#but I haven't seen more than the one episode so I don't know how they may have changed those characters

[gffa]

I keep updating my feed to see if you have more opinions about the acolyte episode. I feel like this recent episode could’ve used a couple of your posts as reference when it comes to how the Jedi canonically go about acquiring [redacted for spoilers just in case you haven’t seen it yet]

Honestly, it felt like the show was trying really hard to portray the Jedi's methods as hinky, but couldn't actually do anything about it because of established worldbuilding. The Jedi of the High Republic have explicitly said they have to get permission from the parents. The Jedi of the prequels are explicitly shown as not adoption-hungry, the only time we see potential Jedi younglings, neither of them are taken from their parents, one says they'll be going later, one is just handed back to her mom, no indication Roo-Roo is going to be a Jedi at all. So, I think it's a weird situation, where The Acolyte is working so hard to create tension and mystery, but I'm not sure how it's going to shake out. I keep thinking of Torbin, like, yeah, what happened was a tragedy, but why was he specifically so torn up about it that he felt he had to die to obtain Mae's forgiveness? From what we saw in the episode, Mae set the fire, Mae ran off and the scaffolding fell and she was assumed dead, the Jedi never forced Osha to join them, Osha was the one who said she wanted to go. Therefore, unless the show is really, really poorly written, there has to be more to the mystery that we haven't yet unraveled. I feel like that's also influencing everything going on with the Jedi potential adoption, that this situation feels like we still don't have the full context. Why was Aniseya so worried about the Jedi finding out how the twins were conceived? Why do the Jedi care so adamantly, when we see in both the High Republic and the prequels that the Jedi live perfectly fine with other Force using traditions/cultures? Even if this coven was dark, that doesn't mean anything to the Jedi, they were perfectly well aware of the Nightsisters' existence and did nothing about it. Unless this show is extremely poorly written/ignoring top level canon, there has to be more to what was going on with the coven than we know about. Because what we see is the Jedi felt very strongly about these two girls for some reason, but they were clear that, while they had the right to test them, it still relied on the parents' permission. We see that they're pretty aware that Mae and Osha were failing on purpose--Mae can't fake her blood results, after all--and they don't push Mae, but they do gently push Osha because everything about her is straining towards wanting to be a Jedi. And EVEN THEN they just say she passed the test, it's Osha who talks to Aniseya and gets her to agree to letting her go, not the Jedi. The show's vibes kinda feel like there was pressure from the Jedi there, but the actual content of the episode is that the coven agreed to it specifically because they didn't want to attract attention, like they weren't part of the Republic, they specifically said they didn't have to agree, the others were willing to fight about it, but Aniseya was the one who said, no, let them take the test. Yeah, the Jedi are pushing for some reason, but it feels like it's not because that's how they operate in any other situations where we see them with Force-sensitive children, but because they know something specific about this situation. So, I'm fine with everything presented so far and, honestly, it was a lot more positive than I was expecting! Like, this show isn't just a big lore dump, it has a specific story to tell, you know? It's a situation that has its own unique circumstances and, sure, they were borrowing elements from other Jedi worldbuilding, but everything we saw in there was done with permission and they made a point to roll with what each girl seemed to want. Sol was so careful not to unduly pressure Osha, just ask her what she really wanted, gave her a little nudge because he could see what she wanted. They made sure it was her choice! That it was her mother's choice! How could I have asked for more than that?

[time-is-restored]

What Happened At The Church On Ruby Road?

AKA: Why does RTD want us to watch Ruby's first episode with a ruler and protractor?

Alright, so since I read this article excerpt yesterday night I haven't been able to stop thinking about what trick could be hidden in the sequence between the cloaked woman, the doctor, and baby ruby. While I'm not at all claiming to know the answer, I have a few details to point out that might help with further analysis.

First of all: A Continuity Error (On Purpose?)

At the very beginning of TCORR, when the doctor's giving his 'once upon a time,' speech, we see the TARDIS materialise + the doctor appear, looking in the direction of the cloaked woman, looking distraught. Disney+ is evil so I can't get an accurate screenshot, so take this scuffed photo instead, taken from 1:03. You can see a tear rolling down his cheek (little white dot on the left of his face, in line w this nose).

Later in the episode, when the doctor materialises in the scene for the first time, there is no tear. It's a marginally different shot in several ways, but that's the most noticable to me - screenshot taken from 42:59.

By itself, this is totally negligible. But I think when taken with the opening monologue (which heavily implies that the doctor finds out the cloaked woman's identity - "As for the mother, she was never seen again. No one ever knew her name, until that night a time traveller came to call. A traveller known as the Doctor."), there is possible evidence here that the doctor came to this moment twice. Once in the sequence of events as we see them, rescuing Ruby from the goblins, and once where... something else happened.

Second: The Layout of The Church

We get a few aerial shots of the church when the camera is showing the ascent of the ship, and a lovely wide shot as the doctor decides to not follow the cloaked woman (taken from 46:28 and 44:07).

The most important thing I want to point out is the way the hedge path curves to the right in the direction the doctor and the cloaked lady are facing. You can only really see it in that one shot (so I hope it's not a lens effect!). The aerial shot helps clarify that nothing is obstructing either of the character's view of the church.

We can also see that in this iteration of their encounter, the cloaked woman is standing a little bit to the right of the doctor (thanks to the curved path).

Third: The Timing

The only real indication of how much real time is passing in each scene is the clock striking midnight. So, when does that happen?

In the opening sequence, the clock strikes midnight after the man from the church has found Ruby and picked her up. We then see the woman relatively far down the road that we can see in that above screenshot, and THEN we see the TARDIS apparate and the Doctor appear.

In the goblin sequence, the woman is already far down the road well before it hits midnight, as the doctor sees her walking away before he runs to save baby ruby. Obviously time moves slower than usual in TV actions scenes, but that's not all - we see the clock strike midnight before the man from the church picks Ruby up.

Furthermore, the woman has... barely moved at all in those few minutes. Screenshots from 43:00 and then 46:45.

Okay, that should be all the relevant information from TCORR. Now to get to that point!

Fourth: The Point

This is where things go off the fucking rails. Here's our orienting shots for the Point.

Just to compare the positions of the doctor's shot here, here's the last shot we have of him looking at the lady in TCORR:

While this could just be a fancy camera angle, I think the Doctor is standing more to (his) left of the TARDIS than in this above shot. AKA: he's standing more to the left than she is. That emphasises that, if the woman was to be pointing at him when she turns around, she should be pointing to her right.

But I don't think she is -- especially in that wide shot, her arm looks like it's going wide. It's going more to the left than it should be. If RTD hadn't explicitly said the 'who's pointing at who' was significant, I would be fine with accepting that she's pointing at the doctor -- especially since that's how the doctor reads it.

And if we go back to the layout of the church, the things she could be pointing at are, in order of exactly how far to the left she'd have to point:

something just behind the doctor (would explain how close the point is to him)

the path up to the church

the clock tower

ruby/the baby

Regardless of where she's pointing, I think the implication is that there's someone else at the scene, doing something that the doctor didn't notice (perhaps due to his own bias with mother figures).

Wild Speculation:

Now, what do I think this means? Honestly, no idea LOL. It's still all just vague enough it could go in fifty different directions. But we know for sure that the moment where Ruby Sunday was left at the church is a moment in flux, thanks to the the Doctor's memory changing + the song in the background being different in Devil's Chord.

Part of me wonders if there's something (someone?) hiding inside that memory/moment in time? Like how Thirteen hid her companions inside their own time stream to try and buy time away from the swarm guys? It would explain the Maestro's reaction -- 'he couldn't have been there[...] on the night of her birth' -- in the devil's chord, the young boy is a harbinger. Maybe ruby is the harbinger of something too? That could also explain why it started snowing in the TARDIS after 15 scanned her -- the same thing happened when Maestro started trying to pull out her song.

Then if you go with the changeling angle, it's entirely possible we're about to get a shell game with babies 2: electric boogaloo (thanks russel for saying we should rewatch a good man goes to war, i'll never sleep again 👍). Maybe while the doctor's too busy watching the cloaked woman, someone else is intervening, switching her baby for ruby? Or doing something To her baby that explains why ruby is so... wrong, for lack of a better word?

Also, looking between the opening sequence vs the goblin sequence timing, we have several minutes where the cloaked woman is totally unaccounted for in the latter, as well as an entire interaction between her and the doctor that... didn't happen? Or did happen, but was forgotten? Unwritten? Rewritten? Etc.?

If I had to make a bet (and let's be honest, what else are we doing while theorising LOL), I'd say that something about that night has been memory-holed out of existence. Possibly a doomed timeline that righted itself, ala 73 yards, but left just enough trace that the people involved know something happened (ruby knows she's been to wales three times before, the doctor knows he was pointed at).

I think it was triggered when the lady and the doctor got too close to each other (did she hear that the goblin ship was taking her baby? did she turn around and see something she otherwise would have missed?), and realised something about each other (or ruby?) that needed to stay dormant. the cold opening implies the doctor learns her name, and since there don't appear to be any time of the angels sneaky outfit change moments, i can only assume it happened here, somewhere in this memory.

And hell, in for a penny in for a pound, maybe it all got undone (retconned, in universe, in real time), because the Doctor shouldn't learn about the cloaked woman until the finale? Spoilers? In TV meta, did the director tell all the other actors (the church man + the cloaked lady) to hold in place until the doctor was back in position?

[Final note, regarding the continuity error I noted first up, in TV shows with ad breaks factored in -- brief fades to black at dramatic moments, then the last ten seconds play again to remind the audience what's happening -- sometimes directors would use different takes for before and after the ad break. Maybe that's the explanation for the tear -- in universe, that cold open stopped in its tracks the moment the opening was cued to play. It then started again with a doctor who had last cried several minutes ago, and the scene played out as intended.]

Anyway fellow 'the mistakes are in there on purpose' believers how are we FEELING!!!!!

[inthethickofbleeding]

Thoughts on Bridgerton S3

I'M JUST RANTING OKAY I've only seen part 2 once and these are just my thoughts and feelings I am gonna throw here and delete later when I probably change my mind after rewatching?? I just gotta rant😭

Penelope was so gracious and understanding and forgiving and I felt she deserved, in many moments, to be rightfully more upset, more vindictive, more fiercely witty and proud. Though I do LOVE all the things getting resolved and solved and brought to light and happy endings (I actually do love it), the journey there for me was missing a healthy and (imo) realistic dose of female rage. Just for the dramaaa come on. All the other drama going on here and Penelope is 'grateful for your counsel?' bfr. I'll show you grateful for your counsel by hating on it! She can show everyone her heart AND her teeth. She is more than capable and I thought that her character was reduced too much in the last four episodes. Penelope I want you to have everything, including your full range of emotion and humor and wit. Drink more w/ Madame Delacroix okay?? And with Lady Danbury.

I feel like my husbandColin was weirdly sidelined? I'm actually quite grateful for Part1 Colin, because I haven't landed anywhere yet with Part2 Colin. I knew he was jealous, I knew he was always going to forgive her...and we all knew he loved her....so the conflict/tension between them was not as interesting- for me! Just for meee. And stupidly drawn out. FOR MEEEEE. He had taken so many 'gallant' steps in his relationship with Penelope so when their wedding day and night and subsequent honeymoon days arrived and he was stuck in that attitude I was so unmoved. Don't play with me, Colin. Go worship your wife.

I JUST WANTED ANOTHER PURE VIOLET MOMENT! OF ANY KIND! Like before/about her dance with Marcus come oonnn! This is Violet! Please for the love. Also give me a convo with her and Penelope! Just one real one?? Damn. Her resolution with Francesca was alright? I guess. I do love that she isn't perfect with all of her kids, esp her daughters. But I feel they planted a lot of stuff for her as a mother and as a woman wanting to 'tend to her garden' you know? And it fell awkwardly for me. My favorite Bridgerton forever though.

HATE HATE HATE that Colin went to Cressida's house to make things worse trope. Seen it before. Didn't like it then and I don't like it now. AND he was forgiven so quickly. Absolutely not. DO NOT GO INTO ROOMS ALONE WITH ANYONE ANYMORE COLIN BRIDGERTON UNLESS IT IS UR WIFE PLEASE DON'T MAKE ME SLASH MY SCREEN. Go home to your wife and fix it there before you try to be all heroic outside of it okay. I will shave your head. I think I need Daphne.

Dear Eloise, you don't know what it is to be a friend, to have a friend, or even to lose a friend. Maybe I'm interpreting it wrong, maybe I don't care idk. But we start the show humanizing Cressida, bully since season 1 episode 1, THROUGH Eloise. BUT WHEN IT CAME TIME FOR THE FRIENDSHIP TO MEAN SOMETHING TO EITHER OF THEM Eloise willfully gave up, walked away, ran to the comfort of her privilege with her family and way-too-understanding friend. HOW DID WE CHAMPION SO MANY WOMEN ONLY TO ABANDON THIS THING W/ Cressida at the end as she was literally sent away alone.

Lady Danbury complaints similar to Violet. She is usually a more prominent player, so when she wasn't this season, well, I missed her and wanted anything more about her. But! Love her all the same.

HOW DARE THEY throw Kanthony back and forth all weirdy like that. Kate is here, just let us have Kate. And her lil loving husband. Come oooonnn. Three babies at the end and none of them Kate's😭 And Violet was overwhelmed and they didn't get to have another moment?? A lot of off-screen moments are told to us and we just get to believe whoever says whatever. Every actor here has shown they have skills for show-don't-tell productions! All those beautiful eyes! I just am feeling upset about the random use of this gorgeous couple. EVEN ANTHONY, Viscount and eldest brother of them all just walks away at one point when Colin is obviously needing more of him. Whatever.

Why why why did we have an original song PLUS an orchestral cover of it for both to be so unused??? Tori Kelly's song is so wedding-coded and so romantic and earnest. But it didn't make an appearance for Polin at all. Not at their wedding, not in their home, not in the carriage, not anywhere...

Maybe unpopular opinion but I hated "Yellow" being the wedding song. First see the point above and then please please just remember how much Penelope did to distance herself from that fucking color and the horrible memories of it. NOW! IF COLIN HAD MENTIONED IT SOME WAY OR WHATEVER THEN SUUUURRREEE keep the song. HOWEVER. EVEN THE WEDDING WAS NOT YELLOW, HER FAMILY WASN'T IN YELLOW, WE DIDN'T TALK ABOUT IT AT ALL WHY IS IT THE FUCKING WEDDING SONG WHEN THERE ARE MANY OTHER OPTIONNNNSSSSS WHYYYYY (idc why, I just hated it, even if I did cry).

Benedict has been cute and boring for far too long and that did not change for me in this season. TWO BRIDGERTONS with queer representation in an already huge season with so many storylines going on, I wish we could've celebrated it better. Amongst the thousands of other things that were being celebrated, Benedict has still been separated from them in weird ways.

Not a big point, just an interesting one. But where did Debling go? He just effed off to the wilderness? We spent a lot of time with him (and Cressida) in the first four eps.....and then he was gone.....okay.

Charlotte, I love you. You should know that first. But man you love to crash a party, and a wedding, and I just feel like you should've at least killed someone by now with all these theatrics. Even for Charlotte, I felt she was strangely incorporated into this last half of the season. She and Penelope are technically equals in many many ways- BUT WE NEVER GOT TO SEE THAT WIT AND BANTER PLAY OUT MORE WHYYYY

All in all. It's just my rantings. I was absolutely in love with the first four episodes. There was something so fairytale about it and it was so romantic. So, yes, I was disappointed in part 2 on the initial watch, despite the many things I loved about it. There was a lot going on and, sadly, most did not land for me. Yet.

It's a good show, I still love the show. I will be watching the show. Give me more of the show lol.

[pierswife]

You see, the real April Fool's joke was Vash's placement on my F/O list.

This right here? A farce.

Now this? This is the truth.

[ohproserpine]

i. deer dolly

part i | part ii | more | ao3 tags: fem! reader, reader is a performer in a speakeasy, human! possibly ooc! alastor so he's a bit more "tame" here, allusions to murder and such, unsettling & obsessive behavior, written before episode 7; may become inaccurate, gorey-ish descriptions of love

"So what?" Angel Dust hummed, drumming his nails on the counter. "You and Alastor are like... friends?"

"Oh, well, that ain't the word I would’ve used, but it's something like that!" Mimzy chirped, reaching for her drink and downing it in one go. "He used to frequent the club I had! In fact, that’s where he met his wife—"

“Wife?!” Angel Dust cut her off, jaw dropping. “Freaky face is married?”

“Oh yeah,” Mimzy hummed, waving her hand around. “Under all that murder and cannibalism, he’s a total sap! Can't blame him, I mean—his wife is a doll! Me an' her used to perform together!”

"An’ how come I never heard of this? People ain't told me shit!" Angel Dust grumbled, turning to Husk behind the counter. "You knew 'bout this, whiskers?"

"Yeah. They were together back in the living. But don't even think of bringing it up in front of Alastor. He gets all heated," Husk grumbled, grabbing a towel to wipe down Mimzy’s now-empty glass. The cat then turned to grab another bottle off the shelf, a grimace on his lips. "I would know."

Angel Dust leaned forward, resting his face on his folded hands. "Well, ain't that something. Never knew he even had one of those."

Mimzy cackled, her voice a raspy melody that echoed through the smoky air of the bar as she snatched the bottle of liquor away from Husk’s paws. "Oh, honey, you wouldn’t even know how deep it goes. They go way back."

"Spill," Angel Dust grinned, curiosity getting the better of him. 

Mimzy leaned in, looking both ways to make sure Alastor or his shadows weren't around before lowering her voice. "It was back in the day, at my joint. Alastor dropped by for the bootlegs, you know? But then he caught sight of her. She was singin’ and dancin’ on stage, a real heartbreaker. He couldn't resist the charm, and boom, he was struck on! Ever since then, he came around as frequently as he could. Made me so much money~" 

Angel Dust raised an eyebrow, his long lashes fluttering as he squished his cheek against his palm, a coy smirk playing on his lips. "And you were part of this love saga?"

Mimzy shook her head, a wicked glint dancing in her eyes before she lifted the bottle to her lips and downed its contents in one swift motion, her throat working as she swallowed. "Oh, sugar, just a witness to the drama. Those two lovebirds had their own dance going on. I just spiced things up."

Angel Dust chuckled, shaking his head. "Never thought smiles had it in him."

"Again. He likes to keep his shit private. So, don't go running your mouth unless you wanna be on the receiving end of one of his… episodes," Husk interrupted, his gruff voice breaking through the conversation as he leaned over the counter and reclaimed the bottle from Mimzy with a low growl.

Angel hummed dismissively, his golden tooth catching the glimmer of the bar lights as he spoke. “Anyone could've guessed that. Where is she, anyways? I haven't seen or heard of her since day one."

"Busy," Mimzy snorted, her finger lazily tracing the rim of her glass. She leaned back in her seat, the dim glow of the bar lights casting shadows across her features. "That's where."

“Really?" Angel's brow lifted in skepticism, his boot lightly kicking against the base of Mimzy's chair. "Busy? That’s it?”

Mimzy shrugged, her lips curling into a sly smile. "Can't tell ya much. Y'know Alastor doesn't like sharin'. Secrets and shadows, that's his game."

“Aww c'mon, tits,” Angel grinned, his golden tooth glinting beneath the bar lights with each word. “You gotta know more than you let on. It'll be our secret.”

"Well," Mimzy drawled, savoring the suspense as she tapped a gloved finger against her cheek. "I guess I can tell you a lil’ something about how they met…”

.

Alastor found himself standing in the heart of a secluded corner of town. 

A desolate, dimly lit street stretched out before him, raindrops rhythmically tapping on the worn concrete beneath his feet.

It was something he had never imagined—searching for a speakeasy in this far-off locale. Rarely did he have time for himself. Most of his days were dedicated to caring for his mother, his job as a radio host, and any free time he had was reserved for his… hobbies. But he supposed a change of scenery wouldn't hurt.

Adjusting his glasses, he gazed up at the timeworn, ragged sign of a barbershop that read, "Chum’s Clippers." 

Charming. 

With a roll of his eyes, the radio host stepped into the worn-down establishment, visibly grimacing at the shop's decrepit condition. His eyes surveyed the room, settling on a young blonde woman. 

Perched on the edge of the registrar counter, a cigar dangled between her cherry-red lips, the tendrils of smoke curling upwards in lazy spirals. Her legs crossed provocatively, causing the fabric of her dress to ride up her thighs, revealing more skin than what civil society would allow. 

As soon as she caught sight of Alastor's silhouette, a spark of excitement lit up her features, and she greeted him with an animated wave.

"Hey there, mistah! Names Mimzy!" she chirped with a friendly lilt. Her crimson-painted nails plucked the cigarette from her lips, trailing a wisp of smoke as she gestured toward Alastor. "Whatcha here for?"

"Pleasure to meet you," Alastor smiled back and stepped closer, offering her a bow of his head, “Quite a pleasure. You see, I was just strolling through these darling streets, and wouldn't you know it? The whispers in the wind pointed me straight to you, the gal in the know when it comes to bootlegs. Care to confirm?"

‘A potential client?" Mimzy thought, her smirk hidden behind her hand as she took one last puff, the cherry of her cigar glowing brightly before she flicked it into an ashtray. 'Straight to the point.'

"Well, well, mistah," she drawled with a playful twirl of her finger through her blonde curls. "You've got a nose for sniffin' out the good stuff, huh? Well, we might have a few things tucked away for the right kind of folk. But, sugar, we don't just give 'em to anyone.”

Alastor's smile widened as he smoothly fished out his wallet, giving it a theatrical wave. "I do have a penchant for fine libations, my dear. And I assure you, I'm just looking for a little taste of the local flavor, nothing more."

Mimzy's eyes sparkled with mischief as she perked up, eagerly hopping off the counter. The click of her heels echoed against the worn floor as she approached the tall man.

"You're in luck, then! Follow me, and we'll talk business in the back," she said, gesturing toward a concealed door at the back of the barbershop.

Alastor followed her through a narrow passage, which unveiled another door leading to the very speakeasy he’d heard talk of. The atmosphere changed instantly, lively jazz music filled the air, and the dimly lit space was alive with laughter and clinking glasses.

Mimzy guided Alastor to a private booth tucked away in a corner, where a polished bottle of bootleg whiskey awaited their arrival.

"Here's to unexpected encounters, mistah," she beamed, the words dripping with charm as she poured a generous measure into his glass. Alastor raised his glass in acknowledgment, his eyes glinting with amusement.

"To unexpected encounters," he echoed before taking a deep sip.

The whiskey was bitter and strong, yet there was a subtle sweetness that danced on his tongue, leaving behind a tantalizing warmth. It had been increasingly difficult to find such fine brews ever since the prohibition hit, making each sip all the more precious.

Seating himself comfortably, Alastor swirled the glass in his hand, mesmerized by the way the golden liquid caught the flickering candlelight. Beside him, Mimzy continued her lively chatter, her words accompanied by the persistent clinking of ice in their glasses as she refilled his drink, hoping to stack his bill higher with each pour.

As the room hummed with the soft, easy notes of a piano and the clinking of glasses, a sudden hush fell over the crowd as an announcer's voice sliced through the air.

"Ladies and gentlemen, put your hands together for the enchanting Dolly!"

Mimzy's excitement bubbled up even more, and she leaned in toward Alastor. "That's my sister! Well— not by blood, but you know, me and her are real, real close. One of my best performers here at the bar!"

"Is that so?" Alastor hummed, his eyes now alight with curiosity as he shifted his focus toward the stage.

In that moment, you stepped onto the platform, grabbing a hold of the standing microphone. With a subtle flick of your wrist, you directed attention to the dark-haired pianist, his fingers poised above the keys. A nod from you and the jazz ensemble sprung to life, setting the stage for your performance. As the spotlight enveloped you in a warm glow, a hushed silence fell over the speakeasy.

Folks, here's a story 'bout Minnie the Moocher She was a red hot hoochie-coocher She was the roughest, toughest frail But Minnie had a heart as big as a whale

The lyrics flowed easily through Alastor's mind, carried by the smooth, buttery tones of your voice that filled the air. The radio host found himself utterly hypnotized, his gaze never tearing from your form.

He could stare for hours, unabashed by any sense of shame—though, truth be told, he didn't possess much of that quality to begin with.

She messed around with a bloke named Smokey She loved him though he was kokey He took her down to Chinatown And he showed her how to kick the gong around

As Mimzy began clapping excitedly and waving her arms to beckon you over, Alastor's attention shifted. The final notes of the song echoed in the room, snapping him back to reality. In the haze of your performance, he hadn't even realized that the song had come to an end.

“What a gal!” Mimzy cackled, joyously wrapping her arms around you as you approached.

Alastor took a moment to study you with keen interest.

The dim lighting of the speakeasy lent a soft, ethereal glow to your figure as you moved, casting long shadows across the floor. A slender dress, shimmering with golden sequins, hugged your figure, shimmers and glitters catching the light. The dress boasted a daring low neckline, while its swaying boxed skirt gracefully fell just above your knees, accentuating your every movement. Complementing the ensemble were black kitten heels, their clicks and clacks adding a subtle rhythm to every step you took. Your hair, styled into a sleek bob, framed your demure features perfectly. Adorning your head was a headpiece adorned with golden yellow feathers and dark lace.

"Dollface, I want ya to meet Alastor!" Mimzy exclaimed, pulling you along and positioning you in front of him. “He’s new!”

With a wave of your hands and a warm smile, you tilted your head up to meet Alastor's gaze. The man standing before you was tall and slim, boasting broad shoulders. His white button-up clung perfectly to his frame, sleeves rolled up to his elbows, revealing toned forearms adorned with scars, cuts, and prominent veins.

‘Must be a hunter or a butcher,’ you noted heatedly.

Short, side-swept brunette hair framed his face, adding a touch of rugged charm to his appearance, while rectangular glasses perched on the bridge of his nose lent him an air of intelligence. As he smiled, a chill crept down your spine, and an odd sinking sensation settled in your stomach.

There was an unsettling nature to him, a subtle aura that left you uncertain of whether your reaction stemmed from the eerie quality of his smile or if it was simply a flustered response to his strikingly handsome features. 

“Pleasure to meet you, cher,” Alastor purred, turning on the charm. He delicately took your hand, pressing a kiss against your knuckles. In a subtle move, the radio host let his fingers linger over your skin, subtly checking for any sign of a ring. Noticing the absence, he filed the information away with a sly smile. 

“It’s a pleasure to make your acquaintance as well, sir,” you smiled, tucking your face behind your hand. Alastor observed with delight as a subtle blush painted your cheeks, a tacit acknowledgment that his presence had left an impression.

"Al here knows his way around a glass of whiskey like nobody else in these parts! Ain't that right, Al?" Mimzy chattered, her voice bubbling with familiarity as if she had known him for years and hadn't just met him one song and ten drinks ago.

Alastor chuckled, a low, melodic sound that sent your stomach doing flips. "

"Well, I do have a certain fondness for…" The radio host paused, his sharp, gaze raking up and down your form, his words trailing off. "…finer things in life."

A silence lingered in the air, and Mimzy, always attuned to the mood of a room, shot a knowing look between the two of you.

"Well, don't cha?" Mimzy exclaimed, her hands clapping with excitement. "If that's the case, then I'm sure Dolly would love to show you around here!"

"Is that so?" Alastor, maintaining that devilish smile, turned his attention back to you. "Well, what do you say, cher?" he questioned.

Tucking a loose strand of hair behind your ear, you met his gaze with a coy smile. "I'd be delighted to show you around. There's a lot more to this place than meets the eye."

Mimzy clapped her hands together. "Perfect! Now, why don't you two enjoy the rest of the night? I'll be right here waiting."

“Shall we?” Alastor offered his hand, gesturing to the dance floor.

With a small nod, you graciously accepted Alastor's outstretched hand, leading the way to the lively dance floor where the band played an upbeat tune. Around you, couples twirled in a dizzying dance, with heels tapping, shoes stomping, and skirts gracefully gliding and twirling. Alastor wasted no time, pulling you in and molding your form against his.

Looks were indeed deceiving, as despite his lean appearance, Alastor had no issue effortlessly tossing and spinning you round and round, lifting you as if you were as weightless as a feather. Each spin and dip was executed with skill, his footwork was a blur and soon enough, you found yourself willingly surrendering to the rhythm of his lead. 

This man could fucking dance.

As the music gradually slowed, Alastor guided you to the side, providing a moment to catch your breath after the energetic routine.

"Thank you for the dance, cher! You are quite quick on your feet," Alastor chuckled, his voice low, blending with the fading echoes of the music.

"You're not too bad yourself," you managed between breaths, a raspy laugh escaping your lips. "Nobody's ever been able to keep up with me," you continued, running a hand through your tousled hair and adjusting your dress. "I think I was the one who had to keep up with you."

After ensuring you were presentable, you lifted a hand to fix Alastor's slightly damp locks, adjusting his glasses and tie. Alastor froze, a foreign sensation enveloping him. Despite his typical aversion to physical contact, there was an absence of the usual recoil in disdain this time.

"Looks like we're both a bit of a mess, aren't we?" you chuckled, a wry smile playing on your lips as you gracefully brushed away a speck of dust from his shirt.

Alastor blinked and eventually relaxed, allowing you to proceed without any resistance. "Quite."

While you continued to fix him up, Alastor couldn't help but feel a sense of bewilderment. He felt as though coils had entwined themselves around his heart. Slowly constricting, they didn't just tighten but twisted, sharp edges digging into muscle, squeezing his emotions into a thick syrup that spilled beyond the confines of his ribs, seeping out in a haunting shade of crimson through the cracks in his chest.

As the seconds passed, he paid no mind to your touch, shifting his focus to instead dissect you with his eyes. He scrutinized the subtle reactions playing across your face—the delicate twitches of your brows, the soft pout of your blood-red lips, and the scrunches of your nose. 

What were you doing to him?

"There you go!" you announced, a note of satisfaction in your voice as you finished your task, your hand coming to rest briefly on his chest before retreating. "Ready to head back?"

Snapping out of his obsessive trance, Alastor emitted a soft hum, offering his arm to you. You gracefully accepted, intertwining your arm with his. The energetic atmosphere from the dance gradually subsided as you and Alastor made your way back to the private booth. Mimzy's mischievous grin awaited you as she rejoined your company.

"Looks like you two had quite the time!" she exclaimed, a twinkle in her eye.

Alastor quickly composed himself, nodding with a grin. "Indeed! It was quite a delightful dance."

Just as Alastor turned toward you, the insistent dings of a nearby clock echoed through the room. His expression shifted, a fleeting shadow of disappointment and ire crossing his face. The hours had danced away quicker than he had anticipated.

Undoubtedly, the night was still young for you, given that speakeasies often extended their festivities until the early hours of the morning.

However, as much as Alastor would adore the idea of continuing to enjoy your company, the weight of responsibilities at home tugged at him. He had his elderly mother waiting, relying on his care for her well-being, as well as an upcoming morning shift at the radio station.

"It's later than I realized, my dear," he admitted, his voice carrying a touch of regret. "I'm afraid I can't stay any longer. Duty calls, and the dawn awaits for my return."

Something twisted and snapped in Alastor's gut as he observed the unmistakable disappointment etched across your features, evident in the downturn of your blood-red lips. His fingers itched with an impulse to claw your mouth back into a smile, to dig his nails into your skin and carve your lips into a grotesque display of happiness, all in a desperate attempt to restore the radiance of your joy.

Meanwhile, Mimzy sighed in disappointment, yet Alastor discerned that beneath the theatrics, she was indifferent to it all, evident in her thinly veiled disinterest.

"Aww… That's too bad, sugar! The night's just gettin' started!" Mimzy exclaimed, shaking her head with a pout. 

"But I get it! Some folks got places to be," Mimzy waved it off. There was a sudden twinkle in her eye as she pulled out a tab from her dress pocket. "Anyways, 'bout those drinks you had, they weren't exactly on the house, sooo..."

Alastor chuckled and pulled out his wallet. "Of course, my dear! I apologize, it must not have crossed my mind!"

He settled the bill and threw in a generous tip, for both you and Mimzy. His job as a radio host was quite the money-spinner, affording him the pleasure of treating others to the finer things in life. Mimzy practically glowed with satisfaction, her blue eyes sparkling as she snatched the tab. Swift and efficient, she flipped through the bills, before pocketing the money.

"Thank you, love!" Mimzy chirped, already moving away from the table as she waved him off. "You're welcome anytime!"

“I’m sure I am,” Alastor responded flatly, almost mockingly, with a roll of his eyes, pulling a laugh from you. As Mimzy made her way off backstage, both you and Alastor were left alone.

“It's a shame you have to leave so soon. I've got more songs up my sleeve for later. I would have loved for you to stay and catch the performance,” you sighed, turning back to him.

Alastor's eyes sparkled with genuine interest. "Songs, you say? Well, cher, that does sound like a delightful experience. Perhaps I can catch your next show some other time."

You smiled, appreciating his enthusiasm. "I'd love that. I perform here regularly, and your company would be more than welcome anytime."

Alastor's gaze intensified, fixing onto you with a magnetic pull that seemed to draw you closer despite yourself. His eyes, pools of darkness, held an unexplainable intensity. As his lips curled up into a grin, there was a hint of something more primal than human lurking behind his charming facade. A shiver traced its way down your spine, leaving behind a lingering sensation that unsettled you to your core.

"I'll definitely make it a point to come by," he finally said. 

Scrambling for a response, the only sound that reached your ears was the rhythmic thud of your own heartbeat as your blood rushed through your veins.

"Y-You too! Don't let the night slip away too quickly," you stammered.

With a nod, Alastor bid you a final farewell, weaving through the dimly lit space towards the exit. 

Yes, he shall see you very soon.

Cher - Louisiana Creole term meaning "darling," "sweetie" or "honey."

[doverstar]

just started watching Wednesday and am I the only one who wants her to get romantically involved with any dude besides the manbun guy

[mariasont]

My Boss Won't Be Happy About This - A.H

a/n: back to bimbo brain rot!!!! inspired by the first season that one episode (you know the one) where hotch is all macho man with elle in jamaica

masterlist

₊˚ ✩°｡⋆♡ ⋆˙⟡♡ ⋆˙⟡♡⋆｡°✩˚₊‧

pairings: aaron hotchner x bimbo!assistant!reader

summary: you’re wrongfully arrested and hotch is not happy about it

warnings: creepy officer, inaccuracies of how law enforcement works, hotch being sexy

wc: 1.3k

"Listen I'm not the type of girl to tell someone how to do their job, but I just don't think you're doing it right."

You were speaking to an empty room, or at least, you were speaking to the mirror in front of you. It's the kind of mirror you had seen in countless interrogation scenes, the kind you usually image Hotch standing behind. You let your gaze linger, wondering if eyes are studying you from the other side, listening to your monologue.

"Well, that, and I also just don't think it's very nice." Your brand spanking new heels were tapping against the dirty floor. 

You weren't happy about that. You weren't happy about any of this. Your feet ache, but the fear of the germs lurking on the floor paralyzes any thoughts of relief by removing your shoes.

"And hey, shouldn't I get a phone call? That's a rule, I think," you mumble, lips turning downward in an unusual frown. It seems like the right time for it. "My boss is not going to take this well. I mean, he's got this look, you know? The kind that makes you want to apologize for things you didn't even do."

You conjured up his daunting expression and released a jittery laugh, all while striving to disregard the biting cold blasting from the AC vent, which seemed determine to freeze you into place. 

You were seriously out of your element, not just in surroundings but in dress--so form-fitting it left very little to the imagination. It seemed to be a good idea for a date. That was before you realized said date would be a complete disaster. Now, it felt like a trap. It had been a spectacle for a man unworthy of the effort, and as you sat in this rigid chair, you found yourself tugging at the hem every other moment, a futile attempt to preserve some semblance of modesty.

"So, when he hears about this little error... Well, let's just say I wouldn't want to be in your shoes." Six hours had passed in this dreary space, and you could feel your sanity fraying at the edges. You muttered, half to yourself, "Not that they're as cute as mine, but you get the point."

The door hinge's creak made you sit bolt upright, a silent supplication for Hotch's rescue echoing through your mind. But today, it seemed, the gods were indifferent. The officer who had arrested you stepped in.

"Having fun talking to yourself?"

You flashed your sweetest smile. "Oh, tons! But I'd have much more fun if you'd uncuff me."

He said nothing, folding his arms over his chest as he dragged his gaze up and down your body in a way that made your skin prickle in discomfort. You attempted to dispel the creeping dread, but it stubbornly lingered.

You did what you could to cover up, despite the awkward angle of your arms. "Listen, this is all just a big mistake. I work for the FBI," you insisted, though it was clear the officer's attention was fixated on your tits rather than your words. "Well, I mean, I'm an assistant for the unit chief of the BAU unit. You've heard of Aaron Hotchner, haven't you?"

The officer's mouth closed without a word, as the door was thrust open yet again, and this time, your heart leapt in recognition. Your knight in shining armor with a lethal expression.

His eyes instantly zeroed in on the officer with a look that could curdle blood, and you couldn't help but feel a sense of relief that you weren't the object of his anger. He approached you wordlessly, his every motion precise and determined.

He carefully shed his jacket, a gesture he seldom made, and draped it across your shoulders. The fleeting caress of his hand against your skin was enough to make you lean into his touch. You let out a breath that you had been unconsciously holding back. 

You watched as Hotch turned, his voice a low, steady force, his words carefully chosen and tinged with an unsettling peace. "Officer," he began, the title spoken almost as warning. "I believe there has been a grave misunderstanding. This woman is not only an esteemed member of the FBI, but she is also under my direct supervision."

He stepped closer, encroaching on the officer's personal space. You watched, almost in slow motion, as the officer's expression morphed into one of sheer terror, his earlier confidence dissolving like sugar in hot tea.

"Six hours," he continued, his voice never rising yet somehow it took up all the space in the confined room. "Six hours of unwarranted detention, without due process. I expect her immediate release. And make no mistake, this lapse in judgment will have its ramifications."

The officer was mute, his fingers clumsily unlocking the handcuffs, his movements hurried, his hands trembling. A twinge of pity flickered within you, but it was quickly overshadowed by the memory of considering the table as a makeshift blanket.

The moment the metal clicked open; you wasted no time. You flung your arms around Hotch, the pent relief and biting chill of the past few hours pouring out of you. You were desperate for warmth, specifically his warmth.

He stiffened, caught off guard by your actions. You feel the anger radiating through him, practically pulsing through his skin. As you clung to him, you felt the draft on your legs as your dress slid up, and without missing a beat Hotch's hand discreetly adjusted the fabric, all while keeping his eyes locked on the officer, a silent warning in his gaze.

Once he was certain you were decently covered, he allowed himself to draw him into his arms. One arm secured around your waist, the other weaving through your hair. You were cold. It renewed another tide of rage through his bloodstream.

With the officer's departure, the room's oppressive atmosphere lightened a touch, leaving you still latched onto your boss.

"Oh, sir, you wouldn't believe it," you started, his hands tracing up your spine and sparking a trail of goosebumps that had nothing to do with the chill. "They kept asking me about a heist, as if I'd know anything about that! And then they show me this picture, and I mean, sure, she had my hair, but that's about it."

You rambled on, and he let you, the absurdity of the situation pouring out in a stream of consciousness. Hotch's hold on you tightened. You could sense the coiled tension in him, a tempest of anger held a bay.

"And the room, it was so cold! I mean, I'm sure you can tell. My teeth were chattering, and all I could think of was how I'd rather be filing your paperwork or listening to Reid's factoids about the quantum mechanics of coffee beans."

You felt Hotch's breath on your hair as he let out a sigh. 

"I'm just glad you're here now," you whispered, finally allowing yourself to relax in his embrace.

Hotch gave a curt nod, his jaw set. He was itching to confront the officer, to unleash a tirade not meant for your ears. But he was well aware of how much you needed him right now, and that trumped everything in his book.

Hotch took a moment to compose himself before speaking. "This isn't just incompetence; it's negligence. I will have this place reevaluated for its standards, or lack thereof."

You took a step back, hands still resting on his arms, and he maintained his grip on your waist. "I bet this is the last time you'll let me go on a date without a full background check on the guy, huh, sir?"

Hotch's hold on your waist firmed just a fraction. "Maybe it's the last time I let you go on a date, period."

He was only half-joking.

"Not even with you?" You tilted your head to meet his gaze, drawing his jacket closer around you.

Hotch just simply gives you that look, the one that says a thousand words without a sound. He's telling you to tread lightly.

"Alright, I'll be good," you giggle, the tension easing from your shoulders. "Can you take me home now, please?"

He nods, "Yeah, let's get you home."

And then he leads you out, thinking to himself that the next person to take you out will be him, but that's for him to know and you to find out later.

taglist: @hotchhner @khxna

[twinkling-moonlillie]

Lucifer Morningstar Relationship Headcanons!

A/N: I haven't written for Lucifer before, but this man has my heart and soul so I am going to start! Also, feel free to DM or chat! I love talking and meeting new people, and I need more people to simp with over Lucifer.

Warnings: Minors do not interact, these headcanons include both SFW and NSFW

✶ Lucifer is deeply sentimental, never one to shy away from his feelings. When he is in love, it is all consuming and a driving force for him. He would do anything for those he loves.

✶ He is a gentle lover, a tender lover; a foil to Adam, if you will. When he is in love, he takes it slow, gently drowning you in his affections.

✶ A gift giver? Absolutely! Whether it be handcrafted pieces of art that he made himself or buying you stuff that reminded him of you, he revels in the idea of lavishing you with gifts.

✶ If we are to assume that you are with him after Lilith, expect some slow burn. Not only does Lucifer have to live with the consequences of his decision to bestow free will upon humanity, but the woman he (presumably) loved left him. The guilt he fee is massive, so please just be patient with him. Let him open up to you. Don't make him feel like a burden.

✶ Once he does start to fall in love with you, the first thing he will do is take off his wedding ring. He is a little hesitant, but the way you make him feel...it's refreshing and invigorating.

✶ After years of being too afraid to dream, you rekindled his passion. How could he not fall in love with that?

✶ He loves kissing you - forehead kisses, hand kisses, cheek kisses - he will kiss you until his lips turn violet and melt off.

✶ Although he doesn't acknowledge it often, he has a tendency to be a bit possessive. Not that he is controlling, but more so that he wants to show you off. He wants everyone in hell to know that he pulled the most beautiful and kind person to ever grace the universe.

✶ Some days when he has to go to meetings early in the morning (he is the King after all), he will always make sure to wake you up softly so you know when he is leaving...only to kiss you back to sleep.

✶ Going along with his love of craftsmanship, you become his muse. There will be several different versions of you as a duck, an apple, whatever comes to his mind really.

✶ Lucifer as a whole is a bit eccentric and peculiar, but charming nonetheless. There is a reason why he was able to seduce Lilith and Eve.

✶ If you two pursue a relationship further, you must be able to get along with Charlie. Charlie is Lucifer's pride and joy, and if you can't get along...well Lucifer would choose his baby over you.

✶ But that's alright because Charlie is very easy to get along with!

✶ He frequently uses pet names such as sweetie and sweetheart, as well as angel and apple pie.

✶ He always calls you the apple of his eye.

✶ NOW TO GET ON TO THE SPICY STUFF >:)

✶ Take one look at that man and tell me he ISN'T a service top. You can't! It's impossible (/j).

✶ Lucifer is desperate to prove himself, to prove his worth, even if he knows you love him. That's why he loves servicing you; he will spend hours pulling you further and further into pleasure.

✶ We all have seen episode eight, we know that he will spend hours between your thighs until you are an overstimulated mess. He gets off on the idea of you relying on the pleasure he gives you and no one else.

✶ It's a pride thing.

✶ His favorite position to have you in is missionary. He just loves to hold you close as he slowly enters you, being able to see how you writhe and become a moaning mess for him.

✶ He also loves to hold you close from behind and pound you (spoon fucking). That's mostly reserved for morning sex though.

✶ Again, he is a deeply sentimental and loving man so he prefers to make love to you than fuck you. But he definitely could fuck you if he wanted to.

✶ His wings have a tendency to poof out right as he is on the verge of coming. Sometimes he wraps them around you, sheltering you in a heavenly cloud.

✶ He has a daddy kink and a breeding kink. No, I will not take any arguments against this.

✶ He just desperately wants to claim you fully, and what better way to do that if not through breeding your pretty pussy.

✶ But really, this man is desperately in love with you. Please let him love you <3

[asidian]

I've seen a lot of really excellent analysis on Charles' reaction to Edwin's confession, but there's a huge aspect that I haven't seen talked about at all yet. And that is, namely:

Charles Rowland is a people-pleaser.

Doesn't seem like there's a connection there, does it? Have a seat, my friends. Let me break this down.

The show lays the groundwork for this aspect of Charles' personality early. It's one of the very first things we learn about him, in fact. He's kind and agreeable and helpful, and he's always, always smiling. When Crystal insults him, he laughs it off. When Crystal and Edwin fight, he scrambles to diffuse the situation. He calls himself "a good sort of a chap," and it's important to him that he is.

In episode 3, we find out why. At home, love was always conditional for him. He spent his entire life trying to please his father, and he confesses to Crystal that no matter how nice he was, or how good at sports, it was never enough. That's how Charles sees the world. If he can make people happy, he might actually be good enough for them to love him.

Not only didn't he earn his father's affection, he didn't even manage, in his own eyes, to clear the low bar of being good enough to earn the privilege of not being hurt. And his mother, he says, was "quiet." From the flashback we see, she never stepped in for him or defended him. However hard he was trying, it wasn't enough to get her to intervene on his behalf.

So who else does he have? His "friends"? The ones who literally murder him when he steps in to stop them from doing a terrible thing? The act he put on wasn't enough to win them over in the end, either. However friendly he was, however personable, they turned on him and left him for dead.

Then he meets Edwin.

And when he meets Edwin, he's at his absolute lowest. He's not smiling and putting on a show, for once. He's in a corner of an attic cowering while he slowly freezes to death. But here comes Edwin, offering him kindness, and company, and comfort.

All these things that Charles has spent his whole life chasing, trying to be good enough to earn? Edwin just gives them to him.

Of course he stays with this boy. Edwin is there when he's lost in the dark, shining a light to guide the way. Edwin has seen him unsmiling and afraid, not a shred of his usual act in place, and Edwin has offered him kindness anyway.

So they begin their time together. And what are the things Charles will pick up on almost immediately?

Edwin says right away that he's spent ages in hell. He's plainly had an awful time. He doesn't know how to handle people anymore, but Charles, he knows how to be amiable, how to smile, how to offer levity when things get grim.

So he does. He falls back into what he thinks Edwin needs, the way he always tried to be what his father wanted to see. In the very first episode, he tells Crystal, "I try to be extra happy for all of us, don't I? And I do a pretty good job."

He doesn't ever discuss his own trauma because these boys are terrible at communication, but more than that. He doesn't ever bring it up because he's busy being the support he thinks Edwin needs.

And importantly, Charles doesn't have the self-reflection skills to realize that's what he's doing. Crystal clocks him with shocking accuracy, three episodes in. "He's been hiding it from you," she tells Edwin. "Probably been hiding it from himself." She's spot-on here: when Charles doesn't want to examine his own emotions, or can't face them, he shoves them down under a smile and he carries on pretending.

But that's not the only thing Charles will have picked up on from Edwin.

It's blindingly obvious that Edwin is bad at people. He's terribly repressed. He's from a culture in which emotional honesty and physical affection were not valued or encouraged. But more than any of that, Edwin has his sexual awakening during the events of the show. Before then, he is absolutely clueless about his own wants.

So we have a situation where a consummate people-pleaser who has spent his entire life learning that he has to earn affection finds his way into a friendship with the first person who ever saw him with his mask down and gave him kindness anyway.

Of course he stays with this boy. Of course he wants to keep this.

And what's the best way Charles knows to win someone over? Well, by being what he thinks they want.

So, out come the smiles, for Edwin's sake as much as his own. But more importantly, out comes whatever Charles thinks he needs to perform, in order to keep what is the single most important relationship in his entire life and afterlife.

At this point, Edwin has shown zero romantic or sexual interest, not just in Charles, but in anyone at all. He doesn't especially seem inclined to dating, or to romance, or even to physical affection.

So Charles takes his cues from Edwin, and the cues are very firmly, for thirty years: this boy doesn't have a glimmer of interest in him, not that way.

Fast-forward to the events of the show. Fast-forward to a staircase in hell, where they are being chased by a literal demon. Suddenly his best mate, who he has spent thirty years with, who is his most important person in the world, is saying that he's in love with him.

Of course he needs a minute. Of course he has to sort that through. Any feelings he has for Edwin are things that he has spent literal decades firmly ignoring in the scramble to try and earn affection by being what he thinks Edwin needs him to be.

Because Charles is a people-pleaser at heart. And he may be dreadful at self-reflection, but he is aces at hiding things from himself.

[llycaons]

im so mad that I can't find my post about how none of the wheely time protagonists (OR antagonists) seem to have genuine relationships with each other or truly care about each other or are even friends because apparently that dissonance translated into the show as well. see this excerpt from the vulture's episode three review

No sooner are our heroes split up in that shadow city in the last episode than they wind up in three completely different landscapes, facing completely different threats and encountering completely different allies. What it lacks in recognizable human emotions and drives, it makes up for — or tries to, anyway — in sheer storytelling scope. Will this ploy be successful? Only (the Wheel of) time will tell.

this is so funny. even the vastly modified adaptation couldn't save this story from it's atrocious character relationship writing. and this isn't even the only review to say 'the dynamics between these characters make no sense and this isn't how people act" it's just the only one I could remember

[autumnmobile12]

7 Ways to Introduce the Villain.

1. The Shadow

A lot of series go with the classic 'ominous shadowy figure in the background.' Here's Silco in Arcane. Sinister voice, sinister dude, sinister intent. Boom, you have your villain.

2. The Slow Reveal

Other variations of the 'shadowy figure' in which the series draws out the reveal of the villain. Avatar: The Last Airbender doesn't reveal the Firelord until the final season, but his presence is felt throughout the series. He's always this looming threat whose will is carried out by his underlings. (General Zhao, Azula, etc.)

3. The Fabulous Entrance!

Okay, so we do hear Ragyo on the phone a couple times before they actually show her face, but goddamn, this entrance. It is impressive and terrifying and, it perfectly suits the utter psycho that she is.

There is no normal expression this woman makes when she's 'happy.' She's always smug or angry or annoyed, but this face with her staring, manic eyes and smile still haunts me. Send help.

4. The Sudden Entrance

Shigaraki kinda comes out of nowhere in My Hero Academia. For the first few episodes, its all lighthearted and fun and dealing with Bakugo's BS and then the class heads off on a field trip and suddenly,

"Oh, shit! Plot is happening!"

This series started off with kids learning to be heroes, and now its tragedy and social upheaval and people's lives are in danger.

5. The Incognito Entrance

This is when some random nonthreatening dude/lady just kinda sidles into the plot the be the butt of a joke and later turns out to have been one of the villains.

This scene was so weird. Tyki is just minding his own business, scamming people at cards. Then Allen and Lavi show up looking for their friend (the guy currently being scammed), and even though he recognizes them as exorcists and his enemies, Tyki has to sit there and play it off like he doesn't know jack cause if he does anything, he's gonna blow his cover in front of his human buddies. And then he suffers the indignation of being stripped in a poker game in broad daylight because the main protagonist is absolutely evil with a card deck. And then he just walks away from this like it's a totally normal thing, not even really taking vengeance for it. (He went after Allen, sure, but that was more of a job than any personal vendetta.) He's not the main villain, but I couldn't resist pointing out how bizarre this is.

For those who haven't seen D. Gray Man, the guy in the center is one of the main antagonists, and though this is technically the second time you see him, the first encounter was so short it was practically a cameo and he was a Victorian-era, Dorian Gray dandy gentleman, not this hobo riding a train.

6. The Traitor

Since the Undertaker was more of a neutral party in Black Butler, I don't think he really counts as a traitor. Still, I don't think too many of us were suspecting the morbid jokester Grim Reaper was going to turn out to be a major antagonist later on.

7. The Protagonist

And sometimes the protagonist is the villain!

[yoongiseesawmp3]

anything but - jeonghan

summary: roommate!jeonghan. you thought living with your best friend, jeonghan, would be easy. fun. like a sleepover every night. but as he watches you struggle week in and week out with crushes that don't like you back or dates that never seem to go well, he decides to take matters into his own hands.

word count: 8.2k

warnings: none rly, afab reader, unedited, sry

masterlist

jeonghan is ready to go to sleep. he had a long day, followed by a good, but tiring, night with friends, and he's been thinking about his soft sheets for the past two hours now. he's also been thinking about you, thinking about how happy he gets seeing your face light up when he walks through the door, but he knows he won't see that tonight. you're going on a date, dinner with some loser who's not him. he knows he could treat you so much better, but he can't just say that. things would get weird, and jeonghan can't afford the rent on his own. so selfishly, he keeps you and his feelings at arm's length. he's still thinking about you as he puts his key in the lock, wondering if he can stay up late enough to make sure you get home safe. when he opens the door, he changes his mind.

"what are you doing here?" jeonghan asks with a bit of anger in his voice, finding you laid out on the couch scrolling through your phone. "you told me you were going on a date tonight. did you cancel on him?"

"nope," you reply, popping the p as you sit up to stare at your roommate. "he cancelled on me. ten minutes before he was supposed to pick me up, actually, so i got ready for nothing."

that's when jeonghan notices the nice clothes you have on, your hair done up but mussed now that you've been laying on it. and, with a pang in his chest, he notices your makeup that looks smudged with tears. he knows you've been having dating trouble lately, and it's definitely been getting to you. but it makes his heart ache to think that you've been home all night crying over some loser who couldn't even bother to take you out.

"why didn't you call me?" he asks softly, joining you on the couch as he lifts your legs to lay them over his lap. he keeps a comforting hand on your calf as you explain, a slight tremor in your bottom lip as you say, "i didn't want to interrupt boy's night."

"baby, come on," he sighs. "you should have told me. you could've come to boy's night!"

"right," you scoff, rolling your eyes. "and hear all of them talk about their beautiful girlfriends and being so happy in a relationship? i'd rather eat drywall."

"we talk about other stuff," jeonghan laughs. "i told them about you getting us tickets to that soccer game and now i think they like you better than me. mingyu might be calling to see if he can take my ticket."

"never," you smile at him, sitting up and swinging your legs from his lap. "well, it's late. you're probably tired."

"eh," jeonghan shrugs, looking over you carefully to gauge if you're upset. "i could stay up a little longer, if you wanted to watch something."

"we're caught up on all our shows though," you pout. jeonghan sees an idea cross your face, so he asks, "what are you thinking?"

"nothing," you shake your head. "i remembered i didn't watch project runway last week, but you don't like that show-"

"put it on," he nods to the tv, looking over you one more time and noticing your clothes must not be that comfortable. "or you go change, i'll set it up."

"you don't know what episode i'm on though," you squint at him, and he shakes his head.

"nope, you're two weeks behind," he says. "i remember, because we went out the week before and you were ticked off that you were missing it."

"you pay too much attention to me," you mumble as you finally get up from the couch, jeonghan barely hearing you as he checks you out from behind. you're right, he does. too bad you haven't realized why.

when you come back from your room, you're wearing a hoodie that's seen better days and shorts that aren't quite doing their job. jeonghan clears his throat, trying not to stare, but when you sit down and put your legs back over his lap he can't help but skirt his hand over your skin, getting too close to your thigh without realizing.

"that tickles," you giggle, pushing his hand away. "you're annoying."

"ha, sorry," he laughs nervously, not sure what to do with his hands now so he reaches for the remote to press play. not far into the episode you curl up on your side of the couch, your knees tucked up beneath you as you lay down. jeonghan keeps an eye on you the whole time, attune to all your reactions and movements. he notices when you shiver, up in an instant to get a blanket.

"where are you going?" you call out, and he comes back wordlessly with the comforter from his room. he wraps it over you, using the rest of it to cover himself as he gets comfortable again. you find yourself dozing off, waking up every few minutes to see the progress on your favorite designers. you sleep through a whole section of the show, whining that you need to rewind, but jeonghan quietly explains what's happened and you're satisfied enough.

"do you want me to turn this off?" jeonghan asks after he sees your eyes closed again after you just complained about missing part of the show. you shake your head, not much of it visible outside of his blanket. you're noticing how nice his blanket smells, recognizing it as the same fresh scent that follows jeonghan around. it makes you feel at home, and that's part of what's making you so sleepy.

"i don't wanna go to my room," you admit shyly, feeling the tears from earlier just a moment or two away. "i'll stay awake, promise."

"do you want to sleep out here?" jeonghan asks, and you think about it for a moment. it wouldn't be the first time you had a little sleepover of sorts, both of you squished awkwardly on the couch or sleeping far apart from each other on someone's mattress that's been dragged out from one of your rooms. your silence decides it for jeonghan, and he says, "i'll go change, and then we can go to sleep." all you do is nod, getting comfortable beneath his comforter again as jeonghan slinks back to his bedroom to get ready for bed.

he comes back out and laughs to himself, your messy hair and scrunched sleepy face pulling at his heart. he knows someday he should tell you how he feels. he knows what you're looking for, and he knows he's perfect for you. it's just a matter of time before you figure that out, too.

-

a few days later, jeonghan was in the middle of a nap when he heard mumbling in the hallway and the sound of someone slamming doors. he was worried for only a few minutes, thinking it could possibly be an intruder, but as the mumbling gets closer to his door he knows there's a very frustrated y/n on the other side. he groans as he hoists himself up, shuffling to the door so he can peek out at you putting laundry away in the most irritated way possible. it's like you're trying to punish the towels for existing, and jeonghan can't help but laugh at the annoyed look on your face. it's cute, he finds himself thinking, but his chuckle pulls you from your dark thoughts and brings your anger to a new victim.

"what."

"nothing," jeonghan says defensively. "i thought someone was breaking in, you know, with all the banging around."

"shut up," you mumble, shoving the washcloths into the hall closet before slamming the door. you turn to your best friend and roommate, finger pointed accusingly, "i'm in a bad mood so don't piss me off."

"that explains the stress cleaning," he notes, and you ignore him.

"i'm going downstairs to put the dishes away," you grumble as you pass by him to get to the stairs, and he puts a timid hand on your shoulder.

"maybe do something that involves less breakables," he says coolly. "go punch a pillow or something."

"that's a good idea," you say, face lighting up slightly, and he laughs nervously as he finally asks what's wrong. "you remember that bitch of a dude who i was talking to a couple weeks ago?"

"gar bear?" jeonghan asks, and you roll your eyes.

"gary, yeah."

"what about him?" he asks, watching you unlock your phone and scroll to find something. you shove it into his hands, open to a very disturbing picture of a very ugly dick. "no."

"yeah. at three pm on a fucking thursday."

"stop making me look at it," he whines, pushing your phone back to you. "that's what made you mad?"

"yes!" you shout. "how did that thought process work? oh, this girl who i led on and then gaslit and then weirded out, she really needs to see my dick right now. it's the middle of the day! get a job! contribute to society!!!"

"why's he posing like that?" jeonghan asks, noticing more about the photo since you haven't locked your phone yet. "he looks so stiff."

"please stop," you say, but jeonghan sees a smile pulling at your lips.

"so what did you do?"

"i said 'what is your problem' and then i blocked him," you shrug, and he laughs.

"remind me to never piss you off," he says as he wraps an arm around you. "i'm sorry guys are assholes."

"i think i'm gonna become a nun," you mumble into his shoulder, staying in his hold maybe a minute too long. he presses a quick kiss to the crown of your head before letting you go, a blush on your cheeks that he takes pride in.

"you'd suck at being a nun, you're not nice enough," he jokes, and the way you glare at him makes him smile. "plus you fuck too much, aren't they supposed to be celibate?"

"forget punching pillows, i'm gonna punch you."

"sure baby," he chuckles, looking back at you as he walks downstairs. "you want food or something? i'll do the dishes. you just focus on not burning down the patriarchy."

"no promises," you mumble as you follow behind him. "but yeah, i wanna try this recipe i found the other day..."

it's over dinner that night that you realize how perfect jeonghan is. if only you could find a guy just like your best friend. someone who supports you, makes you smile, know how to get your heart to skip a beat. take, for example, his compliments. you like to joke to jeonghan that you need validation on your cooking, like tinkerbell, so whenever you cook for him the praises are nonstop. he's nothing if not supportive, so he tries to find things to comment on that he knows will make you blush. it works, and you do your best to tell him to stop without making it obvious that your heart is doing somersaults at his words.

this is what you want from a relationship, you find yourself thinking. you want to be comfortable with them, feel supported, all the things that jeonghan gives you. that night, you scroll through your dating apps, looking for a guy you think could meet those standards. in reality, you spend the whole night comparing the men on your screen to your roommate, subconsciously thinking of all the things you like most about jeonghan that these losers don't possess. you fall asleep like that, phone open to an empty chat, with jeonghan still on your mind.

-

so, a downside to living with jeonghan is you get the brunt end of all his weird energy. sometimes it's fun, and manifests itself in silly ways. like when you go thrifting, he takes it upon himself to find the weirdest thing in the store and insists on bringing it home. it means your apartment is decorated uniquely, but some of the stranger things you make him keep in his room. you haven't figured out yet that he only does this to make you laugh, loving how you smile sweetly at all the funny trinkets littered around your house. anything that goes into his room is eventually donated back to goodwill, its purpose served, doomed to delight another unassuming shopper some day.

other times, his weird energy comes out in worse ways. like today, he's not home, but you can feel that something's wrong. you know jeonghan is helping his friends with some video shoot, and he won't be home until much later. but there's a vibe in your apartment when you walk in. something is off, and it doesn't take you long to realize it. jeonghan has moved everything around, the couch where your kitchen table should be, the chairs from the table lined up in place of your couch. he's a strange one, your best friend, but it makes you laugh nonetheless, sending him a picture of the chairs and asking, "how am i supposed to fall asleep watching tv on this?!"

jeonghan smiles when he gets your text, shooting back, "watch tv in your room if you know you're just gonna fall asleep!"

really, he did the switcharoo for you to let your guard down. yes, moving furniture around is something silly that he would do, but he hid something further in the house that he wants you to find. he's hoping he'll be home when you do, but just the mere thought of your reaction has him chuckling. he goes back to whatever vernon wanted him to do, curious at each buzz from his phone, wondering if it's you.

jeonghan got the best of you, like usual. you did just go to your room, putting on one of your comfort shows so you could relax after a boring shift at work. you only get up to make a quick meal, dozing off again with the empty plate beside you. when the tv wakes you up you figure it's just time for you to go to bed, so you shuffle to the kitchen and notice a light coming from under jeonghan's door. he must have come home while you were napping, but it's late, so you go about your business. you drop your things off in the kitchen, returning upstairs to grab a washcloth and towel from the closet before you lock yourself in the bathroom. jeonghan is listening intently as you move around, waiting for the sound of the shower curtain pulling back and-

"JEONGHAN?!"

with sock clad feet that send him crashing through the now open bathroom door, he greets you with a shit eating grin. "you rang?"

"what the FUCK is that doing in here," you bellow, pointing at the plastic skeleton jeonghan found at the party store earlier that day. he thought it would be funny to hide in the apartment, at first just thinking about propping it up in the kitchen like the dead guy was making a meal, but the idea of scaring you a little was too good for him to pass up.

"man, when was the last time you cleaned your bathroom?" jeonghan jokes, "he must've been in here a while."

"fuck you," you spit, heart still racing from the surprise. that's when jeonghan notices something: you're naked. well, not entirely. like, you definitely don't have clothes on, his eyes flicking down to see your discarded panties and sleep shirt on the floor. he can't see the goods though because you're dangerously holding a towel over your body, one edge of it slipping as you reach out to try and punch jeonghan.

"what, you don't like him?" jeonghan pouts, stepping out of the bathroom to protect himself. "i thought you said you wanted to start decorating for halloween."

"this is not what i meant and you know it, you jackass," you try to say meanly, but jeonghan finds it cute. "it scared the shit out of me."

"i'm sorry," he says finally, hands twitching to reach out and grab you by the waist so he can rub comforting circles on your skin. but he can't. he physically shakes his hands out, a thing he does often enough to reset his mind that you look at him quizzically.

"why'd you do that?" you ask, and he clasps his hands behind his back defensively.

"felt like it," he shrugs. you roll your eyes and reach for the door, grumbling more expletives at him as you try to shut it in his face. "um, y/n?"

"what."

"you gonna shower with him?" jeonghan asks, pointing to your new friend. "i gotta admit, i'm a little jealous-"

"oh my god," you groan, grabbing the skeleton and throwing it at jeonghan with a comical clangor of plastic bones. "i hate you."

"love you too baby," jeonghan laughs as he closes the door for you, hefting the skeleton over his shoulder to go hide him in another corner of the house.

-

a few days later (jeonghan has hid the skeleton twice now), you come home from a date, dopey smile still on your face. you gasp when you see a body on the couch, thinking it's that stupid skeleton again. you breathe a sigh of relief when you realize it's a snoozing jeonghan instead. he looks angelic, his soft features shining brightly even in the dark room, illuminated by the tv. you don't realize that you're staring, nor do you realize jeonghan is peeking at you, the sound of the door waking him up.

"hey," he calls quietly, startling you. "sorry. i can go back to sleep and you can keep staring."

"i wasn't staring," you say defensively.

"sure," jeonghan nods, checking you out. "you look nice."

"who's staring now?" you ask as you cross to the kitchen. "i went out to dinner, but the portions were too small. do you want something to eat?"

"no, i'm good!" jeonghan calls. "was it a fancy place?"

"what?" you ask, coming back into the living room with a bag of chips. "i couldn't hear you."

"where you ate," he clarifies. "you dressed up, the servings were small, must have been a fancy place this guy took you to."

"how'd you know i was on a date?" you pout.

"y/n, i know you better than anyone else," jeonghan chuckles. "it was obvious. how'd it go?"

"good," you nod, ears burning under jeonghan's close attention. "don't wanna jinx it though."

"ok," jeonghan nods. "well i'm glad it was a good date. you deserve one of those."

"how was your night?" you ask. jeonghan shifts on the couch so there's room for you to sit and join him. once you're settled he explains how his friend seungcheol had come over for drinks, but he left a little while ago.

"i think he's got a girlfriend and doesn't want to tell me," jeonghan says, "because he feels bad that i'm not seeing anybody."

"you want me to find you a lady?" you tease. "you know my friends love you, i'm sure it'd be easy.''

"no," he shakes his head so some of his hair falls in his eyes. it makes it easier for him to stare at you without you noticing. "i'm good."

"well, it's a standing offer," you say as you get up to return the chips to the pantry. when you walk back through the living room, you ask, "where's jack tonight? i'm about to shower, i don't want another heart attack."

"i put the skeleton in your bed," jeonghan smiles with an impish glint in his eyes. "i figured it would be a nice surprise for the poor sap you might have brought home."

"you're annoying."

"thanks!" jeonghan chirps, and you laugh before telling him goodnight. he watches you go, smiling at something on your phone. jeonghan feels a pang in his chest ever so slightly, but he shakes it off, turning the tv off before he goes back to sleep trying not to think about you.

-

the following week, you're acting off. jeonghan notices immediately, but he doesn't bring it up to you at first. he's not sure if maybe work is stressing you, or maybe you've got family stuff going on...whatever it is, he'll give it a day or two before he checks on you, knowing how you like having time to yourself before someone swoops in to help.

the reality is, you really like this guy you've been talking to. that first date was amazing, and you wanted to go out with him again as soon as possible. you talk all the time, always ducking into your room when he calls while you're around jeonghan. you're actually ignoring jeonghan a lot, which you feel bad about, but you just can't get enough of this new guy. even though you're talking a lot, it's hard to set up another date with him because you're both busy with work. you've got plans to hang out on sunday, and for the first time in a long time, you're excited for a date. not nervous, not dreading it, just pure schoolgirl crush excitement.

that's why it's so crushing when, a few hours before, the guy texts you and cancels. you play it off at first, asking when he's free to reschedule, but his response is basically telling you to get lost. it hurts your feelings more than it should, because he is just some loser dude, but you also didn't know him that long. you have no reason to be so devastated over this, but you are.

jeonghan knew about your second date with this guy, so he made plans to be out of the house for as long as possible on sunday. as selfish as it was, he didn't want to be there for the giddy getting ready (you always ask him for outfit advice and he always tells you that you look great) or for the nervous pacing while you waited for the guy to pick you up (jeonghan always distracts you with jokes to calm your nerves). he also didn't want to be there after the date, if you happened to bring the lucky guy home. so he's out running errands, bothering his friends, and killing time until he's sure he won't walk in on anything he doesn't want to see.

when jeonghan gets home, it's late. after his day of farting around he went to his friend wonwoo's apartment for a while to heckle him while he played video games, and wonwoo finally kicked him out.

"don't you need to go home to your girlfriend?" wonwoo had teased, and jeonghan kicked him from his spot on the couch.

"y/n's my best friend and my roommate."

"so basically your girlfriend," wonwoo smiles that little smile of his, and it annoys jeonghan.

"she doesn't think of it like that," jeonghan mumbles, looking for his phone so he can head home anyway.

"because you're being too subtle."

"i'm not trying to be anything!" jeonghan says defensively. "i don't want her to know."

"why not?" wonwoo asks, finally turning to look at his friend. "you afraid she'll say no? because we all think-"

"i'll see you later, ok?" jeonghan says quickly, his shoes barely on as he tries to unlock the door. "hope cheol doesn't kill you again."

"in his dreams," wonwoo mumbles, his attention effectively back on the game and off of jeonghan.

jeonghan comes home to a mostly dark apartment, the stove light in the kitchen the only indication that you got home before him. he stops at the door to make sure there's no...unpleasant sounds coming from elsewhere, and when he's met with silence he kicks his shoes off carefully before heading to his room. he's exhausted, hiding from you all day being a good way to wear a person out. when he passes by your room something catches his ear, and his heart stops. were you moaning?

jeonghan knows he shouldn't, but he presses his ear against your door, telling himself he's only doing this so he can decide if he needs to stay somewhere else tonight. he's waiting to hear another voice, a man's voice, but he's met with a quiet whimper, followed by some sniffles. his heart roars back to life hearing that, almost breaking to pieces when he realizes you're not moaning, you're in your room crying. he's opening the door before he knows what he's doing, and you jump out of your skin at the unwelcome intrusion.

"go away," you whisper. jeonghan ignores you, coming to your bedside and looking down at you with concern in his eyes. "jeonghan, please. go away-"

"why are you crying?" he asks, and you don't say anything. "what did that asshole do?"

"nothing," you sniff again, willing your tears to stay back as you try to appease your roommate long enough for him to decide you're fine and leave you alone. "h-he was bu-busy and had to cancel-"

"fuck him."

"yeah, whatever," you say shakily. "it doesn't matter. i'm fine. now leave. please." your eyes are closed, trying to hide the tears that are welling up, and jeonghan is so quiet you assume he left, but he's trying not to let his own emotions show as he calls your name.

"y/n," jeonghan whispers, and when you look up at him you can't help it. you start crying again seeing him so upset over you being so upset, and before long you're back to bawling your eyes out. you barely register jeonghan cooing softly at you, climbing into bed and scooping you up into his arms. his lips are pressing soft kisses up and down your hairline, and it makes you cry even more. this is what you want, you think. this is what you need, what you've been missing. you want a boyfriend that will care for you like jeonghan does, that will be there for you like jeonghan is. it physically hurts you to think that you may never have that, that there's a possibility you'll never feel that kind of romantic love from someone. and you want to say that, you want to tell jeonghan why he came home to you pathetically crying so much, but he doesn't care. he just wants you to stop, so he'll hold you in his arms whispering sweet jokes to you until there's no more tears. he gets the slightest smile out of you right before you doze off, hands bunched into his shirt holding on for dear life. jeonghan holds you tighter, pressing one last kiss to the tip of your snotty nose before he drifts off to sleep with you.

-

you wake up later, not quite in the morning, but a few hours have passed. you're not used to sharing a bed with someone, especially when that person has such a vice grip on you as jeonghan does. once your mind has registered that you're awake, you also feel the burn of someone's eyes on you. sure enough, when you peek into the darkness of your room you see jeonghan staring back, eyebrows creased and teeth nibbling his bottom lip.

"stop chewing your lip," you tell him, reaching out to tug it from between his teeth. "i'm fine. you don't need to worry about me."

"wrong," he replies, watching you intensely as he brushes a strand of hair behind your ear. the quiet that follows has your face heating up, and the heat spreads through the rest of your body. it feels like every point where jeonghan's body is pressed against yours is on fire, and you want to pull away. but you don't.

"why aren't you in your room."

"because i wanted to sleep here," he replies. "i hope that's ok."

"it's not-"

"bummer," jeonghan cuts you off. "i'm not leaving."

"i'm not crying anymore though," you point out. "so. i'm fine."

"nope," he shakes his head. his bangs fall back into his eyes, and you think briefly he must need a haircut, but you hope he doesn't get one. the long hair suits him, even if it keeps him from seeing sometimes. you don't think about it, your hand unclenching his shirt and instead reaching up to brush his hair out of his face. jeonghan watches you carefully, and your breath gets caught in your throat when you look back down to his eyes. he's staring at you so intensely you can feel it in your chest, and that's when it hits you: jeonghan. you want a boyfriend like jeonghan. well! jeonghan's right here! what are you gonna do about it?

"jeonghan, i..." you trail off, staring at him like you're seeing him in a new light. he waits patiently for you to go on, thinking you might explain the situation a little more, but you don't know what to say. you just get hit with the intense need to bury your face in his chest, breathing in his scent and listening to his heartbeat as you fall back asleep.

"what?" he asks, trying to encourage you to keep speaking.

"um, can i just-" you try, but instead of speaking you just nuzzle into his chest, nose at the base of his neck tickling his skin. "i want to go back to sleep."

"then sleep baby," he whispers as he squeezes you tighter, afraid to let go. as you fall asleep, you let your hands relax against his chest, one of them laid right over his racing heart.

-

the next morning, you wake up to an empty bed and almost convince yourself you dreamed up jeonghan last night. like an oasis in the desert, he came to you when you needed him most. a little part of you wishes it wasn't real so you could go back to a time where you didn't know your true feelings for jeonghan, but your mussed sheets proves it wasn't a dream. jeonghan's scent is still lingering on your extra pillow, and you take a deep breath and remember how it felt to be wrapped up in your best friend.

jeonghan comes back into your room with two coffees in hand and he sees you nuzzling your face into the spot where his head laid just minutes ago. he lets you wallow for a moment before he calls your name softly. you jump up, cheeks warming as you look at jeonghan in your doorway.

"morning," he smiles. he hands you your coffee, your cold hands brushing his and sparking warmth across his skin. he stops himself from leaning down to kiss your forehead, knowing that whatever intimacy you shared last night is probably left in the past. you were sad, and jeonghan was there to comfort you. he'd happily do that a million times over, but he doesn't think you feel the same way he does.

"jeonghan, i'm sorry about last night," you try to apologize, but he shakes his head.

"don't," he stops you. "i would do it again if you needed it."

"well if you find me crying over some loser again tonight you have full permission to slap me," you tell him. "one night was enough."

"noted," he laughs, awkwardly standing in your room, unsure if he can get back into bed with you. you pick up on the way his eyes keep flitting from you to his spot, and you pat the empty space so he'll sit down.

"stop being weird," you say, bumping shoulders with him once he's comfortably next to you again. "so how'd you sleep?"

"pretty good," he starts out, "but there was this really annyoing sound coming from your side of the bed?"

"oh you mean me crying?"

"no, like this really loud, obnoxious snoring, kinda like-" jeonghan starts demonstrating, sending you into a fit of giggles and a pushing match to get him to stop.

"i think that was you!" you shriek, carefully trying not to spill your coffee. "don't spill that in my bed, i'll kill you."

"and then who are you gonna cuddle at night?" jeonghan asks, regretting it when he feels the tension between you both.

"i could always cuddle with jack," you joke to break the awkwardness, and jeonghan rolls his eyes.

"i hate that you named the skeleton."

"the skeleton is a guest in our home," you tease him. "show him some respect."

"whatever, freak," he says before downing the rest of his coffee. he gets an idea then, turning to you to ask, "what are you doing today?"

"um, nothing except work," you reply. "but you know my job is barely real so i'm basically doing nothing."

"let's go get coffee," jeonghan says, a playful look in his eyes.

"we just had coffee," you point out.

"no, no, we'll get good coffee, you can do some work, i'll watch you do some work, it'll be great," he insists, getting up and pulling you out of bed with him.

"if you're still trying to cheer me up i swear i'm fine," you say through your laughter, pressing back against jeonghan trying to push you toward your closet. "you don't need to take me for coffee or do anything else to make me feel better. i'm fine now."

"glad to hear it," he smiles softly, squeezing your hand that's clasped firmly in his. "but i still want to get coffee, so get dressed or everyone at the cafe will see you in that god forsaken t shirt."

the t shirt in question is one that jeonghan found for you during one of your goodwill visits. for whatever reason, it says 'i shaved my balls for this' and it got the biggest laugh from you all night, so jeonghan had to bring it home. despite being awful colors (light blue paired with neon yellow) it's actually quite comfortable, and you love the way it makes jeonghan laugh every time you wear it. it's unironically become your favorite sleep shirt, but you are mortified at the thought of anyone aside from your best friend seeing you in it. you quickly change, grabbing your work laptop from your desk before you head into the living room to find jeonghan waiting for you.

it's not unusual for him to take you out on random adventures, but this one feels different. he stays closer to you than normal, insists on buying your drink, and you catch him actually watching you work.

"get a hobby," you mumble, looking down at your laptop so he hopefully won't see your blushing cheeks.

"this is my hobby," he says. "i'm hanging out with my favorite person."

"seungcheol's going to be very sad to hear he's been demoted," you tease.

"he knows where he stands," jeonghan says, still watching you intently. you can't take it anymore, staring back at him.

"seriously, pretend to read or something! you're distracting me."

"i'm distracting you?" he smiles. "why? i'm not doing anything."

"i'm sending this email and then we're leaving," you say, and he shrugs.

"if you want, baby."

baby. it hits you harder this time, jeonghan's silly little nickname for you. you thought it started off as a sarcastic thing, but recently you feel like it sounds sweeter and sweeter coming from his lips. after last night, it makes your heart skip a beat, and that's when it hits you: are you on a date with jeonghan right now?!

"wait. waitwaitwait. hold on," you say, pointing at jeonghan and then yourself. "is this a date? are we on a date?"

"what? no baby," he shakes his head, and now you're confused. "no, if we were on a date you'd know."

"what's that supposed to mean?" you squeak out.

"do you want us to be on a date right now?" jeonghan counters, and you know your blushing cheeks have you in trouble. "you do?"

"i-i don't know-"

"hm, you wanna go on a date with me," jeonghan says matter of factly. "well, that's good to know."

"what are you doing?" you ask as he starts cleaning up his space.

"oh i need to go back to the apartment," he says. "gotta get my laptop so i can start planning a date that's worthy of you. i'll see you at home?"

"jeonghan, what?" you're left sputtering as he heads to the door, not looking back even though he knows your staring. he's afraid you'll see the excited/nervous shake in his hands, so he needs to go cool off. well, that and plan the best date of your entire life. he's got a lot of ground to cover. thankfully, the idiots you usually grace your time with have set the bar pretty low. jeonghan is determined to bring it higher, so high in fact that you won't be able to go on another first date without comparing it to his. if things go right though, maybe you won't have to go on a first date ever again.

-

jeonghan left the coffeeshop before you, so it would make sense if he was at the apartment when you got back, right? wrong. you come home about an hour later to an empty home, no sign of jeonghan. you think that's fine, it gives you a chance to actually get some work done. but jeonghan being mia has you a little nervous. what's he doing? he said he was going to plan a date. for you. and him. you and jeonghan...on a date? that's crazy.

you've done a good job ignoring that whole concept, trying to get ahead on a project you need to present later this week. you're so hyperfocused that the whole day goes by before you realize it, and when you finally emerge from your room you really expect to find jeonghan in the living room. he's still gone, so you decide to text him, asking casually if he would be home for dinner. the domesticity isn't lost on you, and it makes jeonghan smile when he gets it. he decides to call instead of texting back, balancing his phone against his shoulder and his cheek once you pick up.

"you miss me or something?" he asks, and you can hear the smile in his voice.

"i was just curious," you reply nonchalantly. "you've been missing all day."

"i've been busy."

"oh ok."

"i'll be home soon though," he tells you. "don't make dinner, just make sure you're dressed in an hour."

"for what?"

"a surprise."

"i need more information and you know that," you scoff, and you hear jeonghan chuckle.

"dress nice, but not fancy. and wear something blue so we'll match," he explains, and you feel your cheeks warm. "i gotta go, but i'll see you soon, baby."

hearing that coming from jeonghan now makes your heart skip a beat, and it makes you wonder if you've always felt like this and you just didn't notice. you keep thinking about him as you get ready, steaming out a dress you were planning to wear on a date that didn't happen. it's a soft blue with long sleeves and a low tie in the front. you worry for a moment that it might be too revealing, but checking the time rushes you into action. you're almost ready when there's a knock at the front door, which you ignore. there's another knock, this time louder, so you grumble your way to the living room to peek through the peephole. you gasp when you see what's on the other side.

you throw the door open, revealing a visibly nervous jeonghan with a bouquet of flowers in his hands. he's wearing a blue shirt, almost the exact shade of your dress, and he openly stares at you with a happy smile and a look in his eyes that you've never seen before.

"jeonghan?" you ask, pulling him from his intense focus on your chest.

"y/n," he smiles, eyes flicking up to yours. "you look stunning."

"i'm not ready yet," you pout slightly, checking the time on your phone. "you weren't very specific about when you were coming home."

"you look perfect," he says, checking you out again. "what else could you need to do?"

"wouldn't you like to know?" you tease, and he rolls his eyes.

"i can give you ten minutes, but any longer than that and we'll be late."

"late for what?" you ask as he passes you the flowers. "these are beautiful by the way, carnations are-"

"your favorite, i know," he smiles softly. "you buy yourself a bunch almost every time you're at the grocery store."

"i can't remember the last time someone bought me flowers either," you mumble, opening the door enough for jeonghan to come inside. "what are you still doing out there? it's your house, come in."

"finish getting ready," he laughs at you, reaching for the flowers again. "i'm putting them in a vase, weirdo. you'll get them back when you're done getting pretty."

"i'll be back," you whisper, running off before he can see how nervous you just got. you try to calm your nerves as you finish your touch ups, panicking last minute over which shoes and purse go with your outfit.

jeonghan is sitting on the couch, your flowers in your favorite vase on the coffeetable. he perks up at the sound of you shuffling down the hallway, but he pouts when he sees you holding up all your shoes.

"y/n, we're gonna be late."

"i don't know which ones to wear," you say simply, and he smiles as he comes up to you, analyzing the choices. he picks the white shoes and the white purse.

"glad we're still keeping this tradition alive even though i'm the one taking you out this time," he says proudly, watching you get situated. you stand back up, mussing your hair one last time before he asks, "ready to go, beautiful?"

"i don't know why i'm so nervous," you tell him, taking his arm as you leave the apartment. "we hang out all the time."

"yeah, but this isn't us hanging out," jeonghan says as you wait for the elevator. "i'm taking you on the best date of your life. nerves are completely valid."

"are you nervous?" you whisper, leaning in so jeonghan gets a good whiff of your perfume that he loves finding traces of all through his life. he holds your gaze, eyes flicking down momentarily before he shakes his head.

"no, i thought i would be, but i'm not," he replies simply as you get on the elevator.

"ok good, so i'll just freak out for the both of us then."

"would you? that takes a lot of pressure off of me," jeonghan jokes, and you pinch his arm. "ouch! so mean to me when i've made the perfect night for you."

"and what does this perfect night entail?" you ask. jeonghan just shakes his head, leading you out into the lobby of the building. he takes you a different way, not walking to the parking garage but instead to the main entrance of your building. "jeonghan, are we walking there? i don't think i can make it in these shoes-"

you stop mid-sentence, spotting the shiny baby blue mustang convertible parked outside. you look at jeonghan, mouth open in surprise. he has to tug you down the hallway and out into the cool night air, helping you into the passenger seat with ease. you watch on in shock as he gets into the driver's side, finally cutting through the fog in your mind to ask, "do you even know how to drive this?"

"yeah," jeonghan says coolly, opening the glovebox to hand you a scrunchie of yours that he stole. "here, you might wanna put your hair up."

"you're insane," you tell him, playing with the scrunchie in your lap as he starts the car. you can't believe this so far, and the date's barely begun. what other surprises could he possibly have in store for you?

-

after a quick ride out of the city, you find yourself at a retro drive in that's completely empty. you have a sneaking suspicion jeonghan rented it just for the two of you tonight, but you don't have a chance to ask. once he parks, he's asking you to open the glovebox and you smile when you see the stack of movie theatre candy boxes he's stashed away. you take them out, turning back to jeonghan to see he's produced a tub of popcorn from somewhere and a couple of your favorite sodas. you stare at him with your mouth opening and closing like a fish and he just smiles proudly in return.

"jeonghan, what did you do?" you finally ask, and he laughs.

"do you like it?"

"what are we doing here?"

"watching a movie," he says obviously. he shifts the snacks, the drinks going into the holders by the radio and the popcorn and candy going on the dashboard. "come closer," he mumbles, tugging your arm. the smooth vinyl of the seats sending you flying into jeonghan's side, and you giggle nervously as you adjust your dress. jeonghan lays the snacks out over your laps and drapes his arm across your shoulders for good measure. he looks at you to gauge whether you're settled or not, and when he decides you're ready he presses on the horn once. the screen in front of you lights up, and you gasp as you see the opening credits for your favorite movie flashing before you.

"where did you get the idea to do this?" you ask him with a smile, taking a few pieces of popcorn to give you something to do with your hands.

"just thought it would be something different," he shrugs, and you leave it at that. you can barely focus on the movie, hyperaware of how warm jeonghan is next to you and how every glance he casts your way sends your heart racing faster and faster. a few minutes into it, you remember your hair is still tied up from the ride, so you shuffle out of jeonghan's grasp to pull the scrunchie down and reset yourself. you know jeonghan is watching, so you mumble, "watch the movie, weirdo."

"i've seen it before," he whispers back, eyes still heavy on you. "i'm not missing anything."

"you've seen me before too," you point out, leaning back into his side once you're done moving around. "quite a lot, actually."

"yeah, but i've never seen you on a date before," he says. "and on a date with me? whoa. i gotta soak it all in."

you turn to look at him then, admiring the way his hair falls so slightly into his eyes, the way his lips stretch over his shy smile, how his eyes glisten when they meet yours. you could kick yourself for not noticing any of this sooner. who knew you had exactly what you were looking for right here?

"jeonghan, i-" you start, but realize you don't have the words to tell him what you want to say. you stop, staring at him with your brows furrowed cutely.

"what, baby?" he laughs, his thumb coming up to trace the creases in your forehead. "you're gonna give yourself premature wrinkles like this."

"why are you doing this?" you ask quietly. "why are you so...wonderful? all the time?"

"because," he shrugs, his hand falling from your forehead to rest just below your chin. "i've been trying to show you what it would be like. took you long enough to come around."

"show me what?" you ask confused.

"what it's like being loved by me," he smiles back. you feel your breath catch in your throat, and you want to say something. you want to tell him how you feel, how you're sorry it took you so long, how you love every moment you spend with jeonghan by your side. instead you just lean forward, lips brushing over his. you bring your hands up to his neck, wrapping them in the soft hair at the back of his head as you scoot impossibly closer and try to press all your love into this one kiss. jeonghan keeps his hold on your chin, thumb stroking softly at your cheek. he's the first one to pull back, laughing when you try to bring his lips back to yours so quickly. he leans his forehead against yours, soft hair tickling your skin as he asks, "so you get it now?"

"yeah," you nod, knocking your heads together and sending you both into a fit of giggles. jeonghan steals a few more kisses, and when you finally calm down he pulls you back into his side, squeezing you as close to him as possible. you lay your head down on his shoulder, pressing your lips into the closest part of him you can reach. "thank you, jeonghan. my jeonghan."

"my y/n," he sighs, tucking a strand of hair behind your ear. "my beautiful, kind, funny girl."

"stop staring," you whisper bashfully. "you're missing the movie."

"i'm not missing anything," he repeats, but he takes one last look at you before he kisses the top of your head and finally turns back to the screen. this might be your first date with jeonghan, but it certainly won't be your last.

[flanaganfilm]

howdy!! do you rewatch your own work? if so, how often? im wondering if it has the same "artist just sees faults with what they create" thing, or if youre able to appreciate past projects the way they deserve

I don't, typically... usually, by the time we're finished with post production, I've seen the thing so many times that I'm thrilled to stop watching it. I'm either sick of it, or just feeling like it doesn't belong to me anymore. There are other reasons, too - Hill House was a traumatic production for me, for example, I have a lot of complicated emotions woven into it, so I haven't felt ready to rewatch that one since before it aired. Maybe in a few more years.

Somewhat recently, I've revisited a few of the older movies with my eldest son, who is 13 now. He's basically as old as my career itself. We've watched Oculus, Hush, The Midnight Club (which he LOVED, proving it worked for our target audience) and Ouija: OOE together, and each of those screenings was a really cool experience. His reactions and questions were really fascinating, and I felt like I was able to see those movies anew through his eyes. That's the closest I've come to feeling like I was really seeing them, and that's only because so much time has gone by for those. I watched the Director's Cut of Doctor Sleep a few years back at the Stanley Hotel in Estes Park Colorado. It was part of a live NoSleep Podcast event, and that was the first time I'd seen that movie since it was released. It was also the first and only time I'd ever seen the Director's Cut with an audience. That was a really special screening and it meant a lot to me.

I haven't yet had the guts to revisit any of the TV series other than Midnight Club. As my kids get older, I'm sure I'll watch them all with them. The one I'm most excited to see is Midnight Mass, which remains my favorite of the shows. I haven't seen it since before it came out - I remember the last day of post on that show, watching down each episode with final mix and color. That's a series I wish I could actually watch like a viewer at home, and while I'll never truly be able to do that, I look forward to looking at it with some real distance.

There are a few of the older projects I'd be curious to watch now. I wonder how Absentia holds up - I was such a baby when we made that movie, and it's been so long. I imagine I could watch that today and have a really trippy experience. I also haven't revisited Before I Wake in a very long time, and I always really loved that script. The movie was a rough road, and my feelings were mixed by the time it finally found its finish line (Relativity Media really beat that one up), but that could also be a really interesting viewing experience at this stage of my career.

But generally, each of these movies is a journey, and once the journey is over it's tough to ever really go back. There's little point, and moving forward feels like a matter of survival. The "finished product" is only the tip of a large, deep, labyrinthian iceberg for me. It's impossible to only see what's on the surface, no matter how hard I try.

(Interesting side-note: The only exception I've found to this rule is The Life of Chuck. We just finished post production on the movie, and I've watched it dozens and dozens of times now - but I've never grown tired of it, not even a little bit. That movie is something special, and I am eager to watch it again - and again - and again. I don't know that I'll ever want distance from that one; in fact, watching it brings me a sense of joy, comfort, and safety.)

[yumeka-sxf]

I try to stay away from negative topics, but after hearing talk on social media yesterday and seeing this post from @such-a-downer, I just had to give my two cents about the complaints regarding yesterday's chapter being "another short mission" and that Endo is somehow being "lazy" or whatever.

I honestly don't understand this mentality of criticizing manga-ka, or any artists really, because they aren't delivering by whatever standards you personally think are appropriate. To me, it just seems like entitlement because Endo has no obligation to cater to any specific fan's wants. This is his story to tell the way he wants, and his characters to develop at the pace he deems fit. This isn't a business contract where we're paying him to deliver content we want every two weeks without fail. If I'm consuming the fruits of someone's creative labor for free, I certainly feel no right to complain if sometimes their content isn't what I wanted or expected. I'm fine with that because 1) I know it's what they (the creator) wanted/needed at the time, and 2) even if a particular chapter wasn't my cup of tea, I know other fellow fans out there somewhere are enjoying the heck out of it, and that's cool!

We also have to remember that SxF is basically a one-man show. If Endo is busy or sick or whatever, it's not like he can have someone fill in for him to write and draw the series. That's what a hiatus is for, that's what making a short chapter instead of a longer one is for...that's how artists should be treated so they don't get burned out and stressed. Plus, art shouldn't be rushed. Any artist knows that there are times when you have trouble coming up with ideas and maybe need a little extra time to develop a more complex section of the story. To immediately jump to conclusions that he's lazy or doesn't know what he's doing is ridiculous. Maybe he didn't feel good for a few days, maybe he's been busy with other SxF events, maybe he just needed more time to get a particular future arc developed, or maybe he just has basic IRL obligations to take care of like we all do...you don't know what's going on in his life, so don't make assumptions.

Another thing to keep in mind is that it's literally impossible to please every fan. One of the comments I read for example, someone was ready to drop the series because we haven't seen much of Yor in "a while." All I could think of was "didn't she just have a pretty big role only four chapters ago when they went to the ski resort?" Plus she was the star of chapter 91, which was less than ten chapters ago. So according to this person's standards, four chapters without seeing a particular character is "too long"? What if it was only three chapters, would that be acceptable? It's not right to push our own personal standards of a series' pacing as the "correct" way: some people want to see more of character X while someone else wants to see more of subplot Y, so should both complain that the manga-ka isn't doing right whenever they focus on something else? I'm not saying you shouldn't make criticisms of a manga-ka's work, but the criticisms should come from within the narrative itself, not superficial things like chapters focusing on subplots/characters you don't want to see or not having enough "plot-advancing" content when it's not a plot-focused series.

People who have read SxF up to this point should know the general flow of the chapters: mostly slice-of-life episodic, with more plot-heavy, intense arcs once in a while, like the cruise arc and bus arc. It's an ensemble series that spends most of its chapters focused on at least one of the Forgers, but occasionally other characters here and there. That's how the series has been for years and will likely continue to be. So if you keep complaining because you only like the dramatic story arcs and not the "nothing happens" episodic chapters, then maybe the series just isn't for you. It's totally fine if that's the case, but don't act like Endo is doing something wrong because he's not providing the particular thing you want in his story.

To summarize, Endo has no obligation to cater to particular fans' standards, just as we have no obligation to keep reading his work if we don't like it. But being a fan to me means respecting the creator's pace and vision even if it's not always what I personally want. I can find something to enjoy in every chapter because I'm a fan of SxF, not a fan of one particular aspect of it. But I also will not complain every time my tastes aren't being catered to and will simply occupy myself with other things while I wait. What's the big hurry, after all? I'm in no rush for SxF to wrap up its plot and I'm glad Endo isn't rushing either.

And that's all I'm gonna say about this topic, lol. On a happier note, I'm going to finally see Code White on Thursday! 😁 More to come later~

[coruscatingcorvid]

ANNABEL LEE AND LENORE FLASHBACKS TIME PERIOD

Hello my dearest friends. Though the time is never specifically stated, through some extremely scientific sleuthing I have determined the likely time period the flashbacks between Annabel and Lenore are taking place.

First off, from the very general vibe of their clothing, we can put them in the late victorian to early edwardian era (roughly 1880s to 1900s). Since we rarely see either of them in bustle dresses, I would assume at least 1890s. While we don't see very many of the iconic 1890s giant puffy sleeves, Annabel's dresses in particular that we see are reminiscent of late 1890s evening wear. For example:

Annabel's dress in episode 67:

Evening dress from 1898-1900:

[1]

ADDITIONALLY, in episode 90, we see Annabel's wedding dress. While not exact, it is distinctly reminiscent of lace insertion dresses which grew popular during the edwardian period. Though it is not a part of the dress itself, Annabel's necklace is similar to dress collars at this time.

Annabel's wedding dress:

Wedding dress from 1902:

[2]

Lace insertion dress 1908:

[3]

We also see other dresses from this time period on other characters through episodes 65 and 66.

(Dress from 1898, [4])

(Shirtwaist ca. 1900, [5])

(Shirwaist 1900-1910, image copyrighted: https://www.metmuseum.org/art/collection/search/86042 [6])

This (above) is particularly interesting case because it reflects an earlier time period than much of the other clothing. The character who wears this is Annabel's maid, Nessa. However, this could easily be reflective of the historical precedent for wearing clothes after they were fashionable, since clothing is expensive. The dress she wears here is very similar to dresses from the 1880s.

(Dress, 1885-88, [7])

Brief hair interlude:

Nessa has exactly Gibson Girl hair, which was popular from the 1910s to about WWI [8].

[9]

Annabel, meanwhile, uses rag curls, a type of heatless wet set.

(Unfortunately I haven't been able to find historical images of rag curls with reliable sources, though this was one of the more consistent ones, and is purportedly from 1870. Additionally, I could not find any copyright free photos of what setting it looks like, but Annabel's hair in the first image is how you set rag curls, so feel free to look into it yourself!)

Unfortunately, I can't really speak on the menswear, as I don't know enough about it currently to be able to note details that have been translated into art.

I do want to add the caveat that I am not an expert in historical fashion, just a nerd, and while I do have a good amount of background knowledge, there could very well be inaccuracies in this. Additionally, none of this is meant to try and nitpick any historical inaccuracies--the art in the webcomic is gorgeous and I am 100% here for artistic license/artistic interpretation/vibes.

SECONDLY, the most concrete evidence we have for the time period comes from the conversation between Lenore and Annabel's father in episode 67. He says to sail to England on the ship Oceanic on the White Star Line. The RMS Oceanic made her maiden voyage on September 6, 1899 from Liverpool to New York [10]. Upon its launch, it was the largest passenger ship of its time [11]. On September 8, 1914, the ship ran aground [10]. Which is a pretty big time period. BUT, Annabel's father says that she is "The largest and finest ocean liner in the world," which she was, until 1901, when she was surpassed by the RMS Celtic on July 25, when she made her maiden voyage [11, 12].

Thus, the flashbacks (as far as we have seen in episode 105) between Lenore and Annabel Lee must take place before July 25, 1901, and begin after or around 1899!

Sources:

https://www.metmuseum.org/art/collection/search/83980

https://commons.wikimedia.org/wiki/File:Mina_Schwabacher_Eckstein_in_wedding_dress,San_Francisco,_1902(MOHAI_2332).jpg

https://digitalcollections.nypl.org/items/510d47e0-eedd-a3d9-e040-e00a18064a99

https://www.metmuseum.org/art/collection/search/159409

https://www.metmuseum.org/art/collection/search/86051

https://www.metmuseum.org/art/collection/search/86042

https://www.metmuseum.org/art/collection/search/84314

https://www.loc.gov/exhibits/gibson-girls-america/overview.html

https://commons.wikimedia.org/wiki/File:Gibson_Girls_seaside_-cropped-_by_Charles_Dana_Gibson.jpg

https://en.wikipedia.org/wiki/RMS_Oceanic_(1899)

https://en.wikipedia.org/wiki/Timeline_of_largest_passenger_ships

https://en.wikipedia.org/wiki/RMS_Celtic_(1901)

[onesidedradiostatic]

S2 of Hazbin already giving me X-Men vibes in the sense that the entire story revolves around two old men making their relationship drama everyone else's problem

I have not seen x men so I'm just taking the latter part of this ask

I mean considering how vox is apparently gonna be the main MAIN antagonist of season 2 that sounds about right LMAOOOO

and you know it's funny because vox legitimately has like no other motivation for the hotel other than alastor, any conflict with the hotel and him is absolutely going to involve alastor

like. most of the hotel literally have not even interacted with him other than PENTIOUS who's in HEAVEN. and well angel dust but they haven't had a proper on-screen interaction yet, all we know is they know of each other's presence due to their connections with val.

in fact, most of the main cast have had more interactions with or at least been in the same room with val more than vox. like angel dust is a given, but charlie interacted with val in episode 4, niffty, husk and cherri directly faced val eye to eye in episode 6 (and well in niffty's case, a bit more than that LMAO). vaggie's at least seen val from heaven's courtroom through the magic ball thing.

so honestly seems like the vee the hotel is most familiar with is val, which is funny because alastor has literally never been in a room with val on screen (insert alastor's sex aversion and val being an alastor repellent joke here). and even though he never interacted with velvette, he's the only one of the main cast to have ever been in a room with her. alastor being here like "yes please go ahead and waste all your interactions on valentino. I will sit here being the only one to interact with the other 2 vees, who may be just as bad as him but are ones I am able to tolerate a bit more, just don't put me in a room with him."

anyways sorry I got a bit off track but yeah with vox being the main MAIN antagonist, 100% his and alastor's drama will probably have to take the forefront considering he's the only one of the main cast he has any sort of significant interaction with.