#branch prediction

[sucka99]

[hey-hey-j]

hey so remember this post? Yeah I went through a bit of an art block the other day and randomly found myself coming back to those concepts—specifically: how each bro ended up taking on Branch

- Bruce goes back to the Troll Tree some time before the great escape, only to find Branch alone and grey, no sign of their grandma or the rest of their family anywhere. So naturally, Bruce decides that the best course of action is to take his baby brother back to Vacay Island with him.

- Clay goes back to the tree after the great escape, and initially assumes the worst after finding the place abandoned with zero signs of his family. A few days later, though, he happens to stumble into the Hole-n-Fun, where he finds Viva and her group of survivors....... including Branch.

- okay for some reason I actually have the most elaborate thoughts about Floyd. Floyd also goes back to the tree after the escape and assumes the worst, however he finds the escape tunnels and eventually follows them to the fledgling village, where after some asking around he finds Branch in the beginnings of his bunker. After a few days of giving it his best shot, Floyd decides that clearly staying put in the village isn't doing Branch any favors, and so he takes Branch with him and heads back out on the road.

(★ my Kofi)

[luck-of-the-drawings]

so REVENGE, HUH? or justice, if that makes you feel better. it tastes the same when cooked just right. 'I REALLY WANTED A BROTHER.' such a shame to burn a bridge you so desperately wanted to keep, especially when it wasnt even you who started the fire. especially when you hope that not a single fragment of that bridge ever washes ashore.[MAY IT ROT FAR FROM MY SIGHTS] an unfortunate loss! atleast he has his friends.

[partywithoutsmiling]

I know I will probably disappoint lot of Creek fans, but honestly I prefer him canonically gone XD;

(This is by no means a post made to pour critique on Creek fans; I am simply explaining why he won't make any appearances in my AU past the necessary plot device in the first movie events)

I said in my previous ask that Creek is unempathetic to needs of any other creature but himself. He looks upon others- most likely subconsciously- in ways that would make them useful to him, not as someone whose life has an equal value to his own.

This calousness is shown in his remorseless acceptance of sending his whole Tribe to his death- even shrugging like 'what can you do' when he lures them out.

I called him chilling and that still checks, and I go as far as call him unnerving.

However, ultimately, he is a wimp XD;

I know there are plenty of writers out there who likes to paint him as a sinister villain, who'd go as far as to try and cause deliberate harm- and maybe if he was pushed enough, he'd do so, like a cornered rat

But really, similar to Branch, he wants to avoid physical conflicts, and especially wants to avoid any harm to himself. His greatest strenght was always his cunning, and being more aware of how to spin situation to his favour-

And yet, he is also so stupid and activelly sabotaging himself XD

(Srs, my guy, peacocking around under Chef's hand, confident he saved his own life, while not even trying to leave himself an escape plan- or leave a small thread of oppoturnity to allow him to be accepted back into his tribe)

He's the Peter Petigrew of the Trolls franchise, a Wormtongue level of villain. Confindent, self-assured and arrogant- but only when he is absolutely sure he has a backing of a bigger bully, unless he is the 'biggest' himself.

As soon as things get too hot, he bails; and while he maybe would have entertained going back to his Tribe after his betrayal, he would be on the bottom of the totem pole now; no power and no oppoturnity to get it back- and he certainly doesn't have the drive to try and redeem himself.

From story telling perspective, it would make him a rather poor antagonist. Annoyance at best, not even similar to Team Rocket who can be funny and heartfelt; just pathetic level of a villain really. He served his purpose and there is no need to drag his character on after that.

I just cant honestly imagine him being that interesting, in my AUs- because, since they are mostly from Branch's or Poppy's view, they wouldn't even notice that he's there.

He would avoid them like a plague; use the miracle oppoturnity of having a clean slate with other tribes to worm his way among them; in fact, he'd consider it a hindrance if any Pop Trolls showed up and recognized him.

But as I said, he's stupid.

In Wanderer AU, the Strings in Branch's hair would call to his powerhungry nature; he wouldn't even consider that Branch might have more connections among the other tribes than he'd even imagine; if an oppoturnity arrives where Branch shows up in a place where Creek lives (as he wouldnt have been caught dead roughing it up on the road), he'd see Branch alone, without the backing of the Pop Tribe or Poppy.

He'd try to steal the Strings while Branch is asleep. Eyes on the goal, not even considering the consequences. He just knows Strings equals power, and he wants power.

He'd be caught- and that would bring Branch's attention to him even being alive in the first place. Truth of the Traitor comes out- and since the alliance, the rumours would spread like wildfire and Creek would have activelly burned any bridges of goodwill he had managed to build, or that he could have build.

in Rock Beast AU, much the same- he'd try to find safety under the wings of a bigger bully, and alienate everyone because of it- no matter what tribe it is.

A wimp, and a fool.

This is why I said he never consciously used his friends- he doesn't have the capacity to do it consciously XD;; everything is instinctual, a learned habit, inability to function any other way.

Truthfully, he is not even a villain; antagonist to our protagonist, sure, but active villain? Ehhhhhh

He is just a hardcore oppoturnist, to the extreme; there is no real malice beside the consequences of his actions; he just doesn't care that deeply about these things; I don't believe he would ever even consider Branch his enemy, or a rival, not like Branch would have considered him back; Creek just really doesnt care about anyone but himself- and that certainly means he would never care hard enough to even muster the hatred necessary to plan someone's demise or harm

[rocksibblingsau]

Got this amazing fanart, please go check it out on Twitter!

I really love the ponytail and goggles, gives him an engineer/steampunk vibe!

[pigeonxp]

once it has more songs im gonna drop my buddie playlist it is just hard to articulate why i think the songs are buddie coded they just ARE TO ME

[bigtiddygandalf]

i just had to take this ai personality test to submit a job application (to be a bartender).

[femme-foucault]

Whoaaaa Challengers for Score!!! Who are these people and what have they done with the Globes???

[mymarifae]

man i'm not exactly taiga's biggest fan rn either but if the only thing you took away from everything he said to the kiddos in lutf is "he's a shitty person and ruined their dreams" then... i think you missed the point? like it or not, this is a lesson vbs has needed to learn. they've needed to learn that they'll never produce anything better than rad weekend if they just keep trying to mimic it - because they'll never be in the same situation that produced the damn thing in the first place. not only are none of them dying from cancer, they're all very very very close friends which sets them apart from RADder in a BIG way. how many times has ken said that he and taiga weren't exactly buddy-buddy in their RADder days? part of rad weekend's insane atmosphere can be contributed to the animosity and competitive spirit between them! not that vbs lacks competitive spirit, but it's all friendly. that's already going to create an entirely different atmosphere than rad weekend's and that's okay. that's good, actually

vbs has needed to learn that they NEED to carve out their own path. if they chased after rad weekend forever they'd just be setting themselves up for failure and disappointment. you can't live your life trying to live up to or do better than someone else. you will never be that person; you are only You. so no matter what you do, your work won't be "as good" as theirs. it'll just look like a poor imitation.

ken and taiga have been trying to get this lesson through vbs' thick skulls for like 900 events. and now it's finally stuck. could it have been handled more tactfully and with less emotional trauma? absolutely. what taiga ended up doing was way way way way way over the line but you know what. whatever. it doesn't matter because in the end this is an extremely important step forward for vbs. now they can set out on a new path, one that's entirely their own. and one day they're going to put on a show that's so damn good that no one will even think to compare it to rad weekend because they blew it out of the water completely.

[omaanshastrology1]

Vedic Astrology

Vedic astrology, also known as Jyotish Shastra, is a traditional system of astrology originating from ancient India. It is believed to be one of the oldest and most comprehensive forms of astrology in the world, dating back thousands of years. Here are some key aspects and content you might find in Vedic astrology

[witchwraytohome]

sometimes i have dreams and i go "that better not be real" and then a few weeks later the thing i dreamed about happens and it's real. and i don't like that, but it keeps happening for big things and it's Very Weird and like helpful but also please stop making me psychic, the ESPN jokes were supposed to just be jokes.

[luna-azzurra]

How To Write A Chase Scene

Before anyone takes off running, the reader needs to know why this matters. The chase can’t just be about two people running, it’s gotta have a reason. Is your hero sprinting for their life because the villain has a knife? Or maybe they’re chasing someone who just stole something valuable, and if they don’t catch them, it’s game over for everyone. Whatever the reason, make it clear early on. The higher the stakes, the more the reader will care about how this chase plays out. They’ll feel that surge of panic, knowing what’s on the line.

Sure, a chase scene is fast, people are running, dodging, maybe even falling. But not every second needs to be at full speed. If it’s too frantic from start to finish, the reader might get numb to the action. Instead, throw in some rhythm. Use quick, sharp sentences when things get intense, like someone stumbling or almost getting caught. But then slow it down for a second. Maybe they hit a dead end or pause to look around. Those brief moments of slow-down add suspense because they feel like the calm before the storm kicks up again.

Don’t let the setting just be a backdrop. The world around them should become a part of the chase. Maybe they’re tearing through a marketplace, dodging carts and knocking over tables, or sprinting down alleyways with trash cans crashing behind them. If they’re running through the woods, you’ve got low-hanging branches, roots, slippery mud, and the constant threat of tripping. Describing the environment makes the scene more vivid, but it also adds layers of tension. It’s not just two people running in a straight line, it’s two people trying to navigate through chaos.

Running isn’t easy, especially when you’re running for your life. This isn’t some smooth, graceful sprint where they look cool the whole time. Your character’s lungs should be burning, their legs aching, maybe their side starts to cramp. They’re gasping for air, barely holding it together. These details will remind the reader that this chase is taking a real toll. And the harder it gets for your character to keep going, the more the tension ramps up because the reader will wonder if they’ll actually make it.

Don’t make it too easy. The villain should almost catch your hero or the hero should almost grab the villain. But something happens last second to change the outcome. Maybe the villain’s fingers brush the hero’s coat as they sprint around a corner, but they manage to slip out of reach just in time. Or maybe your hero almost gets close enough to tackle the villain, but slips on some gravel, losing precious seconds.

And Don’t let the chase end in a way that feels too predictable. Whether your character gets away or is caught, it should be because of something clever. Maybe they spot a hiding place that’s almost impossible to notice, or they use their surroundings to mislead their pursuer. Or, the person chasing them pulls a fast one, Laying a trap, cutting off their escape route, or sending the hero down the wrong path. You want the end to feel earned, like it took quick thinking and ingenuity, not just dumb luck or fate.

[kthologue]

if there was one thing at the tokyo jujutsu tech branch that would send the kyoto branch into a coma, it was the shameless pda. gojo satoru was a man in love — and absolutely nothing could stop him from broadcasting it, no matter how obscene it might seem.

where utahime ran her students with silent, disciplined rigor, gojo thrived in chaos. in fact, the tokyo campus always seemed to hum with the sheer force of his enthusiasm alone.

today was hand-to-hand combat training again. you stood at the sidelines, arms crossed, observing as your second years sparred with the first years — dominating them so well that you hardly needed to step in.

a familiar presence drifted up behind you. you didn’t need to turn around to know who it was. your husband had an uncanny talent for finding you exactly when he was supposed to be doing anything else.

“new uniform?” he whistled, low and appreciative. even with his blindfold, you could feel his gaze dragging over you. “seriously, it should be illegal for you to look this good during work hours.”

you didn’t answer, trying your best to steer him back to work by simply not engaging. after much trial and error, you’d discovered that ignoring him was the most effective method.

predictably, gojo pouted when you didn’t respond. then, he leaned in closer, his breath warm against your cheek.

“you know,” his voice drops lower, silkier — the kind of tone he thinks is persuasive. “the students are so busy right now. they won’t even notice if we sneak off to my office and have some fun.”

“satoru,” you warn, already bracing yourself.

he grins like a fox. “it’ll just be ten minutes.”

“you say that every time,” you mutter, shooting him a sidelong look. “it is never just ten minutes.”

“boo,” he pouts, blowing a dramatic raspberry before slinging an arm around your waist with zero hesitation. “you’re being so cruel to a man in love.”

“satoru—”

but he’s already nuzzling his face into the side of your neck, his blindfold grazing your jaw as he whines, “just one kiss, then. one kiss and i’ll go right back to doing paperwork.”

you sigh, pretending to resist — but you lean into him all the same.

of course, one kiss turns into two. then three. then gojo is spinning you around, arms wrapped around your waist as he dips you in the middle of the training field.

“don’t make me get a spray bottle,” megumi grumbles, sparking a chorus of laughter from the others.

gojo just beams as he pulls you back up, shameless and unbothered. “sorry, can’t help it! my wife’s too hot for me to act normal.”

you swat his chest, cheeks warm. “you’re the worst.”

“and yet, you still married me,” he says, kissing the tip of your nose.

“only because you tricked me into it.”

he grins, “one of my greatest accomplishments.”

[tyrannuspitch]

sinister thor i have missed u so so much

[aleksatia]

Imagine the six days scenario with the boys, but it turns out the mission was supposed to be done in one day, and the reader went through he'll to get out and is met with this reaction? Imagine when she finally tells the reason she was away, would they regret their actions? How would they react? Don't know if if you take requests, if you do, consider this one.

If not, I am glad I got to read this masterpiece, thank you ❤️

Thank you so much for the request — I absolutely do take them, and I really appreciate this one! ❤️

I tried so hard to keep it short, since the “Six Days” theme has already been thoroughly explored... but, well, I failed spectacularly 😅 So here’s another deep-dive into a what-if/imagine scenario — one that can be read as either an alternate branch of the original storyline or... something else entirely. I’ll let you decide 😉

I’d love to hear your thoughts if you read it — truly means the world to me!

I’ve received so many requests for continuations — especially for Xavier — and yes, his already has a full-length, dramatic follow-up (because how could I not?). This one here is more of a request-based scenario, but it can absolutely be read as its own kind of continuation. Think of it as an alternate path the story could have taken. (One day I’ll write full versions for all the boys… but for now, consider this a little taste.) Hope you enjoy — and as always, I’d love to hear what you think! 💬💔 Here are the links to the previous parts in the series, in case you want to revisit or catch up:

Original Post | Xavier's Story

CW/TW: Psychological trauma, PTSD themes, Forced isolation, Violence / combat injuries, Mentions of starvation, Emotional manipulation, Past emotional abuse, Mental breakdowns, Intense guilt / self-blame, Brief implications of suicidal ideation (in self-sacrificing context), Adult intimacy (emotionally driven, not graphic)

The Truth — What Really Happened

It was supposed to be one day.

A clean, strategic infiltration. In and out. No complications. No room for error.

But no one accounted for the Wanderer.

No one predicted that the target—some nameless, faceless shade masquerading as a rogue—would be more than just dangerous. That he'd found a way to twist Protocore into something ancient and volatile. That he would trigger a fracture in time itself.

In a single blink, the world split. You fell into it. And the loop began.

Six days for them. Six weeks for you.

You lived, died, and bled your way through the same endless day.

Again. And again. And again.

Locked in a cycle of violence, decay, and despair—while everyone else moved on without you.

You clawed your way back—half-starved, half-mad, barely remembering your name. And when you finally escaped the loop, stepped back into their world, broken and still breathing—

They were waiting.

Angry. Unforgiving. And utterly, terrifyingly unaware.

Until now. Until you tell them.

💛 Xavier

It only felt right to write Xavier’s piece after the continuation I posted earlier. The original scene stood strong on its own, but this one—this is what came next. The moment after the storm. The truth laid bare. A quiet, alternate branch of the story, or perhaps a natural consequence of the one that already unfolded. Either way—I’m glad it found its voice.

You don’t ease into it. You sit across from him in the quiet of the morning, sunlight creeping up the walls like it’s unsure of its welcome, and you tell him.

Not six days.

Six weeks.

A loop. A fracture in time. An engineered nightmare that left you bleeding against the same hours, over and over, clawing through shadow just to return to him. Alone. Lost. Dying.

Xavier doesn’t speak. Doesn’t even blink.

But something in him breaks.

Not loudly. Not violently. It’s quieter than breath. Slower than thought. His fingers slip from the edge of the cup in his hand, and it falls. Shatters against the floor with a sound so sharp it startles the silence—ceramic shards skittering like teeth across stone.

Still, he doesn’t look at you.

He stands, but not with purpose. With instinct. His body moves before his mind can catch it. He turns, walks toward the far wall like he’s searching for air, like the room is suddenly too small to hold what’s happening inside his chest.

You rise—hesitant, aching—but he lifts a hand to stop you. Not cruelly. Gently. Like he’s afraid that if you touch him, he’ll fall apart in a way he can’t recover from.

He presses his palm to the wall. Just one. The other curls into a fist at his side.

“I thought you abandoned me,” he says at last, voice raw in a way you’ve never heard from him. “And I punished you for it.”

He turns back.

And there’s nothing left of the man who told you to ask again in six days. Nothing of the controlled strategist, the ever-collected ghost of war. His jaw is clenched too tight. His eyes are glassed over with fury—but not at you.

At himself.

“I accused you. I mocked you. I dismissed what little strength you had left and threw my pain in your face like it was the only thing that mattered.”

He crosses the room again, slower now. Purposeful. His hands don’t tremble, but his voice does.

“I let you stand there, in front of me, broken... and I thought I was the one who’d suffered.”

He kneels.

Not dramatically. Not for effect.

He lowers himself before you like a man who no longer believes he has the right to stand. His gaze stays down. One hand reaches inside his coat, and when it returns, you see it:

A blade.

Polished. Ritual-cut. Ceremonial. One of the old ones—etched with language you don’t recognize. But you understand that these words mean oath, atonement, belonging.

He offers it to you in silence. Flat in his palm.

“Where I’m from,” he says, quietly, “a wound like this is paid in blood. A betrayal like mine is not survived—it is surrendered to.”

Your hands don’t move. Your breath barely does.

“If you want justice,” he whispers, “take it.”

You stare at him. The weight of the blade between you. The weight of everything.

And then—slowly, gently—you take it from his hand.

Only to let it fall.

The sound is soft this time. Barely a whisper of steel on floorboards.

Then you fall with it.

You drop to your knees in front of him, wrap your arms around his shoulders, and let your tears fall freely.

“I don’t want justice,” you breathe into the curve of his neck. “I want you.”

He doesn’t pull away. Doesn’t speak. Just holds you, arms banding around your waist, face pressed into your shoulder like he’s trying to memorize what survival feels like.

When he finally speaks, it’s not confession. It’s surrender.

“After what you endured… after what I made you endure alone… I don’t know what anything means anymore. Not the mission. Not the cause. Not the point.”

You pull back, just enough to see him.

His eyes are hollow with grief. But deeper still—something flickers.

“I thought I understood devotion,” he says, voice barely above a breath. “But I was wrong. What I gave you wasn’t loyalty. It wasn’t love. It was pride. Control. Fear, dressed in logic. And I used it to wound you when you were already bleeding.”

His jaw tightens. His gaze falls.

“I was cruel.”

It’s not said for effect. There’s no tremble in his voice, no self-indulgent break.

It’s simply true.

“And I’m sorry.”

The silence that follows is soft. Dense. Not empty.

You brush your fingers across his cheek, tilt his face toward yours.

“I forgive you,” you say. Steady. Clear. “Because not everything in this world is black and white. And I understand why you did what you did. I know the shape of your fear.”

Your thumb brushes beneath his eye. His breath catches.

“I didn’t tell you to hurt you. Or to punish you. I told you because…” You pause. Your voice thickens with truth. “Because you’re the only one I trust with all of it. The only one who would understand. Who wouldn’t fall apart under the weight of what I’ve lived through.”

You lean forward.

Kiss him. Gently. Not desperate. Not demanding.

Just there. Warm. Real. Home.

Your hands slide up to his temples, fingers massaging slow circles at his hairline, coaxing the tightness from his brow. You feel it—inch by inch—how he softens beneath your touch.

“Let it go,” you whisper. “Don’t carry this weight. Not for me.”

He exhales, shaky. Silent.

You hold him tighter.

“You are my light, Xavier. You illuminate the path. You anchor me when everything else turns to ash. And in that place—those six weeks—do you know what kept me alive?”

Your voice breaks, but you keep going.

“I couldn’t bear the thought of you mourning me. That’s what kept me breathing.”

He says nothing for a moment.

Just rests his forehead against yours. One hand moves to your chest, flattening over your heart like he’s grounding himself with your pulse.

Then—softly, firmly, as if carving the words into stone:

“You will never carry pain alone again. Not while I draw breath.”

No grand vow. No poetry.

Just fact.

And somehow—that’s what makes it a promise.

💗 Rafayel

The morning sun slips in like melted gold, tracing the edge of the sheets, catching the soft arch of your cheekbone. You lie half-curled beneath the covers, his T-shirt clinging to your body like second skin.

And in that sacred hush before the world stirs—you speak.

Not because he demands it. Not because you owe it.

But because somewhere between the echo of his heartbeat and the way his arms wrapped around you like the only anchor you had left—you remembered how to breathe.

You tell him.

About the mission. The Wanderer. The fracture in time.

About the loop.

How six days for him were six weeks for you.

How you woke up every day inside the same nightmare. How you died. How you clawed your way back. Alone. Over and over.

And when you fall silent, your voice scraped raw from remembering—he still doesn’t speak.

He just looks at you.

Like the sun never rose until he saw your face again.

His hand brushes your cheek, feather-light. His voice—when it comes—is almost a whisper.

“Are you ready to share the rest?”

You blink. “The rest?”

“The weight of it,” he says. “Not the facts. Not the fight. The dark. The ache. The part that still won’t let you sleep.”

His voice is gentle. Too gentle for a man like him. It trembles with caution, as if even asking is a violation.

You hesitate. The memories flicker like shadows across your mind—distorted, aching, sharp.

“No,” you answer truthfully. “Maybe not ever.”

His gaze doesn’t falter.

He nods once. No protest. No press.

Then his voice, lighter this time—almost a whisper:

“Then I’ll just have to help you forget.”

And he does.

He lifts you carefully, as if your body might shatter beneath his hands. You expect the weight of a blanket, but instead—he wraps you in something else entirely.

A covering like seafoam. It feels like nothing you’ve ever touched—gossamer, weightless, but cool and smooth against your skin. A whisper of silk and tide.

“It's from home,” he murmurs, adjusting it carefully over your shoulders. “Woven from the ocean’s first breath. They say it keeps sorrow out.”

Then—he scoops you up like you weigh nothing. Carries you to the kitchen with quiet reverence, as if this moment is sacred.

He sets you down on the marble countertop and kisses your knee.

Then he starts making coffee.

He hums as he moves—something aimless and tuneless and purely him. You close your eyes for a moment, letting the scent of roasted beans and vanilla settle around you.

And then—

“So,” he says casually, not looking up, “a cat broke into the studio last night.”

You blink. “A cat?”

He nods solemnly. “Orange. Loud. Looked like he owned the place. Knocked over three canvases and nearly drank my turpentine.”

You raise a brow. “And naturally, you assumed this was my doing.”

“Who else would weaponize cuteness to such chaotic effect?”

You laugh—quiet but real. “I’m not that cruel.”

“No,” he agrees, turning to face you with a soft smile. “But I do suspect you’re still hoping I’ll change my mind about cats.”

You sip your coffee. “I might be.”

Later, the bath is warm, the water laced with something lavender and soft. He sits behind you, your back pressed to his chest, his arms a steady weight around your ribs.

His fingers move slowly—massaging your shoulders, your forearms, your palms, like he’s trying to erase every echo of pain from your body with touch alone.

You both talk, but nothing heavy. Just stories. Old memories. Little things. The shape of the moon that night. The smell of burnt sugar in his favorite gallery. How he once mistook a mannequin for a person and apologized to it for five minutes.

You laugh again, softer this time. And it makes something in him melt.

He wraps you in the softest robe he can find. Carries you again—this time to the bedroom. The ocean glows outside, waves catching the last of the sun like pearls tossed across the horizon.

But he doesn’t stop there.

“Come,” he says, offering a hand. “Tea. Sunset. Company far superior to mine.”

You smile. Follow.

And when you step onto the veranda—there it is.

A small white basket. A red ribbon.

And inside—

A snow-colored kitten, curled like a pearl in a nest, blinking up at you with impossibly blue eyes.

You freeze.

Turn to him, wide-eyed.

He shrugs, just slightly. Nervous. Like he’s bracing himself for mockery. For rejection.

You blink again. “You—Raf, you hate cats.”

He exhales through his nose. “I fear them. Different thing.”

Your eyes shimmer.

He moves toward you slowly, hands lifted in surrender.

“I wanted to make you smile,” he says simply. “That’s all. Just—smile. Like you used to. Before I—” He swallows.

He crouches down before you. One hand comes up to gently stroke the kitten. The other finds your knee.

His eyes lift to yours—and there’s no performance left in him now. Just Rafayel. Just the man beneath the glitter.

“I was so awful to you.”

You open your mouth, but he shakes his head.

“Don’t say it wasn’t that bad. I know what I am when I’m scared. I threw wine over grief and laughter over longing because I didn’t know what else to do. I ruined canvases with your name on my tongue and strangers in my house, and the whole time—I just wanted you to walk through that door.”

His fingers tighten on your leg.

“And when you did—when you came back—I was so full of rage at the idea you’d left me, that I didn’t even ask if you were okay.”

He breathes. One hand comes up, presses lightly to your ankle.

“I don’t know if I deserve this. Any of it. You. The right to hold your hand. To be the one who touches you when you’re tired. Who makes you laugh. Who paints your name into the ocean.”

You slide your fingers into his curls, threading gently through the soft waves.

And he stills. Like he’s afraid to move.

You whisper, “I never wanted perfect. I wanted you.”

He exhales.

“I swear,” he says, softly now, firmly, “on every color I’ve ever touched—never again. I’ll never put my pride above your heart. I’ll never leave you alone in the dark I made.”

Then—he leans forward. Presses his forehead to your knee.

The kitten meows softly, curling into the basket.

And finally—you smile.

Because this?

This is home.

💙 Zayne

You expected something.

A tremor. A breath. A word. Anything.

Instead, Zayne listened. Like a doctor reviewing a chart. Like a man auditing loss.

He didn’t speak when you finished. He simply nodded—once—and turned away, reaching for the drawer by the bedside as though the moment hadn’t cracked the very floor beneath his feet.

His hands, always precise, always godlike in their stillness, carried a faint tremble now. Just at the edges. So minor you might’ve doubted your own eyes, if you didn’t know how obsessively exact they always were.

“I asked,” he said, adjusting a monitor. His voice was quiet. Neutral. Not for you—for himself. “I asked if you’d caught a cold.”

He finished adjusting the drip, typed something into the tablet. Still no eye contact. Still no softness in his voice. But the line of his shoulders was off. A degree too low. A breath too far from centered.

Then—he turned back to you.

His gaze met yours at last. And though his voice didn’t change, the words did.

“I would like to conduct a full diagnostic. Neurological, cellular, metabolic.” A pause. Then softer, with exquisite restraint: “Please allow me.”

You hesitated—not because you doubted him, but because you recognized the plea underneath the logic. He wasn’t doing this for the data. Not really.

You nodded.

And he breathed again.

He worked in silence. Gentle. Thorough. Every sensor placed with hands that barely touched your skin. Each test executed with a reverence that spoke more than words ever could. He treated you like something sacred—something already broken that could not, must not, fracture further.

When sleep finally came, it swallowed you whole.

And when you opened your eyes again—the world was still. Dim. The sterile light of early morning filtered through the blinds.

Zayne sat in the chair beside your bed. Unmoved.

He hadn’t changed clothes.

The same shirt. The same faint stain near the cuff from yesterday’s blood draw. One elbow rested on the arm of the chair, his fingers curved over his mouth, gaze lost in some calculation too heavy for paper.

When he noticed you stir, his posture didn’t shift. But his eyes warmed—just barely. Just enough.

“I cancelled my procedures for the week,” he said simply. “Transferred patients to colleagues. For now, my only case is you.”

You blinked, silent. Then your gaze drifted down, to the low table by the bedside.

There, lined with the kind of hesitant care that comes from someone unused to gifts, sat a modest row of familiar things. A bouquet of white jasmine, fresh and fragrant. Two of your favorite candies in delicate wrappers. And—absurdly, heartbreakingly—three new plush toys, small and soft and so clearly chosen by someone who’d spent an agonizing amount of time in the gift shop second-guessing every decision.

Your heart folded inward.

“Am I dying?” you asked, quieter than you meant to.

He didn’t smile.

But his voice, when it came, was soft and absolute.

“I won’t allow that.”

A long silence passed.

Then you shifted—carefully, your muscles aching—and reached for him.

“Come here,” you murmured.

For a moment, he hesitated. Not because he didn’t want to, but because some part of him still didn’t believe he deserved the invitation. But he came. And when he lay beside you on the narrow couch, his body held a tension that didn’t ease until your head rested on his shoulder.

He stayed still. Let you move first. Let you curl against him the way you needed. His hand hovered over your back, uncertain, until you nudged it gently into place.

Only then did he hold you.

Not tightly.

Not desperately.

But with the kind of quiet conviction that said he would stay as long as it took.

You felt his breath in your hair before you heard his voice.

“I don’t pray,” he said, low, clinical as ever. “I believe in medicine. In numbers. In protocols.”

A pause. His fingers brushed your spine, feather-light.

“But if you hadn’t come back... I would’ve made an exception.”

You didn’t answer. You didn’t need to.

Because some things, even with Zayne, are understood in silence.

And in that silence, held against the rhythm of his heartbeat, you felt it clearly: you were no longer his patient.

You were his entire world.

❤️ Sylus

For a moment after you speak, the room holds its breath. So does he.

Sylus doesn’t ask questions. Doesn’t deny it. Doesn’t demand proof or press for detail. He simply stands there, stone-still, with your words unraveling him from the inside out. The way you say it—quiet, unshaking, without accusation—is somehow worse than if you’d screamed.

His gaze drifts over you then, and you feel the moment the veil lifts.

It’s in his eyes first—how they widen, flicker, and fixate. He takes in the shadows beneath yours, the pallor of your skin, the hollowness in your cheeks. His breath catches when he sees how your clothes hang looser than before. How your hands tremble faintly, barely perceptible unless one knows you too well.

And Sylus knows you.

His chest rises once, sharp and shallow. Then he moves.

Not fast. Not sudden.

But with purpose.

The next second, he’s in front of you, reaching—his fingers brush your jaw, feather-light, as if afraid that even the weight of his touch might bruise. He doesn’t speak as he leads you gently—gently, from a man whose hands have broken bones—into the nearest chair. One knee hits the ground beside you. He opens your jacket with slow precision, not to expose, but to check. To see. To know.

“You’ve lost weight,” he murmurs, voice rough and uneven, like gravel sliding beneath steel. His fingers glide down your arm, finding the sharp edges of bone where softness used to be. “Why didn’t I see it sooner?”

You try to speak, but he shakes his head, already rising.

He moves through the room like a storm with no wind—silent, but charged. Opens drawers. Pulls out clean clothes, a blanket, a glass of water. Then he’s back at your side, crouching again, one arm draped over your lap like a bridge between his fury and your exhaustion.

His hand wraps gently around your ankle, thumb pressing lightly against the bone there as he stares at it like it personally accuses him.

“I told them to take you.” His voice is lower now. Hoarse. “Told them to scare you. Make a point.”

He looks up at you. And for once, his face is completely unguarded.

“I hit you.”

It wasn’t hard. It wasn’t brutal. Not for someone like him.

But it was enough.

His voice falters, only slightly.

“And then I said I wouldn’t look for you.”

He exhales, and it’s not a breath—it’s a confession.

“That was the worst one, wasn’t it?” he asks. “Out of all of it. That’s the one that stayed.”

Your silence says enough.

And something in him breaks again—quietly, like a structure folding inward with no one left to hold it up. His forehead presses lightly to your knee, his arm tightening around your thigh. You feel him breathe you in, like scent alone might bring you back from the half-place you escaped.

“I should’ve known the second I touched you that something was wrong. I should’ve seen it on your face.” His voice cracks, just once. “But I was so angry. So fucking angry I couldn’t feel anything but the space where you weren’t.”

He pulls back. Looks at you again—slowly, steadily. And something inside him hardens, not with rage, but resolution.

“You’re not lifting a hand again. Not for food. Not for water. Not for anything. I don’t care how long it takes. I don’t care what it costs. You’re going to rest, and I’m going to fix this—you—with my own hands, piece by piece.”

And when he stands, it’s not the usual slow menace or calculated power.

It’s reverent.

He lifts you—not like someone injured. Like something sacred. And when he carries you out of the room, wrapped in warmth and silence, there is no doubt in your mind:

Sylus will not let go again.

Not even if time itself tries to take you.

💜 Caleb

You aren’t even halfway through when it hits him.

Not like a punch. Not like a wound.

Like an organ failing.

He blinks once. Twice. And then nothing. No movement. No breath. Just silence.

Then, quietly—almost absently—he mutters, “I’ll resign.”

You look up, startled, and the absurdity punches out of you in a short, cracked laugh.

It’s the wrong moment. Too sharp, too bitter. But it slices through the tension like a scalpel.

And still—he doesn't move.

His hands press against the table, white-knuckled. Not to steady himself—he isn’t swaying. He’s rigid. Locked. Like something in him has calcified to hold him upright.

“I’m not fit to lead,” he says, voice flat, low, scorched. “Not when I see betrayal in the only person I’ve ever trusted.”

Whatever breath of amusement you had left dissolves instantly.

“I didn’t just fail as someone who was supposed to protect you,” he adds. “I failed as your—” He stops. Chokes it down. His jaw clenches so hard you can hear the sound of his teeth grinding. “As your Caleb.”

And then—he moves.

Quick, purposeful. Gone in a flash. You hear the kettle filling, the sharp click of a drawer, the dull thud of something fragile hitting the counter too hard. The way he clutches at control would be laughable if it weren’t so violent.

Then the bathwater starts.

Hot. Too hot. He’s not measuring anything. Just pouring. He throws open the cabinet, snatches towels, drops one, curses.

When he returns—his phone is in hand. “I’ll call Dr. Navik. I want a full neurocardiac scan, and we need to rule out—”

He stops. Mid-sentence. Thumb poised over the screen.

You don’t say a word. You just watch as something slows in him. As if time, for once, is merciful.

He lowers the phone. Turns toward you.

His voice—when it comes—isn't clipped or cold or distant. It's frighteningly gentle.

“Pip-squeak.”

He kneels before you, as if he’s afraid standing over you might shatter what little is left between you.

When he reaches out, it’s so slow. So reverent. The back of his fingers graze your cheekbone, barely there. Not because he doubts you—but because he doubts himself.

“How do you actually feel?” he whispers. “Not what I can fix. Not what the scans will say. Just you.”

You breathe. Only once. It shakes.

“Like roadkill,” you murmur. Then softer, almost smiling: “A hot bath wouldn’t hurt. And sleep. Maybe a week of it.”

Your faint attempt at a smile breaks him.

Not loudly. Not outwardly. He doesn’t cry. But something in his face folds in on itself, like it’s suddenly too heavy to wear. He draws a slow, trembling breath.

“I accused you,” he says, and now his voice is wrong. Hoarse. Quiet. Dismantled. “I accused you of being with someone else. After you went through six weeks of hell.”

You try to speak. He doesn’t let you.

“I thought you left me,” he says, and this time his voice cracks—just barely, but it’s there. A faultline in steel. His eyes are on the floor now, unfocused, as if he’s speaking to ghosts.

“I believed you would.”

His breath falters, like the truth is costing him oxygen.

“That it made sense. That I wasn’t enough.”

A pause. His throat works hard around the next words.

“Or worse—too much.”

His hand curls into a fist against his thigh, knuckles white. Not from anger. From restraint. From the effort not to collapse under the weight of everything he’s never said.

“That you’d finally find someone who doesn’t smother you with love that borders on obsession.”

He shifts, like his own skin is too tight. His jaw clenches. His eyes squeeze shut for half a second before he forces them open again, forces himself to keep looking at you—even if it kills him.

“Someone who wouldn’t try to chain you close,” he whispers, “just because he’s too selfish to breathe without you.”

He looks at you now—really looks—and the devastation in his gaze is endless.

His voice breaks on the last word.

“Someone who wasn’t… me.”

And for a moment, he’s not a soldier. Not a leader. Not even a man.

He’s just Caleb. That boy who loved you before he had language for it. And who never stopped. Even when it ruined him.

His hands curl into fists against his knees.

“I interrogated you. Like a stranger. Like a traitor. And all the while you were trapped—alone, dying, fighting—and I was worried about your silence in my bed.”

A breath. And another. Like he’s drowning in air.

“I loved you before I even knew what that word meant,” he whispers. “I carried it for years, swallowed it, starved it. I told myself it was wrong. Forbidden. And the moment I finally had you—really had you—I destroyed it with my own hands.”

He doesn’t look at you. Not until your fingers find his.

Then he shudders. And looks up.

“You always forgave me,” he says, voice breaking now. “Even when I didn’t deserve it. But this time… if you don’t. If you can’t…”

His hand trembles in yours.

“…I’ll understand.”

You shake your head. Just once.

And in that second—he folds into you, arms curling around your waist, forehead pressed to your stomach like a prayer he doesn’t believe he deserves to say out loud.

When he finally carries you to the bath, it’s not in silence. He keeps murmuring things—small things, promises, broken confessions, names only he calls you. He doesn’t try to be strong. He only tries to be there.

And when you’re finally in bed again, drowsy and warm, you find him already beside you. Fully clothed, facing the ceiling, his hand resting on the sheets between you like a lifeline.

You whisper his name.

He turns his head, eyes dim in the dark.

You reach for him, and he comes to you instantly, without hesitation. He lies down beside you, and when you press your head to his chest, he exhales like it’s the first real breath he’s taken in years.

His hand strokes your hair once.

And then, quiet—so quiet it almost isn’t real—

“I’ll never be the same.”

You don’t respond.

Because you both know it’s true.

And because you both know he doesn’t want to be.

[gojoest]

this was supposed to be a ramble post but i went on and on ;-; i might fw this idea some more in the future! tried to be as eloquent as possible but failed

royal au, crown prince!gojo satoru, f!reader (she/her), you reject him but that ain’t stopping the king to be from pursuing you, wc: 1.5k

crown prince gojo satoru, predictably, was the most desired man in the kingdom.

along with his royal heritage — the simple fact of being the next in line to the throne — his highness was undeniably a well-favored, handsome man that no other could hold a candle to. naturally, ladies would often throw themselves at him — some charmed by power, others harboring genuine feelings. he could see through them all and he would politely, and sometimes not so — depending on the intention — would turn them down.

his highness found no thrill in the concept of love. he saw no challenge in it and in someone dolling up for him and speaking to him of all the things that he, supposedly, wanted to hear. he deemed it boring. thus, he’d often sneak out of the castle (jumping off his balcony, unharmed) when the ladies arrived to visit him. other times he’d send the servants to deliver the unfortunate (and very much untrue) news of his highness being sick and needing rest to recuperate his strength. he truly could not be bothered while there were other things that piqued his interest more.

the battlefield, he admired it.

he grew up as — what others considered — a problematic child. ditching etiquette lessons to go into the forest and climb the trees, hunt animals and pick up branches to practice swordsmanship by himself. other times he’d simply act up in inappropriate ways, purposely so, that would inevitably bring punishment upon him, resulting in him being locked in his room to reflect on the unfitting of a royal behavior he displayed that day.

yet, nobody knew how agile and flexible he was, that he had learned how to climb and land safely after jumping from dangerous heights.

hence why, to this day, his highness uses his balcony as an exit when faced with unwanted guests. and to this day, nobody knows to where the crown prince has perished when the noble ladies line up in the castle to meet him.

truly, a problematic man.

his father, the king, was not having it. he thought, maybe, if he were to actually send his son the battlefield in order for him to come face to face with the harsh truth of it, that it was not as the fairy tales told so, that it was bloody, merciless and brutal, filled with death and decaying corpses — he would, maybe, come to his senses.

but, unfortunately so, that did not do it.

so far, everything was going the way the crown prince had desired — he had learned, early on, how to manipulate his environment to get what he wanted, through mischief. he had become a self-taught knight by his own means. he had caused enough havoc in order to be sent away to the most desired of places he wanted to be. the battlefield.

he conquered lands. each time he returned to the royal capital, he brought victory.

the neighboring countries were growing wary, avoiding conflicts and easily agreeing and bowing to the demands of the kingdom in order to prevent wars from breaking. the army’s strength, led by none other than the crown prince gojo satoru, was unheard of.

soon, the entire world knew of it. the clashes and conflicts seized. nobody dared oppose the kingdom anymore.

the prince returned to the capital, back to his boring days.

the days once filled with dull etiquette and history lessons were now replaced with the constant nagging to review a list of candidates in order to pick a bride to be the next crown princess.

it was a bothersome activity. his only challenge now was finding new excuses every day to avoid it.

but alas, there was only as much he could do to run away from his royal responsibilities of continuing the bloodline.

it was after the king had threatened to have the head of his right arm in combat and best friend, the glorious knight geto suguru, that the crown prince caved and considered looking at the portraits of the candidates presented to him.

in front of him were a list of the big families and the portraits of their daughters sent in.

“say, suguru”, satoru lifts a curious brow. “the lady of this house”, he points at the paper, “i can’t see her portrait”

suguru chuckles. “i am afraid, she did not send in one”

the prince scrunches up his nose. thinking. “i don’t understand?”

suguru, covering his mouth, tries to hold his laugh back. “she did not send in a portrait”

“did she forget?”

“i don’t think so”

“then? why?”, satoru stares. clueless.

suguru, with his entire willpower, is earnestly trying to fight the laughter climbing up his throat. the crown prince might be his best friend, but he didn’t really know how this man would react when faced with rejection for the first time in his life.

“in my humble knowledge”, he clears his throat before continuing, “when a lady refuses to send in a portrait to the royal palace, it only means she is politely withdrawing from the list of the candidates, your highness”

silence.

and then, a stretch — of lips, into a smile. a smile of disbelief. one that resembles the smile he shows when faced with a challenge on the battlefield that his audacious opponents throw at him.

“is she rejecting me?”

“i am afraid so”

intriguing. it’s been too long since he felt that kind of thrill, and to think he’d experience it while flipping through mere portraits of his wife-to-be’s. perhaps, he should’ve listened to his father sooner, huh?

he chuckles to himself. “good. i want her”

from that day on, the crown prince, who was once apathetic and uninterested in banquets held by the nobles, attended every one of them that was rumored to have you as a guest.

sadly, you rarely showed up. during the times you were present, you obviated his approach in a crafty and tactful manner.

he started sending you gifts — luxury gems and stones, hairpins, foreign cloths and dresses that were considered hard to obtain even by the big noble families. you sent them all back to the royal palace.

but unfortunately to you and very fortunately to the crown prince, this uncourteous gesture of yours intrigued him even further. he already had a hunch from your previous encounters, that you were not one to be bound by etiquettes of high society nor were you one to be easily blinded by opulence. but just in case, he wanted to test you. he wanted to see more of your deviant nature.

yet, he almost felt defeated, ashamed of taking you so lightly — as if tarnishing and trampling on your character — every time upon seeing the gifts delivered back to him in the same state that he had sent them, unpacked. not even touched out of curiosity. spotless as they were — as a sign of unambiguous rejection.

maybe, he shouldn’t have acted so carelessly with you.

it was during a banquet hosted by the royal palace in honor of the visiting diplomats from the neighboring countries when satoru finally got the chance to strike a more private conversation with you.

eyes glued to you all night, watching as you danced and socialized with other nobles, he was waiting for the right moment to approach you.

and just as you happened to leave the ballroom and walk toward the balcony to catch some fresh air, he excused himself and followed behind you.

“don’t tell me you’re already bored and want to leave, my lady?”

you turn around, visibly unfazed by his presence.

“good evening, your highness”, you politely greet, bobbing a curtsy to him. “although it is not to my liking, i wouldn’t call such a fancy banquet objectively boring. i was merely getting some fresh air after dancing”

there she goes again with that witty tongue of hers, he chuckles. “i see. you find it subjectively boring, if i may assume?”

“you may and that wouldn’t be far from the truth”

he lets out another chuckle, wiping a hand across his face as if at a loss of words. you truly are one intriguing woman.

“i will be very frank with you, my lady”, he speaks. “i think, i might’ve fallen for you”

you remain unamused, not even a single feature on your face flinching at his very confession.

“love is not something you think, but rather something you feel, your highness. curiosity, on the other hand, might pick at your brain and make you think and ponder”

he chuckles. “they’re not mutually exclusive, i believe. can’t love start from curiosity?”

you crack a soft smile. “perhaps”

“may i assume this is you giving me permission to pursue you further?”

“excuse my impertinence, your highness, but — do you have a thing for getting rejected?”, you tilt your head, an impish grin on your lips. “how long are you going to keep this up for?”

he steps closer, “i promise i’ll stop”, taking your hand into his and courteously going down on one knee before kissing it — “when you stop rejecting me, my lady”