡•ʔ•̫͡•ʕ•̫͡•ʔ•̫͡•ʔ

Yes my real name is Remus, yes I named myself after Remus Lupin, I do not support JKR or anyone like her which is why I stole the name so that a faggot and tranny can ‘bring shame’ to JKR and her godawful inhumane views

ʕ•̫͡•ʕ•̫͡•ʔ•̫͡•ʔ•̫͡•ʕ•̫͡•ʔ•̫͡•ʕ•̫͡•ʕ•̫͡•ʔ•̫͡•ʔ•̫͡•ʕ•̫͡•ʔ•̫͡•ʔ

I am in so many fandoms it’s hard to keep track but my main ones at the moment are:

Into the Spider-verse/Across the Spider-verse (I have a side-blog specifically dedicated to ATSV @hobi3brown )

9-1-1

9-1-1 Lone Star

Stranger Things (I do not support the actors or Netflix)

Criminal Minds

Supernatural

Rocky Horror Picture Show

The Marauders

DC (slowly being corrupted by a friend, still very new to DC)

MCU (mostly Tom Hollands Spider-Man but also slowly getting more involved with other stuff)

Shadow and Bone (TV show and books)

Six of Crows/Crooked Kingdom (CK is unfinished atm)

Good Omens

Shameless

Jake and Johnnie

ʕ•̫͡•ʕ•̫͡•ʔ•̫͡•ʔ•̫͡•ʕ•̫͡•ʔ•̫͡•ʕ•̫͡•ʕ•̫͡•ʔ•̫͡•ʔ•̫͡•ʕ•̫͡•ʔ•̫͡•ʔ

As mentioned in my bio, I have Tourette’s syndrome, no I do not have Coprolalia/Copropraxia however I do have echolalia/echopraxia, please do not try and give me tics because you will be blocked.

ʕ•̫͡•ʕ•̫͡•ʔ•̫͡•ʔ•̫͡•ʕ•̫͡•ʔ•̫͡•ʕ•̫͡•ʕ•̫͡•ʔ•̫͡•ʔ•̫͡•ʕ•̫͡•ʔ•̫͡•ʔ

Don’t be afraid to call me out if I say something outdated/offensive, I am always open to learning more as a person and I will not take offence.

ʕ•̫͡•ʕ•̫͡•ʔ•̫͡•ʔ•̫͡•ʕ•̫͡•ʔ•̫͡•ʕ•̫͡•ʕ•̫͡•ʔ•̫͡•ʔ•̫͡•ʕ•̫͡•ʔ•̫͡•ʔ

Bands that I enjoy in no particular order:

The Casualties

Anti-Flag

Black-flag

Metallica

Motley crue

The cure

Motörhead

Judas Priest

Mother Mother

Hozier

Ghost

Iron Maiden

Depeche Mode

She Wants Revenge

Sister of Mercy

Johnnie Guilbert

Jake Webber

The Front Bottoms (concert in April! Anyone else coming to The Gov in Adelaide on the day I’d love to meet you!)

ʕ•̫͡•ʕ•̫͡•ʔ•̫͡•ʔ•̫͡•ʕ•̫͡•ʔ•̫͡•ʕ•̫͡•ʕ•̫͡•ʔ•̫͡•ʔ•̫͡•ʕ•̫͡•ʔ•̫͡•ʔ

This is almost certainly way too much information about me to be sharing on the internet but fuck it, life is short and we all end up dead anyway so might as well have fun while we’re here.

ʕ•̫͡•ʕ•̫͡•ʔ•̫͡•ʔ•̫͡•ʕ•̫͡•ʔ•̫͡•ʕ•̫͡•ʕ•̫͡•ʔ•̫͡•ʔ•̫͡•ʕ•̫͡•ʔ•̫͡•ʔ

A cane user, crutch user, and a wheelchair user, mainly using my wheelchair atm

ʕ•̫͡•ʕ•̫͡•ʔ•̫͡•ʔ•̫͡•ʕ•̫͡•ʔ•̫͡•ʕ•̫͡•ʕ•̫͡•ʔ•̫͡•ʔ•̫͡•ʕ•̫͡•ʔ•̫͡•ʔ

very supportive of self-diagnosis as I am self-diagnosed with a few things (with months of research and peer-review)

ʕ•̫͡•ʕ•̫͡•ʔ•̫͡•ʔ•̫͡•ʕ•̫͡•ʔ•̫͡•ʕ•̫͡•ʕ•̫͡•ʔ•̫͡•ʔ•̫͡•ʕ•̫͡•ʔ•̫͡•ʔ

I now have a second side blog (as of 14/7/2023) dedicated to sharks! @sharkb01

ʕ•̫͡•ʕ•̫͡•ʔ•̫͡•ʔ•̫͡•ʕ•̫͡•ʔ•̫͡•ʕ•̫͡•ʕ•̫͡•ʔ•̫͡•ʔ•̫͡•ʕ•̫͡•ʔ•̫͡•ʔ

another side blog for Good Omens! @inneffablegays

ʕ•̫͡•ʕ•̫͡•ʔ•̫͡•ʔ•̫͡•ʕ•̫͡•ʔ•̫͡•ʕ•̫͡•ʕ•̫͡•ʔ•̫͡•ʔ•̫͡•ʕ•̫͡•ʔ•̫͡•ʔ

now also with a side blog for my education of polytheistic norse paganism! @norsepagangay

22 notes · View notes

burningexeter · 27 days

Text

Let me give this show some attention since why not.

Here's a fairly solid amount of all the different kinds of media that I think both can fit well in and could share the same universe as Bede Blake & Robert Butler's Creeped Out, which you can both read and see below for yourself:

First off, here's the episodes from both seasons that are all set in the same universe as each other in this "Verse" —

Season 1

— Slapstick, Trolled, A Boy Called Red, Kindlesticks, Shed No Fear and Side Show 1 & 2

Season 2

— Itchy, The Many Place, The Unfortunate Five, No Filter, The Takedown & Splinta Claws

Eight downer endings and four good endings.

Second, now here's the actual universe —

• Dan Angel & Billy Brown's R.L. Stine's The Haunting Hour: The Series

— Every episode of the entire series except Red Eye, Poof De Fromage, Bad Egg, Mrs. Worthington and Lotsa Luck

• Jeff Kline's Transformers Prime & Transformers Prime Beast Hunters: Predacons Rising

• Dan Mandel & Chris Pearson's Dan Vs.

• Dan Cross & David Hoge's Pair Of Kings

• Amy Heckerling's Fast Times At Ridgemont High & Clueless (1995)

• David Mirkin's Romy and Michele's High School Reunion

• Lloyd Goldfine's Teenage Mutant Ninja Turtles (2003)

• Steven Spielberg's Amazing Stories

— Every episode of the entire series except Guilt Trip and Family Dog

• Michael Lehmann's Heathers (1988)

• Stephen Herek's Don't Tell Mom The Babysitter's Dead (1991)

• Darren Stein's Jawbreaker (1999)

• Harry Elfont & Deborah Kaplan's Josie and the Pussycats (2001)

• Roberto Aguirre-Sarcasa's Chilling Adventures Of Sabrina (Netflix)

• Alfred Gough & Miles Millar's Wednesday (Netflix)

• Edgar Wright's Don't (Fake Trailer)

• Rob Zombie's Werewolf Women Of The S.S. (Fake Trailer)

• Eli Roth's Thanksgiving (Fake Trailer & 2023 film)

• Neil Gaiman's Good Omens (TV Series)

• Matthew Vaughn's Kingsman: The Secret Service

• Joel Schumacher's The Lost Boys (1987)

• Stephen Chow's Shaolin Soccer

• New Line Cinema's Critters (1 & 2)

• Joe Dante's The 'Burbs (1988)

• Gil Kenan's A Boy Called Christmas (2021)

and

• Michael Dougherty's Trick r Treat & Krampus

#creeped out #netflix #bbc #the curious #horror anthology #children's horror

3 notes · View notes

therecordconnection · 1 year

Text

Ranting and Raving: "Sleeping with the Television On" by Billy Joel

youtube

1980 was a good year for Billy Joel. His seventh studio album, Glass Houses, continued his upward momentum as a superstar in a number of ways. Glass Houses was his second number one album (52nd Street was the first one, released two years prior), he scored his first number one hit on Billboard (“It’s Only Rock and Roll to Me”), and three other songs from the album were Top 40 hits (“You May Be Right,” “Don’t Ask Me Why,” and “Sometimes a Fantasy”).

Glass Houses was an album that made a deliberate attempt to break away from the lighter, softer, and more ballad-y songs that he had been starting to become critically trashed for. Songs like “Just the Way You Are,” “She’s Always a Woman,” and “Honesty” had been successful hits, but the cost was that it started giving people the wrong impression that Billy and the band couldn’t rock with the best of them. By 1980, Joel had started playing arenas and stadiums, so those songs would only do so much and go so far in larger venues. He was gonna need to start coming up with bigger sounding songs that packed a real punch if he was gonna continue the upward swing and deliver a rock show that the growing audiences at his shows would really remember.

“Sleeping with the Television On” represents the best attempt at doing that. It also might be one of the best songs that represents every strength Billy had as a songwriter.

Billy Joel is a man who would rather talk to you about his album cuts rather than his hits, which makes sense. I imagine someone can only talk about “Piano Man” or “Uptown Girl” for so long before there’s nothing left to say. “Sleeping with the Television” on the other hand, is a song I have many things to say about.

The song begins with the end of “The Star Spangled Banner,” which then fades out and segues into a droning tone. This used to be the norm back in the day. TV stations would sign off for the night (imagine that!) and just transmit static until morning. That’s what the warning "Tomorrow morning you'll wake up with the white noise" means. If Diane, the woman Billy is singing to in the song, really did fall asleep with her television on, that's what she would hear. Nowadays, Diane would either hear some random channel if she still pays for cable for some reason, or she’ll wake up to Netflix asking her if she’s still watching Schitt’s Creek. Other than that little explanation, the lyrics to this song have aged very well.

Lyrically, the song is all about refusing to take chances on possible love interests. This is expressed by looking at it from two points of view that Billy sings about. The first set of verses are aimed at a woman named Diane, whom Billy has been watching all night somewhere. The last set of verses are about Billy himself. Diane is described as a hard and overly defensive woman, someone who puts up a front and won’t let anybody try to sweep her off her feet. Billy argues, “You'll shoot 'em down because you're waiting / For somebody good to come on.” The criticisms he fires at Diane are the same ones he will also fire at himself. You can’t know for sure who the “somebody good” is unless you take a chance and talk to somebody. Billy puts Diane down probably because he sees too much of himself in her and he’s aware of what happens to those who don’t take chances.

Oh, You say you're looking for someone solid here You can't be bothered with those 'just for the night' boys Tonight unless you take some kind of chances dear Tomorrow morning you'll wake up with a white noise

In a way, one could find similarities between Billy singing to Diane here and Billy singing to Virginia in “Only the Good Die Young.” Both songs involve him trying to convince a woman to take a chance on the wild side for a change. There’s also the connection of Billy trying to convince both girls to take a chance on him. In Virginia’s case, that’s having a Catholic girl try to laugh with the sinners instead of cry with the saints. For Diane, he’s warning her about what will happen if she doesn’t give anybody a chance. There’s nothing more sad than going home alone and having only the television to keep you company, as far as this song is concerned. Billy decides that he can see through Diane’s defenses and determines that it’s her attitude that’s the big problem.

Your eyes are saying talk to me But your attitude is "don't waste my time" Your eyes are saying talk to me But you won't hear a word 'cause it just might be the same old line All night long, all night long You're only standing there 'Cause somebody once did somebody wrong (all night long, all night long) But you'll be sleeping with the television on

Billy Joel has always had great strength as a lyricist. When compared to the other piano man Elton John, Billy tends to shine more, probably due in part to the fact that Billy writes his own words, Elton doesn’t. It isn’t just that Billy writes his own words, it’s more that he tends to be a very honest man in his lyrics, perhaps a bit too honest sometimes. You hear him sing the words to his songs and you just get the sense that what he’s singing is coming from the heart. This helps him greatly when he has to perform and sing his own words to an audience. Last time I wrote about Electric Light Orchestra’s “Telephone Line” and how Jeff Lynne never leaves any trace of himself on the page. Billy on the other hand, leaves a lot of himself on the page. Part of what makes the lines in the later verses have real impact is that Billy has never tried to sell a version of himself that didn’t feel authentically him. If you consider Billy Joel a “rock star,” then he has everything going against him when trying to carry that title. He’s a short king at five foot five, he looked like a weird cross between Sylvester Stallone and Billy Crystal (especially during the seventies when he had that bushy afro thing going on), and he was a piano player in an age where the only beloved members of rock bands were the guitar player, the frontman, and maybe the drummer (if they’re lucky). He’s a “rock star” in the same weird way that somebody like Elvis Costello is a “rock star.” They’re dorks, but they’re such honest dorks that they wrap back around to being cool. If you wanted to make an analogy and link him to a Beatle, he wanted to be cool like George but had to settle for being dorky and earnest like Paul, which isn’t a bad thing.

In the case of “Sleeping with the Television On,” there might be more truth to his words than fiction. The best verse of the song is when Billy starts pointing the zap gun at himself:

This isn't easy for me to say Diane I know you don't need anybody's protection I really wish I was less of a thinking man And more a fool who's not afraid of rejection All night long, all night long I'll just be standing here 'Cause I know I don't have the guts to come on And I'll be sleeping with the television on

“I really wish I was less of a thinking man / And more a fool who's not afraid of rejection” is one of the best and most honest lines Billy has ever written in my opinion. If any rock star of the era had said this I would’ve laughed it off as a lie. Mick Jagger has never thought this, David Bowie has never thought this, none of the Beatles could’ve ever sold that. Part of what I think makes Billy Joel’s music hold up is that his words resonate with every dork and lovable loser that’s just like him. The ones that have had to step out of their comfort zone and take a chance, knowing full well it might blow up in their face. I said that Billy puts Diane down probably because he sees too much of himself in her, but I also think it’s a case of Billy wanting to shoot her down before she even has the chance to reject him.

Your eyes are saying talk to me, talk to me But my attitude is "boy, don't waste your time" Your eyes are saying talk to me, talk to me But I won't say a word 'cause it Just might be somebody else's same old line

In his mind, he can’t be rejected if he never makes a move and he curses his inability to take a risk. We’ve all been there at one point or another. Don’t waste your time because it’s probably gonna end badly. Don’t use a pick-up line that some poor woman has had to hear a million times, both in person and on various dating apps. It’s not simply a song about a guy dunking on a woman for being too choosy and overly defensive, there’s more to it than that and Billy sees it. He’s criticizing her because he acts the same way she does and he doesn’t want to see it happen to her. It’s a song about defense mechanisms and how a reliance on them will cause you to possibly lose out on something that could be good for you. Unlike ELO’s “Telephone Line,” which was a song about a romantic situation where the outcome was undetermined, Billy knows how this scenario ends: “We're only standing here 'cause somebody might do somebody wrong / and we’ll be sleeping with the television on.”

I admit that there are probably better ways to highlight loneliness. I imagine a lot of people who aren’t alone fall asleep with the television on. My parents have been falling asleep with the television on together for over thirty years. I have plenty of friends who say they turn on long Youtube videos or they’ll turn on a movie, get comfy in bed, and then immediately conk out. However, Billy sells the idea that sleeping with the television on is a sad fate. You can picture it, right? Sad, lonely little Billy Joel goes back home, probably cleans up his house a little, makes a late dinner or something, sees what’s on TV, and then falls asleep on the couch in a dark living room, the only sounds he hears waking up the next morning are the news or whatever channel was on during the night before. There are more gut wrenching ways to show loneliness, but Billy picks one that probably not a lot of people would think of.

The lyrics aren’t exactly positive, but the music sure as hell is. Billy set out to make bigger sounding and more rocking songs with Glass Houses and he absolutely succeeded and then some. “Sleeping with the Television On” is just incredible! It’s this wonderfully concise song that’s just barely three minutes, it’s tight as hell, it’s bouncy, and it’s just a fun tune to listen to. What blows me away with this song is how weirdly herky-jerk it is. That intro has strange places where the band starts, then holds a note, then starts, then holds a note again. It’s like a jet ski riding on a lake. It’s smooth, then you hit a wave and you jump up a bit, then you’re back on the lake like nothing happened. It’s a real testament to the talent of Billy’s classic backing band because this song sounds deceptively easy, when in reality one bad mistake can fuck it all up and get it wrong. If you play it too slow, the song just sounds like you’ve got a band that doesn’t know what they’re doing. If you play it too fast, the rhythm gets all messed up and the song becomes too herky-jerk and way too much, it becomes too loose. The band plays this at the perfect tempo and they know where to start, when to hold, and when to keep the rhythm consistent.

Speaking of consistent rhythm, the real star on this song has gotta be drummer and “Most Italian Sounding Name In Town” award winner, Liberatori “Liberty” Devitto. Focus on him when listening to this song and it’s such understated work but it really adds a lot. He’s constantly switching up the beat every few measures to match the changes in Billy’s vocal melody and where the song is going. It’s wonderful. I’ve counted at least four different kinds of beats he plays in the song. He never stays on one of them for too long and you can hear Neil Peart do something similar on Rush’s “Subdivisions.” What makes it stand out and makes it so wonderful is how it’s only a slight change every now and again to keep things fresh. He never throws a wrench in the song and he doesn’t bring a lot of attention to it either so it’s easy to not even notice how often he’s changing things up.

“You May Be Right” and “Sometimes a Fantasy” were the songs from Glass Houses that proved Billy was capable of writing hard rocking songs that could stand with the best of the them, but if “Sleeping with the Television On” proves anything, it proves that Billy Joel understood the genre of “new wave,” which was something that was only just beginning to crop up at the start of the decade. Arena rock bands of the early eighties like the Rolling Stones or Foreigner or Journey wouldn’t be able to pull off a song like this, but early eighties new wave acts like Elvis Costello and the Attractions, Joe Jackson, or XTC absolutely could. The song rocks, but it still retains and mostly keeps the polished pop elements that made Billy a huge star at the end of the seventies and would keep him working through the eighties and beyond. That little keyboard solo in the middle of the song lasts less than twenty seconds, but it’s such a fun little thing. It’s another memorable part of a very good song. Nothing overstays its welcome here and the song has no wild tricks up its sleeve. It knows what it wants to do, what it wants to be, and just goes for it. Most importantly, it does it right and it doesn’t waste your time. It’s just a fun and enjoyable little song on a pop-rock album, which is sometimes all that you really want.

“Sleeping with the Television On” wasn’t one of the singles from Glass Houses, but it absolutely could’ve been. In a way, it might be better for it that it wasn’t. It’s tucked away on the second side of the album, waiting for any curious listener who wants to find it. Its creator certainly wants you to find it. It still gets played today as part of the many songs Billy Joel performs as part of his residency at Madison Square Garden that seemed endless (until he announced that it will finally be coming to an end in July 2024, with his 150th performance at the venue. Get tickets while you still can!) Billy Joel’s hits are more than worthy of attention, but so are his album cuts. What you get with “Sleeping with the Television On” is a wonderful piece of pop-rock that serves as a warning and explores the consequences of not taking chances. It’s a lesson in not being so defensive; that there’s a beauty in leaving yourself exposed and open for what could be a good opportunity. There’s the obvious risk that you’re gonna get hurt, but the song argues that taking a chance and getting hurt is better than going home alone and having nothing but the sounds of the television to comfort you. Hell, if any rockstar was gonna tell you that taking a risk might lead to something good, it’s Billy freakin’ Joel. That man is the epitome of “shoot your shot.” After he got divorced from his first wife in 1982, that man dated a supermodel who later had the nickname “The Body” (Elle Macpherson)! That guy got to be married to Christie Brinkley for nine years! If he can make stuff like that happen, shit, we all should take a chance and shoot our shot. Sometimes it works... though it helps if you’re a really successful and good piano player on top of that.

Regardless, it’s a good lesson from one of New York’s finest. Take a risk and make a move. Fortune favors the bold and if you’re lucky, you’ll still fall asleep with the television on, but there will be somebody to share breakfast with in the morning.

#original post #ranting and raving #billy joel #Youtube

9 notes · View notes

izzysarchivedblogs · 1 year

Text

special verse tag drop. mostly my ship verses.

closed -> not open for outside interaction, besides some anon asks about this verse semi-open -> open to some outside interaction, asks, and anons about this verse open -> open verse for interaction and requesting single ship -> this verse is single ship, meaning only one romantic ship for the character w/ another character established, but may be an open verse for other interaction. this will only be from my end / the case for my end / not expected the same from my partner. this is just for me.

verse; clint barton; who shares your burdens (mrtonystark) // a mostly closed verse in which most of 616 is canon, and look y'all have seen the 1200+ note thread. @mr-tony-stark and i go ham on plotting and writing. so i just wanted a verse tag, and like if anons wanted to ask clint questions in that verse, i'd accept them, but otherwise it's a closed verse. but i am absolutely in love with ironhawk and how much, we write and plot together <3 i love you <3

verse; clint barton; how many more chances can i have with you (biitchcakes) // a semi-open verse, in which Clint is in a relationships with @biitchcakes - look, i just wanna gush about what Aurora and I have plotted, like I have already outlined the 2 major breakups and 1 break, and the 4 times that Clint and Jess are fools who get back together. It's relatively canon divergent in 616 event, and like y'all, Clint and Jess' West Coast Era is amazing, also Leftovers we need to write Leftovers . . . and the way i could write a netflix tv show about their west coast era, and then civil war 2 but make it more government vs. heroes and make it sad for clintjess.

verse; clint barton; entangled to a loser like me (crisispider) // a semi-open verse, in which Clint is in a relationship with @crisispider - incorporates both 616 and spiderverse events into the fold, and clint and peter are absolutely just two golden retriever boyfriends together.

verse; clint barton; how can i watch you fade (crisispider) // a closed verse with @crisispider, in which i mess around with hawkeye: blindspot concept, and really just here to torture peter and mel

verse; clint barton; to boldly go (ss; crisispider) // an open, single ship (on my end) STAR TREK AU, i have a whole write up for Clint's Star Trek au, and I've considered this verse single ship w/ Mel's Peter; but otherwise it's very open to interaction and being requested. Clint's just your unhinged helmsman who sows chaos into all of starfleet/the federation :) [ here is the written up verse information to read ]

verse; linda carter; to heal across the stars (thefleetsfinest) // an open, single ship (on my end only) STAR TREK AU, for Linda Carter, whom is now a cardiac surgeon aboard the Enterprise. On my side, not Mel's side, I am only writing one romantic ship in the Star Trek setting/au and that's with Mel's @thefleetsfinest. Very dedicated woman to medicine and well-being of the crew. [ verse write up pending ]

verse; pepper potts; captain of her own (uss unreliable) // an open star trek au verse, in which Pepper hot off the heels of being the infamous Captain Tony Stark's first officer (of which there's is many rumors surrounding him), has been promoted and now is Captain Potts of the USS Unreliable. . . . her first officer being Steve Rogers (@liibertysdream) of whom is a former captain himself (rumors surrounding him as well, oh no pepper what are you doing). She was communications and command before hand, with prior goals of managing a starbase or colony, now being made Captain of a ship.

#about; blog canon #about; clint barton #about; greer nelson #all headcanons tag #ooc; blog maintenance #about; verses

8 notes · View notes

moonmoonthecrabking · 6 months

Note

for the otp meme holy ghost and any numbers of your choosing

HI ALI THANK YOU and yk i will choose most if not all of them the brain rot is so real

Who tries to start talking conspiracy theories at 3am in bed rather than sleeping? grace. hear me out. she’s the one who knows the stories about the waylon place. also, if you sub out “conspiracy theories” for “deep theological questions” it’s also grace

Who puts items on the lowest shelf possible to make the other bend over? i want to say horndog grace but she is attracted to his violence and dominance. i feel like she’d place certain items that she doesn’t use *just* too high up so he has to jump or his shirt lifts, but nothing she needs bc that makes her reliant on him and she doesn’t want that.

Who has the the other as a background on their phone? max from like a month into their relationship, grace has a wedding photo as one (the other is still a Bible verse)

Who drunkenly tries to fight a bush? max.

Who leaves cute post-it notes for the other? i don’t think this is either of their vibes

Who falls asleep on the other? max generally, but grace has a couple of times

Who sneaks in candy to the movies? max (“they have it at the counter!” “and it’s overpriced. you told me to ask what would Jesus do…”)

Who sneaks up behind the other and kisses their neck? i don’t think either of them would like being surprised like that honestly!!

Who steals the others fries? grace

Who saves little things from their dates? max

Who always is always cold? grace

Who gets the most competitive? they’re both monsters

Who is the first to bring up marriage? grace, but max is onboard

Who suggests “Netflix and Chill” only to fall asleep before the Chill part? i’m going to be so fr, even in marriage/unraveling her views around sex, i can’t imagine grace setting up a netflix and chill scenario

Who pays for the dates? they either split it or alternate. max initially offers because that’s who he thinks he should be in their relationship, but grace (to me) is pretty egalitarian

Who pulls the other into the closet for a quickie? both, but grace does it more frequently

Who gets overly invested in reality tv shows? i hc max watches reality tv with his siblings

Who fakes being married to get into the other’s hospital room? max. grace cannot lie that well she’ll just break in

Who burnt dinner after having a dance party while cooking? idk if these two Wouldge

Who makes the coffee in the morning so the other can sleep a bit long? grace

thanks!! this was really fun :)

#run achilles

2 notes · View notes

laresearchette · 9 months

Text

Friday, December 22, 2023 Canadian TV Listings (Times Eastern)

WHERE CAN I FIND THOSE PREMIERES?: SAGO MINI FRIENDS: NEW YEAR'S STEVE (Apple TV +) WOULD I LIE TO YOU? (BritBox) THE SECRET GIFT OF CHRISTMAS (W Network) 8:00pm

WHAT IS NOT PREMIERING IN CANADA TONIGHT? 25TH ANNUAL A HOME FOR THE HOLIDAYS (CBS Feed)

NEW TO AMAZON PRIME CANADA/CBC GEM/CRAVE TV/DISNEY + STAR/NETFLIX CANADA:

AMAZON PRIME CANADA AFTER WE FELL

CRAVE TV ACTING GOOD (Season 2) THE BLACKENING A CHRISTMAS FOR THE AGES A CHRISTMAS STAR CROUCHING TIGER, HIDDEN DRAGON FEAR THY NEIGHBOUR (Season 9A) IT’S ALL GONE PETE TONG JACKIE BROWN JERSEY SHORE: FAMILY VACATION (Season 6) THE JINGLE BELL JUBILEE LISTING LARGE (Season 1) LONG LIFE, HAPPINESS AND PROSPERITY MTV CRIBS (Season 19) NESTING (Season 1) ONE YEAR OFF RIDICULOUSNESS (Season 35) SCORE: A HOCKEY MUSICAL SOMEWHERE IN QUEENS SPIDER-MAN: ACROSS THE SPIDER-VERSE TEEN MOM OG (Season 9) TEEN MOM 2 (Season 11A) TEEN MOM: THE NEXT CHAPTER (Season 1B) WATERMARK THE WEAPON

DISNEY + STAR WHAT IF…? (Season 2 Premiere)

NETFLIX CANADA GYEONGSEONG CREATURE (Season 1 Part 1) (KR) REBEL MOON — PART ONE: A CHILD OF FIRE SING 2

2024 IIHF WORLD JUNIOR PRE-COMPETITION (TSN/TSN4) 9:00am: Canada vs. Switzerland

MEET ME UNDER THE MISTLETOE (CTV Life) 6:00pm: Rival real estate agents both make the same wish during the first snow of the winter: to win the most coveted listing in town. As the business competitors begrudgingly work together, they learn the house comes with a special commission: love.

NHL HOCKEY (SNOntario) 7:00pm: Leafs vs. Sabres (SN1/SNEast) 7:00pm: Hurricanes vs. Penguins (SNWest) 7:30pm: Oilers vs. Devils (SNPacific) 8:00pm: Canucks vs. Stars (TSN3) 8:00pm: Bruins vs. Jets (TSN2) 8:30pm: Habs vs. Chicago (SN/SN1) 10:00pm: Flames vs. Ducks

WHITE HOUSE CHRISTMAS 2023 (HGTV Canada) 7:00pm: It's the most wonderful time of the year to get inspired by the stunning holiday decorations at America's most iconic home: the White House.

NBA BASKETBALL (TSN4) 7:30pm: Nuggets vs. Nets (SN360) 8:00pm: Clippers vs. Thunder (SN Now) 9:00pm: Lakers vs. Timberwolves

THE HOLIDAY (CBC) 8:00pm: Two women, one (Cameron Diaz) from America and one (Kate Winslet) from England, swap homes at Christmastime after bad breakups with their boyfriends.

A CHRISTMAS CAROL (1951) (CTV2) 8:00pm: Dickens' London miser Ebenezer Scrooge (Alastair Sim) meets the spirits of Christmases past, present and yet to come.

AN ICE PALACE ROMANCE (CTV Life) 8:00pm: A journalist faces old fears when she returns to her hometown ice rink to cover a story. With the help of the owner and his young daughter, she begins to reevaluate her life's purpose.

THE REAL HOUSEWIVES OF JERSEY (Slice) 8:00pm: Baby Steps and Battle Lines

BRINGING CHRISTMAS HOME (Super Channel Heart & Home) 8:00pm: A professor of military history teams with an antique store owner to help track down the original owner of a historic World War II uniform and the love letters in its pockets.

MURDER AT CARTER COUNTY MINES (Investigation Discovery) 9:00pm: A beloved couple go missing from their rural Kentucky home, leaving behind a mysterious crime scene; clues emerge across state lines, sending investigators on a wild chase until an unlikely source reveals the shocking truth.

SOMEWHERE IN QUEENS (Crave) 9:00pm: Leo and Angela Russo live a blue-collar life, surrounded by the big personalities of their overbearing Italian-American family. When their son's chance at a life-changing basketball scholarship is jeopardized, Leo risks everything to help him.

#cdntv #cancon #canadian tv #canadian tv listings #the real housewives of jersey #iihf world juniors hockey #nhl hockey #nba basketball

3 notes · View notes

enruiinas · 7 months

Text

𝐅𝐀𝐍𝐃𝐎𝐌 𝐑𝐄𝐅𝐄𝐑𝐄𝐍𝐂𝐄 𝐏𝐎𝐒𝐓: for read/watch progress and AU/verse plotting purposes. I love AUs & verses in general and am always happy to use a fandom we're both familiar with as a starting point, whether it's borrowing the whole setting, elements we enjoyed or both recognize from a fandom, etc. This is a long post so I'll read-more after "currently reading/watching" - a full list of fandoms I'm familiar with or enjoy is available below the cut.

bold - fandoms i'm familiar enough to base an AU on, pull elements from, etc. italicized - fandoms i'm fairly confident on my grasp of. can base an AU on or pull elements from, but might need a tiny bit of time to revisit some things. ★ - muses from this fandom will likely feature on or will soon be tested on the multimuse i'm working on in the background.

𝐂𝐔𝐑𝐑𝐄𝐍𝐓𝐋𝐘 𝐑𝐄𝐀𝐃𝐈𝐍𝐆/𝐖𝐀𝐓𝐂𝐇𝐈𝐍𝐆:

★ ONE PIECE. (manga re-read): ch. 339/????. I am technically "caught up" through the end of Wano and peep on spoilers for the ongoing arc, but as I speed-read the entire thing in a month last year, I'm not always super confident in my grasp on the second half of the series because I was so ready to be caught up. Wano grasp is particularly abysmal but I'm okay with exploring ongoing Egghead stuff with Law in interactions. [Potential muses: Baby 5, Mihawk, Usopp] ★ FAIRY TAIL. (manga first-time read): ch. 285/545.

★ POKEMON (mostly Kanto/Johto stuff though). I grew up on Pokémon and love lol things Kanto/Johto but haven’t watched, played, or read anything since Ruby and Sapphire were current content. I’m starting from scratch and working my way up again, beginning with Pokemon Adventures (manga) and Pokémon Origins + an original Kanto rewatch on Netflix.

𝐅𝐔𝐋𝐋 𝐋𝐈𝐒𝐓 𝐎𝐅 𝐅𝐀𝐍𝐃𝐎𝐌𝐒 𝐈 𝐄𝐍𝐉𝐎𝐘:

Anime / Manga:

★ ONE PIECE. see above. ★ FULLMETAL ALCHEMIST: BROTHERHOOD. I haven't watched FMA (2003) in years, but it's on my list to revisit. [Potential muses: Winry Rockbell] ★ DEMON SLAYER. Have dabbled in Demon Slayer muses and plan to bring them back after a rewatch to spark my muse again. [Potential muses: TBD pending revisit.] ★ FAIRY TAIL. Reading for the first time. Current progress: ch. 285/545. Potential muses (once I've completed my read only): Cana Alberona, Loke, Gray Fullbuster, Levy McGarden. CHARLOTTE. Anime. This is one I would love to explore AU plots based on. It's short (13 episodes?) and I would probably revisit before jumping into anything but highly recommend if you're looking for a short anime to watch sometimes. ★ NORAGAMI. I slacked off following the manga there for a bit at the end and would need to revisit, but might add muses after a re-read. [Potential muses: TBD pending revisit.] ★ TOILET-BOUND HANAKO-KUN. Need to revisit, but I loved what I'd read so far and would likely end up adding muses. ★ BUNGOU STRAY DOGS.

★ ANGEL BEATS.

Movies:

LABYRINTH. 1986 - the David Bowie movie. always a fave. ★ DISNEY MOVIES. Pretty much any, but my favorites are Hercules*, The Hunchback of Notre Dame, The Emperor's New Groove, Lilo & Stitch... HOWL'S MOVING CASTLE. (Also reading the book trilogy at the moment, currently on 2/3. Potential muses: Sophie Hatter, Lettie Hatter, Martha Hatter.) SPIRITED AWAY. BARBIE (2023).

Books:

A COURT OF THORNS AND ROSES. I loooove ACTOAR but it's admittedly been a while. I want to reread soon! (mun confession: after getting @climatact I realized the full extent to which Law is accidentally/unintentionally Rhys-coded. Oops.) ARTEMIS FOWL My all-time favorite book series. I re-read this at least once a year. I doubt I'll add muses, but I'm definitely familiar enough with it I feel like I could muse almost anyone. PRIDE & PREJUDICE. Won't add muses, but enjoy a lot of themes & character tropes/archetypes here. THE LAST UNICORN. [finished 2/19/2024.]

TV Shows:

★ Once Upon a Time. Other than the last season, probably my favorite TV show, but I'm due for a rewatch. [Potential muses: not sure yet but there will be some.]

Video Games:

LEGEND OF ZELDA: OCARINA OF TIME. STARDEW VALLEY.

* - I love Greek mythology (or any polytheistic belief system) in general. There are probably plenty of things i'd need to read up on but I am always up for Greek mythology or fairy tale (Disney-fied or original versions) inspired verses/themes.

𝐅𝐀𝐍𝐃𝐎𝐌𝐒 𝐓𝐎 𝐑𝐄𝐀𝐃/𝐖𝐀𝐓𝐂𝐇:

Inuyasha

Pokemon (Anime? Manga? Games? Where do I wanna start?)

ATLA

Yu-Gi-Oh

Kaoru Hana Wa Rin To Saku.

#blog housekeeping stuff today.#wanted to put this together as a potential starting point for anyone who enjoys AUs as much as me~#✦ — 𝐨𝐨𝐜. | psa.#✦ — 𝐨𝐨𝐜. | misc.

2 notes · View notes